Isn't Anything
Editorial Reviews
Amazon.com
Three years before 1991's Loveless, My Bloody Valentine's masterwork of impossibly dense soundscapes, the Dublin quartet offered some fairly affecting dream pop on its first full-length album, Isn't Anything. Both worthy of Creation's "shoe-gazing" heritage and skewed enough to stand up next to pre-grunge guitar bands like Sonic Youth and the Pixies, the record makes the most of a group that hadn't yet found its bearings. And at its best, Isn't Anything hints at how great it will be when their sonic discoveries are finally honed. --Roni Sarig --This text refers to the Audio CD edition.
Average customer rating:
- When You Wake, You're Still In A Dream
- Myth: "Isn't Anything" is anywhere near "Loveless"
- More mainstream, but no less hypnotically sexual
- Sublime fuzz
- my bloody valentine Is Something
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Isn't Anything
My Bloody Valentine
Manufacturer: Sire / London/Rhino
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- Loveless
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ASIN: B000002MJ0
Release Date: 1993-06-15 |
Tracks:
- Soft As Snow (But Warm Inside)
- Lose My Breath
- Cupid Come
- (When You Wake) You're Still In A Dream
- No More Sorry
- All I Need
- Feed Me With Your Kiss
- Sueisfine
- Several Girls Galore
- You Never Should
- Nothing Much To Lose
- I Can See It (But I Can't Feel It)
Amazon.com
Three years before 1991's Loveless, My Bloody Valentine's masterwork of impossibly dense soundscapes, the Dublin quartet offered some fairly affecting dream pop on its first full-length album, Isn't Anything. Both worthy of Creation's "shoe-gazing" heritage and skewed enough to stand up next to pre-grunge guitar bands like Sonic Youth and the Pixies, the record makes the most of a group that hadn't yet found its bearings. And at its best, Isn't Anything hints at how great it will be when their sonic discoveries are finally honed. --Roni Sarig
Customer Reviews:
When You Wake, You're Still In A Dream.......2007-06-07
Isn't Anything is seen by many as just a precursor to My Bloody Valentine's next release (magnum opus) Loveless. Although I like this one a lot more.
This is a Guitar Rock album without the Guitars. Instead they were stripped down and deleted, only leaving the endless reverb and guitar effects.
To me, it sounds like a wonderfully soothing daydream haze. Ahhh yes! That shoegazer 'staring at our shoes' type of sound. This basically defined the genre and My Bloody Valentine were one of it's first and it's best.
In 1988 when Isn't Anything was released, MBV came into their own, crafting their sound, defining their basic approach with sensual washes of feedback and influencing upcoming bands like Ride and Lush.
Before the Band formed, lead singer/guitarist - Kevin Sheilds was greatly inspired by the wave of noisy US indie underground bands going on in the mid 80s. Bands like Dinosaur Jr, Sonic Youth, Big Black and Husker Du - who showed off the sonic intensity of what the Guitar was capable of.
The European audiences were paying attention. And many bands soon followed.
On "Isn't Anything" My Bloody Valentine redefined their earlier sound although they still maintained their 'jangly pop' persona. Just made it more accessible containing tighter structured songs, despite all the noise.
"Feed Me With Your Kiss" (the Hit) is a montague of guitar bursts, heavy drummin', with Kevin Sheilds and Bilinda Butcther's sweet boy/girl vocals. A staple that is considered a MBV trademark.
I love Bilinda Butcher's different types of moods which she portrays throughout. From the abstract-like pain ridden lyrics on "No More Sorry" to a sexier but distant voice on "Several Girls Galore"
This darker side can be felt and heard in the chorus on "Sueisfine" which goes from "Sue is Fine" to "Suicide" w/o a change in emotion at all.
"Soft as Snow"(But Warm Inside) opens with a Drum countdown....to Deb Googe's funkified bassline, while B. Butcher backs Sheilds with her sweet soundin and sexy OOoh Oooh - like a Ambulance siren is set off.
"Lose My Breath" is just a pure daydream to listen to. So soothing and peaceful. Probably my Favorite track on all of "Isn't Anythings" 38 minutes.
Unfortunately Loveless was the last album by My Bloody Valentine back in '91. Leaving in their wake one of Rock's great what-if's. Kevin Sheilds has been saying for years he is interested in a future project with the Band, but who knows when that would be. Oh well...
-Isn't Anything is a creative innovation, spawning many similar bands afterwards, but few could compare to it's genius and the Band behind it.
