Some Songs
Editorial Reviews
About the Artist
The four young lads were hobnobbing at a party near Seattle's University District when, on a dare, they began to sing Christmas Carols acappella style. Realizing they were awful, the party's attendants began to offer them large glasses of egg nog in an effort to keep the amusing muses' mouths closed. Mistaking this generosity for admiration and social acceptance, the four friends formed a band. The rest, as they say, is histochemistry. Band Members: Jason Bontrager - bass guitar.
Pat Good - vocals, guitar.
Kevin Jungfleisch - drums.
Doug Price - guitar, vocals.
Album Description
2 lbs REM.
1 cup Weezer.
2 tablespoons The Cure.
3/4 teaspoon The Ocean Blue.
1 can (6 oz.) U2.
1 teaspoon The Psychedelic Furs. Place in slow cooker for 6 hours. Remove skin and enjoy!
Average customer rating:
- Disappointed
- Awesome music
- Have to have it
- Jack's Worst
- Short and sweet
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Some Live Songs
Jack Johnson , G Love , and Donavon Frankenreiter
Manufacturer: Umvd Import
ProductGroup: Music
Binding: Audio CD
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Similar Items:
- Lemonade
- Donavon Frankenreiter
- Move by Yourself
- Thicker Than Water
- Sing-A-Longs & Lullabies for the Film Curious George (Jack Johnson)
ASIN: B00076AGHO
Release Date: 2005-06-13 |
Tracks:
- Rodeo Clowns
- Free
- Sunshine
- Heading Home
- Mud Football
- Girl I Wanna Lay You Down (Plus Bonus Hidden Track: Superhero Brother)
Product Description
WOW! Whotta groovy collection of live tracks by these fantastic musicians, put together on this limited edition EP -- which you will only find at select indie record stores nationwide! Also available: ON AND ON by Jack Johnson, THE HUSTLE by G Love, and Donovan Frankenreiters self-titled debut. 1) Rodeo Clowns - Performed by J Johnson, G. Love and D Frankenreiter 2) Free - Performed by D Frankenreiter, J Johnson and Zach Gill 3) Sunshine - Performed By G. Love, J Johnson and Zach Gill 4) Heading Home - Performed by D Frankenreiter, J Johnson, G. Love, Zach Gill 5) Mud Football - Performed by J Johnson, G. Love, D Frankenreiter and Zach Gill 6) Girl I Wanna Lay You Down - Performed by J Johnson and Zach Gill 7) Bonus Hidden Track: Superhero Brother Performed by G. Love
Customer Reviews:
Disappointed.......2007-05-04
Somehow I hoped for more. I really like the Jack Johnson albumns I own, and had hoped that a live performance with these other two musicians would impress. It did not. Don't waste your money or time.
Awesome music.......2007-03-21
This CD is a great mix of music. Although a little short, the songs are great to jam to while riding in the car. I especially love the last track-the hidden one is so funny! Gotta check it out!
Have to have it.......2007-01-31
If you really enjoy Jack and friends for what they are, and the way the music makes you feel...this is a MUST have. If you play(even just a little bit) GREAT CD to jam along with. Nothing fancy, just the roots of all that is good. To call yourself a Jack fan and not enjoy this, I guess you just don't get it .
Jack's Worst.......2007-01-18
Being a fan of Jack Johnson, I thought this one would be as good as the others. I wasn't impressed at all. It sounds like a few guys pickin' around in the basement. The recording quality has very little production value. At best, these are okay live versions of usually great songs. This is an unnecessary piece for your Jack Johnson collection.
Short and sweet.......2007-01-10
Excellent selection of some of the best from these three friends (and a little Zach Gill, too!). Gives you the feeling you're sneaking into a weekend jam session at Jack's house. Fans of these guys will want to add this CD to their library. Seems to me, though, they could have easily added a few more songs and make this a full length effort.
Average customer rating:
- It's Dreamy
- My Favorite Composer of all time
- An American classic from Hampson that brings smiles and tears
- OMG!!! More than 10000000000000000000000000000000000000000000000000000000 stars, one of the best album in the world!!!
- It's simply lovely
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American Dreamer: Songs of Stephen Foster; Thomas Hampson; Jay Unger; Molly Mason
Thomas Hampson , Jay Ungar , Molly Mason , Garrison Keillor , David Alpher , Mark Rust , Michael Parloff , Peter Ecklund , John Kirk , Arnold Kinsella , and Stephen Foster
Manufacturer: Angel Records
ProductGroup: Music
Binding: Audio CD
Foster, Stephen
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Similar Items:
- Song of Home
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ASIN: B000002SK7
Release Date: 1992-10-20 |
Tracks:
- Opening Solo Violin
- Jeanie With The Light Brown Hair
- Hard Times Come Again No More
- The Voice Of Bygone Days
- Foster Favorites Medley (Ring, Ring The Banjo (1851) Oh! Susanna (1848) Camptown Races (1850)
- Open Thy Lattice, Love (1844)
- Beautiful Dreamer (1864)
- That's What's The Matter
- Old Home Medley (Old Folks at Home (1851) My Old Kentucky Home, Good Night (1853)
- Molly! Do You Love Me? (1850)
- Sweetly She Sleeps, My Alice Fair (1851)
- Comrades, Fill No Glass For Me (1855)
- Dancing On The River (Nelly Bly (1850) The Glendy Burk (1860) Angelina Baker (1850)
- My Wife Is A Most Knowing Woman (1863)
- Gentle Annie (1856)
- Linger In Blissful Repose (1858)
- Ah! May The Red Rose Live Alway (1850)
Customer Reviews:
It's Dreamy.......2007-01-10
This is a very wonderful recording of Stephen Foster by a master singer.
Foster's songs are of a more innocent and naive time in the American psyche, a time that it would not hurt us to remember, given the wretched brutality of American culture today (something you'll appreciate after listening to this recording).
The songs are beautifully sung by Mr. Hamspon, and the musical accompaniment with piano, mandolin, tuba, banjo, etc. seems a perfect setting for this period music. I enjoyed the musical interludes of Foster songs (not sung by Mr. Hampson), such as "Oh, Suzanna", "My Old Kentucky Home", and "Camptown Races." They are foot-stompin' and finger-snappin' good in a non-syncopated way.
Mr. Hampson's voice is so beautiful, and he has done such a wonderful job with these song's you'll just have to hear it, and when you do, tell me that you're not dreaming.
I remember reading a quote by John Phillip Sousa that decried the use of syncopation in American popular music. I never understood it until listening to this recording. The richness and intensity of American popular music (as experienced in the work of Stephen Foster) has been lost.
Everything has to be so cool today, thanks to syncopation, and "cool" really means no emotion.
If emotion is what you want, emotion is what you'll get with Stephen Foster's songs. It was a time when the death of loved ones (especially those who died in their youth) was experienced more often (see "I Dream of Jeannie with the Light Brown Hair" and "Gentle Annie"). And we were not protected from the vicissitudes of fate by myriad government programs, modern medicine and universal prosperity (see "Hard Times").
Husbands and wives had their differences then, as today, (see the amusing song "My Wife is a Most Knowin' Woman") The passion of the Civil War (Foster was a Unionist),is reflected in a wonderful, fun song, "That's What's the Matter."
If you love good music, and you have heart which can be stirred, and you love your country, this is for you.
I love this recording. It has opened up the door to my "beautiful dreams," dreams of bygone days, lost love, and whatever else we pine for.
I wanted to buy several copies for my friends, but somehow I felt that the impact of this recording was so personal, that it could not be shared with others. Not that they couldn't enjoy it, but that I could not begin to share the intense emotion and reverie stirred in my heart by these beautiful songs.
My Favorite Composer of all time.......2006-08-20
Growing up playing his stuff on piano, I love the instrumentality of this CD..the violins give off that wail that he speaks of..I am not sure what it is about Stephen Foster but these verses..grab me like no other..there is so much sensitivity to it..
I dream of Jeannie with the light brown hair
Born like a vapor on the summer air
I see her tripping where the bright streams play
Happy as the daisies that dance on her way
Many were the wild notes her merry voice would pour
but the violins in this CD make this CD the best out there..
FYI should you be into astrology Stephen Foster is definition of Cancer...Sun and Moon conjunct in Cancer with mars in Scorpio..i love his lyrics..almost to the point of obsession..
An American classic from Hampson that brings smiles and tears.......2006-07-17
Stephen Foster was the greatest American composer of sentimental parlor ballads--he so perfectly imitated folk songs that his music wound up turning into them. In an age of home music-making and later of families sitting around the radio, Foster's songs were a staple, often performed by crossover artists from opera like Lawrence Tibbett. Those were plump, ripe styles of singing, highly flavored by church hymns.
In this 1992 collection of 17 Foster favorites, plus a few rareties, Hampson drops the platform manner and goes straight for heartfelt sincerity. His tone is plain yet sweet, his expression intimate. He is accompanied by instruments redolent of the Victorian drawing room (guitar, fiddle, upright piano), and the mood they create brings tears and smiles of remembrance. This music is embedded in America's genes, and it's wonderful to realize that every note is still alive and throbbing with feeling.
OMG!!! More than 10000000000000000000000000000000000000000000000000000000 stars, one of the best album in the world!!!.......2005-11-25
Simply one word, WOW!!!
Thomas Hampson's voice is simply fantasic. His voice is very different from regular operatic baritone voice, very sweet, and rich. I really cant believe an operatic baritone can sing folk song like THIS good, in my opinion he sounds even better than his opera works in this album. His voice and the background music matches perfectly, the outcome would move u to tears, and u can feel the origin of MUSIC. This album really shows what the word MUSIC means, and the songs simply just ALL beautiful. I like his "beautiful dreamer", "my life is well knowing woman", and "jeanie with the light brown hair" the most. When I listen the songs I would just imagine that I am in the world of past USA, and I can feel the life of the ppl in the past USA~ just like watching an old classic movie, it would touch ur heart and fall in love with this album.
It's simply lovely.......2004-12-14
I didn't know Stephen Foster (I thought): wrong: Oh Susanna, etc, I knew, but had no idea who the composer was.
