Digest Compendium of the Tortoise's Worl
Editorial Reviews
Album Description
15 track Japanese-only 1996 compilation on Thrill Jockey/Jade featuring 15 tracks from the lo-fi Chicagoans: fourpreviously unreleased cuts ('Gooseneck', 'Ry Cooder (TheBeer Incident', 'Reservoir' & 'Whitewater') and 11 fromtheir first two albums, 1994's
Average customer rating:
- 20-something women with ageless souls
- What a sound!
- Another Excellent CD
- Woohoo for Waterloo!
- Excellent
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Waterloo, Tennessee
Uncle Earl
Manufacturer: Rounder / Umgd
ProductGroup: Music
Binding: Audio CD
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ASIN: B000MTPAE0
Release Date: 2007-03-13 |
Tracks:
- Black-Eyed Susie
- The Last Goodbye
- One True
- Wish I Had My Time Again
- My Little Carpenter
- My Epitaph
- Buonaparte
- Bony On The Isle Of St. Helena
- Sisters Of The Road
- Streak O' Lean, Streak O' Fat
- D & P Blues
- The Birds Were Singing Of You
- Wallflower
- Drinker Born
- Easy In The Early ('Til Sundown)
- I May Never
Amazon.com
After switching to big-name British producer John Paul Jones (of Led Zeppelin fame; he also contributes some instrumental support), this female stringband quartet continues to go wider and deeper in its exploration of acoustic Americana. On their sophomore release, Uncle Earl's balance contributes to their range. Each of the four is a virtuosic musician, all contributing vocals that blend into the buoyant harmonies of "One True," the a cappella shape-note spiritual "Buonaparte," and the field hymn "Easy in the Early ('Til Sundown)." While uptempo fare spotlights the sprightly fiddle of Rayna Gellert, banjoist Abigail Washburn sings a stark meditation on mortality in the revival of Ola Belle Red's "My Epitaph," with guitarist Kristin Andreassen illuminating the vocal purity of A.C. Carter's "The Birds Were Singing of You." As for percussion, Gillian Welch provides guest drums on "The Last Goodbye," and Andreassen's clogging serves as a rhythm track behind Gellert's fiddle on "Sisters of the Road." --Don McLeese
Customer Reviews:
20-something women with ageless souls.......2007-07-21
There are no words to express the soulfulness and purity of Uncle Earl. Bluegrass might be an accurate niche for some of their music, but all of it is enhanced by the the essence of their souls -- especially when Abigail Washburn leads an acapella spiritual or blues number. Only four women are equal to stand with her on the pedestal of supreme vocal talent: Mahalia Jackson, Dinah Washington, Joan Baez, and Bonnie Koloc. I own every CD Washburn and the group have produced, and I intend to devote my retirement years by seeing every Uncle Earl and Shadow Quartet performance I can get to--they are totally superb!!! I recently spent an entire day and traveled over 100 miles to see them in Chicago. One suggestion however --, how can show managers make the ignorant spectators in the audience shut up, so the real diehard fans (like me) can just enjoy? At Baez and Koloc performances, you can hear a single pin drop, and NOBODY walks across the entire front edge of their stages.
What a sound!.......2007-05-28
This is my first exposure to Uncle Earl and I must say that they are phenominally talented. The fact that they could get John Paul Jones to produce this album is a huge plus because I have always been a huge fan of his picking. This is definetly a good disk to pick up.
Another Excellent CD.......2007-05-07
I have really been enjoying this CD. It certainly meets the high expectations I have for this group!! I want to see them live now more than ever.
Woohoo for Waterloo!.......2007-04-16
I like that this cd has its dark moments (The Last Goodbye, My Epitaph, The Birds were Singing of You), but also manages to find room to get frisky (Black-Eyed Susie, Streak O' Lean/Streak of Fat, Easy in the Early). I often find myself effortlessly identifying with the characters in these songs. The vocal chemistry of these gals is extraordinary and I like the steady rotation of lead vocal duties. And of course, this cd is packed full of fiddles, banjos, violins, acoustic guitars, and mandolins which are played just as sharply as the singing. A sterling addition to any bluegrass collection.
Excellent .......2007-04-11
Uncle Earl again showed excellent talent. If you like old timey music or more traditional blue grass, you will fall in love with these girls.
Average customer rating:
- fun but flawed
- Simply Perfect
- Great Album!
- Wonderful, if only for the instrumentals
- Wonderful Soundtrack
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The Lion King: Special Edition
Manufacturer: Disney
ProductGroup: Music
Binding: Audio CD
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ASIN: B0000CABJ2
Release Date: 2003-09-30 |
Tracks:
- Circle Of Life - Carmen Twillie
- I Just Can't Wait To Be King - Rowan Atkinson
- Be Prepared - Cheech Marin
- Hakuna Matata - Ernie Sabella
- Can You Feel The Love Tonight - Ernie Sabella
- The Morning Report - Jef Bennett
- This Land - Hans Zimmer
- To Die For - Hans Zimmer
- Under The Stars (Instrumental) - Hans Zimmer
- King Of Pride Rock - Hans Zimmer
- Circle Of Life - Elton John
- I Just Can't Wait To Be King - Elton John
- Can You Feel The Love Tonight - Elton John
- Can You Feel The Love Tonight (Remix) - Elton John
Amazon.com
Elton John doesn't seem like a natural choice to write for a Disney musical, but he rose to the task on The Lion King, transcending his usual penchant for the softest of soft rock. Sir Elton's collaboration with Tim Rice (former writing partner of Andrew Lloyd Webber) helps connect the soundtrack to the theatrical lineage of all Disney musicals--so much so that, like Beauty and the Beast, The Lion King was eventually adapted for Broadway. Undistinguished songs like "Can You Feel the Love Tonight?" are far outnumbered by stirring, stately tunes that lent the film so much of its sense of pageant and play. --John Sanchez
Customer Reviews:
fun but flawed.......2007-05-07
in 1994, the lion king came out and broke records. the film itself took in an astounding 312 million dollars in the us. that makes it the highest grossing hand-drawn animated feature EVER (an accomplishment that will never be toppled since niether disney nor dreamworks is producing hand drawn features any more). that year at the oscars it also won two awards for the musical score and best original song (three of its songs were nominated0. so how does the music really stand up compared to other disney features.
first off there's hans zimmer's score. his score is both powerful and moving. it brilliantly incorperates elements of local african music (provided and arranged by lebo m) these elements give it a great feeling of belonging not only to the film but to it's setting. without these tribal elements the score would have been far less compeling. one small problem is when the score abandons these elementsl; they're not carried through in all of the music. but its not enough to be a real distraction. the power of the score allows the listener to feel the wildabeast charging or smell the rain falling during the monsoon or experience the brilliance of the circle of life.
