When It All Comes Down
Editorial Reviews
Album Description
LTM are pleased to make available the entire recorded works of Miaow (1985-1987), the cult indie guitar band lead by Cath Carroll. Formed by guitarist/singer Cath with drummer Chris Fenner and bassist Steve Macguire in 1984. As well as all the single sides and all eight tracks recorded for both John Peel sessions (six of them otherwise unrecorded), this compilation also includes all compilation tracks, and two previously unheard demos ('Carnal Drag' and 'Fear of the Sun') for the never-completed Miaow album, Priceless Innuendo. Remastered. LTM. 2002.
Average customer rating:
- Instruments of the Orchestra - Great Reference Material!
- Beginner or Expert
- Very Informative and Enjoyable
- Frank's view
- Excellent Intro for Those Not Familiar with the Orchestra
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Instruments of the Orchestra
Various Artists
Manufacturer: Naxos
ProductGroup: Music
Binding: Audio CD
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Similar Items:
- Britten: Young Person's Guide to the Orchestra Op34; Simple Symphony Op4
- The Mahler Symphonies: An Owner's Manual (includes 1 CD)
- The Young Person's Guide to the Orchestra (Book & CD)
- What to Listen for in Music
- Study of Orchestration, Third Edition
ASIN: B00006O0NT
Release Date: 2002-12-03 |
Tracks:
- Overture To 'Tannhauser'
- Domna, Pos Vos Ay Chausida
- We Don't Merely Use Instruments, We Play On Them. And They Play On Us.
- Hungarian Dance No.7
- The Violin Is One Of The Most Tender And Beautiful Instruments Ever Invented.
- Violin Concerto In D Major (Adagio)
- But For A Long Time It Was Seen As The Instrument Of The Devil.
- The Soldier's Tale: Triumphal March Of The Devil
- The Manipulative Seductiveness Of The Gypsy Violin.
- Csardas Music
- The Violin And The Initiation Of Nature
- The Four Seasons (Spring, Mvt 1)
- Birds Are Again Evoked In The Second Concerto, Especially Music's Natural Favourite.
- The Four Seasons (Summer, Mvt 1)
- Like The Devil, The Violin Is A Master Of Disguise.
- Old Viennese Dance No.3 'Schon Rosmarin'
- The Menacing Sensuality Of Ravel's Tzigane: A Very Different Side Of The Violin:
- Tzigane
- Do We Now Have The True Measure Of This Instrument? Not Just Yet.
- Caprice No.24
- The Many Effects Of The String Tremolando: Brandenburg Concerto No.4 (Last Mvt)/From Joy To Fright/Quartettsatz In C Minor/The String Tremolo Practically Spells The World Agitato.
- Variations On A Theme Of Frank Bridge (No.7)
- Prokofiev's Tremolo In Romeo And Juliet Should Not Be Heard Just Before Bedtime.
- Romeo And Juliet: Act IV
- Vivaldi Use It To Illustrate The Shivering Of Travellers Crossing The Ice.
- The Four Seasons (Winter, Mvt 1)
- The Violin Muted
- Clair De Lune
- The Gentleness Of Muted Strings Persists Even When A Whole Orchestra Plays.
- Piano Concerto No.21 In C Major, K.467 (Slow Mvt)
- The Pizzicato Violin
- Pizzicato Polka
- In Prokofiev's Second Violin Concerto, The Accompaniment Is Pizzicato.
- Violin Concerto No.2 In G Minor (Slow Mvt)
- Varieties Of Pizzicato: Colas Breugnon (The People's Feast)/Now A Drier, Leaner, Hungrier Pizzicato. There's Not A Lot Of Comfort Here./Capriol Suite (Tordion)/The Use Of Pizzicato As 'Percussion'/Romeo And Juliet (Act I)/Mahler Used Pizzicato...
- The Planets (Mars - The Bringer Of War)
- The Technique Of Double-Stopping Enables The Violin To Play Duets With Itself./Sonata No.3 In C Major For Unaccompanied Violin (Fugue)/Now A Later Example Of The Same Technique
- Hungarian Dance No.4
- Double-Stopping Is A Standard Feature Of A Lot Of Folk Music.
- The Four Seasons (Autumn, Mvt 1)
- Now The Same Technique, But The Sound Might Have Come From Another World.
- Bolero
- Double-Stopping Can Only Approximate The Sound Of A Real Violin Duet.
- Cadenza To The Violin Concerto By Brahms
- Now Compare That With A Real Violin Duet.
- Forty-Four Duos (No. 1: Teasing Song)
- Another Duo By Bartok, Demonstrating The Violin's Rich Lower Register
- Forty-Four Duos (No.2: Maypole Dance)
- And Now What May Be The Most Beautiful Accompanied Violin Duet In History
- Concerto In D Minor For Two Violins (Largo)
- The Soul Of The Violin Is In Song; But What About This Weird Passage?
- Violin Concerto No.1 In D Major (Mvt 2)
- The Use Of Harmonies In The Orchestra Can Be Both Magical And Unsettling.
- Symphony No.1 'Titan' (Mvt 1, Opening)
- Tchaikovsky's Use Of Harmonics In The Sleeping Beauty Is Both Strange And Darling.
- The Sleeping Beauty (Act II, No.15: Entr'Acte)
- Ravel's Harmonics In Mother Goose Effect A Magical Transformation.
- Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
- Stravinsky's Harmonics In The Firebird Transport Us Almost Into Another World./The Firebird (Introduction)
- The Natural Upper Notes Of The Violins Have A Unique Emotional 'Grab'.
- Also Sprach Zarathustra (Of The Afterworldsmen)
- Still In Their Upper Register, The Violins Unleash The Energy Of A Young Colt.
- Variations On A Theme Of Frank Bridge (No. 4)
- Elsewhere, Britten Uses The Same High Register To Create A Very Different Mood.
- Four Sea Interludes (Dawn) From 'Peter Grimes'
- To End This Outing With The Violins, A Charming Little Elfin Dance
- Elfenreigen
Tracks:
- Introduction To The Viola
- Viola Concerto (Mvt 1)
- Khatchaturian Gets A Very Different Sound From It: Fuller, Fruitier, More Exotic.
- Gayane Suite No.1 (Armen's Solo)
- Very Nearly The Whole Of The Violin's Upper Register Is Also Available To The Viola.
- Passacaglia, Op.33b From 'Peter Grimes'
- The Viola Can Bring A Special, Rich Twanginess To Pizzicato That The Violins Lack./Don Quixote/Berlioz Drew Sounds From It That Retain Their Metallic Strangeness Even Today.
- Harold In Italy (Mvt 4)
- The Muted Viola: Intimate, Gentle, Poignant In Dvork
- Cypresses (No.9)
- The Massed Violas Of The Modern Symphony Orchestra In Mahler
- Symphony No.4 (Mvt 3)
- The 'Period' Viola In Bach
- Brandenburg Concerto No.6 (Last Mvt)
- The Cello: A Voice Of Unique Nobility
- Suite No.1 For Unaccompanied Cello (Prelude)
- Brahms And The 'Soul' Of The Cello
- Piano Concerto No.2 In B Flat Major (Mvt 3)
- Most Orchestral Composers Tend To Emphasize The Cello's Lower Register.