This CD is a revelation. The melodies are so beautiful, as are the poems, and Thomas Hampson just brings them to life as wonderfully as ever. I especially love "Beautiful Dreamer" - it gives me butterflies - and "My wife is a most knowing woman" - the way he makes the voices and the indignation is just brilliant. If one needed reminding what a brilliant singer Mr Hampson is - this disk does it.
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- Instruments of the Orchestra - Great Reference Material!
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Various Artists
Manufacturer: Naxos
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Similar Items:
- Britten: Young Person's Guide to the Orchestra Op34; Simple Symphony Op4
- The Mahler Symphonies: An Owner's Manual (includes 1 CD)
- The Young Person's Guide to the Orchestra (Book & CD)
- What to Listen for in Music
- Study of Orchestration, Third Edition
ASIN: B00006O0NT
Release Date: 2002-12-03 |
Tracks:
- Overture To 'Tannhauser'
- Domna, Pos Vos Ay Chausida
- We Don't Merely Use Instruments, We Play On Them. And They Play On Us.
- Hungarian Dance No.7
- The Violin Is One Of The Most Tender And Beautiful Instruments Ever Invented.
- Violin Concerto In D Major (Adagio)
- But For A Long Time It Was Seen As The Instrument Of The Devil.
- The Soldier's Tale: Triumphal March Of The Devil
- The Manipulative Seductiveness Of The Gypsy Violin.
- Csardas Music
- The Violin And The Initiation Of Nature
- The Four Seasons (Spring, Mvt 1)
- Birds Are Again Evoked In The Second Concerto, Especially Music's Natural Favourite.
- The Four Seasons (Summer, Mvt 1)
- Like The Devil, The Violin Is A Master Of Disguise.
- Old Viennese Dance No.3 'Schon Rosmarin'
- The Menacing Sensuality Of Ravel's Tzigane: A Very Different Side Of The Violin:
- Tzigane
- Do We Now Have The True Measure Of This Instrument? Not Just Yet.
- Caprice No.24
- The Many Effects Of The String Tremolando: Brandenburg Concerto No.4 (Last Mvt)/From Joy To Fright/Quartettsatz In C Minor/The String Tremolo Practically Spells The World Agitato.
- Variations On A Theme Of Frank Bridge (No.7)
- Prokofiev's Tremolo In Romeo And Juliet Should Not Be Heard Just Before Bedtime.
- Romeo And Juliet: Act IV
- Vivaldi Use It To Illustrate The Shivering Of Travellers Crossing The Ice.
- The Four Seasons (Winter, Mvt 1)
- The Violin Muted
- Clair De Lune
- The Gentleness Of Muted Strings Persists Even When A Whole Orchestra Plays.
- Piano Concerto No.21 In C Major, K.467 (Slow Mvt)
- The Pizzicato Violin
- Pizzicato Polka
- In Prokofiev's Second Violin Concerto, The Accompaniment Is Pizzicato.
- Violin Concerto No.2 In G Minor (Slow Mvt)
- Varieties Of Pizzicato: Colas Breugnon (The People's Feast)/Now A Drier, Leaner, Hungrier Pizzicato. There's Not A Lot Of Comfort Here./Capriol Suite (Tordion)/The Use Of Pizzicato As 'Percussion'/Romeo And Juliet (Act I)/Mahler Used Pizzicato...
- The Planets (Mars - The Bringer Of War)
- The Technique Of Double-Stopping Enables The Violin To Play Duets With Itself./Sonata No.3 In C Major For Unaccompanied Violin (Fugue)/Now A Later Example Of The Same Technique
- Hungarian Dance No.4
- Double-Stopping Is A Standard Feature Of A Lot Of Folk Music.
- The Four Seasons (Autumn, Mvt 1)
- Now The Same Technique, But The Sound Might Have Come From Another World.
- Bolero
- Double-Stopping Can Only Approximate The Sound Of A Real Violin Duet.
- Cadenza To The Violin Concerto By Brahms
- Now Compare That With A Real Violin Duet.
- Forty-Four Duos (No. 1: Teasing Song)
- Another Duo By Bartok, Demonstrating The Violin's Rich Lower Register
- Forty-Four Duos (No.2: Maypole Dance)
- And Now What May Be The Most Beautiful Accompanied Violin Duet In History
- Concerto In D Minor For Two Violins (Largo)
- The Soul Of The Violin Is In Song; But What About This Weird Passage?
- Violin Concerto No.1 In D Major (Mvt 2)
- The Use Of Harmonies In The Orchestra Can Be Both Magical And Unsettling.
- Symphony No.1 'Titan' (Mvt 1, Opening)
- Tchaikovsky's Use Of Harmonics In The Sleeping Beauty Is Both Strange And Darling.
- The Sleeping Beauty (Act II, No.15: Entr'Acte)
- Ravel's Harmonics In Mother Goose Effect A Magical Transformation.
- Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
- Stravinsky's Harmonics In The Firebird Transport Us Almost Into Another World./The Firebird (Introduction)
- The Natural Upper Notes Of The Violins Have A Unique Emotional 'Grab'.
- Also Sprach Zarathustra (Of The Afterworldsmen)
- Still In Their Upper Register, The Violins Unleash The Energy Of A Young Colt.
- Variations On A Theme Of Frank Bridge (No. 4)
- Elsewhere, Britten Uses The Same High Register To Create A Very Different Mood.
- Four Sea Interludes (Dawn) From 'Peter Grimes'
- To End This Outing With The Violins, A Charming Little Elfin Dance
- Elfenreigen
Tracks:
- Introduction To The Viola
- Viola Concerto (Mvt 1)
- Khatchaturian Gets A Very Different Sound From It: Fuller, Fruitier, More Exotic.
- Gayane Suite No.1 (Armen's Solo)
- Very Nearly The Whole Of The Violin's Upper Register Is Also Available To The Viola.
- Passacaglia, Op.33b From 'Peter Grimes'
- The Viola Can Bring A Special, Rich Twanginess To Pizzicato That The Violins Lack./Don Quixote/Berlioz Drew Sounds From It That Retain Their Metallic Strangeness Even Today.
- Harold In Italy (Mvt 4)
- The Muted Viola: Intimate, Gentle, Poignant In Dvork
- Cypresses (No.9)
- The Massed Violas Of The Modern Symphony Orchestra In Mahler
- Symphony No.4 (Mvt 3)
- The 'Period' Viola In Bach
- Brandenburg Concerto No.6 (Last Mvt)
- The Cello: A Voice Of Unique Nobility
- Suite No.1 For Unaccompanied Cello (Prelude)
- Brahms And The 'Soul' Of The Cello
- Piano Concerto No.2 In B Flat Major (Mvt 3)
- Most Orchestral Composers Tend To Emphasize The Cello's Lower Register.
- Cantata 'Herz Und Mund Und Tat Und Leben', BWV 147 (Soprana Aria: Bereite Dir, Jesu)
- In The Time Of Beethoven The Cello Remained As Fundamental As Ever.
- Symphony No.3 'Eroica' (Finale)
- But The Cello Is Not Condemned To Spend Its Life In The Basement.
- Elfentanz, Op.39
- Not Only In Recital Showpieces Like That Is The Cello Is Used In Its Highest Register.
- The Protecting Veil (Opening)
- A Cello With An Identity-Crisis: The Pizzicato Flamencan
- Flamenco
- Double-Stopping In The Lower Reaches Of The Cello's Range
- Solo Suiet For Cello And Piano (Sardana)
- It's In The Middle Register That The Cello Really Comes Into Its Own.
- Oriental Dance, Op.2 No.2
- It Was To The Cellos That Beethoven Gave Two Of His Most Famous Themes./Symphony No.5 (Mvt 2)/Still More Famous Than That Theme Is This One From The Ninth Symphony.
- Symphony No.9 (Finale)
- Introduction To The Double-Bass
- The Carnival Of The Animals (The Elephant)
- But The Double-Bass Can Be Intensely Expressive And Graceful.
- Elegy No.1 In D Major
- The Range Of The Double-Bass Is The Greatest Of All The String Instruments/Allegro Di Concerto, 'Alla Mendelssohn'/And It's Also Capable Of Very Considerable Virtuosity.
- Capriccio Di Bravura
- Double-Bass Solos In Orchestral Scores Are Rare But Often Memorable./Symphony No.1 'Titan' (Mvt 3)/In His Third Symphony Mahler Makes A Very Different Use Of The Instrument./Symphony No.3 (Mvt 1)
- The Double-Bass Muted In Prokofiev/Lieutenant Kije Suite (Kije's Wedding)/In Another Work Prokofiev Uses The Double-Bass To Enhance The Winds./Romeo And Juliet (Act III)/And He Combines The Bass Clarinet With A Shivering Tremolo From The Double-Basses....
- Symphony No.5 (Mvt 3)/So Much For The Strings/On Now To The Winds
Tracks:
- The Antiquity And Magic Of The Flute
- Prelude A L'Apres-Midi D'Un Faune
- The Versatility And Agility Of The Flute
- Orchestral Suite No.2 In B Minor (Badinerie)
- The Flute In Fifteenth-Century Spain
- Sa'Dawi
- Other Flutes: The Bass And Alto
- Chamber Music No.II
- The Piccolo - Aptly Named
- La Naissance D'Osiris (Mvt 6)
- From A Piccolo Of The Eighteenth Century To One Of Its Descendants In The Twentieth
- Suite No.1 For Small Orchestra (Valse)
- A Variety Of Techniques
- Chamber Music No.II
- Flutter-Tonguing. But Tchaikovsky Got There Eighty Years Before.
- The Nutcracker (Act II, No.2: Scene)
- From The Transverse To The Vertical: The Baroque Recorder
- Recorded Suite In A Minor (Menuet II)
- An Unfamiliar, Early Vision Of The Instrument
- Naelden, Naelden
- The Bachian Oboe
- Cantata 'Ein Feste Burg Ist Unser Gott', BWV 80 (No.7: Duetto)
- Introduction To The Cor Anglais Or 'English Born'
- Symphony No.9 'From The New World' (Mvt 2)
- The Loneliness Of The Cor Anglais
- The Swan Of Tuonela
- The Cor Anglais Joins The French Horn In Haydn.
