M:22
Editorial Reviews
About the Artist
Street Sweepers, comprised of three ministers of the Gospel of Christ, G-Wade from Washington, DC, and R-Swift & The Activist from Philly - three ministers with three distinct styles of ministry. God has joined these brothers together for one purpose and that's to preach the unadulterated Word of God to the lost souls of the world. After performing as solo artists up and down the east coast, the three felt that they could make a greater impact in ministry as a group. So after a lot of prayer and supplication and earnestly seeking God, they all felt that God had given them the green light and so the Street Sweepers were born. Currently, they are working on their solo projects, G-Wade is currently completing his solo debut CD, "He's Still #1," R-Swift's, "Elevation," and The Activist's, "Food For Thought." They are truly a force to be reckoned with!
From radio interviews, to magazine articles, to television appearances, God has truly anointed these ministers to go out and preach the Gospel. When they're not out ministering or in studios, you can find them spending time with family and friends - just being positive role models in their communities. Keep your eyes and your ears open for what God has in store for them.
Album Description
Gospel Hip Hop with an urban street mentality!!
Average customer rating:
- lovely music, but . . . . .
- Anna Magdalena Notebook-- a treasure trove of Baroque music
- Music for Bach's Katy
- Charming and beautiful
- Bach's wifes' collection of her favorite pieces
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Bach - Anna Magdalena Bach Notebook (highlights) / Hunt-Liberson, McGegan
Lorraine Hunt , and Nicholas McGegan
Manufacturer: Harmonia Mundi Classical Express
ProductGroup: Music
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Similar Items:
- Bach: Cantatas BWV 82 and 199
- Lorraine Hunt Lieberson: Handel Arias
- Lorraine Hunt - Handel Arias
- Music of Peter Lieberson: Rilke Songs, The Six Realms, Horn Concerto
- Peter Lieberson: Neruda Songs
ASIN: B000056F7M
Release Date: 2001-03-13 |
Tracks:
- Allemande
- Courante
- Sarabande
- Minuet I & II
- Gigue
- Aria: 'Bist Du Bei Mir', BWV 508 Stl - Lorraine Hung Lieberson
- Aria: 'Willst Du Mein Herz Mir Schenken', BWV 518 - Lorraine Hung Lieberson
- Solo Per Il Cembalo
- Polonaise In G Minor
- March In D Major
- March In E Flat Major
- Rondeau In B Flat Major
- Chorale: 'Wer Nur Den Lieben Gott Lasst Walten', BWV 691
- 'Goldberg' Variations: Aria, BWV 988
- Recitative: 'Ich Habe Genug', BWV 82 - Lorraine Hung Lieberson
- Aria: 'Schlummert Ein', BWV 82 - Lorraine Hung Lieberson
- Aria: 'Gedenke Doch, Mein Geist', BWV 509 - Lorraine Hung Lieberson
- Allemande
- Courante
- Sarabande
- Prelude No. 1 In C Major, BWV 846
- Polonaise In G Major
- Polonaise In D Minor
- Polonaise In G Minor
- Polonaise In F Major
- Two Minuets
- Musette In A Major
- 'Menuet Fait Par M. Bohm'
- Minuet In G Major
Customer Reviews:
lovely music, but . . . . ........2007-07-03
No one doubts that Bach's music is beautiful, and so many of the pieces in this album, favorites of his second wife, are lovely. Here are my objection. First of all, nowhere on the outside of this CD does this indicate that these are only *highlights* of the Anna Magdelena notebook. Furthermore, many of the tracks (from French Suites #1 & #2, from the Well-Tempered Clavier, from the Goldberg Variations) are pieces I already own in high quality recording by virtuosi. This CD does not limit itself, say, to pieces that Bach composed originally for this collection; in other words, there is nothing scholarly about the pieces that were chosen for these highlights. Rather, it is essentially selling a "Bach's Greatest Hits" kind of CD under a more respectable name. For those whose classical collections consist primarily of "Greatest Hits" collections of various composers, you might as well toss in this CD. For the discriminating collector, though, interested in collecting serious works by Bach, this CD is entirely unworthy.
Anna Magdalena Notebook-- a treasure trove of Baroque music.......2006-03-20
This is music for contemplating number and time and not realize you are doing that. These pieces from Anna Magdalena Bach's notebook are a significant part of the history of western culture, and the music is brilliant, lucid, and passionate. Just as, I suppose, Bach's wife was. Played on harpsichord and clavichord, the work-- not all by Bach-- seems rigourously, mysteriously modern, and the anonymous "Musette in A Major" one could even say had in it the roots of ragtime piano. Last but not least, it's quite possible that Lorraine Hunt Lieberson can never be less than sublime.
Music for Bach's Katy.......2005-03-31
Luther had his Katy who supported him and the Reformation magnificently and faithfully. Bach who was real student and follower of Luther's, had his second wife, Anna Magdalena who was so much for him and his family and music.
Here great notebook of the music she enjoyed immensely so we can as well.
Especially fond of harpsichord music, this has marvelous selection of that, but fond of Rondeau in B-flat major. Minuet in G major is one of my favorites. New to me are the Arias, especially "Bist du bei mir" and ""Ich habe genug". If you're not conversant in German, do go on the website the liner notes provides and get the translation in English for these are marvelous testimonies of their faith in words and song.
Charming and beautiful.......2004-12-13
This CD is a collection of music from the notebook of Bach's wife, who was a singer. It includes dances, arias and other favorite songs. Most of the pieces range from peppy little dance tunes(like Musette in A Major) to delicate baroque airs (like Prelude no.1), all played on the harpsichord, clavichord or cello. The pieces that really stand out are the arias, sung beautifully by Lorraine Hunt Lieberson in German. Most are religious, but there is one that is a nice love song "Willst du mein Herz mir schenken." The website on the back of the liner notes has the lyrics for the arias and they are worth reading. Besides the fact that this is good music, it also provides interesting insight into Bach's life and family and the liner notes have some interesting information about Anna and her notebook. This is a charming collection of music that is a great and cheap addition to any classical music collection.
Bach's wifes' collection of her favorite pieces.......2001-06-10
Yes Music of JS Bach chosen by his wife who was a singer. This collection is a lovely and beautifully performed collection of harpicord and intimate pieces that were Anna's most cherished favorites composed by her husband. What a lovely addition to any chamber music lovers collection. It affords not only wonderful selections but a rare window into the behind the scenes aspect of Bachs life and the commanding role music played in his and his family's life. The performances range from delicate to sublime and are beautifully recorded. It is an amazing bargin to have such an esoteric collection of Bachs' work so well done and so cheap. My god run and get the whole series; I have and when I want a perfect day I just pile them in my CD and press the forward button. The result is a day of glorious music on a scale to be both background as well as a breathtakingly elegant listening experience.
Average customer rating:
- Instruments of the Orchestra - Great Reference Material!
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- Very Informative and Enjoyable
- Frank's view
- Excellent Intro for Those Not Familiar with the Orchestra
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Instruments of the Orchestra
Various Artists
Manufacturer: Naxos
ProductGroup: Music
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Similar Items:
- Britten: Young Person's Guide to the Orchestra Op34; Simple Symphony Op4
- The Mahler Symphonies: An Owner's Manual (includes 1 CD)
- The Young Person's Guide to the Orchestra (Book & CD)
- What to Listen for in Music
- Study of Orchestration, Third Edition
ASIN: B00006O0NT
Release Date: 2002-12-03 |
Tracks:
- Overture To 'Tannhauser'
- Domna, Pos Vos Ay Chausida
- We Don't Merely Use Instruments, We Play On Them. And They Play On Us.
- Hungarian Dance No.7
- The Violin Is One Of The Most Tender And Beautiful Instruments Ever Invented.
- Violin Concerto In D Major (Adagio)
- But For A Long Time It Was Seen As The Instrument Of The Devil.
- The Soldier's Tale: Triumphal March Of The Devil
- The Manipulative Seductiveness Of The Gypsy Violin.
- Csardas Music
- The Violin And The Initiation Of Nature
- The Four Seasons (Spring, Mvt 1)
- Birds Are Again Evoked In The Second Concerto, Especially Music's Natural Favourite.
- The Four Seasons (Summer, Mvt 1)
- Like The Devil, The Violin Is A Master Of Disguise.
- Old Viennese Dance No.3 'Schon Rosmarin'
- The Menacing Sensuality Of Ravel's Tzigane: A Very Different Side Of The Violin:
- Tzigane
- Do We Now Have The True Measure Of This Instrument? Not Just Yet.
- Caprice No.24
- The Many Effects Of The String Tremolando: Brandenburg Concerto No.4 (Last Mvt)/From Joy To Fright/Quartettsatz In C Minor/The String Tremolo Practically Spells The World Agitato.
- Variations On A Theme Of Frank Bridge (No.7)
- Prokofiev's Tremolo In Romeo And Juliet Should Not Be Heard Just Before Bedtime.
- Romeo And Juliet: Act IV
- Vivaldi Use It To Illustrate The Shivering Of Travellers Crossing The Ice.
- The Four Seasons (Winter, Mvt 1)
- The Violin Muted
- Clair De Lune
- The Gentleness Of Muted Strings Persists Even When A Whole Orchestra Plays.
- Piano Concerto No.21 In C Major, K.467 (Slow Mvt)
- The Pizzicato Violin
- Pizzicato Polka
- In Prokofiev's Second Violin Concerto, The Accompaniment Is Pizzicato.
- Violin Concerto No.2 In G Minor (Slow Mvt)
- Varieties Of Pizzicato: Colas Breugnon (The People's Feast)/Now A Drier, Leaner, Hungrier Pizzicato. There's Not A Lot Of Comfort Here./Capriol Suite (Tordion)/The Use Of Pizzicato As 'Percussion'/Romeo And Juliet (Act I)/Mahler Used Pizzicato...
- The Planets (Mars - The Bringer Of War)
- The Technique Of Double-Stopping Enables The Violin To Play Duets With Itself./Sonata No.3 In C Major For Unaccompanied Violin (Fugue)/Now A Later Example Of The Same Technique
- Hungarian Dance No.4
- Double-Stopping Is A Standard Feature Of A Lot Of Folk Music.
- The Four Seasons (Autumn, Mvt 1)
- Now The Same Technique, But The Sound Might Have Come From Another World.
- Bolero
- Double-Stopping Can Only Approximate The Sound Of A Real Violin Duet.
- Cadenza To The Violin Concerto By Brahms
- Now Compare That With A Real Violin Duet.
- Forty-Four Duos (No. 1: Teasing Song)
- Another Duo By Bartok, Demonstrating The Violin's Rich Lower Register
- Forty-Four Duos (No.2: Maypole Dance)
- And Now What May Be The Most Beautiful Accompanied Violin Duet In History
- Concerto In D Minor For Two Violins (Largo)
- The Soul Of The Violin Is In Song; But What About This Weird Passage?