SCORE 5 out of 5
the songs had music by elton john and lyrics by tim rice. the following is a song-by-song breakdown.
THE CIRCLE OF LIFE - this is a great opening number with powerful vocals provided by carmen twillie and impressive african-inspired vocals in the beggining by lebo m. with the actual film, this is not only a moving but inspiring piece of cinema. even without, this is a great song that still gives me goose-bumps. this definately warranted its oscar nomination
5 out of 5
I JUST CAN'T WAIT TO BE KING - this is a really fun song by simba and nala along with zazu. its infectious beat and lyrics definately leave u humming. this may not be the most memorable song, but it definately captures the youth and innocence of simba at this point
5 out of 5
BE PREPARED - this is scar's big number so to speak. it features the hyenas in a very dark yet memorable song. the rhaspy vocals and wonderful musical arrangements make this a great piece that is both eery and impressive.
5 out of 5
HAKUNA MATATA - this is the second oscar nominated song, and although its fun buddy type number, it does get old and doesnt really age as well as the rest. this is honostly one of the weakest songs, believe it or not, its good but just cant really hold up to the other stronger pieces.
4 out of 5
CAN YOU FEEL THE LOVE TONIGHT - here it is, 1994's oscar winner for best original song. honostly i feel that the circle of life deserved that award, but here's the song that got it. the film's version is very romantic, especially for featuring a couple of lions, timon and pumba's parts are funny, but it is simba and nala's portion that takes it home. btw elton john's version at the end is a definate winner.
5 out of 5
SONGS OVERALL - 5 out of 5
so if the score gets 5 and the songs get 5, why does the album only get 4? the answer's pretty simple. for the first time since 1989 with the little mermaid, two composers helped on this film. one provided the film's score and one provided the music for the songs. because two composers worked on this, it feels a little incohesive at times. this isn't really noticible within the film but on the soundtrack it definately stands out. elton john and hans zimmer both did a great job and the only really saving factor are the african rhythms that they both used. although this is a great soundtrack, that lack of unity does bring it down.
despite that minor flaw, this is a must-own for any disney fan or music fan in general. this is a great soundtrack that ranks right up there with beauty and the beast and must never be forgotten.
Simply Perfect.......2007-04-09
This is hands down one of the best Disney soundtracks ever! Elton John came up with some killer tunes here! The opening song always give me goosebumps!
Great Album!.......2007-03-31
This album is great, but I can't seem to find the part where simba and scar fight at the end. i was thinking it would be on "King of Pride Rock" but its not... so i'm a little disapointed in that. (thats one of my favorite scenes for some reason) other than that, i love the songs.
Wonderful, if only for the instrumentals.......2007-02-14
The songs with lyrics are cute and memorable, but the strength of this album is in the last four songs. Listen to "This Land" and it instantly transports you back to the scene with Simba and Mufasa laying under the stars, and then to the scene where Simba sees Mufasa in the clouds. Listen to "...To Die For" and you feel an intense claustrophobia as you relive Mufasa's last moments and Simba's discovery of his father. Listen to Under The Stars and you can practically hear Simba screaming, "You said you'd always be there for me!" And when King Of Pride Rock comes along, you can feel your heart swell as you see Simba take his place on Pride Rock. The instrumentals are incredible works of art that never fail to draw intense emotion.
Wonderful Soundtrack.......2006-11-16
I'm writing this review not of the release of this Special Edition, but of the music contained within. Disney's release and re-release of products is nothing new. It's one of the reasons that Disney is so strong in the market today. With that said, I have to admit that this is one of the best Disney soundtracks that has ever been cut to a disc. I never owned the original release of this music, so I'm glad that Disney did decide to re-release the original work with a few extras as part of the "The Lion King: Special Edition" release. Everything on here is wonderful, and the score itself was key to the development of the story. Selections such as "King Of Pride Rock" and "To Die For" encompass the emotional ups and downs of this film. Elton John's music is also wonderful on this disc. His most notable offerings are "Can You Feel The Love Tonight" and "Circle of Life." His only downfall is "I Just Can't Wait To Be King," which should have been left to the youngster who performed Simba's singing voice. It comes acrossed as forced by Elton John as he performs it.
The "extras" for this Special Edition include a mild and unnecessary remix of "Can You Feel The Love Tonight" and "The Morning Report," which is included on the Special Edition DVD release. Neither add to the collection, but it is nice to have "The Morning Report" on the disc.
Overall, this is one of Disney's strongest soundtracks. In my personal list, I rank it in second place behind Phil Collins' wonderfully tribal "Tarzan" soundtrack. If you don't already have the "Lion King" soundtrack, I highly suggest that you purchase this special edition copy if you are a true fan of the film or of Disney soundtracks in general.
Highly recommended.
Average customer rating:
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BEST
Jr. Robert Earl Keen
Manufacturer: Koch Records
ProductGroup: Music
Binding: Audio CD
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ASIN: B000IHY9AM
Release Date: 2007-06-26 |
Tracks:
- No Kinda Dancer
- Willie
- Armadillo Jackal
- Paint the Town Beige
- Whenever Kindness Fails
- Corpus Christi Bay
- Merry Christmas From the Family
- The Road Intro
- The Road Goes On Forever
- Furnace Fan
- All I Have Is Today
- Let the Music Play
- For Love
- Mr. Wolf And Mama Bear
- Ride
- Feeling Good Again
- Gringo Honeymoon
- I'm Comin' Home
Average customer rating:
- timeless tunes
- 2 living legends and one bluegrass great
- A work of bluegrass art!
- No Matter How You Classify It, It's Just Good Music
- Traditional and Excellent Bluegrass
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The Three Pickers
Earl Scruggs , Doc Watson , Ricky Skaggs , Doc Watson , and Ricky Skaggs
Manufacturer: Rounder / Umgd
ProductGroup: Music
Binding: Audio CD
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ASIN: B00009XFQR
Release Date: 2003-07-15 |
Tracks:
- Feast Here Tonight
- What Would You Give in Exchange for Your Soul?
