Moon & the Sky [CD-single]

Editorial Reviews
Album Description
Import exclusive EP featuring ten previously unreleased tracks, five mixes of 'Moon & The Sky' (JC's Heaven Scent Radio Re-Work, The Millionaires Radio Edit, Randy Roger's Ramjet Mix, Sleaze Sisters Anthem Mix & BK Mix) along with acoustic versions of 'Baby Love' (The Supremes), 'Freedom', 'Alien', 'Where In The World' & 'A Little Repesct'. Gatefold digipak. 2001.

Tracks:

Speak To Me/Breathe
On The Run
Time
The Great Gig In The Sky
Money
Us And Them
Any Colour You Like
Brain Damage
Eclipse

Amazon.com essential recording

Dark Side of the Moon, originally released in 1973, is one of those albums that is discovered anew by each generation of rock listeners. This complex, often psychedelic music works very well because Pink Floyd doesn't rush anything; the songs are mainly slow to mid-tempo, with attention paid throughout to musical texture and mood. The sound effects on songs like "On the Run," "Time" and especially "Money" (with sampled sounds of clinking coins and cash registers turned into rhythmic accompaniment) are impressive, especially when we remember that 1973 was before the advent of digital recording techniques. This is probably Pink Floyd's best-known work, and it's an excellent place to start if you're new to the band. --Genevieve Williams

Customer Reviews:

"Shorter of breath, and one day closer to death...".......2007-07-19

This black pearl of Rogerian profundity represents the pessimist's inversion of, "today is the first day of the rest of your life." Between both extremes lies the truth, which is that each day brings us closer to judgement, heaven or hell, the choice of which is ours, based upon the way that we tick away "the moments that make up the dull day." It takes courage to face the fact that our actions are meaningful and have eternal consequences, no matter how mundane they may be. "Life sucks and then you die" is a great excuse for those who are too lazy to clean the toilet, like your mother asked you to. Instead, you can flop down on the couch, get stoned, veg out to some Floyd, and tell yourself that you're so much better than "them," be they soldiers ("Us and Them"), or greedy businessmen ("Money"), or your mother, who still wants you to clean the toilet. So get over your self-righteous, self-pity, and do something for someone else for a change. A bath every once in a while wouldn't hurt either...

Of all the memorable lines in this great album, why do I seize on this one? Because it best represents the philosophy that lies beneath this album, which is, at best, pessimism, and at worst, despair and fatalism. This is dangerous stuff, especially for young people, who are prone to narcissism.

Although importantly flawed, DSOTM is a great album. "Money" and "Us and Them" are conceptual and musical masterpieces. "Money" is especially notable for the best use of sound effects in rock history, and the poignant "Us and Them" soars musically. "The Great Gig in the Sky" is a daring innovation (singing, without words) that wholly succeeds as a mystical, pagan contemplation of death. "Time" is another musical gem that, despite the objections given above, warns us all about wasting our talents, in what is perhaps my favorite line of the album, "Then one day you turn to find/ ten years have got behind you/ no one told you when to run/ you missed the starting gun." "On the Run" is sonically ground-breaking and a pleasure to listen to.

Unfortunately, the sophomoric "Brain Damage" mars the album with its spoken-word and cackling pretension. This is excusable due to former bandmate Syd Barrett's descent into madness, but "Brain Damage" sounds like something out of a bad science fiction movie, not as a mature consideration of mental illness.

Overall, DSOTM represents a historic and musical milestone, and is a must for every rock music collection, the above objections notwithstanding.

Polished and pretentious. .......2007-07-18

I listened to Pink Floyd when I was at school (late 1980s BTW). It just seemed the thing to do for a teenager. There was a feeling of thinking yourself more grown up listening to such a supposedly intelligent band. And maybe also a slight thrill of teenage rebellion in listening to a band that took drugs (gasp!)

Revsiting it so many years later it's hard to see what the fuss is about. It's a very well produced album I'll grant you that. Sound is excellent throughout (although perhaps Alan Parsons, not Pink Floyd themselves is mainly to thank for that) But *musically* I can't really see this as the greatest thing ever recorded, let alone greatest pop record.

Speak To Me- not really music,but an atmospheric intro
Breathe- Nice enough soft tune, but not really memorable. Water's is at his worst "butter wouldn't melt in my mouth" gentleness though.
On The Run - A synth going "bloobly bloobly blooby" to sound effects. Must have seemed clever in 1973 but it's just boring after about 3 listens.
Time- The first genuinely good song here. The guitar solo is about as good as the clean "understated" guitar style gets. Great intro too.
Great Gig In The Sky- Moving in parts, but a lot of the time it's just tuneless wailing.

Money- Floyd get funky. Meh. One of the first manifestations of Waters annoying "I hate the music business" fixation. Hey Roger my heart bleeds for you, with you having so much money. It's evil, I know.
Us And Them- Like Breathe, it's a quiet little song, quite pleasant, but to me it wouldn't sound out of place in Sesame Street.
Any Colour You Like - Hit and miss instrumental.
Brain Damage -Good song. I sometimes wonder though if Water's too obvious English pronounciations ("the lunatic is on the grawhss") are a turn on for Americans in the way that Monty Python's pronounciations of "bawwhhstid" have them in stitches.
Eclipse.- Nice ending to the album.

So overall, there are some good momemts here and there. But, in essence this album is essentially a soft rock album dressed up in Stanley Kubrick-esque pretentions. It's not "space rock", despite what people say. Early Tangerine Dream, for example, would have much more reason to call an album "Dark Side Of The Moon" than Pink Floyd.

I don't hate this album, I just don't think it's worth getting too excited over. I heard it in my formative years, but it's not music I think is worth revisiting.

