No More Shall We Part [Limited Edition]

1. Overture To 'Tannhauser'
2. Domna, Pos Vos Ay Chausida
3. We Don't Merely Use Instruments, We Play On Them. And They Play On Us.
4. Hungarian Dance No.7
5. The Violin Is One Of The Most Tender And Beautiful Instruments Ever Invented.
6. Violin Concerto In D Major (Adagio)
7. But For A Long Time It Was Seen As The Instrument Of The Devil.
8. The Soldier's Tale: Triumphal March Of The Devil
9. The Manipulative Seductiveness Of The Gypsy Violin.
10. Csardas Music
11. The Violin And The Initiation Of Nature
12. The Four Seasons (Spring, Mvt 1)
13. Birds Are Again Evoked In The Second Concerto, Especially Music's Natural Favourite.
14. The Four Seasons (Summer, Mvt 1)
15. Like The Devil, The Violin Is A Master Of Disguise.
16. Old Viennese Dance No.3 'Schon Rosmarin'
17. The Menacing Sensuality Of Ravel's Tzigane: A Very Different Side Of The Violin:
18. Tzigane
19. Do We Now Have The True Measure Of This Instrument? Not Just Yet.
20. Caprice No.24
21. The Many Effects Of The String Tremolando: Brandenburg Concerto No.4 (Last Mvt)/From Joy To Fright/Quartettsatz In C Minor/The String Tremolo Practically Spells The World Agitato.
22. Variations On A Theme Of Frank Bridge (No.7)
23. Prokofiev's Tremolo In Romeo And Juliet Should Not Be Heard Just Before Bedtime.
24. Romeo And Juliet: Act IV
25. Vivaldi Use It To Illustrate The Shivering Of Travellers Crossing The Ice.
26. The Four Seasons (Winter, Mvt 1)
27. The Violin Muted
28. Clair De Lune
29. The Gentleness Of Muted Strings Persists Even When A Whole Orchestra Plays.
30. Piano Concerto No.21 In C Major, K.467 (Slow Mvt)
31. The Pizzicato Violin
32. Pizzicato Polka
33. In Prokofiev's Second Violin Concerto, The Accompaniment Is Pizzicato.
34. Violin Concerto No.2 In G Minor (Slow Mvt)
35. Varieties Of Pizzicato: Colas Breugnon (The People's Feast)/Now A Drier, Leaner, Hungrier Pizzicato. There's Not A Lot Of Comfort Here./Capriol Suite (Tordion)/The Use Of Pizzicato As 'Percussion'/Romeo And Juliet (Act I)/Mahler Used Pizzicato...
36. The Planets (Mars - The Bringer Of War)
37. The Technique Of Double-Stopping Enables The Violin To Play Duets With Itself./Sonata No.3 In C Major For Unaccompanied Violin (Fugue)/Now A Later Example Of The Same Technique
38. Hungarian Dance No.4
39. Double-Stopping Is A Standard Feature Of A Lot Of Folk Music.
40. The Four Seasons (Autumn, Mvt 1)
41. Now The Same Technique, But The Sound Might Have Come From Another World.
42. Bolero
43. Double-Stopping Can Only Approximate The Sound Of A Real Violin Duet.
44. Cadenza To The Violin Concerto By Brahms
45. Now Compare That With A Real Violin Duet.
46. Forty-Four Duos (No. 1: Teasing Song)
47. Another Duo By Bartok, Demonstrating The Violin's Rich Lower Register
48. Forty-Four Duos (No.2: Maypole Dance)
49. And Now What May Be The Most Beautiful Accompanied Violin Duet In History
50. Concerto In D Minor For Two Violins (Largo)
51. The Soul Of The Violin Is In Song; But What About This Weird Passage?
52. Violin Concerto No.1 In D Major (Mvt 2)
53. The Use Of Harmonies In The Orchestra Can Be Both Magical And Unsettling.
54. Symphony No.1 'Titan' (Mvt 1, Opening)
55. Tchaikovsky's Use Of Harmonics In The Sleeping Beauty Is Both Strange And Darling.
56. The Sleeping Beauty (Act II, No.15: Entr'Acte)
57. Ravel's Harmonics In Mother Goose Effect A Magical Transformation.
58. Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
59. Stravinsky's Harmonics In The Firebird Transport Us Almost Into Another World./The Firebird (Introduction)
60. The Natural Upper Notes Of The Violins Have A Unique Emotional 'Grab'.
61. Also Sprach Zarathustra (Of The Afterworldsmen)
62. Still In Their Upper Register, The Violins Unleash The Energy Of A Young Colt.
63. Variations On A Theme Of Frank Bridge (No. 4)
64. Elsewhere, Britten Uses The Same High Register To Create A Very Different Mood.
65. Four Sea Interludes (Dawn) From 'Peter Grimes'
66. To End This Outing With The Violins, A Charming Little Elfin Dance
67. Elfenreigen

Tracks:

1. Introduction To The Viola
2. Viola Concerto (Mvt 1)
3. Khatchaturian Gets A Very Different Sound From It: Fuller, Fruitier, More Exotic.
4. Gayane Suite No.1 (Armen's Solo)
5. Very Nearly The Whole Of The Violin's Upper Register Is Also Available To The Viola.
6. Passacaglia, Op.33b From 'Peter Grimes'
7. The Viola Can Bring A Special, Rich Twanginess To Pizzicato That The Violins Lack./Don Quixote/Berlioz Drew Sounds From It That Retain Their Metallic Strangeness Even Today.
8. Harold In Italy (Mvt 4)
9. The Muted Viola: Intimate, Gentle, Poignant In Dvork
10. Cypresses (No.9)
11. The Massed Violas Of The Modern Symphony Orchestra In Mahler
12. Symphony No.4 (Mvt 3)
13. The 'Period' Viola In Bach
14. Brandenburg Concerto No.6 (Last Mvt)
15. The Cello: A Voice Of Unique Nobility
16. Suite No.1 For Unaccompanied Cello (Prelude)
17. Brahms And The 'Soul' Of The Cello
18. Piano Concerto No.2 In B Flat Major (Mvt 3)
19. Most Orchestral Composers Tend To Emphasize The Cello's Lower Register.
20. Cantata 'Herz Und Mund Und Tat Und Leben', BWV 147 (Soprana Aria: Bereite Dir, Jesu)
21. In The Time Of Beethoven The Cello Remained As Fundamental As Ever.
22. Symphony No.3 'Eroica' (Finale)
23. But The Cello Is Not Condemned To Spend Its Life In The Basement.
24. Elfentanz, Op.39
25. Not Only In Recital Showpieces Like That Is The Cello Is Used In Its Highest Register.
26. The Protecting Veil (Opening)
27. A Cello With An Identity-Crisis: The Pizzicato Flamencan
28. Flamenco
29. Double-Stopping In The Lower Reaches Of The Cello's Range
30. Solo Suiet For Cello And Piano (Sardana)
31. It's In The Middle Register That The Cello Really Comes Into Its Own.
32. Oriental Dance, Op.2 No.2
33. It Was To The Cellos That Beethoven Gave Two Of His Most Famous Themes./Symphony No.5 (Mvt 2)/Still More Famous Than That Theme Is This One From The Ninth Symphony.
34. Symphony No.9 (Finale)
35. Introduction To The Double-Bass
36. The Carnival Of The Animals (The Elephant)
37. But The Double-Bass Can Be Intensely Expressive And Graceful.
38. Elegy No.1 In D Major
39. The Range Of The Double-Bass Is The Greatest Of All The String Instruments/Allegro Di Concerto, 'Alla Mendelssohn'/And It's Also Capable Of Very Considerable Virtuosity.
40. Capriccio Di Bravura
41. Double-Bass Solos In Orchestral Scores Are Rare But Often Memorable./Symphony No.1 'Titan' (Mvt 3)/In His Third Symphony Mahler Makes A Very Different Use Of The Instrument./Symphony No.3 (Mvt 1)
42. The Double-Bass Muted In Prokofiev/Lieutenant Kije Suite (Kije's Wedding)/In Another Work Prokofiev Uses The Double-Bass To Enhance The Winds./Romeo And Juliet (Act III)/And He Combines The Bass Clarinet With A Shivering Tremolo From The Double-Basses....
43. Symphony No.5 (Mvt 3)/So Much For The Strings/On Now To The Winds

Tracks:

1. The Antiquity And Magic Of The Flute
2. Prelude A L'Apres-Midi D'Un Faune
3. The Versatility And Agility Of The Flute
4. Orchestral Suite No.2 In B Minor (Badinerie)
5. The Flute In Fifteenth-Century Spain
6. Sa'Dawi
7. Other Flutes: The Bass And Alto
8. Chamber Music No.II
9. The Piccolo - Aptly Named
10. La Naissance D'Osiris (Mvt 6)
11. From A Piccolo Of The Eighteenth Century To One Of Its Descendants In The Twentieth
12. Suite No.1 For Small Orchestra (Valse)
13. A Variety Of Techniques
14. Chamber Music No.II
15. Flutter-Tonguing. But Tchaikovsky Got There Eighty Years Before.
16. The Nutcracker (Act II, No.2: Scene)
17. From The Transverse To The Vertical: The Baroque Recorder
18. Recorded Suite In A Minor (Menuet II)
19. An Unfamiliar, Early Vision Of The Instrument
20. Naelden, Naelden
21. The Bachian Oboe
22. Cantata 'Ein Feste Burg Ist Unser Gott', BWV 80 (No.7: Duetto)
23. Introduction To The Cor Anglais Or 'English Born'
24. Symphony No.9 'From The New World' (Mvt 2)
25. The Loneliness Of The Cor Anglais
26. The Swan Of Tuonela
27. The Cor Anglais Joins The French Horn In Haydn.
28. Symphony No.22 'The Philosopher' (Opening)
29. Introduction To The Oboe D'Amore, Beloved Of Bach - But Also Of Ravel
30. Bolero
31. The Clarinet Family: Boxing The Compass, From The Depths Of The Bass Clarinet.../The Egyptian (Violence)/...To The Raucous And Squealy.../Taras Bulba (The Death Of Ostap)/...To The Shrill And Complaining...
32. Petrushka (No.8: Peasant With Bear)/...To The High Sprits Of A Playful Puppy./Symphonie Fantastique (Last Mvt)/And To The Downright Jazzy/Romeo And Juliet (Act II)
33. As The High Clarinets Tend To Be Loud, So The Bass Tends To Be Soft:
34. Gayane Suite No. 1 (Mvt 5)
35. The Bass Clarinet Is Used By Most Composers Mainly As A Colouring Agent.../Petrushka (No.4: The Blackamoor)/...But It Does Occasionally Get A Whole Tune To Itself./Iberia (Almeria).
36. The Range Of The Normal Clarinet Parts Goes Quite High...
37. The Snow Maiden (Scene 5: Melodrama)
38. ...And Quite Low.
39. Peter And The Wolf (The Cat)
40. The Clarinet As Concerto Soloist
41. Clarinet Concerto In A Major (Rondo)
42. But That's Not The Instrument Mozart Wrote It For; This Is:
43. Clarinet Concerto In A Major (Rondo)
44. Introduction To The Saxophone
45. Hary Janos Suite (Mvt 4)
46. The Soprano Saxophone Has Quite A Different Feel To It.
47. L'Arlesienne Suite No.1 (Minuet)
48. The Little Sopranino Sax Goes Even Higher.
49. Bolero
50. The Most Famous Use Of The Saxophone Is In An Orchestration By Ravel.
51. Pictures At An Exhibition (The Old Castle)
52. The Saxophone Can Be Quite Contagiously Good-Humoured.
53. Sax-O-Phun
54. The Puffa-Puffa Image Of The Bassoon
55. Peter And The Wolf (Grandfather)
56. The Bachian Bassoon, In Accompanimental Mode
57. Cantata 'Weichet Nur, Betrubte Schatten' ('Wedding Cantata'), BWV 202 (Aria No.1)
58. Bizet Leaves The Puffa-Puffa Image Out, Allowing The Bassoon To Sing./Carmen Suite No.1 (Les Dragons D'Alcala)
59. And Ravel, Also In Spanish Mode, Does Likewise.
60. Bolero
61. The Bassoon As A Voice Of High Seriousness, Indeed Desolate Loneliness
62. Symphony No.3 (Opening)
63. The Eerie Bassoon In Its Highest Register
64. The Rite Of Spring (Opening)
65. Stravinsky Now Draws On Its Lowest Register, Lonely And Melancholy.
66. The Firebird Suite (1919, Berceuse)
67. The Bassoon As Concerto Soloist, Avoiding All Exaggeration
68. Bassoon Concerto In G Minor (Finale)
69. The Deep-Voiced Contra-Bassoon, As A Fairy-Tale Beast
70. Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
71. The French Horn Under Its Woodwind Hat
72. Wind Quintet, Op.43 (Last Mvt)
73. Now A More Prominent Role, In A Woodwind Quintet From An Earlier Era
74. Wind Quintet In A Minor, Op.100 No.5 (Mvt 2)
75. The Horn In Harmonious Blend With Strings In Another Quintet
76. Horn Quintet, K.407 (Finale)

