Let It Live [CD-single]
Editorial Reviews
Album Description
2001 single for UK indie act NME described as 'life-affirmingly brilliant'. Tracks, 'Let It Live', 'Comes A Change' & 'Last Dance'. Paper sleeve with inner sleeve.
Average customer rating:
- Josh is even better in live!
- Very Good!
- Let me explain...
- Re-Live the Concert Experience!
- DVD is so worth the price
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Josh Groban Live at The Greek (CD/DVD)
Josh Groban
Manufacturer: Reprise / Wea
ProductGroup: Music
Binding: Audio CD
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ASIN: B00063LTH4
Release Date: 2004-11-30 |
Tracks:
- Oceano
- Mi Mancherai (il postino)
- Mi Morena
- Canto Alla Vita
- Remember When It Rained
- Remember
- America
- Never Let Go
Tracks:
- Oceano
- Per Te
- To Where You Are
- Mi Mancherai (il postino)
- Mi Morena
- Alejate
- Canto Alla Vita
- Nocturne/Bohemian Rhapsody (performed by Lucia Micarelli)
- Alla Luce Del Sole (special guest artist: Bela Fleck)
- My December
- Caruso
- Remember When It Rained
- Vincent (Starry, Starry Night)
- Remember
- You Raise Me Up
- America
- Never Let Go
Amazon.com
If Josh Groban's unabashedly melodramatic musical fusion inspires grousing on both sides of the classical/pop pundit divide, the screams of the (mostly) young female fans that punctuate these 2004 performances at L.A.'s historic Greek theater better underscore the real point. This set's CD and more expansive DVD complement each other well; if anything, supplemented by a live string ensemble and crack backing band, they're a warmer, more focused showcase for the singer's talents than the studio albums that made his meteoric fame. In peak form, Groban variously delivers forceful renditions of his pop-operatic powerhouses "Canto Alla Vita" and "Anna Luce Del Sole" (the former featuring a drum solo [!] from Groban, the latter a fine guest turn by Bela Fleck on banjo), takes a surprising solo piano break on Paul Simon's "America," waxes Central Asian on Troy's "Remember" and brings the crowd to its feet with the heart-on-his-sleeve dramatics of Closer's "Never Let Go." They're all informed by the singer's insouciant, youthful enthusiasm, arguing that Groban is gifted with more than just a magnificent voice; he's a complete natural as a performer as well. The DVD also includes a tour diary narrated with typical charm by the singer, as well as bonus live performance of "Believe" from the Polar Express soundtrack. --Jerry McCulley
Album Description
Josh Groban's 2002 PBS "Great Performances" special was a #1 selling DVD and the best-selling long-form music video of 2003. His second "Great Performances" special was taped at L.A.'s Greek Theater in the summer of 2004. For fans of the young sophisticated pop phenomenon who has sold more than 8 million albums, this CD+DVD package is just the latest great performance in the career of Josh Groban. DVD Extras: On the road with Josh for Summer 2004 Tour and a special performance of "Believe" from The Polar Express (it's PBS footage mixed w/ film footage).
Customer Reviews:
Josh is even better in live!.......2007-04-14
I recently saw Josh on his new tour with Awake, and it was so awesome that inspired me to buy this DVD to replicate the experience a little bit. I loved it! Especially loved the few extra songs I've never heard before (Mi Morena, America). Some people were complaining about the nasal sound and quality, but this is a live show so of course it sounds a little different. Bottom line is I think Josh is a great preformer and his very funny also :)
Very Good!.......2007-02-09
This CD/DVD was very good. I watched the DVD and was impresed with the way He handles the "spot light." He seems to be a very humble person and I think that is what makes his music so enjoyable to listen to. Not forgetting his awesome voice!
Let me explain..........2007-01-14
There are several reviews that talk about how annoying it is for the fans to wave light sticks and/or American flags in this DVD. Perhaps if I explain why, it will seem less annoying.
The waving of the light sticks was started at the very beginning of his first tour, mainly to show him how much the fans appreciated the concerts. The first idea was to wave them during the last verse of "You Raise Me Up," when the choir came out. Later, fans added another show of support by waving blue light sticks during "Vincent (Starry Starry Night."
OK, if you still find that annoying, that's your right. However, the flag waving at the end of "To Where You Are" was special. This concert was filmed on September 11, and the flags were waved at the end of "To Where You Are" for those who were lost, and the families of those who were lost, on 9/11/2001.
It's your right if you still find these things annoying. I just thought I'd try to help you to understand.
Since this is a forum for giving our opinions of the DVD, I have to say that I love it. He has a beautiful voice and I love listening to him under any circumstance. The DVD is wonderful, IMHO.