- Cantata 'Herz Und Mund Und Tat Und Leben', BWV 147 (Soprana Aria: Bereite Dir, Jesu)
- In The Time Of Beethoven The Cello Remained As Fundamental As Ever.
- Symphony No.3 'Eroica' (Finale)
- But The Cello Is Not Condemned To Spend Its Life In The Basement.
- Elfentanz, Op.39
- Not Only In Recital Showpieces Like That Is The Cello Is Used In Its Highest Register.
- The Protecting Veil (Opening)
- A Cello With An Identity-Crisis: The Pizzicato Flamencan
- Flamenco
- Double-Stopping In The Lower Reaches Of The Cello's Range
- Solo Suiet For Cello And Piano (Sardana)
- It's In The Middle Register That The Cello Really Comes Into Its Own.
- Oriental Dance, Op.2 No.2
- It Was To The Cellos That Beethoven Gave Two Of His Most Famous Themes./Symphony No.5 (Mvt 2)/Still More Famous Than That Theme Is This One From The Ninth Symphony.
- Symphony No.9 (Finale)
- Introduction To The Double-Bass
- The Carnival Of The Animals (The Elephant)
- But The Double-Bass Can Be Intensely Expressive And Graceful.
- Elegy No.1 In D Major
- The Range Of The Double-Bass Is The Greatest Of All The String Instruments/Allegro Di Concerto, 'Alla Mendelssohn'/And It's Also Capable Of Very Considerable Virtuosity.
- Capriccio Di Bravura
- Double-Bass Solos In Orchestral Scores Are Rare But Often Memorable./Symphony No.1 'Titan' (Mvt 3)/In His Third Symphony Mahler Makes A Very Different Use Of The Instrument./Symphony No.3 (Mvt 1)
- The Double-Bass Muted In Prokofiev/Lieutenant Kije Suite (Kije's Wedding)/In Another Work Prokofiev Uses The Double-Bass To Enhance The Winds./Romeo And Juliet (Act III)/And He Combines The Bass Clarinet With A Shivering Tremolo From The Double-Basses....
- Symphony No.5 (Mvt 3)/So Much For The Strings/On Now To The Winds
Tracks:
- The Antiquity And Magic Of The Flute
- Prelude A L'Apres-Midi D'Un Faune
- The Versatility And Agility Of The Flute
- Orchestral Suite No.2 In B Minor (Badinerie)
- The Flute In Fifteenth-Century Spain
- Sa'Dawi
- Other Flutes: The Bass And Alto
- Chamber Music No.II
- The Piccolo - Aptly Named
- La Naissance D'Osiris (Mvt 6)
- From A Piccolo Of The Eighteenth Century To One Of Its Descendants In The Twentieth
- Suite No.1 For Small Orchestra (Valse)
- A Variety Of Techniques
- Chamber Music No.II
- Flutter-Tonguing. But Tchaikovsky Got There Eighty Years Before.
- The Nutcracker (Act II, No.2: Scene)
- From The Transverse To The Vertical: The Baroque Recorder
- Recorded Suite In A Minor (Menuet II)
- An Unfamiliar, Early Vision Of The Instrument
- Naelden, Naelden
- The Bachian Oboe
- Cantata 'Ein Feste Burg Ist Unser Gott', BWV 80 (No.7: Duetto)
- Introduction To The Cor Anglais Or 'English Born'
- Symphony No.9 'From The New World' (Mvt 2)
- The Loneliness Of The Cor Anglais
- The Swan Of Tuonela
- The Cor Anglais Joins The French Horn In Haydn.
- Symphony No.22 'The Philosopher' (Opening)
- Introduction To The Oboe D'Amore, Beloved Of Bach - But Also Of Ravel
- Bolero
- The Clarinet Family: Boxing The Compass, From The Depths Of The Bass Clarinet.../The Egyptian (Violence)/...To The Raucous And Squealy.../Taras Bulba (The Death Of Ostap)/...To The Shrill And Complaining...
- Petrushka (No.8: Peasant With Bear)/...To The High Sprits Of A Playful Puppy./Symphonie Fantastique (Last Mvt)/And To The Downright Jazzy/Romeo And Juliet (Act II)
- As The High Clarinets Tend To Be Loud, So The Bass Tends To Be Soft:
- Gayane Suite No. 1 (Mvt 5)
- The Bass Clarinet Is Used By Most Composers Mainly As A Colouring Agent.../Petrushka (No.4: The Blackamoor)/...But It Does Occasionally Get A Whole Tune To Itself./Iberia (Almeria).
- The Range Of The Normal Clarinet Parts Goes Quite High...
- The Snow Maiden (Scene 5: Melodrama)
- ...And Quite Low.
- Peter And The Wolf (The Cat)
- The Clarinet As Concerto Soloist
- Clarinet Concerto In A Major (Rondo)
- But That's Not The Instrument Mozart Wrote It For; This Is:
- Clarinet Concerto In A Major (Rondo)
- Introduction To The Saxophone
- Hary Janos Suite (Mvt 4)
- The Soprano Saxophone Has Quite A Different Feel To It.
- L'Arlesienne Suite No.1 (Minuet)
- The Little Sopranino Sax Goes Even Higher.
- Bolero
- The Most Famous Use Of The Saxophone Is In An Orchestration By Ravel.
- Pictures At An Exhibition (The Old Castle)
- The Saxophone Can Be Quite Contagiously Good-Humoured.
- Sax-O-Phun
- The Puffa-Puffa Image Of The Bassoon
- Peter And The Wolf (Grandfather)
- The Bachian Bassoon, In Accompanimental Mode
- Cantata 'Weichet Nur, Betrubte Schatten' ('Wedding Cantata'), BWV 202 (Aria No.1)
- Bizet Leaves The Puffa-Puffa Image Out, Allowing The Bassoon To Sing./Carmen Suite No.1 (Les Dragons D'Alcala)
- And Ravel, Also In Spanish Mode, Does Likewise.
- Bolero
- The Bassoon As A Voice Of High Seriousness, Indeed Desolate Loneliness
- Symphony No.3 (Opening)
- The Eerie Bassoon In Its Highest Register
- The Rite Of Spring (Opening)
- Stravinsky Now Draws On Its Lowest Register, Lonely And Melancholy.