Myth: "Isn't Anything" is anywhere near "Loveless".......2007-05-26
To claim that "Isn't Anything" is even in the same stratosphere as "Loveless," as a number of reviewers here do, is just plain innacurate. As any fan will tell you, My Bloody Valentine's next offering "Loveless," not only ushered in the entire "shoegazer" genre, but is still the best album of its kind. But it's more than this -- indeed "Loveless" remains a timeless classic, and, from a personal point of view, holds a position as one of my ten favorite rock albums of all time (whereas "Isn't Anything" probably wouldn't be in my top one thousand).
Sure, there are certainly moments on "Isn't Anything" where we can detect a glimmer of the brilliance to come. I would even say that one of the songs, namely "(When You Wake) You're Still In A Dream," can almost hold its own amongst the many gems on "Loveless." "Sueisfine" intrigues me, because I'm quite sure the band intentionally made the chorus sound like "suicide." "You Never Should" and "Nothing Much to Lose" work fairly well as lively pop songs. But if we're going to be truly honest, the best we can say of "Isn't Anything," is that it's a decent album that precedes "Loveless." Period.
More mainstream, but no less hypnotically sexual.......2007-04-09
As the quiet before the storm, or the alchemist for "My Bloody Valentine's" zenith album Loveless-- which was a benchmark that culminated the modern shoegaze/dream-pop genre--Isn't Anything is more mainstream (you can actually hear most of the vocals here) but is no less sexual, and trancelike, utilizing dreamy and almost tangible soundscapes that make it seem like you can actually sink your teeth into their sonics. Many of the nation's current youth might actually like this better than Loveless, as the approach to the material is more "Sonic Youth" by way of "Joy Division," less "Cocteau Twins" by way of "The Jesus and Mary Chain," and is an incredible album showcasing Kevin Shields as possibly the best guitarist/musical composer to get a start in the late 1980's.
Started with the sensual track, Soft as Snow (But Warm Inside), with Shields clear vocals, and alluring lyrics, and Blinda Butcher's soothing, lush, and lustful backing voice; mixing to create a warm `n fuzzy sensation down there, and engorging the listener with hormonal intuition. "My Bloody Valentine" is hot n' saucy, showcasing a come-hither flirtation, and giving the listener a heartening mood with such excerpts like, "Soft as velvet eyes can see, bringing me close to ecstasy:" that blisters into a blazing and crusading instrument solo that spirals into some fuzz tone, and Butcher's "ohhing"-backing chime to bring the song to its final conclusion. Then moving into the track, Lose My Breath, a delicate mood piece of beauty, with an airy subtleness, making it tantalizing, and despite its seemingly skimpy backbeats and languid feel, it's still never futile. Then shortly later, the hard-rocking, When you Wake (Your Still In a Dream,) shows that they are a band that never gets into shambolic lengthy babble; rather its predetermined entropy.
All I Need is the least interesting and unmemorable spot on the album, at least when propped up to their other tracks, that also contain this backing "ohhing" and that off center vocal, yet is gladly remedied with Feed Me With Your Kiss, and its grueling instrument line, giving the listener a hurtling frenzy of kinky sex; while, Sueisfine, has this hard-rockin' edge, and features one of the most brilliant lyric tweaks, from the chorus that changes from "Sue-is-fine" into "Su-i-cide," a true change of mood into bleaker darklands. Or take the wispy, Several Girls Galore, the poetic and subtler, No More Sorry, and, You Never Should, as well as the concluding waves of noise in, Nothing Much to Lose, and I Can See It (But I Can't Feel It,) all seeming like "My Bloody Valentine" is dropping bombs of musical ingenuity into the audiences eardrums to get them to no know what good musical noise is made of: thus bringing this album of sexuality to a close, and creating a memorable and nerve-pleasuring experience.
**** ½ (Out of 5)
Sublime fuzz.......2007-04-07
With 1991's "Loveless", My Bloody Valentine produced a landmark album that would redefine the boundaries for independent music. Yet if "Loveless" was the "Revolver" of the early 1990's, then "Isn't Anything" was the band's "Rubber Soul"- the moment when the band took the game to the next level of sophistication, setting themselves another notch above the competition. This album, judged by the production values of 1988, was the great leap forward. The melodies are lush and beautiful but you have to go searching for them in the opiate fuzz of the shimmering layers of guitar noise. It is well worth the effort. The interplay of melody of distortion on this record is what makes this record so rewarding. The sweetness of the best tunes finds its perfect counterpoint in the drone and fuzz of the guitars. The mix of acidity and sweetness is just right here- a feature that is oddly reminiscent of the other great alternative album from 1988, Sonic Youth's "Daydream Nation". Whilst My Bloody Valentine would raise their art one step higher with "You Made Me Realise" later in the year, they were already on the heights with this release. Buy this record, one of the best of the late 1980's and retire to a hazy, fuzzy, bittersweet nirvana.
my bloody valentine Is Something.......2007-01-08
You know, it's kind of ironic, my experience with this group. I thought of 'em as a real head-scratcher band when I heard "Loveless" a couple years ago, one of the first times I realized that "indie" music wouldn't come to me as easily as I had initially thought. However, there was a romantic overtone and nice tunes that fascinated me at the same time and while I don't think it's 5-star good, this album sort of warmed me up to it.