Relevant Over 30 Years Later.......2007-07-09

Incredibly, Dark Side Of The Moon, by Pink Floyd, was released almost 35 years ago. The amazing thing is that this excellent CD is still important and relevant today. I can listen to Us and Them over and over again. The hypnotic perfection of this CD is amazing. Most bands would love to have a collection of greatest hits that would rival this one album by this incredible band. If you have not heard this, you are in for a treat. A Five star masterpiece.

wwords can barley describe.......2007-06-28

.........what they made in dark side of the moon. the best phycodelic experience ive heard

Dark Side Of The Moon Is Rock N' Roll's Definitive Masterwork.......2007-05-22

If you are looking for a happy album, this isn't the one. The title of the album should give you a clue as to the mood of the songs. The title could just as easily be "The Dark Side Of The Earth". The recording paints a sad picture of the human condition. It shows the physical and mental consequences when a person is constantly being pressured by the competitive, workaholic society. The person as depicted in the album realizes that the inevitability of old age and mortality are rapidly approaching him as he recognizes that such a lifestyle is futile in the long run. In "Breathe", he is immediately told by society, most likely his parents, while he is very young that he must work hard and never take a break or a vacation in order that he may achieve great success in the world and get rich. The lure of the dollar is a powerful thing and many people, like the person depicted in Pink Floyd's masterpiece, worship it. The stress really builds up in "On The Run". He is constantly being bombarded by all the demands that society places upon him. "I got to perform. I got to catch that plane. I got to get to that meeting on time." He is constantly on the move, never resting or taking time to enjoy all of life's pleasures. He says," I will work until I die. I'll sleep when I'm dead. Retirement is for sissies." In "Time", he reviews his life so far and realizes it was all for nothing. He is left to confront old age and his own mortality and realizes lost opportunities. He could've spent more time with his family or friends. He could've gone to church and learned about God and spirituality. He "runs and runs to catch up with the sun" and has a physical and mental breakdown. Death eventually comes to him in "The Great Gig In The Sky". On his deathbed, he says, "And I am not afraid of dying. Any time will do, I don't mind. Why should I be afraid of dying? There's no reason for it. You got to go sometime." "Money" confronts the evils of capitalism in all its ugliness. The song says that the rich and famous are human too and they must also confront the harsh realities of life sooner or later, whether it is the death of a loved one or their own deaths. "Us And Them" looks at the futility of war and competition and says that we are all ordinary men and women and we must all get along and work together for peace because human life is short and fragile. "Brain Damage" shows how normal men and women can sometimes lose their peace of mind and even their sanity when confronted by all the demands of society. "Eclipse" summarizes the futility of working so hard to amass the most wealth because sooner or later everything "under the sun" will disappear and all that will be left is complete darkness. "And everything under the sun is in tune but the sun is eclipsed by the moon." The "eclipse" is one's own death. This album should be listened to by all the so-called "Type A" people or workaholics who are constantly chasing after success and material gain. A great rock masterpiece that should be listened to again and again.

Average customer rating:

fans will enjoy these previously un-released tracks
New Moon by Elliott Smith
Gone Too Soon
An artist who will be forever missed
Essential for Elliott fans!!!

New Moon
Elliott Smith
Manufacturer: Kill Rock Stars
ProductGroup: Music
Binding: Audio CD

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ASIN: B000OMD4BG
Release Date: 2007-05-08

Tracks:

Angel In The Snow
Talking To Mary
High Times
New Monkey
Looking Over My Shoulder
Going Nowhere
Riot Coming
All Cleaned Out
First Timer
Go By
Miss Misery
Thirteen

Tracks:

Georgia, Georgia
Whatever
Big Decision
Placeholder
New Disaster
Seen How Things Are Hard
Fear City
Either/Or
Pretty Mary K
Almost Over
See You Later
Half Right

Amazon.com

When Elliott Smith died late in 2003, he took with him one of the unique songwriting gifts of his generation: part folk grandeur, part punk fury, and virtually bottomless in eight short years of solo recordings. Thankfully for that generation, and many to come, he left behind two dozen songs that his Portland, Oregon, producer and pal Larry Crane has crafted into a retrospective celebration of Smith's contribution to music. Mostly house-recorded demos plucked from the fertile three years that followed his 1994 debut Roman Candle (including an early take of "Miss Misery"), there's an eminent clarity to these songs that makes them sound like they were recorded yesterday. A lone acoustic guitar is the general accompaniment to Smith's lamenting wail, his self-deprecating lyrics forever a contrast to the sheer beauty of the melodies. "What are you doing hanging out with me?" he asks in "Whatever (Folk Song in C)," his double-tracked harmonies mocking both Simon and Garfunkel. Along with fragile versions of "Angel in the Snow," "Looking over My Shoulder," and a cover of Big Star's "Thirteen," it's as eternal as anything Smith offered when he was with us, and, as one of several shining moments, makes you forget he ever left. --Scott Holter

More from Elliott Smith

Elliott Smith

Roman Candle

Either/Or

Figure 8

XO

From a Basement on a Hill

Album Description

Disc One: 01. Angel In The Snow From the Jan/Feb 1995 sessions at Leslie Uppinghouse's home studio that yielded much of the S/T record. Elliott's mix appeared on a CD that came with Mike McGonigal's magazine, Yeti: Volume I.

02. Talking to Mary From the 1995 sessions at Leslie's. This is Elliott's rough mix as the master tape is sadly missing.

03. High Times From the 1995 sessions at Leslie's. An early working title was "Coma Kid". The "drums" are really just doubled snare (with the throw off loose) and ride cymbal.

04. New Monkey From sessions for Either/Or. The "bar" was certainly La Luna in Portland, with "the millions of fans ignoring the bands."

05. Looking Over My Shoulder From sessions for Either/Or. The title of this song is not certain.

06. Going Nowhere From sessions for Either/Or. Due to the limits of eight tracks you rarely get bass guitar on these sessions unless it is integral to the arrangement. One of the most haunting songs in this collection.

07. Riot Coming From the 1995 sessions at Leslie's. Notice the excellent melodic electric guitar part.

08. "All Cleaned Out" This song was tracked at Jackpot! Recording Studio in early 1997. The title is an assumption as there were no notes on or in the tape box.

09. First Timer Tracked at Jackpot! in early 1997. With different lyrics this song has seen life as "Ghost Writer" or "From a Poisoned Well". Elliott recorded the guitars too loud to tape in this collection, hence the occasional "chunk" noise.

10. Go By From sessions for Either/Or. Recorded to 8-track by Elliott in 1996, but then bounced to 2" tape by Rob and Tom where they added overdubs. It was obviously a contender for Either/Or at some point. Early versions of the song were known as "Bye Bye" and "Two Timed".

11. Miss Misery (early version) This song was tracked at Jackpot! in early 1997. It was later recut with lyric changes at Jackpot! and used in the film, Good Will Hunting.