- Symphony No.22 'The Philosopher' (Opening)
- Introduction To The Oboe D'Amore, Beloved Of Bach - But Also Of Ravel
- Bolero
- The Clarinet Family: Boxing The Compass, From The Depths Of The Bass Clarinet.../The Egyptian (Violence)/...To The Raucous And Squealy.../Taras Bulba (The Death Of Ostap)/...To The Shrill And Complaining...
- Petrushka (No.8: Peasant With Bear)/...To The High Sprits Of A Playful Puppy./Symphonie Fantastique (Last Mvt)/And To The Downright Jazzy/Romeo And Juliet (Act II)
- As The High Clarinets Tend To Be Loud, So The Bass Tends To Be Soft:
- Gayane Suite No. 1 (Mvt 5)
- The Bass Clarinet Is Used By Most Composers Mainly As A Colouring Agent.../Petrushka (No.4: The Blackamoor)/...But It Does Occasionally Get A Whole Tune To Itself./Iberia (Almeria).
- The Range Of The Normal Clarinet Parts Goes Quite High...
- The Snow Maiden (Scene 5: Melodrama)
- ...And Quite Low.
- Peter And The Wolf (The Cat)
- The Clarinet As Concerto Soloist
- Clarinet Concerto In A Major (Rondo)
- But That's Not The Instrument Mozart Wrote It For; This Is:
- Clarinet Concerto In A Major (Rondo)
- Introduction To The Saxophone
- Hary Janos Suite (Mvt 4)
- The Soprano Saxophone Has Quite A Different Feel To It.
- L'Arlesienne Suite No.1 (Minuet)
- The Little Sopranino Sax Goes Even Higher.
- Bolero
- The Most Famous Use Of The Saxophone Is In An Orchestration By Ravel.
- Pictures At An Exhibition (The Old Castle)
- The Saxophone Can Be Quite Contagiously Good-Humoured.
- Sax-O-Phun
- The Puffa-Puffa Image Of The Bassoon
- Peter And The Wolf (Grandfather)
- The Bachian Bassoon, In Accompanimental Mode
- Cantata 'Weichet Nur, Betrubte Schatten' ('Wedding Cantata'), BWV 202 (Aria No.1)
- Bizet Leaves The Puffa-Puffa Image Out, Allowing The Bassoon To Sing./Carmen Suite No.1 (Les Dragons D'Alcala)
- And Ravel, Also In Spanish Mode, Does Likewise.
- Bolero
- The Bassoon As A Voice Of High Seriousness, Indeed Desolate Loneliness
- Symphony No.3 (Opening)
- The Eerie Bassoon In Its Highest Register
- The Rite Of Spring (Opening)
- Stravinsky Now Draws On Its Lowest Register, Lonely And Melancholy.
- The Firebird Suite (1919, Berceuse)
- The Bassoon As Concerto Soloist, Avoiding All Exaggeration
- Bassoon Concerto In G Minor (Finale)
- The Deep-Voiced Contra-Bassoon, As A Fairy-Tale Beast
- Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
- The French Horn Under Its Woodwind Hat
- Wind Quintet, Op.43 (Last Mvt)
- Now A More Prominent Role, In A Woodwind Quintet From An Earlier Era
- Wind Quintet In A Minor, Op.100 No.5 (Mvt 2)
- The Horn In Harmonious Blend With Strings In Another Quintet
- Horn Quintet, K.407 (Finale)
Tracks:
- The Trumpet As Virtuoso Soloist
- Brandenburg Concerto No.2 (Last Mvt)
- The Special Brillance Of Paired Trumpets
- Concerto In C For Two Trumpets, RV537 (Mvt 1)
- The Ceremonial Trumpet
- Fanfare For The Common Man
- Trumpets And Drums - An Incomparable Alliance
- Messiah (The Trumpet Shall Sound)
- The Versatility Of The Trumpet, From The Most Public To The Most Lonely
- Piano Concerto In F (Slow Mvt)
- The Trumpet As The Voice Of The City/An American In Paris/The Trumpet As Recruitment Officer/The Soldier's Tale (The March)/The Trumpet As Swaggerer
- Carmen Suite No.2 (Habanera)
- The Trumpet As The Voice Of Strength And Courage
- Carmet Suite No.2 (Toreador's Song)
- The Trumpet Muted/Petrushka (No.4: The Blackamoor)/Lieutenant Kije Suite (Opening)/The Trumpet As The Voice Of Weariness
- Billy The Kid
- The Trumpet As Character Actor
- Pictures At An Exhibition (No.6)
- The Trumpet As The Voice Of God
- Mass In B Minor ('Et Exspecto')
- The Birth Of The Trombone
- Aenmerckt Nu Hier
- The Birth Of The Brass As A Family
- Canzon 12 In Double Echo
- The Trombone In The Eighteenth Century
- Trombone Concerto In B Flat Major (Finale)
- The Tone Of The Tenor Trombone/Romance For Trombone And Organ/The Memorable Voice Of The Bass Trombone/Requiem (Mvt 2)/But The Bass Trombone Is More Than An Instrumental Bullfrog.
- Hosannah
- The Trombones Become Part Of The Orchestra.
- Symphony No.5 (Finale)
- The Wagnerian Trombone:/Overture To 'Tannhauser'
- The Trombone As Caricaturist
- Pulcinella (No.19: Vivo)
- The Trombone As Raspberry/Concerto For Orchestra (Intermezzo)
- The Horn And The Hunt
- Horn Concerto No.4 In E Flat, K.495 (Finale)
- The Challenging Horn Of The Baroque
- Abaris Ou Les Boreades (Menuet)
- The Scarcity Of First-Rate Players In Handel's Time
- Walter Music (Minuet 1)
- The Horn As Magician/The Firebird Suite (1919, Finale)
- Horns And The Sound Of Nobility
- Overture To 'Tannhauser' (Opening)
- The Special Sound Of The Horn In Its Higher Register
- Mass In B Minor ('Quoniam Tu Solus Sanctus')
- The Trumpet-Like Sound Of Massed Horns
- Symphony No.3 (Mvt 1, Opening)
- The Tuba - Unfairly Maligned?
- Symphony No.6 (Mvt 3)
- The Tuba Perfectly Cast By Ravel
- Pictures At An Exhibition (Bydlo)
Tracks:
- Introduction. And We Begin With A Bang.
- Fanfare For The Common Man/The Bass Drum On The Battlefields/Wellington's Victory, Op.91 (Opening)
- At The Opposite Extreme Is The Triangle.
- Piano Concerto No.1 In E Flat (Scherzo)
- Categories Of Percussion: Tuned And Untuned. The Side Drum
- Overture To 'La Gazza Ladra' - The Thieving Magpie (Opening)
- The Side Drum In An Effective But Unexpected Role/Clarinet Concerto (Mvt 1)
- The Tambourine. One Of The Oldest Instruments In The World
- Den Hoboecken Dans
- Even Older Is The Originally Oriental Gong.
- Ma Mere L'Oye - Mother Goose (Laideronette)
- No Single Instrument Can Match The Gong In Evoking The Breaking Of Waves./Passacaglia, Op.33b From 'Peter Grimes'/But Gongs Don't Have To Be Struck To Be Effective.
- Gymnopedie No.2
- The Cymbals Are Generally Discovered Early In Life./The Sanguine Fan/And They Do More Than Clash Together Loudly. They Can Be Clashed Together Softly./Studio Example: But They Needn't Be Clashed Together At All/Studio Example: They Can Be Lightly...
- Other Untuned Percussion Instruments Include The Whip.: Piano Concerto In G Major (Opening)/And Here Are No Fewer Than Twenty, Cracked By Tchaikovsky: The Nutcracker (Act I, Scene 5)
- More Versatile Than The Whip Are The Wood Blocks.../Studio Example/...Which Crop Up All Over The Place In Twentieth-Century American Music.
- Rodeo (Hoe-Down)
- Related To The Wood Blocks, By Sound, Are The Castanets./Jota Aragonesa/But The Castanets Were Also Used By Monteverdi Back In The Seventeenth Century.
- Scherzi Musicali (Damigella Tutta Belle)
- A Still Earlier Example From Fifteenth-Century Spain
- Yo M'Enamori D'Un Aire
- The Birth Of The Bongo
- Symphonic Dances From 'West Side Story'
- From The Streets Of New York To The Blacksmith's Shop/Il Trovatore ('Anvil Chorus')
- Desert-Island Decibels: Grand Canyon Suite (On The Trail)/Arcana
- From One Vegetable To Another: The Humble Squash, Or Marrow/Huapango
- Onwards To The Tuned Percussion. First, The Timpani
- Also Sprach Zarathustra (Introduction)
- But The Drum Roll Can Be More Effectively Frightening Than The Big Bang.: Symphony No.2 'Resurrection' (Mvt 3)
- Not One Drum Roll, But Many/Grand Canyon Suite (Sunrise)/Symphonie Fantastique (Last Mvt)
- Taking Advantage Of Tunability
- Music For Strings, Percussion And Celeste (Mvt 2)
- The Russian Composer Rodion Shchedrin Takes A Downward Turn./Carmen Suite (Changing Of The Guard)/Tuned, Yes; But For The Truly Melodic We Must Look Elsewhere.
