To the Teeth (+1 Bonus Track)

Editorial Reviews
Album Details
Japanese Version featuring a Bonus Track

Tracks:

To The Teeth
Soft Shoulder
Wish I May
Freakshow
Going Once
Hello Birmigham
Back Back Back
Swing
Carry You Around
Cloud Blood
The Arrivals Gate
Providence
I Know This Bar

Amazon.com

The follow-up to the ambitious Up Up Up Up Up Up finds the prolific Ani DiFranco striving to expand the range of her brand of do-it-yourself folk. Here she incorporates organ, clarinet, megaphone, and even an ill-advised rap courtesy of Corey Parker, whose father, former James Brown sideman Maceo, contributes saxophone to a few tracks. DiFranco, meanwhile, handles her usual array of instruments, taking on bass, drums, guitar, and, of course, vocals. That voice has changed since her 1990 debut. A smoky quality adds a layer of expression and maturity to still-angry protestations such as the title track and its whispery counterpoint, "Back Back Back." There's even an appearance here from the Unpronounceable One, a.k.a. the Artist, who lends his distinctive voice to the alternately dense and quiet "Providence." Regardless of guest appearances and new vocal and instrumental colors, however, DiFranco's ace remains the quiet, confessional tone she brings to introspective songs such as "I Know This Bar." The sound of her fingers sliding from one warm chord to the next is DiFranco at her strongest. Matthew Cooke

Customer Reviews:

Atmospheric, Dreamy, Fierce.......2006-01-06

"To The Teeth" is another brilliant Ani album. "I Know This Bar" has to be one of the most beautiful songs ever! The album has a pretty dark and dreary tone to it for the most part, which works really well with some of the subject matters. There are also some heavier jazz influences that were hinted on "Up Up Up Up Up Up". The lyrics are top quality as usual. Amazing back up band! Amazing Woman!

Eclectic mix of folk, funk and progressive..........2004-11-11

A very eclectic mix of folk, funk and progressive. Much of it is very stripped down and most of the vocals are strangely mixed below both the acoustic or electric guitar. Maceo Parker is on half the album and Prince does vocals on one song. I found it a pretty mixed bag.

Great music.......2004-08-22

This is an awesome cd with some experimental tracks and some classic Ani. However, if you've never listened to Ani before and you aren't too into nontraditional music you should start with Not a Pretty Girl, Living in Clip, or Like I Said. Little Plastic Castles is fairly accessible too. If you already know you like Ani, you should definitely have this cd. It's one of her strongest studio albums and it's very well rounded. Buy it.

Ani's Political Pride.......2003-11-05

Ani DiFranco showcases her anger through her album 'To the Teeth". She expresses her democratic pride and her deep, personal anger through every track. Her style offers the one-on-one closeness to her audience. Every lyric is fearless. This is only one of her qualities that deserves tremendous respect as an artist and as a person. "To the Teeth", the track and "Hello Burmingham" express her anger toward the world and certain political values the heaviest.

She offers a wide musical variety. She combines rock, folk, pop, and funk. Her use of woodwind and brass instruments give a new, pleasing, and evolving touch to her tracks. Her guitar efforts more than accents her musical style, she also expresses her feelings through it. Few other guitarists have mastered this difficult task. She also plays the bass, the drums, and the keyboards on many tracks brilliantly. Despite such expressed anger, her voice remains beautiful, never losing its soul for a second. Such showcased talent proves that she is one of the best musicians of today.

Sadly, she's also one of the most underrated musicians in music history. "To the Teeth" proves that she continues to evolve as an artist through every album release. This is one of her most personal albums to date. All Ani DiFranco and soft rock fans will enjoy this album. Those that like her introduced woodwind and brass instrument sound will also enjoy her newest album "Evolve". That is the next step from such style...wonderful as always.

ONE NIBBLE IS MORE THAN ENOUGH.......2003-05-25

We have been a Ani aficionado since her first self-produced CD was released too many
years go. On this, her 13th CD, she tries. She really tries. But Ani's stab at protest songs --- spurred by the Columbine tragedy --- are too preachy. And lacking her usual poetry, or at least the poetic justice needed to make songs of injustice ring true. We're also starting
to real annoyed with her little-girl voice, whispered to the kind of folksy strumming found in coffeehouses . We're getting old and need her to speak --- make that SING --- up.
Sorry, but we cannot sink our teeth into this one. One nibble was enough.