12. Thirteen This Big Star/Alex Chilton song featured often in Elliott's live sets and in the Lucky Three short film by Jem Cohen. This version was recorded by Rob Jones and Elliott Smith in Elliott's Basement in April 1996 and was broadcast June 1, 1996, on Rob's Locals Show on KWVA 88.1 Eugene, OR. This was a simple live take with acoustic guitar and vocals.

Disc Two: 01. Georgia, Georgia From the 1995 sessions at Leslie's. Even though it was older, it was an early contender for the Either/Or running order.

02. Whatever (Folk Song in C) Apparently from the September 1994 sessions at Tony's. Features JJ Gonson's vintage Domino guitar that Elliott favored. Also known under the working title "Hanging Out With Me".

03. Big Decision From the 1995 sessions at Leslie's. Elliott's mix appeared on the CD compilation, A Slice of Lemon.

04. Placeholder From sessions for Either/Or. Sung so softly, but really beautiful.

05. New Disaster From sessions for Either/Or. Vocals and music are from different takes. Vocals are from the reel that provided From a Basement on the Hill with "Last Hour", but the tape reel flange scraping sound (which you can hear on "Last Hour") was even more distracting on this song. Music was from a later instrumental take, with organ and drums but no vocals. This is the only instance on this record where we combined takes in this manner.

06. Seen How Things Are Hard This song was actually recorded on a 4-track cassette. Mixed by Tom and Rob for possible inclusion of Either/Or. Also known under the working title, "Sleigh Bells".

07. Fear City From sessions for Either/Or. Also known as "See My City Dead". Check out the cool melodic organ part and Elliott's grooving drum style.

08. Either/Or From sessions for the album Either/Or. Apparently the song title was appropriated for the album title but not the song. There's also a version of this song with alternate lyrics called "No More".

09. Pretty Mary K (other version) From sessions for Either/Or. This is a completely different song than the Figure 8 track, but seems to feature different words with a parallel theme. An early version was worked up as "Everything's Okay" - note the similar phonetics.

10. Almost Over From sessions for Either/Or. Some of his fastest guitar picking in this collection.

11. See You Later

12. Half Right These are two Heatmiser songs from their third album, Mic City Sons, performed solo in this collection. From the Rob Jones' Locals Show sessions, "See You Later" was released on the Air Check cassette on Rob's label, Jealous Butcher.

Technical Note: Except for the special case of "New Disaster", where independent instrumental and vocal takes were combined, all songs are presented as tracked by Elliott, and every effort was made to check stereo placement, track levels, editing ideas, arrangement ideas and the overall feel that were present in his rough (or released) mixes. In many cases remixing was simply an attempt to make the elements of the song slightly more legible, and in other cases to reduce the background tape hiss. In no way is this album simply a product of the studio in 2006 - it is a collection of songs, any of which could have easily been included on his albums of 1995 or 1997.

Songs previously unreleased except for: "See You Later", Air Check cassette (1999,JB020/Jealous Butcher/limited to 300 copies) "Angel in the Snow" Yeti: Volume I (2000, 2500 issues printed/pressed) "Big Decision" - A Slice of Lemon (1995,KRS100/Kill Rock Stars, still in print)

Customer Reviews:

fans will enjoy these previously un-released tracks.......2007-07-21

In my Alabama high school, our English teacher had us select writers to do a report on. She carefully went down the list announcing a name with a short one-line bio to quickly introduce the writer to the class. My hand shot up to claim Sylvia Plath when I learned she committed suicide in her thirties; I was morbidly intrigued. In preparation for that school report I remember sitting in the library with headphones on listening to a BBC recording Plath made of her poem "Lady Lazarus." I can still hear the tone in her voice when she announces: "I have done it again. One year in every ten I manage it.... And I a smiling woman. I am only thirty. And like the cat I have nine times to die.... The second time I meant To last it out and not come back at all.... Dying Is an art, like everything else. I do it exceptionally well. I do it so it feels like hell. I do it so it feels real. I guess you could say I've a call." At the time I couldn't help but read into every quiver as evidence that Plath knew she was going to take her own life shortly after writing and recording this poem.

I approach Elliott Smith's posthumous release New Moon with the same ears; with song titles like "Going Nowhere," "Whatever," "Almost Over" and "Big Decision," I thought I would hear something in the lyrics that would announce his early death in 2003 (which was first reported as a suicide, though the evidence is still inconclusive on whether or not the two stab wounds were self-inflicted). Epitaph Records released an album with some of his newer material in 2004, but in New Moon, Kill Rock Stars offers a 24-song double-CD with material he recorded between 1994 and 1997. The CDs offer more examples of his songwriting brilliance, using acoustic guitars and simple recordings that are the basis of his earlier work. I never really got into the overly produced stuff he put out after leaving Kill Rock Stars, so this CD offers a great look backwards at a sound that was so familiar to me in college. There are no big surprises on this album, but fans will enjoy these previously un-released tracks.

New Moon by Elliott Smith.......2007-07-16

Elliott Smith was a musical genius no matter what his personal life or his untimely ending were about. He was like no other of our time---if you are a Smith fan, this collection will rock your world ten times over. Extraordinary!

Gone Too Soon.......2007-06-28

I love this collection. It's like two lost albums were found. Some of his most beautiful and haunting material. The world lost a brilliant songwriter when Elliott passed away. His death is as important to me as John Lennon's (if you knew me, you'd know that that means alot in my world); they both could have gone on to contribute so much more to the world. Maybe they're somewhere playing together right now. That would be cool.

An artist who will be forever missed.......2007-06-27

I lived in Portland Oregon in the mid 1990's and some of my best memories are the Elliot Smith shows i saw in quaint local bars and clubs, up close and personal, just Elliot and his guitar. I always loved him with his band as well, but to me, the true artist in Elliot Smith always came shining through in his solo shows, when his fantastic songwriting was front and center.

If you are the kind of person who owns every Elliot Smith CD, and considers the Kill Rock Stars records to be his best, then New Moon is a must have. There is no need for me to go through track by track to describe the beauty of this album. The care that went into this release by the people who put it together deserves five stars in itself.

Listening to New Moon made me realize how great Elliot Smith was and how much i miss hearing him and seeing him create new music.