- Violin Concerto No.1 In D Major (Mvt 2)
- The Use Of Harmonies In The Orchestra Can Be Both Magical And Unsettling.
- Symphony No.1 'Titan' (Mvt 1, Opening)
- Tchaikovsky's Use Of Harmonics In The Sleeping Beauty Is Both Strange And Darling.
- The Sleeping Beauty (Act II, No.15: Entr'Acte)
- Ravel's Harmonics In Mother Goose Effect A Magical Transformation.
- Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
- Stravinsky's Harmonics In The Firebird Transport Us Almost Into Another World./The Firebird (Introduction)
- The Natural Upper Notes Of The Violins Have A Unique Emotional 'Grab'.
- Also Sprach Zarathustra (Of The Afterworldsmen)
- Still In Their Upper Register, The Violins Unleash The Energy Of A Young Colt.
- Variations On A Theme Of Frank Bridge (No. 4)
- Elsewhere, Britten Uses The Same High Register To Create A Very Different Mood.
- Four Sea Interludes (Dawn) From 'Peter Grimes'
- To End This Outing With The Violins, A Charming Little Elfin Dance
- Elfenreigen
Tracks:
- Introduction To The Viola
- Viola Concerto (Mvt 1)
- Khatchaturian Gets A Very Different Sound From It: Fuller, Fruitier, More Exotic.
- Gayane Suite No.1 (Armen's Solo)
- Very Nearly The Whole Of The Violin's Upper Register Is Also Available To The Viola.
- Passacaglia, Op.33b From 'Peter Grimes'
- The Viola Can Bring A Special, Rich Twanginess To Pizzicato That The Violins Lack./Don Quixote/Berlioz Drew Sounds From It That Retain Their Metallic Strangeness Even Today.
- Harold In Italy (Mvt 4)
- The Muted Viola: Intimate, Gentle, Poignant In Dvork
- Cypresses (No.9)
- The Massed Violas Of The Modern Symphony Orchestra In Mahler
- Symphony No.4 (Mvt 3)
- The 'Period' Viola In Bach
- Brandenburg Concerto No.6 (Last Mvt)
- The Cello: A Voice Of Unique Nobility
- Suite No.1 For Unaccompanied Cello (Prelude)
- Brahms And The 'Soul' Of The Cello
- Piano Concerto No.2 In B Flat Major (Mvt 3)
- Most Orchestral Composers Tend To Emphasize The Cello's Lower Register.
- Cantata 'Herz Und Mund Und Tat Und Leben', BWV 147 (Soprana Aria: Bereite Dir, Jesu)
- In The Time Of Beethoven The Cello Remained As Fundamental As Ever.
- Symphony No.3 'Eroica' (Finale)
- But The Cello Is Not Condemned To Spend Its Life In The Basement.
- Elfentanz, Op.39
- Not Only In Recital Showpieces Like That Is The Cello Is Used In Its Highest Register.
- The Protecting Veil (Opening)
- A Cello With An Identity-Crisis: The Pizzicato Flamencan
- Flamenco
- Double-Stopping In The Lower Reaches Of The Cello's Range
- Solo Suiet For Cello And Piano (Sardana)
- It's In The Middle Register That The Cello Really Comes Into Its Own.
- Oriental Dance, Op.2 No.2
- It Was To The Cellos That Beethoven Gave Two Of His Most Famous Themes./Symphony No.5 (Mvt 2)/Still More Famous Than That Theme Is This One From The Ninth Symphony.
- Symphony No.9 (Finale)
- Introduction To The Double-Bass
- The Carnival Of The Animals (The Elephant)
- But The Double-Bass Can Be Intensely Expressive And Graceful.
- Elegy No.1 In D Major
- The Range Of The Double-Bass Is The Greatest Of All The String Instruments/Allegro Di Concerto, 'Alla Mendelssohn'/And It's Also Capable Of Very Considerable Virtuosity.
- Capriccio Di Bravura
- Double-Bass Solos In Orchestral Scores Are Rare But Often Memorable./Symphony No.1 'Titan' (Mvt 3)/In His Third Symphony Mahler Makes A Very Different Use Of The Instrument./Symphony No.3 (Mvt 1)
- The Double-Bass Muted In Prokofiev/Lieutenant Kije Suite (Kije's Wedding)/In Another Work Prokofiev Uses The Double-Bass To Enhance The Winds./Romeo And Juliet (Act III)/And He Combines The Bass Clarinet With A Shivering Tremolo From The Double-Basses....
- Symphony No.5 (Mvt 3)/So Much For The Strings/On Now To The Winds
Tracks:
- The Antiquity And Magic Of The Flute
- Prelude A L'Apres-Midi D'Un Faune
- The Versatility And Agility Of The Flute
- Orchestral Suite No.2 In B Minor (Badinerie)
- The Flute In Fifteenth-Century Spain
- Sa'Dawi
- Other Flutes: The Bass And Alto
- Chamber Music No.II
- The Piccolo - Aptly Named
- La Naissance D'Osiris (Mvt 6)
- From A Piccolo Of The Eighteenth Century To One Of Its Descendants In The Twentieth
- Suite No.1 For Small Orchestra (Valse)
- A Variety Of Techniques
- Chamber Music No.II
- Flutter-Tonguing. But Tchaikovsky Got There Eighty Years Before.
- The Nutcracker (Act II, No.2: Scene)
- From The Transverse To The Vertical: The Baroque Recorder
- Recorded Suite In A Minor (Menuet II)
- An Unfamiliar, Early Vision Of The Instrument
- Naelden, Naelden
- The Bachian Oboe
- Cantata 'Ein Feste Burg Ist Unser Gott', BWV 80 (No.7: Duetto)
- Introduction To The Cor Anglais Or 'English Born'
- Symphony No.9 'From The New World' (Mvt 2)
- The Loneliness Of The Cor Anglais
- The Swan Of Tuonela
- The Cor Anglais Joins The French Horn In Haydn.
- Symphony No.22 'The Philosopher' (Opening)
- Introduction To The Oboe D'Amore, Beloved Of Bach - But Also Of Ravel
- Bolero
- The Clarinet Family: Boxing The Compass, From The Depths Of The Bass Clarinet.../The Egyptian (Violence)/...To The Raucous And Squealy.../Taras Bulba (The Death Of Ostap)/...To The Shrill And Complaining...
- Petrushka (No.8: Peasant With Bear)/...To The High Sprits Of A Playful Puppy./Symphonie Fantastique (Last Mvt)/And To The Downright Jazzy/Romeo And Juliet (Act II)
- As The High Clarinets Tend To Be Loud, So The Bass Tends To Be Soft:
- Gayane Suite No. 1 (Mvt 5)
- The Bass Clarinet Is Used By Most Composers Mainly As A Colouring Agent.../Petrushka (No.4: The Blackamoor)/...But It Does Occasionally Get A Whole Tune To Itself./Iberia (Almeria).
- The Range Of The Normal Clarinet Parts Goes Quite High...
- The Snow Maiden (Scene 5: Melodrama)
- ...And Quite Low.
- Peter And The Wolf (The Cat)
- The Clarinet As Concerto Soloist
- Clarinet Concerto In A Major (Rondo)
- But That's Not The Instrument Mozart Wrote It For; This Is:
- Clarinet Concerto In A Major (Rondo)
- Introduction To The Saxophone
- Hary Janos Suite (Mvt 4)
- The Soprano Saxophone Has Quite A Different Feel To It.
- L'Arlesienne Suite No.1 (Minuet)
- The Little Sopranino Sax Goes Even Higher.
- Bolero
- The Most Famous Use Of The Saxophone Is In An Orchestration By Ravel.
- Pictures At An Exhibition (The Old Castle)
- The Saxophone Can Be Quite Contagiously Good-Humoured.
- Sax-O-Phun
- The Puffa-Puffa Image Of The Bassoon
- Peter And The Wolf (Grandfather)
- The Bachian Bassoon, In Accompanimental Mode
- Cantata 'Weichet Nur, Betrubte Schatten' ('Wedding Cantata'), BWV 202 (Aria No.1)
- Bizet Leaves The Puffa-Puffa Image Out, Allowing The Bassoon To Sing./Carmen Suite No.1 (Les Dragons D'Alcala)
- And Ravel, Also In Spanish Mode, Does Likewise.
- Bolero
- The Bassoon As A Voice Of High Seriousness, Indeed Desolate Loneliness
- Symphony No.3 (Opening)
- The Eerie Bassoon In Its Highest Register
- The Rite Of Spring (Opening)
- Stravinsky Now Draws On Its Lowest Register, Lonely And Melancholy.
- The Firebird Suite (1919, Berceuse)
- The Bassoon As Concerto Soloist, Avoiding All Exaggeration
- Bassoon Concerto In G Minor (Finale)
- The Deep-Voiced Contra-Bassoon, As A Fairy-Tale Beast
- Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
- The French Horn Under Its Woodwind Hat
- Wind Quintet, Op.43 (Last Mvt)
- Now A More Prominent Role, In A Woodwind Quintet From An Earlier Era
- Wind Quintet In A Minor, Op.100 No.5 (Mvt 2)
- The Horn In Harmonious Blend With Strings In Another Quintet
- Horn Quintet, K.407 (Finale)
Tracks:
- The Trumpet As Virtuoso Soloist
- Brandenburg Concerto No.2 (Last Mvt)
- The Special Brillance Of Paired Trumpets
- Concerto In C For Two Trumpets, RV537 (Mvt 1)
- The Ceremonial Trumpet
- Fanfare For The Common Man
- Trumpets And Drums - An Incomparable Alliance
- Messiah (The Trumpet Shall Sound)
- The Versatility Of The Trumpet, From The Most Public To The Most Lonely
- Piano Concerto In F (Slow Mvt)
- The Trumpet As The Voice Of The City/An American In Paris/The Trumpet As Recruitment Officer/The Soldier's Tale (The March)/The Trumpet As Swaggerer
- Carmen Suite No.2 (Habanera)
- The Trumpet As The Voice Of Strength And Courage
- Carmet Suite No.2 (Toreador's Song)
- The Trumpet Muted/Petrushka (No.4: The Blackamoor)/Lieutenant Kije Suite (Opening)/The Trumpet As The Voice Of Weariness
- Billy The Kid
- The Trumpet As Character Actor
- Pictures At An Exhibition (No.6)
- The Trumpet As The Voice Of God
- Mass In B Minor ('Et Exspecto')
- The Birth Of The Trombone
- Aenmerckt Nu Hier
- The Birth Of The Brass As A Family
- Canzon 12 In Double Echo
- The Trombone In The Eighteenth Century
- Trombone Concerto In B Flat Major (Finale)
- The Tone Of The Tenor Trombone/Romance For Trombone And Organ/The Memorable Voice Of The Bass Trombone/Requiem (Mvt 2)/But The Bass Trombone Is More Than An Instrumental Bullfrog.