Average customer rating:

one of the most underrated albums of the year
so let down
A little disappointed after the adventurous "Humanistic"
Tommy's new sound: two thumbs up!
Great potential, but...

Armed to the Teeth
Abandoned Pools
Manufacturer: Umvd Labels
ProductGroup: Music
Binding: Audio CD

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Humanistic
Reverb Ep the
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Meds

ASIN: B000ASDG6W
Release Date: 2005-09-27

Tracks:

Lethal Killers
Rabble
The Catalyst
Tighter Noose
Waiting To Panic
Hunting (The Universe Breaks My Heart)
Armed To The Teeth
Sooner Or Later
Sailing Seas
Renegade
Maybe Then Someday
Goodbye Song

Customer Reviews:

one of the most underrated albums of the year.......2006-12-25

i usually don't write on these things (im actually against it b/c who cares what other people think as long as you connect w/ it) but i thought i would write one about this cd just in case people were on the fence about it.

Aside from the lyrics, the best thing about this album is that it really is an album; it doesn't have one song that stands out above the rest; they are all equally good and as a result it makes for a great listen start to finish. So basically, if you don't consider yourself a "singles only" kind of person, this is the one for you. what else can i say except sample all the songs...you might like them all.

so let down.......2006-07-07

I loved their first record. Incredible! Very refreshing and original so of course I expected this record to be great. I listened to it once.... and haven't since picked it up. I was that turned off! This is an extremly rare reaction for me. The record simply let me down. Nothing to hook me or even let me grasp on to.

A little disappointed after the adventurous "Humanistic".......2006-02-04

I've been waiting, like many fans, for up to 4 years for Abandoned Pools to give us something new. The debut lp "Humanistic" was exciting and a little daring, combining Modern Rock with spacey production, bitter vocals, and atmospheric melodies.

For "Armed To The Teeth," the excitement, at least for me, was very sparse. The instrumentation, though very good, seemed very "more of the same" to me, nothing new outside of the Alterna-box. The songs all flowed together very well, though sometimes a little too closely to each other, like the album was one long rock-radio friendly ditty.

It's a good album, just not great, and not very interesting. These songs didn't grip me in like "Remedy," "Blood," "Seed," and most of the other songs on the first album.

It also seemed like songs like "Rabble" and "The Catalyst" would have been much better with different production aside from the scattershot guitars thrown in solely for the sake of guitars being thrown in. Even songs like "Hunting" which had a great piano melody, seems like it was covered up to give it more of an unneeded edge.

Overall: Good writing and performance, but there isn't much that shines and sticks out.

Tommy's new sound: two thumbs up!.......2006-01-16

Humanistic was an interesting album in that half the songs were hard-edged rockers and the other half light-hearted pop numbers. Every song was pretty much the same, structurally; but it was still light years ahead of any other mainstream release for its time. Several years later, Tommy gives us something new: the Reverb EP and Armed to the Teeth LP. The new stuff is different than Humanistic, still I don't see how a fan of one album can dislike the other.

Whereas Humanistic contained two radically different styles of music (listen to Ruin Your Life immediately after LVBD), Armed to the Teeth is a product of mixing both styles into one. A bad thing? Certainly not...I believe the album deserves four solid stars.

The most important quality of the album though, is varying song structures. You'll still sense the occassional pop-like structure in the songs, but Tommy has made a giant leap in terms of songwriting. The album doesn't grow old on me the way Humanistic does.

Bad points of the album? Josh Freese is gone (not that Tommy's new drummer is bad...but c'mon, Josh is one of the best in the business). And the new version of Tighter Noose is about half as good as the one we downloaded years ago.

My favorite song: Sooner or Later. I love the structural progression and long(ish) instrumental segments scattered throughout. This song is a great example of Tommy's growth as a songwriter and musician, it's not just verse-chorus-verse-chorus-bridge-chorus, as is the case for every song on Humanistic.

It's an extremely high-quality album, an incredible sophomore effort. It comes VERY close to a five-star rating, and possibly deserves one, but I like to save that rating for truly special albums.

Great potential, but..........2006-01-11

Don't get me wrong, I loved Humanistic from the second I heard it. Tommy Walter, whilst not quite being a lyrical mastermind, had produced a well composed, interesting, creative, united album. The great thing about Humanistic is how natural everything sounds together - all of the songs complemented each other.