- Introducing The Glockenspiel/Carmen Suite (Carmen's Entrance And Habanera)
- Saint-Saens And The Xylophone
- The Carnival Of The Animals (Fossils)
- Ravel And The Xylophone
- Ma Mere L'Oye - Mother Goose (Laideronette)
- Introducing The Marimba/Carmen Suite (First Intermezzo)
- Introducing The Vibraphone
- The Treasure Of The Sierra Madre (Narange Dolce)
- The Vibraphone Goes Russian.../Carmen Suite (Carmen's Entrance And Habanera)/...And Is Joined By The Marimba./Carmen Suite (Carmen's Entrance And Habanera)
- Introducing The Hungarian Cimbalom
- Folk Dances
- The Cimbalom And The Symphony Orchestra
- Hary Janos Suite (Mvt 3)
- Introducing The Tubular Bells
- Hary Janos Suite (Viennese Musical Clock)
- A More 'Up-Front' Approach From Rodion Shchedrin
- Carmen Suite (Introduction)
- But The Bells Can Also Make The Sinister Even More Sinister./Symphony No.7 'Sinfonia Antartica' (Mvt 1)
- Introducing The Celeste
- The Nutcracker (Dance Of The Sugar Plum Fairy)
- Magic, In The Use Of Collective Percussion
- Miroirs (La Vallee Des Cloches)
- Plucked Instruments: The 'Undercover Percussion'/Carmen Suite (Scene)
- A Prime Case In Point Is The Harp, Irresistible To The Romantics./The Nutcracker (Act II, No.1: Scene)/The Non-Solo Harp As An Integral Part Of The Orchestra/Hungarian Rhapsody No.1
- The Traditionally Subservient Role Of The Harpsichord In The Baroque Orchestra
- Brandenburg Concerto No.2 (Slow Mvt)
- The Piano: King Of The Tuned Percussion/Symphony No.3 'Organ' (Mvt 3)/And A Quarter Of A Century After That:
- Petrushka (Russian Dance)
- The Anti-Romantic Piano As An Integral Part Of The Orchestra
- Music For Strings, Percussion And Celeste (Last Mvt)
Tracks:
- Keyboard Instruments In The Orchestra - The Most Powerful Of Them All:
- Symphony No.3 'Organ' (Finale)
- But Things In Handel's Day Were Very Different.
- Organ Concerto In B Flat, Op.4 No.3 (Last Mvt)
- The Organ Is Difficult To Classify.
- An Unexpected, Organ-related Guest
- Concerto Pour Zampogna (Last Mvt)
- Peasant-Fancying... And A Touch Of The Roaming Cowboy
- Les Miserables (Drink With Me)
- Outside Artefacts And The Power Of Association
- Mahler's Sleighbells
- Symphony No.4 (Opening)
- A Roll-Call Of Some Unusual Guests/The Typewriter/Parade
- Chains, And More/Integrales/An American In Paris/Sandpaper Ballet
- Purpose-Built Oddities: Wind Machines/Symphony No.7 'Sinfonia Antartica' (Opening)
- Don Quixote (Variation VIII)
- National Calling Cards: The Guitar For Spain/Concierto De Aranjuez (Finale)
- And The Guitar's Poor American Relative, The Banjo/Washington Breakdown
- And Poorer Still, The Mouth Organ/The Treasure Of The Sierra Madre (Packing Up)
- The Balalaika For Russia/Romeo And Juliet (Act II: No.14)
- The Maracas For Mexico/The Treasure Of The Sierra Madre (El Desayuno)
- The Bongos And Congas And A Whole Wealth Of Other Drums For Africa And Central America/Studio Example
- The Sitar Of India/Evening Raga: Bhapoli
- The Accordion For France (Especially Paris)/Paris Canaille
- The Zither For Vienna/The Third Man (Theme)
- The Cimbalom For Hungary/Folk Dances
- The Guitar As An Integral Part Of The Orchestra/Rondena
- There Are Whole Orchestras Of Balalaikas./Sveit Mesiats
- The Effect Of The Wordless Human Voice, Used Purely As An Instrument/Symphony No.7 'Sinfonia Antartica' (Mvt 1)
- Nocturnes
- Instruments And the Imitation Of Nature. The Clarinet As Cuckoo
- The Carnival Of The Animals (The Cuckoo)
- The Flute As An All-purpose Aviary
- The Carnival Of The Animals (The Aviary)
- The Oboe As Duck
- Peter And The Wolf (The Duck)
- The Recording Of Reality. Does It Work As Well?
- The Pines Of Rome (The Pines Of The Janiculum)
- The Recording Of Reality Electronically Reborn In New Guises
- Cantus Articus - Concerto For Birds And Orchesra (Mvt 2)
- Beethoven Turns Avian: Cuckoo, Nightingale, And Quail
- Symphony No.6 'Pastoral' (Andante Molto Mosso)
- Some Improbable Casting: The Violin As Braying Donkey
- The Carnival Of The Animals (Persons With Long Ears)
- A Truly Orchestral Hee-haw To Be Reckoned With
- Overture To 'A Midsummer Night's Dream'
- A Thunderstorm In A Million
- Symphony No.6 'Pastoral (Allegro-Allegretto)
- the Instrumental Depiction Of A Silent World
- The Carnival Of The Animals (The Aquarium)
- Saint-Saens' Menagerie Takes A Curtain Call.
- The Carnival Of The Animals (Finale)
Tracks:
- The Grouping Of Instrumental Families. An Additive Approach. First, Two Violins
- Forty-Four Duos (No.4)
- A Great Contrast, Of Both Pitch And Character: Violin And Viola
- Duo For Violin And Viola In B Flat Major, K.424 (Finale, Vars 1 & 2)/Studio Example
- Arrival Of The Standard String Trio: Violin, Viola, And Cello
- String Trio In B Flat (Menuetto)
- The String Quartet: Two Violins, Viola, And Cello
- String Quartet In F, Op.18 No.1 (Mvt 3)
- The String Quintet - When The Extra Instrument Is A Second Viola
- String Quartet No.5 In D, K.593 (Adagio)
- The String Quintet - When The Extra Instrument Is A Second Cello
- String Quintet In C (Mvt 3)
- The String Sextet: Two Violins, Two Violas, And Two Cellos
- String Sextet In B Flat (Mvt 2)
- The String Octet: The Standard String Quaret Times Two
- Octet In E Flat, Op.20 (Mvt 1)
- Double The String Octet: A Fully Fledged String Orchestra
- String Symphony No.2 (Finale)
- The Massed Strings Of A Symphony Orchestra
- Fantasia On A Theme Of Thomas Tallis
- Contrasts Of Pitch And Instrumental 'Colour' In The Woodwind Section
- Wind Quintet In A Minor, Op.100 No.5 (Theme)
- In The First Variation It's The Horn That Gets The Lion's Share.
- Wind Quintet In A Minor, Variation 1
- In Variation Two The Torch Is Handed To The Bassoon.
- Wind Quintet In A Minor, Variation 2
- In Variation Three The Oboe Leads.
- Wind Quintet In A Minor, Variation 3
- Variation Four: Conversation Before Returning To A Solo-dominated Texture
- Wind Quintet In A Minor, Variation 4
- And Variation Five is Dominated By The Clarinet.
- Wind Quintet In A Minor, Variation 5
- The Next To Be Featured Is The Virtuoso Flute.
- Wind Quintet In A Minor, Variation 6
- Individual Farewells And A Closing Chorus
- Wind Quintet In A Minor, Variation 7
- A Mixed Group: Clarinet, Bassoon, Horn, String Quartet, And Double-Bass
- Octet In F (Mvt 3)
- The Early Classical Symphony Orchestra Of Haydn And Mozart
- Symphony No.29 In A, K.201 (Finale)
- Strings, Wind, But No Brass. What Haydn And Mozart Never Knew
- Canzon 28
- Beethoven's Fifth: Two Horns, Two Trumpets, And Three Trombones Join The Team.
- Symphony No.5 (Finale)
- From Beethoven To The Massive Orchestras Of Berlioz, Wagner, And Mahler
- Beethoven Changed The Face Of The Symphony And The Orchestra Forever
- Symphoy No.6 'Tragic' (Mvt 1)
- The Cult Of Orchestral Elephantiasis Reaches Its Peak.
- Symphony No.1 'Gothic' (VI: Te Ergo Quaesumus)
- When Large Doesn't Necessarily Mean Loud: Debussy
- Images (Gigues)
- A Crisis Of Confidence; The Orchestra's Survival Hangs In The Balance, But It Still Develops. The Ondes Martenot:
- Turangalila Symphony (Chant D'amour 1)
- The Advent Of The 'Early Music' Movement Brings A New Vitality And Freshness.
- Balle De Xerxes (Gavotte En Rondeau)
- Computer And Synthesiser: Friends Or Foes?
- Concerto In D Minor For Two Violins (Largo)
- A Speculative Look Ahead/Mass In B Minor ('Dona Nobis Pacem')
Customer Reviews:
Instruments of the Orchestra - Great Reference Material!.......2007-04-04
This set lends itself to greatly enhancing one's knowledge of the orchestra, instruments in it, and their usage. I am a huge music buff, and I still picked up a great deal I previously did not know. I highly recommend this for all who wish to understand the origin of music, as well as the processes that are employed to create music!
Beginner or Expert.......2007-03-12
This CD is excellent for the beginner or expert! To be able to haear the instrumets separately and then together really provides a good education. and/or refresher. The book thaty comes with the CD is alomost worth the price by itself!
Very Informative and Enjoyable.......2006-11-20
Whether you're a music novice or pro, "The instruments of the Orchestra" is a very worthwhile purchase. The 7 CDs, with a total of 8 hours, are expertly narrated by Jeremy Siepmann. He's a great speaker, very much like the late Leonard Bernstein was. Mr. Siepmann takes you on an unforgetable musical journey covering the origins and use of the various orchestral instruments throughout musical history. The balance between his narration and a wealth of musical examples, which range from snippets to entire movements, is superb. The comprehensive enclosed booklet is excellent and faithfully follows the 7 CDs in content. Even with my 40+ years of music training I still learned new things from this wonderful collection. Considering the excellence of the content, and a cost that translates to about $5 per disc, this collection is a great value. Grab it, you won't regret that you did. Five solid stars!
Frank's view.......2006-08-19
This boxed set of CD's with booklet achieved all I had hoped that it would. There are good samples of individual instruments and well done commentary on each. The only drawback was that some of the samples were too brief and could have been longer, hoiwever I guess this fits in with time constraints of the medium. It has given me a lot of clues as to future purchases of CD's for listening to individual instruments. Altogeth a satisfactory purchase and a welcome addition to my collection.
Excellent Intro for Those Not Familiar with the Orchestra.......2003-11-08
I've listened to classical music for years and am interested in composition. I bought this CD set to learn how an orchestra and its instruments work. I thought the CDs would be a nice but boring lecture. They aren't! Not only are they FUN but they are informative as well. I learned a huge amount from each CD and couldn't wait to listen to the next one.