- Hosannah
- The Trombones Become Part Of The Orchestra.
- Symphony No.5 (Finale)
- The Wagnerian Trombone:/Overture To 'Tannhauser'
- The Trombone As Caricaturist
- Pulcinella (No.19: Vivo)
- The Trombone As Raspberry/Concerto For Orchestra (Intermezzo)
- The Horn And The Hunt
- Horn Concerto No.4 In E Flat, K.495 (Finale)
- The Challenging Horn Of The Baroque
- Abaris Ou Les Boreades (Menuet)
- The Scarcity Of First-Rate Players In Handel's Time
- Walter Music (Minuet 1)
- The Horn As Magician/The Firebird Suite (1919, Finale)
- Horns And The Sound Of Nobility
- Overture To 'Tannhauser' (Opening)
- The Special Sound Of The Horn In Its Higher Register
- Mass In B Minor ('Quoniam Tu Solus Sanctus')
- The Trumpet-Like Sound Of Massed Horns
- Symphony No.3 (Mvt 1, Opening)
- The Tuba - Unfairly Maligned?
- Symphony No.6 (Mvt 3)
- The Tuba Perfectly Cast By Ravel
- Pictures At An Exhibition (Bydlo)
Tracks:
- Introduction. And We Begin With A Bang.
- Fanfare For The Common Man/The Bass Drum On The Battlefields/Wellington's Victory, Op.91 (Opening)
- At The Opposite Extreme Is The Triangle.
- Piano Concerto No.1 In E Flat (Scherzo)
- Categories Of Percussion: Tuned And Untuned. The Side Drum
- Overture To 'La Gazza Ladra' - The Thieving Magpie (Opening)
- The Side Drum In An Effective But Unexpected Role/Clarinet Concerto (Mvt 1)
- The Tambourine. One Of The Oldest Instruments In The World
- Den Hoboecken Dans
- Even Older Is The Originally Oriental Gong.
- Ma Mere L'Oye - Mother Goose (Laideronette)
- No Single Instrument Can Match The Gong In Evoking The Breaking Of Waves./Passacaglia, Op.33b From 'Peter Grimes'/But Gongs Don't Have To Be Struck To Be Effective.
- Gymnopedie No.2
- The Cymbals Are Generally Discovered Early In Life./The Sanguine Fan/And They Do More Than Clash Together Loudly. They Can Be Clashed Together Softly./Studio Example: But They Needn't Be Clashed Together At All/Studio Example: They Can Be Lightly...
- Other Untuned Percussion Instruments Include The Whip.: Piano Concerto In G Major (Opening)/And Here Are No Fewer Than Twenty, Cracked By Tchaikovsky: The Nutcracker (Act I, Scene 5)
- More Versatile Than The Whip Are The Wood Blocks.../Studio Example/...Which Crop Up All Over The Place In Twentieth-Century American Music.
- Rodeo (Hoe-Down)
- Related To The Wood Blocks, By Sound, Are The Castanets./Jota Aragonesa/But The Castanets Were Also Used By Monteverdi Back In The Seventeenth Century.
- Scherzi Musicali (Damigella Tutta Belle)
- A Still Earlier Example From Fifteenth-Century Spain
- Yo M'Enamori D'Un Aire
- The Birth Of The Bongo
- Symphonic Dances From 'West Side Story'
- From The Streets Of New York To The Blacksmith's Shop/Il Trovatore ('Anvil Chorus')
- Desert-Island Decibels: Grand Canyon Suite (On The Trail)/Arcana
- From One Vegetable To Another: The Humble Squash, Or Marrow/Huapango
- Onwards To The Tuned Percussion. First, The Timpani
- Also Sprach Zarathustra (Introduction)
- But The Drum Roll Can Be More Effectively Frightening Than The Big Bang.: Symphony No.2 'Resurrection' (Mvt 3)
- Not One Drum Roll, But Many/Grand Canyon Suite (Sunrise)/Symphonie Fantastique (Last Mvt)
- Taking Advantage Of Tunability
- Music For Strings, Percussion And Celeste (Mvt 2)
- The Russian Composer Rodion Shchedrin Takes A Downward Turn./Carmen Suite (Changing Of The Guard)/Tuned, Yes; But For The Truly Melodic We Must Look Elsewhere.
- Introducing The Glockenspiel/Carmen Suite (Carmen's Entrance And Habanera)
- Saint-Saens And The Xylophone
- The Carnival Of The Animals (Fossils)
- Ravel And The Xylophone
- Ma Mere L'Oye - Mother Goose (Laideronette)
- Introducing The Marimba/Carmen Suite (First Intermezzo)
- Introducing The Vibraphone
- The Treasure Of The Sierra Madre (Narange Dolce)
- The Vibraphone Goes Russian.../Carmen Suite (Carmen's Entrance And Habanera)/...And Is Joined By The Marimba./Carmen Suite (Carmen's Entrance And Habanera)
- Introducing The Hungarian Cimbalom
- Folk Dances
- The Cimbalom And The Symphony Orchestra
- Hary Janos Suite (Mvt 3)
- Introducing The Tubular Bells
- Hary Janos Suite (Viennese Musical Clock)
- A More 'Up-Front' Approach From Rodion Shchedrin
- Carmen Suite (Introduction)
- But The Bells Can Also Make The Sinister Even More Sinister./Symphony No.7 'Sinfonia Antartica' (Mvt 1)
- Introducing The Celeste
- The Nutcracker (Dance Of The Sugar Plum Fairy)
- Magic, In The Use Of Collective Percussion
- Miroirs (La Vallee Des Cloches)
- Plucked Instruments: The 'Undercover Percussion'/Carmen Suite (Scene)
- A Prime Case In Point Is The Harp, Irresistible To The Romantics./The Nutcracker (Act II, No.1: Scene)/The Non-Solo Harp As An Integral Part Of The Orchestra/Hungarian Rhapsody No.1
- The Traditionally Subservient Role Of The Harpsichord In The Baroque Orchestra
- Brandenburg Concerto No.2 (Slow Mvt)
- The Piano: King Of The Tuned Percussion/Symphony No.3 'Organ' (Mvt 3)/And A Quarter Of A Century After That:
- Petrushka (Russian Dance)
- The Anti-Romantic Piano As An Integral Part Of The Orchestra
- Music For Strings, Percussion And Celeste (Last Mvt)
Tracks:
- Keyboard Instruments In The Orchestra - The Most Powerful Of Them All:
- Symphony No.3 'Organ' (Finale)
- But Things In Handel's Day Were Very Different.
- Organ Concerto In B Flat, Op.4 No.3 (Last Mvt)
- The Organ Is Difficult To Classify.
- An Unexpected, Organ-related Guest
- Concerto Pour Zampogna (Last Mvt)
- Peasant-Fancying... And A Touch Of The Roaming Cowboy
- Les Miserables (Drink With Me)
- Outside Artefacts And The Power Of Association
- Mahler's Sleighbells
- Symphony No.4 (Opening)
- A Roll-Call Of Some Unusual Guests/The Typewriter/Parade
- Chains, And More/Integrales/An American In Paris/Sandpaper Ballet
- Purpose-Built Oddities: Wind Machines/Symphony No.7 'Sinfonia Antartica' (Opening)
- Don Quixote (Variation VIII)
- National Calling Cards: The Guitar For Spain/Concierto De Aranjuez (Finale)
- And The Guitar's Poor American Relative, The Banjo/Washington Breakdown
- And Poorer Still, The Mouth Organ/The Treasure Of The Sierra Madre (Packing Up)
- The Balalaika For Russia/Romeo And Juliet (Act II: No.14)
- The Maracas For Mexico/The Treasure Of The Sierra Madre (El Desayuno)
- The Bongos And Congas And A Whole Wealth Of Other Drums For Africa And Central America/Studio Example
- The Sitar Of India/Evening Raga: Bhapoli
- The Accordion For France (Especially Paris)/Paris Canaille
- The Zither For Vienna/The Third Man (Theme)
- The Cimbalom For Hungary/Folk Dances
- The Guitar As An Integral Part Of The Orchestra/Rondena
- There Are Whole Orchestras Of Balalaikas./Sveit Mesiats
- The Effect Of The Wordless Human Voice, Used Purely As An Instrument/Symphony No.7 'Sinfonia Antartica' (Mvt 1)
- Nocturnes
- Instruments And the Imitation Of Nature. The Clarinet As Cuckoo
- The Carnival Of The Animals (The Cuckoo)
- The Flute As An All-purpose Aviary
- The Carnival Of The Animals (The Aviary)
- The Oboe As Duck
- Peter And The Wolf (The Duck)
- The Recording Of Reality. Does It Work As Well?
- The Pines Of Rome (The Pines Of The Janiculum)
- The Recording Of Reality Electronically Reborn In New Guises
- Cantus Articus - Concerto For Birds And Orchesra (Mvt 2)
- Beethoven Turns Avian: Cuckoo, Nightingale, And Quail
- Symphony No.6 'Pastoral' (Andante Molto Mosso)
- Some Improbable Casting: The Violin As Braying Donkey
- The Carnival Of The Animals (Persons With Long Ears)
- A Truly Orchestral Hee-haw To Be Reckoned With
- Overture To 'A Midsummer Night's Dream'
- A Thunderstorm In A Million
- Symphony No.6 'Pastoral (Allegro-Allegretto)
- the Instrumental Depiction Of A Silent World
- The Carnival Of The Animals (The Aquarium)
- Saint-Saens' Menagerie Takes A Curtain Call.
- The Carnival Of The Animals (Finale)
Tracks:
- The Grouping Of Instrumental Families. An Additive Approach. First, Two Violins
- Forty-Four Duos (No.4)
- A Great Contrast, Of Both Pitch And Character: Violin And Viola
- Duo For Violin And Viola In B Flat Major, K.424 (Finale, Vars 1 & 2)/Studio Example
- Arrival Of The Standard String Trio: Violin, Viola, And Cello
- String Trio In B Flat (Menuetto)
- The String Quartet: Two Violins, Viola, And Cello
- String Quartet In F, Op.18 No.1 (Mvt 3)
- The String Quintet - When The Extra Instrument Is A Second Viola
- String Quartet No.5 In D, K.593 (Adagio)
- The String Quintet - When The Extra Instrument Is A Second Cello
- String Quintet In C (Mvt 3)
- The String Sextet: Two Violins, Two Violas, And Two Cellos
- String Sextet In B Flat (Mvt 2)
- The String Octet: The Standard String Quaret Times Two
- Octet In E Flat, Op.20 (Mvt 1)
- Double The String Octet: A Fully Fledged String Orchestra
- String Symphony No.2 (Finale)
- The Massed Strings Of A Symphony Orchestra
- Fantasia On A Theme Of Thomas Tallis
- Contrasts Of Pitch And Instrumental 'Colour' In The Woodwind Section
- Wind Quintet In A Minor, Op.100 No.5 (Theme)
- In The First Variation It's The Horn That Gets The Lion's Share.