- Spoken Introduction
- Who Will Sing For Me?
- Spoken Introduction
- Soldiers Joy
- Walk On Boy
- Daybreak Blues
- Dont Let Your Deal Go Down
- Pick Along
- Spoken Introduction
- What Is A Home Without Love?
- Doin My Time
- Earls Breakdown
- The Storms are on the Ocean
- Down in the Valley to Pray
- The Banks of the Ohio
- Ridin That Midnight Train
- Spoken Introduction
- Road To Spencer
- Katy Hill
- Foggy Mountain Top
- Roll In My Sweet Babys Arms
Amazon.com
It took a North Carolina concert for PBS's Great Performances series to get bluegrass legends Earl Scruggs, Doc Watson, and Ricky Skaggs together for the first time. It was a celebratory occasion, and this live session, supersaturated with hot licks and down-home warmth, successfully captures the excitement of the unprecedented event. For all the assembled instrumental expertise, it is the traditional vocals--with Skaggs leading the way--that makes the music work. The trio opens with the lively "Feast Here Tonight," featuring scintillating sounds from Skaggs's mandolin, Scruggs's banjo, and Watson's guitar, before taking on the high, lonesome gospel of "What Would You Give in Exchange for Your Soul." Each member of the trio gets feature spots for his individual band, in addition to the dozen or so songs where the three combine forces. Watson is joined by grandson Richard for a couple of country blues tunes before Scruggs, reinforced by his Family and Friends, takes over for two songs, showcasing his seminal banjo technique on "Earl's Breakdown." Skaggs and his Kentucky Thunder also take center stage for two songs, and, as if the litany of legends wasn't enough, fiddler Alison Krauss even joins the trio of principals for three songs. --Michael Point
Customer Reviews:
timeless tunes.......2006-06-27
this is my favorite bluegrass album of all time.. i listen to it more than any of my other ones... its awsome cause three of the greatest men in bluegrass are here together, legends just the same as any of them... and the songs are some of the best in bluegrass history. i give it a 5 stars. wish bill monroe couldve made this one.... im sure he was somewhere above.
2 living legends and one bluegrass great.......2006-03-23
This is one of the best bluegrass/folk discs around. I've seen Scruggs, Watson and Skaggs play live separately on multiple occasions and would've loved to have been at this great show. It's hard to believe this was a one time performance as Watslon and Skaggs' vocals blend so well with Watson's incredible guitar-picking and Scruggs' classic banjo sound.
This is a live set that you can definitely listen to over and over again.
A work of bluegrass art!.......2005-12-07
In December of 2002, three legends of bluegrass sat down to do some picking - Earl Scruggs (on banjo), Doc Watson (on guitar), and relative newcomer Ricky Skaggs (on mandolin). It was aired on the American Public TV program Great Performances, and it certainly was that! This is a great CD, a work of bluegrass art.
The music is absolutely wonderful to listen to, sure to be enjoyed by any bluegrass fan. I love listening to this album, and highly recommend it to you!
No Matter How You Classify It, It's Just Good Music.......2005-08-01
About a year ago, I bought three albums --the latest album by the Blind Boys of Alabama (wonderful), R. L. Burnside's A Troubled Mind (one of the two best I bought from Fat Possum records --the other was Robert Balfour), and this album. In other words, I bought three outstanding albums, all at the same time.
So which one do I listen to most often? The Three Pickers.
I've been a fan of Earl Scruggs for a long time. His albums with Lester Flatt are incomparable. They're the only blue grass albums that compare to jazz in my opinion, like listening to early Louis Armstrong.
I like Ricky Skraggs, mostly for his background work on the Evangeline album, by Emmy Lou Harris. (I don't greatly like the one album I bought by Ricky with his own group.)
I know that Doc Watson is a giant and I love his voice and manner but I've never spent time listening to him, principally because C&W and folk aren't my first thing. I've spent fifty-five years listening to jazz first and classical music second. It's not that easy changing gears.
I bought this album first because Earl Scruggs was on it, second because Ricky and Doc are premiere players, and lastly because it looked pure and unadulterated, just world class performers playing together for fun.
That's what it is. All three pickers are in good form. They are having fun. It's clear they like being together. All of the songs they play are good, some wondrous.
I like the cuts with Ricky Scraggs' group least, those with the three of the pickers and with Doc and his son most. Doc Watson has a beautiful tenor-baritone voice; he plays fine guitar both in background and solo. Earl Scruggs still plays with the fire and passion he had thirty-five years ago. What technical control he has! Ricky Scraggs is a first rate instrumentalist and very good in ensemble singing, but less successful as a solo vocalist. I wish I liked Ricky's group better --it's good but the cuts with the other groups are better. Alison Krause is on some cuts but doesn't have much to do.
I usually don't like chatter on a music record but here it fits. The love --for the music they are playing and among the three men themselves -- is transparent. It adds a warm glow to an exceptional record.
Dave Keymer
Modsesto CA
Traditional and Excellent Bluegrass.......2005-07-09
It has been years since I have listened to bluegrass. Recently I listened to Nickel Creek's excellent self-titled CD, and was very impressed. Then I switched to the more traditional American bluegrass of this album. The "three pickers" are Earl Scruggs, 79 years old and playing banjo, Doc Watson, 80 years old and playing guitar, and Ricky Scaggs, at 49 years old the youngest member of trio and playing mandolin. While these three men are not just pretty faces (they really are not), they are incredible artists, both instrumentally and vocally. They are also joined by various guests, most especially Alison Krause, who sings and plays violin.
I almost felt as though I was listening to early Grand Old Opry, because the Opry frequently featured bluegrass, and this bluegrass is some of the best available. Excluding the four spoken introductions, there are 19 superb instrumentals and songs that are sure to delight anyone who enjoys this uniquely American style of music.
"Feast Here Tonight" starts the album off right with a very traditional bluegrass song. The instruments generally stay in the background until an Earl Scruggs banjo solo. Later in this song Ricky Scaggs's mandolin takes front honors, and for a brief time Doc Watson's guitar takes a turn, all to introduce the quality to come. The more melancholy "What Would You Give in Exchange for Your Soul?" follows; also a traditional bluegrass song. After a spoken introduction is yet another traditional song, "Who Will Sing for Me?" The harmonies in this song are traditional and as nicely executed as any harmony in a studio containing millions of dollars of electronic manipulation. After a second spoken introduction is a short, peppy instrumental, "Soldier's Joy."
