Trio of Many

Editorial Reviews
Cadence, June 2001
"...the power of Dave Holland's recent units...the authority of Joe Lovano's...the Trio has its own voice..."

allaboutjazz.com, March 2001
"...fertile notions and near flawless phraseology...a live wire, teeming with oscillating undercurrents , explosive interplay, and attractive compositions!...Strongly recommended."

Album Description
Philly underground heavy Ben Schachter returns with his second release, this time featuring his working trio. This band shares a complete comittment to THE SEARCH. They push, prod, stretch, groove, and breathe as one. For three years TRIO OF MANY has played a bi-weekly gig at Saint Jack's in Olde City Philadelphia, where their exploits continue to cause quite a sensation. This disc documents their original music and intense, almost telepathic performance interplay. Produced and mixed by Ben's dear friend (and fellow underground heavy) Jef Lee Johnson. Jef guests on two tracks.

Trio of Many

Instruments of the Orchestra
Average customer rating: 4.5 out of 5 stars
  • Instruments of the Orchestra - Great Reference Material!
  • Beginner or Expert
  • Very Informative and Enjoyable
  • Frank's view
  • Excellent Intro for Those Not Familiar with the Orchestra
Instruments of the Orchestra
Various Artists
Manufacturer: Naxos
ProductGroup: Music
Binding: Audio CD

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Similar Items:
  1. Britten: Young Person's Guide to the Orchestra Op34; Simple Symphony Op4
  2. The Mahler Symphonies: An Owner's Manual (includes 1 CD)
  3. The Young Person's Guide to the Orchestra (Book & CD)
  4. What to Listen for in Music
  5. Study of Orchestration, Third Edition

ASIN: B00006O0NT
Release Date: 2002-12-03

Tracks:

  1. Overture To 'Tannhauser'
  2. Domna, Pos Vos Ay Chausida
  3. We Don't Merely Use Instruments, We Play On Them. And They Play On Us.
  4. Hungarian Dance No.7
  5. The Violin Is One Of The Most Tender And Beautiful Instruments Ever Invented.
  6. Violin Concerto In D Major (Adagio)
  7. But For A Long Time It Was Seen As The Instrument Of The Devil.
  8. The Soldier's Tale: Triumphal March Of The Devil
  9. The Manipulative Seductiveness Of The Gypsy Violin.
  10. Csardas Music
  11. The Violin And The Initiation Of Nature
  12. The Four Seasons (Spring, Mvt 1)
  13. Birds Are Again Evoked In The Second Concerto, Especially Music's Natural Favourite.
  14. The Four Seasons (Summer, Mvt 1)
  15. Like The Devil, The Violin Is A Master Of Disguise.
  16. Old Viennese Dance No.3 'Schon Rosmarin'
  17. The Menacing Sensuality Of Ravel's Tzigane: A Very Different Side Of The Violin:
  18. Tzigane
  19. Do We Now Have The True Measure Of This Instrument? Not Just Yet.
  20. Caprice No.24
  21. The Many Effects Of The String Tremolando: Brandenburg Concerto No.4 (Last Mvt)/From Joy To Fright/Quartettsatz In C Minor/The String Tremolo Practically Spells The World Agitato.
  22. Variations On A Theme Of Frank Bridge (No.7)
  23. Prokofiev's Tremolo In Romeo And Juliet Should Not Be Heard Just Before Bedtime.
  24. Romeo And Juliet: Act IV
  25. Vivaldi Use It To Illustrate The Shivering Of Travellers Crossing The Ice.
  26. The Four Seasons (Winter, Mvt 1)
  27. The Violin Muted
  28. Clair De Lune
  29. The Gentleness Of Muted Strings Persists Even When A Whole Orchestra Plays.
  30. Piano Concerto No.21 In C Major, K.467 (Slow Mvt)
  31. The Pizzicato Violin
  32. Pizzicato Polka
  33. In Prokofiev's Second Violin Concerto, The Accompaniment Is Pizzicato.
  34. Violin Concerto No.2 In G Minor (Slow Mvt)
  35. Varieties Of Pizzicato: Colas Breugnon (The People's Feast)/Now A Drier, Leaner, Hungrier Pizzicato. There's Not A Lot Of Comfort Here./Capriol Suite (Tordion)/The Use Of Pizzicato As 'Percussion'/Romeo And Juliet (Act I)/Mahler Used Pizzicato...
  36. The Planets (Mars - The Bringer Of War)
  37. The Technique Of Double-Stopping Enables The Violin To Play Duets With Itself./Sonata No.3 In C Major For Unaccompanied Violin (Fugue)/Now A Later Example Of The Same Technique
  38. Hungarian Dance No.4
  39. Double-Stopping Is A Standard Feature Of A Lot Of Folk Music.
  40. The Four Seasons (Autumn, Mvt 1)
  41. Now The Same Technique, But The Sound Might Have Come From Another World.
  42. Bolero
  43. Double-Stopping Can Only Approximate The Sound Of A Real Violin Duet.
  44. Cadenza To The Violin Concerto By Brahms
  45. Now Compare That With A Real Violin Duet.
  46. Forty-Four Duos (No. 1: Teasing Song)
  47. Another Duo By Bartok, Demonstrating The Violin's Rich Lower Register
  48. Forty-Four Duos (No.2: Maypole Dance)
  49. And Now What May Be The Most Beautiful Accompanied Violin Duet In History
  50. Concerto In D Minor For Two Violins (Largo)
  51. The Soul Of The Violin Is In Song; But What About This Weird Passage?
  52. Violin Concerto No.1 In D Major (Mvt 2)
  53. The Use Of Harmonies In The Orchestra Can Be Both Magical And Unsettling.
  54. Symphony No.1 'Titan' (Mvt 1, Opening)
  55. Tchaikovsky's Use Of Harmonics In The Sleeping Beauty Is Both Strange And Darling.
  56. The Sleeping Beauty (Act II, No.15: Entr'Acte)
  57. Ravel's Harmonics In Mother Goose Effect A Magical Transformation.
  58. Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
  59. Stravinsky's Harmonics In The Firebird Transport Us Almost Into Another World./The Firebird (Introduction)
  60. The Natural Upper Notes Of The Violins Have A Unique Emotional 'Grab'.
  61. Also Sprach Zarathustra (Of The Afterworldsmen)
  62. Still In Their Upper Register, The Violins Unleash The Energy Of A Young Colt.
  63. Variations On A Theme Of Frank Bridge (No. 4)
  64. Elsewhere, Britten Uses The Same High Register To Create A Very Different Mood.
  65. Four Sea Interludes (Dawn) From 'Peter Grimes'
  66. To End This Outing With The Violins, A Charming Little Elfin Dance
  67. Elfenreigen

Tracks:

  1. Introduction To The Viola
  2. Viola Concerto (Mvt 1)
  3. Khatchaturian Gets A Very Different Sound From It: Fuller, Fruitier, More Exotic.
  4. Gayane Suite No.1 (Armen's Solo)
  5. Very Nearly The Whole Of The Violin's Upper Register Is Also Available To The Viola.
  6. Passacaglia, Op.33b From 'Peter Grimes'
  7. The Viola Can Bring A Special, Rich Twanginess To Pizzicato That The Violins Lack./Don Quixote/Berlioz Drew Sounds From It That Retain Their Metallic Strangeness Even Today.
  8. Harold In Italy (Mvt 4)
  9. The Muted Viola: Intimate, Gentle, Poignant In Dvork
  10. Cypresses (No.9)
  11. The Massed Violas Of The Modern Symphony Orchestra In Mahler
  12. Symphony No.4 (Mvt 3)
  13. The 'Period' Viola In Bach
  14. Brandenburg Concerto No.6 (Last Mvt)
  15. The Cello: A Voice Of Unique Nobility
  16. Suite No.1 For Unaccompanied Cello (Prelude)
  17. Brahms And The 'Soul' Of The Cello
  18. Piano Concerto No.2 In B Flat Major (Mvt 3)
  19. Most Orchestral Composers Tend To Emphasize The Cello's Lower Register.
  20. Cantata 'Herz Und Mund Und Tat Und Leben', BWV 147 (Soprana Aria: Bereite Dir, Jesu)
  21. In The Time Of Beethoven The Cello Remained As Fundamental As Ever.
  22. Symphony No.3 'Eroica' (Finale)
  23. But The Cello Is Not Condemned To Spend Its Life In The Basement.
  24. Elfentanz, Op.39
  25. Not Only In Recital Showpieces Like That Is The Cello Is Used In Its Highest Register.
  26. The Protecting Veil (Opening)
  27. A Cello With An Identity-Crisis: The Pizzicato Flamencan
  28. Flamenco
  29. Double-Stopping In The Lower Reaches Of The Cello's Range
  30. Solo Suiet For Cello And Piano (Sardana)
  31. It's In The Middle Register That The Cello Really Comes Into Its Own.
  32. Oriental Dance, Op.2 No.2
  33. It Was To The Cellos That Beethoven Gave Two Of His Most Famous Themes./Symphony No.5 (Mvt 2)/Still More Famous Than That Theme Is This One From The Ninth Symphony.
  34. Symphony No.9 (Finale)
  35. Introduction To The Double-Bass
  36. The Carnival Of The Animals (The Elephant)
  37. But The Double-Bass Can Be Intensely Expressive And Graceful.
  38. Elegy No.1 In D Major
  39. The Range Of The Double-Bass Is The Greatest Of All The String Instruments/Allegro Di Concerto, 'Alla Mendelssohn'/And It's Also Capable Of Very Considerable Virtuosity.
  40. Capriccio Di Bravura
  41. Double-Bass Solos In Orchestral Scores Are Rare But Often Memorable./Symphony No.1 'Titan' (Mvt 3)/In His Third Symphony Mahler Makes A Very Different Use Of The Instrument./Symphony No.3 (Mvt 1)
  42. The Double-Bass Muted In Prokofiev/Lieutenant Kije Suite (Kije's Wedding)/In Another Work Prokofiev Uses The Double-Bass To Enhance The Winds./Romeo And Juliet (Act III)/And He Combines The Bass Clarinet With A Shivering Tremolo From The Double-Basses....
  43. Symphony No.5 (Mvt 3)/So Much For The Strings/On Now To The Winds

Tracks:

  1. The Antiquity And Magic Of The Flute
  2. Prelude A L'Apres-Midi D'Un Faune
  3. The Versatility And Agility Of The Flute
  4. Orchestral Suite No.2 In B Minor (Badinerie)
  5. The Flute In Fifteenth-Century Spain
  6. Sa'Dawi
  7. Other Flutes: The Bass And Alto
  8. Chamber Music No.II
  9. The Piccolo - Aptly Named
  10. La Naissance D'Osiris (Mvt 6)
  11. From A Piccolo Of The Eighteenth Century To One Of Its Descendants In The Twentieth
  12. Suite No.1 For Small Orchestra (Valse)
  13. A Variety Of Techniques
  14. Chamber Music No.II
  15. Flutter-Tonguing. But Tchaikovsky Got There Eighty Years Before.
  16. The Nutcracker (Act II, No.2: Scene)
  17. From The Transverse To The Vertical: The Baroque Recorder
  18. Recorded Suite In A Minor (Menuet II)
  19. An Unfamiliar, Early Vision Of The Instrument
  20. Naelden, Naelden
  21. The Bachian Oboe
  22. Cantata 'Ein Feste Burg Ist Unser Gott', BWV 80 (No.7: Duetto)
  23. Introduction To The Cor Anglais Or 'English Born'
  24. Symphony No.9 'From The New World' (Mvt 2)
  25. The Loneliness Of The Cor Anglais
  26. The Swan Of Tuonela
  27. The Cor Anglais Joins The French Horn In Haydn.
  28. Symphony No.22 'The Philosopher' (Opening)
  29. Introduction To The Oboe D'Amore, Beloved Of Bach - But Also Of Ravel
  30. Bolero
  31. The Clarinet Family: Boxing The Compass, From The Depths Of The Bass Clarinet.../The Egyptian (Violence)/...To The Raucous And Squealy.../Taras Bulba (The Death Of Ostap)/...To The Shrill And Complaining...
  32. Petrushka (No.8: Peasant With Bear)/...To The High Sprits Of A Playful Puppy./Symphonie Fantastique (Last Mvt)/And To The Downright Jazzy/Romeo And Juliet (Act II)
  33. As The High Clarinets Tend To Be Loud, So The Bass Tends To Be Soft:
  34. Gayane Suite No. 1 (Mvt 5)
  35. The Bass Clarinet Is Used By Most Composers Mainly As A Colouring Agent.../Petrushka (No.4: The Blackamoor)/...But It Does Occasionally Get A Whole Tune To Itself./Iberia (Almeria).
  36. The Range Of The Normal Clarinet Parts Goes Quite High...
  37. The Snow Maiden (Scene 5: Melodrama)
  38. ...And Quite Low.
  39. Peter And The Wolf (The Cat)
  40. The Clarinet As Concerto Soloist
  41. Clarinet Concerto In A Major (Rondo)
  42. But That's Not The Instrument Mozart Wrote It For; This Is:
  43. Clarinet Concerto In A Major (Rondo)
  44. Introduction To The Saxophone
  45. Hary Janos Suite (Mvt 4)
  46. The Soprano Saxophone Has Quite A Different Feel To It.
  47. L'Arlesienne Suite No.1 (Minuet)
  48. The Little Sopranino Sax Goes Even Higher.
  49. Bolero
  50. The Most Famous Use Of The Saxophone Is In An Orchestration By Ravel.
  51. Pictures At An Exhibition (The Old Castle)
  52. The Saxophone Can Be Quite Contagiously Good-Humoured.
  53. Sax-O-Phun
  54. The Puffa-Puffa Image Of The Bassoon
  55. Peter And The Wolf (Grandfather)
  56. The Bachian Bassoon, In Accompanimental Mode
  57. Cantata 'Weichet Nur, Betrubte Schatten' ('Wedding Cantata'), BWV 202 (Aria No.1)
  58. Bizet Leaves The Puffa-Puffa Image Out, Allowing The Bassoon To Sing./Carmen Suite No.1 (Les Dragons D'Alcala)
  59. And Ravel, Also In Spanish Mode, Does Likewise.
  60. Bolero
  61. The Bassoon As A Voice Of High Seriousness, Indeed Desolate Loneliness
  62. Symphony No.3 (Opening)
  63. The Eerie Bassoon In Its Highest Register
  64. The Rite Of Spring (Opening)
  65. Stravinsky Now Draws On Its Lowest Register, Lonely And Melancholy.
  66. The Firebird Suite (1919, Berceuse)
  67. The Bassoon As Concerto Soloist, Avoiding All Exaggeration
  68. Bassoon Concerto In G Minor (Finale)
  69. The Deep-Voiced Contra-Bassoon, As A Fairy-Tale Beast
  70. Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
  71. The French Horn Under Its Woodwind Hat
  72. Wind Quintet, Op.43 (Last Mvt)
  73. Now A More Prominent Role, In A Woodwind Quintet From An Earlier Era
  74. Wind Quintet In A Minor, Op.100 No.5 (Mvt 2)
  75. The Horn In Harmonious Blend With Strings In Another Quintet
  76. Horn Quintet, K.407 (Finale)