But with Armed to the Teeth, I feel like Tommy had a couple of dead on hits, maintaining a steady Abandoned Pools sound, whilst moving forward at the same time. And then there was everything else. Tighter Noose is the greatest example: the original version, released on the AP website some time ago, blew me away. I was very excited for the new album, but when I got to it, it spit out some overworked version of the song. In addition to making the rhythm slightly more ambiguous, Tommy changed the vocals to be more soft where they needed to be sharp, and turned to falsetto where it just wasn't needed. I think he tried to be a perfectionist with it, and ended up making things more complicated than they needed to be. Tighter Noose on the album just doesn't sound natural the way the old version did.

It wasn't just Tighter Noose though. There were a lot of things. Often the drums seemed a bit unnatural - they were too intense at the wrong moments, such as in Waiting to Panic, and Renegade. And in renegade, at the moment of explosion in the chorus, it really just seems like he was trying TOO hard... Often times it melds in with bits and pieces of, for lack of a better word, "cliches" in rock music.

I do take to the fact that Tommy tried to vary his vocals a little more on this record - a little more falsetto, in addition to other changes. But I think that Armed to the Teeth is a perfect example of individual limitation. Sure, it would've sounded great if he'd done it perfectly. But, either they didn't bother putting the time in to do so, or he just can't do it. I'd like to think that he can, and it certainly sounds like nobody bothered to make Tommy totally nail his vocal parts. If you don't believe me, listen closely to where he first enters in for Tighter Noose (very awkward sound that he makes). In addition to this, there are many other slip-ups including with actual intonation, and there is an example of that in Hunting (The Universe Breaks My Heart).

"But Nick, where are the positive remarks?" Well, believe it or not, I do have quite a few. I'll note that, despite its one little vocal flaw, Hunting (The Universe Breaks My Heart) is a great song, and well outside of old AP territory. Also, Lethal Killers and Armed to the Teeth are both great songs, even if they do lend themselves to old AP just a little. Rabble and The Catalyst, though, carry on their new sound much more, and, most importantly, connect Humanistic with Armed to the Teeth. Those are the [mostly] perfect, most natural sounding and unifying songs of the album. Everything else makes me question dear Mr. Tommy Walter, though, and I don't want to keep doing that.

And let me say that I too write music, and I know what it's like to overdo something, to under-work it in recording, and to generally make mistakes that threaten a song's integrity. And I think that that's partially where my dissatisfaction with Armed to the Teeth comes from - it's frustrating to hear an idol, someone I think of as one of those few masterful musicians, making the same mistakes as me.

Average customer rating:

incredible.
Eastern youth and Carshib are wonderful!!!!
a varied release
no words...
Amazing.

Eight Teeth to Eat You
Cursive , and Eastern Youth
Manufacturer: Better Looking
ProductGroup: Music
Binding: Audio CD

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ASIN: B000066JFR
Release Date: 2002-06-04

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Excerpts From Various Notes Strewn Abound The Bedroom Of April Connolly Feb. 24, 1997
Am I Not Yours?
Escape Artist
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Bura Bura Bushi
Muyohnosuke
Nisokuhokokouta
Itsudemo Kokoniiru

Customer Reviews:

incredible........2005-12-28

absolutely the greatest split ever released. cursive and eastern youth at their best. some of the cursive tracks are easily the finest they've ever written, from any release.

Eastern youth and Carshib are wonderful!!!!.......2003-02-08

I do not understand English. What cannot be understood Cursive therefore whether sing. (This review is lacked by

using the Japanese-English automatic operation
translation site. ).

I think that the cause is in lyrics though ÂgEastern Youth has the very unenviable-" etc. are written by the review

which has already been published. I think that the people who had written the review published in Amazon[.com] felt

the Eastern youth tedious because it does not understand Japanese lyrics.
Yoshino of the Eastern youth uses an antique word for lyrics.
Lyrics which use an antique word of the Eastern youth are criticized , saying that "Literature" etc.
It is compared with the rock Group which says Âgelephant kashimashi" in respect of lyrics though the bytalk. Both

lyrics are antique literary style.
Please it does not care and read and look even at the translation because a very good lyrics.
-----------
I recommend the following band to the person to whom the interest to Japanese music was born by "8 Teeth to Eat You."