The style changes a little with "Walk on Boy." This time we hear Doc and grandson Richard Watson play a song that has a strong blues flavor. This song is powerful because of its simplicity. The next song, "Daybreak Blues," stays in the blues vein, and even includes some yodeling.
The pace and style changes once again on "Don't Let Your Real Deal Go Down." There is some fast-paced picking on this song and a good deal of enthusiasm that the audience picks up. The next selection is "Pick Along," an instrumental that initially highlights Earl Scruggs's banjo, moving along to what I believe is Glen Duncan's fiddle. Next Doc Watson's guitar takes the lead with gusto. I believe Rob Ickes then takes a turn on banjo, followed by Ricky Scaggs on mandolin. Earl Scruggs then takes the lead to the end of the song. Somewhere on this instrumental is Mark Fain on bass, though I have difficulty picking the bass out.
The next song, "What Is a Home without Love," returns to a more traditional bluegrass style. This simple song is readily reminiscent of the Appalachian Mountains and an era but recently gone. "Doin' My Time" has a blues style that is similar to some of the music in "O Brother, Where Art Thou?" Earl's father wrote the next instrumental, which Earl says in the introduction he though he named after him, "Earl's Breakdown." This instrumental is fast-paced and, as with the other instrumentals, features several instruments in the lead.
The next song is "The Storms Are on the Ocean." This lovely bluegrass song is about separation and longing, and is a rarity among bluegrass songs in that it includes oceans. The first song on this CD to have a strong gospel flavor is "Down in the Valley to Pray." This a capella song features guest artist Alison Krause. "The Banks of the Ohio" follows and is as mellow as the former song. Alison Krause also sings on this song.
The pace picks up significantly with "Ridin' that Midnight Train." Having a train song is an excellent enhancement to this bluegrass collection.
The next instrumental was written by Ricky Scaggs and was performed by Scaggs and Kentucky Thunder, his band. "Road to Spencer" is bluegrass with a Celt flavor. I was immediately reminded of Nickel Creek's music when I heard this instrumental that is more strongly bluegrass than Nickel Creek's music.
The last three songs include Alison Krause and the performers who appeared on the previous tracks. "Katy Hill" and the last song, "Roll in My Sweet Baby's Arms," are traditional bluegrass music. The song in the middle, "Foggy Mountain Top," was written by A.P. Carter, Maybelle Carter and Sara Carter, also known as the Carter Family. The three songs are a marvelous finish to this CD, and will leave bluegrass enthusiasts wanting more.
Some of us may have forgotten what it means to play music. Today electronic effects hide mistakes and mediocre performances, turning street corner crooners who would scare chickens into marketable commodities. The three pickers and their ensemble remind us what it means to be in front of an audience with acoustic instruments and their voice. There are no pretty people here, just us. This music may have something to do with reminding us of our roots, but it may also tell us about ourselves, as we are now. The next time someone drives by and you hear thundering bass vibrating your bones, remember that loud electronic noise does not make music great, nor does it make up for lack of virtuosity, which does exist, here. You just need to reach for it.
Average customer rating:
- Every CD is worth every penny
- wonderful folk
- A beautiful slice of Americana pie
- A New Look at Old Music
- Superbly Fresh and Unique American Music
|
She Waits for Night
Uncle Earl
Manufacturer: Rounder / Umgd
ProductGroup: Music
Binding: Audio CD
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ASIN: B000A0EM5Y
Release Date: 2005-07-19 |
Tracks:
- Walkin' In My Sleep
- There Is A Time
- Sugar Babe
- Warfare
- Pale Moon
- Booth Shot Lincoln
- Willie Taylor
- Sullivan's Hollow
- How Long
- Old Bunch Of Keys
- Sleepy Desert
- Divine
- Ida Red
- Take These Chains
Album Description
Produced by influential multi-instrumentalist Dirk Powell (the Cold Mountain soundtrack, Balfa Toujours, the Tim O'Brien Band), She Waits for Night captures all the grace, intensity, and charm that has already endeared the multitalented, all-girl string band Uncle Earl to all who have seen them in concert. It's a soulful mix of original and traditional songs boldly bringing old-time music into the new millennium. Ranging from full-bore string-band stomps ("Walkin' in My Sleep," "How Long") to aching ballads ("Willie Taylor"), from driving gospel standards ("Warfare") to disarming a cappella originals ("Divine"), the performances on She Waits for Night find Uncle Earl building upon centuries of tradition to create their own uniquely modern sound.
The "g'Earls" are: Kristin Andreassen (guitar, clogging, vocals), Rayna Gellert (fiddle, guitar, vocals), Sharon Gilchrist (bass, mandolin, vocals), KC Groves (mandolin, guitar, vocals), and Abigail Washburn (banjo, vocals).
Customer Reviews:
Every CD is worth every penny.......2007-07-21
The inspirational anthem "Warfare" is the cut that I always set on "repeat" for at least 10 times every time I play this CD. It and "Take These Chains" make it worth every penny. Unexpectedly, I was astonished to realize it is conceivable to think that during this nation's slavery era (before it was abolished), the captives whose masters were never cruel COULD HAVE BEEN patting their shackled feet when they heard fiddles playing jigs and folks square-dancing in the mansions. Those slaves who ultimately gained freedom endured only through faith, hope and music. Thanks, Uncle Earl.
wonderful folk.......2007-06-08
it is the kind of music I love, especially with the beautiful female vocals, it makes me as happy to listen to as Mike Oldfields moonlight shadow back in the 80's. It's also a good loader for my own creative batteries, working as a painter and a writer.
A beautiful slice of Americana pie.......2006-01-19
A very impressive album featuring the fiddle of Rayna. One of the strongest old-time groups out, they really have an authentic, tight sound that is unlike most other groups that play old-time. I saw them live and they are just as good in person as on record.
A New Look at Old Music.......2005-12-18
For a style of music that's so supremely rooted in homespun traditions, front porch gatherings, and community, bluegrass has slid on keeping women active in the fold. Even women stars like Adrienne Young and Laurie Lewis tend to have all or mainly men in their backing bands. Not so for Uncle Earl, an all-female supergroup playing some of the most forward-thinking, progressive old-timey music you can get out there right now.