The narrator and writer is a great speaker and holds your attention well. He is definitely knowledgeable. He provides musical examples for each point he makes, so you get to "hear" what he just talked about. I'd say the CDs are about 65% music and 35% narration. You'll learn about the range of instruments, some history, different ways to play them, how they sound, and how they are used in the orchestra. This CD set was a great learning experience and is sold at such a low price!
I recommend this CD for those who want to learn about classical music and those who know about it but are interested in learning more about the inner workings of an orchestra. You'll learn much useful information. For instance, the Rite of Spring (with that eerie start) is written for bassoon! I never knew a bassoon could sound like that but now I do.
The one complaint I have is the last CD. This deals with the orchestra. I wanted more of a tour of how the orchestra has been used through history up to the present. Instead, it was a tour of how different groups of instruments sound. I thought it could have been better. The other 6 CDs are excellent.
Average customer rating:
- Warning: this CD is addictive
- Clever, but....
- Bhosle, Pavrotti, Sinatra
- Cheap music
- I Think They Should Have Selected a More Contemporary Singer
|
You've Stolen My Heart: Songs from R.D. Burman's Bollywood
Kronos Quartet , and Asha Bhosle
Manufacturer: Nonesuch Records
ProductGroup: Music
Binding: Audio CD
Chamber Music
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Similar Items:
- Mugam Sayagi: Music of Franghiz Ali-Zadeh
- Best of Asha Bhosle: The Golden Voice of Bollywood
- Rise
- Dimanche a Bamako
- Kiran Ahluwalia
ASIN: B0009X1PAM
Release Date: 2005-08-23 |
Tracks:
- Dum Maro Dum - Take Another Toke
- Rishte Bante Hain - Relationships Grow Slowly
- Mehbooba Mehbooba - Beloved, O Beloved
- Ekta Deshlai Kathi Jwalao - Light a Match
- Nodir Pare Utthchhe Dhnoa - Smoke Rises across the River
- Koi Aaya Aane Bhi De - If People Come
- Mera Kuchh Saaman - Some of My Things
- Saajan Kahan Jaoongi Main - Beloved, Where Would I Go?
- Piya Tu Ab To Aaja - Lover, Come to Me Now
- Dhanno Ki Aankhon - In Dhanno's Eyes
- Chura Liya Hai Tum Ne - You've Stolen My Heart
- Saiyan Re Saiyan - My Lover Came Silently
Amazon.com
The Kronos Quartet have been luminaries of modern Western classical music for more than thirty years. So despite their previous forays into world music, a headlong dive into the alternative universe of Bollywood (Bombay-plus-Hollywood) soundtracks may seem somewhat incongruous. But Kronos leader David Harrington is a longtime fan of composer R.D. Burman¹s florid pop extravaganzas, which propelled an already saturated palette into day-glo and beyond. To get the project off the ground, he had to convince one of India¹s prolific and versatile "playback" singers to come on board. The legendary Asha Bhosle is a renowned Burman interpreter so securing her services was a major coup. To replicate the reverb-laden "wall of sound" typical of Burman arrangements, Kronos and Ashaji, accompanied by Indian percussionist Zakir Hussain and Chinese pipa virtuoso Wu Man, overdubbed themselves into a teeming multitude. However, there is nothing soulless or "canned" about the results; indeed, composer and singer emerge refreshed and more vivid than ever before, shaking their stuff amid swirling Technicolor veils of tongue-in-cheek mystery and sensuality. --Christina Roden
Album Description
Sumptuous and surreal, the Kronos Quartet and Asha Bhosle's You've Stolen My Heart is not unlike the colorful, melodramatic Indian film musicals to which it pays tribute. Eight of its twelve tracks feature superstar Bollywood film playback singer Asha Bhosle, widely considered the world's most recorded vocalist. The songs were chosen from the repertoire of her husband, the late composer R.D. Burman, who revolutionized the sound of the movies produced at Mumbai's (formerly Bombay) fabled studios, a.k.a. Bollywood.
Customer Reviews:
Warning: this CD is addictive.......2007-01-12
Now in her early 60s, Asha Bhosle's voice has matured since the heyday of her Bollywood career in the 60s-70s and in these reworkings of some of her greatest hits (written by her late husband R.K.Burman) it's positively honey-like. The collaboration with Kronos Quartet is inspired: substitute electronically enhanced violins for Duane Eddy guitars and you have an inkling of the ideas flying around the disc. The liner notes are informative and there's plenty of information for the Bollywood novice. However, whether you understand Hindi or not, this is a collection of songs - humorous, romantic, tacky, and at times so hilariously naff in the way of Indian homages to western pop it's actually cool! I would be amazed if you don't want to keep going back to it, once heard.
Clever, but...........2006-04-07
Chronos has always emphasized being clever over being musical- although they are splendid musicians- and this album is perhaps the ultimate exegesis of that. The actual music is perhaps exotic, to western ears, but it is also uninteresting. Indian film music combines the sound of the East with the banality of pop, and the result isn't anything that bears more than one listening; personally, I was continually reminded of the incidental Indian-themed music that kept popping up in the Beatles' movie "Help", although that soundtrack was a bit more clever. Another volume for the library of the die-hard Chronos fan, perhaps, but not necessarily anyone alse.
Bhosle, Pavrotti, Sinatra.......2006-02-12
Some vocalists are one-of-a-kind, brilliant and beautiful, setting the standard for their particular music. Asha Bhosle is one of them. I heard her with the Kronos in performance in San Francisco, and they took my breath away. This album isn't quite the same as being there but it's very, very close. Asha, Kronos - please do it again!
Cheap music.......2006-01-02
I dont know how the kronos quartet to come down so low. The music is cheap. I couldn't hear any of the tracks completely. They were so insipid.Complete waste of money. I have heard much better from Asha.
I Think They Should Have Selected a More Contemporary Singer.......2005-11-05
I love Asha Bhosle and one only has to listen to her Live at the Albert Hall album. Problem is, she has aged, and her voice shows it. Regrettably, her vocals on this album constantly remind me of this and I can't listen to the album with pleasure. I would say the same of such wonderful singers as June Carter and Amalia Mendoza. This was a wonderful opportunity to introduce much of the world to the zaniness of Bollywood movie music, with its fabulous arrangements and wacky use of all imaginable instruments from all over the world. Instead it makes me sad to hear Asha not at her peak.
Average customer rating:
- You'll be disappointed
- Pretty good musical mix
|
Greatest Songs from the Musicals
Various Artists
Manufacturer: Soho
ProductGroup: Music
Binding: Audio CD
General
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- Very Best Of Broadway Musicals
- Ultimate Broadway
- Only Broadway CD You'll Ever Need
- Greatest Hits: Broadway
- Ultimate Broadway II: The Very Best of Broadway Now
ASIN: B000077JS0
Release Date: 2002-10-21 |
Tracks:
- Aquarius [From Hair] - Steve Brooker, NSO Ensemble, , Caroline O'Connor
- If I Can't Love Her [From Beauty and the Beast] - Ethan Freeman, National Symphony Orchestra, Martin Yates
- I Could Have Danced All Night [From My Fair Lady] - Katrina Murphy, National Symphony Orchestra
- Can You Feel the Love Tonight? [From The Lion King] - John Barrowman, National Symphony Orchestra, Martin Yates
- What I Did for Love [from a Chorus Line] - National Symphony Orchestra, Catherine Porter, Martin Yates
- This Is the Moment [From Jekyll and Hyde] - Gary Mauer, National Symphony Orchestra, Martin Yates
- All That Jazz [From Chicago] - Paulette Ivory, Julian Kelly, Katrina Murphy, National Symphony Orchestra, Sally Ann Triplett
- Impossible Dream [From Man of La Mancha] - Ethan Freeman, National Symphony Orchestra, Martin Yates
- America [From West Side Story] - National Symphony Orchestra
- Written in the Stars [From Aida] - Simon Bowman, NSO Ensemble, Sally Ann Triplett, Martin Yates
- Mame [From Mame] - Jerry Lanning, National Symphony Orchestra, Martin Yates
- Some Enchanted Evening [From South Pacific] - Thomas Allen, John Owen Edwards, Philharmonic Orchestra
- I Am What I Am [From LA Cage aux Follies] - Janet Glazener, Leslie Uggams
- One Song Glory [From Rent] - Sean McDermott, Martin Yates
Tracks:
- Phantom of the Opera [From The Phantom of the Opera] - Ethan Freeman, Claire Moore, National Symphony Orchestra, Martin Yates
- I Dreamed a Dream [From Les Miserables] - National Symphony Orchestra, Jacqui Scott, Martin Yates
- Bui Doi [From Miss Saigon] - Ethan Freeman, National Symphony Orchestra, Martin Yates
- As Long as He Needs Me [From Oliver!] - National Symphony Orchestra,
- Time Warp [From the Rocky Horror Picture Show] - Anita Dobson, NSO Ensemble, Martin Yates,
- Memory [From Cats] - Kim Criswell, National Symphony Orchestra, Martin Yates
- Why God Why [From Miss Saigon] - Graham Bickley, National Symphony Orchestra, Martin Yates
- I Know Him So Well [From Chess] - Katrina Murphy, NSO Ensemble, Sally Ann Triplett, Martin Yates
- One Day More [From Les Miserables] - National Symphony Orchestra, Martin Yates
- Peggy Sue [From Buddy Holly Story] - Dominic Curtis
- Empty Charis at Empty Tables [From Les Miserables] - Graham Bickley, National Symphony Orchestra, Martin Yates
- Dancing Queen [From Mamma Mia!] - Julian Kelly, NSO Ensemble, , Caroline O'Connor
- All I Ask of You [From The Phantom of the Opera] - Andrew Halliday, , National Symphony Orchestra, Martin Yates
- We Will Rock You [From We Will Rock You] - Martin Yates
Tracks:
- It's a Grand Night for Singing [From State Fair] - National Symphony Orchestra
- If I Were a Rich Man [From Fiddler on the Roof] - Jerry Lanning, National Symphony Orchestra
- I Talk to the Trees [From Paint Your Wagon] - Ethan Freeman, National Symphony Orchestra, Martin Yates
- Over the Rainbow [From The Wizard of Oz] - Gillian Bevan, , John Owen Edwards, , Royal Shakespeare Company
- Bless Yore Beautiful Hide [From Seven Brides for Seven Brothers] - Hal Fowler, National Symphony Orchestra, Martin Yates
- Grease [From Grease] - John Barrowman, NSO Ensemble, Martin Yates
- Woman in Love [From Guys and Dolls] - Gregg Edelman, , Emily Loesser, National Symphony Orchestra
- Secret Love [From Calamity Jane] - Debbie Gravitte, National Symphony Orchestra
- Quintet [From West Side Story] - National Symphony Orchestra
- I Will Always Love You [From the Best Little Whorehouse in Texas] - Salena Jones, John Pearce
- Money, Money [From "Caberet"] - Maria Friedman, National Symphony Orchestra, Jonathan Pryce
- If My Friends Could See Me Now (Sweet Charity) - Jacqueline Dankworth, National Symphony Orchestra, Martin Yates
- Thank Heaven for Little Girls [From Gigi] - Ron Moody, National Symphony Orchestra, Martin Yates
- Singin' in the Rain [From Singin' in the Rain] - Craig Barna, National Symphony Orchestra, Paul Robinson
Customer Reviews:
You'll be disappointed.......2006-09-02
Not the original artists. Very weak versions of beloved songs by marginal to downright bad vocalists.