- Wind Quintet In A Minor, Variation 1
- In Variation Two The Torch Is Handed To The Bassoon.
- Wind Quintet In A Minor, Variation 2
- In Variation Three The Oboe Leads.
- Wind Quintet In A Minor, Variation 3
- Variation Four: Conversation Before Returning To A Solo-dominated Texture
- Wind Quintet In A Minor, Variation 4
- And Variation Five is Dominated By The Clarinet.
- Wind Quintet In A Minor, Variation 5
- The Next To Be Featured Is The Virtuoso Flute.
- Wind Quintet In A Minor, Variation 6
- Individual Farewells And A Closing Chorus
- Wind Quintet In A Minor, Variation 7
- A Mixed Group: Clarinet, Bassoon, Horn, String Quartet, And Double-Bass
- Octet In F (Mvt 3)
- The Early Classical Symphony Orchestra Of Haydn And Mozart
- Symphony No.29 In A, K.201 (Finale)
- Strings, Wind, But No Brass. What Haydn And Mozart Never Knew
- Canzon 28
- Beethoven's Fifth: Two Horns, Two Trumpets, And Three Trombones Join The Team.
- Symphony No.5 (Finale)
- From Beethoven To The Massive Orchestras Of Berlioz, Wagner, And Mahler
- Beethoven Changed The Face Of The Symphony And The Orchestra Forever
- Symphoy No.6 'Tragic' (Mvt 1)
- The Cult Of Orchestral Elephantiasis Reaches Its Peak.
- Symphony No.1 'Gothic' (VI: Te Ergo Quaesumus)
- When Large Doesn't Necessarily Mean Loud: Debussy
- Images (Gigues)
- A Crisis Of Confidence; The Orchestra's Survival Hangs In The Balance, But It Still Develops. The Ondes Martenot:
- Turangalila Symphony (Chant D'amour 1)
- The Advent Of The 'Early Music' Movement Brings A New Vitality And Freshness.
- Balle De Xerxes (Gavotte En Rondeau)
- Computer And Synthesiser: Friends Or Foes?
- Concerto In D Minor For Two Violins (Largo)
- A Speculative Look Ahead/Mass In B Minor ('Dona Nobis Pacem')
Customer Reviews:
Instruments of the Orchestra - Great Reference Material!.......2007-04-04
This set lends itself to greatly enhancing one's knowledge of the orchestra, instruments in it, and their usage. I am a huge music buff, and I still picked up a great deal I previously did not know. I highly recommend this for all who wish to understand the origin of music, as well as the processes that are employed to create music!
Beginner or Expert.......2007-03-12
This CD is excellent for the beginner or expert! To be able to haear the instrumets separately and then together really provides a good education. and/or refresher. The book thaty comes with the CD is alomost worth the price by itself!
Very Informative and Enjoyable.......2006-11-20
Whether you're a music novice or pro, "The instruments of the Orchestra" is a very worthwhile purchase. The 7 CDs, with a total of 8 hours, are expertly narrated by Jeremy Siepmann. He's a great speaker, very much like the late Leonard Bernstein was. Mr. Siepmann takes you on an unforgetable musical journey covering the origins and use of the various orchestral instruments throughout musical history. The balance between his narration and a wealth of musical examples, which range from snippets to entire movements, is superb. The comprehensive enclosed booklet is excellent and faithfully follows the 7 CDs in content. Even with my 40+ years of music training I still learned new things from this wonderful collection. Considering the excellence of the content, and a cost that translates to about $5 per disc, this collection is a great value. Grab it, you won't regret that you did. Five solid stars!
Frank's view.......2006-08-19
This boxed set of CD's with booklet achieved all I had hoped that it would. There are good samples of individual instruments and well done commentary on each. The only drawback was that some of the samples were too brief and could have been longer, hoiwever I guess this fits in with time constraints of the medium. It has given me a lot of clues as to future purchases of CD's for listening to individual instruments. Altogeth a satisfactory purchase and a welcome addition to my collection.
Excellent Intro for Those Not Familiar with the Orchestra.......2003-11-08
I've listened to classical music for years and am interested in composition. I bought this CD set to learn how an orchestra and its instruments work. I thought the CDs would be a nice but boring lecture. They aren't! Not only are they FUN but they are informative as well. I learned a huge amount from each CD and couldn't wait to listen to the next one.
The narrator and writer is a great speaker and holds your attention well. He is definitely knowledgeable. He provides musical examples for each point he makes, so you get to "hear" what he just talked about. I'd say the CDs are about 65% music and 35% narration. You'll learn about the range of instruments, some history, different ways to play them, how they sound, and how they are used in the orchestra. This CD set was a great learning experience and is sold at such a low price!
I recommend this CD for those who want to learn about classical music and those who know about it but are interested in learning more about the inner workings of an orchestra. You'll learn much useful information. For instance, the Rite of Spring (with that eerie start) is written for bassoon! I never knew a bassoon could sound like that but now I do.
The one complaint I have is the last CD. This deals with the orchestra. I wanted more of a tour of how the orchestra has been used through history up to the present. Instead, it was a tour of how different groups of instruments sound. I thought it could have been better. The other 6 CDs are excellent.
Average customer rating:
- very romantic to make love by
- Great Mood Music
|
Most Romantic Classical Music in the Universe
Gabriel Faure , Felix Mendelssohn , Pyotr Il'yich Tchaikovsky , Fryderyk Chopin , Franz Liszt , Erik Satie , Robert Schumann , Antonin Dvorak , Gustav Mahler , Sergey Rachmaninov , Leos Janacek , Cesar Franck , George Frideric Handel , Jules Massenet , Sergey Prokofiev , Catalan Traditional , and Various Artists
Manufacturer: Denon Records
ProductGroup: Music
Binding: Audio CD
Ballets
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All Works by Beethoven
| Beethoven, Ludwig van
| ( B )
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All Works by Chopin
| Chopin, Frédéric
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| Mendelssohn, Felix
| ( M )
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| Saint-Saëns, Camille
| ( S )
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| Schumann, Robert
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| Tarrega, Francisco
| ( T )
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| Tchaikovsky, Peter Ilyich
| ( T )
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| ( P )
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Ballads
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Preludes
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Serenades & Divertimentos
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Bagatelles
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Nocturnes
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Sonatinas
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Suites
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| Classical
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General
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General
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Ballets & Dances
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| Historical Periods
| Classical
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General Contemporary
| Modern, 20th, & 21st Century
| Historical Periods
| Classical
| Styles
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Ballets & Dances
| Romantic (c.1820-1910)
| Historical Periods
| Classical
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Chamber Music
| Forms & Genres
| Romantic (c.1820-1910)
| Historical Periods
| Classical
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Vocal & Song
| Romantic (c.1820-1910)
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General
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Piano
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Guitar
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Violin
| Strings
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General
| Strings
| Instruments
| Classical
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General
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General
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Folk Songs
| Songs & Lieder
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| Opera & Vocal
| Styles
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Similar Items:
- More of the Most Romantic Classical Music in the Universe
- The Most Relaxing Classical Music in the Universe
- More Of The Most Relaxing Classical Music In The Universe
- The Most Relaxing Classical Album in the World...Ever!
- The Most Relaxing Classical Album In the World Ever, Volume II
ASIN: B00011V890
Release Date: 2004-01-13 |
Tracks:
- BIZET Aragonaise from Carmen
- DEBUSSY Clair de Lune
- SAINT-SAS The Swan
- BEETHOVEN Moonlight Sonata, Adagio
- TARREGA Recuerdos
- FAURE Aprun rrie
- ,MENDELSSOHN Song without Words Op. 19 #6
- TCHAIKOVSKY Serenade for Strings, Elegia, Larghetto elegaico
- CHOPIN Ballade No. 1
- LISZT Liebestraume
- SATIE Gymnopedies No. 1
- SCHUMANN Abendlied
- MENDELSSOHN Song without Words Op. 62 #5
- DVORAK Serenade for Strings, Larghetto
- BEETHOVEN Fse
Tracks:
- MAHLER Symphony No. 5, Adagietto
- RACHMANINOFF Piano Concerto No. 2, Adagio
- JANACEK Idyll for Strings, Adagio
- FRANCK Violin Sonata, Recitativo-Fantasia
- HANDEL Largo from Xerxes
- CHOPIN Etude in E Major
- TCHAIKOVSKY Swan Lake (excerpt)
- MASSENET Meditation from "Tha
- PROKOFIEV Romeo & Juliet
- TRADITIONAL Nocturne in F
- TCHAIKOVSKY Nocturne in F
- RACHMANINOFF Prelude
Customer Reviews:
very romantic to make love by.......2007-06-11
The music is seductive and promotes an atmosphere of feeling uninhibited when you are making love.
Great Mood Music.......2006-08-11
This is a great CD to compliment any romantic situation. A meal by candle light, champagne on the veranda, or a Jacuzzi for two! Very soothing.
Average customer rating:
- Mill. Classical review
- classical music for the unitiated
- Some little gems there that I had forgotten!