Re-Live the Concert Experience!.......2007-01-09
Was fortunate enough to attend Josh's "Closer" concert tour date at Jones Beach--amazing voice. Getting this album brought back all of the memories of that amazing evening outdoors under a "Starry, Starry Night." I used to not bother purchasing live albums because they had poor audio quality, but not anymore. Love this album! (Actually, I love all of his stuff.)
DVD is so worth the price.......2007-01-08
I disagree with some of the reviewers complaining about a nasal sounding CD. Yes, there are few parts where it may sound a little nasal but people have to remember that this a LIVE concert and if they wanted perfect sound they should buy the studio album instead. He still sounded brilliant and great. The DVD is fantastic for all those who don't have the luck or means to attend a Groban concert. It captures the energy and pure joy of a concert. Sometimes its even better than being at the concert because you can see Groban close up. I hope that there will be a concert DVD released for the AWAKE concerts.
Average customer rating:
- A Superb Collection of Music
- This is a delightful combination of music talents to enjoy!
- This will tenderize your heart.
- Phenomenal !! A must have for any music library.
- Outstanding Music, bringing Pavarotti to new heights.
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Pavarotti & Friends - For The Children Of Liberia
Manufacturer: Decca
ProductGroup: Music
Binding: Audio CD
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ASIN: B00000DBVG
Release Date: 1998-10-20 |
Tracks:
- Let It Rain
- Stop
- How Do I Live Without You
- I Hate You Then I Love You
- Higher Ground
- 'O Surdato 'Nnammurato
- Se Bastasse Una Canzone
- Betcha Never
- Viva Forever
- Va, Pensiero
- Napule e'
- Une Place Pour Moi
- Non Ti Scordar Di Me
- Tonight
- Dreams
- Adeste Fideles
- Peace Wanted Just To Be Free
Amazon.com
Is music for a good cause a good cause for music? Not really, if you expect artistry. But this smorgasbord of popular international musical stars brings together extreme musical genres for an excellent purpose, and is enjoyable enough for almost anyone. Pavarotti's relaxed and buoyant leadership and still gorgeous tenor add beauty to the rock/pop selections. Trisha Yearwood, Celine Dion, and Stevie Wonder impressively hold their own against Opera Spice; but the other artists pale against the master's presence. The Spice Girls will never be confused with Anonymous 4; Zucchero's growling is scary; Florent Pagny exemplifies French rock; and Pino Daniele's breathy tenor is mellow and soothing. Best for those wanting to experience Pavarotti's vocal beauty in a more popular idiom. --Barbara Eisner Bayer
Customer Reviews:
A Superb Collection of Music.......2002-11-14
As a musician, I first ran into this disk as a PBS broadcast. What caught my ear was that every song in the concert has "the groove." Other than a children's choral cut, not a single song in the entire collection has a flaw. You'd think the Spice Girls would be a silly addition to the concert, but they do a tremendous job. Each artist appears twice, usually with Pavaotti in one of their songs, sometimes twice. Vanessa Williams is Hot! and does an incredible dance number. The engineering is excellent, with solid side-to-side separation for a really "big" sound. All in all, this is one of the favorite CDs in my music library.
This is a delightful combination of music talents to enjoy!.......1999-04-01
We first saw Pavarotti and Friends on Public Television as a fundraising event. We found the CD and especially love to listen to this CD in our car which has a great sound system. Each vocalist is so special and you will be singing along with them after a couple of plays!
This will tenderize your heart........1999-03-07
Brilliant talent for needy children, that touches the soul, and sets it on fire. Your tears will soak your socks. James
Phenomenal !! A must have for any music library........1998-12-29
A most wonderful gathering of some of the world's greatest vocalists. Such a unique blend of international Modern & Classical. If one were to put to test the ability of a vocalist to adapt to a variety of melodies, this is it. Grab your lover and take a trip in their arms with this CD!!
Outstanding Music, bringing Pavarotti to new heights........1998-12-06
Easily the best in the Pavarotti & Friends series. Always an artist on the cutting edge, with this album, Pavarotti's work will have great appeal to his fans and to scores of new enthusiasts. His duets with the Spice Girls, Vanessa Williams, Zucchero, and Stevie Wonder make it obvious that his voice has adaptability and a passion that takes it into many musical genres with ease. This shouldn't be a surprise to anyone. Sting once commented that great music occurs in the "synaptic gaps" where many different styles come together - this is an album that epitomizes the concept. Neopolitan music is a folk music in Italy, with overtones of American folk/country/jazz/rock, and Pavarotti is the Neopolitan master. This is a perfect fit of artists and selected titles. Earlier combinations of artists in this series were often much too somber, much less fun. Give this one to your teens or your great grandmother ... they'll find they have more musical tastes in common than they'd have ever imagined.