Tracks:

1. The Trumpet As Virtuoso Soloist
2. Brandenburg Concerto No.2 (Last Mvt)
3. The Special Brillance Of Paired Trumpets
4. Concerto In C For Two Trumpets, RV537 (Mvt 1)
5. The Ceremonial Trumpet
6. Fanfare For The Common Man
7. Trumpets And Drums - An Incomparable Alliance
8. Messiah (The Trumpet Shall Sound)
9. The Versatility Of The Trumpet, From The Most Public To The Most Lonely
10. Piano Concerto In F (Slow Mvt)
11. The Trumpet As The Voice Of The City/An American In Paris/The Trumpet As Recruitment Officer/The Soldier's Tale (The March)/The Trumpet As Swaggerer
12. Carmen Suite No.2 (Habanera)
13. The Trumpet As The Voice Of Strength And Courage
14. Carmet Suite No.2 (Toreador's Song)
15. The Trumpet Muted/Petrushka (No.4: The Blackamoor)/Lieutenant Kije Suite (Opening)/The Trumpet As The Voice Of Weariness
16. Billy The Kid
17. The Trumpet As Character Actor
18. Pictures At An Exhibition (No.6)
19. The Trumpet As The Voice Of God
20. Mass In B Minor ('Et Exspecto')
21. The Birth Of The Trombone
22. Aenmerckt Nu Hier
23. The Birth Of The Brass As A Family
24. Canzon 12 In Double Echo
25. The Trombone In The Eighteenth Century
26. Trombone Concerto In B Flat Major (Finale)
27. The Tone Of The Tenor Trombone/Romance For Trombone And Organ/The Memorable Voice Of The Bass Trombone/Requiem (Mvt 2)/But The Bass Trombone Is More Than An Instrumental Bullfrog.
28. Hosannah
29. The Trombones Become Part Of The Orchestra.
30. Symphony No.5 (Finale)
31. The Wagnerian Trombone:/Overture To 'Tannhauser'
32. The Trombone As Caricaturist
33. Pulcinella (No.19: Vivo)
34. The Trombone As Raspberry/Concerto For Orchestra (Intermezzo)
35. The Horn And The Hunt
36. Horn Concerto No.4 In E Flat, K.495 (Finale)
37. The Challenging Horn Of The Baroque
38. Abaris Ou Les Boreades (Menuet)
39. The Scarcity Of First-Rate Players In Handel's Time
40. Walter Music (Minuet 1)
41. The Horn As Magician/The Firebird Suite (1919, Finale)
42. Horns And The Sound Of Nobility
43. Overture To 'Tannhauser' (Opening)
44. The Special Sound Of The Horn In Its Higher Register
45. Mass In B Minor ('Quoniam Tu Solus Sanctus')
46. The Trumpet-Like Sound Of Massed Horns
47. Symphony No.3 (Mvt 1, Opening)
48. The Tuba - Unfairly Maligned?
49. Symphony No.6 (Mvt 3)
50. The Tuba Perfectly Cast By Ravel
51. Pictures At An Exhibition (Bydlo)

Tracks:

1. Introduction. And We Begin With A Bang.
2. Fanfare For The Common Man/The Bass Drum On The Battlefields/Wellington's Victory, Op.91 (Opening)
3. At The Opposite Extreme Is The Triangle.
4. Piano Concerto No.1 In E Flat (Scherzo)
5. Categories Of Percussion: Tuned And Untuned. The Side Drum
6. Overture To 'La Gazza Ladra' - The Thieving Magpie (Opening)
7. The Side Drum In An Effective But Unexpected Role/Clarinet Concerto (Mvt 1)
8. The Tambourine. One Of The Oldest Instruments In The World
9. Den Hoboecken Dans
10. Even Older Is The Originally Oriental Gong.
11. Ma Mere L'Oye - Mother Goose (Laideronette)
12. No Single Instrument Can Match The Gong In Evoking The Breaking Of Waves./Passacaglia, Op.33b From 'Peter Grimes'/But Gongs Don't Have To Be Struck To Be Effective.
13. Gymnopedie No.2
14. The Cymbals Are Generally Discovered Early In Life./The Sanguine Fan/And They Do More Than Clash Together Loudly. They Can Be Clashed Together Softly./Studio Example: But They Needn't Be Clashed Together At All/Studio Example: They Can Be Lightly...
15. Other Untuned Percussion Instruments Include The Whip.: Piano Concerto In G Major (Opening)/And Here Are No Fewer Than Twenty, Cracked By Tchaikovsky: The Nutcracker (Act I, Scene 5)
16. More Versatile Than The Whip Are The Wood Blocks.../Studio Example/...Which Crop Up All Over The Place In Twentieth-Century American Music.
17. Rodeo (Hoe-Down)
18. Related To The Wood Blocks, By Sound, Are The Castanets./Jota Aragonesa/But The Castanets Were Also Used By Monteverdi Back In The Seventeenth Century.
19. Scherzi Musicali (Damigella Tutta Belle)
20. A Still Earlier Example From Fifteenth-Century Spain
21. Yo M'Enamori D'Un Aire
22. The Birth Of The Bongo
23. Symphonic Dances From 'West Side Story'
24. From The Streets Of New York To The Blacksmith's Shop/Il Trovatore ('Anvil Chorus')
25. Desert-Island Decibels: Grand Canyon Suite (On The Trail)/Arcana
26. From One Vegetable To Another: The Humble Squash, Or Marrow/Huapango
27. Onwards To The Tuned Percussion. First, The Timpani
28. Also Sprach Zarathustra (Introduction)
29. But The Drum Roll Can Be More Effectively Frightening Than The Big Bang.: Symphony No.2 'Resurrection' (Mvt 3)
30. Not One Drum Roll, But Many/Grand Canyon Suite (Sunrise)/Symphonie Fantastique (Last Mvt)
31. Taking Advantage Of Tunability
32. Music For Strings, Percussion And Celeste (Mvt 2)
33. The Russian Composer Rodion Shchedrin Takes A Downward Turn./Carmen Suite (Changing Of The Guard)/Tuned, Yes; But For The Truly Melodic We Must Look Elsewhere.
34. Introducing The Glockenspiel/Carmen Suite (Carmen's Entrance And Habanera)
35. Saint-Saens And The Xylophone
36. The Carnival Of The Animals (Fossils)
37. Ravel And The Xylophone
38. Ma Mere L'Oye - Mother Goose (Laideronette)
39. Introducing The Marimba/Carmen Suite (First Intermezzo)
40. Introducing The Vibraphone
41. The Treasure Of The Sierra Madre (Narange Dolce)
42. The Vibraphone Goes Russian.../Carmen Suite (Carmen's Entrance And Habanera)/...And Is Joined By The Marimba./Carmen Suite (Carmen's Entrance And Habanera)
43. Introducing The Hungarian Cimbalom
44. Folk Dances
45. The Cimbalom And The Symphony Orchestra
46. Hary Janos Suite (Mvt 3)
47. Introducing The Tubular Bells
48. Hary Janos Suite (Viennese Musical Clock)
49. A More 'Up-Front' Approach From Rodion Shchedrin
50. Carmen Suite (Introduction)
51. But The Bells Can Also Make The Sinister Even More Sinister./Symphony No.7 'Sinfonia Antartica' (Mvt 1)
52. Introducing The Celeste
53. The Nutcracker (Dance Of The Sugar Plum Fairy)
54. Magic, In The Use Of Collective Percussion
55. Miroirs (La Vallee Des Cloches)
56. Plucked Instruments: The 'Undercover Percussion'/Carmen Suite (Scene)
57. A Prime Case In Point Is The Harp, Irresistible To The Romantics./The Nutcracker (Act II, No.1: Scene)/The Non-Solo Harp As An Integral Part Of The Orchestra/Hungarian Rhapsody No.1
58. The Traditionally Subservient Role Of The Harpsichord In The Baroque Orchestra
59. Brandenburg Concerto No.2 (Slow Mvt)
60. The Piano: King Of The Tuned Percussion/Symphony No.3 'Organ' (Mvt 3)/And A Quarter Of A Century After That:
61. Petrushka (Russian Dance)
62. The Anti-Romantic Piano As An Integral Part Of The Orchestra
63. Music For Strings, Percussion And Celeste (Last Mvt)