Tracks:

  1. The Trumpet As Virtuoso Soloist
  2. Brandenburg Concerto No.2 (Last Mvt)
  3. The Special Brillance Of Paired Trumpets
  4. Concerto In C For Two Trumpets, RV537 (Mvt 1)
  5. The Ceremonial Trumpet
  6. Fanfare For The Common Man
  7. Trumpets And Drums - An Incomparable Alliance
  8. Messiah (The Trumpet Shall Sound)
  9. The Versatility Of The Trumpet, From The Most Public To The Most Lonely
  10. Piano Concerto In F (Slow Mvt)
  11. The Trumpet As The Voice Of The City/An American In Paris/The Trumpet As Recruitment Officer/The Soldier's Tale (The March)/The Trumpet As Swaggerer
  12. Carmen Suite No.2 (Habanera)
  13. The Trumpet As The Voice Of Strength And Courage
  14. Carmet Suite No.2 (Toreador's Song)
  15. The Trumpet Muted/Petrushka (No.4: The Blackamoor)/Lieutenant Kije Suite (Opening)/The Trumpet As The Voice Of Weariness
  16. Billy The Kid
  17. The Trumpet As Character Actor
  18. Pictures At An Exhibition (No.6)
  19. The Trumpet As The Voice Of God
  20. Mass In B Minor ('Et Exspecto')
  21. The Birth Of The Trombone
  22. Aenmerckt Nu Hier
  23. The Birth Of The Brass As A Family
  24. Canzon 12 In Double Echo
  25. The Trombone In The Eighteenth Century
  26. Trombone Concerto In B Flat Major (Finale)
  27. The Tone Of The Tenor Trombone/Romance For Trombone And Organ/The Memorable Voice Of The Bass Trombone/Requiem (Mvt 2)/But The Bass Trombone Is More Than An Instrumental Bullfrog.
  28. Hosannah
  29. The Trombones Become Part Of The Orchestra.
  30. Symphony No.5 (Finale)
  31. The Wagnerian Trombone:/Overture To 'Tannhauser'
  32. The Trombone As Caricaturist
  33. Pulcinella (No.19: Vivo)
  34. The Trombone As Raspberry/Concerto For Orchestra (Intermezzo)
  35. The Horn And The Hunt
  36. Horn Concerto No.4 In E Flat, K.495 (Finale)
  37. The Challenging Horn Of The Baroque
  38. Abaris Ou Les Boreades (Menuet)
  39. The Scarcity Of First-Rate Players In Handel's Time
  40. Walter Music (Minuet 1)
  41. The Horn As Magician/The Firebird Suite (1919, Finale)
  42. Horns And The Sound Of Nobility
  43. Overture To 'Tannhauser' (Opening)
  44. The Special Sound Of The Horn In Its Higher Register
  45. Mass In B Minor ('Quoniam Tu Solus Sanctus')
  46. The Trumpet-Like Sound Of Massed Horns
  47. Symphony No.3 (Mvt 1, Opening)
  48. The Tuba - Unfairly Maligned?
  49. Symphony No.6 (Mvt 3)
  50. The Tuba Perfectly Cast By Ravel
  51. Pictures At An Exhibition (Bydlo)

Tracks:

  1. Introduction. And We Begin With A Bang.
  2. Fanfare For The Common Man/The Bass Drum On The Battlefields/Wellington's Victory, Op.91 (Opening)
  3. At The Opposite Extreme Is The Triangle.
  4. Piano Concerto No.1 In E Flat (Scherzo)
  5. Categories Of Percussion: Tuned And Untuned. The Side Drum
  6. Overture To 'La Gazza Ladra' - The Thieving Magpie (Opening)
  7. The Side Drum In An Effective But Unexpected Role/Clarinet Concerto (Mvt 1)
  8. The Tambourine. One Of The Oldest Instruments In The World
  9. Den Hoboecken Dans
  10. Even Older Is The Originally Oriental Gong.
  11. Ma Mere L'Oye - Mother Goose (Laideronette)
  12. No Single Instrument Can Match The Gong In Evoking The Breaking Of Waves./Passacaglia, Op.33b From 'Peter Grimes'/But Gongs Don't Have To Be Struck To Be Effective.
  13. Gymnopedie No.2
  14. The Cymbals Are Generally Discovered Early In Life./The Sanguine Fan/And They Do More Than Clash Together Loudly. They Can Be Clashed Together Softly./Studio Example: But They Needn't Be Clashed Together At All/Studio Example: They Can Be Lightly...
  15. Other Untuned Percussion Instruments Include The Whip.: Piano Concerto In G Major (Opening)/And Here Are No Fewer Than Twenty, Cracked By Tchaikovsky: The Nutcracker (Act I, Scene 5)
  16. More Versatile Than The Whip Are The Wood Blocks.../Studio Example/...Which Crop Up All Over The Place In Twentieth-Century American Music.
  17. Rodeo (Hoe-Down)
  18. Related To The Wood Blocks, By Sound, Are The Castanets./Jota Aragonesa/But The Castanets Were Also Used By Monteverdi Back In The Seventeenth Century.
  19. Scherzi Musicali (Damigella Tutta Belle)
  20. A Still Earlier Example From Fifteenth-Century Spain
  21. Yo M'Enamori D'Un Aire
  22. The Birth Of The Bongo
  23. Symphonic Dances From 'West Side Story'
  24. From The Streets Of New York To The Blacksmith's Shop/Il Trovatore ('Anvil Chorus')
  25. Desert-Island Decibels: Grand Canyon Suite (On The Trail)/Arcana
  26. From One Vegetable To Another: The Humble Squash, Or Marrow/Huapango
  27. Onwards To The Tuned Percussion. First, The Timpani
  28. Also Sprach Zarathustra (Introduction)
  29. But The Drum Roll Can Be More Effectively Frightening Than The Big Bang.: Symphony No.2 'Resurrection' (Mvt 3)
  30. Not One Drum Roll, But Many/Grand Canyon Suite (Sunrise)/Symphonie Fantastique (Last Mvt)
  31. Taking Advantage Of Tunability
  32. Music For Strings, Percussion And Celeste (Mvt 2)
  33. The Russian Composer Rodion Shchedrin Takes A Downward Turn./Carmen Suite (Changing Of The Guard)/Tuned, Yes; But For The Truly Melodic We Must Look Elsewhere.
  34. Introducing The Glockenspiel/Carmen Suite (Carmen's Entrance And Habanera)
  35. Saint-Saens And The Xylophone
  36. The Carnival Of The Animals (Fossils)
  37. Ravel And The Xylophone
  38. Ma Mere L'Oye - Mother Goose (Laideronette)
  39. Introducing The Marimba/Carmen Suite (First Intermezzo)
  40. Introducing The Vibraphone
  41. The Treasure Of The Sierra Madre (Narange Dolce)
  42. The Vibraphone Goes Russian.../Carmen Suite (Carmen's Entrance And Habanera)/...And Is Joined By The Marimba./Carmen Suite (Carmen's Entrance And Habanera)
  43. Introducing The Hungarian Cimbalom
  44. Folk Dances
  45. The Cimbalom And The Symphony Orchestra
  46. Hary Janos Suite (Mvt 3)
  47. Introducing The Tubular Bells
  48. Hary Janos Suite (Viennese Musical Clock)
  49. A More 'Up-Front' Approach From Rodion Shchedrin
  50. Carmen Suite (Introduction)
  51. But The Bells Can Also Make The Sinister Even More Sinister./Symphony No.7 'Sinfonia Antartica' (Mvt 1)
  52. Introducing The Celeste
  53. The Nutcracker (Dance Of The Sugar Plum Fairy)
  54. Magic, In The Use Of Collective Percussion
  55. Miroirs (La Vallee Des Cloches)
  56. Plucked Instruments: The 'Undercover Percussion'/Carmen Suite (Scene)
  57. A Prime Case In Point Is The Harp, Irresistible To The Romantics./The Nutcracker (Act II, No.1: Scene)/The Non-Solo Harp As An Integral Part Of The Orchestra/Hungarian Rhapsody No.1
  58. The Traditionally Subservient Role Of The Harpsichord In The Baroque Orchestra
  59. Brandenburg Concerto No.2 (Slow Mvt)
  60. The Piano: King Of The Tuned Percussion/Symphony No.3 'Organ' (Mvt 3)/And A Quarter Of A Century After That:
  61. Petrushka (Russian Dance)
  62. The Anti-Romantic Piano As An Integral Part Of The Orchestra
  63. Music For Strings, Percussion And Celeste (Last Mvt)