Average customer rating:
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Handel: The Masterworks (Box Set)
Manufacturer: Brilliant Classics
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Binding: Audio CD
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ASIN: B00062FLI8
Release Date: 2004-11-30 |
Average customer rating:
- Arguably "The Best" English "Merry Widow "
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Léhar: The Land of Smiles; The Merry Widow; The Count of Luxembourg (Highlights)
Manufacturer: Class. for Pleas. Us
ProductGroup: Music
Binding: Audio CD
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- The Best of Operetta, Vol. 3
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ASIN: B00009KHY2
Release Date: 2003-09-02 |
Customer Reviews:
Arguably "The Best" English "Merry Widow ".......2006-09-12
This is the "Merry Widow" with English translation by Christopher Hassel sung by June Bronhill. I loved this rendition ever since I first heard it in about 1960. What's to love? First the translation is the best I've heard. The language doesn't sound "stilted" as some others. And, you can understand almost every word sung. Plus, the famous song, "Vilja" has some wording that moves me every time I hear it: The soprano sings, "Love me and I'll DIE for you!" with the word "die" somewhat emphasized. I don't know, there's just something "powerful" about someone saying they'd "die" for love! AND, at the end of "Vilja" the chorus and soprano raise to a crescendo hitting a high note together. In many renditions the chorus is heard but not the soprano on the final high note. In THIS version, the soprano, June Bronhill, can be heard rising to the final high note with an incressing crescendo and fortissimo louder than the chorus and holding the final high note---which gives a very thrilling effect as she holds that final note, I assure you!
The "problem" is that this June Bronhill, Reid, and Hassel version is hard to find on CD. For example, this CD is made in Holland and "there is one left" so it says on Amazon. But, if you can find it, I think it would be very much worth a listen. Then, after hearing it, if you think there's a "better" Merry Widow, please let ME know! Thanks. Email:boland7214@aol.
Average customer rating:
- Favorite Bond Film
- Finally! The complete Live and Let Die Soundtrack
- Best Sound Track Ever
- Live and Let Delight
- Why weren't these tracks included in the first place?
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Live and Let Die
Various Artists , and George Martin
Manufacturer: Capitol
ProductGroup: Music
Binding: Audio CD
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ASIN: B000087DRN
Release Date: 2003-02-11 |
Tracks:
- Live And Let Die (Main Title)
- Just A Closer Walk With Thee / New Second Line
- Bond Meets Solitaire
- Whisper Who Dares
- Snakes Alive
- Baron Samedi's Dance Of Death
- San Monique
- Fillet Of Soul-New Orleans / Live And Let Die
- Bond Drops In
- If He Finds It, Kill Him
- Trespassers Will Be Eaten
- Solitaire Gets Her Cards
- Sacrifice
- James Bond Theme
- Gunbarrel / Snakebit
- Bond To New York
- San Monique (Alternate)
- Bond And Rosie
- The Lovers
- New Orleans
- Boat Chase
- Underground Liar
Customer Reviews:
Favorite Bond Film.......2007-04-26
Music score was great. Paul McCartney and Wings. Movie well fitted for Roger Moore, a great candidate for this role.
The Solitaire melody is dreamy and romantic and often moody.
"Bond Goes to New York' is sharp yet out-witted. "Live and Let Die", a sacrament to testimony. Too good to pass up.
Finally! The complete Live and Let Die Soundtrack.......2005-09-13
I have only been waiting for this for 22 years! Granted when this was first released on LP (Vinyl record technology, pre cd, pre cassette and during the horror period of 8 track tapes!),
Only so much music could be recorded on a record. This album finally satisfies all of us who wanted all of the music. Sir George Martin does a wonderful variation to the classic 007 theme as well as great action sequences with different variations of the main title and then some original songs. Sir Martin was the first to score for Bond since Barry who had scored all of the previous movies unavailable for this one. The music was a fabulous introduction to the new Bond Roger Moore.
This Album will stand the test of time when good music was being made for the series.
Best Sound Track Ever.......2005-03-20
I just love bond movies and being able to listen to the music from them is just ausome
Live and Let Delight.......2004-08-12
The remastered release of LIVE AND LET DIE is much improved. The previous issue was no different than the track line up on the original 1973 vinyl record -- or eight track tape, depending on your antiquated stereo. Not only does this release include additional superb tracks, some of the original cuts have also been lengthened and more closely correspond the the film soundtrack. George Martin, the Beatles producer, took the helm from John Barry in scoring the eighth James Bond film soundtrack. Though no one has yet equaled Barry's compositions for Bond films, which we have not heard since 1987's THE LIVING DAYLIGHTS, Martin's soundtrack was perfect for launching Roger Moore's first outing as Bond. Let us not forget Paul McCartney's brilliant theme of the same name.
The musical chemistry between McCartney and Martin is obvious as the title theme music is blended throughout the soundtrack. As a matter of trivia the movie producers originally planned to use McCartney's title theme with a female vocalist before the former Beatle showed his mettle as a negotiator. In the end, Paul McCartney and Wings performed the title track. LIVE AND LET DIE also proved to be a hit Apple/Capitol single as well.