- The Firebird Suite (1919, Berceuse)
- The Bassoon As Concerto Soloist, Avoiding All Exaggeration
- Bassoon Concerto In G Minor (Finale)
- The Deep-Voiced Contra-Bassoon, As A Fairy-Tale Beast
- Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
- The French Horn Under Its Woodwind Hat
- Wind Quintet, Op.43 (Last Mvt)
- Now A More Prominent Role, In A Woodwind Quintet From An Earlier Era
- Wind Quintet In A Minor, Op.100 No.5 (Mvt 2)
- The Horn In Harmonious Blend With Strings In Another Quintet
- Horn Quintet, K.407 (Finale)
Tracks:
- The Trumpet As Virtuoso Soloist
- Brandenburg Concerto No.2 (Last Mvt)
- The Special Brillance Of Paired Trumpets
- Concerto In C For Two Trumpets, RV537 (Mvt 1)
- The Ceremonial Trumpet
- Fanfare For The Common Man
- Trumpets And Drums - An Incomparable Alliance
- Messiah (The Trumpet Shall Sound)
- The Versatility Of The Trumpet, From The Most Public To The Most Lonely
- Piano Concerto In F (Slow Mvt)
- The Trumpet As The Voice Of The City/An American In Paris/The Trumpet As Recruitment Officer/The Soldier's Tale (The March)/The Trumpet As Swaggerer
- Carmen Suite No.2 (Habanera)
- The Trumpet As The Voice Of Strength And Courage
- Carmet Suite No.2 (Toreador's Song)
- The Trumpet Muted/Petrushka (No.4: The Blackamoor)/Lieutenant Kije Suite (Opening)/The Trumpet As The Voice Of Weariness
- Billy The Kid
- The Trumpet As Character Actor
- Pictures At An Exhibition (No.6)
- The Trumpet As The Voice Of God
- Mass In B Minor ('Et Exspecto')
- The Birth Of The Trombone
- Aenmerckt Nu Hier
- The Birth Of The Brass As A Family
- Canzon 12 In Double Echo
- The Trombone In The Eighteenth Century
- Trombone Concerto In B Flat Major (Finale)
- The Tone Of The Tenor Trombone/Romance For Trombone And Organ/The Memorable Voice Of The Bass Trombone/Requiem (Mvt 2)/But The Bass Trombone Is More Than An Instrumental Bullfrog.
- Hosannah
- The Trombones Become Part Of The Orchestra.
- Symphony No.5 (Finale)
- The Wagnerian Trombone:/Overture To 'Tannhauser'
- The Trombone As Caricaturist
- Pulcinella (No.19: Vivo)
- The Trombone As Raspberry/Concerto For Orchestra (Intermezzo)
- The Horn And The Hunt
- Horn Concerto No.4 In E Flat, K.495 (Finale)
- The Challenging Horn Of The Baroque
- Abaris Ou Les Boreades (Menuet)
- The Scarcity Of First-Rate Players In Handel's Time
- Walter Music (Minuet 1)
- The Horn As Magician/The Firebird Suite (1919, Finale)
- Horns And The Sound Of Nobility
- Overture To 'Tannhauser' (Opening)
- The Special Sound Of The Horn In Its Higher Register
- Mass In B Minor ('Quoniam Tu Solus Sanctus')
- The Trumpet-Like Sound Of Massed Horns
- Symphony No.3 (Mvt 1, Opening)
- The Tuba - Unfairly Maligned?
- Symphony No.6 (Mvt 3)
- The Tuba Perfectly Cast By Ravel
- Pictures At An Exhibition (Bydlo)
Tracks:
- Introduction. And We Begin With A Bang.
- Fanfare For The Common Man/The Bass Drum On The Battlefields/Wellington's Victory, Op.91 (Opening)
- At The Opposite Extreme Is The Triangle.
- Piano Concerto No.1 In E Flat (Scherzo)
- Categories Of Percussion: Tuned And Untuned. The Side Drum
- Overture To 'La Gazza Ladra' - The Thieving Magpie (Opening)
- The Side Drum In An Effective But Unexpected Role/Clarinet Concerto (Mvt 1)
- The Tambourine. One Of The Oldest Instruments In The World
- Den Hoboecken Dans
- Even Older Is The Originally Oriental Gong.
- Ma Mere L'Oye - Mother Goose (Laideronette)
- No Single Instrument Can Match The Gong In Evoking The Breaking Of Waves./Passacaglia, Op.33b From 'Peter Grimes'/But Gongs Don't Have To Be Struck To Be Effective.
- Gymnopedie No.2
- The Cymbals Are Generally Discovered Early In Life./The Sanguine Fan/And They Do More Than Clash Together Loudly. They Can Be Clashed Together Softly./Studio Example: But They Needn't Be Clashed Together At All/Studio Example: They Can Be Lightly...
- Other Untuned Percussion Instruments Include The Whip.: Piano Concerto In G Major (Opening)/And Here Are No Fewer Than Twenty, Cracked By Tchaikovsky: The Nutcracker (Act I, Scene 5)
- More Versatile Than The Whip Are The Wood Blocks.../Studio Example/...Which Crop Up All Over The Place In Twentieth-Century American Music.
- Rodeo (Hoe-Down)
- Related To The Wood Blocks, By Sound, Are The Castanets./Jota Aragonesa/But The Castanets Were Also Used By Monteverdi Back In The Seventeenth Century.
- Scherzi Musicali (Damigella Tutta Belle)
- A Still Earlier Example From Fifteenth-Century Spain
- Yo M'Enamori D'Un Aire
- The Birth Of The Bongo
- Symphonic Dances From 'West Side Story'
- From The Streets Of New York To The Blacksmith's Shop/Il Trovatore ('Anvil Chorus')
- Desert-Island Decibels: Grand Canyon Suite (On The Trail)/Arcana
- From One Vegetable To Another: The Humble Squash, Or Marrow/Huapango
- Onwards To The Tuned Percussion. First, The Timpani
- Also Sprach Zarathustra (Introduction)
- But The Drum Roll Can Be More Effectively Frightening Than The Big Bang.: Symphony No.2 'Resurrection' (Mvt 3)
- Not One Drum Roll, But Many/Grand Canyon Suite (Sunrise)/Symphonie Fantastique (Last Mvt)
- Taking Advantage Of Tunability
- Music For Strings, Percussion And Celeste (Mvt 2)
- The Russian Composer Rodion Shchedrin Takes A Downward Turn./Carmen Suite (Changing Of The Guard)/Tuned, Yes; But For The Truly Melodic We Must Look Elsewhere.
- Introducing The Glockenspiel/Carmen Suite (Carmen's Entrance And Habanera)
- Saint-Saens And The Xylophone
- The Carnival Of The Animals (Fossils)
- Ravel And The Xylophone
- Ma Mere L'Oye - Mother Goose (Laideronette)
- Introducing The Marimba/Carmen Suite (First Intermezzo)
- Introducing The Vibraphone
- The Treasure Of The Sierra Madre (Narange Dolce)
- The Vibraphone Goes Russian.../Carmen Suite (Carmen's Entrance And Habanera)/...And Is Joined By The Marimba./Carmen Suite (Carmen's Entrance And Habanera)
- Introducing The Hungarian Cimbalom
- Folk Dances
- The Cimbalom And The Symphony Orchestra
- Hary Janos Suite (Mvt 3)
- Introducing The Tubular Bells
- Hary Janos Suite (Viennese Musical Clock)
- A More 'Up-Front' Approach From Rodion Shchedrin
- Carmen Suite (Introduction)
- But The Bells Can Also Make The Sinister Even More Sinister./Symphony No.7 'Sinfonia Antartica' (Mvt 1)
- Introducing The Celeste
- The Nutcracker (Dance Of The Sugar Plum Fairy)
- Magic, In The Use Of Collective Percussion
- Miroirs (La Vallee Des Cloches)
- Plucked Instruments: The 'Undercover Percussion'/Carmen Suite (Scene)
- A Prime Case In Point Is The Harp, Irresistible To The Romantics./The Nutcracker (Act II, No.1: Scene)/The Non-Solo Harp As An Integral Part Of The Orchestra/Hungarian Rhapsody No.1
- The Traditionally Subservient Role Of The Harpsichord In The Baroque Orchestra
- Brandenburg Concerto No.2 (Slow Mvt)
- The Piano: King Of The Tuned Percussion/Symphony No.3 'Organ' (Mvt 3)/And A Quarter Of A Century After That:
- Petrushka (Russian Dance)
- The Anti-Romantic Piano As An Integral Part Of The Orchestra
- Music For Strings, Percussion And Celeste (Last Mvt)
Tracks:
- Keyboard Instruments In The Orchestra - The Most Powerful Of Them All:
- Symphony No.3 'Organ' (Finale)
- But Things In Handel's Day Were Very Different.