Tracks:

  1. Keyboard Instruments In The Orchestra - The Most Powerful Of Them All:
  2. Symphony No.3 'Organ' (Finale)
  3. But Things In Handel's Day Were Very Different.
  4. Organ Concerto In B Flat, Op.4 No.3 (Last Mvt)
  5. The Organ Is Difficult To Classify.
  6. An Unexpected, Organ-related Guest
  7. Concerto Pour Zampogna (Last Mvt)
  8. Peasant-Fancying... And A Touch Of The Roaming Cowboy
  9. Les Miserables (Drink With Me)
  10. Outside Artefacts And The Power Of Association
  11. Mahler's Sleighbells
  12. Symphony No.4 (Opening)
  13. A Roll-Call Of Some Unusual Guests/The Typewriter/Parade
  14. Chains, And More/Integrales/An American In Paris/Sandpaper Ballet
  15. Purpose-Built Oddities: Wind Machines/Symphony No.7 'Sinfonia Antartica' (Opening)
  16. Don Quixote (Variation VIII)
  17. National Calling Cards: The Guitar For Spain/Concierto De Aranjuez (Finale)
  18. And The Guitar's Poor American Relative, The Banjo/Washington Breakdown
  19. And Poorer Still, The Mouth Organ/The Treasure Of The Sierra Madre (Packing Up)
  20. The Balalaika For Russia/Romeo And Juliet (Act II: No.14)
  21. The Maracas For Mexico/The Treasure Of The Sierra Madre (El Desayuno)
  22. The Bongos And Congas And A Whole Wealth Of Other Drums For Africa And Central America/Studio Example
  23. The Sitar Of India/Evening Raga: Bhapoli
  24. The Accordion For France (Especially Paris)/Paris Canaille
  25. The Zither For Vienna/The Third Man (Theme)
  26. The Cimbalom For Hungary/Folk Dances
  27. The Guitar As An Integral Part Of The Orchestra/Rondena
  28. There Are Whole Orchestras Of Balalaikas./Sveit Mesiats
  29. The Effect Of The Wordless Human Voice, Used Purely As An Instrument/Symphony No.7 'Sinfonia Antartica' (Mvt 1)
  30. Nocturnes
  31. Instruments And the Imitation Of Nature. The Clarinet As Cuckoo
  32. The Carnival Of The Animals (The Cuckoo)
  33. The Flute As An All-purpose Aviary
  34. The Carnival Of The Animals (The Aviary)
  35. The Oboe As Duck
  36. Peter And The Wolf (The Duck)
  37. The Recording Of Reality. Does It Work As Well?
  38. The Pines Of Rome (The Pines Of The Janiculum)
  39. The Recording Of Reality Electronically Reborn In New Guises
  40. Cantus Articus - Concerto For Birds And Orchesra (Mvt 2)
  41. Beethoven Turns Avian: Cuckoo, Nightingale, And Quail
  42. Symphony No.6 'Pastoral' (Andante Molto Mosso)
  43. Some Improbable Casting: The Violin As Braying Donkey
  44. The Carnival Of The Animals (Persons With Long Ears)
  45. A Truly Orchestral Hee-haw To Be Reckoned With
  46. Overture To 'A Midsummer Night's Dream'
  47. A Thunderstorm In A Million
  48. Symphony No.6 'Pastoral (Allegro-Allegretto)
  49. the Instrumental Depiction Of A Silent World
  50. The Carnival Of The Animals (The Aquarium)
  51. Saint-Saens' Menagerie Takes A Curtain Call.
  52. The Carnival Of The Animals (Finale)

Tracks:

  1. The Grouping Of Instrumental Families. An Additive Approach. First, Two Violins
  2. Forty-Four Duos (No.4)
  3. A Great Contrast, Of Both Pitch And Character: Violin And Viola
  4. Duo For Violin And Viola In B Flat Major, K.424 (Finale, Vars 1 & 2)/Studio Example
  5. Arrival Of The Standard String Trio: Violin, Viola, And Cello
  6. String Trio In B Flat (Menuetto)
  7. The String Quartet: Two Violins, Viola, And Cello
  8. String Quartet In F, Op.18 No.1 (Mvt 3)
  9. The String Quintet - When The Extra Instrument Is A Second Viola
  10. String Quartet No.5 In D, K.593 (Adagio)
  11. The String Quintet - When The Extra Instrument Is A Second Cello
  12. String Quintet In C (Mvt 3)
  13. The String Sextet: Two Violins, Two Violas, And Two Cellos
  14. String Sextet In B Flat (Mvt 2)
  15. The String Octet: The Standard String Quaret Times Two
  16. Octet In E Flat, Op.20 (Mvt 1)
  17. Double The String Octet: A Fully Fledged String Orchestra
  18. String Symphony No.2 (Finale)
  19. The Massed Strings Of A Symphony Orchestra
  20. Fantasia On A Theme Of Thomas Tallis
  21. Contrasts Of Pitch And Instrumental 'Colour' In The Woodwind Section
  22. Wind Quintet In A Minor, Op.100 No.5 (Theme)
  23. In The First Variation It's The Horn That Gets The Lion's Share.
  24. Wind Quintet In A Minor, Variation 1
  25. In Variation Two The Torch Is Handed To The Bassoon.
  26. Wind Quintet In A Minor, Variation 2
  27. In Variation Three The Oboe Leads.
  28. Wind Quintet In A Minor, Variation 3
  29. Variation Four: Conversation Before Returning To A Solo-dominated Texture
  30. Wind Quintet In A Minor, Variation 4
  31. And Variation Five is Dominated By The Clarinet.
  32. Wind Quintet In A Minor, Variation 5
  33. The Next To Be Featured Is The Virtuoso Flute.
  34. Wind Quintet In A Minor, Variation 6
  35. Individual Farewells And A Closing Chorus
  36. Wind Quintet In A Minor, Variation 7
  37. A Mixed Group: Clarinet, Bassoon, Horn, String Quartet, And Double-Bass
  38. Octet In F (Mvt 3)
  39. The Early Classical Symphony Orchestra Of Haydn And Mozart
  40. Symphony No.29 In A, K.201 (Finale)
  41. Strings, Wind, But No Brass. What Haydn And Mozart Never Knew
  42. Canzon 28
  43. Beethoven's Fifth: Two Horns, Two Trumpets, And Three Trombones Join The Team.
  44. Symphony No.5 (Finale)
  45. From Beethoven To The Massive Orchestras Of Berlioz, Wagner, And Mahler
  46. Beethoven Changed The Face Of The Symphony And The Orchestra Forever
  47. Symphoy No.6 'Tragic' (Mvt 1)
  48. The Cult Of Orchestral Elephantiasis Reaches Its Peak.
  49. Symphony No.1 'Gothic' (VI: Te Ergo Quaesumus)
  50. When Large Doesn't Necessarily Mean Loud: Debussy
  51. Images (Gigues)
  52. A Crisis Of Confidence; The Orchestra's Survival Hangs In The Balance, But It Still Develops. The Ondes Martenot:
  53. Turangalila Symphony (Chant D'amour 1)
  54. The Advent Of The 'Early Music' Movement Brings A New Vitality And Freshness.
  55. Balle De Xerxes (Gavotte En Rondeau)
  56. Computer And Synthesiser: Friends Or Foes?
  57. Concerto In D Minor For Two Violins (Largo)
  58. A Speculative Look Ahead/Mass In B Minor ('Dona Nobis Pacem')

Customer Reviews:

5 out of 5 stars Instruments of the Orchestra - Great Reference Material!.......2007-04-04

This set lends itself to greatly enhancing one's knowledge of the orchestra, instruments in it, and their usage. I am a huge music buff, and I still picked up a great deal I previously did not know. I highly recommend this for all who wish to understand the origin of music, as well as the processes that are employed to create music!

5 out of 5 stars Beginner or Expert.......2007-03-12

This CD is excellent for the beginner or expert! To be able to haear the instrumets separately and then together really provides a good education. and/or refresher. The book thaty comes with the CD is alomost worth the price by itself!

5 out of 5 stars Very Informative and Enjoyable.......2006-11-20

Whether you're a music novice or pro, "The instruments of the Orchestra" is a very worthwhile purchase. The 7 CDs, with a total of 8 hours, are expertly narrated by Jeremy Siepmann. He's a great speaker, very much like the late Leonard Bernstein was. Mr. Siepmann takes you on an unforgetable musical journey covering the origins and use of the various orchestral instruments throughout musical history. The balance between his narration and a wealth of musical examples, which range from snippets to entire movements, is superb. The comprehensive enclosed booklet is excellent and faithfully follows the 7 CDs in content. Even with my 40+ years of music training I still learned new things from this wonderful collection. Considering the excellence of the content, and a cost that translates to about $5 per disc, this collection is a great value. Grab it, you won't regret that you did. Five solid stars!

3 out of 5 stars Frank's view.......2006-08-19

This boxed set of CD's with booklet achieved all I had hoped that it would. There are good samples of individual instruments and well done commentary on each. The only drawback was that some of the samples were too brief and could have been longer, hoiwever I guess this fits in with time constraints of the medium. It has given me a lot of clues as to future purchases of CD's for listening to individual instruments. Altogeth a satisfactory purchase and a welcome addition to my collection.

5 out of 5 stars Excellent Intro for Those Not Familiar with the Orchestra.......2003-11-08

I've listened to classical music for years and am interested in composition. I bought this CD set to learn how an orchestra and its instruments work. I thought the CDs would be a nice but boring lecture. They aren't! Not only are they FUN but they are informative as well. I learned a huge amount from each CD and couldn't wait to listen to the next one.

The narrator and writer is a great speaker and holds your attention well. He is definitely knowledgeable. He provides musical examples for each point he makes, so you get to "hear" what he just talked about. I'd say the CDs are about 65% music and 35% narration. You'll learn about the range of instruments, some history, different ways to play them, how they sound, and how they are used in the orchestra. This CD set was a great learning experience and is sold at such a low price!

I recommend this CD for those who want to learn about classical music and those who know about it but are interested in learning more about the inner workings of an orchestra. You'll learn much useful information. For instance, the Rite of Spring (with that eerie start) is written for bassoon! I never knew a bassoon could sound like that but now I do.

The one complaint I have is the last CD. This deals with the orchestra. I wanted more of a tour of how the orchestra has been used through history up to the present. Instead, it was a tour of how different groups of instruments sound. I thought it could have been better. The other 6 CDs are excellent.
Hurry Up!...& Wait
Average customer rating: 5 out of 5 stars
  • Damn
Hurry Up!...& Wait

Manufacturer: DoughMain
ProductGroup: Music
Binding: Audio CD

GeneralGeneral | Alternative Rock | Styles | Music
Indie RockIndie Rock | Indie & Lo-Fi | Alternative Rock | Styles | Music
Pop RockPop Rock | Pop | Styles | Music
GeneralGeneral | Alternative Rock | Indie Music | Stores | Music
RockRock | Alternative Rock | Indie Music | Stores | Music
ASIN: B00006L4ZI
Release Date: 2002-09-17

Tracks:

  1. Cover Your Eyes
  2. Feel the Pain
  3. Tomorrow
  4. Bastard Smashing Glass
  5. So Emo
  6. Wasted
  7. Hello
  8. Don't Crawl Away
  9. Lazy Dayz
  10. What Kind of Words
  11. You & Everyting
  12. Drip Sweat
  13. Scold My Time
  14. We Want More

Album Description

"Hurry Up!...& Wait" is a raw yet refined display of Stinkaholics' coming of age. Being their fourth full length, this album reflects their eight year evolution. From their roots comes a variety of songs, with empahsis on PopSkaPunk, melodic punk, metal & rock. Although their influences (Operation Ivy, Primus, Tool, Mr Bungle, Faith No More & David Bowie) are prevelant, the music is still authentic and true to Stinkaholics' own style. With the addition of Steve on drums, the band has been able to achieve a sound that is tight, creative, energetic, emotional, and best of all, enjoyable. All this together makes for a great listening experience.