There are a couple things missing from the CD. When some of the James Bond soundtracks were re-released a couple years ago they included selected soundbytes and an analog movie trailer. Apparently the remastered LIVE AND LET DIE soundtrack did not rate these extra features.
Oh well, Live and Let Die. In the meantime, live and go buy.
Why weren't these tracks included in the first place?.......2003-04-16
Yes, that is my sentiment....in fact, it seems in all the other re-mastered Bond soundtracks, the best music is left out, and Live and Let Die was no exception.
George Martin took over from John Barry to write the score for Live and Let Die and he more than admirably did the job. First of all, (take note David Anrold), is that he incorporate the theme song into the score even though it wasn't written by him...thus continuing the tradition of Bond music set by John Barry. Second, he wrote another piece for Solitaire which is also used extensively throughout the score. In all, George Martin wrote a score worthy of Barry himself....
Which is what makes the original release such a disappointment because many of the best music was left out. The re-master remedied that and includes virtually the entire score: the music for the pre-title sequence (gun barrel/snakebit), other notables are Bond and Rosie, The Lovers, Bond to New York, and many of the cues for action/chase sequences. There is an alternate cue for San Monique which I think is better than the one on the original release.
But why the 3 stars rating?
We have to wait for Bond's 40th anniversary for the soundtrack's proper release, AND rebuy the soundtrack (I have it in cassette and CD and now the Re-master). Call me bitter, I think the people who runs the Bond empire should stop treating us fans so shabbily.
Average customer rating:
- One of America's great songwriters
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Over the Rainbow
Manufacturer: Pearl
ProductGroup: Music
Binding: Audio CD
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ASIN: B000000WMG
Release Date: 1997-11-18 |
Tracks:
- (You Got Me In Between) The Devil And The Deep Blue Sea
- I've Got The World On A String
- I Gotta Right To Sing The Blues
- Public Melody No. 1
- When The Sun Comes Out
- Hittin' The Bottle
- Let's Fall In Love
- Let's Put Our Heads Together
- Now I Know
- As Long As I Live
- Rasin' The Rent
- Blues In The Night
- Down With Love
- Over The Rainbow
- It's Only A Paper Moon
- Bud's Won't Bud
- One For My Baby (And One More For The Road)
- Stormy Weather
- Kickin' The Gong Around
- Two Blind Loves
- That Old Black Magic
- Ac-Cent-Tchu-Ate The Positive
- Ill Wind
- Get Happy
Customer Reviews:
One of America's great songwriters.......2001-03-09
Amid the Cole Porters, Irving Berlins and George Gershwins of the world, Harold Arlen tends to be forgotten. And yet, when the greatest song of the 20th century was recently voted on by a distinguished panel of critics, whose song came out on top? Mr. Arlen's (Over the Rainbow). Here is a superb cross section of Harold Arlen songs by a cast ranging from Judy Garland to Bing Crosby to Ethel Waters, spanning decades and spanning a wide range of styles, from jazz to ballads, poignant to funny. Although the sound is not ideal, as many of the recordings date from the 30's and Pearl's objective in remastering has always been to achieve the fullest musical sound rather than to reduce surface noise, this is a minor complaint given the rich and mind-opening selection of great music found here.
Average customer rating:
- Good coloratura work by Elizabeth Futral
- At Last a Solo Recital on CD
- An Interesting display
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Great Operatic Arias
Manufacturer: Chandos
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ASIN: B00009AQMF
Release Date: 2003-06-24 |
Tracks:
- Come Take Me In Your Arms
- My Soul Is Filled With Love For You
- What Are These Tears And Sighs
- How I Loved Him!
- A Maiden Adorning
- He Has Come Back
- See Here, Dorabella
- Ah! Let me Live In This Dream
- He's The God Of Youth And Springtime
- The Silver Moon Was Shining
- Ain't It A Pretty Night!
- Take Me Away To The One I Adore
- Oh Sleep, Why Dost Thou Leave Me?
Customer Reviews:
Good coloratura work by Elizabeth Futral.......2007-05-27
This is an interesting CD from soprano Elizabeth Futral. The theme of this is a set of operatic arias sung in English, not in the original French or Italian or. . . . I'm not sure how sold I am on the concept, but, after all, it's the singing and musicality that is most important. And, by that measure, Elizabeth Futral does very nicely.
The accompanying booklet begins by noting that (page 8) "The voice of the light soprano has enchanted listeners for centuries." Futral's singing is characteristic of this type of voice.
