Evanescent

Editorial Reviews
Album Description
Classic guitar pop from Dangtrippers, Head Candy and Bent Scepters singer/songwriter/guitarist.

Tracks:

Airplanes
Misfits
Silver Space Rocket
See the Sun
Find a Way
Angel
When We're Apart
Soda Fountain
Promised Land
Wandering Eyes
Nellie
Mr. Rogers
Dandelions
Cowboy Pop Song
Way of the Buffalo

Amazon.com

What Jean Dubuffet is to abstract painting, Grant Birkenbeuel and JinJa Davis are to Americana. On their second release, Birkenbeuel and Davis's small songs, as vibrant as they are childlike, initially seem like the dabbling of musical dilettantes, but their shifting modal harmonies, inventive arrangements--flugelhorns, chimes, synths, and pedal steel provide subtle colorings--and pretty pop images of sunshine, space rockets, fresh air, and smiles offer a gentle, playful comfort that's sweet rather than saccharine. The closing song "Way of the Buffalo," with its vision of trees and green seas gone forever, even gestures towards dreams more political than personal. Imagine the Handsome Family on Paxil or Beck producing a children's album and you'll approximate, but not exhaust, the quiet, mirthful expressionism of Utah Carol. --Roy Kasten

Album Description

"Comfort for the Traveler," Utah Carol's follow up to their 20-song debut "Wonderwheel," is haunting, mysterious and melodic. The 15 well-crafted, country-tinged pop melodies are about longing, unrealized dreams, lost love and the endless search for something that is forever just out of reach. Utah Carol has created a dreamy, hypnotic and sometimes spooky landscape with layered orchestral instruments, vintage organs and keyboards, electric guitars, acoustic bass and the unique vocal harmonies of JinJa and Grant.

"Comfort for the Traveler" is an enhanced Digipak CD that contains a short film animation based on an excerpt of "Angel," the sixth song on the album. The animation short was produced by Utah Carol and directed by Eun-Ha Paek of The Milky Elephant in San Francisco. The animated film is in QuickTime format.

The album packaging was art directed and designed by Utah Carol and features paintings by New York City artist Lisa Krivacka and photography by Photonica, NYC. This title is an "ENHANCED" Digipak version of the album with a Quick Time video and accompanying software and installation instructions.

Customer Reviews:

Beautiful melodies, exceptional voices,.......2001-12-29

Utah Carol, as you can tell from their name, hail from Utah, United States. An unknown corner of the planet to most, it is known to many people from the Utah Jazz, the basketball team. So, too, Utah Carol are unknown to us also, as they have not acheived a following here, unfortunately. Accoustically, the prose which blossomed in the past year like Kings of Convenience, come close in the new disk to putting things in order, with the words Utah Carol themselves pen with mastery.

Country, blues, folk and rock ballads which sometimes meld into gospel and also psychedelic, Donovan and Dylan, Grateful Dead, Simon & Garfunkel emerge in Comfort for the Traveller in its beautiful melodies, exceptional voices, revealing for us an incomparable unkown from the other end of the Atlantic, which unfortunately noone cares to bring to our shores.

The American tradition of the poetry of great spaces.......2001-12-29

With the first listening of the second self-produced album of this duet of Chicago, the listener tends already to pass by again in loop the title of opening: "Airplanes," with its rhythmic hopping, its vocal harmonies XY and its pop obviousness could have been reproduced on the "Buildings and grounds" of Fritas Fritas - in whom it would have largely exceeded all the remainder besides. To stop there would raise however of the professional misconduct, so much this disc impresses finally by its melody facility, its discrete elegance and its smoothness of interpretation. Grant Birkenbeuel and JinJa Davis, the thinking heads of Utah Carol (the name of the group comes from a song of the cow-boy of Nashville Marty Robbins) do not hide their membership of the American tradition of the poetry of great spaces: "Angel" for example sounds like a ballade old-time of the Appalachian Mountains subtly electrified and "Promised Land" is completed by a gigue with the accordion as one can hear some in make-dodo of Louisiana (probably played synthetizer but what imports). And the parts of violin and pedal-steel do not play as often enluminures but provide to the songs a hypnotic melody architecture which forces admiration ("Find a Way," "When We're Apart", you will complete the list yourself). Add with that in the pop register with guitars impeccable "Airplanes" already quoted and "Silver Space Rocket" and you will have an idea of an eclectic without being hold-all and traditional disc without being a passeist. The comparisons are consequently easy: of Walkabouts with the feet separated of the clay, Yo Tengo of "Fakebook" (disc of bedside for full people and finally for me also) and productions of Nitszche Jack for Neil Young on "Way of the Buffalo," ultimate point of organ of an album which leaps of peak in peak with the lightness of its soles of wind. Marvellous surprised and a very beautiful revelation. (French to English translation by Altavista.)

Strangely mysterious and often haunting.......2001-12-29

Comfort for the Traveller is the second album release from Chicago based duo Grant Birkenbeuel and JinJa Davis. Strangely mysterious and often haunting the album shows a strong progression from their debut album release "Wonder Wheel". Varying layers of orchestral sounds tinged with the luscious voice of JinJa Davis creates a vintage collection of surrealist dreamy melodies which as the album title suggests provides comfort for the weary traveller.

The album opens with the childlike lullaby "Airplanes" which has a tinge of "Fairground Attraction" mixed with a country beat. The core is undoubtedly country but steers away from "Hillbilly yipping and Ye hawing" for a more sedate dreamy pop vibe which works brilliantly complementing JinJa's subtle vocals. Catchy upbeat melodies, acoustic guitars and girly harmonies come together throughout the album on songs like "Silver Space Rocket" and "Angel". A more rustic country core appears in songs such as "When We're Apart" and "Dandelions". These contrasting styles blend seamlessly on the album with a clear clarity and focus.

From the boy meet girl perspective you cant beat the passionate and dreamy "Find a Way" which epitomises the albums direction. Strong yet simply lyrics lending beautifully to JinJa Davis's serene and calming vocals and backed with vibrant instrumentals.

On a whole "Comfort for the Traveller" is the perfect long journey accompaniment. Sublime vocals and the right blend of backing makes this record a true tour de force for Utah Carol.

A distinctive sound.......2001-12-29

Wonderwheel, the home-grown debut by this husband-wife team named after a Marty Robbins cowboy hero, was one of my favourite albums of the summer of '99, its addictive blend of bittersweet Americana and art-pop sounding like a hillbilly fairground taken over by a couple of kids on mushrooms. More than two years on (it takes time with no budget, a home studio and the determination to enhance the CD with a short, dreamy animation film), second album Comfort... retains their distinctive sound on even stronger songs. There's a sense in their often floaty melodies of goind around and around, like eddies in a stream (When We're Apart, The Way of the Buffalo). And the cantering Promised Land and easy-riding Misfits evoke cowboys on a carousel horse.

A Search for Paradise on Earth.......2001-09-10