Customer Reviews:

5 out of 5 stars Damn.......2002-09-22

This CD is beyond awesome. It hurts when you hear some of the other "Punk" bands who have made it big, then you hear a CD like this and realize that you're 1 of maybe 100 who actually own it. These guys are awesome live, but this CD really ... blew me away. You can hear with songs like "Hello" and "You and Everything" that they do have the potential to end up on more popular radio stations. Although, "Feel The Pain" was the song of the CD that Doughmain decided to promote. It's a great heavy song, but not exactly radio friendly. All the songs on here are awesome, that's all I can say. Go out and buy it today!
Bajo Cero
Average customer rating: 4.5 out of 5 stars
  • Dark Tango
  • Ziegler Doesn't Disappoint!
Bajo Cero
Pablo Ziegler
Manufacturer: Zoho Music
ProductGroup: Music
Binding: Audio CD

ArgentinaArgentina | South & Central America | International | Styles | Music
GeneralGeneral | International | Styles | Music
Latin PopLatin Pop | Latin Music | Styles | Music
TangoTango | Latin Music | Styles | Music
GeneralGeneral | Jazz | Styles | Music
Jazz FusionJazz Fusion | Jazz | Styles | Music
Latin JazzLatin Jazz | Jazz | Styles | Music
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  1. Bajofondo Tango Club

ASIN: B0007X9UJM
Release Date: 2005-04-12

Tracks:

  1. La Rayuela
  2. Flor De Lino
  3. Chin Chin
  4. La Fundicion
  5. Milonga Del Adios
  6. Bajo Cero
  7. Yuyo Verde
  8. Planufer Milonga
  9. Los Mareados Cobian
  10. Fuga Y Misterio

Amazon.com

Internationally acclaimed pianist Pablo Ziegler is probably best known as the pianist to the great Astor Piazzolla, whom he played with throughout the 1980s. Ziegler has carried on the torch since the master's death in 1992, issuing a handful of very good albums in the late '90s. Also featuring guitarist Quique Sinesi and bandoneon player Walter Castro, the album is a mix of rich Ziegler originals and a few covers. Most notable of the latter are Piazzolla's "Chin Chin" and "Fuga Y Misterio," which is the most complex fugue ever written by the master. Yet it isn't the complexity of the music here, or even the virtuosity (though that helps) that makes this album so winning; it is the unadulterated passion that comes through in these beautiful tunes. In fact, while Bajo Cero originally came out in 2003 on a different label, the power of the music demanded a reissue a mere two years after it first came out. --Tad Hendrickson

Album Description

On November 3, 2005 this recording was awarded a Latin Grammy Award for Best Tango Album at this 6th annual awards presentation!

Customer Reviews:

4 out of 5 stars Dark Tango.......2007-01-10

If you like your music dark and spooky, go for this Pablo Ziegler opus. With a bandoneon player who can't seem to play in a major scale and innovative variations on a theme of tango, this is no beginner album. The jazzy but spare piano combined with smart guitar and that mysterious squeeze box combine to produce an intriguing choice in the lineage of Astor Piazzolla.

5 out of 5 stars Ziegler Doesn't Disappoint!.......2005-06-04

When Pablo Ziegler began recording solo albums after a long stint as Astor Piazzolla's pianist, most of the songs he recorded naturally paid homage to the deceased master. Then, as time passed, Ziegler seemed to feel more comfortable as an artist in his own right, and began to add some of his own compositions to albums that still leaned heavily on the legacy of Piazzolla. With Bajo Cero, Ziegler takes his boldest step out of Piazzolla's shadow and confidently expresses his own muse even when interpreting a Piazzolla composition.
I bought Bajo Cero several years ago when it was first issued and liked it instantly but it soon became overwhelmed in the jumble of other music I was then listening to. Recently, I brought it with me on a long trip and allowed it to play over and over, thus allowing me to develop an appreciation for what a fine recording this is.
Here's what I like best: Rayuela, Flor de Lino, and the title cut are the finest expressions of Ziegler's own muse. Fuga Y Misterio is my favorite Piazzolla composition interpreted here and I really enjoy Ziegler's take on the classic Los Mareados and the more modernistic Yuyo Verde.
When I bought Bajo Cero, I was hoping that it would showcase a mature Pablo Ziegler, and Ziegler did not disappoint! He is ably backed by Quique Sinesi on guitar and Walter Castro on bandoneon, both of whom I'd like to hear more. They put the flesh on Ziegler's arrangements without overpowering his virtuoso piano.
Here's a CD that's as listenable at the office as it is at home. If you are a Ziegler fan, a Piazzolla fan, or merely piano enthusiast with a soft spot for jazzy tango, then I highly recommend that you add Bajo Cero to your collection. You won't be disappointed.
Inside, Looking Out
Average customer rating: Not rated
    Inside, Looking Out

    Manufacturer: Ben-Jam Music
    ProductGroup: Music
    Binding: Audio CD

    GeneralGeneral | Alternative Rock | Styles | Music
    GeneralGeneral | Jazz | Styles | Music
    GeneralGeneral | Alternative Rock | Indie Music | Stores | Music
    GeneralGeneral | Jazz | Indie Music | Stores | Music
    ASIN: B00006JEGV
    Release Date: 2002-09-01

    Tracks:

    1. The Singing of the Constellations
    2. Ode to Then
    3. The Erudite Troglodyte
    4. Countdown
    5. The Late One
    6. Inside, Looking Out
    7. Everywhere & Nowhere
    8. Roundhead

    Album Description

    The follow-up to Trio of Many's self-titled, critically acclaimed debut, "Inside, Looking Out" tracks the developments made in the cutting-edge, deep-end realm of contemporary Jazz as practiced by these three great musicians. Intimate interactive improvisation, powerful, evocative and fresh.
    Purcell: Theatre Music
    Average customer rating: 5 out of 5 stars
    • Fine reissue of a classic set
    Purcell: Theatre Music