Essential for Elliott fans!!!.......2007-06-27

It totally astounded me. I had no expectations, but would not have been surprised if these tracks were left off Elliott's records because they were somehow sub-standard. They are not. Either/Or could have been a perfect double CD with the inclusion of these tracks. If you are an Elliott fan, you will be exstatic about these archival gems.

Dark Side of the Moon 30th Anniversary Edition

Average customer rating:

One of Two
A Darker Side of Pink Floyd
5+ STAR SACD, 2 star CD
Fantastic
" Essential "

Dark Side of the Moon 30th Anniversary Edition
Pink Floyd
Manufacturer: Capitol
ProductGroup: Music
Binding: Audio CD

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ASIN: B00008CLOA
Release Date: 2003-03-25

Tracks:

Speak To Me/Breathe
On The Run
Time
The Great Gig In The Sky
Money
Us And Them
Any Colour You Like
Brain Damage
Eclipse

Amazon.com essential recording

Album Description

The Super Audio CD (SACD) features two disc layers. One layer contains a standard version of the album that works on any CD player. The other layer includes high-resolution stereo and a 5.1 surround version of the recording that works on SACD-compatible DVD players and home theater systems. Both layers employ SACD's Direct Stream Digital (DSD) encoding process that samples the music 64 times faster than CD for unprecedented fidelity.

Album Description

Full Title - Dark Side of the Moon 30th Anniversary Edition. It's been 30 years since 'Floyd released their masterwork, and it's been on the charts for most of them! And now comes a new dimension to what was already the ultimate headphone experience-this new edition includes a newly-remastered conventional version and a Super Audio CD 5.1 surround mix version playable on SACD-compatible DVD players and home theater systems. Original designer Storm Thorgerson chips in with new art inside the 20-page booklet. Capitol. 2003.

Customer Reviews:

One of Two.......2007-07-23

I only own two Pink Floyd CDs. This and Delicate Sound of Thunder. No Music collection is complete without this CD.

A Darker Side of Pink Floyd.......2007-07-21

The Dark side of the Moon is possibly Pink Floyd's best and most popularly acclaimed recording, it is indeed a "classic album". With the smooth vocals of Roger Waters and the lead guitar work of David Gilmour it is a classic of progressive-rock that is indeed a profound experience to listen to. Released in 1973 it was an immediate hit with the hippies still around in the early seventies, with its post psychedelic soundscape. It is darker and more brooding in tone than the earlier Syd Barrett led (who had a mental breakdown due to taking too many acid trips) era Floyd and is indeed an album to immerse one's self in. The more one listens to Dark Side the more one starts to appreciate what a revolutionary album it was for its time, it has inspired generations with its melodious music and enigmatic lyrics.

With its complicated sound structures and beautiful mixing The Dark Side of The Moon begs to be listened to again and again... and again. As one of my favorite rock albums of all time I would certainly put Pink Floyd in the pantheon of "rock gods" along with The Doors, The Beatles and Led Zeppelin amongst other 1960s and 1970s bands. The Dark Side of the Moon was produced in an era when rock bands had more room to express their creativity and more room for improvisation and experimentation than today. The big music companies did not have as much of a commercial strangle hold on the creative process back then as they do these days with their desire to use bands as a vehicle only for making money and sales. Bands in the 60s and 70s where more radical, and non conformist and they would not easily toe the line set by big business executives. Rock 'n' roll has I'm sorry to say been co-opted and commercialized to such an extent in the age of trashy TV shows like MTV, Australian or American Idol that I fear it can't be saved, not to say that there aren't some cool modern bands out there making the music they want to. Much of the music of this early era hasn't dated and is timeless and wonderful to hear and listen to. If you're going to start collecting the Pink Floyd albums I suggest you start with The Dark side of the Moon followed by Wish You Were Here, Meddle and The Wall. They are all available in re-mastered editions and Dark Side of the Moon has been put into the SACD format, so the clarity is amazing. Lose yourself!!!

5+ STAR SACD, 2 star CD.......2007-07-18

The SACD stereo and 5.1 surround versions of Dark Side of the Moon are the only way currently available to experience this album as Pink Floyd intended it to be heard. If you don't have an SACD player or a DVD player that plays SACDs and don't intend to buy one, don't buy this album. The regular CD version sounds better. The CD layer on this is too compressed and too loud and might be OK in a noisy car with the windows open, but forget about it on even a low quality home system. I say this as someone who loves Dark Side of the Moon.

I have thought that Dark Side of the Moon is one of the finest albums ever made for over 30 years. I have 2 copies of the British SQ Quad version, an unopened backup and a copy I play on rare occasions. I also have one opened and 2 still-sealed Stereo LP pressings. All 5 of these are British Harvest pressings circa 1977. I also have an opened and a sealed Mobile Fidelity LP pressing, and my original American Capital pressing. In my opinion the late 70s British Stereo pressings beat all comers. The MFSL is crisper and has more detail but, fatally, less atmosphere. But it is a good second choice and occasionally a good alternate listen. The British Quad pressing has cleaner, quieter surfaces than the American Capital and is clearly a different (but inferior) mix, which makes for an interesting alternate listen on a rare occasion, but the sound quality and mix are actually better on the American Capital. If you are listening for sound quality, the SQ is a poor fourth among these 4 versions. If you want quad or surround, any of the other 3 played through Dynaquad or Dolby Surround some other ambiance recovery arrangement gives a much more satisfying experience. My comments on British pressings are limited to late 1970s pressings. I say this because I picked up a British stereo pressing of Wish You Were Here about 1986 and it sounds muffled compared to my Japanese stereo and British Quad pressings from the 70s, so I wouldn't vouch for later British pressings, though it is possible they may be satisfactory on Dark Side. The British Quad pressing of Wish You Were Here stands with the British Stereo pressing of Dark Side in terms of sound quality and quality of listening experience. The mix is different from and superior to the stereo version of Wish You Were Here, whether played back in stereo or in quad (and I wish Sony would release it on SACD).

Because my LPs sounded so good I never bothered to get CD versions of most of Pink Floyd, though I did pick up the Mobile Fidelity Gold CD of Dark Side, and later the Doug Sax remastered CD Box set, Shine On, which includes many but not all of the albums. I occasionally listen to some of them but mostly I still listen to the vinyl versions. Except...