- Organ Concerto In B Flat, Op.4 No.3 (Last Mvt)
- The Organ Is Difficult To Classify.
- An Unexpected, Organ-related Guest
- Concerto Pour Zampogna (Last Mvt)
- Peasant-Fancying... And A Touch Of The Roaming Cowboy
- Les Miserables (Drink With Me)
- Outside Artefacts And The Power Of Association
- Mahler's Sleighbells
- Symphony No.4 (Opening)
- A Roll-Call Of Some Unusual Guests/The Typewriter/Parade
- Chains, And More/Integrales/An American In Paris/Sandpaper Ballet
- Purpose-Built Oddities: Wind Machines/Symphony No.7 'Sinfonia Antartica' (Opening)
- Don Quixote (Variation VIII)
- National Calling Cards: The Guitar For Spain/Concierto De Aranjuez (Finale)
- And The Guitar's Poor American Relative, The Banjo/Washington Breakdown
- And Poorer Still, The Mouth Organ/The Treasure Of The Sierra Madre (Packing Up)
- The Balalaika For Russia/Romeo And Juliet (Act II: No.14)
- The Maracas For Mexico/The Treasure Of The Sierra Madre (El Desayuno)
- The Bongos And Congas And A Whole Wealth Of Other Drums For Africa And Central America/Studio Example
- The Sitar Of India/Evening Raga: Bhapoli
- The Accordion For France (Especially Paris)/Paris Canaille
- The Zither For Vienna/The Third Man (Theme)
- The Cimbalom For Hungary/Folk Dances
- The Guitar As An Integral Part Of The Orchestra/Rondena
- There Are Whole Orchestras Of Balalaikas./Sveit Mesiats
- The Effect Of The Wordless Human Voice, Used Purely As An Instrument/Symphony No.7 'Sinfonia Antartica' (Mvt 1)
- Nocturnes
- Instruments And the Imitation Of Nature. The Clarinet As Cuckoo
- The Carnival Of The Animals (The Cuckoo)
- The Flute As An All-purpose Aviary
- The Carnival Of The Animals (The Aviary)
- The Oboe As Duck
- Peter And The Wolf (The Duck)
- The Recording Of Reality. Does It Work As Well?
- The Pines Of Rome (The Pines Of The Janiculum)
- The Recording Of Reality Electronically Reborn In New Guises
- Cantus Articus - Concerto For Birds And Orchesra (Mvt 2)
- Beethoven Turns Avian: Cuckoo, Nightingale, And Quail
- Symphony No.6 'Pastoral' (Andante Molto Mosso)
- Some Improbable Casting: The Violin As Braying Donkey
- The Carnival Of The Animals (Persons With Long Ears)
- A Truly Orchestral Hee-haw To Be Reckoned With
- Overture To 'A Midsummer Night's Dream'
- A Thunderstorm In A Million
- Symphony No.6 'Pastoral (Allegro-Allegretto)
- the Instrumental Depiction Of A Silent World
- The Carnival Of The Animals (The Aquarium)
- Saint-Saens' Menagerie Takes A Curtain Call.
- The Carnival Of The Animals (Finale)
Tracks:
- The Grouping Of Instrumental Families. An Additive Approach. First, Two Violins
- Forty-Four Duos (No.4)
- A Great Contrast, Of Both Pitch And Character: Violin And Viola
- Duo For Violin And Viola In B Flat Major, K.424 (Finale, Vars 1 & 2)/Studio Example
- Arrival Of The Standard String Trio: Violin, Viola, And Cello
- String Trio In B Flat (Menuetto)
- The String Quartet: Two Violins, Viola, And Cello
- String Quartet In F, Op.18 No.1 (Mvt 3)
- The String Quintet - When The Extra Instrument Is A Second Viola
- String Quartet No.5 In D, K.593 (Adagio)
- The String Quintet - When The Extra Instrument Is A Second Cello
- String Quintet In C (Mvt 3)
- The String Sextet: Two Violins, Two Violas, And Two Cellos
- String Sextet In B Flat (Mvt 2)
- The String Octet: The Standard String Quaret Times Two
- Octet In E Flat, Op.20 (Mvt 1)
- Double The String Octet: A Fully Fledged String Orchestra
- String Symphony No.2 (Finale)
- The Massed Strings Of A Symphony Orchestra
- Fantasia On A Theme Of Thomas Tallis
- Contrasts Of Pitch And Instrumental 'Colour' In The Woodwind Section
- Wind Quintet In A Minor, Op.100 No.5 (Theme)
- In The First Variation It's The Horn That Gets The Lion's Share.
- Wind Quintet In A Minor, Variation 1
- In Variation Two The Torch Is Handed To The Bassoon.
- Wind Quintet In A Minor, Variation 2
- In Variation Three The Oboe Leads.
- Wind Quintet In A Minor, Variation 3
- Variation Four: Conversation Before Returning To A Solo-dominated Texture
- Wind Quintet In A Minor, Variation 4
- And Variation Five is Dominated By The Clarinet.
- Wind Quintet In A Minor, Variation 5
- The Next To Be Featured Is The Virtuoso Flute.
- Wind Quintet In A Minor, Variation 6
- Individual Farewells And A Closing Chorus
- Wind Quintet In A Minor, Variation 7
- A Mixed Group: Clarinet, Bassoon, Horn, String Quartet, And Double-Bass
- Octet In F (Mvt 3)
- The Early Classical Symphony Orchestra Of Haydn And Mozart
- Symphony No.29 In A, K.201 (Finale)
- Strings, Wind, But No Brass. What Haydn And Mozart Never Knew
- Canzon 28
- Beethoven's Fifth: Two Horns, Two Trumpets, And Three Trombones Join The Team.
- Symphony No.5 (Finale)
- From Beethoven To The Massive Orchestras Of Berlioz, Wagner, And Mahler
- Beethoven Changed The Face Of The Symphony And The Orchestra Forever
- Symphoy No.6 'Tragic' (Mvt 1)
- The Cult Of Orchestral Elephantiasis Reaches Its Peak.
- Symphony No.1 'Gothic' (VI: Te Ergo Quaesumus)
- When Large Doesn't Necessarily Mean Loud: Debussy
- Images (Gigues)
- A Crisis Of Confidence; The Orchestra's Survival Hangs In The Balance, But It Still Develops. The Ondes Martenot:
- Turangalila Symphony (Chant D'amour 1)
- The Advent Of The 'Early Music' Movement Brings A New Vitality And Freshness.
- Balle De Xerxes (Gavotte En Rondeau)
- Computer And Synthesiser: Friends Or Foes?