    Manufacturer: Decca
    ProductGroup: Music
    Binding: Audio CD

    Purcell, HenryPurcell, Henry | ( P ) | Featured Composers, A-Z | Classical | Styles | Music
    Incidental MusicIncidental Music | Theatrical, Incidental & Program Music | Forms & Genres | Classical | Styles | Music
    GeneralGeneral | Purcell, Henry | Composers | Baroque (c.1600-1750) | Historical Periods | Classical | Styles | Music
    GeneralGeneral | Baroque (c.1600-1750) | Historical Periods | Classical | Styles | Music
    ViolinViolin | Strings | Instruments | Classical | Styles | Music
    GeneralGeneral | Strings | Instruments | Classical | Styles | Music
    Hogwood, ChristopherHogwood, Christopher | ( H ) | Featured Performers, A-Z | Classical | Styles | Music
    GeneralGeneral | Symphonies | Classical | Styles | Music
    GeneralGeneral | Classical | Styles | Music
    GeneralGeneral | Chamber Music | Classical | Styles | Music
    Purcell, HenryPurcell, Henry | M to P | Featured Composers, A-Z | Opera & Vocal | Styles | Music
    GeneralGeneral | Opera & Vocal | Styles | Music
    OdesOdes | Vocal Non-Opera | Opera & Vocal | Styles | Music
    The Decca Records StoreThe Decca Records Store | Specialty Stores | Music
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    1. Cantatas for Solo Countertenor
    2. Purcell: The Fairy Queen
    3. Purcell: Songs & Airs / Argenta, North, Boothby, Nicholson, Toll
    4. Monteverdi - Madrigali guerrieri ed amorosi / Concerto Köln, Jacobs
    5. Lute Music, Vol. 2

    ASIN: B0001Y4JHA
    Release Date: 2004-10-12

    Customer Reviews:

    5 out of 5 stars Fine reissue of a classic set.......2006-05-24

    Think about the stupidest, most formulaic Hollywood movies you can think of: cheesy action pictures, fluffy, unfunny comedies, big but stiff epics. Now imagine that one of the greatest living composers was working in Hollywood, turning out astonishing, hauntingly beautiful and stirring musical scores for these throwaway movies. That's what you get with this set: music Henry Purcell composed for some two dozen often utterly forgettable plays (trust me--I've read a number of them!) Occasionally, when he teams up with a playwright worthy of his stature, such as John Dryden, Aphra Behn, or William Congreve, the results are even better, but for the most part you can enjoy the music here without knowing anything about the original plays.

    This set originally appeared as separate LPs in the 70s and 80s, and has been long out of print. That's a pity, since Purcell spent a good deal of his short professional life in the theatre, either writing the incidental music contained on these CDs, or the music for his larger works, the semi-operas (King Arthur, The Fairy Queen, and the like). Almost all of these works are enjoyable gems; certainly, they represent a pinnacle of English 17th century music. Purcell had a genius for spinning musical gold out of the most leaden lyrics (check out his Odes and Welcome Songs on Hyperion if you don't believe me), and he does the same with the song texts in these plays.

    Hogwood and the AAM offer clean, listenable performances, and the sound on these old analog discs has been cleaned up and brightened--although they were pretty good, even in the late 70s. As with most Hogwood, emotional extremes are kept to a minimum, so the "otherworldly" nature of late 17th century music, so often emphasised in more recent Baroque performances, doesn't come across here. It would be interesting to see what a group like The King's Consort would do with this music, but this set fills the major gap in the Purcell canon quite nicely.

    My only beef with the reissue, as with many reissues, is that the liner notes are rather thin for a 6-cd set--the lyrics to the songs, for example, are especially missed. Still, it's a worthwhile set, and a must for fans of Purcell, English Baroque music, or anyone who just wants to experience a taste of the last days of the Restoration stage.
    Music of William Grant Still
    Average customer rating: Not rated
      Music of William Grant Still

      Manufacturer: Centaur
      ProductGroup: Music
      Binding: Audio CD

      BalletsBallets | Ballets & Dances | Classical | Styles | Music
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      All Works by StillAll Works by Still | Still, William Grant | ( S ) | Featured Composers, A-Z | Classical | Styles | Music
      Chamber MusicChamber Music | Forms & Genres | Classical (c.1770-1830) | Historical Periods | Classical | Styles | Music
      Ballets & DancesBallets & Dances | Modern, 20th, & 21st Century | Historical Periods | Classical | Styles | Music
      GeneralGeneral | Keyboard | Instruments | Classical | Styles | Music
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      4. Black Piano
      5. Still/Dawson/Ellington: Symphony No. 2/Negro Folk Symphony/Harlem

      ASIN: B000BUEGHC
      Release Date: 2005-11-29
      Devil Makes Three
      Average customer rating: 4.5 out of 5 stars
      • Fun, but get it on CD Baby
      • DM3
      Devil Makes Three

      Manufacturer: Monkey Wrench Productions
      ProductGroup: Music
      Binding: Audio CD

      Traditional BluesTraditional Blues | Blues | Styles | Music
      Acoustic BluesAcoustic Blues | Blues | Styles | Music
      GeneralGeneral | Country | Styles | Music
      GeneralGeneral | Traditional Country | Country | Styles | Music
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      1. Longjohns Boots & a Belt

      ASIN: B000CADVKO
      Release Date: 2003-11-18

      Tracks:

      1. The Plank
      2. Graveyard
      3. Beneath the Piano
      4. Ten Feet Tall
      5. Shades
      6. Old Number Seven
      7. Chained to the Couch
      8. To the Hilt
      9. The Bullet
      10. For My Family

      Customer Reviews:

      4 out of 5 stars Fun, but get it on CD Baby.......2007-06-29

      Just go to their website and get it on CD Baby.

      I have a soft spot for all this "jug-band noir" stuff that's coming out now. The Devil Makes Three is easy to listen to and fun in its own black-humor kind of way.

      5 out of 5 stars DM3.......2006-05-07

      This album is fantastic! This band rules! If you ever get the chance to see them, do it! A little rockin' modern bluegrass...very cool indeed. BTW: you can get this new for $13.99 (and hear samples) at cdbaby. Play list: 1. The Plank, 2. Graveyard, 3. Beneath the Piano, 4. Ten Feet Tall, 5. Shades, 6. Old Number Seven, 7. Chained to the Couch, 8. To the Hilt, 9. The Bullet, 10. For My Family
      If you dig them, get your hands on Pete Bernhard's solo album too.
      Canciones del alma (Songs from the Soul)
      Average customer rating: 5 out of 5 stars
      • Simply one great album for all musical tastes.
      • Soothing & Stimulating - all in one!
      • I Really enjoyed this Album
      • A most amazing recording!
      Canciones del alma (Songs from the Soul)

      Manufacturer: Wannadu
      ProductGroup: Music
      Binding: Audio CD

      GeneralGeneral | Jazz | Styles | Music
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      1. Hypnotic Safari
      2. Flamenco Flavors
      3. Christmas in Santa Fe

      ASIN: B000086G0R
      Release Date: 2003-01-15

      Tracks:

      1. Rumba Azul aka (Blue Rumba) Johnson/bmi
      2. Baile de la paloma(Dance of the Dove) Johnson/bmi
      3. Cancion del alma (Song from the Soul) Johnson/bmi
      4. Fire of the Gypsy Doyle/bmi
      5. Segovias Dream Cenicola
      6. Chi-di-di-cha-cha Randell
      7. Camina no corras aka (Walk Dont Run) Smith/bmi
      8. Rumba Oriental aka (Mama Song)Taiwanese traditional
      9. Venus Marshall / ascap
      10. Sambaleo Johnson/bmi
      11. The River Suite Johnson/bmi
      12. Pharoahs Journey Johnson/bmi
      13. Pipeline Spickard, Carman/bmi
      14. Melancolia aka (Melancholy) Johnson/bmi

      Album Description

      Guitarist Wayne Wesley Johnson brings together a diverse group of musicians for his 2003 solo release "Canciones Del Alma", meaning `songs from the soul`. On several tracks, Johnson integrates Chinese pentatonic melodies perfomed on guitar, guitar synthesizer and pipa (Gao Hong) blended with Spanish and Latin rumba flamenco rhythms and further complimented with Bolivian pan flutes and charango (Mario Reynolds). Another highlight is Johnson`s collaboration with Ventures guitarist Nokie Edwards

      Customer Reviews:

      5 out of 5 stars Simply one great album for all musical tastes........2003-07-03

      As a freelance reviewer most of the time I determine what I want to review, however in rare instances I get the opportunity to review something that I didn't choose. In this case it was certainly my pleasure to have the chance to hear some of the best music I have heard in a long time.