The SACD. In addition to the lousy sounding CD layer, you have 2 choices on the SACD layer, Stereo, or a new 5.1 channel mix from the original multi-track analog masters. Earlier I said that late 70s British Stereo LP pressings beat all comers. Let me qualify that. The stereo SACD version equals it. It is very difficult to hear any difference between my always carefully played 1977 British Stereo pressing and the SACD stereo tracks (except there is some very slight surface noise on the LP--but it is not yet objectionable enough to make me break the seal on one of my other copies). Old British stereo pressings are basically going to be impossible to find. This is a worthy substitute. There is also the new 5.1 channel mix. If you like surround sound you'll love this. I love surround sound and listen to most stereo sources with Dynaquad passive ambiance recovery. This new surround mix is about equal to the stereo mix but different, exchanging a little more clarity for a little less of the mysterious. It is a worthy alternative (unlike the old SQ version). I listen to both.

So buy this SACD while it is still available if you like this music. If you don't have an SACD player, don't listen to it yet. But get yourself one of the universal DVD players that plays SACD (and DVD-A, too, preferably) and you are in for a treat. And some of the dedicated SACD players sound even better. Let me repeat: the SACD stereo and 5.1 surround versions of Dark Side of the Moon are the only way currently available to experience this album as Pink Floyd intended it to be heard.

Fantastic.......2007-07-09

" Essential ".......2007-06-27

A timeless piece of classic FLOYD. If it's not already in your collection - Get It!

Average customer rating:

Best Album EVER!
Much better than first time :))
A somewhat unsatisfying transformation
Setting the record straight!
Better than others will lead you to believe.

The Sun And The Moon
The Bravery
Manufacturer: Island
ProductGroup: Music
Binding: Audio CD

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ASIN: B000P6RJ30
Release Date: 2007-05-22

Tracks:

Intro
Believe
This Is Not The End
Every Word Is A Knife In My Ear
Bad Sun
Time Won't Let Me Go
Tragedy Bound
Fistful of Sand
Angelina
Split Me Wide Open
Above And Below
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Amazon.com

Sam Endicott will probably never be taken seriously. Not after fronting a band called Skabba the Hut. Not after switching ridiculous dreadlocks for an even more ridiculous faux-hawk. And certainly not after taking a feud with the Killers' Brandon Flowers seriously. It's too bad because Endicott's band the Bravery has made a second album that is worth taking seriously. On The Sun and the Moon, the New York five-piece trades in the faux British accents and Duran Duran synthesizer flares of its self-titled 2005 debut for something a little more real. Bursting to life with sweeping, opulently textured songs like "This Is Not the End" and "Time Won't Let Me Go," it's a warmer and statelier set that seems somehow more dignified. Give or take a few stray lyrics, it could easily pass for the work of a band that has unexpectedly stumbled on credibility. --Aidin Vaziri

Customer Reviews:

Best Album EVER!.......2007-07-15

The Bravery's latest album is incredible! The music sets, lyrics, and beats are profound and amazing! All the songs are so addicting that you'll never want to let it stop!

Much better than first time :)).......2007-07-14

Excellent work, guys ! :))
Your songs are so killing !
You are knife in my ears ! :))

A somewhat unsatisfying transformation.......2007-07-11

With The Bravery's debut album being a very admirable part of the regrettably brief new wave resurgence movement in music alongside such similar artists as The Killers, Franz Ferdinand, Bloc Party, and Editors, I hoped that their second release would sound fairly similar to their self-titled release, which is one of my all-time favorite albums. I'm all for bands going in new directions, but unfortunately The Bravery seems to have moved in a direction that is more or less a bland alternative style, and comes short of the appeal of their prior upbeat 80's-ish style. Only two or three tracks maintain the style of the self-titled debut, and conveniently they are some of the album's better songs. I liked approximately six tracks including the intro; among them are "Believe", "This Is Not the End", "Tragedy Bound", and "The Ocean". I did not intensely enjoy too many of my favorites on this album however, unlike I have enjoyed past songs "Rites of Spring", "An Honest Mistake", and "Tyrant". Basically the band sounds like a blend of newer Arctic Monkeys with newer Kaiser Chiefs, except with an electronic touch on occasion. Although I am a fan of both those bands, I dislike The Bravery's take on the style used on The Sun and the Moon, and really was fairly unimpressed with the lyrics as well. Still, the album has a fair amount of good melodies on it, and while I didn't enjoy enough of them to justify a purchase, I'd still give this CD three stars since it was if nothing else a mildly decent effort.

Setting the record straight!.......2007-07-03

I almost didn't buy this CD because of the reviews here on Amazon. What a mistake that would have been!!! This one is very similar to the first one, but even more interesting because it is more varied. I LOVED their debut album - it's one of the only CDs I have (out of hundreds!) that I can listen to over and over without getting sick of it. The Sun and the Moon has the same infectious beats, but isn't QUITE as peppy as the first one with respect to the lyrics. Its depth makes it very interesting to listen to, and I have a feeling I'll like it even more as I listen to it again and again. If you're on the fence about this one, give it a chance!!!

Better than others will lead you to believe........2007-06-22

Most of my favorite bands that have put out new albums in the last year or so seem to have changed their sound for the worst ie Linkin Park, Incubus, Evanescence, 311 etc. So when I read the reviews on here about the Bravery changing their sound as well I figured as much and was apprehensive to buy the new cd. However, the change is slight and still sounds like The Bravery. There are still several songs with the electronica sound and those that aren't make up for it with clever lyrics and a distinct Bravery-esk sound. If you enjoyed their first cd, this one is a must buy.

Average customer rating:

The beautiful gift of opera...
Pretty darn good
The Opera #1 Opera Album
Excellent assortment
Great Selections

The #1 Opera Album
Giacomo Puccini , Giuseppe Verdi , Léo Delibes , Georges Bizet , Umberto Giordano , Wolfgang Amadeus Mozart , Richard Wagner , Gioachino Rossini , Alfredo Catalani , Jacques Offenbach , Ruggiero Leoncavallo , Charles Gounod , Gaetano Donizetti , Pietro Mascagni , Antonin Dvorak , Richard Bonynge , Herbert von Karajan , Alberto Erede , Lamberto Gardelli , Giuseppe Patane , John Mauceri , Zubin Mehta , Charles Dutoit , Gyorgy Fischer , Riccardo Chailly , Istvan Kertesz , Leone Magiera , Evelino Pido , Gianandrea Gavazzeni , Renée Fleming , Cecilia Bartoli , Luciano Pavarotti , Jussi Bjorling , and Renata Tebaldi
Manufacturer: Decca
ProductGroup: Music
Binding: Audio CD

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Nessun Dorma ~ 20 Great Tenor Arias / Pavarotti, Carreras, Domingo, Bergonzi, Aragall, Björling, Di Stefano, Kollo, Corelli, Del Monaco...