- Concerto In D Minor For Two Violins (Largo)
- A Speculative Look Ahead/Mass In B Minor ('Dona Nobis Pacem')
Customer Reviews:
Instruments of the Orchestra - Great Reference Material!.......2007-04-04
This set lends itself to greatly enhancing one's knowledge of the orchestra, instruments in it, and their usage. I am a huge music buff, and I still picked up a great deal I previously did not know. I highly recommend this for all who wish to understand the origin of music, as well as the processes that are employed to create music!
Beginner or Expert.......2007-03-12
This CD is excellent for the beginner or expert! To be able to haear the instrumets separately and then together really provides a good education. and/or refresher. The book thaty comes with the CD is alomost worth the price by itself!
Very Informative and Enjoyable.......2006-11-20
Whether you're a music novice or pro, "The instruments of the Orchestra" is a very worthwhile purchase. The 7 CDs, with a total of 8 hours, are expertly narrated by Jeremy Siepmann. He's a great speaker, very much like the late Leonard Bernstein was. Mr. Siepmann takes you on an unforgetable musical journey covering the origins and use of the various orchestral instruments throughout musical history. The balance between his narration and a wealth of musical examples, which range from snippets to entire movements, is superb. The comprehensive enclosed booklet is excellent and faithfully follows the 7 CDs in content. Even with my 40+ years of music training I still learned new things from this wonderful collection. Considering the excellence of the content, and a cost that translates to about $5 per disc, this collection is a great value. Grab it, you won't regret that you did. Five solid stars!
Frank's view.......2006-08-19
This boxed set of CD's with booklet achieved all I had hoped that it would. There are good samples of individual instruments and well done commentary on each. The only drawback was that some of the samples were too brief and could have been longer, hoiwever I guess this fits in with time constraints of the medium. It has given me a lot of clues as to future purchases of CD's for listening to individual instruments. Altogeth a satisfactory purchase and a welcome addition to my collection.
Excellent Intro for Those Not Familiar with the Orchestra.......2003-11-08
I've listened to classical music for years and am interested in composition. I bought this CD set to learn how an orchestra and its instruments work. I thought the CDs would be a nice but boring lecture. They aren't! Not only are they FUN but they are informative as well. I learned a huge amount from each CD and couldn't wait to listen to the next one.
The narrator and writer is a great speaker and holds your attention well. He is definitely knowledgeable. He provides musical examples for each point he makes, so you get to "hear" what he just talked about. I'd say the CDs are about 65% music and 35% narration. You'll learn about the range of instruments, some history, different ways to play them, how they sound, and how they are used in the orchestra. This CD set was a great learning experience and is sold at such a low price!
I recommend this CD for those who want to learn about classical music and those who know about it but are interested in learning more about the inner workings of an orchestra. You'll learn much useful information. For instance, the Rite of Spring (with that eerie start) is written for bassoon! I never knew a bassoon could sound like that but now I do.
The one complaint I have is the last CD. This deals with the orchestra. I wanted more of a tour of how the orchestra has been used through history up to the present. Instead, it was a tour of how different groups of instruments sound. I thought it could have been better. The other 6 CDs are excellent.
Average customer rating:
- Much different than the previous two
- A Message from Johnny Trash...
- 3 stars...sigh
- Catchy, Raw, and Cliche
- Their best release since Act Your Age
|
When It All Comes Down
Home Grown
Manufacturer: Drive-Thru
ProductGroup: Music
Binding: Audio CD
General
| Alternative Rock
| Styles
| Music
Punk
| Hardcore & Punk
| Alternative Rock
| Styles
| Music
Ska Punk
| Hardcore & Punk
| Alternative Rock
| Styles
| Music
Punk-Pop
| Hardcore & Punk
| Alternative Rock
| Styles
| Music
Third Wave Ska
| Ska
| Alternative Rock
| Styles
| Music
General
| Rock
| Styles
| Music
4-for-3 Alternative Rock
| 4-for-3 Music
| Stores
| Music
4-for-3 Pop
| 4-for-3 Music
| Stores
| Music
4-for-3 Rock
| 4-for-3 Music
| Stores
| Music
4-for-3 All Music
| 4-for-3 Music
| Stores
| Music
Similar Items:
- Kings of Pop
- That's Business
- EP Phone Home
- Connection
- Wusappening?!
ASIN: B00064LOM8
Release Date: 2004-10-26 |
Tracks:
- Keep Your Distance
- Cross My Heart
- I Was Right About This
- Midnight City Sky
- I Win, You Lose
- What Would Love Do Now
Customer Reviews:
Much different than the previous two.......2004-12-29
At first listen, I didn't know what to think of "when it all comes down". It was just so freakin different. The pop-culture references of "act your age" were gone, the furious pop-punk of "kings of pop" was gone, and the production was crappy at best. I gave it a couple more listens tho and it grew on me alot. There IS more of an emo-punk vibe here than on the other two (compare the lyrics on "I win, you lose" to those of "she's anti" (act your age) and you'll see what I mean), but it's still basically pop-punk. I'd put this as my third favorite HG album, right above "that's business" (back when they were ska...i dont like ska). Overall, the album is catchy, the lyrics are cliche and the melodies are sweet...in pop-punk, that formula can get you a long way. I'd still recommend "act your age" (which is of the same caliber as "enema of the state" by blink 182) or "Kings of pop" (it's drive-thru produced, need i say more?) over this one...
A Message from Johnny Trash..........2004-11-06
"the EP was recorded on their own in a home studio with a budget that was 2% of the cost of KOP. It doesn't sound too bad for an EP. The next full length will definitely be a lot better." taken from a HG message board.
3 stars...sigh.......2004-10-31
When I went throught the tracks the first time, I thought "Man, this is just Kings of Pop part II, but more cliche." The second track starts off with the lines "Cross my heart and hope to die / stick every needle in these eyes..." That is SO corny. Yet I couldn't hate the song because it was so darned catchy.
I'll admit it. This EP grew on me plenty. It's nowhere near the masterpiece of Act Your Age, but I don't think they'll every put out something so awesome again. It's impossible.
Act Your Age also had the best production. Everything on this EP sounds like the mics were too far away from the instruments, especially the vocals. As with Kings of Pop, J. Trash's voice left behind it's signature punky sound and now mimic's Adam's super-high voice. The old duo was perfect; this is less fun.
I have to give this three stars, though it pains me. So come on guys, please, go back to acting your age...
Catchy, Raw, and Cliche.......2004-10-30
The best part about this ep is the production. It is produced very raw without any frills. You can tell this from the first hook on the album.
Seeing that this is the best part, now we'll move on to the music. Home Grown departs from their humorous, sometimes meaningful, pop-punk to move to a more "emo" sound. They still manage to be increadibly catchy and poppy, although one could say they've matured. With this maturation comes the good and the bad. These 6 songs are about relationships, especially those gone sour. This fails as much as it succeeds. While "Keep Your Distance" and "I Was Right About This" are quite good, both lyrically and musically, songs such as "Cross Your Heart" and "What Would Love Do Now" are cliche. While you want to connect like you do on Distance and Right About This, the lyrics are too god awful to take seriously.
Seeing that this ep is cheap and that half the songs are good, very good, it is a worthy purchase. Just don't expect consistance.