In this era, any coloratura soprano has two challenges: first, to compare with the past generation's astonishingly talented practitioners, well exemplified by Joan Sutherland and Beverly Sill. Second, though, there are some wonderful coloratura sopranos today against whom others will be compared, with Natalie Dessay and Sumi Jo among the most adept. Thus, Futral will almost automatically be compared with such exemplars. I do not think one could say she is the equal of those four just mentioned, but she does not compare badly either.
From the Wikipedia: "In musical notation, the Italian word staccato (literally detached, plural staccatos or staccati) indicates that notes are sounded in a detached and distinctly separate manner, with silence making up the latter part of the time allocated to each note. The rhythm is not affected. Notes identified as staccato should be played or sung abruptly and short." This is worthy of comment, since the "Bell Song" from "Lakme," one of the selections on this CD, features many such notes. Futral sings them well. Her performance in this work is well done (although it is somewhat jarring, again, to hear it sung in English). She begins with a nice high note and a bang up following trill. She displays good agility and features nice technique on staccato notes. Overall, this is well done. Toward the end, which calls for great ornamentation, she seems a bit hesitant at time, but she concludes with a nicely sung high note.
Other examples of her singing. From Handel's "Alcina," she sings "Come take me in your arms." Her voice is a light, standard coloratura voice (although not all coloratura sopranos have such a voice, of course). She displays considerable agility, a decent trill, and good ornamentation. There is a bit of harshness on a high note toward the close, but hardly fatal to the overall positive effect of her singing.
From Donizetti's "Linda di Chamounix," there is "My soul is filled with love for you" (otherwise known as "O luce di quest'anima"). Her version is not too shabby when compared with such greats as Sutherland and Jo. The cabaletta shows off, again, her agile voice. Good staccato high notes. Nice trills and a well nailed final high note.
Then there is the charming "Son vergin vezzosa" from Bellini's "I Puritani," here entitled "A maiden adorning." Again, nice agility, good trills, well done florid singing technique. While there is some harshness in the penultimate high note, overall, well done.
In short, Futral adds to a currently rich supply of coloratura sopranos, and compares well with the best of them.
At Last a Solo Recital on CD.......2005-03-19
Elizabeth Futral is one of those rare sopranos who seems to put pacing of her career, care of the voice, and commitment to repertoire range ahead of the too early media blitz that can hamper a singer's career. Clearly she has it all - beauty of voice, beauty of physical presence, fine acting skills, intelligence, and interpretive insights.
Having seen her Cleopatra in LA Opera's GUILIO CESARE and in SF Opera's production of Previn's STREETCAR NAMED DESIRE put her high on the list of important new sopranos. This rather strange recording gives samples of her foray's into all styles from Handel to Previn and does a fine job in capturing the beauty of her phrasing and quality of her seamless soprano voice. It is somewhat distracting to place a first recital recording before the public being sung entirely in English, especially for those who are unfamiliar with Futral's gifts. But credit Chandos with the courage to try something different, something that may introduce new audiences to the opera field.
Surely after the recent successes of Futral performances in the opera houses more recordings will follow. Meanwhile this is a tasty sampler of just how versatile - and special - Elizabeth Futral is. Grady Harp, March 05
An Interesting display.......2003-07-23
Coloratura-soprano Elizabeth Futral is a remarkable artist with a beautiful instrument and a most impressive technique. Her appearences in record stores are mostly on lesser known and up and coming labels such as Opera Rara and CHANDOS; with a few performances on DG.
This CD has an unusual semi-personal package. Duets, trios and quartets are featured. The title of the program is called Great Operatic Arias which seems rather broad for a soprano recital disc.
Futral sings well as always, however the content seems to lack a bit of intricacy and polish. Each aria, duet etc leaves you wondering whether or not a bit more time could have been put into this. The arias range from baroque to 20th century; covering four languages.
The entire program is performed in English and this is interesting... Although some of the arias just sound plain strange in English! It is a very nice thing to actually completely and instantly understand what is being sung. I was most impressed with the CHANDOS Lucia di Lammermoor. Futral probably gave her best performance on record in that role. She is astonishingly good on that recording. Her mad scene is awesome!
Overall this is a pleasing recording and Futral dazzles her listeners with her crystal clear high notes and vibrant tone. I look forward to more recordings of her. Hopefully she'll have a chance to record some more opera in its original language. I think that its time for a new Puritani or Sonnambula. Wouldn't she be the perfect candidate?