Pretty good musical mix.......2006-03-10
Lots of great and clear vocals. I was looking for a musical mix and this has a nice sampling of many major songs but also some more recent stuff. I haven't purchased an import before but I would do it again if the opportunity presented itself. It is somewhat annoying to have three cds when I think it could have fit onto two. Still, more than I have complaints, I have compliments about it.
Average customer rating:
- a voice teacher and early music fan
- An American Voice of the Century
- An Essential Barber Disc
- Price sings songs and arias written for her!!!
- Fab voice, OK music
|
Leontyne Price Sings Barber
Manufacturer: RCA
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Binding: Audio CD
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Similar Items:
- Barber: Knoxville Summer of 1915/Dover Beach/Hermit Songs/Adromache's Farewell
- Leontyne Price: The Ultimate Collection
- The Faces of Love ~ The Songs of Jake Heggie / Fleming, McNair, Larmore, von Stade, Forand, Cao, Clayton, Vaness, Asawa
- Hermit Songs: High Voice
- In Concert
ASIN: B000003FNF
Release Date: 1994-05-10 |
Tracks:
- Hermit Songs, Op.29: At Saint Patrick's Purgatory
- Hermit Songs, Op.29: Church Bell At Night
- Hermit Songs, Op.29: Saint Ita's Vision
- Hermit Songs, Op.29: The Heavenly Banquet
- Hermit Songs, Op.29: The Crucifixion
- Hermit Songs, Op.29: Sea-Snatch
- Hermit Songs, Op.29: Promiscuity
- Hermit Songs, Op.29: The Monk And His Cat
- Hermit Songs, Op.29: The Praises Of God
- Hermit Songs, Op.29: The Desire For Hermitage
- Sleep Now, Op. 10, No. 2
- The Daises, Op. 2, No. 1
- Nocturne, Op. 13, No. 4
- Nuvoletta, Op. 25
- Knoxville: Summer Of 1915
- Antony And Cleopatra: Give Me Some Music
- Antony And Cleopatra: Give Me My Robe
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Early in her career, Leontyne Price formed an artistic liaison with Samuel Barber that resulted in his composing the female lead in Antony and Cleopatra for her. The disastrous premiere of that opera prevented Price from making a complete recording--a tragic loss in my opinion. She did record excerpts, however, and we at least have this disc to document these and the many other Barber works that she performed with incomparable artistry. Opera singing being what it is, Price didn't often have the chance to sing in English, so these performances are not only historically important, they are uniquely communicative as well. --David Hurwitz
Customer Reviews:
a voice teacher and early music fan.......2007-02-28
Samuel Barber(1910-1981), an American composer who studied piano, composition and singing at the prestigious Curtis Institute in Philadelphia, Pa. His works adhered largely to a lyrical, Romantic style within a loosely Classical framework. He left a rich legacy of more than 100 songs(only 37 published) and 3 operas in addition to many instrumental works...
Only a few of Barber's song texts come from American sources; more often he chose the work of Irish or English writers. He was drawn to 'Knoxville: Summer of 1915', a reflection of the American poet James Agee, because for him it vividly evoked his own childhood. With hints of blues and gently shifting rhythms, "Knoxville" is a mature expression of Barber's artistry as a musical poet and a master of orchestral color.
"The Hermit Songs" were first performed by Leontyne Price, soprano, with the composer at the piano at the Library of Congress, Washington,D.C..pn October 30, 1953. They are a setting of anonymous Irish texts of the eighth to thirteenth centuries written by monks and scholars. They are small poems,thoughts or observations, some very short, and speak in straightforward, droll, and often surprisingly modern terms of the simple life these men led, close to nature, to animals and to God.
I think a brief quote from one of my favorite of these Hermit songs sums up the kind of prose contained in most all of them: from 'The Monk and his Cat' :Pangur, white Pangur, How happy we are Alone together, Scholar and cat. Each has his own work to do daily; for you it is hunting, for me study......'
The music on this disc is well executed, and if you are a Barber advocate, it's a great collection of his song material. I happen to like MOST of his music, but it's for me a 'mood ' thing. He was born very close to where I live, so I guess I feel a kinship of sorts. I do think that he is one of the 'greats' in contemporary music!
An American Voice of the Century.......2005-10-09
While there is no question that Leontyne's opulent voice - here young and lustrous in the "Hermit Songs" recital (1953!) would have been a magnet for any composer, her affinity for Barber is clear, and his for her. The studio recording of the "Hermit Songs" has a better acoustic, but this one is just as thrilling in interpretation, and a bit less studied - and it has the two James Joyce settings, as well.
The "Knoxville" is beautifully judged - soft and swinging to start, then opening up into the drama and poetry of the middle and late sections. The Eleanor Steber original commission will always set the standard, but Price expands it that much farther, with longer phrases, and an ineffable langour that both she and Steber identified as the "Southern" stamp on this music. It's universal, as far as I am concerned, but it exalts and breaks the heart at the same time. Agee and Barber drink from the same fountain here.
I have never heard the entire "Anthony & Cleopatra", again written for Price, so I can't judge the work as a whole, just these two numbers. I have a special affection for the first scene, however - "Give Me Some Music" shows Price, in her absolute vocal prime, complete mistress of color and mood, and the motive, "My man of men" reappears in her final, regal, death scene. When she sings "O happy horse/ who bears the weight of Antony!" - I swear, my hair curls, no matter how many times I hear it.
In short, gotta have it.
An Essential Barber Disc.......2002-03-13
What a fabulous collection of music by Samuel Barber. Leontyne Price is at her absolute best in the songs. The entire Hermit Songs are here with four others. These recordings are of particular interest since Ms. Price performs with Samuel Barber at the piano. It is interesting to compare these recordings to the latter ones sung by Cheyrl Studer with John Browning at the piano for tempo changes.
The recording of Knoxville: Summer of 1915 is arguable the best of those available. Ms. Price sings with great sensitivity and Thomas Schippers and the New Philharmonia provide excellent support. Ms. Price said that Knoxville reminded her of her own childhood, and her commitment to the music comes through. I have the recording of Knoxville sung by Eleanor Steber, who commissioned this work, but I have always regarded the Price recording as the one to have.
The two excerpts from Antony and Cleopatra are of great interest since Ms. Price sang the role of Cleopatra at the premiere in 1966. Her performance here, also conducted by Schippers, is wonderful. The transfer to CD of these recordings is excellent. Perhaps the only down side is that the Hermit Songs were performed before an audience so there is applause between each song. After a while, this becomes monotonous. This disc is a must for anyone interested in Barber's music, and in particular for Knoxville.
Price sings songs and arias written for her!!!.......2001-12-05
This CD on which Leontyne Price memorializes many of the songs and arias composed by Sam Barber with her in mind should be in every collection of those who appreciate Barber's vocal music and the magnificent voice of one of the world's greatest singers of the 20th century. The collaboration of Barber and Price on the "Hermit Songs" and others reveals the composer's affection for the singer and the singer's understanding of the dramatic intent of the word and music. Alone, Price's interpretation of "Knoxville: Summer of 1915" is worth the price of the CD; it is singularly exquisite and cannot be matched! Price brings unmatched beauty, power, and understanding to the arias from "Anthony and Cleopatra" -- an opera composed with her voice in mind. It is indeed sad that Price never recorded "Vanessa," nor the song cycle "Despite and Still," nor the hauntingly beautiful "Sure on this Shining Night." You will not be disappointed if you buy this CD.
Fab voice, OK music.......2001-08-07
What is it that everyone seems to adore about Samuel Barber's music for voice. The man clearly wrote some absolutely divine orchestral pieces, there's no disputing that. But his vocal work seems to be lackluster. Hermit Songs is an example of modern classical music at it's worst. Disjointed, unmelodic, and difficult to follow. Price who's diction is fabulous on the later Knoxville piece is mushy durin the Hermit Songs, her voice is young and fresh, but not particularly glorious. She does deserve praise however for her promotion of American Music
Knoxville 1915 is a much better piece than Hermit songs and has more lyrical moments, but it still sounds so modern. If it has just been an orchestral piece it might've been fabulous but that is unfortunately not the case. It's almost as if Barber wrote a piece for orchestra and wrote a seperate piece for voice and just joined them, whether they made sense together or not. Unlike Hermit Songs, Price's performance more than makes up for the lack of brilliance in the music. Her diction is amazingly clear, even Callas would be jealous and her voice soars, where the music allows her to at least.
The selections from A+C are worty enough, another unreal performance by Price, one wonders if there was a better interpretor of American Music ever, maybe Steber. These works are more traditional sounding and thus go over better, but they seem a bit bland, without Price infusing them with energy this listener would have lost interest
Average customer rating:
- not to great
- Not so bad, 100 tunes for 4$
- You get what you pay for.