The troupe a quartet (now a quintet on tour) who play originals and traditionals with a distinctly acoustic mindset that isn't shackled to twang of the past. Though there is no doubt the group is playing bluegrass, they bring in hints of jazz, blues, Cape Breton music, and more in the progressive acoustic mold. Even better, all members of the group are also confident artists with careers apart from the group--we get the benefit of strong soloists who aren't going to be subverted by their own egos.
Original songs like "Pale Moon," "Divine," and "Take These Chains" give group members an opportunity to strech their legs as innovators and rotating group leaders. But the solo mindset under these tunes is carefully balanced with old traditionals like "Willie Taylor" and covers like "There Is a Time" which allow the members to vanish into a greater whole. The interplay of these forces creates a complex tapestry of sound in which no single creative voice dominates the others.
This is the third album issued under the Uncle Earl name, though it's the first to go into wide release. Not only does it serve as an excellent introduction to the band, it can turn the audience on to the individual members, most of whom have their own work out as well. (Abigail Washburn is definitely the star of the group, but I'm fond of Rayna Gellert's distinctive and resonant voice, and her sharp fiddling.) If old-timey music has a place in a hip-hop world, these skilled and active women will be at the keystone. Look for more from them in the near future.
Superbly Fresh and Unique American Music.......2005-11-10
Women have long held important roles in rural American songwriting and music-making. This group of young women are worthy successors. Far too original and ambitious to be simply keepers of the flame, Uncle Earl makes old-time music that's undeniably contemporary. Their topical songs weave stories grounded in today's realities. And their expansive repertoire of old-time cover tunes inspires the classics with the living essence of our time. Frankly, I bought this one on a lark ... hoping for the best. And I got the very best indeed.
Average customer rating:
- Can I say this?
- Earl Scruggs: History's Most Imitated Musician
- Some of the best
- Essential for banjo pickers, great for bluegrass fans
- 5 String Banjo
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Foggy Mountain Banjo
Lester Flatt & Earl Scruggs
Manufacturer: County Records
ProductGroup: Music
Binding: Audio CD
General
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Similar Items:
- Earl Scruggs and the 5-String Banjo: Revised and Enhanced Edition - Book with CD
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- The Essential Flatt & Scruggs: 'Tis Sweet To Be Remembered
- 31 Banjo Favorites, Vol. 1
ASIN: B0000012DO
Release Date: 1995-03-28 |
Tracks:
- Ground Speed
- Home Sweet Home
- Sally Ann
- Little Darlin', Pal Of Mine
- Reuben
- Cripple Creek
- Lonesome Road Blues
- John Henry
- Fire Ball Mail
- Sally Goodwin
- Bugle Call Rag
- Cumberland Gap
Amazon.com essential recording
Despite a painfully short running time of 25 minutes, this 1961 landmark remains one of the most important and influential banjo albums ever made. Released at the height of the folk boom, these 12 instrumentals inspired countless college kids to pick up a five-string banjo and try to emulate the great Earl Scruggs's spectacular three-finger attack. Paul Warren's fiddle and Josh Graves's Dobro keep pace with the master, who creates a template for bluegrass banjo. Although there are more definitive and comprehensive Flatt & Scruggs collections available, Foggy Mountain Banjo will always be a perennial favorite thanks to its original timely release and, of course, the timeless music within. --Marc Greilsamer
Customer Reviews:
Can I say this?.......2007-04-19
This is BAR NONE, the best 5-string banjo instrumental album ever recorded.
This is one of those rare albums where you can go five years between listens, and every time you hear it again, the first thing out of your mouth is, "This is still the best there ever was. It's as good now as it was the first time I heard it."
Earl Scruggs: History's Most Imitated Musician.......2006-12-01
It is absolutely mind boggling when you stop to consider that out of the total number of Banjos being made in the last 50 years, how large a percentage were 5 String models; and also how large a percentage were and will be played 3 finger style, as opposed to the older folk styles of "clawhammer"; "frailing"; "drop-thumb".
It can all be traced back to one man: Earl Scruggs, a soft spoken, humble North Carolina gentleman whose playing was anything but soft spoken! Earl has left his proverbial fingerprints on the musical aspirations of the 5 string banjoists for literally generations to come. When it comes to tone and taste, nobody can lay it down like Earl. This album was recorded at the height of their popularity, captured in Columbia's Nashville studio, with audiophile results. The Foggy Mountain Boys' masterful accompaniment, from Lester Flatt's beautifully understated, but powerful guitar; Paul Warren's solid fiddle; Buck "Josh" Graves' equally groundbreaking Dobro; and Jake Tullock's rock-solid, precise, upright bass made this album an absolute neccessity for anyone interested in Bluegrass music. Another recommended instrumental tour de force by Flatt & Scruggs was their 1966 album "Stricly Instrumental-with Doc Watson", together these 3 master musicians sound as if they played together all their lives; and they each considered it one of the most enjoyable recording sessions they'd ever done in their career.
It shows in their playing on every cut.
One by one, almost all of the band members passed on, but Earl Scruggs and Doc Watson still represent the pinnacle of this music. Though both men are now in their 80's they have lost none of their dynamics nor their technique. I hope they both live to be 100....they will still inspire us.
Some of the best.......2006-08-18
These boys are some of the great pickers of all time!
Essential for banjo pickers, great for bluegrass fans.......2006-07-02
The sound of bluegrass music is so elemental and raw that it feels like it's been around forever. Surprisingly, it's not much older than rock 'n' roll; the first true bluegrass star, Earl Scruggs, is getting way up there but as of mid-summer 2006 was still alive and giggin'.
"Foggy Mountain Banjo" could well be the most important recording ever for banjo fans and - perhaps more importantly - banjo pickers. "The Essential Earl Scruggs" offers a much better overview of Scruggs' career, but this disc features many of Scrugs's most important compositions and arrangements (the famed Foggy Mountain Breakdown is NOT on the disc, but every banjo noob's first song - Cripple Creek - is here in all its glory, as are Groundspeed, Cumberland Gap and Fireball Mail).
Rip this disc and slow it down, and you hear how essentially simple Scruggs's left hand (fretboard) fingering is, and how deceptively difficult his right hand (picking) movements are. The right hand is everything with Scruggs; banjo players study every note. Since this disc was recorded a lot of pickers have come forth whose left hands are as busy as their right, producing more complex and considerably more melodic breaks (listening to Don Reno, JD Crowe, Bill Keith, Tony Trischka, Bela Fleck and Jens Kruger is a good way to understand the progression of the instrument). But each of these later players owes it all to Scruggs and the sound he created.