It's a pretty solid album throughout. It's not the overproduced experiment of "Loveless," but rather, more them making pop songs in the vein of Jesus and Mary Chain. They still have their own identity though. Feedback rules over "All I Need." My favorite two songs are "Soft as Snow (But Warm Inside)" and "No More Sorry," which showed that they had genious in them before their highly praised swan song. I wish I enjoyed the second half as much as the first, but it's alright.
Average customer rating:
- A really Fine Romance
- A Musical Treat
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Menuhin & Grappelli Play Berlin, Kern, Porter & Rodgers & Hart
Manufacturer: EMI Classics
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- Anything Goes, With Yo Yo Ma
- Jazz in Paris: Oscar Peterson-Stephanie Grapelli Quartet, Vol. 1
ASIN: B000002SDR
Release Date: 1990-10-25 |
Tracks:
- Cheek To Cheek
- Isn't This A Lovely Day?
- The Piccolino
- Change Partners
- Top Hat
- I've Got My Love To Keep Me Warm
- Heat Wave
- The Way You Look Tonight
- Pick Yourself Up
- A Fine Romance
- All The Things You Are
- Why Do I Love You?
- I Get A Kick Out Of You
- Night And Day
- Looking At You
- Just One Of Those Things
- My Funny Valentine
- Thou Swell
- The Lady Is A Tramp
- Blue Room
Customer Reviews:
A really Fine Romance.......2007-07-05
It doesn't get any better than these two playing these guys! Some of it was recorded at Abbey Road Studios. Use your imagination... It's all just swell.
A Musical Treat.......2006-01-08
"The true mission of the violin is to imitate the accents of the human voice, a noble mission that has earned for the violin the glory of being called the king of instruments." ~ Charles-Auguste De Bériot ~
Yehudi Menuhin and Stéphane Grapelli together had made some of the most beautiful music ever-recorded. And I believe that this is one of the many successful albums they recorded together. In this recording, both violinists have showed their excellent musicianship and interpretative eloquence as well, making it one of my most cherished CDs from my collection.
These are the main ingredients of a perfectly-made CD for your listening pleasure: mix violins, piano, bass and drums together, combine two terrific violinists, season with the best melodies in the 20s, 30s and 40s from Irving Berlin, Jerome Kern, Cole Porter and Rodgers & Hart. Add the musical talents of Nelson Riddle, Max Harris, Martin Taylor, Eddie Tripp, Alan Clare and the rest of the studio musicians. Now all you have to do is to sit back, relax and savor these stunning melodies coming from your CD player. Listen to it in full-volume and fill your music room with the sheer beauty of these classics.
One of my favorite musical instruments is violin. With its four strings, it gives a whole wide range of musical versatility and I simply love the fascinating sound it produces.
My personal highlights are the best tunes from Jerome Kern - "The Way You Look Tonight" (Nelson Riddle arranged this particular track and conducted the Woodwind and Brass section), "A Fine Romance," "Pick Yourself Up," "Why Do I Love You?" and "All The Things You Are."
My choices from Irving Berlin's gems are - "Isn't It A Lovely Day?" featuring the great artistry of Nelson Riddle in arranging and conducting, "Cheek To Cheek" and "I've Got My Love To Keep Me Warm."
The Cole Porter repertoire represented his musical sophistication in "Night And Day," "I Get A Kick Out Of You" and "Just One Of Those Things."
The choice cuts from the talented and creative team of Richard Rodgers and Lorenz Hart are "My Funny Valentine" and "Thou Swell."
Listening to this CD is so delectable and equivalent to having my favorite dessert - be it Tiramisu, New York Cheesecake, Black Forest Cake, Chocolate Soufflé, Créme Brulee, Chocolate Mousse or Chocolate-Coated Strawberries! ;)
A musical treat.
Average customer rating:
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Menuhin & Grappelli Play...