- Now I know why there were no song samples to listen to ...
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100 Favorite Patriotic Songs
Manufacturer: Bci / Eclipse Music
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Binding: Audio CD
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Similar Items:
- America's Favorite Patriotic Songs
- United We Stand: Songs for America
- American Pride: Sixteen Stirring Patriotic Themes
- America's Bugle Calls
- Patriotic Country
ASIN: B0000A1HT8
Release Date: 2003-08-12 |
Tracks:
- America the Beautiful
- All Quiet on the Potomac Tonight
- Ballad of the Green Berets
- On Top of Old Smokey
- Coyote Warrior
- Semper Fidelis
- Breeze from Alabama
- Onward Christian Soldiers
- Come Where My Love Lies Dreaming
- Patriot
- Sweet Betsy from Pike
- Marines' Hymn
- America Is
- When Johnny Comes Marchin' Home
- Happy the Soldier
- American Trilogy
- Home Sweet Home
- Washington Post March
- Enraptured I Gaze
- Jeannie With the Light Brown Hair
- Yellow Rose of Texas
- Over There
- Simple Gifts
- Liberty Bell
- Star Spangled Banner
Tracks:
- God Bless the USA
- Yankee Doodle Dandy
- Katy Cruel
- I Vow to Thee My Country
- King Cotton
- Beautiful Dreamer
- America
- American Patrol
- Mine Eyes Have Seen the Beauty
- Mohican Dream
- Red, White and Blue
- Some Folks
- Liberty Song
- Pomp and Circumstance
- Hail to the Chief
- Bennington Rifles
- Peace on the Battlefield
- I've Been Working on the Railroad
- Under the Double Eagle
- Red River Valley
- My Country 'Tis of Thee
- Camptown Races
- Wild Blue Yonder
- Hands Across the Sea
- Fanfare for the Common Man
Tracks:
- Stars and Stripes Forever
- Living in America
- Home on the Range
- Old Colony Times
- Clementine
- Invincible Eagle
- Ring Ring de Banjo
- Yankee Doodle
- Largo from "The New World"
- To a Wild Rose
- Hail Columbia
- Alexander's Ragtime Band
- Gettysburg
- Carry Me Back to Old Virginny
- Capitan
- Prairie Daughter
- Little Brown Jug
- Marching Through Georgia
- Entertainer
- Steamboat Around the Bend
- Revolutionary Tea
- Cassions Keep Rollin' Along
- Johnny Has Gone for a Soldier
- Amazing Grace
- Grand Old Flag
Tracks:
- God Bless America
- National Emblem
- Soldier, Soldier Won't You Marry Me
- Anchors Away
- Oh, Susannah
- Tramp, Tramp, Tramp
- Toast
- Dixie
- St. Louis Blues
- Appalachian Spring
- Bonnie Blue Flag
- Old Hundreth
- Swanee River
- Battle Cry of Freedom
- U. S Field Artillery
- Sidewalks of New York
- Chester
- Auld Lang Syne
- Kingdom Come
- My Old Kentucky Home
- Hail to the Spirit of Liberty
- Battle Hymn of the Republic
- Shenandoah
- Abraham's Daughter
- This Land Is Your Land
Customer Reviews:
not to great.......2007-04-04
We were disappointed with this CD, but for the price I guess we can't expect much. I didn't care for the new style presentation of the songs. I like a more traditional rendering.
Not so bad, 100 tunes for 4$.......2005-06-22
I red the comments of two other people who have bought this 4 CD BOX SET and it is not really so bad. I will even add that there are some excellent tunes. However, I must agree with the fact that few tunes seem to have been recorded 40 or 50 years ago, mainly when you hear the scratches of an old turntable but it is just 2 or 3 tunes. Furthermore, if you do not know American music, it is a good BOX SET to buy if you consider that you received 4 CD for 4$ including 100 tunes. On these 4 CD, I have heard some orchestration that I have never heard before and I consider that they are different but interesting. Any way, after hearing these 100 tunes, you will say to yourself that you like this tune, this other tune, this other tune and so on and you will be able to buy a more expensive CD with the tunes that you like. However, I have bought many CDs in the last few weeks and as you know, there are always some tunes that you like and some tunes that you do not like on every CD that you will buy. So, don't buy it at 25$ but at 4 or 5$ dollars, it is a very good choice for 100 tunes.
You get what you pay for........2004-07-04
You get what you pay for. The singers put their own spin on the singing of each song. If you didn't hear the words you would not recognize some of them. Even some of the music sounds like a bad recording of music played on a turntable. Definitely not worth the price.
Now I know why there were no song samples to listen to ..........2004-07-04
I wish this review had been here when I was thinking of purchasing it. I guess you get what you pay for. If you are thinking of buying this, you are better off recording your own CDs (or at least buying one that you can listen to a sampling of the songs). This album includes songs that were mere recordings of the songs playing on an old record player. It's almost so unbelievable that it is funny.
Average customer rating:
- move over, elmo
- A very good substitute for the class
- great for any age!
- THE BEST!
- Most Tolerable Kid's CD Available
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Songs for Wiggleworms
Various Artists
Manufacturer: Old Town School Of Music
ProductGroup: Music
Binding: Audio CD
General
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- Wiggleworms Love You
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- "Stand Back," Said the Elephant, "I'm Going to Sneeze!"
ASIN: B00004YLUE
Release Date: 2000-09-26 |
Tracks:
- Good Morning
- Row, Row, Row Your Boat
- Wheels on the Bus
- Baa Baa Blacksheep/the ABC's
- Itsy Bitsy Spider
- If You're Happy and You Know It
- Three Little Ducks
- Leah Counts to Ten
- Walkin' Ol' Joe
- Peanut Butter and Jelly
- If All of the Raindrops
- Twinkle Twinkle Little Star
- Open, Shut Them
- This Old Man
- Are You Sleeping?
- Seis Perritos
- Five Little Monkeys
- Milkshake Song
- She'll be Coming 'Round the Mountain
- Ols MacDonald
- De Colores
- Alluette
- Shortnin' Bread
- Rockin' Robin
- Drive the Fire Truck
- In and Out the Window
- Chocolate
- Head and Shoulders
- Les Petite Marrianetta/Avignon
- Walking, Walking
- Hokey Pokey
- The Ants Go Marching
- I've Been Working on the Railroad
- Skip to My Lou
- La Bamba
- Twist and Shout
- You Are My Sunshine
- Goodbye
Album Description
Songs for Wiggleworms is a collection of thirty-seven classic and traditional songs; "Old MacDonald", "This Old Man", "Itsy Bitsy Spider", along with one original "Milkshake Song" performed by teachers from the Wiggleworm children's music program offered by the Old Town School of Folk Music in Chicago. Proceeds from the sale of Songs for Wiggleworms will be used to support scholarships for children who would not be able to take lessons otherwise. It is the School's policy that no one is to be denied musical instruction because of an inability to pay.
Customer Reviews:
move over, elmo.......2007-04-22
I was first introduced to this CD at storytime in the library. The songs are so mellow and refreshing. I also recommend 'catch the moon' by Lisa Loeb and Elizabeth Mitchell. Until we got wiggleworms, this is the only kids/parents CD that I could tolerate. My mother-in-law bought an Elmo CD for my son, and I want to poke something sharp in my eye 2 minutes into listening to it. This CD, however, is so much fun to sing along with and easy to play over and over again. Thanks, wiggleworms!
A very good substitute for the class.......2005-07-09
My son and I attended Wiggleworms from when he was 6 months to 1 year old. These songs by the Old Town teachers are terrific for kids - my son who is now 18 months loves the energy and folkiness of these songs! It's almost as if we were still there in Old Town enjoying Lisa D. live. This is a must have CD - especially for the Old Town fun twist on Itsy Bitsy Spider and Old MacDonald. Music is now one of the only things that will calm my toddler during one of the infamous toddler meltdowns - in other words this is highly recommended!
great for any age!.......2005-01-02
we have a 7 week old and we found out it's not too early to start singing these songs to him. my husband and i have a blast listening and singing along. we like the fact that they have a couple of different versions in spanish and french on the cd! we wish there was more for the little wiggleworms!
THE BEST!.......2004-10-26
We saw the other reviews, and thought it could be pretty good. we were wrong, IT'S GREAT. We listen to it with our 2 year old everyday. He's learned a lot of the words in the songs and created his own dances to some. The music is not overly syrupy like a lot of music for toddlers. We love the acoustic guitars.We just ahve one question- when are they going to make another one???!!!???
Most Tolerable Kid's CD Available.......2003-11-22
An instant hit for both the parents and the child in our household. I'll be giving this to all my friends for Christmas. The songs actually make me want to participate in song with my child. Good for the inner child!
Average customer rating:
- Unique and enjoyable recording
- Hey! This has been done before!
- Worst live album I've ever heard
- I love Rasputina!!!!
- An old man who had a cow....
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A Radical Recital
Rasputina
Manufacturer: Filthy Bonnet
ProductGroup: Music
Binding: Audio CD
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- Frustration Plantation
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ASIN: B000ARG2K0
Release Date: 2005-09-13 |
Tracks:
- Saline The Salt Lake Queen
- Rats
- Howard Hughes
- Signs Of The Zodiac
- Secret Message
- Watch T.V.
- Hunter's Kiss
- Things I'm Going To Do
- If Your Kisses Can't Hold...
- Any Old Actress
- Rose K.
- The Mayor
- Momma Was An Opium-Smoker
- Wicked Dickie
- When I Was A Young Girl
- Barracuda
- Rock & Roll
- A Quitter
- High On Life/Strange & Amazing Comments
Customer Reviews:
Unique and enjoyable recording.......2006-08-16
This is one of my favorite Rasputina albums. The recording quality is top notch and it's not just the band playing the same songs that you hear on the studio albums. They've got some very amusing exchanges with the crowd and intro to most of the songs.
I cannot stress enough that the live editions of these songs are different than the ones on the studio albums. "Hunter's Kiss" and "If Your Kisses Can't Hold", in my opinion, are much better in the live renditions than the studio versions from other albums.