- A very helpful collection
- Excellent!
|
Classical Masterpieces of the Millennium [20 CD Set]
Manufacturer: Delta
ProductGroup: Music
Binding: Audio CD
Dances
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| ( D )
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| Classical
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Similar Items:
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ASIN: B00000K1C9
Release Date: 1999-08-24 |
Tracks:
- Brandenbutg Concerto No.3 In G First Movement
- Overture No.3 In D Second Movement
- Violin Concerto In E First Movement
- Prelude In C minor
- Jesu Bleibet Meine Freude (Chorus From Cantata No.147)
- Overture No.2 In B minor Minuet And Badinerie
- Oboe Concerto In D minor Second Movement
- Brandenburg Concerto No.4 In G Third Movement
- Musical Offering - Fuga canonica
- Easter Oratorio - Overture
- Minuet In D minor
- Kommst Du Nun, Jesu, Vom Himmel herunter(From Choral Prelude BWV 650
- Brandenburg Concerto No.1 In F Second Movement
- Art Of The Fugue - Contrapunctus 9
- Concerto For Flute, Violin, Harpsichord And Strings. Triple Concerto - Third Movement
- Overture No.4 In D - Réjouissance
- Concerto No. 1 in E: Spring
- Concerto No. 1 in E: Spring
- Concerto No. 1 in E: Spring
- Concerto No. 2 in G minor: Summer
- Concerto No. 2 in G minor: Summer
- Concerto No. 2 in G minor: Summer
- Concerto No. 3 in F: Autumn
- Concerto No. 3 in F: Autumn
- Concerto No. 3 in F: Autumn
- Concerto No. 4 in F minor: Winter
- Concerto No. 4 in F minor: Winter
- Concerto No. 4 in F minor: Winter
- Concerto for Flute, Strings & Basso Continuo in G minor, Op. 10, no.2
- Concerto for Flute, Strings & Basso Continuo in G minor, Op. 10, no.2
- Concerto for Flute, Strings & Basso Continuo in G minor, Op. 10, no.2
- Concerto for Flute, Strings & Basso Continuo in G minor, Op. 10, no.2
- Concerto for Flute, Strings & Basso Continuo in G minor, Op. 10, no.2
- Concerto for Flute, Strings & Basso Continuo in G minor, Op. 10, no.2
- Concerto Grosso in A minor, Op. 3, no. 8
- Concerto Grosso in A minor, Op. 3, no. 8
- Concerto Grosso in A minor, Op. 3, no. 8
- Water Music - Alla Hornpipe
- Xerxes - Ombra Mai Fu (Largo)
- Messiah - And The Glory Of The Lord
- Concerto Grosso In A Minor, Op. 6, No. 4 - Larghetto Affettuoso
- Organ Concerto In F, Op. 4, No. 4 Allegro
- Water Music - Air
- Messiah - For Unto Us A Child Is Born
- Concerto Grosso In B flat, Op. 3, No. 2 - Largo
- Salomon - Sinfonia, Act 3
- The Choice Of Hercules - While For Thy Arms
- Water Music - Allegro (Suite No. 1)
- Suite No. 5 In E - Air With Variations
- Jephtha - How Dark, O Lord
- Organ Concerto In F, Op. 4, No. 5 Alla Siciliana - Presto
- Mi Palpita Il Cor (Solo Cantata) S'un Di M'adora
- Water Music - Andante Allegro Da Capo
- Concerto for Trumpet & Orchestra in E-flat: First Movement
- Symphony No. 94 in G: Surprise Symphony-second movement
- Concerto for Violin No. 2 in D: Third Movement
- Flute Trio No. 31 in G: Second Movement
- Symphony No. 31 in D: Hornsignal-First Movement
- String Quartet No. 17 in F, Op. 3, no. 5: Serenade Quartet-Second Movement
- Sinfonia Concertante in B-flat for Violin, Cello, Oboe, Bassoon and Orchestra-Third Movement
- Concerto for 2 Horns & Orchestra in E-flat: Second Movement
- Symphony No. 88 in G: Fourth Movement
- String Quartet No. 77 in C: Kaiser Quartet-Poco adagio cantabile
- Notturno No. 1 in C: Second Movement
- Symphony No. 98 in B: Londoner No. 4-Fourth Movement
- Eine Kleine Nachtmusik - first movement
- Piano Concerto in A - second movement
- Flute Concerto in D - Rondeau
- Serenade - Minuet
- Violin Concerto - first movement
- Symphony No. 40 in G minor - first movement
- Clarinet Concerto - second movement
- Turkish March
- Divertimento - Minuet
- Horn Concerto No. 3 in E-flat - first movement
- Symphony No. 5 in C minor, Op. 67-First Movement
- Piano Sonata No. 14 in C sharp minor, Op. 27, no. 2: Moonlight Sonata-First Movement
- Overture
- O welche Lust (Prisoners' Chorus)
- Ha, welch ein Augenblick (Pizarros's Aria)
- Concerto for Piano and Orchestra No. 3 in C minor, Op. 37: Second Movement
- Concerto for Violin and Orchestra in D, Op. 61: Third Movement
- Piano Sonata No. 8 in C minor, Op. 13: Pathétique-Second Movement
- Sympony No. 6 in F, Op. 68: Pastorale-First Movement
- Fantasy for Piano, Chorus and Orchestra in C minor, Op. 80: Choral Fantasy - Finale
- German Dance No. 1 In C
- Impromptu Op. 90, No. 3 In G-Flat
- Heidenroslein
- Ave Maria
- Der Lindenbaum
- Quintet In A 'Trout Quintet' - Andante
- Mass No. 6 In E-Flat - Kyrie
- Die Schone Mullerin Des Mullers Blumen
- German Dance No. 2 In G
- Piano Sonata In B-Flat
- Nachtgesang Im Walde
- Winterreise - No. 15: Die Krahe
- German Mass - Zum Sanctus (Heilit, Heilig Ist Der Herr)
- Symphony No. 8 In B Minor 'Unfinished' - Second Movement
- Waltz No. 1 in E-flat, Op. 18 Grande Valse brillante
- Nocturne in E-flat, Op. 9, no. 2
- Etude in G-flat, Op. 10, no. 5
- Concerto for Piano and Orchestra No. 2 in F minor, Op. 21-Second Movement
- Mazurka in D minor, Op. 33, no. 2
- Prelude in D-flat, Op. 28, no. 15 Raindrop
- Etude in C, Op. 10, no. 1
- Nocturne in D-flat, Op. 27, no. 2
- Impromptu No. 4 in C-sharp minor, Op. 66 Fantasy Impromptu
- Scherzo in B minor, Op. 20
- Piano Sonata No. 2 in B-flat minor, Op. 35-Third Movement
- Concerto for Piano and Orchestra No. 1 in E minor, Op. 11 - Third Movement
- Piano Concerto No. 1 in B-flat minor - first movement 113.String Seranade - Waltz
- Violin Concerto - second movement
- The Sleeping Beauty - Waltz
- Capriccio Italien, Op. 45
- Swan Lake - Waltz
- Eugene Onegin - Polonaise
- The Nutcracker - Waltz of the Flowers
- Orchestral Suite No. 4 - Mozartiana - Third Movement
- Swan Lake - Dance of the Swans
- Symphony No. 6 in B minor - Pathétique - Third Movement
- Hungarian Dance No.5
- Lullaby
- Symphony No.1 in C minor, Op. 68 - Third Movement
- Intermezzo in E-flat, Op.117, no. 1
- Concerto for Violin and Orchestra in D, Op. 77 - Third Movement
- Waltz, Op. 39, no. 15
- Concert for Piano and Orchestra No. 2 in B-flat, Op. 83 - Second Movement
- String Quintet in G, Op. 111 - Second Movement
- Symphony No.4 in E minor, Op. 98 - Third Movement
- Intermezzo in A minor, Op. 76, no. 7
- Hungarian Dance No.1 in G minor
- German Requiem Selig sind die Toten (Final Chorus)
- Die Fledermaus - Overture
- Kaiser Waltz, Op.437
- Thunder And Lightning Polka, Op. 324
- Roses From The South Waltz, Op. 388
- AnnenPolka, Op. 117
- Vienna Blood Waltz, Op. 354
- Eljen A Magyar Polka, Op. 332
- Wine, Women and Song Waltz, Op. 333
- On The Beautiful Blue Danube Waltz, Op. 134
- Die Meistersinger Von Nurnberg - Overture
- Tannhauser - Die Pilger sind's (Pilgims' Chorus)
- Tannhauser - O du mein holder Abendstern (Wolfram's Aria)
- Lohengrin - Act 3 Prelude and Bridal Chorus
- The Flying Dutchman - Jo-ho-he Traft ihr das Schiff (Senta's Ballad)
- The Flying Dutchman - Steuermann, lass die Wacht (Sailors' Chorus)
- Die Walkure - Wintersturme wichen dem Wonnemond (Siegmund's Aria)
- Die Walkure - Ride of the Valkyries
- Siegfried Hoho! Hoho! Hohei! Schmiede mein Hammer (Siegfried's Forging Song)
- Tristan und Isolde - Liebestod
- Thus sprach Zarathustra, Op. 30 (excerpt)
- Don Juan, Op. 20
- Eine Alpensinfonie, Op. 64, I.Nacht
- Don Quixote, Op.35, first movement: Introduction
- Salome, Op. 54, Dance Of The Seven Veils
- Der Rosenkavalier, Op. 59, Finale: Hab' mir's gelobt ihn lieb zu haben
- Piano Concerto 2 In C minor, Op. 18 - First Movement
- Vocalise, Op.34, No. 14
- Prelude In G Sharp minor, Op. 32, No. 12
- Piano Concerto No. 4 In G minor, Op. 40 - Third Movement
- Symphony No. 2 In E minor, Op. 27 - Third Movement
- Piano Concerto No. 1 In F sharp minor, Op. 1 - Second Movement
- Rhapsody, Op. 43 On A Theme By Paganini
- Hungarian Rhapsody No.2
- Liebestraum No.3 in A-flat
- Piano Concerto No.1 in E-flat - third movement
- Angelus
- Mephisto Waltz No.1 (Dance in a Village Tavern)
- Prelude and Fugue on B-A-C-H
- Dante Symphony - Finale. - Purgatorio - Magnificat
- Les Préludes
- Boléro
- Daphnis et Chloé first movement: Nocturne
- Rhapsodie Espagnole
- Shéhérazade - first movement: Asie
- Ma Mère l'Oye - fourth movement: La Belle et la Bête
- Introduction and Allegro for Harp, Flute, Clarinet, and String Quartet
- La Valse
- Slavic Dance No. 1 in C, Op. 46, no.1
- Symphony No. 9 in E minor, Op. 95 'From the New World' - second movement
- Humoresque, Op. 101
- Slavic Dance No. 8 in G minor, Op. 46, no. 8
- Serenade for String Orchestra, Op. 22 - second movement
- Romance for Violin and Orchestra In F minor, Op. 11
- Symphony No. 7 in D minor - third movement
- Melodie (Songs My Mother Taught Me)
- Carneval Overture, Op. 92
- Concerto for Cello and Orchestra in B minor, Op. 104 - third movement
- Symphony No.4 In A, Op. 90. Italian - First Movement
- Frühlingslied In A, Op. 62, No. 6
- Wedding March (From A Midsummer Night's Dream, Op.61)
- Duetto In F, Op.30, No.6 (From Songs Without Words)
- String Symphony No.9 In C. Schweitzer Symphony - Third Movement
- Concerto For Violin, Piano And String Orchestra No. 1 In D minor - Second Movement
- Symphony No.3 In A minor, Op.56 Scottish - Third Movement"
- Notturno (From A Midsumment Night's Dream, Op. 61)
- Rondo Capriccioso, Op.14
- String Symphony No. 12 In G minor - First Movement
- Venetian Gondola Song In F Sharp minor, Op.30, No.6
- Scherzo (From A Midsumment Night's Dream, Op. 61)
- Violin Concerto In E minor, Op.64 - Third Movement
- Peer Gynt - Suite No. 1, Op. 46 - Morgenstimmung
- Holberg Suite, Op. 40 - I. Prelude. Allegro vivace
- Holberg Suite, Op. 40 - IV. Air. Andante religioso
- Arietta, Op. 12, no. 1
- Homage March from Sigurd Jorsalfar, Op. 56
- Peer Gynt - Suite No. 2, Op. 55 - Solveig's Song
- Wedding Day at Troldhauen, Op. 65, no. 6
- The Last Spring, Op. 34, no. 2
- Peer Gynt - Suite No. 1, Op 46 - Anitra's Dance
- Nordic Melody Op. 63
- Notturno, Op. 54, no. 4
- Elegie, Op. 47, no. 5
- Peer Gynt - Suite No. 2, Op. 55 - Arabic Dance
- Piano Concerto in A minor, Op. 16 - Allegro
- Symphony No. 3 in E flat, Op. 97 - Rhenish - first movement
- Traumerai (from Kinderszenen, Op. 15)
- Mondnacht (from Eichendorff-Liederkreis, Op. 39)
- Aufschwung (from Fantasietucke, Op. 12)
- Triolett, Op. 114, no. 2
- Tanzlied (No. 1 from Duets, Op. 78)
- Symphony No. 4 in D minor, Op. 120 - second movement
- Frühlingsgruss
- Abschied (from Waldszenen Op. 82)
- Dichterliebe, Op. 48 - Im wunderschonen Monat Mai
- Manfred Overture, Op. 115
- Romance in F sharp, Op. 28, no. 2
- Die Rose stand im Tau
- Liebesgarten (from Four Duets, Op. 34)
- Warum? (from Fantasiestucke, Op. 12)
- Kennst du das Land, Op.79, no. 29 (from Lieder der Mignon, Op. 98a)
- Von fremden Landern und Menschen (from Kinderszenen, Op. 15)
Album Description
An extraordinary 20-CD collection of great works by Bach, Vivaldi, Handel, Haydn, Mozart, Beethoven, Schubert, Chopin, Tchaikovsky, Brahms, Ravel, Mendelssohn, Rachmaninoff, J. Strauss, R. Strauss, Schumann, Wagner, Dvorak, Grieg and Liszt. It also features worldrenowned artists such as Sir Neville Marriner, Martha Argerich, Ivo Pogorelich, Hermann Prey, Reiner Goldberg, Sylvia Sass, Jochen Kowalski, Peter Schreler and many more. This exquisite, copper metallic, deluxe boxed set is the perfect gift for the classical music neophyte.