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- Anything Goes, With Yo Yo Ma
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- Jazz in Paris: Oscar Peterson-Stephanie Grapelli Quartet, Vol. 1
ASIN: B0002Z83LG
Release Date: 2005-02-15 |
Tracks:
- Fascinatin' Rhythm
- Soon
- Summertime
- Embraceable You
- Liza
- A Foggy Day
- 'S Wonderful
- The Man I Love
- I Got Rhythm
- He Loves And She Loves
- They Can't Take That Away From Me
- They All Laughed
- Funny Face
- Our Love Is Here To Stay
- Lady Be Good
- These Foolish Things
- Laura
- April In Paris
- Autumn Leaves
- Autumn In New York
Tracks:
- Cheek To Cheek
- Isn't This A Lovely Day?
- Change Partners
- Top Hat, White Tie And Tails
- I've Got My Love To Keep Me Warm
- Heat Wave
- The Way You Look Tonight
- Pick Yourself Up
- A Fine Romance
- All The Things You Are
- Why Do I Love You?
- I Get A Kick Out Of You
- Night And Day
- Looking At You
- Just One Of Those Things
- My Funny Valentine
- Thou Swell
- The Lady Is A Tramp
- Blue Room
- Jealousy
- Skylark
Customer Reviews:
Most beautiful music.......2005-08-17
This is happy music.
Just plain happy, instrumental music.
Highly recommend to everyone.
Average customer rating:
- A strange experience...
- Menuhin&Grappelli
- always a winning pair
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Menuhin & Grappelli Play
Manufacturer: EMI Classics
ProductGroup: Music
Binding: Audio CD
Duke, Vernon
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All Works by Gershwin
| Gershwin, George
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ASIN: B000026BYI
Release Date: 1999-11-02 |
Tracks:
- Fascinatin' Rhythm
- Soon
- Summertime
- Embraceable You
- Liza
- A Foggy Day
- 'S Wonderful
- The Man I Love
- I Got Rhythm
- He Loves And She Loves
- They Can't Take That Away From Me
- They All Laughed
- Funny Face
- Our Love is Here to Stay
- Lady, Be Good
- These Foolish Things
- Laura
- April In Paris
- Autumn Leaves
- Autumn In New York
Tracks:
- Cheek To Cheek
- Isn't This A Lovely Day?
- Change Partners
- Top Hat, White And Tails
- I've Got My Love To Keep Me Warm
- Heat Wave
- The Way You Look Tonight
- Pick Yourself Up
- A Fine Romance
- All The Things You Are
- Why Do I Love You?
- I Get A Kick Out Of You
- Night And Day
- Looking At You
- Just One Of Those Things
- My Funny Valentine
- Thou Swell
- The Lady Is A Tramp
- Blue Room
- Jealousy
- Skylark
Customer Reviews:
A strange experience..........2003-11-03
They're both brilliant violinists but in very different genres, and Menuhin by his own admission never learned to improvise (unlike many of today's classical performers): he was trained in the post-Liszt, pre-jazz window when improvisation had died out in classical music and even cadenzas followed the score strictly (if Beethoven didn't write one, play Kreisler's). And it shows, rather painfully. He achieves a brilliant tone but that's about it: he plays these Broadway tunes completely "straight", and any student could do that equally well.
The CD is worthwhile for its curiosity value, but you'd get much better musical value buying Grappelli's jazz and Menuhin's classical recordings separately.
Menuhin&Grappelli.......2002-08-17
Music just does not get any better than this CD! I am a musician and hearing these two artists is a thrill. This is a CD for all music lovers. You will not be sorry if you purchase this CD
always a winning pair.......2001-01-29
You simply can't go wrong with a combination of two of the most talented violinists of our time. This cd is a wonderful showcase for them both and the choice of music is the greatest classics. It's a fun, winner of a cd.
Average customer rating:
- extremely poor re-mastering
- An excellent CD!