Average customer rating:
- A great idea, but incomplete
- Excellent. The best of this style.
|
Bond and Beyond
Manufacturer: Telarc
ProductGroup: Music
Binding: Audio CD
Elfman, Danny
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ASIN: B000003CX1
Release Date: 2002-10-22 |
Tracks:
- Theme From Goldfinger
- James Bond Theme
- From Russia With Love
- Main Theme From Dick Tracy
- Crime Spree From Dick Tracy
- Main Theme From The Untouchables
- Al Capone From The Untouchables
- It's A Long Road From Rambo (First Blood Part Two)
- Medley Of TV Adventure Themes: Dragnet/Peter Gunn/Perry Mason/The F.B.I./Hillstreet Blues/Mission Impossible/The Man From U.N.C.L.E./L.A. Law/Miami Vice/Hawaii Five-O
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- For Your Eyes Only
- Axel F From Beverly Hills Cop
- Theme From Leathal Weapon
- Woe, The Darkman, Woe! From Darkman
- Nobody Does It Better
- Theme From Shaft
- All Time High From Octopussy
Customer Reviews:
A great idea, but incomplete.......2000-10-26
Erich Kunzel plays the Bond themes? What a great idea! In addition, there are a few more selections in the same vein, like the cops-n-robbers TV medley, music from The Untouchables, Lethal Weapon, Beverly Hills Cop, etc.
Sometimes, you want to listen to the 007 music in instrumental only, and Kunzel and the Cincinatti Pops do a good job with the arrangements. But where are the rest of the songs? Missing are three of my all-time favorites, You Only Live Twice, Diamonds Are Forever, and Moonraker. I think the album would be better with 'more Bond, less other.' We certainly don't need TWO selections from Dick Tracy. And the theme from Darkman is stylistically quite similar to Dick Tracy; nothing is gained by playing both. Don't get me wrong; I like Danny Elfman (check out his "Beetlejuice" theme on Kunzel's 'Great Fantasy Adventure Album'). I just wanted to hear all my fave Bond pieces on the one CD.
Still, it's a keeper.
Excellent. The best of this style........1999-02-15
All I can say is listen to the Trumpet solo on goldfinger. The best
Average customer rating:
- ISSUE RESOLVED ON THE EUPHRATES
- Enjoiyable, but lacking, too.
|
Handel: Belshazzar
Manufacturer: Archiv Produktion
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ASIN: B0001ZWGHY
Release Date: 2004-06-15 |
Tracks:
- Overture
- Vain, Fluctuating State Of Human Empire!
- Thou, God Most High, And Thou Alone
- The Fate Of Babylon, I Fear, Is Nigh
- Lament Not Thus, Oh Queen, In Vain!
- Behold, By Persia's Hero Made
- Well May They Laugh/Oh Memory! Still Bitter To My Soul
- Opprest With Never-Ceasing Grief
- Dry Thoes Unavailing Tears
- Be Comforted: Safe Though The Tyrant Seem/Methought, As On The Bank Of Deep Euphrates
- Now, Tell Me, Gobrias
- Behold The Monstrous Human Beast
- Can You Then Think It Strange
- Great God! Who, Yet But Darkly Known
- My Friends, Be Confident
- All Empires Upon God Depend
- Oh Sacred Oracles Of Truth!
- Rejoyce, My Countrymen
- Sing, Oh Ye Heav'ns!
Tracks:
- Let Festal Joy Triumphant Reign!
- For You, My Friends
- The Leafy Honours Of The Field
- It Is The Custom, I May Say, The Law
- Recall, Oh King! Thy Rash Command
- They Tell You True
- Oh Dearer Than My Life, Forebear!
- By Slow Degrees The Wrath Of God
- See, From His Post Euphrates Flies!
- You See, My Friends, A Path
- Amaz'd To Find The Foe So Near
- To Arms, To Arms! No More Delay!
- Ye Tutelar Gods Of Our Empire
- Let The Deep Bowl Thy Praise Confess
- Where Is The God Of Judah's Boasted Pow'r?
- Call All My Wise Men
Tracks:
- A Singony (Allegro Postillions)
- Ye Sages! Welcome Always To Your King/Alas! Too Hard A Task The King Imposes
- Oh Misery! - Oh Terror! - Hopeless Grief!
- Oh King, Live For Ever!
- No! To Thyself Thy Trifles Be
- Yet, To Obey His Dread Command
- Oh Sentence To Severe!
- Oh God Of Truth! Oh Faithful Guide!
- You, Gobrias, Lead Directly To The Palace
- Oh Glorious Prince!
- Alternate Hopes And Fears
- Fain Would I Hope
- Can The Black Aethiop Change His Skin?
- My Hopes Revive
- Bel Boweth Down!
- I Thank, Thee, Sesach
- A Martial Symphony
- To Pow'e Immortal My First Thanks
- Be It Thy Care, Good Gobrias
- Great Victor, At Your Feet I Bow
- Say, Venerable Prophet
- Tell It Out Among The Heathen
- Yes, I Will Build Thy City
- I Will Magnify Thee
Customer Reviews:
ISSUE RESOLVED ON THE EUPHRATES.......2005-06-19
One question I might find among the more difficult in my life would be - which is my favourite Handel oratorio? I suspect that my answer would generally be 'the one I heard most recently', and that, as I write this, is Belshazzar. It is a magnificent thing, a heavenly thing. It has taken me longer than it should have to come to an appreciation of what makes Handel the phenomenon - as a genius, as an artist, as a craftsman - that he is, but I am comforted to reflect that no less a genius than Haydn, at the age of nearly 70 gaining a more thorough knowledge of Handel in performance, was driven to say that he felt a mere apprentice. In his sense of how to pace a dramatic narrative, in his instinct for how to use the human voice in song and above all in chorus, in the matchless flexibility and adroitness he displays at word-setting and in the audacity of his melodic and harmonic effects I can think of nobody who can approach Handel on his own terms.