Customer Reviews:
Mill. Classical review.......2007-05-13
This is a great set of recordings for the money, the only problem was I've had to clean some of the CD's before they played correctly.
classical music for the unitiated.......2007-04-01
This set is a good way to start listening to classical music. It's very well produced and easy to listen to. I purchased it to use as part of my world history high school class. It would have been nice to have some bio information on the composers. However, the product is exactly as advertised and good value for the money. The students were intrigued by how many of the excerpts they had heard before.
Some little gems there that I had forgotten!.......2007-03-30
Although I studied classical music at school, I had all but forgotten it until I bought this set. I heard several tracks I haven't heard for over 30 years, and I had been humming Brahms's 'Hungarian Dance no. 5' for years without ever knowing what it was and it was on the disc, so that was nice.
I found it to be a very good selection overall, but I felt too much had already been heard on TV, which of course is what lots of newcomers to classical music might appreciate. I managed to find about 2 hours of tracks that I wanted to keep, which works out quite expensive per disc, but I did find some wonderful music I had completely forgotten about, so it was worth it. All in all, it represents good value, and I have only knocked one star off as so much of it had been used in adverts.
It is definitely a good introduction to classical music, and it has made me want to listen to more of it, so I don't regret this 'expensive' purchase one bit!
Classical Masterpieces of the Millennium [20 CD Set]
A very helpful collection.......2007-03-24
I define this set as an excellent way to find out who you like, and who you don't, among 20 of the important composers. It opens the door to purchasing more complete pieces by composers you do like, and can save a lot of time and money in the process.
To criticize the set for not containing more composers, or more than just snippets of those who are in the set, is missing the point: it is a helpful introduction to finding your way in the huge maze of classical music. It succeeds admirably in this.
Sound quality is uniformly very good on an audiophile system.
Highly recommended.
Excellent!.......2007-03-08
A great way to start a classical music collection. It's nice to have a full CD of each composer. It makes it easy to keep track of selections/composers I already have and what composers I still need to puchase to complete my collection.
Average customer rating:
- have been searching for this for years
- Been looking for years
- An Excellent Introduction to Renaissance Dance
- renaissance dance music
- Wonderful reissue from early days of early music recordings
|
Panorama: Dances of the Renaissance
Manufacturer: Deutsche Grammophon
ProductGroup: Music
Binding: Audio CD
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Similar Items:
- Sinners & Saints: The Ultimate Medieval and Renaissance Music Collection
- English Renaissance Music
- Praetorius: Dances from Terpsichore
- Music for a Medieval Banquet
- Medieval Dance Music
ASIN: B00004YMTN
Release Date: 2001-02-27 |
Tracks:
- Terpsichore: 1. Entree - Courante - Collegium Terpsichore
- Terpsichore: 2. Gavotte - Collegium Terpsichore
- Terpsichore: 3. Spagnoletta - Collegium Terpsichore
- Terpsichore: 4. La Bouree - Collegium Terpsichore
- Terpsichore: 5. Ballet - Collegium Terpsichore
- Terpsichore: 6. Volte - Collegium Terpsichore
- Musikalischer Tugenspiegel: Sophia (no.13) - Anna (no.4) - Collegium Terpsichore
- Musikalischer Tugenspiegel: Clara (no.6) - Collegium Terpsichore
- Musikalischer Tugenspiegel: Magdalena (no.3) - Collegium Terpsichore
- Musikalischer Tugenspiegel: Agatha (no.15) - Collegium Terpsichore
- Musikalischer Tugenspiegel: Regina (no.12) - Collegium Terpsichore
- Banchetto musicale: Suite No.4 - 1. Pavane - Collegium Terpsichore
- Banchetto musicale: Suite No.4 - 2. Gaillarde - Collegium Terpsichore
- Banchetto musicale: Suite No.4 - 3. Courante - Collegium Terpsichore
- Banchetto musicale: Suite No.4 - 4. Allemande - Tripla - Collegium Terpsichore
- Banchetto musicale: Suite No.5 - 1. Pavane - Collegium Terpsichore
- Banchetto musicale: Suite No.5 - 2. Gaillarde - Collegium Terpsichore
- Banchetto musicale: Suite No.5 - 3. Courante - Collegium Terpsichore
- Banchetto musicale: Suite No.5 - 4. Allemande - Tripla - Collegium Terpsichore
- Banchetto musicale: Suite No.3 - 1. Pavane - Collegium Terpsichore
- Banchetto musicale: Suite No.3 - 2. Gaillarde - Collegium Terpsichore
- Banchetto musicale: Suite No.3 - 3. Courante - Collegium Terpsichore
- Banchetto musicale: Suite No.3 - 4. Allemande - Tripla - Collegium Terpsichore
- Lamento di Tristano - Rotta - Ulsamer Collegium
- Trotto - Ulsamer Collegium
- Istampita Ghaetta - Ulsamer Collegium
- Istampita Cominciamento di gioia - Ulsamer Collegium
- Saltarello - Ulsamer Collegium
- Bassa danza a 2 - Ulsamer Collegium
- Alta danza a 3 - Ulsamer Collegium
- Bassa danza a 2 - Ulsamer Collegium
- Bassa danza a 3 - Ulsamer Collegium
- Basse danse La brosse - Tripla - Tourdion - Ulsamer Collegium
- Bassa danse La gratta - Ulsamer Collegium
- Basse danse La Magdalena - Ulsamer Collegium
Tracks:
- Calata ala Spagnola
- Der Judentanz
- Welscher Tanz - Wascha mesa - Hupfauff
- Pavana I - II
- Romanesca Guarda me las vacas
- Passamezzo - Saltarello
- Branle de Bourgogne
- Englischer Tanz
- Tanz Du hast mich wollen nemmem
- Schiarazula
- Ungaresca - Saltarello
- Ronde
- Branle de Bourgogne
- Branle de Champagne
- Passamezzo d'Italye - Reprise - Gaillarde
- Schiarazula Marazula
- Tedesca - Saltarello
- Ungaresca - Saltarello
- Branle - Branle gau
- Mascherade
- Saltarello
- Ballo detto 'Il Conte Orlando' - Saltarello
- Gagliarda del Principle di Venosa
- Barriera
- Celeste Giglio
- Pavana de Spaigne
- Courante
- Courante
- Volte
- Volte
- Pavan: The Funerals
- Noel's Galliard
- Coranto: High Ho Holiday
- Kemp's Jig
- Queen Elizabeth her Galliard
- Mrs. Winter's Jump
- Alman
- Galliard
- Galliarde de Monsieur Wustron
- Galliarde de la guerre
- Reprinse
- Tantz
- Paduan
- Galliard
- Catkanei
Customer Reviews:
have been searching for this for years.......2007-06-11
Happy to see the Collegium Terpsichore CD out again (disc 1), though hiding in this bargain set, wasn't immediately obvious. But one listen to the Praetorius samples and knew I found it. This album was played continuously on the air on KKHI when I was in college (circa late-hippie_, and I never tired of it. I wore out my LPs. Now I've misplaced that single CD so might have to buy it again if I can't locate it soon. Phooey. At least it's available. It's the most refreshing CD you'll ever put on your player.
Been looking for years.......2007-02-13
I have been looking for the Deutsche Grammophon "Dances from Terpsicore" from the 60's but to no avail till now. The entire album is included in this two disc set...
Yippee
An Excellent Introduction to Renaissance Dance.......2005-06-23
This is my first disc of Renaissance dance music, for which I have been searching for quite a while. I thought ir was very excellent. I have heard some before when I was in a few Shakespeare plays, and ever since, I have been looking. These selections provide a broad range of the music of the courts during the 15th and 16th centuries. There is music from all over Europe, including what sounds like Southeastern Europe. The interpretations are also very good, and they put me, at least, back into that time period. The only problem I found was the glockenspiel like instrument, which was sometimes a little annoying. Otherwise, wonderful.
renaissance dance music.......2004-10-24
This CD is a compilation of three recordings which are From The Vault: Dance Music of the High Renaissance by Fritz Neumeyer, Dance Music of the Renaissance by Josef Ulsamer, and Early Baroque Music by Konrad Ragossnig.