- Nelson Eddy on CD - always a pleasure
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Romberg, Sigmund
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Similar Items:
- Just for Tonight
- Ah Sweet Mystery of Life: Anthology (1931-1938)
- San Francisco and Other Jeanette MacDonald Favorites
- Through the Years
- Nelson Eddy: Operatic Arias and Concert Songs
ASIN: B000001ZRF
Release Date: 2000-01-01 |
Tracks:
- Carousel in the Park - Jeanette MacDonald
- It Doesn't Cost You Anything to Dream - Jeanette MacDonald
- Close as Pages in a Book - Jeanette MacDonald, Robert Merrill
- Fireman's Bride - Jeanette MacDonald, Robert Merrill
- Big Back Yard - Robert Merrill
- When You Walk in the Room - Robert Merrill
- Isnt' It Romantic? - Jeanette MacDonald, Paramount Studio Orchestra
- Love Me Tonight - Maurice Chevalier, Jeanette MacDonald
- Golden Days - Nelson Eddy
- Drinking Song
- Deep in My Heart, Dear - Nelson Eddy, Rise Stevens
- Serenade - Rise Stevens
- Just We Two - Rise Stevens
- Come Boys - Nelson Eddy
- One More Mile to Go
- Raindrops on a Drum - Nelson Eddy
- Love Is the Time - Nelson Eddy
- Nearer and Dearer - Nelson Eddy
- Tell Me With Your Eyes - Nelson Eddy
- Russian Easter Hymn - Nelson Eddy
- Whale Who Wanted to Sing at the Met: Three Blind Mice/Short'nin Bread - Nelson Eddy
- Why Do I Love You? [From Show Boat] - Nelson Eddy, Jane Powell
- Beyond the Blue Horizon [From Monte Carlo][*] - Jeanette MacDonald
Customer Reviews:
extremely poor re-mastering.......2004-12-21
I listen to many (re-mastered) historical recordings. Jeanette MacDonald is certainly one of my most favorite sopranos. For some reason, I haven't been able to find a decent, or even acceptable, re-mastering of her recordings.
While this one certainly contains many valuable tracks, the re-mastering is horrid. The songs sound stripped yet still maintain a great deal of distracting noise. I conjecture that the re-mastering was done simply by increasing the bass and decreasing the treble.
An excellent CD!.......2004-03-29
This is an excellent collection of the Screen Sweethearts of the 30's, Nelson Eddy and Jeanette MacDonald, *not* singing together, in the 40's (except for a few of Jeanette's songs).
For Jeanette, it has numbers from Up In Central Park: Carousel in the Park, It Doesn't Cost You Anything to Dream, Close as Pages in a Book, Fireman's Bride, The Big Back Yard, When You Walk in the Room. She and Robert Merrill sing these together and on their own, and very charmingly, too. There are also Love Me Tonight, Isn't It Romantic, and Beyond the Blue Horizon.
For Nelson, he sings music from The Student Prince with Rise Stevens: Golden Days, Drinking Song, Deep in my Heart Dear, Serenade (which is BEAUTIFUL!), Just We Two, and Come Boys. He also sings all the songs from Northwest Outpost - thankfully, without Ilona Massey! Also, the Willie the Whale segment from Make Mine Music is on this CD - just as it is in the movie, with the narration and everything - it's great! (The Tristan und Isolde part is not included, however - not sure what the reasoning is behind that.) He also sings a duet with Jane Powell - Why Do I Love You? from Show Boat.
I say this is a must for fans of Nelson and/or Jeanette, not to mention Rise Stevens!
I particularly enjoy "When You Walk in the Room". It's a charming little tune, with ridiculous but adorable lyrics! "Fireman's Bride" is very funny also - Jeanette barely sounds like herself!
I hope this will help others to choose this CD - it's a pity there's not a list of the titles here!
Nelson Eddy on CD - always a pleasure.......1998-08-30
It's always a pleasure to find Nelson Eddy's wonderful voice on CD and this one has some of the harder-to-find pieces in it, including collaborations with Jane Powell and the wonderful mezzo Rise Stevens. The recording of "The Whale Who Sang at the Met" is a must for any collector as are the excellent recordings (better than on the movie) for "Northwest Outpost". The baritone singing opposite Jeanette MacDonald also has an excellent voice (though his name temporarily escapes me)
Average customer rating:
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Collection: Say It With Music (Dlx)
Andr Kostelanetz
Manufacturer: Collectables
ProductGroup: Music
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| Music
ASIN: B00007L8X4
Release Date: 2003-02-18 |
Tracks:
- Say It With Music Remember Blue Skies
- Top Hat White Tie And Tails How Deep Is The Ocean (How High
- This Is The Army Oh How I Hate To Get Up In The Morning Soft
- Whatll I Do Always The Song Is Ended (But The Melody Lingers
- The Piccolino Cheek To Cheek
- White Christmas
- The Girl That I Marry Say It Isnt So Mandy
- Give Me Your Tired Your Poor God Bless America
- Smoke Gets In Your Eyes Yesterdays