Elephant Kashimashi , cyuu-burari , happy end , foul , yura yura teikoku , Carmen Maki&oz ÂD

a varied release.......2002-07-20

Okay, all I have to say is that Cursive is only a rather okay (not spectacular) band compared to Eastern Youth who are like perpetual GODS of music to me. Although all of their lyrics are in Japanese, Yoshino and co. play... well just GREAT music. I'm not good at describing or criticizing music, so just check out this page for their independent label ...

no words..........2002-07-12

amazing. simply breathtaking. just plain good. i got introduced to cursive only a year ago and i've never been the same since. it may sound cliche, but these guys just get better with each release. buy this. it's worth it.

Amazing........2002-06-25

God punishes good musicians.

Case in point: Cursive frontman Tim Kasher recently suffered a collapsed lung, forcing the band to cancel the rest of their US tour with the band they share this CD with, Eastern Youth.

It's pretty obvious that God's afraid that people will hear the gospel of Tim and convert to Cursive-ism. I'm already on my way, and this split CD just about pushes me over the edge.

Cursive brings to the table the best four songs the band has ever composed. While cellist Gretta has been a member of the band since the group's "Burst And Bloom" EP, this recording came out completely different with her. The main difference is that with the last EP, she recorded her parts after the songs were completed, as a sort of afterthought. Here, she is just as intregral part of the band as any other instrument. In "May Flowers," she lets her cello flow in the background of Tim's twisted guitar solo, making you feel like you're trapped in some kind of sick indie rock haunted house.

The other three tracks by Cursive are just as top notch: "Excerpts..." features some of the best lyrics Tim has ever written, a two-sided story about the breakup of a couple. It's intense lyrically and musically. The track kicks off with Gretta again shredding the cello, followed by the rest of the band launching into a complete cachophony of sound. Everything sounds out of place, but at the same time it sounds dead on. Cursive has this knack for making each song rub you the wrong way just enough so you'll pay attention. The flying guitar riffs, the time changes provided without haste by bassist/drummer duo Matt and Clint, the best worst voice in rock supplied by Tim - this band is unstoppable.

So Eastern Youth has the very unenviable task of following Cursive's output on this disc. Surprisingly, it makes the album even better. Eastern Youth is from Japan, and sings in all Japanese. Even the lyrics are printed in Japanese, which is frustrating because I *really* want to know what the lead singer is saying. Musically, it sounds very... I feel bad saying "Japanese" as that sounds stupid and possibly racist, but the guitar lines are very stereotypically Japanese. Picture the music you might hear played on the Japanese koto [sort of the Japanese version of the harpsichord] but imagine it amplified, with a lot of uptempo bass and drums backing it.

The band writes pop songs, and they're quite long - 1 clocks in at 4 minutes, 2 at 5, and one at almost 6. Do you even notice? Nope. Eastern Youth does a fantastic job of sounding fresh with their melodies, which is really hard to do considering it's being sung in Japanese, which the average American indie rocker listening to this will have no idea what it means.

Tracks:

I Have Been To Heaven And Back
The Ballad Of Sally
This Funeral Is For The Wrong Corpse (Full Version)
Untitled
Oranges And Lemons
Ring O'Roses
Gill & Vicky
Untitled
Now We Have The Bomb
Untitled
You Wear It Well
Betrayal
Orpheus
Roger Troutman
Utitled
Circle City (Mekons Vs. Peace Love Hooligans)
Untitled
Cowboy Boots
Lucky Star
Axcerpt
Untitled
Born To Choose
Unknown Song

Amazon.com

Mekons are shambolic, glorious, messy, and inspirational. They've broken up and reformed about half a dozen times over their 20-year career, shedding and adding members at will. In the process, the collective (led by ace cartoonist and all-round beer drinker Jon Langford, haunting vocalist Sally Timms, and wiry good-looker Tom Greenhalgh) have created several genius post-punk, country-influenced, frantic, melancholy, and political records (look for Original Sin and 1991's haunting So Good It Hurts). It's very appropriate, then, that this new collection of rarities is chaotic--a sprawling 17-track compilation that includes collaborations with the Raincoats ("Gill and Vicky"), antihooliganism stances ("Mekons Vs. Peace Love Hooligans"), and covers of English nursery rhymes ("Oranges and Lemons"), plus the odd snippet of rancor and biting sarcasm, of course. Buy Mekons now, and change your life! --Everett True

Customer Reviews:

an embarrassment of riches.......2006-10-07

I have been to heaven and back serves two excellent functions.