Wonderful reissue from early days of early music recordings.......2004-01-28
This cd is a reissue of material from several albums in the 60s. The Fritz Neumeyer recordings of Praetorius are from an old Archiv LP that was one of my first introductions to "early music", and it can be charged that it was more enthusiastic than historically informed. A recorder consort will take up one section of a tune, and then a group of viols will swirl in, maybe followed by crumhorns playing another brief phrase, and then a solo harpsichord finishing off the tune. Different instruments provide a variety of textures of sound, keeping things interesting even though most of the tunes are played fairly "straight", without a lot of improvisation. There's been quite a bit of research and rediscovery of Renaissance techniques since this record was first out, and I appreciate those, but these old recordings really get my toe tapping and remind me why I fell in love with early music in the first place.
Average customer rating:
- Stellar Singing
- From still waters to fireworks in baroque singing - Duets sung exquisitely
- Supreme Handel Duets Lack Dramatic Context But Still Lovely
- A feast
- A sumptuous feast of Handel
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Handel Operatic Duets ~ Amor e gelosia / Ciofi · Di Donato · Il Complesso Barocco · Curtis
George Frideric Handel , Patricia Ciofi , Joyce Di Donato , Alan Curtis , and Il Complesso Barocco
Manufacturer: EMI Classics
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ASIN: B0001CTKD0
Release Date: 2004-06-01 |
Tracks:
- Caro Amico Amplesso!
- Scherzano Sul Tuo Volto
- Non Ti Basto, Consorte/Io T'abbraccio
- Mio Diletto, Che Pensi?/Sol Per Te, Bell'idol Mio
- Per Le Porte Del Tormento
- Del Destin Non MI Lagno/Caro, Tu M'accendi
- Amarilli?/Amarilli? Oh Dei! Che Vuoi?
- Vivo Senz'alma, O Bella
- Finche Prendi
- Perfidi! Ite Di Poro/Se Mai Piu Saro Geloso
- Macedoni Guerrieri/Se Mai Turbo Il Tuo Riposo
- Sinfonia To Act 3
- Gran Pena E Gelosia!
- Lode Agli Dei/Se Mai Turbo Il Tuo Riposo
- Alma Mia, Dolce Ristoro
- Ricordati, Mio Ben
- Addio, Mio Caro Bene
Amazon.com
In baroque opera, the spotlight was usually reserved for the bravura arias, designed to show off the singers' brilliant coloratura and skill in improvising ornamentation. The ensembles, on the other hand, were left to languish in the shadows. This record aims to right that wrong in a program of 17 duets drawn from 13 mostly unfamiliar Handel operas. In an attempt to create some cohesion, these primarily short selections are arranged under the heading "Love and Jealousy," with love predominating and usually prevailing. If the title sounds a bit gimmicky, never mind: the music's the thing and it is wonderful. Expressed with Handel's inimitable dramatic intensity and deeply felt inwardness, it encompasses every amorous emotion from tenderness, ardent protestation and rapturous joy to fear of loss, anguish and mournful farewell, using an infinite variety of form, texture and character. Some duets begin with a recitative; the voices separate and unite, conversing, interweaving, joining in imitation or harmony. The orchestra, a period-instrument group of soloists, provides introductions, interludes and postludes which set mood and atmosphere and contribute greatly to contrast and diversity. The performances are splendid. The two singers prove that the duet is as fertile a vehicle for virtuosic display as any aria, and they find plenty of opportunities for ornamentation in the da capos. Their voices can blend and merge as well as remain distinctly individual in timbre and color, and they succeed in creating, or at least suggesting, situations and personalities even in the shortest selections. The playing is impeccable: rhythmically crisp and pungent, texturally transparent, and very expressive. The only cavil is that the selections often follow each other without a pause, making it difficult to be sure where one ends and the next begins. --Edith Eisler
Customer Reviews:
Stellar Singing.......2007-01-04
I must admit that, before becoming a dedicated Joyce DiDonato fan, I probably wouldn't have purchased a CD of Handel duets, or any Baroque duets for that matter. Like other reviewers have observed, the duets are performed out of dramatic context. I also prefer the full opera, particularly when it comes to Handel.
In the case of this CD, who cares? This is literally some of the loveliest Baroque ensemble singing I have ever heard. The pairing of Joyce DiDonato with Patrizia Ciofi was a stroke of brilliance. Their voices match perfectly. Their intonation is spot on, all the time. Their ornamentations, particularly the da capo ornamentations, are intelligently selected and brilliantly executed. The balance is just right between the singers and the chamber musicians.
I have a big thanks to give to Virgin Veritas and these two wonderful artists for this CD. It will get lots of play in my home.
Highly recommended.
From still waters to fireworks in baroque singing - Duets sung exquisitely.......2005-11-28
Handel was a master of his medium - his music paints with elegance and soul-stirring emotion upon the canvas of the human heart. His duets often exhibit particular indebtedness to Steffani (truly a genius of duet writing), and they are gorgeous duets indeed!
I note that some other reviewers quibble with a) duets only on this recording; and b) a sense of disjointedness.
Addressing both of those issues, let's admit that any recital disc is going to give some disjointedness in the absolute and literal sense. To take a portion of an opera out of its setting and perform it separately is a sort of amputation, be it an album of arias OR an album of duets. Should singers then avoid putting out solo recordings of Handel arias? I find no reason to come to THAT conclusion - and for the same reason, I have no quarrel at all with the recording of an album of Handel duets.
Of course, to enjoy Handel to the fullest degree, do get full recordings as well... but even in Handel's time, singers would pull specific bits of their roles out of context, perform them separately... so it's a time-honoured practice! Let us simply enjoy the high standard of the music without worrying about context in any recording of arias, duets, trios, or operatic scenes.
Handel's duets vary so much in their shape, melodies, harmonies, rhythms - there's plenty of variety. It comes down to a question of the singers involved having suitable voices, singing appropriately for the style, the playing of the orchestra, and the particular variety of duets chosen.
On all points, this album scores highly! Both Ms Ciofi and Ms Di Donato have beautiful voices, clearly trained in baroque singing, and they have equally clearly put in a lot of work to achieve a lovely blend and similar approach within these duets. What a joy to hear gifted singers perform these duets with such intelligence, emotional involvement and lovely, lovely tone!
This recording is a favourite of mine - not just because I perform many of the duets on this CD with another soprano, but because I am genuinely delighted to hear appropriately performed Handel singing in a duet album. I've found fault with some other duet albums because I consider them under-rehearsed, insufficiently blended, and inappropriately embellished - but this album shows none of those faults, and I am very happy to recommend it highly and without reservation. Beautiful singing, beautiful works - you can scarcely wish for more!
Supreme Handel Duets Lack Dramatic Context But Still Lovely.......2005-01-08
I was fortunate to see and hear Renée Fleming and the astounding David Daniels sing "Io t'abbraccio" together in the magnificent Stephen Wadsworth production of Handel's "Rodelinda" at the Metropolitan Opera last week. There is nothing here that can match the ethereal quality and overwhelming melancholy of that duet performance, but sometimes this recording comes pretty close under the masterful baton of Alan Curtis. Soprano Patrizia Ciofi and mezzo-soprano Joyce Di Donato blend quite well together with Ciofi's often fiery coloratura floating easily over the verses and Di Donato's contrasting darker, fuller tone.
It's a nice idea to make a disc of just Handel duets but also a bit risky since they usually represent the major dramatic highpoints of his operas, mostly coming at the end of an act or of the entire opera. Given that fact, one would think there would be plenty of exhausting dramatic fireworks by providing one duet after another. In fact, the higher profile duets, such as the aforementioned "Io t'abbraccio" and the equally famous "Scherzano sul tup volto" from "Rinaldo", feel a bit lackluster probably because their gorgeous music crowns the end of scenes full of tension and drama. The joy in hearing two characters sing together, especially after hearing each of them express their individual sentiments, acts as a catharsis. But here the duets become lovely moments partially robbed of their dramatic impact because the organic synthesis of character and music is lost. Certainly it's not easy to deliver a recital containing only music that Handel devised for key dramatic moments. Yet, it more often does work here perhaps because there are a treasure trove of little-known gems such as "Caro, tu m'accendi" from "Faramondo", "Se mai turbo il tuo riposo" from "Poro" and "Alma mia, dolce ristoro" from "Admeto". The performances really become more like chamber music pieces, almost understated and always tasteful. Toward that end, the singing is expressive and stylish as Ciofi and Di Donato play lovers who quarrel and console in these duets. Together they bring this recording to a consistently high level regardless of the dramatic shortcomings, and their emotional availability makes their unified voices all the more resonant as they get lost in each other.
A feast .......2004-09-28
The programme maybe disjointed, but it doesn't matter, because the singing is some of the most glorious I have EVER heard. A shining feast of articulation, phrasings and harmonies, heavenly executed by Ms Ciofi and Ms Di Donato.
Just buy it for an unparalleled vocal chord experience; marvel at the singing. Any other considerations are entirely oblivious.
A sumptuous feast of Handel.......2004-08-04
Alan Curtis has here chosen to bring to life some of the more memorable duets of Handel's many operas. Quite apart from chewing over some of the more well-known operas he has chosen some duets from Silla, Sosarme (Per le porte del tormento), Faramondo, Atalanta, Poro and Muzio Scevola, few of which have had decent recordings in the last number of years.
His band is small, one player per part, withe the resultant effect rather to make the duets seems like chamber music. There is a danger in that with duets such as Io t'abbraccio (end of Act 2 Rodelinda) taken out of context that the dramatic moment of the music would be lost. However, by arranging the duets in a sequence (as Curtis writes in the notes) from love's joy through self-doubt and jealousy, back to undying love, the duets out of context sound superb.
Both singers, Patrizia Ciofi (Soprano) and Joyce di Donato (Mezzo) sound thoroughly at home in the idiom of baroque opera, and in fact their cadenzas and ornamentation are delightfully understated, rather than the sort of shrieking 'I can go higher still' of some more lauded performers. I look forward to Curtis' forthcoming recordings of Lotario, Rodelinda and Radamisto, if these performers are to be retained.
In short this is a delightful enterprise showing the genious of Handel in dealing with the most basic of human emotions - love and jealousy. Well done Alan Curtis!
Average customer rating:
- Lord Nelson Mass review
- Brilliant, glorious paean to victory
- One of Haydn's best
- A beautiful CD.
- A stunning performance for a spectacular work.