ASIN: B000059RXO
Release Date: 2001-02-27

Tracks:

Carmen: Act 1: Prld - LPO/Sir Georg Solti
La Traviata: Brindisi: Libiamo, Ne'lieti Calici - Luciano Pavarotti/Joan Sutherland/London Opr Chor/Terry Edwards
La Boheme: Che Gelida Manina - Luciano Pavarotti
Lakme: Flower Duet: Dome Epais Le Jasmin - Joan Sutherland/Jane Berbie
Fedora: Amor Ti Vieta - Jussi Bjorling
Carmen: Habanera: L'amour Est Un Oiseau Rebelle - Tatiana Troyanos/John Alldis Chor/John Alldis
Nabucco: Chor Of The Hebrew Slaves: Va Pensiero - Chicago Sym Chor/Margaret Hills
Le Nozze Di Figaro: Dove Sono - Kiri Te Kanawa
Rigoletto: La Donna E Mobile - Luciano Pavarotti
Lohengrin: Bridal Chor: Treulich Gefuhrt Ziehet Dahin - Konzertvereinigung Wiener Staatsopernchor/Walter Hagen-Groll
Gianni Schicchi: O Mio Babbino Caro - Renata Tebaldi
Il Barbiere Di Siviglia: Largo Al Factotum - Leo Nucci
La Wally: Ebben?... Ne Andro Lontana - Angela Gheorghiu
Madama Butterfly: Humming Chor - Wiener Staatsopernchor/Norbert Balatsch
Carmen: Flower Song: La Fleur Que Tu M'avais Jetee - Placido Domingo
Les Contes D'Hoffmann: Barcarolle: Belle Nuit, O Nuit D'Amour - Joan Sutherland/Huguette Tourangeau/Chor De La Radio Suisse Romande, Pro Arte De Lausanne Et Du...
Tosca: E Lucevan Le Stelle - Placido Domingo
Madama Butterfly: Un Bel Di - Mirella Freni
Les Pecheurs De Perles: C'est Toi... Au Fond Du Temple Saint - Gregory Cross/Gino Quilico

Tracks:

Die Walkure: The Ride Of The Valkyries - Wiener Phil/Solti
Le Nozze Di Figaro: Voi Che Sapete - Cecilia Bartoli
Pagliacci: Recitar!... Vesti La Giubba - Luciano Pavarotti
La Boheme: O Soave Fanciulla - Mirella Freni/Luciano Pavarotti/Roland Panerai
Il Trovatore: Anvil Chor: Vedi! Le Fosche - Chicago Sym Chor/Margaret Hillis
Manon Lescaut: Donna Non Vidi Mai - Jose Carreras
Don Giovanni: La Ci Darem La Mano - Lucia Popp/Tom Krause
Mattinata - Andrea Bocelli
Faust: Soldiers' Chor - Ambrosian Opr Chor/John McCarthy
L'elisir D'amore: Una Furtiva Lagrima - Roberto Alagna
Turandot: Signore, Ascolta! - Montserrat Caballe
Don Giovanni: Champagne Aria: Finch'han Dal Vino - Bryn Terfel
Cosi Fan Tutte: Trio: Soave Sia Il Vento - Renee Fleming/Anne Sofie Von Otter/Michele Pertusi
Il Trovatore: Di Quella Pira - Luciano Pavarotti/Joan Sutherland/London Opr Chor/Terry Edwards
Tosca: Vissi D'arte - Kiri Te Kanawa
Carmen: Toreador Song - Jose Van Dam/Tatiana Troyanos/Norma Burrowes/Jane Berbie/Thomas Allen/Pierre Thau/John Alldis...
Madama Butterfly: Love Duet: Vogliatemi Bene - Mirella Freni/Luciano Pavarotti
Cavalleria Rusticana: Intermezzo - Nat PO/Gianandrea Gavazzeni
Rusalka: O Silver Moon - Renee Fleming
La Boheme: Si. Mi Chiamano Mimi - Angela Gheorghiu
Turandot: Nessun Dorma - Luciano Pavarotti/John Alldis Chor/John Alldis

Amazon.com

The labels that are now gathered under the Universal Classics umbrella have a pretty impressive scorecard in the area of classical compilations. We've seen The Greatest Opera Show on Earth, The Yellow Guide: Classical Music, Best of the Millennium, and now there's The No. 1 Opera Album. But that's no surprise, since Universal has some of the finest interpreters in its catalogue to draw from. This two-CD set (at the price of one), for example, brings together the likes of Cecilia Bartoli, Renée Fleming, Luciano Pavarotti, Kiri Te Kanawa, Sir Georg Solti, Herbert von Karajan, and many more. Yet the other key to a successful compilation is canny anthologizing, and here again, you have a nice selection to give you a smattering of opera's heavyweights from the Italian, German, and French repertory (there's even a step outside the standard framework with an aria from Dvorák's lovely Rusalka). Ranging from 1959 to 1997, the choices from back catalogue will doubtless be the entry ticket for many into this grandest of the arts. --Sarah Chin

Customer Reviews:

The beautiful gift of opera..........2007-07-17

This 2-CD set is absolutely wonderful! You can close your eyes and feel like you're actually at the opera, listening to those beautiful voices bringing tears to your eyes. Nessun Dorma still stirs up emotions in me, no matter how many times I hear it. Great examples of opera to give someone wanting to get interested in this style of music.

Pretty darn good.......2007-07-04

This CD set has a lot of familiar music on it, so if you're a newbie, you might want to try starting with this. There are some great pieces on the first CD. I usually don't even make it to the second.

The Opera #1 Opera Album.......2007-06-07

The music is wonderful. The production is terrible!! The sound fades in and out and is very scratchy in some places.

Excellent assortment.......2007-05-12

I'm not a big opera fan but I wanted to expose an assorted selection for my kids. This was perfect since it included several recognizable selections.