It serves up to you a wealth of recordings previously available only on various artist compilations and a few alternate takes of tracks that have appeared on albums. Some of which I actually prefer; notably a full-length version of Funeral with an additional verse in the last refrain.

The other function it performs well is as an introduction to the Mekons. I'd recommend it to anyone I thought might be curious.

I disagree with the Bitchfork review that says it runs out of steam half way through. I say buy it, spread it out on the bed and roll around in it. All of it!

The Fall and Rise of Mekons.......2000-11-20

The Mekons staggered their way out of the Manchester UK punk scene some years ago. The best simple descriptive terms for their music is, "cynical, revolutionary folk-punk". Imagine a crazed scenario where The Clash meets Fairport Convention....revolutionary sentiments, drunken reggae beats and bits of quirky folk music coalescing into a new and grand coalition. This band is intelligent and darkly funny, mixing bits of Marxist rhetoric, gay politics, ruminations on the British Empire and stabs at historical figures ranging from Churchill to Nixon to Freud with evident glee. "I've Been to Heaven and Back" is essentially a collection of out-takes. Many of these are culled from "The Mekon's Rock and Roll" sessions, a hard to find album that qualifies as the Mekon's desert island CD, or, "Exile on Main Street" in terms of tattered glory. "Heaven and Back" is notable for the cover version of Rod Stewart's, "You wear it well". The Mekons seem to be a thriving, underground cottage industry these days. Various members are active in the American alt-folk scene. "To Heaven and Back Again" is a fine introduction to one of Britain's great unknown bands.

Average customer rating:

Beat.It
Link Quartet
Manufacturer: Hammondbeat
ProductGroup: Music
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Release Date: 2002-10-31

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Strudel Girl
Be Yourself
Alfa Romeo Duetto
An Evening with Linda Lovelace
Beat.It
Crosstown Traffic
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Little Italy Serenade
Happy Boys Happy
Gianni Fuso Nerini
If I Could Only Be Sure
Marshall Jim 100
Theme From Hammondbeat (solo version)

Album Description

"Beat.It" is raw 60's drenched fuel to feed a world dominated by an otherwise anemic and bland soundscape. How Hammond organ funk is meant to be heard.

"Beat.It" is also the sound for the 2004 motion picture "Wilson Chance" (Bunzendahl Brothers Productions), which provided 5 songs to sit side-by-side with a fresh score by 007 guitar legend Vic Flick. And if that wasn't enough, the meeting of the Link Quartet, Hammondbeat, and Wilson Chance has resulted in a special soundtrack album ("The Sound of Danger", March 2, 2004) featuring over 70 minutes of new music, also available at Amazon!

Next up...listen for the next Link Quartet album "Italian Playboys International" (May 2004).

Star Trek - The Next Generation: Music From The Original Television Soundtrack, Volumes One, Two And Three
Average customer rating:

GREAT COLLECTION

If you want a good price for good CDs, buy this....

Star Trek - The Next Generation: Music From The Original Television Soundtrack, Volumes One, Two And Three

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Release Date: 1993-04-19

Tracks:

Star Trek: The Next Generation-Main Title - Dennis McCarthy
Stardate - Dennis McCarthy
Troi Senses - Dennis McCarthy
Picard's Plan/First Chase - Dennis McCarthy
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Star Trek: The Next Generation Main Title - Ron Jones
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The Link - Ron Jones
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Destruct Mode/Picard Is Back - Ron Jones
Picard's Nightmare - Ron Jones
Star Trek: The Next Generation-End Credit - Ron Jones

Tracks:

Star Trek: The Next Generation-Main Title - Dennis McCarthy
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Yesterday's Enterprise: Averted/Richard/Gulnan/Back To Battle/Cmdr. Garrett - Dennis McCarthy
Yesterday's Enterprise: First Kiss/Not To Be/Empty Death/Reporting For Duty - Dennis McCarthy
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Hollow Pursuits: Tissue Samples/Sad Sack/Staff Confab/Hololust - Dennis McCarthy
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Hollow Pursuits: Madame Trol/Blissful/Out Of Control/Warp Nine - Dennis McCarthy
Hollow Pursuits: Warposity - Dennis McCarthy
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