Their best release since Act Your Age.......2004-10-29
Track 6 is simply the BEST HomeGrown song ever. And tracks 2 and 3 are better than practically every song on "Kings of Pop". I've been a fan of theres for a long time (since 1997 or so) and I own every cd and ep they have put out, but I was pretty dissapointed in Kings of Pop. "When It All Comes Down" has restored my faith. Can you dig it?
Average customer rating:
- 4 Disc tour de' force of "high church" Christmas music
|
CHRISTMAS at King's College
Manufacturer: EMI Classics
ProductGroup: Music
Binding: Audio CD
All Works by J.S. Bach
| Bach, Johann Sebastian
| ( B )
| Featured Composers, A-Z
| Classical
| Styles
| Music
Byrd, William
| ( B )
| Featured Composers, A-Z
| Classical
| Styles
| Music
Cornelius, Peter
| ( C )
| Featured Composers, A-Z
| Classical
| Styles
| Music
Gibbons, Orlando
| ( G )
| Featured Composers, A-Z
| Classical
| Styles
| Music
All Works by Michael Praetorius
| Praetorius, Michael
| ( P )
| Featured Composers, A-Z
| Classical
| Styles
| Music
All Works by Sweelinck
| Sweelinck, JanPieterszoon
| ( S )
| Featured Composers, A-Z
| Classical
| Styles
| Music
All Works by Warlock
| Warlock, Peter
| ( W )
| Featured Composers, A-Z
| Classical
| Styles
| Music
All Works by Mendelssohn
| Mendelssohn, Felix
| ( M )
| Featured Composers, A-Z
| Classical
| Styles
| Music
General
| Baroque (c.1600-1750)
| Historical Periods
| Classical
| Styles
| Music
General
| Classical (c.1770-1830)
| Historical Periods
| Classical
| Styles
| Music
General Modern
| Modern, 20th, & 21st Century
| Historical Periods
| Classical
| Styles
| Music
General Contemporary
| Modern, 20th, & 21st Century
| Historical Periods
| Classical
| Styles
| Music
Organ
| Keyboard
| Instruments
| Classical
| Styles
| Music
General
| Sacred & Religious
| Classical
| Styles
| Music
General
| Classical
| Styles
| Music
General
| Opera & Vocal
| Styles
| Music
Anthems
| Vocal Non-Opera
| Opera & Vocal
| Styles
| Music
Choruses
| Vocal Non-Opera
| Opera & Vocal
| Styles
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Motets
| Vocal Non-Opera
| Opera & Vocal
| Styles
| Music
Noels
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| Opera & Vocal
| Styles
| Music
Oratorios
| Vocal Non-Opera
| Opera & Vocal
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| Music
Holiday Music
| Compilations
| Miscellaneous
| Styles
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General Christmas
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General Christmas
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Opera & Vocal
| Holiday Music
| Special Features
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Similar Items:
- A Festival of Nine Lessons and Carols
- Carols from Trinity
- O Come All Ye Faithful: Christmas Carols at King's College, Cambridge
- Carols From King's / Choir of King's College, Cambridge · Stephen Cleobury
- Praise to the Lord - Hymns From St. Paul's Cathedral
ASIN: B000009RSR
Release Date: 1998-09-15 |
Tracks:
- Once In Royal David's City - King's College Choir, Cambridge
- O Little Town Of Bethlehem - Palestrina
- The First Nowell - King's College Choir, Cambridge
- I Saw Three Ships - King's College Choir, Cambridge
- Personent hodie - Byrd
- Myn Lyking - Byrd
- A Spotless Rose - Gibbons
- Away In A Manger - Weelkes
- I Sing Of A Maiden - Weelkes
- O Come, O Come Emmanuel - King's College Choir, Cambridge
- While Shepherds Watched - King's College Choir, Cambridge
- Up! Good Christian Folk And Listen - King's College Choir, Cambridge
- In The Bleak Midwinter - King's College Choir, Cambridge
- Silent Night - King's College Choir, Cambridge
- The Holly And The Ivy - King's College Choir, Cambridge
- It Came Upon A Midnight Clear - Taylor
- The Three Kings - King's College Choir, Cambridge
- On Christmas Night - King's College Choir, Cambridge
- A Child Is Born In Bethlehem - King's College Choir, Cambridge
- In dulci jubilo - King's College Choir, Cambridge
- O Come, All Ye Faithful - King's College Choir, Cambridge
- Hark! The Herald Angels Sing - Warlock
Tracks:
- Once In Royal David's City - King's College Choir, Cambridge
- Bidding Prayer - King's College Choir, Cambridge
- Resonet in laudibus - King's College Choir, Cambridge
- Genesis 3 - King's College Choir, Cambridge
- Adam lay ybounden - King's College Choir, Cambridge
- Sussex Carol - King's College Choir, Cambridge
- Isaiah 9 - King's College Choir, Cambridge
- Joseph And Mary - King's College Choir, Cambridge
- St Luke 1 - King's College Choir, Cambridge
- A Maiden Most Gentle - King's College Choir, Cambridge
- St Luke 2 - King's College Choir, Cambridge
- Stille Nacht! - King's College Choir, Cambridge
- Chester Carol - King's College Choir, Cambridge
- St Luke 2 - King's College Choir, Cambridge
- Angels, From The Realms Of Glory - King's College Choir, Cambridge
- St Matthew 2 - King's College Choir, Cambridge
- A Babe Is Born - King's College Choir, Cambridge
- St John 1 - King's College Choir, Cambridge
- O Come, All Ye Faithful - King's College Choir, Cambridge
- Collect For Christmas Eve And The Blessing - King's College Choir, Cambridge
- Hark! The Herald Angels Sing - King's College Choir, Cambridge
- In dulci jubilo - King's College Choir, Cambridge
Tracks:
- Hodie Christus natus est - King's College Choir - Philip Ledger
- Hodie Christus natus est - King's College Choir - Philip Ledger
- O magnum mysterium - King's College Choir - Philip Ledger
- Senex puerum portabat - King's College Choir - Philip Ledger
- Senex puerum portabat - King's College Choir - Philip Ledger
- Hodie beata virgo - King's College Choir - Philip Ledger
- Hosanna To The Son Of David - King's College Choir - Philip Ledger
- Hosanna To The Sun Of DAvid - King's College Choir - Philip Ledger
- Gloria in excelsis Deo - King's College Choir - Philip Ledger
- When To The Temple Mary Went - King's College Choir - Philip Ledger
- Nowell! Nowell! Nowell! - King's College Choir - Philip Ledger
- The Holly And The Ivy - King's College Choir - Philip Ledger
- Angelus ad virginem - King's College Choir - Philip Ledger
- Angelus ad virginem - King's College Choir - Philip Ledger
- I Sing Of A Maiden - King's College Choir - Philip Ledger
- Watt's Cradle Song - King's College Choir - Philip Ledger
- My Dancing Day - King's College Choir - Philip Ledger
- Sing A Song Of Joy - King's College Choir - Philip Ledger
- Jesus Christ The Apple Tree - King's College Choir - Philip Ledger
- Most Glorious Lord Of Life - King's College Choir - Philip Ledger
- That Lord That Lay In Asse Stall - King's College Choir - Philip Ledger
- Where Riches Is Everlastingly - King's College Choir - Philip Ledger
Tracks:
- I Look From Afar - The Choir Of King's College, Cambridge