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Haydn: Missa in Angustiis "Nelson Mass" - Te Deum / Lott, Watkinson, M. Davies, Wilson-Johnson; Pinnock
Joseph Haydn , The English Concert and Choir , Felicity Lott , Carolyn Watkinson , Trevor Pinnock , Maldwyn Davies , and David Wilson-Johnson
Manufacturer: Archiv Produktion
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ASIN: B0000057D3
Release Date: 1990-10-25 |
Tracks:
- Missa In Angustiis - 'Nelson Mass' For Soloists, Chorus And Orchestra In D Minor (Hob. XXII:11): Kyrie - 'Kyrie eleison - Christe eleison - Kyrie eleison' Allegro Moderato
- Missa In Angustiis - 'Nelson Mass' For Soloists, Chorus And Orchestra In D Minor (Hob. XXII:11): Gloria - 'Gloria in excelsis Deo' Allegro
- Missa In Angustiis - 'Nelson Mass' For Soloists, Chorus And Orchestra In D Minor (Hob. XXII:11): Gloria - 'Qui Tollis Peccata Mundi, Miserere Nobis' Adagio
- Missa In Angustiis - 'Nelson Mass' For Soloists, Chorus And Orchestra In D Minor (Hob. XXII:11): Gloria - 'Quoniam Tu Solus Sanctus' Allegro
- Missa In Angustiis - 'Nelson Mass' For Soloists, Chorus And Orchestra In D Minor (Hob. XXII:11): Credo - 'Credo in unum Deum' Allegro Con Spirito
- Missa In Angustiis - 'Nelson Mass' For Soloists, Chorus And Orchestra In D Minor (Hob. XXII:11): Credo - 'Et Incarnatus Est' Largo
- Missa In Angustiis - 'Nelson Mass' For Soloists, Chorus And Orchestra In D Minor (Hob. XXII:11): Credo - 'Et Resurrexit' Vivace
- Missa In Angustiis - 'Nelson Mass' For Soloists, Chorus And Orchestra In D Minor (Hob. XXII:11): Sanctus - 'Sanctus, Sanctus, Sanctus Dominus - Pleni sunt coeli' ' Adagio - Allegro
- Missa In Angustiis - 'Nelson Mass' For Soloists, Chorus And Orchestra In D Minor (Hob. XXII:11): Sanctus - 'Benedictus, qui venit In momine Domini - Osanna In Excelsis' Allegretto - Allegro
- Missa In Angustiis - 'Nelson Mass' For Soloists, Chorus And Orchestra In D Minor (Hob. XXII:11): Agnus Dei - 'Agnus Dei, qui tollis peccata mundi' Adagio
- Missa In Angustiis - 'Nelson Mass' For Soloists, Chorus And Orchestra In D Minor (Hob. XXII:11): Agnus Dei - 'Dona Nobis Pacem' Vivace
- Te Deum For Chorus, Orchestra And Organ In C Major (Hob.XXIIIc:2): Te Deum - 'Te Deum laudamus' Allegro
- Te Deum For Chorus, Orchestra And Organ In C Major (Hob.XXIIIc:2): Te Deum - 'Te Ergo Puaesummus' Adagio
- Te Deum For Chorus, Orchestra And Organ In C Major (Hob.XXIIIc:2): Te Deum - 'Aeterna Fac Cum Sanctis Tuis - In Te, Domine, Speravi' Allegro Moderato
Customer Reviews:
Lord Nelson Mass review.......2007-02-08
Good quality - enjoyed listening to this. Nice lively tempi and clarity
Brilliant, glorious paean to victory.......2003-08-23
Composed to celebrate Horatio Nelson's victory over Napoleon's fleet at the Battle of the Nile in 1798, this wonderful Mass is one of Haydn's greatest works -- one which places him squarely beside Mozart and Beethoven as a giant of his time.
I grew up with Bernstein's monumental, superb version of the Nelson Mass, which of course featured the full-scale New York Philharmonic. So it took me a while to adjust to Pinnock's relatively small orchestra using the scale and instruments of the Classical period.
That said, this is an incredibly thrilling disc, with terrific performances from all concerned, and is undoubtedly THE Nelson Mass to acquire and enjoy repeatedly.
Trevor Pinnock surely is one of the greatest living conductors -- everything he touches turns to gold. Even someone like me, who primarily is devoted to the sound world of Richard Strauss, Hector Berlioz and the titanic Wagner, acknowledges his immense talent and only wishes that his range extended beyond the Baroque and Classical into the Romantic and post-Romantic repertoire.
But I won't quibble with what he already has given us -- not a bit!
If you love Haydn or great choral music, buy this CD NOW.
One of Haydn's best.......2001-12-26
This is a superb performance of the Nelsonmesse. The soloists are talented and expressive, and the choir sings with passion and precision. One can hear Haydn's understanding of the war in relation to Austria's position, but with his hope for ultimate victory. The "dona nobis pacem" is one of Haydn's best, matched by the "dona nobis pacem" of the Missa in tempore belli. The performance exploits many of the characteristics of Haydn's music that no doubt influenced Beethoven...beginning with the powerful declamatory motive of the Kyrie.
A beautiful CD........2001-04-13
I like this record very much. I think is a good version of the Nelson Mass with very good msicians, like Trevor Pinnock; for me, one of the bests conductors for barroque music. The singers are perfect, the orchestra too. But, I think that the choir needs more bright because we can't listening to it in some parts of the CD. Moreover, I will put a 10 to this beautiful CD.
A stunning performance for a spectacular work........2001-03-29
From its omnious introduction to the raw emotional thrill at the openeing of the Gloria one is always amazed at how extraordinary is this piece of music, and how exquisitely powerful is its rendering by Mr. Pinnock. The variety of moods and musical constructs, the emotional power, the refined craft of Haydn, his zest for life, his faith, it is all there. Let us not doubt why this is perhaps the most "famous" of Haydn's mass. To this listener, this mass "in angustiis" together with the Creation and the London Symphonies represent the summits of Haydn's work. A must have recording, or one of the desert island recording that a co-reviewer suggested. To be objective, I was not as impressed with the "te deum", but then again, I cannot think of any opus that would not have suffered from trailing this excellent and excellently performed mass.
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ASIN: B0000027XF
Release Date: 1992-04-07 |
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Customer Reviews:
LOVE THIS CD !!!.......2007-03-11
I was looking for a recording of Londonderry Air performed by the Philadelphia Orchestra/Eugene Ormandandy. After listening to several sample clips on this CD, I ordered it. The entire CD is beautiful and relaxing. It's become one of my favorites.
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- Bold and Brassy
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- Canadian Brass Strikes Again!
- great!
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Bolero & Other Blockbusters
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Similar Items:
- Go For Baroque! - The Canadian Brass
- Basin Street
- Best of the Canadian Brass
- The Canadian Brass: Greatest Hits
- Red Hot Jazz: The Dixieland Album
ASIN: B000003FVD
Release Date: 1995-06-13 |
Tracks:
- 2001 Theme
- Concerto For Two Trumpets: Allegro
- Sarabande
- Bolero
- Turkish March
- Jesu, Joy Of Man's Desiring
- Rondeau
- Music From The Royal Fireworks
- Lord Nelson Mass: Gloria
- Xerxes: Largo
- Minute Waltz
- Toreador Song
- Sonata No.11: Turkish Rondo
- Cor Royale
- Sleeping Beauty: Overture
- Nutcracker: Waltz Of The Flowers
- La Gioconda: Dance Of The Hours
- The Glow-Worm
- Peer Gynt: In The Hall Of The Mountain King
- Gaite Parisienne: Can-Can
- Jerusalem
- La Virgen de la Macarena
- Aida: Grand March
- Guadeamus Igitur
- Overture To H.M.S. Pinafore
- Golyardes' Grounde
- Farewell Anthem
Customer Reviews:
Canadian Brass is COOL!.......2007-04-11
Brass virtuosos offer familiar pieces in refreshing way. Great listening!
Bold and Brassy.......2006-05-10
You either like the sound of brass instruments or you don't. I do. I especially like them in the hands of competent musicians playing tunes I like (mostly), I like this album.
It's a hodgepodge of mostly very short pieces and not all of them are "classical" although that is the main thrust of the work. Intermixed with Handel's MUSIC FROM THE ROYAL FIREWORKS and Ravel's BOLERO you will find such pieces as the CAN-CAN or GLOWWORM. It's all very enjoyable.
The Comical Yet Excellent Recording.......2004-09-15
This CD absolutely shows the absolute talent in the absolute Canadian Brass. These short little songs might be abused, but they showed the great skills the players had. The tuba was heard clearly in one of the song's end. Trombone had a lot of solo that showed hard technique, and the trumpets are surprisingly outstanding! The French horn might not be heard quite easily, but it was played fantastically good.
Great recording for sure, all famous songs, and some great classical ballads.
Canadian Brass Strikes Again!.......2000-06-01
This is a fun cd to listen to. The recording is very clear and crisp, each instrument shines. Also, the cover photo is comical. I have several other Canadian Brass recordings and I think they are all interesting. A truly talented band of skillful musicians.
great!.......1999-08-31
This is a truly splendid CD. Each song is wonderfully played and Arranged. In turkish rondo, the french horn player and the trumpets do a great job. And in Sarbande by Handel, and Bolero by Ravel, htey do even better! Two big thumbs up!
Average customer rating:
- beautiful perfomances of exsquisite madrigals
|
Carlo Gesualdo: Madrigali Libri I-III
Manufacturer: Cpo Records
ProductGroup: Music
Binding: Audio CD
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Similar Items:
- Gesualdo: Quinto Libro di Madrigali (1611)
- Gesualdo di Venosa: 18 Quarto Libro di Madrigali, 1596
- Gesualdo: Complete Sacred Music for Five Voices
- Gesualdo: Tenebrae
- Monteverdi: Concerto Settimo Libro dei Madrigali
ASIN: B000AMMSH6
Release Date: 2005-09-20 |
Customer Reviews:
beautiful perfomances of exsquisite madrigals.......2005-10-01
The first 3 books of Gesualdo's madrigals don't have the startling chromaticism and the violent rhythmic contrasts of the 5th and 6th books, but they're rich pieces nonetheless and here and there are hints of the over the top imagination of the later works. These performances are characterized by accurate intonation and lovely timbre. This is one of my favorite recordings of Italian madrigals.
Music:
- Maladroit [Import]
- Mass
- Mass Transit
- Mono In a Stereo World
- Musicforthemorningafter [Enhanced] [Import]
- No Good At Being Cool
- Nobody Knows This Is Everywhere
- On Your Own [CD-single]
- Plastic Fang
- Room To Fall
Music
music
Music
Men of the World: the Early Years [Import]
Stravinsky: Petrouchka [SACD] [SACD]
Soviet & Russian Marches
They Call It Falling - Country Female (Karaoke)
The Collection [Import]
Taproot
Swinging Stereo in Studio A
Swedish String Quartets
The Color of Dusk
Streets & Scenes of New Orleans
The Top [Import]
Reza: The Ray of the Wine
Today Tonight Tomorrow [CD-single] [Import]
Haydn: The London Symphonies Nos. 93-104
Solo Sax #1