The Power of Chant

Editorial Reviews
About the Artist
Born in South India, Tom is the youngest of eight children. He loved the ancient vedic scriptures, meditation and esoteric healing from early childhood. In 1971 he immigrated to the U.S. Tom is at a point in life where he lives from the inside out.

Tom's group of musicians assembled in May 1996 to record their first public offering "The Power of Om" Tom is accompanied by guitarist, Matthew McGregor, Kevin Lovejoy - piano, Poovalur Srinivasan plays the mridangum, a South Indian percussion instrument, and Jason Litt provides the "fill in pad" on the keyboard. The production of Koshy's CD's are without rehearsal or any written notes.

Album Description
"The Power of Chant" is a powerful musical recording by vocalist Tom Koshy and accompanied by guitar, piano, flute, mridangum. Koshy's music flows from the heart and provides a powerful healing experience for a listener at any time and especially during meditation or quiet time.

Instruments of the Orchestra
Average customer rating: 4.5 out of 5 stars
  • Instruments of the Orchestra - Great Reference Material!
  • Beginner or Expert
  • Very Informative and Enjoyable
  • Frank's view
  • Excellent Intro for Those Not Familiar with the Orchestra
Instruments of the Orchestra
Various Artists
Manufacturer: Naxos
ProductGroup: Music
Binding: Audio CD

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  2. The Mahler Symphonies: An Owner's Manual (includes 1 CD)
  3. The Young Person's Guide to the Orchestra (Book & CD)
  4. What to Listen for in Music
  5. Study of Orchestration, Third Edition

ASIN: B00006O0NT
Release Date: 2002-12-03

Tracks:

  1. Overture To 'Tannhauser'
  2. Domna, Pos Vos Ay Chausida
  3. We Don't Merely Use Instruments, We Play On Them. And They Play On Us.
  4. Hungarian Dance No.7
  5. The Violin Is One Of The Most Tender And Beautiful Instruments Ever Invented.
  6. Violin Concerto In D Major (Adagio)
  7. But For A Long Time It Was Seen As The Instrument Of The Devil.
  8. The Soldier's Tale: Triumphal March Of The Devil
  9. The Manipulative Seductiveness Of The Gypsy Violin.
  10. Csardas Music
  11. The Violin And The Initiation Of Nature
  12. The Four Seasons (Spring, Mvt 1)
  13. Birds Are Again Evoked In The Second Concerto, Especially Music's Natural Favourite.
  14. The Four Seasons (Summer, Mvt 1)
  15. Like The Devil, The Violin Is A Master Of Disguise.
  16. Old Viennese Dance No.3 'Schon Rosmarin'
  17. The Menacing Sensuality Of Ravel's Tzigane: A Very Different Side Of The Violin:
  18. Tzigane
  19. Do We Now Have The True Measure Of This Instrument? Not Just Yet.
  20. Caprice No.24
  21. The Many Effects Of The String Tremolando: Brandenburg Concerto No.4 (Last Mvt)/From Joy To Fright/Quartettsatz In C Minor/The String Tremolo Practically Spells The World Agitato.
  22. Variations On A Theme Of Frank Bridge (No.7)
  23. Prokofiev's Tremolo In Romeo And Juliet Should Not Be Heard Just Before Bedtime.
  24. Romeo And Juliet: Act IV
  25. Vivaldi Use It To Illustrate The Shivering Of Travellers Crossing The Ice.
  26. The Four Seasons (Winter, Mvt 1)
  27. The Violin Muted
  28. Clair De Lune
  29. The Gentleness Of Muted Strings Persists Even When A Whole Orchestra Plays.
  30. Piano Concerto No.21 In C Major, K.467 (Slow Mvt)
  31. The Pizzicato Violin
  32. Pizzicato Polka
  33. In Prokofiev's Second Violin Concerto, The Accompaniment Is Pizzicato.
  34. Violin Concerto No.2 In G Minor (Slow Mvt)
  35. Varieties Of Pizzicato: Colas Breugnon (The People's Feast)/Now A Drier, Leaner, Hungrier Pizzicato. There's Not A Lot Of Comfort Here./Capriol Suite (Tordion)/The Use Of Pizzicato As 'Percussion'/Romeo And Juliet (Act I)/Mahler Used Pizzicato...
  36. The Planets (Mars - The Bringer Of War)
  37. The Technique Of Double-Stopping Enables The Violin To Play Duets With Itself./Sonata No.3 In C Major For Unaccompanied Violin (Fugue)/Now A Later Example Of The Same Technique
  38. Hungarian Dance No.4
  39. Double-Stopping Is A Standard Feature Of A Lot Of Folk Music.
  40. The Four Seasons (Autumn, Mvt 1)
  41. Now The Same Technique, But The Sound Might Have Come From Another World.
  42. Bolero
  43. Double-Stopping Can Only Approximate The Sound Of A Real Violin Duet.
  44. Cadenza To The Violin Concerto By Brahms
  45. Now Compare That With A Real Violin Duet.
  46. Forty-Four Duos (No. 1: Teasing Song)
  47. Another Duo By Bartok, Demonstrating The Violin's Rich Lower Register
  48. Forty-Four Duos (No.2: Maypole Dance)
  49. And Now What May Be The Most Beautiful Accompanied Violin Duet In History
  50. Concerto In D Minor For Two Violins (Largo)
  51. The Soul Of The Violin Is In Song; But What About This Weird Passage?
  52. Violin Concerto No.1 In D Major (Mvt 2)
  53. The Use Of Harmonies In The Orchestra Can Be Both Magical And Unsettling.
  54. Symphony No.1 'Titan' (Mvt 1, Opening)
  55. Tchaikovsky's Use Of Harmonics In The Sleeping Beauty Is Both Strange And Darling.
  56. The Sleeping Beauty (Act II, No.15: Entr'Acte)
  57. Ravel's Harmonics In Mother Goose Effect A Magical Transformation.
  58. Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
  59. Stravinsky's Harmonics In The Firebird Transport Us Almost Into Another World./The Firebird (Introduction)
  60. The Natural Upper Notes Of The Violins Have A Unique Emotional 'Grab'.
  61. Also Sprach Zarathustra (Of The Afterworldsmen)
  62. Still In Their Upper Register, The Violins Unleash The Energy Of A Young Colt.
  63. Variations On A Theme Of Frank Bridge (No. 4)
  64. Elsewhere, Britten Uses The Same High Register To Create A Very Different Mood.
  65. Four Sea Interludes (Dawn) From 'Peter Grimes'
  66. To End This Outing With The Violins, A Charming Little Elfin Dance
  67. Elfenreigen

Tracks:

  1. Introduction To The Viola
  2. Viola Concerto (Mvt 1)
  3. Khatchaturian Gets A Very Different Sound From It: Fuller, Fruitier, More Exotic.
  4. Gayane Suite No.1 (Armen's Solo)
  5. Very Nearly The Whole Of The Violin's Upper Register Is Also Available To The Viola.
  6. Passacaglia, Op.33b From 'Peter Grimes'
  7. The Viola Can Bring A Special, Rich Twanginess To Pizzicato That The Violins Lack./Don Quixote/Berlioz Drew Sounds From It That Retain Their Metallic Strangeness Even Today.
  8. Harold In Italy (Mvt 4)
  9. The Muted Viola: Intimate, Gentle, Poignant In Dvork
  10. Cypresses (No.9)
  11. The Massed Violas Of The Modern Symphony Orchestra In Mahler
  12. Symphony No.4 (Mvt 3)
  13. The 'Period' Viola In Bach
  14. Brandenburg Concerto No.6 (Last Mvt)
  15. The Cello: A Voice Of Unique Nobility
  16. Suite No.1 For Unaccompanied Cello (Prelude)
  17. Brahms And The 'Soul' Of The Cello
  18. Piano Concerto No.2 In B Flat Major (Mvt 3)
  19. Most Orchestral Composers Tend To Emphasize The Cello's Lower Register.
  20. Cantata 'Herz Und Mund Und Tat Und Leben', BWV 147 (Soprana Aria: Bereite Dir, Jesu)
  21. In The Time Of Beethoven The Cello Remained As Fundamental As Ever.
  22. Symphony No.3 'Eroica' (Finale)
  23. But The Cello Is Not Condemned To Spend Its Life In The Basement.
  24. Elfentanz, Op.39
  25. Not Only In Recital Showpieces Like That Is The Cello Is Used In Its Highest Register.
  26. The Protecting Veil (Opening)
  27. A Cello With An Identity-Crisis: The Pizzicato Flamencan
  28. Flamenco
  29. Double-Stopping In The Lower Reaches Of The Cello's Range
  30. Solo Suiet For Cello And Piano (Sardana)
  31. It's In The Middle Register That The Cello Really Comes Into Its Own.
  32. Oriental Dance, Op.2 No.2
  33. It Was To The Cellos That Beethoven Gave Two Of His Most Famous Themes./Symphony No.5 (Mvt 2)/Still More Famous Than That Theme Is This One From The Ninth Symphony.
  34. Symphony No.9 (Finale)
  35. Introduction To The Double-Bass
  36. The Carnival Of The Animals (The Elephant)
  37. But The Double-Bass Can Be Intensely Expressive And Graceful.
  38. Elegy No.1 In D Major
  39. The Range Of The Double-Bass Is The Greatest Of All The String Instruments/Allegro Di Concerto, 'Alla Mendelssohn'/And It's Also Capable Of Very Considerable Virtuosity.
  40. Capriccio Di Bravura
  41. Double-Bass Solos In Orchestral Scores Are Rare But Often Memorable./Symphony No.1 'Titan' (Mvt 3)/In His Third Symphony Mahler Makes A Very Different Use Of The Instrument./Symphony No.3 (Mvt 1)
  42. The Double-Bass Muted In Prokofiev/Lieutenant Kije Suite (Kije's Wedding)/In Another Work Prokofiev Uses The Double-Bass To Enhance The Winds./Romeo And Juliet (Act III)/And He Combines The Bass Clarinet With A Shivering Tremolo From The Double-Basses....
  43. Symphony No.5 (Mvt 3)/So Much For The Strings/On Now To The Winds

Tracks:

  1. The Antiquity And Magic Of The Flute
  2. Prelude A L'Apres-Midi D'Un Faune
  3. The Versatility And Agility Of The Flute
  4. Orchestral Suite No.2 In B Minor (Badinerie)
  5. The Flute In Fifteenth-Century Spain
  6. Sa'Dawi
  7. Other Flutes: The Bass And Alto
  8. Chamber Music No.II
  9. The Piccolo - Aptly Named
  10. La Naissance D'Osiris (Mvt 6)
  11. From A Piccolo Of The Eighteenth Century To One Of Its Descendants In The Twentieth
  12. Suite No.1 For Small Orchestra (Valse)
  13. A Variety Of Techniques
  14. Chamber Music No.II
  15. Flutter-Tonguing. But Tchaikovsky Got There Eighty Years Before.
  16. The Nutcracker (Act II, No.2: Scene)
  17. From The Transverse To The Vertical: The Baroque Recorder
  18. Recorded Suite In A Minor (Menuet II)
  19. An Unfamiliar, Early Vision Of The Instrument
  20. Naelden, Naelden
  21. The Bachian Oboe
  22. Cantata 'Ein Feste Burg Ist Unser Gott', BWV 80 (No.7: Duetto)
  23. Introduction To The Cor Anglais Or 'English Born'
  24. Symphony No.9 'From The New World' (Mvt 2)
  25. The Loneliness Of The Cor Anglais
  26. The Swan Of Tuonela
  27. The Cor Anglais Joins The French Horn In Haydn.
  28. Symphony No.22 'The Philosopher' (Opening)
  29. Introduction To The Oboe D'Amore, Beloved Of Bach - But Also Of Ravel
  30. Bolero
  31. The Clarinet Family: Boxing The Compass, From The Depths Of The Bass Clarinet.../The Egyptian (Violence)/...To The Raucous And Squealy.../Taras Bulba (The Death Of Ostap)/...To The Shrill And Complaining...
  32. Petrushka (No.8: Peasant With Bear)/...To The High Sprits Of A Playful Puppy./Symphonie Fantastique (Last Mvt)/And To The Downright Jazzy/Romeo And Juliet (Act II)
  33. As The High Clarinets Tend To Be Loud, So The Bass Tends To Be Soft:
  34. Gayane Suite No. 1 (Mvt 5)
  35. The Bass Clarinet Is Used By Most Composers Mainly As A Colouring Agent.../Petrushka (No.4: The Blackamoor)/...But It Does Occasionally Get A Whole Tune To Itself./Iberia (Almeria).
  36. The Range Of The Normal Clarinet Parts Goes Quite High...
  37. The Snow Maiden (Scene 5: Melodrama)
  38. ...And Quite Low.
  39. Peter And The Wolf (The Cat)
  40. The Clarinet As Concerto Soloist
  41. Clarinet Concerto In A Major (Rondo)
  42. But That's Not The Instrument Mozart Wrote It For; This Is:
  43. Clarinet Concerto In A Major (Rondo)
  44. Introduction To The Saxophone
  45. Hary Janos Suite (Mvt 4)
  46. The Soprano Saxophone Has Quite A Different Feel To It.
  47. L'Arlesienne Suite No.1 (Minuet)
  48. The Little Sopranino Sax Goes Even Higher.
  49. Bolero
  50. The Most Famous Use Of The Saxophone Is In An Orchestration By Ravel.
  51. Pictures At An Exhibition (The Old Castle)
  52. The Saxophone Can Be Quite Contagiously Good-Humoured.
  53. Sax-O-Phun
  54. The Puffa-Puffa Image Of The Bassoon
  55. Peter And The Wolf (Grandfather)
  56. The Bachian Bassoon, In Accompanimental Mode
  57. Cantata 'Weichet Nur, Betrubte Schatten' ('Wedding Cantata'), BWV 202 (Aria No.1)
  58. Bizet Leaves The Puffa-Puffa Image Out, Allowing The Bassoon To Sing./Carmen Suite No.1 (Les Dragons D'Alcala)
  59. And Ravel, Also In Spanish Mode, Does Likewise.
  60. Bolero
  61. The Bassoon As A Voice Of High Seriousness, Indeed Desolate Loneliness
  62. Symphony No.3 (Opening)
  63. The Eerie Bassoon In Its Highest Register
  64. The Rite Of Spring (Opening)
  65. Stravinsky Now Draws On Its Lowest Register, Lonely And Melancholy.
  66. The Firebird Suite (1919, Berceuse)
  67. The Bassoon As Concerto Soloist, Avoiding All Exaggeration
  68. Bassoon Concerto In G Minor (Finale)
  69. The Deep-Voiced Contra-Bassoon, As A Fairy-Tale Beast
  70. Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
  71. The French Horn Under Its Woodwind Hat
  72. Wind Quintet, Op.43 (Last Mvt)
  73. Now A More Prominent Role, In A Woodwind Quintet From An Earlier Era
  74. Wind Quintet In A Minor, Op.100 No.5 (Mvt 2)
  75. The Horn In Harmonious Blend With Strings In Another Quintet
  76. Horn Quintet, K.407 (Finale)

Tracks:

  1. The Trumpet As Virtuoso Soloist
  2. Brandenburg Concerto No.2 (Last Mvt)
  3. The Special Brillance Of Paired Trumpets
  4. Concerto In C For Two Trumpets, RV537 (Mvt 1)
  5. The Ceremonial Trumpet
  6. Fanfare For The Common Man
  7. Trumpets And Drums - An Incomparable Alliance
  8. Messiah (The Trumpet Shall Sound)
  9. The Versatility Of The Trumpet, From The Most Public To The Most Lonely
  10. Piano Concerto In F (Slow Mvt)
  11. The Trumpet As The Voice Of The City/An American In Paris/The Trumpet As Recruitment Officer/The Soldier's Tale (The March)/The Trumpet As Swaggerer
  12. Carmen Suite No.2 (Habanera)
  13. The Trumpet As The Voice Of Strength And Courage
  14. Carmet Suite No.2 (Toreador's Song)
  15. The Trumpet Muted/Petrushka (No.4: The Blackamoor)/Lieutenant Kije Suite (Opening)/The Trumpet As The Voice Of Weariness
  16. Billy The Kid
  17. The Trumpet As Character Actor
  18. Pictures At An Exhibition (No.6)
  19. The Trumpet As The Voice Of God
  20. Mass In B Minor ('Et Exspecto')
  21. The Birth Of The Trombone
  22. Aenmerckt Nu Hier
  23. The Birth Of The Brass As A Family
  24. Canzon 12 In Double Echo
  25. The Trombone In The Eighteenth Century
  26. Trombone Concerto In B Flat Major (Finale)
  27. The Tone Of The Tenor Trombone/Romance For Trombone And Organ/The Memorable Voice Of The Bass Trombone/Requiem (Mvt 2)/But The Bass Trombone Is More Than An Instrumental Bullfrog.
  28. Hosannah
  29. The Trombones Become Part Of The Orchestra.
  30. Symphony No.5 (Finale)
  31. The Wagnerian Trombone:/Overture To 'Tannhauser'
  32. The Trombone As Caricaturist
  33. Pulcinella (No.19: Vivo)
  34. The Trombone As Raspberry/Concerto For Orchestra (Intermezzo)
  35. The Horn And The Hunt
  36. Horn Concerto No.4 In E Flat, K.495 (Finale)
  37. The Challenging Horn Of The Baroque
  38. Abaris Ou Les Boreades (Menuet)
  39. The Scarcity Of First-Rate Players In Handel's Time
  40. Walter Music (Minuet 1)
  41. The Horn As Magician/The Firebird Suite (1919, Finale)
  42. Horns And The Sound Of Nobility
  43. Overture To 'Tannhauser' (Opening)
  44. The Special Sound Of The Horn In Its Higher Register
  45. Mass In B Minor ('Quoniam Tu Solus Sanctus')
  46. The Trumpet-Like Sound Of Massed Horns
  47. Symphony No.3 (Mvt 1, Opening)
  48. The Tuba - Unfairly Maligned?
  49. Symphony No.6 (Mvt 3)
  50. The Tuba Perfectly Cast By Ravel
  51. Pictures At An Exhibition (Bydlo)

Tracks:

  1. Introduction. And We Begin With A Bang.
  2. Fanfare For The Common Man/The Bass Drum On The Battlefields/Wellington's Victory, Op.91 (Opening)
  3. At The Opposite Extreme Is The Triangle.
  4. Piano Concerto No.1 In E Flat (Scherzo)
  5. Categories Of Percussion: Tuned And Untuned. The Side Drum
  6. Overture To 'La Gazza Ladra' - The Thieving Magpie (Opening)
  7. The Side Drum In An Effective But Unexpected Role/Clarinet Concerto (Mvt 1)
  8. The Tambourine. One Of The Oldest Instruments In The World
  9. Den Hoboecken Dans
  10. Even Older Is The Originally Oriental Gong.
  11. Ma Mere L'Oye - Mother Goose (Laideronette)
  12. No Single Instrument Can Match The Gong In Evoking The Breaking Of Waves./Passacaglia, Op.33b From 'Peter Grimes'/But Gongs Don't Have To Be Struck To Be Effective.
  13. Gymnopedie No.2
  14. The Cymbals Are Generally Discovered Early In Life./The Sanguine Fan/And They Do More Than Clash Together Loudly. They Can Be Clashed Together Softly./Studio Example: But They Needn't Be Clashed Together At All/Studio Example: They Can Be Lightly...
  15. Other Untuned Percussion Instruments Include The Whip.: Piano Concerto In G Major (Opening)/And Here Are No Fewer Than Twenty, Cracked By Tchaikovsky: The Nutcracker (Act I, Scene 5)
  16. More Versatile Than The Whip Are The Wood Blocks.../Studio Example/...Which Crop Up All Over The Place In Twentieth-Century American Music.
  17. Rodeo (Hoe-Down)
  18. Related To The Wood Blocks, By Sound, Are The Castanets./Jota Aragonesa/But The Castanets Were Also Used By Monteverdi Back In The Seventeenth Century.
  19. Scherzi Musicali (Damigella Tutta Belle)
  20. A Still Earlier Example From Fifteenth-Century Spain
  21. Yo M'Enamori D'Un Aire
  22. The Birth Of The Bongo
  23. Symphonic Dances From 'West Side Story'
  24. From The Streets Of New York To The Blacksmith's Shop/Il Trovatore ('Anvil Chorus')
  25. Desert-Island Decibels: Grand Canyon Suite (On The Trail)/Arcana
  26. From One Vegetable To Another: The Humble Squash, Or Marrow/Huapango
  27. Onwards To The Tuned Percussion. First, The Timpani
  28. Also Sprach Zarathustra (Introduction)
  29. But The Drum Roll Can Be More Effectively Frightening Than The Big Bang.: Symphony No.2 'Resurrection' (Mvt 3)
  30. Not One Drum Roll, But Many/Grand Canyon Suite (Sunrise)/Symphonie Fantastique (Last Mvt)
  31. Taking Advantage Of Tunability
  32. Music For Strings, Percussion And Celeste (Mvt 2)
  33. The Russian Composer Rodion Shchedrin Takes A Downward Turn./Carmen Suite (Changing Of The Guard)/Tuned, Yes; But For The Truly Melodic We Must Look Elsewhere.
  34. Introducing The Glockenspiel/Carmen Suite (Carmen's Entrance And Habanera)
  35. Saint-Saens And The Xylophone
  36. The Carnival Of The Animals (Fossils)
  37. Ravel And The Xylophone
  38. Ma Mere L'Oye - Mother Goose (Laideronette)
  39. Introducing The Marimba/Carmen Suite (First Intermezzo)
  40. Introducing The Vibraphone
  41. The Treasure Of The Sierra Madre (Narange Dolce)
  42. The Vibraphone Goes Russian.../Carmen Suite (Carmen's Entrance And Habanera)/...And Is Joined By The Marimba./Carmen Suite (Carmen's Entrance And Habanera)
  43. Introducing The Hungarian Cimbalom
  44. Folk Dances
  45. The Cimbalom And The Symphony Orchestra
  46. Hary Janos Suite (Mvt 3)
  47. Introducing The Tubular Bells
  48. Hary Janos Suite (Viennese Musical Clock)
  49. A More 'Up-Front' Approach From Rodion Shchedrin
  50. Carmen Suite (Introduction)
  51. But The Bells Can Also Make The Sinister Even More Sinister./Symphony No.7 'Sinfonia Antartica' (Mvt 1)
  52. Introducing The Celeste
  53. The Nutcracker (Dance Of The Sugar Plum Fairy)
  54. Magic, In The Use Of Collective Percussion
  55. Miroirs (La Vallee Des Cloches)
  56. Plucked Instruments: The 'Undercover Percussion'/Carmen Suite (Scene)
  57. A Prime Case In Point Is The Harp, Irresistible To The Romantics./The Nutcracker (Act II, No.1: Scene)/The Non-Solo Harp As An Integral Part Of The Orchestra/Hungarian Rhapsody No.1
  58. The Traditionally Subservient Role Of The Harpsichord In The Baroque Orchestra
  59. Brandenburg Concerto No.2 (Slow Mvt)
  60. The Piano: King Of The Tuned Percussion/Symphony No.3 'Organ' (Mvt 3)/And A Quarter Of A Century After That:
  61. Petrushka (Russian Dance)
  62. The Anti-Romantic Piano As An Integral Part Of The Orchestra
  63. Music For Strings, Percussion And Celeste (Last Mvt)

Tracks:

  1. Keyboard Instruments In The Orchestra - The Most Powerful Of Them All:
  2. Symphony No.3 'Organ' (Finale)
  3. But Things In Handel's Day Were Very Different.
  4. Organ Concerto In B Flat, Op.4 No.3 (Last Mvt)
  5. The Organ Is Difficult To Classify.
  6. An Unexpected, Organ-related Guest
  7. Concerto Pour Zampogna (Last Mvt)
  8. Peasant-Fancying... And A Touch Of The Roaming Cowboy
  9. Les Miserables (Drink With Me)
  10. Outside Artefacts And The Power Of Association
  11. Mahler's Sleighbells
  12. Symphony No.4 (Opening)
  13. A Roll-Call Of Some Unusual Guests/The Typewriter/Parade
  14. Chains, And More/Integrales/An American In Paris/Sandpaper Ballet
  15. Purpose-Built Oddities: Wind Machines/Symphony No.7 'Sinfonia Antartica' (Opening)
  16. Don Quixote (Variation VIII)
  17. National Calling Cards: The Guitar For Spain/Concierto De Aranjuez (Finale)
  18. And The Guitar's Poor American Relative, The Banjo/Washington Breakdown
  19. And Poorer Still, The Mouth Organ/The Treasure Of The Sierra Madre (Packing Up)
  20. The Balalaika For Russia/Romeo And Juliet (Act II: No.14)
  21. The Maracas For Mexico/The Treasure Of The Sierra Madre (El Desayuno)
  22. The Bongos And Congas And A Whole Wealth Of Other Drums For Africa And Central America/Studio Example
  23. The Sitar Of India/Evening Raga: Bhapoli
  24. The Accordion For France (Especially Paris)/Paris Canaille
  25. The Zither For Vienna/The Third Man (Theme)
  26. The Cimbalom For Hungary/Folk Dances
  27. The Guitar As An Integral Part Of The Orchestra/Rondena
  28. There Are Whole Orchestras Of Balalaikas./Sveit Mesiats
  29. The Effect Of The Wordless Human Voice, Used Purely As An Instrument/Symphony No.7 'Sinfonia Antartica' (Mvt 1)
  30. Nocturnes
  31. Instruments And the Imitation Of Nature. The Clarinet As Cuckoo
  32. The Carnival Of The Animals (The Cuckoo)
  33. The Flute As An All-purpose Aviary
  34. The Carnival Of The Animals (The Aviary)
  35. The Oboe As Duck
  36. Peter And The Wolf (The Duck)
  37. The Recording Of Reality. Does It Work As Well?
  38. The Pines Of Rome (The Pines Of The Janiculum)
  39. The Recording Of Reality Electronically Reborn In New Guises
  40. Cantus Articus - Concerto For Birds And Orchesra (Mvt 2)
  41. Beethoven Turns Avian: Cuckoo, Nightingale, And Quail
  42. Symphony No.6 'Pastoral' (Andante Molto Mosso)
  43. Some Improbable Casting: The Violin As Braying Donkey
  44. The Carnival Of The Animals (Persons With Long Ears)
  45. A Truly Orchestral Hee-haw To Be Reckoned With
  46. Overture To 'A Midsummer Night's Dream'
  47. A Thunderstorm In A Million
  48. Symphony No.6 'Pastoral (Allegro-Allegretto)
  49. the Instrumental Depiction Of A Silent World
  50. The Carnival Of The Animals (The Aquarium)
  51. Saint-Saens' Menagerie Takes A Curtain Call.
  52. The Carnival Of The Animals (Finale)

Tracks:

  1. The Grouping Of Instrumental Families. An Additive Approach. First, Two Violins
  2. Forty-Four Duos (No.4)
  3. A Great Contrast, Of Both Pitch And Character: Violin And Viola
  4. Duo For Violin And Viola In B Flat Major, K.424 (Finale, Vars 1 & 2)/Studio Example
  5. Arrival Of The Standard String Trio: Violin, Viola, And Cello
  6. String Trio In B Flat (Menuetto)
  7. The String Quartet: Two Violins, Viola, And Cello
  8. String Quartet In F, Op.18 No.1 (Mvt 3)
  9. The String Quintet - When The Extra Instrument Is A Second Viola
  10. String Quartet No.5 In D, K.593 (Adagio)
  11. The String Quintet - When The Extra Instrument Is A Second Cello
  12. String Quintet In C (Mvt 3)
  13. The String Sextet: Two Violins, Two Violas, And Two Cellos
  14. String Sextet In B Flat (Mvt 2)
  15. The String Octet: The Standard String Quaret Times Two
  16. Octet In E Flat, Op.20 (Mvt 1)
  17. Double The String Octet: A Fully Fledged String Orchestra
  18. String Symphony No.2 (Finale)
  19. The Massed Strings Of A Symphony Orchestra
  20. Fantasia On A Theme Of Thomas Tallis
  21. Contrasts Of Pitch And Instrumental 'Colour' In The Woodwind Section
  22. Wind Quintet In A Minor, Op.100 No.5 (Theme)
  23. In The First Variation It's The Horn That Gets The Lion's Share.
  24. Wind Quintet In A Minor, Variation 1
  25. In Variation Two The Torch Is Handed To The Bassoon.
  26. Wind Quintet In A Minor, Variation 2
  27. In Variation Three The Oboe Leads.
  28. Wind Quintet In A Minor, Variation 3
  29. Variation Four: Conversation Before Returning To A Solo-dominated Texture
  30. Wind Quintet In A Minor, Variation 4
  31. And Variation Five is Dominated By The Clarinet.
  32. Wind Quintet In A Minor, Variation 5
  33. The Next To Be Featured Is The Virtuoso Flute.
  34. Wind Quintet In A Minor, Variation 6
  35. Individual Farewells And A Closing Chorus
  36. Wind Quintet In A Minor, Variation 7
  37. A Mixed Group: Clarinet, Bassoon, Horn, String Quartet, And Double-Bass
  38. Octet In F (Mvt 3)
  39. The Early Classical Symphony Orchestra Of Haydn And Mozart
  40. Symphony No.29 In A, K.201 (Finale)
  41. Strings, Wind, But No Brass. What Haydn And Mozart Never Knew
  42. Canzon 28
  43. Beethoven's Fifth: Two Horns, Two Trumpets, And Three Trombones Join The Team.
  44. Symphony No.5 (Finale)
  45. From Beethoven To The Massive Orchestras Of Berlioz, Wagner, And Mahler
  46. Beethoven Changed The Face Of The Symphony And The Orchestra Forever
  47. Symphoy No.6 'Tragic' (Mvt 1)
  48. The Cult Of Orchestral Elephantiasis Reaches Its Peak.
  49. Symphony No.1 'Gothic' (VI: Te Ergo Quaesumus)
  50. When Large Doesn't Necessarily Mean Loud: Debussy
  51. Images (Gigues)
  52. A Crisis Of Confidence; The Orchestra's Survival Hangs In The Balance, But It Still Develops. The Ondes Martenot:
  53. Turangalila Symphony (Chant D'amour 1)
  54. The Advent Of The 'Early Music' Movement Brings A New Vitality And Freshness.
  55. Balle De Xerxes (Gavotte En Rondeau)
  56. Computer And Synthesiser: Friends Or Foes?
  57. Concerto In D Minor For Two Violins (Largo)
  58. A Speculative Look Ahead/Mass In B Minor ('Dona Nobis Pacem')

Customer Reviews:

5 out of 5 stars Instruments of the Orchestra - Great Reference Material!.......2007-04-04

This set lends itself to greatly enhancing one's knowledge of the orchestra, instruments in it, and their usage. I am a huge music buff, and I still picked up a great deal I previously did not know. I highly recommend this for all who wish to understand the origin of music, as well as the processes that are employed to create music!

5 out of 5 stars Beginner or Expert.......2007-03-12

This CD is excellent for the beginner or expert! To be able to haear the instrumets separately and then together really provides a good education. and/or refresher. The book thaty comes with the CD is alomost worth the price by itself!

5 out of 5 stars Very Informative and Enjoyable.......2006-11-20

Whether you're a music novice or pro, "The instruments of the Orchestra" is a very worthwhile purchase. The 7 CDs, with a total of 8 hours, are expertly narrated by Jeremy Siepmann. He's a great speaker, very much like the late Leonard Bernstein was. Mr. Siepmann takes you on an unforgetable musical journey covering the origins and use of the various orchestral instruments throughout musical history. The balance between his narration and a wealth of musical examples, which range from snippets to entire movements, is superb. The comprehensive enclosed booklet is excellent and faithfully follows the 7 CDs in content. Even with my 40+ years of music training I still learned new things from this wonderful collection. Considering the excellence of the content, and a cost that translates to about $5 per disc, this collection is a great value. Grab it, you won't regret that you did. Five solid stars!