- Come, Thou Redeemer Of The Earth - The Choir Of King's College, Cambridge
- Isaiah 40: 1 - 8 - The Choir Of King's College, Cambridge
- Drop Down, Ye Heavens, From Above - The Choir Of King's College, Cambridge
- Jeremiah 23: 5 - 6 - The Choir Of King's College, Cambridge
- O Come, O Come Emmanuel! - The Choir Of King's College, Cambridge
- Haggai 2: 6 - 9 - The Choir Of King's College, Cambridge
- Up, Awake And Away! - The Choir Of King's College, Cambridge
- All And Some - The Choir Of King's College, Cambridge
- Isaiah 35: 1 - 6 - The Choir Of King's College, Cambridge
- 'Twas In The Year - The Choir Of King's College, Cambridge
- The Cherry Tree Carol - The Choir Of King's College, Cambridge
- King Jesus Has A Garden - The Choir Of King's College, Cambridge
- On Jordan's Bank The Baptist's Cry - The Choir Of King's College, Cambridge
- St. Luke 1: 26 - 35 And 38 - The Choir Of King's College, Cambridge
- Gabriel's Message - The Choir Of King's College, Cambridge
- Wake, O Wake! With Tidings Thrilling - The Choir Of King's College, Cambridge
- St. Mark 1: 1 - 4a And 7 -15 - The Choir Of King's College, Cambridge
- I Wonder As I Wander - The Choir Of King's College, Cambridge
- My Dancing Day - The Choir Of King's College, Cambridge
- Judah And Jerusalem, Fear Not - The Choir Of King's College, Cambridge
- Prayers And Blessing - The Choir Of King's College, Cambridge
- Lo! He Comes With Clouds Descending - The Choir Of King's College, Cambridge
- Nun komm', der Heiden Heiland - The Choir Of King's College, Cambridge
Customer Reviews:
4 Disc tour de' force of "high church" Christmas music.......2003-04-19
It's in there.. this is a great collection of Anglican Cathedral Christmas music. Highly recommended.
Average customer rating:
|
Symphony 9: Introduction to Dvorak
Dvorak
Manufacturer: Naxos
ProductGroup: Music
Binding: Audio CD
General
| Symphonies
| Classical
| Styles
| Music
General
| Classical
| Styles
| Music
General
| Instructional
| Miscellaneous
| Styles
| Music
Similar Items:
- An Introduction to Brahms' Piano Concerto No. 2
- An Introduction to Schubert's Piano Quintet "Trout"
- Classics Explained: Pastoral Symphony
- An Introduction to Vivaldi's "The Four Seasons"
- Classics Explained: Rite of Spring
ASIN: B000069HGK
Release Date: 2002-09-17 |
Average customer rating:
|
Offenbach: La Belle Helene; Orpheus in the Underworld; La Vie Parisienne (Highlights)
Manufacturer: Class. for Pleas. Us
ProductGroup: Music
Binding: Audio CD
All Works by Offenbach
| Offenbach, Jacques
| ( O )
| Featured Composers, A-Z
| Classical
| Styles
| Music
General
| Classical
| Styles
| Music
General
| Opera & Vocal
| Styles
| Music
Operettas
| Opera & Vocal
| Styles
| Music
Similar Items:
- Johann Strauss II: Die Fledermaus; The Gypsy Baron (Highlights)
- Léhar: The Land of Smiles; The Merry Widow; The Count of Luxembourg (Highlights)
- Offenbach: Orpheus in the Underworld / Burgess, Watson, etc (Highlights)
ASIN: B00009KHY3
Release Date: 2003-09-02 |
Tracks:
- Overture
- The Happy Bride Never Stumbles
- You've Gone Too Far!
- May I Make Myself Known?
- My Death Appears Divinely Smiling
- When Diana Leaves The Mountains
- To Arms!
- When Jupy Feels The Inclination
- Here Comes Orpheus
- When I Was King Of The Boeotians
- I Thought That I Felt On My Shoulder
- What Heavenly Joy Is Mine
- Minuet And Galop
- Overture
- How Sad We've Made The Marchioness
- Well Isn't That Just Life All Over?
- I'm The Guide For Every Tourist
- I Am A Native Of Brazil
- In This Enchanting Queen Of Cities
- I Am A Dab At Carving Pork
- We Have Seen Sights Since Eleven... I'm A Colonel's Widow
- Dinner Is Served
Tracks:
- Oh, Little Cloud
- When She Goes Out... Her Petticoats Go Frou, Frou, Frou
- Does He Know He's Splitting Down The Back
- Nobody Would Call Me A Rover
- I'll Have So Much To Say
- It's Most Important You Should Show
- Here You See The Place
- My Friends, I'm Most Delighted To See You
- In Songs And Shouts... Paris Blooms Like A Flower
- Introduction
- To Bow To Jupiter We Gather At The Shrine
- We've Had A Night Out
- On Mount Ida Three Great Ladies (The Judgement Of Paris)
- March And Entry Of The Kings
- Entr'acte
- We All Begin By Truly Trying
- It Is Her That Has Sent This Sweet Love Dream
- Come Here, You Kings Of Greece
- When All Of Greece Has Been Ravaged
- Do You See?
Customer Reviews:
Champagne Music!.......2006-07-09
Thank goodness that these well filled CDs of selections from three of Offenbach's most entertaining and tuneful operettas are available. Exactly the thing to provide some hearty nourishment for Winter nights. Ideal also for a Summer barbecue. In both cases, a glass of champagne, or at least some other bubbly beverage, would be good to have at hand - everything here no doubt will call for a toast or several.
It is so nice to be able to hear in these translations the witty words, sung with welcome clarity and meaning by these admirable artists. As I recall, there were no microphones in sight, and perhaps not even used, when this production of Orpheus In The Underworld was brought to Australia, with a few cast changes but the same sparkle as shown here. Crisp diction and lively, often lovely, singing - a great recipe for enjoyable listening indeed.
The recording sounds a bit shrill here and there, but what a churlish quibble; to Hades with such curmudgeonly qualifications! This is music to raise the spirits, and not just those from Hades.
Average customer rating:
- another great, underrated band
|
When It All Comes Down
Miaow
Manufacturer: Ltm / Boutique Nl
ProductGroup: Music
Binding: Audio CD
General
| Rock
| Styles
| Music
Pop Rock
| Pop
| Styles
| Music
Similar Items:
- Reserved
ASIN: B000083ELX
Release Date: 2003-01-28 |
Tracks:
- Belle Vue
- Fate
- Grocers Devil Daughter (Venus Single 1985)
- Sport Most Royal
- Did She
- Following Through
- Three Quarters Of The Way To Paradise
- Cookery Casuality (Peel Session 1986)
- When It All Comes Down
- Did She (Factory Single 1987)
- Just Keep Walking
- Thames At High Water
- The Dreamers Death
- Fate (Peel Session 1987)
- Break The Code
- Stolen Ears
- When It All Comes Down (12 Inch Factory Single 1987)
- Carnal Drag
- Fear Of The Sun (Album Demo 1987)
- King Creole
Album Description
LTM are pleased to make available the entire recorded works of Miaow (1985-1987), the cult indie guitar band lead by Cath Carroll. Formed by guitarist/singer Cath with drummer Chris Fenner and bassist Steve Macguire in 1984. As well as all the single sides and all eight tracks recorded for both John Peel sessions (six of them otherwise unrecorded), this compilation also includes all compilation tracks, and two previously unheard demos ('Carnal Drag' and 'Fear of the Sun') for the never-completed Miaow album, Priceless Innuendo. Remastered. LTM. 2002.