      There is no doubt as to the unbelievable gift and talent that Wayne Wesley Johnson has and his ability to share this with everyone in nothing short of amazing. Throughout this album, there is a collection of 14 tracks; each one has its own unique sound and a blend of musical flavor that makes this collection one to have.

      I found a mix of Rumba, Spanish guitar, jazz, fusion, classical and R & B sounds mixed together and blended in delicate, yet sharp edged sound. The set takes you through a wide range of musical emotion, from the slow and smooth to quick and fast paced.

      Overall, this album is for anyone looking for the sounds that make a rainy day seem easier to handle or for those looking to take a leisurely drive or even those who just want to sit around a warm fire on a cold winter's day. My highest recommendation - you certainly won't be disappointed with this purchase!

      5 out of 5 stars Soothing & Stimulating - all in one!.......2003-02-24

      I enjoy this type of music so I tend to listen to alot of it. Since Wayne is a relatively new artist, I wasn't sure of what to expect. However, after listening to the CD I can tell you that this artist (and CD) is a real undiscovered gem.

      This easy listening production is some of the best music of this genre I have ever heard. Soothing and stimulating all in one very entertaining package.

      As with his other works, Wayne seamlessly blends jazz, r&b and Spanish flamenco flavor with ease. The arrangements flow, the melodies captivate and you'll find yourself hitting the replay button over and over again.

      This CD is a first rate entry into Wayne's already impressive portfolio. Buy it with confidence, it's loaded with tracks you'll enjoy over and over again.

      4 out of 5 stars I Really enjoyed this Album.......2003-02-03

      i was Fourtunate to hear this Album.Wayne Wesley Johnson has a top notch tone&quality with His Guitar Player&feeling in his Playing.I enjoy all the Styles that were covered on this set also the Music reached across time&eras.the arrangements were nice.this is the kind of Album that I can listen to on a Mellow Sunday day or afternoon.A very Good Album.

      5 out of 5 stars A most amazing recording!.......2003-01-21

      As a freelance reviewer most of the time I determine what I want to review, however in rare instances I get the opportunity to review something that I didn't choose. In this case it was certainly my pleasure to have the chance to hear some of the best music I have heard in a long time.

      There is no doubt as to the unbelievable gift and talent that Wayne Wesley Johnson has and his ability to share this with everyone in nothing short of amazing.

      Throughout this album, there is a collection of 14 tracks; each one has its own unique sound and a blend of musical flavor that makes this collection one to have.

      I found a mix of Rumba, Spanish guitar, jazz, fusion, classical and R & B sounds mixed together and blended in delicate, yet sharp edged sound. The set takes you through a wide range of musical emotion, from the slow and smooth to quick and fast paced.

      Overall, this album is for anyone looking for the sounds that make a rainy day seem easier to handle or for those looking to take a leisurely drive or even those who just want to sit around a warm fire on a cold winter's day.

      My highest recommendation - you certainly won't be disappointed with this purchase!
      Longjohns Boots & a Belt
      Average customer rating: 5 out of 5 stars
      • Longjohns
      Longjohns Boots & a Belt

      Manufacturer: The Devil Makes Three
      ProductGroup: Music
      Binding: Audio CD

      Traditional BluesTraditional Blues | Blues | Styles | Music
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      Release Date: 2004-10-12

      Customer Reviews:

      5 out of 5 stars Longjohns.......2006-05-19

      This is a great album! Also check out the DM3 self-titled. Soundclips available at cdbaby.
      Moonlight Escapes
      Average customer rating: 2 out of 5 stars
      • Hodgepodge of mostly excerpts
      Moonlight Escapes

      Manufacturer: Koch Int'l Classics
      ProductGroup: Music
      Binding: Audio CD

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      SuitesSuites | Forms & Genres | Classical | Styles | Music
      Chamber MusicChamber Music | Forms & Genres | Classical (c.1770-1830) | Historical Periods | Classical | Styles | Music
      Ballets & DancesBallets & Dances | Modern, 20th, & 21st Century | Historical Periods | Classical | Styles | Music
      GeneralGeneral | Ives, Charles | Composers | Modern, 20th, & 21st Century | Historical Periods | Classical | Styles | Music
      Chamber MusicChamber Music | Forms & Genres | Modern, 20th, & 21st Century | Historical Periods | Classical | Styles | Music
      Vocal & SongVocal & Song | Modern, 20th, & 21st Century | Historical Periods | Classical | Styles | Music
      FluteFlute | Reeds & Winds | Instruments | Classical | Styles | Music
      GeneralGeneral | Symphonies | Classical | Styles | Music
      GeneralGeneral | Classical | Styles | Music
      CompilationsCompilations | Classical | Styles | Music
      GeneralGeneral | Opera & Vocal | Styles | Music
      ASIN: B00006GO8S
      Release Date: 2002-09-24

      Customer Reviews:

      2 out of 5 stars Hodgepodge of mostly excerpts.......2005-05-16

      This is a rather superficial compilation of excerpts from chamber and orchestral music. The only reason I even wrote a review is to mention that nearly all of the featured composers on this CD are 20th century composeres from very diverse backgrounds. There is an Arvo Part track, a track by the female composer Libby Larsen (I wish I would see more of this on these mixed CDs), and a beautiful Bagatelle by Miklos Rozsa. I do thank the label (KOCH) for introducing me to Rozsa's music, but other than that, it's pretty much bound for the next garage-sale.

      Music:

      1. Underground [Import]
      2. Underwater
      3. Waking Up
      4. Walk On, Pt. 1 [CD-single] [Import]
      5. Young Team [Extra tracks] [Import]
      6. 13 [Import] [Extra tracks]
      7. Abnormal Love
      8. All the Better to See You With
      9. Bad Blood [CD-single] [Import]
      10. Between the Senses

      Music

      music

      Music

      Smilesunset

      Vida Breve / Goyescas

      Vagn Holmboe: Complete Chamber Concertos, Vol. 4

      American Idol Super Country Hits, Vol. 1 [Enhanced] [Karaoke]

      Sounds Like This [Import]

      Venus over Venice

      Two [Import] [Limited Edition]

      Violin Concerto / Concerto for Violin, Piano & Orc

      Tonight at Johnny's Speakeasy [Live]

      Two of a Mind [Import]

      Vacation [Original recording remastered]

      Trumpeteer

      Vida [Import]

      Dukas: Villanelle; Gliere: Concerto for horn in Bf

      Midnight Ramble