This disc puts mid-career Scruggs front and center, so fans of more modern bluegrass bands might find it somewhat lacking. The tunes aren't complex and the arrangements are simple. At the time this music was recorded the bluegrass guitar was considered purely a rhythm instrument; Lester Flatt was of course the master of bluegrass rhythm playing but there are no flatpicking breaks for guitar players to marvel at. Essentially, lead on this album swaps between banjo and fiddle - there's only minimal dobro and no mandolin. Because only two instruments are stepping out and trading lead, the songs tend to be short - 2:27 is the longest of the dozen songs on the disc.
Anyone learning to pick a banjo needs this disc in their collection - it's a primer on how it's done (no less a player than Tony Trischka will tell you that). For fans of traditional bluegrass, it's an essential. And for those interested in the more modern forms of the evolving art of bluegrass, it's as important a disc as exists. Everything comes from here.
5 String Banjo.......2005-07-20
Ilearned from the record well over 30 years ago. He is the cleanest picker to learn from. A great album also.
Average customer rating:
- A classic collection of songs from a great singer.
- ET IS AWESOME!
- Good music
- impressive selection
- The Essential Earl Thomas Conley
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The Essential Earl Thomas Conley
Earl Thomas Conley
Manufacturer: RCA
ProductGroup: Music
Binding: Audio CD
Cowboy
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General
| Country
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New Traditionalist
| Contemporary Country
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- T.G. Sheppard - All-Time Greatest Hits
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ASIN: B000002WW6
Release Date: 1996-04-16 |
Tracks:
- Fire And Smoke
- Somewhere Between Right And Wrong
- Heavenly Bodies
- I Have Loved You Girl (But Not Like This Before)
- Angel In Disguise
- Don't Make It Easy For Me
- Your Love's On The Line
- Holding Her And Loving You
- That Was A Close One
- I Can't Win For Losin' You
- Chance Of Lovin' You
- Honor Bound
- Love Don't Care (Whose Heart It Breaks)
- Nobody Falls Like A Fool
- Once In A Blue Moon
- Right From The Start
- What She Is (Is A Woman In Love)
- Love Out Loud
- What I'd Say
- Brotherly Love
Customer Reviews:
A classic collection of songs from a great singer........2007-02-14
You know, when you're growing up there's an artist or even a few songs that you hear, and you don't really think of them much. Then fast forward a few years, you hear the songs again, and you suddenly wonder why you didn't pay closer attention to them before. To me, Earl Thomas Conley was one of those artists. I became a big fan of his about six years ago, back in my days of working in radio. I heard songs like "Angel In Disguise", "Love Out Loud", and "Honor Bound", and I was hooked. I searched around for this collection in my local area about a year ago, and finally found one copy of this disc in a record story that way overcharges for their merchandise. However, I finally justified the cost by not being able to wait any longer searching elsewhere.
Even though I did not grow up during the days when ETC, John Conlee, and the older school generation was in its prime, those songs bring back many memories of mine. This collection of greatest hits by one artist is ALMOST as good as it gets. The only thing holding it back from being as good as it gets is the fact that "Silent Treatment", and "Shadow of a Doubt", are not here. Nonetheless, it's a great summary of ETC's career. You won't be disappointed.
ET IS AWESOME!.......2007-02-05
ANOTHER BIRTHDAY PRESENT FOR MY MOTHER. YOU CAN'T MISS WITH ET CONLEY. I WAS THINKING ABOUT GETTING MYSELF A COPY OF THIS ONE. HIS VOICE IS INCREDIBLE, AND THIS IS A GREAT COLLECTION FOR SURE!!
Good music.......2006-11-11
I am glad that I purchased this cd it brings back great memories for me.
impressive selection.......2006-11-03
This ranks as one of my favorite albums. It has several of Earl Thomas Conley's biggest (and best) hits on it, such as "Fire and Smoke," "Nobody Falls Like a Fool," "Honor Bound," "What She is (is a Woman in love) and "What I'd Say." I was very impressed when I saw it in the store. So impressed, in fact, that I bought it, and I never regretted it. ETC has a remarkable voice, and you might like this album if you give it a chance. This reviewer recommends it.
The Essential Earl Thomas Conley.......2006-11-01
All the songs on this cd are very good and always pleasurable listening. This was one of the first country cd's I bought last year, and though I've purchased many since, it is still one of my favorites. It's too bad there isn't much of his music available.
Average customer rating:
- Sound quality could be better
- Steve Goodman - Live at the Earl of Old Town
- Finally! Better Than Ever - A New Release!
- A Must For Steve Goodman Fans
- Goodman's Energy Flows Again
|
Live at the Earl of Old Town
Steve Goodman
Manufacturer: Red Pajamas
ProductGroup: Music
Binding: Audio CD
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ASIN: B000HIVJ5A
Release Date: 2006-09-19 |
Tracks:
- Intro
- Lincoln Park Pirates
- Red, Red Robin
- Three-Legged Man
- I'll Fly Away
- Grand Canyon Song
- Men Who Love Women Who Love Men
- What Have You Done For Me Lately?