Belshazzar was not a great success at the box-office, although this may have had more to do with difficulties in the casting than because it was deemed insufficiently biblical for oratorio, which seems to have been the fate of Hercules. It seems to me to be perfectly well described as oratorio in other ways too, with (for one thing) the extensive use of the chorus that we find in, say, Samson but not in Hercules. The one passage that cries out for visual effects is of course the apparition of the moving finger itself. Even here the composer can go a long way with sheer power of suggestion, by the strange unaccompanied violin figure creeping upwards and the frightened brevity of the vocal numbers. Otherwise for me Belshazzar is as much an oratorio as Samson is. It has the same librettist too, the crusty and formidable Jennens, who had also collaborated with Handel on Saul and on Messiah itself. Jennens' full text is not provided, but I think if you read the synopsis first and then follow the work from the headlines to each number you will have no difficulty in catching the words, so clear is the enunciation by soloists and chorus alike. As usual, Handel was driven to make alterations to the score for practical reasons. He had been a little concerned about its length, roughly 2 hours and 50 minutes in this performance, but where he wishes to be expansive he gives us full measure - two arias in Act I scene 4 take well over 7 minutes each. The liner-essay (a good one, by Anthony Hicks) goes into the issue of the version of the score used here, and I personally have no problem with it.
I have no faults to find with the performance in any way. Pinnock is an established specialist, the instruments are period instruments and vocal cadenzas at the end of the arias are kept minimal. Anthony Rolfe Johnson, James Bowman and David Wilson-Johnson are tried and trusted Handel singers and at their best here, and Nicolas Robertson and Richard Wistreich in the smaller parts are every bit as good. The part of Cyrus is a soprano part, taken by Catherine Robbin, and when I thought I heard just one touch of strain in `Destructive War' in the final scene she makes up for it instantly in her superb duet with Arleen Auger in the following number. Auger as Nitocris the mother of Belshazzar has the biggest part, and she covers herself with glory all the way through.
The recording is perfect, and when I saw an aria entitled `Destructive War, thy limits know' near the end I felt a sharp sense of irony in the year 2005. Cyrus, Handel, Jennens, you should all have been living at this hour.
Enjoiyable, but lacking, too........2004-08-16
This 3CD set of George Frederic Handel's (1685-1759) "Belshazzar", from Archiv Production, a division of Universal Music, is proof again that transfer from vinyl to tape to disc brings with it improvements in listening that make the purchase a worthwhile addition to anyone's listening library. Written in 1744, "Belshazzar" is an oratorio in the operatic style that is wonderful oratorio, but lacking the true depth one expects to hear in an opera. London opera audiences of Handel's day agreed, as both "Belshazzar" and Handel's other offering of the period in the same style, "Hercules", were not terribly successful. Instead of the scheduled 24 performances only 16 were given and Handel never offered a full season of oratorio again. The Libretto by Charles Jennens (1700-1773) is, as the production notes say, meant "not only to show the fall of Babylon but to show it as a fulfillment of divine prediction and to confirm the biblical testimony by reference to classical history." There's only one problem, as good a quality as the CDs are, it is not possible to follow the full libretto and the accompanying booklet includes no text, which is a shame. I think the listening experience would have been increased immeasurably if one was able to follow the text of what is being sung. Nonetheless the dramatic narrative is fluid and even, and the English Concert and Choir provide nice balance to the less full vocal passages, as in Disc 3s "Oh Glorious prince", cut 10. There is enough of this throughout to keep one's interest, but disappointing if what one expects is another ""Messiah".
Average customer rating:
|
Let It Roll: Live on Stage, 1971
Gardner & Dyke Ashton
Manufacturer: Pure
ProductGroup: Music
Binding: Audio CD
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ASIN: B00005B0S0
Release Date: 2001-04-27 |
Tracks:
- It's Gonna Be High Tonight
- Let It Roll
- Mister Freako
- It's A Drag, I'm A Drag
- I'm Dying For You
- Resurrection Shuffle
- Falling Song
- Rolling Home
- Billy & His Piano With
- Billy & His Piano With (Live)
- Rolling Home (Live)
- Resurrection Shuffle (Live)
Album Description
This is the first ever recording from the band, featuring Tony Ashton. The first nine tracks were recorded live in Belgium, 1971. There is also 3 live bonus tracks. 2001 release.