Great Selections.......2007-03-31

This Cd, has the very best of Opera
covering mainly from the classcal
to the to the romantic periods, a most
memorable selection here is Leo Nucci
in a lagendary performance of Rossini's
"Largo al Factotum" from "Il Barbiere di Seviglia"
also Andrea Bocelli in his performance of Leoncavallo's
memorable "Matinatta" here in an orchestrated version.
Indeed some of opera's most loved arias are in this recording
various conductors, orchestras, and soloists. All in their
very best. Indeed a five-star recording...

Average customer rating:

Fantastic CD
Love her voice
Deborah Shines
Jazz & Blues with Deborah !
This is one of the top CD of this Year!!!

Destination Moon
Deborah Cox
Manufacturer: Decca
ProductGroup: Music
Binding: Audio CD

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ASIN: B000ND91U4
Release Date: 2007-06-19

Tracks:

Destination Moon
What A Difference A Day Made
Misery
Baby, You've Got What It Takes
This Bitter Earth
Squeeze Me
New Blowtop Blues
Blue Skies
I Don't Hurt Anymore
Smoke Gets In Your Eyes
September In the Rain
Look To the Rainbow

Amazon.com

Those who don't know any better are apt to dismiss Deborah Cox as another R&B/dance diva determined to cling to the spotlight by whatever means necessary, including a giant genre-leap. Those who've been listening carefully, though, will check their doubts at Destination Moon's door. On this, her fourth disc, Cox sidles up to jazz--the jazz of her role model Dinah Washington--with subtlety and surefooted grace; along the way, she makes something of a masterpiece. From classics such as the title track to lesser-known but deeply felt compositions such as "I Don't Hurt Anymore," she avoids the temptation to rub a modern sheen over these songs and settles contentedly into the mood Washington carved for them instead. "This Bitter Earth" gets the "mm-hmm" treatment Dinah delivered so well, and "Misery" and "New Blowtop Blues" don't dream of belying their blueswoman roots. Best of all are the more delicate tracks: "Look to the Rainbow" captivates with a contemplative sadness, and "Blue Skies" is a natural wonder as beautiful as a dose of pure azure on a cloudless day. --Tammy La Gorce

Album Description

Platinum-selling recording artist Deborah Cox reinterprets the classic songs of Dinah Washington on her Decca debut, Destination Moon. Destination Moon thrusts the R&B/dance diva into whole new territory, showcasing her range and scope as an artist capable of tackling jazz, blues and "big-band" with ease and confidence. Deborah Cox's first exposure to Washington came very early, when she was a little girl. "I first became aware of Dinah when I was growing up, when I was about 8 or 9 years old" she says. "A lot of jazz was played about the house. I heard my mother playing a 45 of "This Bitter Earth" -- this first song I had ever heard from Dinah. It was the richness and the tonality of her voice that I gravitated to." For the arrangements and the production, Deborah turned to the highly-versatile New York-based music man Rob Mounsey, whose credits with such diverse performers include Paul Simon, Steely Dan, Aretha Franklin and Tony Bennett to name a few. The record was made live in the studio, with 40 musicians in the same room with her, playing and singing in real time under Mounsey's direction. "I'm doing this to broaden people's awareness of what I can do and also for the sheer love of her music." As a result, Deborah's homage to Dinah Washington does not lean overwhelmingly toward one particular style. It was designed from the beginning to be a compendium of several of Dinah's idioms - the big-band swing of "All Of Me" and "Destination Moon," swaggering R&B ("I Don't Hurt Anymore)," the blues that earned her the misleading nickname "Queen of the Blues" ("Misery," "New Blowtop Blues"), the lush ballads that put her on the jukeboxes of Middle America ("What A Diff'rence A Day Made," "This Bitter Earth").

Customer Reviews:

Fantastic CD.......2007-07-21

I was so totally impressed with her voice and her style. Jazz is definitely Deborah Cox' forte'!! I bought two and gave one to a friend who feels exactly the same way. Hope to hear more from her along the "Jazz" lines....
S. Washington
Greenbelt, MD

Love her voice.......2007-07-18

I guess I'm a big sucker for souful, strong, powerful voice. Me loving this album proves it again. It's all jazz standards, nothing new. In the past year, getting new albums from Diana Ross, Natalie Cole, Diana Krall, it's like one disappointment after another. So when I heard this new album, I was more than happily surprised how good it is. If you're a fan of jazz standards, I bet you'll like this one.

Deborah Shines.......2007-07-05

From her self-titled debut, to One Wish, to The Morning After to Destination Moon, Deborah's albums are like mini-greatest hits compilations, and Deborah scores again with her interpretations of Dinah Washington's songs on Destination Moon. Deborah has the best voice in contemporary music today, and this album continuously showcases her incredible range and talent. Personal favorites will include the title track, "Misery", and "This Bitter Earth". The album's best songs are "What a Difference a Day Makes" and the closing "Look to the Rainbow". Flawless from start to finish, Deborah again creates a masterpiece.