- Hand It To You
- The Family Tree
- Truck Driving Man
- The Auctioneer
- Lost Highway
- City Of New Orleans
- Let's Give A Party
- Rockin' Robin
- When The Cubs Go Marching In
- Old Smoothies
Amazon.com
Though the late Steve Goodman is remembered mainly as the writer of "City of New Orleans" (and perhaps also as John Prine's best friend), Chicagoans knew him as the most ebullient performer on a dynamic folk circuit, and one of the best guitarists as well. The Earl of Old Town was Goodman's home turf, where the audience would know his topical "Lincoln Park Pirates" (about a notorious towing company) from its first notes and friends from blues harpist Corky Siegel to venerable mandolinist Jethro Burns would join their friend onstage to offer support. On this 1978 live recording, Goodman's revival of "Red Red Robin" makes for an unlikely showcase of his guitar virtuosity, while "Lost Highway," "Truck Drivin' Man," and "The Auctioneer" show his fondness for classic (and occasionally corny) country. His offbeat sense of humor found a kindred spirit in Shel Silverstein, whose "Three Legged Man" he covers. (Goodman's own "Men Who Love Women Who Love Men" could pass as a Silverstein song.) As the romp through "Rockin' Robin" and the adaptation of "Saints" into "When the Cubs Go Marching In" attest, the main point of a Goodman performance was having a good time. Goodman, his family, and his close friends knew that he had leukemia years before he died of it in 1984 at the age of 36. Yet a performance like this shows how Goodman got the most out of his life, and how his fans got the most out of Goodman. --Don McLeese
Customer Reviews:
Sound quality could be better.......2007-05-23
I purchased this CD in conjunction with the new biography by Clay Eals (it is MASSIVE! like the phone book! a summer reading project for sure!) I was ready to fall in love from the flat "Sout-Side" Chicago intonations of Earl Pionke introducing Steve. However, I am a mite disappointed with the sound quality. It is hard to hear what Steve says between songs, although the singing and music are quite clear. The song choices were interesting. So many of my favorites are missing, but there are also songs I had never heard before. Steve Goodman was an amazing guy. We were so lucky to have him with us, even for so brief a time.
Also recommended: the DVD Steve Goodman, Live from Austin City Limits, and More. Lots of vintage video and priceless commentary from John Prine, Kris Kristofferson, Nancy (Steve's widow), and more.
Steve Goodman - Live at the Earl of Old Town.......2007-03-17
This is a wonderful recording of what must have been a great series of shows. Steve's infectious manner and enthusiasm come through with flying colors. Some of the songs may not be as technically excellent as the studio versions, but Steve was at his best with a live audience, and the Earl was his home base. For the Steve Goodman afficianado who, like me has pretty much everything Steve ever did, this cd is a welcome addition to the collection..............Chuck Klein
Finally! Better Than Ever - A New Release!.......2007-03-01
Friends I can't say enough about this show and its intelligent laughter.
The glorious guitar of an accurate string flicker filling the smiles in the room. you can feel the aura of the crowd and Steve all as one.
A really beautiful show and one of the best releases to date.
Grand sound that lingers through the corridors of your mind.
thanks for this new release!
always waiting for the next one!
Support Steve Goodman and Family
Buy the albums - they're ALL great!
A Must For Steve Goodman Fans.......2007-01-06
Although this was recorded live in 1978, the sound quality is excellent and Steve was at his best in his favorite hometown club with some of his best musician friends setting in. Highly recommended!
Goodman's Energy Flows Again.......2007-01-05
The release provides an excellent example of Steve Goodman's energy and enjoyment in making and interpreting music. He conveys a joy in performing that comes out of this recording. The song selection, such as "Lincoln Park Pirates" and "Three-Legged Man" bring a smile to one's face. He has an interesting reflection on today's debate evolution vs. creation in "The Family Tree". Another interesting social commentary is found in his "Men Who Love Women Who Love Men". This release includes "Old Smoothies", which is a sentimental look at attending the Ice Capades with his grandparents in the 1950's. Something I could relate to having grown up on the Chicago area and seeing the "Smoothies" actually perform - "when the Blackhawks were on the road".
Average customer rating:
- T-Bone's Spiritual Sons
- A guitar duel with production and quality music to back it up
- Royal Rhapsody
- The Duke Meets The Earl
- Good stuff
|
The Duke Meets the Earl
Ronnie Earl & Duke Robillard
Manufacturer: Stony Plain Music
ProductGroup: Music
Binding: Audio CD
Contemporary Blues
| Blues
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ASIN: B0007PICXA
Release Date: 2005-03-08 |
Tracks:
- West Side Shuffle
- Two Bones & A Pick
- My Tears
- Lookin For Trouble
- What Have I Done Wrong
- Zeb's Thing
- I Need You So Bad
- A Soul That's Been Abused
Product Description
1. West Side Shuffle (7:43)
2. Two Bones & A Pick (8:06)
3. My Tears (15:53)
4. Lookin For Trouble (4:25)
5. What Have I Done Wrong (6:42)
6. Zeb's Thing (7:27)
7. I Need You So Bad (8:14)
8. A Soul That's Been Abused (13:05)
Format: CD
Amazon.com
Duke Robillard and Ronnie Earl are among blues guitar's hottest pistols, but their first studio union is no showdown. Although Robillard is steeped in all aspects of technique and Earl is a pure "soul" player, their styles overlap in the Texas and Chicago schools, which grant both giants plenty of space for elegant and biting single-note solos, daredevil string-bending, and chugging rhythms. Robillard sings two numbers and "Mighty" Sam McClain, whose red-clay voice is the perfect foil for their emotional fretwork, guests on Earl's heartbroken epic "A Soul That's Been Abused." The real mojo, however, is in the instrumentals, where these virtuosos who emerged from the New England scene to achieve worldwide acclaim maintain a beatific dialogue. They both swing like T-Bone Walker on "Two Bones and a Pick" and trade sliding chords and slide guitar licks on "Zeb's Thing," which dips into down-home Mississippi grit. The highlight is "My Tears," on which Robillard sings sad and dirty, Earl turns sustained notes into Zen koans, and both players stretch their flair for dynamics and brilliant, unhurried, lyrical playing to its limit. Fans of blues guitar need to hear this album. --Ted Drozdowski
Customer Reviews:
T-Bone's Spiritual Sons.......2006-06-16
If you've ever liked the T-Bone Walker style, or drooled over the pure T-Bone licks that both Ronnie and Duke have graced us with over the years, "Two Bones and a Pick" is eight minutes of pure jump-blues-guitar-heaven. I can, and do listen to this for hours on end. If any two white guys have got that jump-blues-guitar-thang down, it's these two. T-Bone is grinning like a Cheshire cat.
A guitar duel with production and quality music to back it up.......2006-04-27
Unlike some artists who get together and try not to outplay each other, i.e. not show each other up, these two planned the session well ahead that allows each to show their virtousity against each other without the latter.
The production, songs chosen and performance from other backing musicians are brilliant.
If you like guitar duels in the jump blues fashion, this is a recording to buy.