- Ive Told Every Little Star The Song Is You
- The Night Was Made For Love She Didnt Say Yes All The Things
- Look For The Silver Lining They Didnt Believe Me Long Ago (A
- I Dream Too Much The Jockey On The Carrousel
- Why Was I Born The Way You Look Tonight Who
- Make Believe Bill
- Why Do I Love You You Are Love Ol Man River
- Fascinatin Rhythm
- Mine
- The Man I Love
- Embraceable You Soon
- I Got Rhythm
- Bess Oh Wheres My Bess
- S Wonderful
- Maybe
- Someone To Watch Over Me Oh Lady Be Good
- Embraceable You
- Strike Up The Band
- Begin The Beguine
- All Through The Night
- I Concentrate On You
- I Love You
- Night And Day
- In The Still Of The Night
- Ive Got You Under My Skin
- Blow Gabriel Blow
- Just One Of Those Things (Bonus Track)
- Hallelujah Time On My Hands
- Tea For Two
- Carioca
- Without A Song
- More Than You Know
- Orchids In The Moonlight
- Sometimes Im Happy I Know That You Know
- Through The Years Drums In My Heart
- Malaguena
- La Cumparsita
- Mexicana Medley
- Yours (Quiereme Mucho)
- Siboney
- Caminito
- Adios
- No Taboleiro De Bahiana
- The Moon Of Manakoora
- Lotus Land
- Kashmiri Song
- Jamaican Rhumba
- Flamingo
- Poinciana (Song Of The Tree)
- Andalucia
- Sweet Leilani (Bonus Track)
- Frenesi (Cancion Tropical) (Bonus Track)
- Show Boat
- South Pacific
- Slaughter On Tenth Avenue
- An American In Paris
- Porgy And Bess
Album Description
The multi-faceted Andre Kostelanetz left his mark on the music world as an acclaimed conductor/arranger/accompanist. His most notable contribution is the creation of the Easy Listening genre, done by bridging the gap between Classical and Pop music. Highlights on this 6 CD box set include Irving Berlin's 'Cheek To Cheek', George Gershwin's 'The Man I Love' and Jerome Kern's 'Smoke Gets In Your Eyes'. Includes 3 bonus tracks 'Just One Of Those Things' (Cole Porter), 'Sweet Leilani' (from Waikiki Wedding) & 'Frenesi' (Cancion Tropical). Standard jewel cases housed in a deluxe wooden box w/hinged lid (approx. 6 x 5''). Collectables. 2003.
Average customer rating:
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Isn't Anything
My Bloody Valentine
Manufacturer: Relativity
ProductGroup: Music
Binding: Audio CD
General
| Alternative Rock
| Styles
| Music
Indie Rock
| Indie & Lo-Fi
| Alternative Rock
| Styles
| Music
General
| Indie & Lo-Fi
| Alternative Rock
| Styles
| Music
Dream Pop
| Indie & Lo-Fi
| Alternative Rock
| Styles
| Music
Shoegazing
| Indie & Lo-Fi
| Alternative Rock
| Styles
| Music
Noise
| Rock
| Alternative Styles
| Alternative Rock
| Styles
| Music
General
| Rock
| Styles
| Music
ASIN: B00001R3C4
Release Date: 1991-07-01 |
Tracks:
- Soft as Snow (But Warm Inside)
- Lose My Breath
- Cupid Come
- (When You Wake) You're Still in a Dream
- No More Sorry
- All I Need
- Feed Me With Your Kiss
- Sueisfine
- Several Girls Galore
- You Never Should
- Nothing Much to Lose
- I Can See It (But I Can't Feel It)
Customer Reviews:
Buy It Immediately.......2003-08-02
Surfing the internet, I noticed that somehow no one has ever reviewed this album- which is a travesty- so I thought this short review is in order (and its the only one ive ever posted). This is a work of real genius. It has been extremely influential for a lot of bands. It might take a while to get into - or you may never get into it. It's rough, hard, messy, passionate, and can be hard to listen to. It's also completely brilliant rock music.
Ah, I take it back .... you'll definitely get into it. Regardless, I really believe that a life lived having never heard this album is lacking something significant. This album is a real teacher of what is possible in music ..... buy it. Seriously. Then get "Loveless" (as good as this and very different) and the My Bloody Valentine EPs... all great ... a shame this band is finished.
Average customer rating:
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John Vorhees Just Doesnt Give
Manufacturer: John Vorhees
ProductGroup: Music
Binding: Audio CD
Spoken Word
| Poetry, Spoken Word & Interviews
| Miscellaneous
| Styles
| Music
ASIN: B000CAJQ5S
Release Date: 2005-02-15 |
Average customer rating:
- When You Wake, You're Still In A Dream
- Myth: "Isn't Anything" is anywhere near "Loveless"
- More mainstream, but no less hypnotically sexual
- Sublime fuzz
- my bloody valentine Is Something
|
Isn't Anything
My Bloody Valentine
Manufacturer: Creation
ProductGroup: Music
Binding: Audio CD
General
| Alternative Rock
| Styles
| Music
Similar Items:
- Loveless
- Tremolo
- Glider
- Nowhere
- Souvlaki
ASIN: B0000270QC |
Customer Reviews:
When You Wake, You're Still In A Dream.......2007-06-07
Isn't Anything is seen by many as just a precursor to My Bloody Valentine's next release (magnum opus) Loveless. Although I like this one a lot more.