Customer Reviews:
another great, underrated band.......2004-02-15
Miaow was one of the somewhat famous C86 bands from the eighties. Except for a couple compliation tracks and a single ("When It All Comes Down") released on the Factory label, nothing else was released.
Cath Carroll was the leader of this band. Mark Robinson, former Unrest (and current Flin Flon) member, had a somewhat odd crush on her. He dedicated a song to her (aptly named "Cath Carroll") and put a picture of her on Unrest's "Perfect Teeth" cover.
He begged her to do a single or something for his Teenbeat label (a good label, by the way), and she eventually caved in after awhile. Soon after the single, she released a solo record, also on Teenbeat.
Was Cath Carroll really all that great? Well, thanks to LTM (whoever they are), we can finally find out.
The most notable thing about this collection is the quality of the songs -- and seeing how most of them have never seen the light of day until now, it's kind of weird. One wonders why exactly. "Fate" is particularly catchy, with a lovely, stuttering lead vocal weaving through awesome keyboard flourishes. Other standouts include "Grocer's Devil's Daughter," "Did She?" and "Sport Most Royal."
But nothing, and I mean nothing, tops the wonderfulness that is "When It All Comes Down." Both versions on here are simply amazing -- particularly the extended "Catechism" mix. It exemplifies all the great things about the original version greatly, creating an incredibly satisfying experience.
Not all the tracks are as great, but there's more than enough material here to justify a reasonable purchase. If you like danceable post-punk/pretty jangle pop, you should be more than happy with this release.
Average customer rating:
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When It All Comes Down
Home Grown
Manufacturer: Dtuep004
ProductGroup: Music
Binding: Audio CD
General
| Alternative Rock
| Styles
| Music
Punk
| Hardcore & Punk
| Alternative Rock
| Styles
| Music
Ska Punk
| Hardcore & Punk
| Alternative Rock
| Styles
| Music
Punk-Pop
| Hardcore & Punk
| Alternative Rock
| Styles
| Music
Third Wave Ska
| Ska
| Alternative Rock
| Styles
| Music
General
| Rock
| Styles
| Music
Rock
| Imports
| Stores
| Music
ASIN: B0007KTIM4
Release Date: 2005-03-14 |
Tracks:
- Keep Your Distance
- Cross My Heart
- I Was Right About This
- Midnight City Sky
- I Win, You Lose
- What Would Love Do Now
Album Description
Homegrown, at this point a legendary clipping of punk and its past 10 years of stage proves it worth of such a title in an E.P. titled, When It All Comes Down. Simply powerful is this Drive-Thru Records roster heavyweight. Packed with plenty of punch, track 2 'Cross My Heart' while a play on words from anyone's kindergarten days is the playfully perfect candidate for video stardom. 2005.
Album Details
A Storming Six Track EP of Perfect Guitar Punk Pop. Combining Pure Melodies, Emotion and Catchy Hooks Perfection this Californian Four Piece have Delivered a Thoughtful and Fully Realized Body of Work.
Average customer rating:
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When It All Comes Down
Home Grown
Manufacturer: 3d
ProductGroup: Music
Binding: Audio CD
General
| Alternative Rock
| Styles
| Music
Ska Punk
| Hardcore & Punk
| Alternative Rock
| Styles
| Music
Punk-Pop
| Hardcore & Punk
| Alternative Rock
| Styles
| Music
Third Wave Ska
| Ska
| Alternative Rock
| Styles
| Music
General
| Rock
| Styles
| Music
Pop Rock
| Pop
| Styles
| Music
Rock
| Imports
| Stores
| Music
ASIN: B000803D2E
Release Date: 2005-05-09 |
Tracks:
- Keep Your Distance
- Cross My Heart
- I Was Right About This
- Midnight City Sky
- I Win, You Lose
- What Would Love Do Now
Average customer rating:
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Songs From the Dam Farm
Sarah Guthrie
Manufacturer: Independent Girl
ProductGroup: Music
Binding: Audio CD
General
| Folk
| Styles
| Music
Country Folk
| Country
| Indie Music
| Stores
| Music
ASIN: B00005YTEA
Release Date: 2002-01-17 |
Tracks:
- Old Red Rooster
- Independant Girl
- 2nd Chance Romance
- Walkin' Blues
- Hard As Nails
- Peace & Trouble
- I'm All Right
- Beast of Burden
- Celia's Mama's Dream
- Old Man
- Don't Fence Me In
- Dam Farm Rag
- A Stranger Came
Album Description
"It rocks" said Gail Valentine, one of the Lunabelles who back up the intrepid Michael Hurley. It has a little something for everyone - goofy humor, a searingly honest outlook on life and love, scatalogical references, and songs about death. All from an Appalachian female point of view. If you've ever wondered if folk music could really still sound like plain folks were making it - this is the CD for you. The country songs harken back to a simpler day, when lyrics were more than cutesy cliches, and guitar licks had taste and finesse. The old-timey numbers rival the best of the "Oh Brother, Where Art Thou?" soundtrack. Take it home and get ready to laugh, cry and slap your knee. Then you'll be ready for your first banjo lesson.
Customer Reviews:
MoreFolk than Bluegrass.......2003-12-28
Typical of Ohio style which is a little more folk than bluegrass.
Wonder if Susan Guthrie is kin to the Arlo Guthrie clan?
Some lyrics hard to understand, but overall a pleasant listening experience.
Average customer rating:
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When It All Comes Down
Manufacturer: Jonestown
ProductGroup: Music
Binding: Audio CD
Pop Rock
| Pop
| Styles
| Music
ASIN: B000CAJQY4
Release Date: 2005-03-01 |
Music:
- Yankee Hotel Foxtrot [Enhanced] [Import]
- 4766 Seconds: A Short Cut to Teenage Fanclub [Import]
- 7hz
- Absolutely [Import]
- Across the Airwaves [Import]
- All the Stuff & More
- Animositisomina
- Az Da World Turns [Explicit Lyrics]
- BBC Live in Concert [Live]
- Best Of Graham Parker (Vertigo)
Music
music
Music
Wake Up (Make a Move) 2 [CD-single] [Enhanced] [Import]
DARIUS MILHAUD - Le retour de l'enfant prodigue - Solistes sous le diection
Carullists or Molinists?
Country Songs for Children
Compassion Fills the Void
Giuseppe Verdi: La Forza Del Destino
Best of Pooh and Friends and Heffalumps, Too
Beethoven: Piano Sonatas Nos. 15, 17, 26
Love Me Like a Song
Brilliant Corners
De Luxe [Import]
Chamber Music [Import]
Chill House Sensation: London [Import]
Latin Passion
The Next Step