3 out of 5 stars Frank's view.......2006-08-19

This boxed set of CD's with booklet achieved all I had hoped that it would. There are good samples of individual instruments and well done commentary on each. The only drawback was that some of the samples were too brief and could have been longer, hoiwever I guess this fits in with time constraints of the medium. It has given me a lot of clues as to future purchases of CD's for listening to individual instruments. Altogeth a satisfactory purchase and a welcome addition to my collection.

5 out of 5 stars Excellent Intro for Those Not Familiar with the Orchestra.......2003-11-08

I've listened to classical music for years and am interested in composition. I bought this CD set to learn how an orchestra and its instruments work. I thought the CDs would be a nice but boring lecture. They aren't! Not only are they FUN but they are informative as well. I learned a huge amount from each CD and couldn't wait to listen to the next one.

The narrator and writer is a great speaker and holds your attention well. He is definitely knowledgeable. He provides musical examples for each point he makes, so you get to "hear" what he just talked about. I'd say the CDs are about 65% music and 35% narration. You'll learn about the range of instruments, some history, different ways to play them, how they sound, and how they are used in the orchestra. This CD set was a great learning experience and is sold at such a low price!

I recommend this CD for those who want to learn about classical music and those who know about it but are interested in learning more about the inner workings of an orchestra. You'll learn much useful information. For instance, the Rite of Spring (with that eerie start) is written for bassoon! I never knew a bassoon could sound like that but now I do.

The one complaint I have is the last CD. This deals with the orchestra. I wanted more of a tour of how the orchestra has been used through history up to the present. Instead, it was a tour of how different groups of instruments sound. I thought it could have been better. The other 6 CDs are excellent.
Soir, Dit-Elle
Average customer rating: 4.5 out of 5 stars
  • Modern
  • Fascinating and captivating
  • perfection to little effect
  • Wonderful
  • Coldly beautiful
Soir, Dit-Elle
Oleh Harkavyy , Leonel Power , Gavin Bryars , Unspecified , Ivan Moody , Gregorian Chant , and Trio Mediaeval
Manufacturer: Ecm Records
ProductGroup: Music
Binding: Audio CD

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Similar Items:
  1. Words of the Angel
  2. Stella Maris
  3. 1000: A Mass for the End of Time / Anonymous 4
  4. The Origin of Fire: Music and Visions of Hildegard von Bingen
  5. Darkness into Light

ASIN: B00012SZTK
Release Date: 2004-01-27

Tracks:

  1. Kyrie
  2. Gloria - Missa 'Alma Redemptoris Mater'
  3. Laude Novella (Lauda II)
  4. Ave Regina Gloriosa (Lauda VII)
  5. Credo - Missa 'Alma Redemptoris Mater'
  6. Ave Maria
  7. Regina Caeli
  8. Ave Donna Santissima (Lauda III)
  9. Sanctus - Missa 'Alma Redemptoris Mater'
  10. The Troparion Of Kassiani
  11. Venite A Laudare (Lauda I)
  12. A Lion's Sleep
  13. Agnus Dei - Missa 'Alma Redemptoris Mater'
  14. Alma Redemptoris Mater

Amazon.com

The Trio Mediaeval's first CD, Words of the Angel, was an ear-opener, a CD of mostly old music interspersed with some modern works, all ravishingly sung, and, oddly, very harmonious over its span of centuries. This CD features most of a mass by the 15th-century Englishman Leonel Power, with works by the Ukrainian Oleh Harkavyy (b. 1968) and the British Ivan Moody (b. 1964), Gavin Bryars (b.1943), and Andrew Smith (b. 1970); there is more new music than old. The Harkavyy Kyrie sounds "older" than all of the Power, which is oddly dense and surprising in its harmonies. A Bryars "Ave Regina" and "Laude Novella" (this last for solo voice) wafts in and out of oldness and modernity in novel but not uncomfortable ways, and Andrew Smith offers an "Ave Maria" and "Regina Caeli" which are distinctly modern but simply beautiful--and wonderfully pious. The two works by Ivan Moody, while not as staggeringly beautiful and daring as his contributions to the Trio's premiere CD, are almost as beautiful, growing in loveliness with each hearing. A Gregorian Chant ends this CD of devotional music. The whole is dizzyingly beautiful and endlessly interesting; the sonics are as gloriously clear and clean as the Trio's pitch, taste, and inherent sound. Don't do without this CD. --Robert Levine

Customer Reviews:

3 out of 5 stars Modern.......2006-11-10

I was trying to be careful, listening to samples of the tracks before committing to buying, but I might not have listened to the right ones or maybe I didn't read the fine print. For some reason I had the impression these were old and traditional pieces of music: old meaning medieval, or thereabouts. Actually, most of them are modern, because the music (as opposed to the lyrics) has been composed relatively recently.

Despite the Latin lyrics, the beautiful voices, the slick production, and the overall air of antiquity and religiosity, I found I didn't enjoy the CD as much as I was hoping I would. The music is too unmelodic for me. At times it seems very harsh, dragging the singing along with it.

Anonymous 4 -- at least in A Mass for the End of Time -- is better.

5 out of 5 stars Fascinating and captivating.......2005-07-30

I'm a huge fan of early music, but my taste tends to lead me down the road of the French cantata more than anything. I stumbled across this particular album at a local Border's and decided to give it a chance, knowing nothing about it.

I think it's simply fantastic. The vocals are pure and captivating, and the literature choice is first-rate; the combination of "true" early music, coupled with modern interpretation presents an excellent balance.

4 out of 5 stars perfection to little effect.......2005-03-08

For those familiar with Trio Mediaeval's first record, WORDS OF THE ANGEL, it is impossible not to compare the two. I'm not talking about natural expectations, but of the fact that SOIR, DIT-ELLE seems to have been structured after WORDS.
Unlike WORDS, however, SOIR dwells greatly on modern repertoire. All contemporary pieces in SOIR seem to have been composed with skill and interpreted to perfection; still, it does not seem to me to be as engaging as WORDS. It wants variety; differences between 13th-century "Missa Alma redemptoris mater" and contemporary pieces are blurred by the homogeneity of mood of the latter: all want to be contemporary rework on medieval vocal music; all want to be slow, melodious and dissonant; all were composed having Trio Mediaeval as ideal performers; as a result, all resemble one another too much. When it comes to the solo pieces, for example, they seem more elaborated than the versions which served them as a starting point (available in WORDS), but it was precisely the original simplicity which made them so touching.
Even though Ivan Moody's pieces aren't as striking as "Words of the angel" (the impact of which is partly due to contrast between its "contemporariness" and the "medievalness" of the rest of WORDS' repertoire, by the way), they are still the most moving.
SOIR, DIT-ELLE is perfect, but still. Perfection may win you over in the end, but might not do much for you in the beginning. It is possible that those who don't know WORDS OF THE ANGEL should have a different take on it, and like it better.

5 out of 5 stars Wonderful.......2004-07-03

This CD gets better each time I listen to it. There is a compelling perfection in the sound - it's sublime.

4 out of 5 stars Coldly beautiful.......2004-06-03

Trio Mediaeval, a three-women European a cappella choir, presents here a minimalist programme of medieval three-part harmony mixed with 20th century pieces in the same style.

Leonel Power's (1370-1445) Missa "Alma redemptoris mater" is presented in its entirety but broken up with pieces by English composers Ivan Moody, Gavin Bryars and Andrew Smith, and Ukrainian Oleh Harkavyy. Power stood alongside John Dunstable as one of the great English composers of the 14th-15th centuries. This mass is probably one of the earliest to use the same "cantus firmus" in all four movements. The chant is repeated by the low voice throughout while the two upper voices create an intricate counterpoint.

The contemporary composers here draw their inspiration from ancient texts and chants to make their own individual polyphony, but sharing the same austere atmosphere as Power's mass.