Album Details
First ever live album of Ashton, Gardner & Dyke ever issued. It has been digitally remastered and has a running time of over 70 minutes.
Customer Reviews:
Lost gem of a live album.......2004-11-08
Some 30+ years have passed since Ashton, Gardner & Dyke let it roll in Belgium but thanks to the wonderful work of Purple Records we are finally being treated to the first ever live and extremely satisfying AGD release.
Before Tony Ashton's involvement in various Deep Purple related projects in the mid-`70's he was leader of Ashton, Gardner & Dyke, a classic, but often overlooked British rock band. AGD combined the power of the emerging hard rock of the early `70's with the musicianship and instrumentation of jazz.
The three studio albums and movie soundtrack they released before disbanding in 1972 have until now served as the only documented evidence of this incredibly talented outfit. Now Let It Roll allows us to glimpse the genius of this young but mind bogglingly accomplished and innovative band in the raw.
First off there is the main man himself, Mr. Tony Ashton. A one-of-a-kind mix of rock star, veteran bluesman and Blackpool pier variety organist. In a music world dominated by overblown ego, Tony has always been refreshingly of-the-street, infusing heavy doses of humour into his songs and performance. But behind the often self-parodying humour lurks some serious talent. As well as being one of the country's best blues keyboardists and boasting a wonderfully gruff and soulful voice Tony is also a top-notch songwriter. Let It Roll shows Tony at his very best, performing out of his skin, with a fantastic band in his natural environment - the concert hall.
Providing Tony with a tight and raucous rhythm section are drummer Roy [...] and bassist Kim Gardner and the band is filled out with guitar and a brass section that adds some flashy Big Band dynamics.
Although the studio albums are worthy testament to the brilliance of the band, Let It Roll shows that live the band took the music to another level of exuberance and power. This live glimpse finally allows us a close-up view of the wildly talented young band rocking and jazzing out with total abandon.
"It's Gonna Be High Tonight", a soulful, boozy number from the band's 3rd album "What A Bloody Long Day It's Been" gets proceedings off to a gentle, slightly ominous start. Unlike the disappointingly flat studio version, which was released after this recording was made, Ashton's fabulously gutsy vocal performance and foreboding lyrics are right up in the mix building the tension wickedly above the slow bluesy piano chords. It's an unconventional start to a concert but when the brass section comes pounding in towards the end of the song the whole concert starts to roll well and truly. Following a fiery drum intro from [...] they launch into a blistering version of "Let It Roll" and the band is now supercharged and in ferocious fettle. The track is played markedly faster than the fabulously strutting studio version and also boasts some wicked improvisational piano soloing from Tony and a wonderfully tight'n'punchy brass accompaniment.
From there the band run into ""Mr. Freako" delivering more of the same potent cocktail of piano based hard rock, ballsy vocals and groovy horns. The song ends with a raucous trumpet solo underpinned by an immense jam-like fest with everyone going ten-to-the-dozen on their respective instruments. The slightly psychedelic 60's, frenzied jazz of "It's a Drag, I'm a Drag" is next up showcasing trumpet and piano solos over a pulsating jazz-bass line.
"I'm Dying For You" (off Ashton & Lord's movie soundtrack "The Last Rebel") is markedly different live than on the jaunty cowboy-esq studio version. Here the song is more balladic and heartfelt with some wonderfully soulful vocals from Tony. "Resurrection Shuffle" was the band's huge hit single and it gets the audience going with its catchy drum shuffle and brass riff. The live version is faithful to the original studio version with some additional piano soloing from Tony.
After the commerciality of the shuffle the band embark on two 14-minute songs showcasing lengthy improvised solos on the Hammond, trumpet, sax, trombone, guitar drums and piano ! "The Falling Song" is mellow jazz and is followed by a furious and upbeat "Rolling Home" which is hard rock, but both are equally immersed in jazz improvisation. Then, in sharp contrast to the mature jazz instrumentation the band closes it's set with the wonderfully daft sing-along "Can You Get It", which could easily have been called "Resurrection Shuffle 2". Like the Shuffle the song boasts a big catchy brass riff and some silly anthemic lyrics, and like the Shuffle is a good fun contrast to the more serious jazz on offer.
As usual Purple Records have done a great job with the packaging with a nice 12-page booklet including the story of the band, photos and memorabilia. Considering the age of the recording and the fact that the tapes were lost all these years the sound quality is excellent. All in all this is an absolute gem of an album, both for long time fans of the band and for the uninitiated.
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Radio Autumn Attic
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Mitch Miller and the Gang: 36 Sing-Along Favorites!
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Public Image Ltd. - Greatest Hits So Far
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Los Esenciales [Import]
Songs Without Words
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