All in all, I am quite pleased with this purchase as it is a very nice complement to the rest of the Rasputina catalog.
Hey! This has been done before!.......2005-12-31
Rasputina is great and unique; being a cellist myself they really mean a lot to me. I am also a music lover and really like 'gothic' stuff(gothic cello music ~perfect~)... but I have been getting into psychedelic/acid folk rock too...Well what does that have to do with anything? I just listened to 'Blind Man' by Curved Air from their album Air Conditioning and I really thought it was Rasputina! The exact same vocal style, strings, and very similar melodies! I can't believe this was done 35 years ago! ... Rasputina kinda had problems in their career trying to find a place to 'fit in' and decided to go with the gothy thing touring with Marilyn Manson. Now their fans are also listening to music like Marilyn Manson, Switchblade Symphony and other Cleopatra Records stuff(based on Amazon.com similar searches)...It just makes me wonder if they toured under a more relevant folk-rock outfit(maybe with Coldplay or Lucinda Williams instead of Manson) would they still have fans that listen to gothic music? Heck No! Would they be more popular? Yes!...So back to what I was gonna say. If you find that Rasputina's music really stands out and you want something more similar in sound do a search for acid/psychedelic folk rock bands of the 60's 70's...stuff like Comus and Curved Air. Similarities will blow you away.
Worst live album I've ever heard.......2005-11-16
Sorry I don't mean to belittle their work but it really is the worst live album by a band I have ever heard.
I love Rasputina!!!!.......2005-10-20
Love the remakes of Barracuda and Been a Long Time. No one believes me when I say that it is a Cello instead of guitars.
Love Wicked Dickie and When I was a Young Girl as well. Buy it. This CD is better, in my opion, than the studio CD's.
An old man who had a cow...........2005-10-18
I love this CD, plain and simple. I had only ever heard a few songs off of 'Thanks for the Ether' and was impressed but not immensely. With this CD, I am impressed...immensely.
First off, it sounds better than any live CD I have ever heard. I usually avoid live recordings like the plague but this one brings me new hope for live stuff.
Second, and most importantly, the music is inspired and practically brilliant (Not Hyperbole). Every song stands on its own and is shockingly eclectic in its own right. From their "Cow Punk" to their "Classical" to songs like "The Mayor" (which is gorgeous, for lack of better word).
If you have heard any of Rasputina's music and even kinda liked it I recommend this CD. If you listen to it and don't find yourself singing "Wicked Dickie" throughout the day, I will give you a nice shiney quarter.
Average customer rating:
- Nice Collection
- PERFECT!
- Great singing and excellent value for money
- More than two hours of beautiful 17th century 'ayres'
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Purcell: Songs & Airs / Argenta, North, Boothby, Nicholson, Toll
Henry Purcell , Nancy Argenta , and Nigel North
Manufacturer: EMI Classics
ProductGroup: Music
Binding: Audio CD
Purcell, Henry
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ASIN: B000059LOH
Release Date: 2001-06-05 |
Tracks:
- O Solitude - Nancy Argenta/Nigel North
- Ah! How Sweet It Is To Love - Nancy Argenta/Richard Boothby/Paul Nicholson
- Not All My Torments - Nancy Argenta/Nigel North/Paul Nicholson
- Stripp'd Of Their Green - Nancy Argenta/Nigel North/Richard Boothby/Paul Nicholson
- Tell Me, Some Pitying Angel - Nancy Argenta/Nigel North/Richard Boothby/Paul Nicholson
- If Music Be The Food Of Love - Nancy Argenta/Richard Boothby/Paul Nicholson
- Hark! Hark! The Echoing Air - Nancy Argenta/Nigel North/Richard Boothby/Paul Nicholson
- The Fatal Hour Comes On Apace - Nancy Argenta/Nigel North
- Incassum, Lesbia - Nancy Argenta/Nigel North/Paul Nicholson
- Sweeter Than Roses - Nancy Argenta/Nigel North/Richard Boothby
- Cupid, The Slyest Rogue Alive - Nancy Argenta/Nigel North/Richard Boothby/Paul Nicholson
- From Silent Shades - Nancy Argenta/Nigel North/Richard Boothby/Paul Nicholson
- Dear Pretty Youth - Nancy Argenta/Nigel North/Richard Boothby
- From Rosy Bow'rs - Nancy Argenta/Nigel North/Richard Boothby/Paul Nicholson
- Now That The Sun Hath Veil'd His Light - Nancy Argenta/Paul Nicholson
- Beneath A Poplar's Shadow - Nancy Argenta/Nigel North/Richard Boothby
- I Attempt From Love's Sickness To Fly - Nancy Argenta/Paul Nicholson
- Let Us Dance - Nancy Argenta/Nigel North/Richard Boothby/Paul Nicholson
- Fairest Isle - Nancy Argenta/Nigel North
- O Solitude - Nancy Argenta/Richard Boothby
Tracks:
- Nymphs And Shepherds - Nancy Argenta/Nicholas Robinson/Fiona Huggett/Trevor Jones/Richard Boothby/Nigel North/John Toll
- Amidst The Shades And Cool Refreshing Streams - Nancy Argenta/Nigel North
- Love In Their Little Veins Inspires - Nancy Argenta/Rachel Becket/Marion Scott/Richard Boothby/Nigel North
- Fly Swift, Ye Hours - Nancy Argenta/Richard Boothby/Nigel North/John Toll
- They Tell Us That Your Mighty Powers - Nancy Argenta/Nicholas Robinson/Fiona Huggett/Trevor Jones/Richard Boothby/Nigel North/John Toll
- The Plaint: O Let Me Weep - Nancy Argenta/Pauline Nobes/Richard Boothby/Nigel North/John Toll
- In The Black, Dismal Dungeon Of Despair - Nancy Argenta/Nigel North/John Toll
- See, Even Night Herself Is Here - Nancy Argenta/Nicholas Robinson/Fiona Huggett/Trevor Jones
- Why Should Men Quarrel? - Nancy Argenta/Rachel Becket/Marion Scott/Richard Boothby/John Toll
- Seek Not To Know - Nancy Argenta/Paul Goodwin/Sophia McKenna/Richard Boothby/Nigel North/John Toll
- Retir'd From Mortals' Sight - Nancy Argenta/Nigel North
- To Arms, Heoric Prince - Nancy Argenta/Mark Bennett/Richard Boothby/Nigel North/John Toll
- O Lead Me To Some Peaceful Gloom - Nancy Argenta/Richard Boothby/Nigel North/John Toll
- Halcyon Days - Nancy Argenta/Paul Goodwin/Pauline Nobes/Richard Boothby/Nigel North/John Toll
- Bid The Virtues - Nancy Argenta/Paul Goodwin/Richard Boothby/Nigel North/John Toll
- Lord, What Is Man? (A Divine Hymn) - Nancy Argenta/Richard Boothby/Nigel North/John Toll
- Music For A While - Nancy Argenta/John Toll
- If Music Be The Food Of Love (1st Setting) - Nancy Argenta/Richard Boothby/John Toll
- Sawney Is A Bonny Lad (A Scotch Song) - Nancy Argenta/Nigel North
- When I Have Often Heard Young Maids Complaining - Nancy Argenta/Nicholas Robinson/Fiona Huggett/Richard Boothby/Nigel North/John Toll
- Ah! Cruel, Bloody Fate - Nancy Argenta/Nigel North/John Toll
- Thy Hand, Belinda... When I Am Laid In Earth - Nancy Argenta/Nicholas Robinson/Fiona Huggett/Trevor Jones/Richard Boothby/Nigel North
Customer Reviews:
Nice Collection.......2007-03-05
I have many collections of Purcell's Music. This collection stands up to them at half the price. Solid buy.
PERFECT!.......2006-10-26
There is only a word with which I can describe this set of discs: perfect!
The only flaw there is, is not related to the singing or playing: no text enclosed.
Great singing and excellent value for money.......2004-09-19
This is probably one of the best anthologies of Purcell songs around, and not just because it's two-for-one pricing means it contains twice as much music (CD1:74'24" & CD2: 77'41")! Nancy Argenta has an irrepressible sense of style and crystal clear diction. But unlike Emma Kirby, whose vocal purity can become tiresome, these renditions radiate warmth. She is also, I have found, more consistently involving than any one of the singers in Hyperion's three disc survey of Complete Secular Songs (recently reissued as a single set). One marvels at how she judiciously balances restraint and emotional forthrightness. The accompaniments (archlute, viola da gamba, harpsichord, and organ) are well judged and blend with the voice, all helped by an excellently defined recording acoustic. This is an absolute winner at any price!
More than two hours of beautiful 17th century 'ayres'.......2001-08-02
Two CDs, totaling more than 150 minutes of sparsely-arranged (never more than 3-5 instruments at a time), sweetly-sung, 350 year old 'ayres' (a typically English form of secular music). Nancy Argenta's soprano voice is lovely, silvery indeed as her name implies. The instruments are a discreet but friendly accompaniment to her solo voice. Perhaps the instruments are a little too discreet -- there are times when I wish they were a touch more prominent. But that is a very, very minor complaint. A beautiful collection, and quite well worth the money.
Music:
- Songs Of Dayspring
- Summer Solution
- Swing the Heartache [Live]
- Ten Years After Running [Import]
- The Best of 1990-2000 [Import]
- The Four Seasons
- The Very Best of the Stone Roses [Import]
- The Very Best of the Stone Roses [Import] [Limited Edition]
- There by the Grace of God [CD-single] [Enhanced] [Import]
- There by the Grace of God [CD-single] [Import]
Music
music
Music
Small Price of a Bicycle [Import]
Tchaikovsky: Violin Concerto; Brahms: Violin Concerto
The Organ Works of Dr. Harold Darke
You've Really Got a Hold on Me
Ultimate [Import]
Verdi: Macbeth
The Boy's Doin' It
Seymour Group: Nigel Butterfly
These Boots Are Made for Walkin': The Complete MGM Recordings
The Message
This Is My Truth Tell Me Yours
Torquato Neto [Import]
The Remixes [Import]
Vagn Holmboe: String Quartets Vol.III (Nos. 7,8, and 9)
Divine