This is a Guitar Rock album without the Guitars. Instead they were stripped down and deleted, only leaving the endless reverb and guitar effects.
To me, it sounds like a wonderfully soothing daydream haze. Ahhh yes! That shoegazer 'staring at our shoes' type of sound. This basically defined the genre and My Bloody Valentine were one of it's first and it's best.
In 1988 when Isn't Anything was released, MBV came into their own, crafting their sound, defining their basic approach with sensual washes of feedback and influencing upcoming bands like Ride and Lush.
Before the Band formed, lead singer/guitarist - Kevin Sheilds was greatly inspired by the wave of noisy US indie underground bands going on in the mid 80s. Bands like Dinosaur Jr, Sonic Youth, Big Black and Husker Du - who showed off the sonic intensity of what the Guitar was capable of.
The European audiences were paying attention. And many bands soon followed.
On "Isn't Anything" My Bloody Valentine redefined their earlier sound although they still maintained their 'jangly pop' persona. Just made it more accessible containing tighter structured songs, despite all the noise.
"Feed Me With Your Kiss" (the Hit) is a montague of guitar bursts, heavy drummin', with Kevin Sheilds and Bilinda Butcther's sweet boy/girl vocals. A staple that is considered a MBV trademark.
I love Bilinda Butcher's different types of moods which she portrays throughout. From the abstract-like pain ridden lyrics on "No More Sorry" to a sexier but distant voice on "Several Girls Galore"
This darker side can be felt and heard in the chorus on "Sueisfine" which goes from "Sue is Fine" to "Suicide" w/o a change in emotion at all.
"Soft as Snow"(But Warm Inside) opens with a Drum countdown....to Deb Googe's funkified bassline, while B. Butcher backs Sheilds with her sweet soundin and sexy OOoh Oooh - like a Ambulance siren is set off.
"Lose My Breath" is just a pure daydream to listen to. So soothing and peaceful. Probably my Favorite track on all of "Isn't Anythings" 38 minutes.
Unfortunately Loveless was the last album by My Bloody Valentine back in '91. Leaving in their wake one of Rock's great what-if's. Kevin Sheilds has been saying for years he is interested in a future project with the Band, but who knows when that would be. Oh well...
-Isn't Anything is a creative innovation, spawning many similar bands afterwards, but few could compare to it's genius and the Band behind it.
Myth: "Isn't Anything" is anywhere near "Loveless".......2007-05-26
To claim that "Isn't Anything" is even in the same stratosphere as "Loveless," as a number of reviewers here do, is just plain innacurate. As any fan will tell you, My Bloody Valentine's next offering "Loveless," not only ushered in the entire "shoegazer" genre, but is still the best album of its kind. But it's more than this -- indeed "Loveless" remains a timeless classic, and, from a personal point of view, holds a position as one of my ten favorite rock albums of all time (whereas "Isn't Anything" probably wouldn't be in my top one thousand).
Sure, there are certainly moments on "Isn't Anything" where we can detect a glimmer of the brilliance to come. I would even say that one of the songs, namely "(When You Wake) You're Still In A Dream," can almost hold its own amongst the many gems on "Loveless." "Sueisfine" intrigues me, because I'm quite sure the band intentionally made the chorus sound like "suicide." "You Never Should" and "Nothing Much to Lose" work fairly well as lively pop songs. But if we're going to be truly honest, the best we can say of "Isn't Anything," is that it's a decent album that precedes "Loveless." Period.
More mainstream, but no less hypnotically sexual.......2007-04-09
As the quiet before the storm, or the alchemist for "My Bloody Valentine's" zenith album Loveless-- which was a benchmark that culminated the modern shoegaze/dream-pop genre--Isn't Anything is more mainstream (you can actually hear most of the vocals here) but is no less sexual, and trancelike, utilizing dreamy and almost tangible soundscapes that make it seem like you can actually sink your teeth into their sonics. Many of the nation's current youth might actually like this better than Loveless, as the approach to the material is more "Sonic Youth" by way of "Joy Division," less "Cocteau Twins" by way of "The Jesus and Mary Chain," and is an incredible album showcasing Kevin Shields as possibly the best guitarist/musical composer to get a start in the late 1980's.