Royal Rhapsody.......2006-03-09
This disc combines the considerable talents of two premier guitar players within the Blues genre. The Duke (Robillard) and the (Ronnie) Earl demonstrate why they are deserving members of Blues guitar royalty. It has been well documented that this effort is not a showdown between rivals or a stage to demonstrate one-up-manship but rather two friends kicking back to jam back and forth and effectively intertwine their extensive expertise. I can only offer that this fine effort is seamless, seeming to be an overall masterpiece versus a collection of individual songs. The instrumental flow and sequencing of the songs is superb. The songs don't seem as lengthy as they are, avoiding the tediousness that sometimes befalls such efforts. Quite to the contrary, the hour plus of excellent music contained within seems to fly by leaving the listener wanting more. The two players pass the baton back and forth in an effortless manner, almost overly conscious as to not dominate the other's time. Ronnie and Duke demonstrate they are passionate craftsmen and worthy members of the upper class. Mighty Sam McClain's plaintive plea on "A Soul That's Been Abused" will only leave you wanting more. Ronnie Earl's slide guitar work on "Zeb's Thing" is also worth special mention. This is a can't miss addition to anyone's collection.
The Duke Meets The Earl.......2006-02-20
I bought this album on pure speculation it was an Amazon recommondation and was uncharted waters for me. Owning around 200 blues albums with close to 100 of them being lps. I had never listened to either of these guys. Read the reviews and seemed like it would be a good venture. Received my cd figuring it would be like most blues albums and would take several listens before it would start throwing its arms around me. Wrong! This is one of the few albums I own that nails you right out of the box! It has been in my car stereo for around a month now and shows no indication of getting old.The first three tracks are non stop adrenalin guitar work with number three at just over 15 minutes just being a total piece of work. Smooth like a well aged whiskey. The final track with guest singer is one of the more haunting blues pieces I've ever heard. It's one of the few pieces I know that actually brings you to the edge of reverse blues and makes you feel bad this track is also in the 15 minute time slot too. All and all you can just let this cd run and it becomes nice back gound music to what ever it is you are doing. All in the way classical music does. I'd be surpised if any one really listening to this could give a bad rap! This is a real guitar players record.
Good stuff.......2006-01-25
First off; I really appreciate artists or labels that give you at least 60 minutes of play time and don't cut out lengthy guitar solos. This CD certainly delivers in this regard as Ronnie Earl and the Duke trade guitar jams in creative duets for a solid 70 plus minutes. This is a close 5 star recommendation but it isn't a classic and it isn't groundbreaking; although I would think some reviewers would seriously disagree with that point. It's just damn good music by two pros whose different styles compliment one another. Highly recommended.
Average customer rating:
- Best start for newbies
- Pretty Good Collection From Three REK Albums
- not the ones i'd pick.
- Dreadful Selfish Crime, not to own this CD
- 5 star
|
The Party Never Ends
Robert Earl Keen
Manufacturer: Sugarhill [Country]
ProductGroup: Music
Binding: Audio CD
Alt-Country & Americana
| Country
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General
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Outlaw & Progressive Country
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| Pop
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Folk Rock
| Rock
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General
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Country Rock
| Rock
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| Country
| Indie Music
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Similar Items:
- What I Really Mean
- Live from Austin TX
- Gringo Honeymoon
- A Bigger Piece of Sky
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ASIN: B00009Y3NB
Release Date: 2003-10-14 |
Tracks:
- The Five Pound Bass
- The Front Porch Song
- I'm Comin Home
- Dreadful Selfish Crime
- Think It Over One Time
- It's The Little Things
- Copenhagen
- Barbeque
- Gringo Honeymoon
- Mariano
- The Bluegrass Widow
- The Road Goes On Forever
- Merry Christmas From The Family
Customer Reviews:
Best start for newbies.......2007-01-05
I am new to Robert Earl Keen, having recently moved to Texas. We had the chance to hear him live at Flores Country Store in Helotes. What a great performer. This disk gives you a great sample of his sing-along work and is a great way to get started. My personal faves are Copenhagen and the Front Porch Song!
Pretty Good Collection From Three REK Albums.......2006-08-13
Good CD if you are a casual REK fan. The selections are from three albums - "The Live Album", "West Textures" and "Gringo Honeymoon". If you are only going to buy one REK CD, I guess this would have to be it. But, if you are bitten by the bug like me, you will end up owning ALL of his music!
not the ones i'd pick........2005-11-20
But the real reason for the low rating is that if you listen to any of Robert Keen's discs through and full, you'll see that there is a theme to each release. He's chosen the order and selections for a reason which gives meaning and underscores the emotion of the songs. This includes the 'novelty' type hits. If you care about the artist's intent in this way, then just buy one of the three complete discs this semi-greatest hits release culls. When Robert plays a live show, he varies the set list each night and picks the songs after the tour bus unloads and he walks around and gets a feel for the place. To a far greater degree, he does the same with his cd's. Why not hear them in the order he intended?
Dreadful Selfish Crime, not to own this CD.......2005-10-28
When I look for a CD of a favorite artist, I first try to find one that will have most of the songs that I enjoy the best. Then I look for the number of tracks it has, you know, I have to get my monies worth. I also check whether it has live or non-live recordings. When I found Robert Earl Keen's, "The Road Goes on Forever", I discovered that its content had all of those features and was pleasantly surprised to find much more. With songs like, `The Front Porch Song', Merry Christmas from the Family' and `Gringo Honeymoon', you get to know how well of a storyteller Robert E. Keen is while enjoying the music. The songs on this CD are meaningful, words we can relate to, they're funny and fun to sing with. I think Robert's talent is big & I think his voice fits perfect with the cool song's that he sings...I said cool songs, this isn't opera. I think his style has style. I'm thankful for KPIG radio, for introducing his music to me and stores like Amazon.com for making CD's like this available for me to buy. I highly recommend this CD of Robert E. Keen's. Listen; let it take you away, sing with it, laugh & may the party never end.
5 star.......2005-08-18
My very first Keen cd. Will buy more and am going to go see him live.
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- Frost as Desired
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Music
music
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C'mon, C'mon [Enhanced] [Limited Edition] [Import]
Igor Korneitchouk & William Thomas McKinley
Heirat Wider Willan Hts
Holy Bible/New Testament
Hollywood
I Vespri Siciliani
Freakin' at the Freakers Ball
Heitere Orgel (Merry Organ)
Heroes [Import]
Jazz at Massey Hall [Live]
Heat Treatment [Import] [Original recording remastered]
Cassia Rock Eller [Import]
Galaxy Hit Mix [Limited Edition] [Import]
Complete Symphonies
Radio Disney: Move It