Trio Mediaeval follows in the footsteps of Anonymous 4 in bringing the beauty of Medieval a cappella vocal music to the public. Tonally Trio Mediaeval is very similar to Anonymous 4 but doesn't quite match that group's precision of vocal delivery. Nevertheless, a nicely recorded album with a touch of cold beauty.
The Medieval Experience
Average customer rating: 4.5 out of 5 stars
  • All things old...
  • Impressive
  • Impressive
  • Wonderfull!
The Medieval Experience

Manufacturer: Archiv Produktion
ProductGroup: Music
Binding: Audio CD

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Similar Items:
  1. Sinners & Saints: The Ultimate Medieval and Renaissance Music Collection
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  5. Medieval Dance Music

ASIN: B0000057FL
Release Date: 1996-11-19

Tracks:

  1. Antiphona: Hosanna
  2. Antiphona: Pueri Hebraerorum
  3. In May, When Rose Trees Are In Bloom
  4. Antiphona: Cum audisset
  5. Alle, psallite cum luya
  6. Antiphona: Coeperunt omnes
  7. Antiphona: Occurrunt turbae
  8. Antiphona: Cum angelis
  9. Antiphona: Ante sex dies
  10. If Anyone Looks At Me
  11. Hymnus: Gloria, laus et honor
  12. In The Month Of May
  13. Responsorium: Ingrediente
  14. I'm Not Afraid To Talk To My Sweetheart
  15. Introitus: Domine, ne longe facias
  16. O Most Gentle Virgin Mary
  17. Graduale: Tenuisti manum dextram
  18. Fauvel's Scheming Household
  19. Offertorium: Improperium
  20. Communio: Pater, si non potest
  21. Shamelessly I Went Around

Tracks:

  1. Introitus: Terriblis est
  2. In The Turmoil Of The Sea
  3. Kyrie XII
  4. Gloria XII
  5. Click, Click, One Morning Robin Went Off
  6. Graduale: Locus iste
  7. Alleluia: Adorabo
  8. Offertorium: Domine Deus
  9. When I See It In The Clear Glass
  10. Santus XII
  11. Agnus Dei XII
  12. Communio: Domus mea
  13. He Who Puts His Trust
  14. Invitorium et Psalmodia: Domun Dei
  15. The Pantheon Is Destroyed
  16. Responsorium: Fundata est
  17. I Rode By The Elm Tree
  18. 5 Antiphonae
  19. Hymnus: Angularis fundamentum
  20. Antiphona ad Benedictus: Zachaee
  21. Rahcel Mourns Her Children
  22. Hymnus: Urbs Jerusalem
  23. Antiphona ad Magnificat: Sanctificavit
  24. Antiphona ad Magnificat: O quam metuendus est
  25. King Charles, Son Of John

Tracks:

  1. Come Holy Ghost - Several Composers
  2. Blessed Mother - Several Composers
  3. The Herald Preceded The Prince - Several Composers
  4. The Greatest Good Of Mortals - Dufay
  5. Flower Of Flowers - Dufay
  6. Rejoice, Empress Of Byzantium - Dufay
  7. Loving Mother Of The Redeemer - Dufay
  8. Glory And Praise To Thee - Several Composers
  9. Lamb Of God - Several Composers
  10. Blessed Art Thou, Maria - Several Composers
  11. From Starry Olympus, Love Made Me Descend - Josquin

Tracks:

  1. Missa 'L'homme arme' super voces musicales: Kyrie - Several Composers
  2. Missa 'L'homme arme' super voces musicales: Gloria - Several Composers
  3. Missa 'L'homme arme' super voces musicales: Credo - Several Composers
  4. Missa 'L'homme arme' super voces musicales: Sanctus - Several Composers
  5. Missa 'L'homme arme' super voces musicales: Agnus Dei - Several Composers
  6. Mass For The Dead: Introitus (Grant Them Eternal Rest) - Several Composers
  7. Mass For The Dead: Kyrie (Lord Have Mercy On Us) - Several Composers
  8. Mass For The Dead: Graduale (Though I Walk Through The Valley Of The Shadow Of Death) - Several Composers
  9. Mass For The Dead: Tractus (As Pants The Hart) - Several Composers
  10. Mass For The Dead: Offertorium (Deliver The Souls Of All The Faithful Departed) - Several Composers
  11. Lament On The Death Of Johannes Ockeghem - Several Composers

Customer Reviews:

5 out of 5 stars All things old..........2005-09-26

This is a four-disc collection of wonderful pieces representative of the types of music from the Medieval times/Middle Ages. Gregorian chant has experienced a resurgence in popularity (indeed, it is almost new age), but in fact they are part of the ancient tradition of church music. Masses, folk songs, and motets round out the types of music on offer here.

The first two discs, entitled 'Monks and Troubadours', combine folk songs and chansons with Gregorian chant sequences - the first disc has chants for Palm Sunday (performed by the monks of Munsterschwarzach, Germany) together with songs performed by the Early Music Consort of London. The second disc incorporates chants that might be used at a church dedication (performed by the monks of Notre-Dame de Fontgombault Abbey, France) and songs again by the Early Music Consort. The difference is palpable. Gregorian chant varies significantly from the polyphonic songs of the troubadours.

The third disc is of motets, composed by Dunstable, Dufay, Binchois, Obrecht, and Desprez, some (but not all) of the great names in medieval composition. This collection includes a polytexted motet by Dunstable and more standard forms in which all voices join to sing the same words. Binchois' motet 'Gloria, laus et honor' derives from a Gregorian chant found on the first disc, with words still familiar in the modern hymn 'All Glory, Laud and Honour'.

The fourth CD inlcudes masses by Desprez and Ockeghem. Desprez is one of the greatest of the medieval composers, and his Missa L'homme arme is one of the better known; Ockeghem's mass here is one for the dead, a very common type of composition, here expertly executed. The final piece on this disc is a song written by Desprez in honour of Ockeghem, which despite not using typical mass or biblical texts, still incorporates the introit from the requiem, and as a mark of respect for the passing of Ockeghem, Desprez composed the music itself using all black notes.

This Archiv production is a stunning collection, great for the listener and great for the student. In one set, one has a broad range of music, spanning many types and hundreds of years. The production quality is very high, the music itself wonderful, the performances beautifully carried out - not much more can be asked for from a recording.

4 out of 5 stars Impressive.......2000-11-11

Nice sounding recording. The tracks are authentic and are great for anyone interested in medieval history and it's music.

4 out of 5 stars Impressive.......2000-11-11

Nice sounding recording. The tracks are authentic and is great for anyone interested in medieval history and it's music.

5 out of 5 stars Wonderfull!.......2000-06-23

I heard this CD at a friends house. I compare the music to loreena McKennitts. Its wonderfull and i love it. I cant wait to purchase a copy of my own.
The Service of Venus And Mars: Music for the Knights of the Garter, 1340-1440 - Gothic Voices
Average customer rating: 5 out of 5 stars
  • Breathtaking
The Service of Venus And Mars: Music for the Knights of the Garter, 1340-1440 - Gothic Voices
Philippe de Vitry , Pierre des Molins , Pycard , Christmas Traditional , Leonel Power , Franchois Lebertoul , John Pyamour , John Dunstable , Soursby , Richard Loqueville , and Andrew Lawrence-King
Manufacturer: Hyperion
ProductGroup: Music
Binding: Audio CD

RondosRondos | Forms & Genres | Classical | Styles | Music
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Vocal & SongVocal & Song | Early Music | Historical Periods | Classical | Styles | Music | Requiems
OrganOrgan | Keyboard | Instruments | Classical | Styles | Music
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ASIN: B000002ZJN
Release Date: 1993-11-12

Tracks:

  1. Gratissima Virginis-Vos qui admiramini-Gaude Gloriosa-Contratenor
  2. Singularis Laudis Digna
  3. De ce que fol pense
  4. De ce que fol pense (After Pierre des Moulins)
  5. Lullay, Lullay
  6. Gloria
  7. Ther Is No Rose Of Swych Virtu
  8. Sanctus
  9. Las, que me demanderoye
  10. Le gay playsir
  11. Le grant pleyser
  12. Quam pulchra es
  13. Speciosa facta es
  14. Sanctus
  15. Je vous pri que j'aye un baysier
  16. The Agincourt Carol

Customer Reviews:

5 out of 5 stars Breathtaking.......2000-06-06

This is one of my favorite Gothic Voices CDs; the Gloria by Pycard is possibly the most beautiful bits of musical harmony I've ever heard. The Agincourt carol is also stunning.
Enchant-meant: The Power of Intention
Average customer rating: Not rated
    Enchant-meant: The Power of Intention
    Rabbi Shefa Gold
    ProductGroup: Music
    Binding: Audio CD
    ASIN: B000IZ9FHQ