Started with the sensual track, Soft as Snow (But Warm Inside), with Shields clear vocals, and alluring lyrics, and Blinda Butcher's soothing, lush, and lustful backing voice; mixing to create a warm `n fuzzy sensation down there, and engorging the listener with hormonal intuition. "My Bloody Valentine" is hot n' saucy, showcasing a come-hither flirtation, and giving the listener a heartening mood with such excerpts like, "Soft as velvet eyes can see, bringing me close to ecstasy:" that blisters into a blazing and crusading instrument solo that spirals into some fuzz tone, and Butcher's "ohhing"-backing chime to bring the song to its final conclusion. Then moving into the track, Lose My Breath, a delicate mood piece of beauty, with an airy subtleness, making it tantalizing, and despite its seemingly skimpy backbeats and languid feel, it's still never futile. Then shortly later, the hard-rocking, When you Wake (Your Still In a Dream,) shows that they are a band that never gets into shambolic lengthy babble; rather its predetermined entropy.
All I Need is the least interesting and unmemorable spot on the album, at least when propped up to their other tracks, that also contain this backing "ohhing" and that off center vocal, yet is gladly remedied with Feed Me With Your Kiss, and its grueling instrument line, giving the listener a hurtling frenzy of kinky sex; while, Sueisfine, has this hard-rockin' edge, and features one of the most brilliant lyric tweaks, from the chorus that changes from "Sue-is-fine" into "Su-i-cide," a true change of mood into bleaker darklands. Or take the wispy, Several Girls Galore, the poetic and subtler, No More Sorry, and, You Never Should, as well as the concluding waves of noise in, Nothing Much to Lose, and I Can See It (But I Can't Feel It,) all seeming like "My Bloody Valentine" is dropping bombs of musical ingenuity into the audiences eardrums to get them to no know what good musical noise is made of: thus bringing this album of sexuality to a close, and creating a memorable and nerve-pleasuring experience.
**** ½ (Out of 5)
Sublime fuzz.......2007-04-07
With 1991's "Loveless", My Bloody Valentine produced a landmark album that would redefine the boundaries for independent music. Yet if "Loveless" was the "Revolver" of the early 1990's, then "Isn't Anything" was the band's "Rubber Soul"- the moment when the band took the game to the next level of sophistication, setting themselves another notch above the competition. This album, judged by the production values of 1988, was the great leap forward. The melodies are lush and beautiful but you have to go searching for them in the opiate fuzz of the shimmering layers of guitar noise. It is well worth the effort. The interplay of melody of distortion on this record is what makes this record so rewarding. The sweetness of the best tunes finds its perfect counterpoint in the drone and fuzz of the guitars. The mix of acidity and sweetness is just right here- a feature that is oddly reminiscent of the other great alternative album from 1988, Sonic Youth's "Daydream Nation". Whilst My Bloody Valentine would raise their art one step higher with "You Made Me Realise" later in the year, they were already on the heights with this release. Buy this record, one of the best of the late 1980's and retire to a hazy, fuzzy, bittersweet nirvana.
my bloody valentine Is Something.......2007-01-08
You know, it's kind of ironic, my experience with this group. I thought of 'em as a real head-scratcher band when I heard "Loveless" a couple years ago, one of the first times I realized that "indie" music wouldn't come to me as easily as I had initially thought. However, there was a romantic overtone and nice tunes that fascinated me at the same time and while I don't think it's 5-star good, this album sort of warmed me up to it.
It's a pretty solid album throughout. It's not the overproduced experiment of "Loveless," but rather, more them making pop songs in the vein of Jesus and Mary Chain. They still have their own identity though. Feedback rules over "All I Need." My favorite two songs are "Soft as Snow (But Warm Inside)" and "No More Sorry," which showed that they had genious in them before their highly praised swan song. I wish I enjoyed the second half as much as the first, but it's alright.
Music:
- King Biscuit Flower Hour Presents in Concert [Import]
- King Biscuit Flower Hour Presents in Concert [Import]
- Kspace Recordings Compilation (V1)
- Lessons in Culture-A Something Inviting Compilation
- Little Radio
- Live from Saturday Island
- Maximum Blur [Import]
- Memoirs Of An Insomniac
- Midweek Midmorning EP [EP]
- Miss the Plane
Music
music
Music
Burnt Weeny Sandwich [Limited Edition] [Import]
Italian and French Opera Arias
Kierkegaard Set to Music
Music from Nashville
Like a Smoking Gun in Front of Me
Monteverdi: Orfeo
Hit That Jive: 1936-1946
Let's Do French
Higher: Complete 1940 Dallas Session
Jazz Portrait: Milestones & Kind of Blue
Let's Talk About Leftovers
Juntos en Armonia
Motivation Driving Sweet [Import]
Brahms: Piano Concertos Nos. 1 & 2
Light and Shade