Jazz & Blues with Deborah !.......2007-06-25

Deborah takes the less is more approach with her first collection of standards. With a restraint that gives the arrangements plenty of room to breathe, she croons beautifully, showing us different facets of her vocal personality.
While her hits have generally called on her to be very angry or very sad, these classic songs allow her to be at turns gentle, sassy, reflective, happy and wry. The productions and arrangements are reminiscent of the golden era of era of Billie, Sarah, Dinah and others, but contain enough surprises to keep them from sounding old-fashioned.
Deborah - who shifted from pop siren to Broadway star with Aida, further expands her range to include jazz, blues and big band. Cox and her backing musicians were recorded live in the studio, playing and singing in real time. The effect pays off as Cox accurately renders each song with her own textures.
No one expects Cox to abandon the dance-floor (she just released a new dance track with Tony Moran), but her latest offering "Destination Moon" allows her to explore another musical landscape with glowing results.
Deborah takes the jazz route on "Destination Moon", a tribute to one of her all-time heroines, Dinah (The Queen) Washington. Whether you view it as a tribute album, a jazz debut or just a collection of good music, this album succeeds on all levels. From the swinging big-band to piano-voice ballads, Cox captures the essence of Washington, yet adds her own touches. Washington's milestone recordings are here. Cox gives "What a Difference a Day Makes" a mid-tempo turn with strings, getting the Queen's innocent voicing, but injecting more feeling into the lyrics.
"Baby, You've Got What It Takes" comes at us as a fast shuffle. Cox fills "This Bitter Earth" with Washington tics - the up-speak at the end of phrases, the self-satisfied "mmh-hmmm" after a line. Washington first made her name as a blues singer, and Cox lays the blues on in "Misery" and "New Blowtop Blues", that classic mean-woman lament where she sings of her run-in with a jealous ".45-packin' mama."
On "Destination Moon", focusing on Washington, the jazz singer, dishing out several of the standards most closely associated with her career, Deborah also wraps her powerful pipes around gems like "I Don't Hurt Anymore", "September in the Rain" and "Smoke Gets in Your Eyes".
Producer/arranger Rob Mounsey pulled out all the stops for these sessions, surrounding Cox with a 40-piece orchestra that laid down a gorgeous foundation for her to build on. And she did just that.
In an interview conducted to promote her new album, , Cox said she recorded this record for two reasons -- to pay tribute to an artist who had so inspired her and to show that she, like Washington, was capable of doing a lot more musically than some people might have expected.
She succeeded on both counts. It's very nice work.
Think long, rainy afternoons, dinners for two and early mornings on the patio.

This is one of the top CD of this Year!!!.......2007-06-20

This CD is Amazing!!! Deborah Cox vocals are outstanding! I was very surprised to hear that she had a new CD release. They should be promoting this album like crazy. At first i heard that this was a throwback album so i wasn't sure how to take this but i went and purchased it anyway and i'm amazed at her depth of talent. Her Phrasing is just perfect and the live instrument just add to the excitement of the music. I would have to say that this is the top album released this year as a tribute.
Also check out Amel Larrieux new CD its the same kind of music. I love it!
Enjoy and reccomend!

Average customer rating:

Good companion for Battlestar Fans
Captures the feel of the show
Awesome Soundtrack
BSG
Agree with everyone else

Battlestar Galactica: Season One
Daniel McGrew , Ken Stacey , Lillis Ó Laoire , Melanie Henley Heyn , Michael Now , and Raya Yarbrough
Manufacturer: La-La Land Records
ProductGroup: Music
Binding: Audio CD

Movie Scores | Soundtracks | Styles | Music

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Battlestar Galactica - Season One

ASIN: B0009Q0F5U
Release Date: 2005-06-21

Tracks:

Prologue
Main Title (US Version)
Helo Chase
The Olympic Carrier
Helo Rescued
A Good Lighter
The Thousandth Landing
Two Funerals
Starbuck Takes On All Eight
Forgiven
The Card Game
Starbuck On The Red Moon
Helo In the Warehouse
Baltar Speaks With Adama
Two Boomers
Battlestar Operatica
The Dinner Party
Battlestar Muzaktica
Baltar Panics
Boomer Flees
Flesh And Bone
Battle On The Asteroid
Wander My Friends
Passacaglia
Kobol's Last Gleaming
Destiny
The Shape Of Things To Come
Bloodshed
Re-Cap
Main Title (UK Version)

Album Description

Presenting the original soundtrack from the first season of Sci Fi Channel's critically acclaimed, top-rated television series starring Edward James Olmos, Mary McDonnell, James Callis, Tricia Helfer and Katee Sackhoff. Composer Bear McCreary's dynamic score ingeniously melds orchestra, vocals and synth into an emotional experience that ranges from full-throttle action to soul-stirring drama. Packed with more than 78 minutes of music, this is a comprehensive collection of the very best musical moments from this amazing sci-fi drama's first season. Features both U.S. and U.K. main title themes and includes exclusive liner notes.

Customer Reviews:

Good companion for Battlestar Fans.......2007-05-07

If you're a Battlestar Galatica Fan, this audio is an excellent companion to your collection. Passacaglia, Forgiven, and The Shape of Things to Come are emotional and addictive orchestral soundtracks. Not every song from the first season is included in this CD. The opening credit songs for the UK and the US versions and the battle songs (The Thousandth Landing, Battle on the Asteroid) are included. Battlestar Muzaktica is quite odd and doesn't fit with the collection of songs.

Captures the feel of the show.......2007-04-11

Has a great selection of songs from the 1st season. I like show/movie CDs that you can picture the scenes and emotion of the actors when you hear the song. The Celtic underlays are great, and the Taiko drumming style is very well used for building intensity in the music. If you really like the series, you should probably really enjoy the music as well!

Awesome Soundtrack.......2007-04-11

If you like the music in a scene that just blends in and makes the scene even more emotional or suspenseful, that is what the scores from season one do on this cd. I initially bought it to for the prologue (cylon music) and the two main titles (U.S. and U.K.) but after listening to the entire cd, I have become completely addicted to it. The titles of the scores usually give you a hint of the scene and the liner notes also tell you the episode that they are from but the soundtrack has definitely made rewatching season one an even more intriguing experience. The scores with words, are written by Bear and are in various languages, but the words, especially the opera piece, are actually so dead one with the scene and in this specific scene hilarious. I love this soundtrack. If you are someone who is addicted to really grasping everything that happens in this show and watch and analyze it beyond face value, this is an added bonus to have in your collection. I highly recommend it!!!

BSG.......2007-04-10

Man I love the Classic and the Present BSG's So Inaturally find the SoundTrack/Score A joy and very relaxing. They tend to sound very similar but they are very diffrent.

Agree with everyone else.......2007-03-28

There have been lots of raving reviews of this album, as well as the equally sensational season 2 soundtrack. I just wanted to add my opinion on one track, "Destiny". An earlier review describes an Arabic string instrument being used, but it is actually a biwa, a traditional Japanese instrument that has such a distinct sound that it's hard to imagine it being used for anything other than traditional gagaku music. I don't know if anyone but McCreary has ever tried to use this instrument for something else, but it hardly matters. The fact that McCreary managed to use it so effectively in a piece that is so different from gagaku music is a perfect testament to his unique genius. I'm really looking forward to following McCreary's career.

Average customer rating:

Quintessential.
Modest... they shouldn't be!
prepare to be amazed...not by my review, but how amazing this album is
Excellence
After listening to it over 20 times, I realize this is the best album ever! 2nd place goes to 40oz To Freedom