    Product Description

    Modah Ani Mah Tovu Ashraynu Niggun Irish L`cha Dodi Bayni u`vain Yir`v`yun Lord of Wonders Nachamu Peleg Elo-him Ivdu Shiru Lo Kaddish D`Rabbanan Adon Olam Zeh HaYom
    Hymns of Vaughan Williams
    Average customer rating: 3 out of 5 stars
    • The final track alone is worth the purchase
    • The final track alone is worth the purchase
    Hymns of Vaughan Williams

    Manufacturer: Gothic Records
    ProductGroup: Music
    Binding: Audio CD

    Gibbons, OrlandoGibbons, Orlando | ( G ) | Featured Composers, A-Z | Classical | Styles | Music
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    NoelsNoels | Vocal Non-Opera | Opera & Vocal | Styles | Music
    OratoriosOratorios | Vocal Non-Opera | Opera & Vocal | Styles | Music
    PsalmsPsalms | Vocal Non-Opera | Opera & Vocal | Styles | Music
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    General ChristmasGeneral Christmas | Holiday Music | Special Features | Music
    Similar Items:
    1. The Music of St. Paul's Cathedral

    ASIN: B000050HYL
    Release Date: 2000-11-28

    Tracks:

    1. The Old Hundredth Psalm Tune
    2. Father We Praise Thee
    3. The Golden Sun Lights Up The Sky
    4. Come Down, O Love Divine
    5. Almighty Word
    6. O Little Town Of Bethlehem
    7. On Christmas Night
    8. 'I Come' The Great Redeemer Cries
    9. At The Name Of Jesus
    10. By All Your Saints Still Striving
    11. For All The Saints
    12. Thou, Who At Thy First Eucharist
    13. He Who Would Valiant Be
    14. O Jesus, Crowned With All Reknown
    15. Christ The Fair Glory
    16. Hail Thee, Festival Day!
    17. The Great Forerunner Of The Morn
    18. Come, My Way, My Truth, My Life
    19. God Be With You Till We Meet Again
    20. All Hail The Power

    Customer Reviews:

    3 out of 5 stars The final track alone is worth the purchase.......2001-04-07

    If you like traditional hymns done the traditional way (with choir and organ), this CD is a good one.

    A typical hymn-sing, but a great recording of it. This isn't your grandma's choir.

    The arrangements aren't too flashy, but the final selection ("All Hail the Power") makes up for it, and will knock your socks off.

    An ardent fan of Fred Swann's, I'd recommend this CD to any hymn-lover.

    3 out of 5 stars The final track alone is worth the purchase.......2001-04-07

    If you like traditional hymns done the traditional way (with choir and organ), this CD is a good one.

    A typical hymn-sing, but a great recording of it. This isn't your grandma's choir.

    The arrangements aren't too flashy, but the final selection ("All Hail the Power") makes up for it, and will knock your socks off.

    An ardent fan of Fred Swann's, I'd recommend this CD to any hymn-lover.
    Complete Secular Songs (3cd)
    Average customer rating: Not rated
      Complete Secular Songs (3cd)

      Manufacturer: Hyperion UK
      ProductGroup: Music
      Binding: Audio CD

      Purcell, HenryPurcell, Henry | ( P ) | Featured Composers, A-Z | Classical | Styles | Music
      GeneralGeneral | Purcell, Henry | Composers | Baroque (c.1600-1750) | Historical Periods | Classical | Styles | Music
      GeneralGeneral | Baroque (c.1600-1750) | Historical Periods | Classical | Styles | Music
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      Similar Items:
      1. The Complete Odes and Welcome Songs of Henry Purcell / King's Consort
      2. Sacred Music Complete
      3. Purcell: Complete Ayres for the Theatre
      4. Dowland - The Collected Works / The Consort of Musicke, Rooley

      ASIN: B0000DJENT
      Release Date: 2004-01-13
      The Service of Venus and Mars: Music for the Knights of the Garter (Special Limited Edition)
      Average customer rating: 5 out of 5 stars
      • Music for the Knights of the Garter, 1340-1440
      The Service of Venus and Mars: Music for the Knights of the Garter (Special Limited Edition)

      Manufacturer: Hyperion UK
      ProductGroup: Music
      Binding: Audio CD

      RondosRondos | Forms & Genres | Classical | Styles | Music
      GeneralGeneral | Early Music | Historical Periods | Classical | Styles | Music
      Vocal & SongVocal & Song | Early Music | Historical Periods | Classical | Styles | Music | Requiems
      OrganOrgan | Keyboard | Instruments | Classical | Styles | Music
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      OratoriosOratorios | Vocal Non-Opera | Opera & Vocal | Styles | Music
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      ASIN: B0000CDVR8
      Release Date: 2003-11-11

      Customer Reviews:

      5 out of 5 stars Music for the Knights of the Garter, 1340-1440.......2005-01-30

      Christopher Page directs Gothic Voices in a recording of music for the Knights of the Garter, 1340-1440.

      "The music is fascinating. Readers interested in trying medieval repertoire could hardly do better than start here." (Penguin Guide to Compact Discs)

      The works on this recording:

      KING EDWARD III (1312-77), Founder of the Order of the Garter
      1. Philippe de Vitry (1291-1361) Gratissima virginis/Vos qui admiramini/Gaude gloriosa/Contratenor
      2. Anonymous: Singularis laudis digna
      3. Pierre des Molins (fl.1190-220): De ce que fol pense
      4. Anonymous: De ce fol pense (after Pierre des Molins)

      JOHN OF GAUNT, DUKE OF LANCASTER (1340-99)
      5. anonymous Lullay, lullay
      6. Pycard (late 14th C-early 15th C) Gloria

      THOMAS, DUKE OF CLARENCE (?1388-1421)
      7. anonymous Ther is no rose of swych virtu
      8. Leonel Power (c.1375-1445) Sanctus

      KING HENRY V (1387-1422)
      9. Franchois Lebertoul (fl.1409-28) Las, que me demanderoye
      10. anonymous Le gay playsir
      11. anonymous Le grant pleyser
      12. John Pyamour (d1431) Quam pulchra es

      HUMPHREY, DUKE OF GLOUCESTER (1391-1447)
      AND JOHN, DUKE OF BEDFORD (1389-1435)
      13. John Dunstable (c1390-1453) Speciosa facta es

      RICHARD BEAUCHAMP, EARL OF WARWICK (1382-1439)
      14. Soursby Sanctus

      KING HENRY V (1387-1422)
      15. Richard Loqueville (d1418) Je vous pri que j'aye un baysier
      16. anonymous The Agincourt Carol

      Russian Easter: The Canon of St. John Damascene
      Average customer rating: 5 out of 5 stars
      • Enchanting liturgical recreation of a late 17th century Easter liturgy
      Russian Easter: The Canon of St. John Damascene
      Russian Orthodox Chant , Anatoly Grindenko , and Russian Patriachate Choir
      Manufacturer: Opus 111
      ProductGroup: Music
      Binding: Audio CD

      GeneralGeneral | Opera & Vocal | Styles | Music
      GeneralGeneral | Classical | Styles | Music
      CompilationsCompilations | Classical | Styles | Music
      ClassicalClassical | Imports | Stores | Music
      Similar Items:
      1. Meditation Chants for Great Lent
      2. Russian Medieval Chant

      ASIN: B000005W4I
      Release Date: 1996-04-10

      Tracks:

      1. Stikharion, Mode 6
      2. Easter Troparion (Easter Verses)
      3. Easter Troparion
      4. Canon, Mode 1 Ode 1: Hirmos
      5. Ode 1: Theotokion/Hirmos/Easter Troparion
      6. Ode 3: Hirmos
      7. Ode 3: Theotokion/Hirmos/Easter Troparion
      8. Hypakoi, Mode 8
      9. Ode 4: Hirmos
      10. Ode 4: Theotokion/Hirmos/Easter Troparion
      11. Ode 5: Hirmos
      12. Ode 5: Theotokion/Hirmos/Easter Troparion
      13. Ode 6: Hirmos
      14. Ode 6: Theotokion/Hirmos/Easter Troparion
      15. Kondakion, Mode 8
      16. Ikos
      17. Stikharion, Mode 6
      18. Ode 7: Hirmos
      19. Ode 7: Theotokion/Hirmos/Easter Troparion
      20. Ode 8: Hirmos
      21. Ode 8: Theotokion/Hirmos/Easter Troparion
      22. Ode 9: Refrain: My Soul Doth Magnify Him...
      23. Ode 9: Refrain: The Angel Proclaimed Fulness Of Grace...
      24. Ode 9: Troparion: O How Divine, Gentle And Sweet...
      25. Ode 9: Refrain: Mary Magdalene...
      26. Ode 9: Troparion: O Great And Most Holy Easter!...
      27. Ode 9: Refrain: Today, Every Creature Exults...
      28. Ode 9: Troparion: O Virgin, With One Voice...
      29. Ode 9: Refrain: My Soul Magnifies The Power Of God...
      30. Exapostilarion, Mode 3
      31. Easter Stikharia, Mode 5: Verse Let God Arise...
      32. Easter Stikharia, Mode 5: Verse Thus May They Parish...
      33. Easter Stikharia, Mode 5: Verse On This Day The Lord Has Made...
      34. Easter Stikharia, Mode 5: Verse Glory Be To The Father...
      35. Conclusion

      Amazon.com

      The Patriarchate Choir has recorded a 17th-century setting of the Easter Canon of St. John Damascene (the midnight service) to then-newly-developed "Greek" chant. The music had nothing in common with actual Byzantine chant, but it was innovative in several ways. The text-setting is syllabic and quick (thus cutting the service from three hours to about 90 minutes); the polyphony is mostly in partesny (part-singing) style, borrowed from Poland and sounding for all the world like … well, like Russian barbershop. The effect is all the odder because there is a recurring refrain in the indigenous, highly dissonant, strochny style. This disc is valuable (especially for the distinctive pealing of Russian church bells on track 1), but frankly, it's not Anatoly Grindenko's most appealing effort. --Matthew Westphal

      Customer Reviews:

      5 out of 5 stars Enchanting liturgical recreation of a late 17th century Easter liturgy.......2005-07-02

      Anyone who has ever attended a Russian Orthodox Easter ceremony will know that its ecstatic celebratory moods differs strikingly from the Catholic or Protestant rituals, which are the darkest of the year. There are repeated exclamations by the Priest of 'Christ has arisen!' answered by enraptured congregation and choir alike with 'truly he has arisen!' Here Anatoly Grindenko reawakens lost traditions that disappeared at the start of the twentieth century. Grindenko has worked closely with musicologists who have painstakingly transcribed cryptic ancient notation to create workable performance editions. At the same time he has built up his Russian Patriachate Choir into a formidable choir of professional singers specialising in rediscovering a lost world.

      The Office of Easter Night recorded here dates from the seventeenth century. While those who, like myself, have only the most passing familiarity with current Orthodox practice will recognise some of the chant here, the recreation here is more of the liturgical practice of the latter seventeenth century. The original manuscript is housed in the National Museum of Historic Russia. The chants were even notated in a previously unkown notation that required special deciphering. The main point of interest is that much of the music here is written in three parts, although even then the counterpoint is quite simple, similar to those found in the Western Ars Nova such as Perotin, rather than having the full on complexity of that of Renaissance composers such as Josquin or Palestrina. Another significant outside stylistic influence was in fact Greek Orthodox as there were frequent contacts between Russian and Greek Orthodox singers around the seventeenth century.

      As usual from Grindenko, this is a wonderful recording of Orthodox chant, which recreates the elatory mood of the Orthodox Easter with his characteristic hynoptic intensity.

      As for the totally bizarre assertion by Matthew Westphal that the part writing sounds like barbershop - well, I presume he thinks the Bach St Matthew Passion is German barbershop! It puzzles me why Amazon bother to get clueless editorialists to write unhelpful rubbish like this. I strongly suggest you listen to this enchanting CD and decide for yourself - you'll probably be totally bowled over. This recording is yet another triumph for Grindenko and his Russian Patriachate Choir who are clearly the leading practioners of Orthodox Chant today - HIGHLY recommended to anyone with any interest whatsoever in chant - or for that matter any Early Music.

      Lastly, the liner notes are excellent, written by the musicologist Maria Bogomolova who deciphered the notation. The recording quality is as usual from Opus 111, first class. Thank you Yolanta Skura for making these revelatory recordings available!

      The Spirits of England and France, Vol. 5: Missa Veterem Hominem
      Average customer rating: 5 out of 5 stars
      • A Mass from a Glorious Period in English Music
      The Spirits of England and France, Vol. 5: Missa Veterem Hominem

      Manufacturer: Hyperion
      ProductGroup: Music
      Binding: Audio CD

      GeneralGeneral | Early Music | Historical Periods | Classical | Styles | Music
      Vocal & SongVocal & Song | Early Music | Historical Periods | Classical | Styles | Music | Requiems
      GeneralGeneral | Classical | Styles | Music
      CompilationsCompilations | Classical | Styles | Music
      GeneralGeneral | Opera & Vocal | Styles | Music
      MassesMasses | Vocal Non-Opera | Opera & Vocal | Styles | Music
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      ASIN: B000002ZYV
      Release Date: 1997-05-09

      Tracks:

      1. Jesu, fili virginis
      2. Doleo super te
      3. Gaude Maria virgo
      4. Deus creator omnium
      5. Kyrie: Deus creator omnium
      6. Gloria
      7. Jesu salvator
      8. Credo
      9. A solis ortus
      10. Sanctus and Benedictus
      11. Salvator mundi
      12. Agnus Dei
      13. Christe, qui lux es
      14. To many a well
      15. Sancta Maria virgo
      16. Mater ora filium
      17. Ave maris stella
      18. Beata Mater
      19. Pange lingua

      Amazon.com

      If it weren't for the fact that English music was successfully exported to the Continent during the early 15th century, we would know far less about it. Most of the remaining sources, including that which contains the Missa Veterem Hominem--composed around 1440--exist only outside of England. Fortunately, a virtuoso vocal ensemble such as Gothic Voices takes an interest in exploring repertoire that eludes the understanding or repertorial focus of most other groups. There's some incredible music here, and it's performed in such a lively, energetic, technically faultless style that we just listen in astonishment and appreciation. You won't believe the dazzling, jumping rhythms and leaping melodies of the Kyrie; and you'll marvel at the radiant, shimmering harmonies that result from the singers' perfect tuning and balance. Get this disc and prepare for a memorable experience. --David Vernier

      Customer Reviews:

      5 out of 5 stars A Mass from a Glorious Period in English Music.......2005-05-17

      This "Old Man" mass (the old man is Adam) comes from a flourishing period of English music when English sacred music spread widely over the European continent. In addition to the ordinary of the mass, which is beautifully sung, this recording includes numerous examples of Sarum chant, some of which are still used in Anglican and Roman Catholic churches today. This is the fifth volume of a series by the Gothic Voices titled "The Spirits of England and France" -- every volume in this series is fascinating. The recording booklet is a model of what documentation should be for music of this era.

      Music:

      1. The Twelve Inch Singles [Import]
      2. The Writer's Hang Volume One
      3. This Is Love [CD-single] [Import]
      4. Tonalism
      5. Transformer
      6. Transmission
      7. Trees/Sunrise, Pt. 1 [CD-single] [Import]
      8. Varicose Brain
      9. Wake Up & Smell the Coffee [Import]
      10. Wake Up and Smell the Coffee

      Music

      music

      Music

      Ma Kelly's Greasy Spoon [Extra tracks]

      Scholl: Uber glitzernden Kies; Pentotita

      Takemitsu: Piano Works

      Trampoline [Import]

      See Hear

      The Serpent (In Quicksilver)/Abandoned Cities

      That Holiday Feeling

      Tango Catolico

      The Life and Times of a Large Man

      The DeJohnette Complex

      The Cure [Deluxe Edition w/ Bonus DVD]

      The Best of George Benson

      Super Exitos De [Import]

      Martinu: The Epic of Gilgamesh (Oratorio)

      Straight Ahead