Tracks:

1. Keyboard Instruments In The Orchestra - The Most Powerful Of Them All:
2. Symphony No.3 'Organ' (Finale)
3. But Things In Handel's Day Were Very Different.
4. Organ Concerto In B Flat, Op.4 No.3 (Last Mvt)
5. The Organ Is Difficult To Classify.
6. An Unexpected, Organ-related Guest
7. Concerto Pour Zampogna (Last Mvt)
8. Peasant-Fancying... And A Touch Of The Roaming Cowboy
9. Les Miserables (Drink With Me)
10. Outside Artefacts And The Power Of Association
11. Mahler's Sleighbells
12. Symphony No.4 (Opening)
13. A Roll-Call Of Some Unusual Guests/The Typewriter/Parade
14. Chains, And More/Integrales/An American In Paris/Sandpaper Ballet
15. Purpose-Built Oddities: Wind Machines/Symphony No.7 'Sinfonia Antartica' (Opening)
16. Don Quixote (Variation VIII)
17. National Calling Cards: The Guitar For Spain/Concierto De Aranjuez (Finale)
18. And The Guitar's Poor American Relative, The Banjo/Washington Breakdown
19. And Poorer Still, The Mouth Organ/The Treasure Of The Sierra Madre (Packing Up)
20. The Balalaika For Russia/Romeo And Juliet (Act II: No.14)
21. The Maracas For Mexico/The Treasure Of The Sierra Madre (El Desayuno)
22. The Bongos And Congas And A Whole Wealth Of Other Drums For Africa And Central America/Studio Example
23. The Sitar Of India/Evening Raga: Bhapoli
24. The Accordion For France (Especially Paris)/Paris Canaille
25. The Zither For Vienna/The Third Man (Theme)
26. The Cimbalom For Hungary/Folk Dances
27. The Guitar As An Integral Part Of The Orchestra/Rondena
28. There Are Whole Orchestras Of Balalaikas./Sveit Mesiats
29. The Effect Of The Wordless Human Voice, Used Purely As An Instrument/Symphony No.7 'Sinfonia Antartica' (Mvt 1)
30. Nocturnes
31. Instruments And the Imitation Of Nature. The Clarinet As Cuckoo
32. The Carnival Of The Animals (The Cuckoo)
33. The Flute As An All-purpose Aviary
34. The Carnival Of The Animals (The Aviary)
35. The Oboe As Duck
36. Peter And The Wolf (The Duck)
37. The Recording Of Reality. Does It Work As Well?
38. The Pines Of Rome (The Pines Of The Janiculum)
39. The Recording Of Reality Electronically Reborn In New Guises
40. Cantus Articus - Concerto For Birds And Orchesra (Mvt 2)
41. Beethoven Turns Avian: Cuckoo, Nightingale, And Quail
42. Symphony No.6 'Pastoral' (Andante Molto Mosso)
43. Some Improbable Casting: The Violin As Braying Donkey
44. The Carnival Of The Animals (Persons With Long Ears)
45. A Truly Orchestral Hee-haw To Be Reckoned With
46. Overture To 'A Midsummer Night's Dream'
47. A Thunderstorm In A Million
48. Symphony No.6 'Pastoral (Allegro-Allegretto)
49. the Instrumental Depiction Of A Silent World
50. The Carnival Of The Animals (The Aquarium)
51. Saint-Saens' Menagerie Takes A Curtain Call.
52. The Carnival Of The Animals (Finale)

Tracks:

1. The Grouping Of Instrumental Families. An Additive Approach. First, Two Violins
2. Forty-Four Duos (No.4)
3. A Great Contrast, Of Both Pitch And Character: Violin And Viola
4. Duo For Violin And Viola In B Flat Major, K.424 (Finale, Vars 1 & 2)/Studio Example
5. Arrival Of The Standard String Trio: Violin, Viola, And Cello
6. String Trio In B Flat (Menuetto)
7. The String Quartet: Two Violins, Viola, And Cello
8. String Quartet In F, Op.18 No.1 (Mvt 3)
9. The String Quintet - When The Extra Instrument Is A Second Viola
10. String Quartet No.5 In D, K.593 (Adagio)
11. The String Quintet - When The Extra Instrument Is A Second Cello
12. String Quintet In C (Mvt 3)
13. The String Sextet: Two Violins, Two Violas, And Two Cellos
14. String Sextet In B Flat (Mvt 2)
15. The String Octet: The Standard String Quaret Times Two
16. Octet In E Flat, Op.20 (Mvt 1)
17. Double The String Octet: A Fully Fledged String Orchestra
18. String Symphony No.2 (Finale)
19. The Massed Strings Of A Symphony Orchestra
20. Fantasia On A Theme Of Thomas Tallis
21. Contrasts Of Pitch And Instrumental 'Colour' In The Woodwind Section
22. Wind Quintet In A Minor, Op.100 No.5 (Theme)
23. In The First Variation It's The Horn That Gets The Lion's Share.
24. Wind Quintet In A Minor, Variation 1
25. In Variation Two The Torch Is Handed To The Bassoon.
26. Wind Quintet In A Minor, Variation 2
27. In Variation Three The Oboe Leads.
28. Wind Quintet In A Minor, Variation 3
29. Variation Four: Conversation Before Returning To A Solo-dominated Texture
30. Wind Quintet In A Minor, Variation 4
31. And Variation Five is Dominated By The Clarinet.
32. Wind Quintet In A Minor, Variation 5
33. The Next To Be Featured Is The Virtuoso Flute.
34. Wind Quintet In A Minor, Variation 6
35. Individual Farewells And A Closing Chorus
36. Wind Quintet In A Minor, Variation 7
37. A Mixed Group: Clarinet, Bassoon, Horn, String Quartet, And Double-Bass
38. Octet In F (Mvt 3)
39. The Early Classical Symphony Orchestra Of Haydn And Mozart
40. Symphony No.29 In A, K.201 (Finale)
41. Strings, Wind, But No Brass. What Haydn And Mozart Never Knew
42. Canzon 28
43. Beethoven's Fifth: Two Horns, Two Trumpets, And Three Trombones Join The Team.
44. Symphony No.5 (Finale)
45. From Beethoven To The Massive Orchestras Of Berlioz, Wagner, And Mahler
46. Beethoven Changed The Face Of The Symphony And The Orchestra Forever
47. Symphoy No.6 'Tragic' (Mvt 1)
48. The Cult Of Orchestral Elephantiasis Reaches Its Peak.
49. Symphony No.1 'Gothic' (VI: Te Ergo Quaesumus)
50. When Large Doesn't Necessarily Mean Loud: Debussy
51. Images (Gigues)
52. A Crisis Of Confidence; The Orchestra's Survival Hangs In The Balance, But It Still Develops. The Ondes Martenot:
53. Turangalila Symphony (Chant D'amour 1)
54. The Advent Of The 'Early Music' Movement Brings A New Vitality And Freshness.
55. Balle De Xerxes (Gavotte En Rondeau)
56. Computer And Synthesiser: Friends Or Foes?
57. Concerto In D Minor For Two Violins (Largo)
58. A Speculative Look Ahead/Mass In B Minor ('Dona Nobis Pacem')

Customer Reviews:

Instruments of the Orchestra - Great Reference Material!.......2007-04-04

Beginner or Expert.......2007-03-12

Very Informative and Enjoyable.......2006-11-20

Frank's view.......2006-08-19

Excellent Intro for Those Not Familiar with the Orchestra.......2003-11-08

The narrator and writer is a great speaker and holds your attention well. He is definitely knowledgeable. He provides musical examples for each point he makes, so you get to "hear" what he just talked about. I'd say the CDs are about 65% music and 35% narration. You'll learn about the range of instruments, some history, different ways to play them, how they sound, and how they are used in the orchestra. This CD set was a great learning experience and is sold at such a low price!

I recommend this CD for those who want to learn about classical music and those who know about it but are interested in learning more about the inner workings of an orchestra. You'll learn much useful information. For instance, the Rite of Spring (with that eerie start) is written for bassoon! I never knew a bassoon could sound like that but now I do.

The one complaint I have is the last CD. This deals with the orchestra. I wanted more of a tour of how the orchestra has been used through history up to the present. Instead, it was a tour of how different groups of instruments sound. I thought it could have been better. The other 6 CDs are excellent.

Average customer rating: An Antti Keisala Comment: What A Friend I've Found A few lines of anger and despair is all it takes.... mellan-cohollic TRULY NO ONE LIKE NICK CAVE... Intense Fire

No More Shall We Part Nick Cave & the Bad Seeds Manufacturer: Reprise / Wea ProductGroup: Music Binding: Audio CD General | Alternative Rock | Styles | Music Singer-Songwriters | Pop | Styles | Music Pop Rock | Pop | Styles | Music General | Rock | Styles | Music Similar Items: The Boatman's Call Murder Ballads Let Love In Abattoir Blues / Lyre of Orpheus Tender Prey ASIN: B00005AU5E Release Date: 2001-04-10

Tracks:

1. As I Sat Sadly By Her Side
2. And No More Shall We Part
3. Hallelujah
4. Love Letter
5. Fifteen Feet Of Pure White Snow
6. God Is In The House
7. Oh My Lord
8. Sweetheart Come
9. Sorrowful Wife
10. We Came Along This Road
11. Gates To The Garden
12. Darker With The Day

Amazon.com's Best of 2001

Customer Reviews:

An Antti Keisala Comment: What A Friend I've Found.......2007-03-19

A few lines of anger and despair is all it takes...........2006-02-10

mellan-cohollic.......2005-11-24

TRULY NO ONE LIKE NICK CAVE..........2005-07-27

Intense Fire.......2005-06-22

Average customer rating:

Handel: The Masterworks (Box Set) Manufacturer: Brilliant Classics ProductGroup: Music Binding: Audio CD Trios | Chamber Music | Classical | Styles | Music General | Chamber Music | Classical | Styles | Music All Works by Handel | Handel, George Frideric | ( H ) | Featured Composers, A-Z | Classical | Styles | Music Concerto Grossi | Concertos | Forms & Genres | Classical | Styles | Music General | Concertos | Forms & Genres | Classical | Styles | Music General | Sonatas | Forms & Genres | Classical | Styles | Music Trio Sonatas | Sonatas | Forms & Genres | Classical | Styles | Music Suites | Forms & Genres | Classical | Styles | Music General | Baroque (c.1600-1750) | Historical Periods | Classical | Styles | Music Chamber Music | Forms & Genres | Classical (c.1770-1830) | Historical Periods | Classical | Styles | Music Flute | Reeds & Winds | Instruments | Classical | Styles | Music Oboe | Reeds & Winds | Instruments | Classical | Styles | Music Recorder | Reeds & Winds | Instruments | Classical | Styles | Music Violin | Strings | Instruments | Classical | Styles | Music Baroque (c.1600-1750) | Symphonies | Classical | Styles | Music General | Sacred & Religious | Classical | Styles | Music General | Classical | Styles | Music Cantatas | Classical (c.1770-1830) | Historical Periods | Opera & Vocal | Styles | Music Baroque (c.1600-1750) | Historical Periods | Opera & Vocal | Styles | Music General | Opera & Vocal | Styles | Music Italian | Languages | Opera & Vocal | Styles | Music Oratorios | Opera & Vocal | Styles | Music Anthems | Vocal Non-Opera | Opera & Vocal | Styles | Music Cantatas | Vocal Non-Opera | Opera & Vocal | Styles | Music Hymns | Vocal Non-Opera | Opera & Vocal | Styles | Music Oratorios | Vocal Non-Opera | Opera & Vocal | Styles | Music Passions | Vocal Non-Opera | Opera & Vocal | Styles | Music Blowout Box Sets | Classical Music Blowout | Stores | Music More Titles at Least 20% Off | Classical Music Blowout | Stores | Music All Classical Music Blowout | Classical Music Blowout | Stores | Music Handel, George Frideric | ( H ) | Composers, A-Z | Classical Music Blowout | Stores | Music Opera & Vocal | Classical Music Blowout | Stores | Music Brilliant Classics | Amazon.com Label Stores | Stores | Music Similar Items: Vivaldi: The Masterworks (Box Set) Haydn: The Masterworks [Box Set] Mendelssohn: The Masterworks [Box Set] Dvorák: The Masterworks [Box Set] Schubert: The Masterworks [Box Set] ASIN: B00062FLI8 Release Date: 2004-11-30

Average customer rating: The best Nick Cave album ever Limited Edition Review Another love song to his fans

No More Shall We Part Nick Cave & the Bad Seeds Manufacturer: Mute ProductGroup: Music Binding: Audio CD General | Alternative Rock | Styles | Music Singer-Songwriters | Pop | Styles | Music Pop Rock | Pop | Styles | Music General | Rock | Styles | Music Alternative Rock | Imports | Stores | Music Rock | Imports | Stores | Music Similar Items: Tender Prey ASIN: B00005AMDQ Release Date: 2001-01-01

Tracks:

1. As I Sat Sadly by Her Side
2. And No More Shall We Part
3. Hallelujah
4. Love Letter
5. Fifteen Feet of Pure White Snow
6. God Is in the House
7. Oh My Lord
8. Sweetheart Come
9. Sorrowful Wife
10. We Came Along This Road
11. Gates to the Garden
12. Darker With the Day

Tracks:

1. Grief Came Riding
2. Bless His Ever Loving Heart

Album Description

Album Details

Customer Reviews:

The best Nick Cave album ever.......2004-08-18

Limited Edition Review.......2001-07-03

Also included on the bonus disk is a lenghthy video segment for PC and Mac with a few behind-the-scenes look at the album's recording session, including an excellent complete performance of "God is in the House" (without the McGarrigle sisters' backups). But the best part of the video is a rare glimpse at Nick Cave smiling! (There is one priceless scene where he even dresses up like Mr. Rogers (yellow sweater) and has a friendly conversation with a young boy). So much for the King of Goth image.

Another love song to his fans.......2001-04-14

Average customer rating:

No More Shall We Part Nick Cave & the Bad Seeds Manufacturer: EMI Int'l ProductGroup: Music Binding: Audio CD General | Alternative Rock | Styles | Music Singer-Songwriters | Pop | Styles | Music General | Rock | Styles | Music Alternative Rock | Imports | Stores | Music Rock | Imports | Stores | Music ASIN: B00005J4Z9 Release Date: 2002-04-09

Average customer rating:

No More Shall We Part Nick Cave Manufacturer: Mute ProductGroup: Music Binding: Audio CD General | Alternative Rock | Styles | Music ASIN: B000LYB2HA

Average customer rating:

Les Lumières du Baroque: Une Encyclopédie Musicale (Box Set) Manufacturer: Harmonia Mundi ProductGroup: Music Binding: Audio CD Courantes | Baroque Dance Suites | Ballets & Dances | Classical | Styles | Music Gigue | Baroque Dance Suites | Ballets & Dances | Classical | Styles | Music Sarabande | Baroque Dance Suites | Ballets & Dances | Classical | Styles | Music Quartets | Chamber Music | Classical | Styles | Music Trios | Chamber Music | Classical | Styles | Music General | Chamber Music | Classical | Styles | Music All Works by J.S. Bach | Bach, Johann Sebastian | ( B ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Biber | Biber, Heinrich Ignaz | ( B ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Boccherini | Boccherini, Luigi | ( B ) | Featured Composers, A-Z | Classical | Styles | Music Byrd, William | ( B ) | Featured Composers, A-Z | Classical | Styles | Music Caldara, Antonio | ( C ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Charpentier | Charpentier, Marc-Antoine | ( C ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Corelli | Corelli, Arcangelo | ( C ) | Featured Composers, A-Z | Classical | Styles | Music General | Couperin, François | ( C ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Louis Couperin | Couperin, Louis | ( C ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Dowland | Dowland, John | ( D ) | Featured Composers, A-Z | Classical | Styles | Music All Works by 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Classical | Styles | Music All Works by Pergolesi | Pergolesi, Gio Battista | ( P ) | Featured Composers, A-Z | Classical | Styles | Music Purcell, Henry | ( P ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Rameau | Rameau, Jean Philippe | ( R ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Gio Battista Sammartini | Sammartini, Gio Battista | ( S ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Giuseppe Sammartini | Sammartini, Giuseppe | ( S ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Sweelinck | Sweelinck, JanPieterszoon | ( S ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Tartini | Tartini, Giuseppe | ( T ) | Featured Composers, A-Z | Classical | Styles | Music Telemann, Georg Philipp | ( T ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Vivaldi | Vivaldi, Antonio | ( V ) | Featured Composers, A-Z | Classical | Styles | Music Concertinos | Concertos | Forms & Genres | Classical | Styles | Music Concerto Grossi | Concertos | Forms & Genres | Classical | Styles | Music General | Concertos | Forms & Genres | Classical | Styles | Music Fugues | Forms & Genres | Classical | Styles | Music Preludes | Forms & Genres | Classical | Styles | Music Character Pieces | Short Forms | Forms & Genres | Classical | Styles | Music General | Sonatas | Forms & Genres | Classical | Styles | Music Trio Sonatas | Sonatas | Forms & Genres | Classical | Styles | Music Suites | Forms & Genres | Classical | Styles | Music Classical | Symphonies | Forms & Genres | Classical | Styles | Music Incidental Music | Theatrical, Incidental & Program Music | Forms & Genres | Classical | Styles | Music Toccatas | Forms & Genres | Classical | Styles | Music General | Purcell, Henry | Composers | Baroque (c.1600-1750) | Historical Periods | Classical | Styles | Music General | Telemann, Georg Philipp | Composers | Baroque (c.1600-1750) | Historical Periods | Classical | Styles | Music General | Baroque (c.1600-1750) | Historical Periods | Classical | Styles | Music General | Classical (c.1770-1830) | Historical Periods | Classical | Styles | Music Requiems | Forms & Genres | Early Music | Historical Periods | Classical | Styles | Music General | Renaissance (c.1450-1600) | Historical Periods | Classical | Styles | Music General | Keyboard | Instruments | Classical | Styles | Music Organ | Keyboard | Instruments | Classical | Styles | Music Flute | Reeds & Winds | Instruments | Classical | Styles | Music Oboe | Reeds & Winds | Instruments | Classical | Styles | Music Recorder | Reeds & Winds | Instruments | Classical | Styles | Music Guitar | Strings | Instruments | Classical | Styles | Music Lute | Strings | Instruments | Classical | Styles | Music Violin | Strings | Instruments | Classical | Styles | Music Academy of Ancient Music | ( A ) | Featured Performers, A-Z | Classical | Styles | Music Gambill, Robert | ( G ) | Featured Performers, A-Z | Classical | Styles | Music General | Symphonies | Classical | Styles | Music General | Sacred & Religious | Classical | Styles | Music General | Classical | Styles | Music General | Opera & Vocal | Styles | Music Baroque (c.1600-1750) | Historical Periods | Opera & Vocal | Styles | Music English | Languages | Opera & Vocal | Styles | Music French | Languages | Opera & Vocal | Styles | Music German | Languages | Opera & Vocal | Styles | Music Italian | Languages | Opera & Vocal | Styles | Music Oratorios | Opera & Vocal | Styles | Music Anthems | Vocal Non-Opera | Opera & Vocal | Styles | Music Cantatas | Vocal Non-Opera | Opera & Vocal | Styles | Music Caprices | Vocal Non-Opera | Opera & Vocal | Styles | Music Folk Songs | Songs & Lieder | Vocal Non-Opera | Opera & Vocal | Styles | Music Madrigals | Songs & Lieder | Vocal Non-Opera | Opera & Vocal | Styles | Music General | Songs & Lieder | Vocal Non-Opera | Opera & Vocal | Styles | Music Magnificats | Vocal Non-Opera | Opera & Vocal | Styles | Music Masses | Vocal Non-Opera | Opera & Vocal | Styles | Music Motets | Vocal Non-Opera | Opera & Vocal | Styles | Music Oratorios | Vocal Non-Opera | Opera & Vocal | Styles | Music Passions | Vocal Non-Opera | Opera & Vocal | Styles | Music Psalms | Vocal Non-Opera | Opera & Vocal | Styles | Music Requiems | Vocal Non-Opera | Opera & Vocal | Styles | Music Te Deum | Vocal Non-Opera | Opera & Vocal | Styles | Music Vocal Works by J.S. Bach | Bach, Johann Sebastian | A to B | Featured Composers, A-Z | Opera & Vocal | Styles | Music General | Soundtracks | Styles | Music ASIN: B00005REQH Release Date: 2002-02-12

Average customer rating:

Beethoven: Unknown Works, Vol. 2 Manufacturer: Berlin Classics ProductGroup: Music Binding: Audio CD Ballets | Ballets & Dances | Classical | Styles | Music Duets | Chamber Music | Classical | Styles | Music General | Chamber Music | Classical | Styles | Music All Works by Beethoven | Beethoven, Ludwig van | ( B ) | Featured Composers, A-Z | Classical | Styles | Music General | Concertos | Forms & Genres | Classical | Styles | Music Character Pieces | Short Forms | Forms & Genres | Classical | Styles | Music Romantic | Symphonies | Forms & Genres | Classical | Styles | Music General | Baroque (c.1600-1750) | Historical Periods | Classical | Styles | Music General | Classical (c.1770-1830) | Historical Periods | Classical | Styles | Music Ballets & Dances | Romantic (c.1820-1910) | Historical Periods | Classical | Styles | Music General | Keyboard | Instruments | Classical | Styles | Music Piano | Keyboard | Instruments | Classical | Styles | Music General | Classical | Styles | Music Cantatas | Classical (c.1770-1830) | Historical Periods | Opera & Vocal | Styles | Music General | Opera & Vocal | Styles | Music Oratorios | Opera & Vocal | Styles | Music Cantatas | Vocal Non-Opera | Opera & Vocal | Styles | Music Folk Songs | Songs & Lieder | Vocal Non-Opera | Opera & Vocal | Styles | Music General | Songs & Lieder | Vocal Non-Opera | Opera & Vocal | Styles | Music Oratorios | Vocal Non-Opera | Opera & Vocal | Styles | Music Partsongs | Vocal Non-Opera | Opera & Vocal | Styles | Music ASIN: B0000035T4 Release Date: 1996-09-24

Tracks:

1. Christus Am Olberge Op.85: 1. Intro: Grave-Adagio - RSO Berlin/Helmut Koch
2. Christus Am Olberge Op.85: Recitative: 'Jehovah, Du, Mein Vater!' - Jozef Reti
3. Christus Am Olberge Op.85: Aria. Allegro: 'Meine Seele Ist Erschuttert' - Jozef Reti
4. Christus Am Olberge Op.85: 2. Recitative. Allegro: 'Erzittre, Erde, Jehovahs Sohn Liegt Hier' - Sylvia Geszty
5. Christus Am Olberge Op.85: Aria: Larghetto 'Preist Des Erlosers Gute' - Sylvia Geszty
6. Christus Am Olberge Op.85: Chor. Allegro: 'O Heil Euch! Ihr Erlosten' - Sylvia Geszty/Solitenvereinigung Und Grosser Chor Des Berliner Rundfunks/Gerhard Raker
7. Christus Am Olberge Op.85: 3. Recitative: 'Verkundet, Seraph, Mir Dein Mund' - Jozef Reti
8. Christus Am Olberge Op.85: Duet. Adagio Molto: 'So Ruhe Mit Ganzer Schwere' - Jozef Reti/Solitenvereinigung Und Grosser Chor Des Berliner Rundfunks/Gerhard Raker
9. Christus Am Olberge Op.85: 4. Recitative: 'Willkommen, Tod!' - Jozef Reti
10. Christus Am Olberge Op.85: Chor. Alla Marcia: 'Wir Haben Ihn Gesehen' - Solitenvereinigung Und Grosser Chor Des Berliner Rundfunks/Gerhard Raker
11. Christus Am Olberge Op.85: 5. Recitative. Tempo Della Marcia: 'Die Mich Zu Fangen Ausgezogen Sind' - Jozef Reti
12. Christus Am Olberge Op.85: Chor. Allegro Molto: 'Hier Ist Er, Hier Ist Er' - Solitenvereinigung Und Grosser Chor Des Berliner Rundfunks/Gerhard Raker
13. Christus Am Olberge Op.85: 6. Recitative. Molto Allegro: 'Nicht Ungestraft Soll Der Verwegnen Schar' - Jozef Reti/Hermann Christian Polster
14. Christus Am Olberge Op.85: Trio And Chor. Allegro Ma Non Troppo: 'In Meinen Adern Wuhlen' - Jozef Reti/Hermann Christian Polster/Sylvia Geszty
15. Christus Am Olberge Op.85: Final Chor. Maestoso-Allegro: 'Welten Singen'/'Prieset Ihn, Ihr... - Jozef Reti/Sylvia Geszty/hermann Christian Polster
16. Es Ist Vollbracht WoO 97: Final Song From 'Die Ehrenpforten' - Siegried Vogel/Chor Der Deutschen Staatsoper Berlin
17. Meeresstille Und Gluckliche Fahrt Op.112 - Siegried Vogel
18. Opferlied Op.121b - Ingeborg Springer/Grosser Chor Des Berliner Rundfunks/HemutKoch

Tracks:

1. 12 Minuets, Wo0 7: 1. in D - Kammerorchester Der Staatskapelle Weimar/Friedemann Batzel
2. 12 Minuets, Wo0 7: 2. in B-Flat - Kammerorchester Der Staatskapelle Weimar/Friedemann Batzel
3. 12 Minuets, Wo0 7: 3. in G - Kammerorchester Der Staatskapelle Weimar/Friedemann Batzel
4. 12 Minuets, Wo0 7: 4. in E-Flat - Kammerorchester Der Staatskapelle Weimar/Friedemann Batzel
5. 12 Minuets, Wo0 7: 5. in C - Kammerorchester Der Staatskapelle Weimar/Friedemann Batzel
6. 12 Minuets, Wo0 7: 6. in A - Kammerorchester Der Staatskapelle Weimar/Friedemann Batzel
7. 12 Minuets, Wo0 7: 7. in D - Kammerorchester Der Staatskapelle Weimar/Friedemann Batzel
8. 12 Minuets, Wo0 7: 8. in B-Flat - Kammerorchester Der Staatskapelle Weimar/Friedemann Batzel
9. 12 Minuets, Wo0 7: 9. in G - Kammerorchester Der Staatskapelle Weimar/Friedemann Batzel
10. 12 Minuets, Wo0 7: 10. in E-Flat - Kammerorchester Der Staatskapelle Weimar/Friedemann Batzel
11. 12 Minuets, Wo0 7: 11. in C - Kammerorchester Der Staatskapelle Weimar/Friedemann Batzel
12. 12 Minuets, Wo0 7: 12. in F - Kammerorchester Der Staatskapelle Weimar/Friedemann Batzel
13. Congratulation Minuet in E Flat, Wo0 3 - Kammerorchester Der Staatskapelle Weimar/Friedemann Batzel
14. Pno Con in E-Flat, Wo0 4: 1. Allegro Moderato - Eva Ander
15. Pno Con in E-Flat, Wo0 4: 2. Larghetto - Eva Ander
16. Pno Con in E-Flat, Wo0 4: 3. Rondo. Allegretto - Eva Ander
17. Music For A Ballad Of Knights, Wo0 1: 1. Marsch - Staatskapelle Berlin/Gunther Herbig
18. Music For A Ballad Of Knights, Wo0 1: 2. Deutscher Gesang. Allegro Moderato - Staatskapelle Berlin/Gunther Herbig
19. Music For A Ballad Of Knights, Wo0 1: 3. Jagdlied. Allegretto-Deutscher Gesang d.C. - Staatskapelle Berlin/Gunther Herbig
20. Music For A Ballad Of Knights, Wo0 1: 4. Romanze. Andantino-Deutscher Gesang d.C. - Staatskapelle Berlin/Gunther Herbig
21. Music For A Ballad Of Knights, Wo0 1: 5. Kriegslied. Allegro Assai Con Brio-Deutscher Gesang d.C. - Staatskapelle Berlin/Gunther Herbig
22. Music For A Ballad Of Knights, Wo0 1: 6. Trinklied. Allegro Con Brio-Deutscher Gesang d.C. - Staatskapelle Berlin/Gunther Herbig
23. Music For A Ballad Of Knights, Wo0 1: 7. Deutscher Tanz. Walzer - Staatskapelle Berlin/Gunther Herbig
24. Music For A Ballad Of Knights, Wo0 1: 8. Coda. Allegro Vivace-Andantino-Tempo I - Staatskapelle Berlin/Gunther Herbig

Tracks:

1. Canons, Epigrams And Jokes: Lob Auf Den Dicken. 'Schuppanzigh Ist Ein Lump' WoO 100, Musical Joke - Berliner Solisten/Kammerchor Der Berliner Singakademie/Dietrich Knothe
2. Canons, Epigrams And Jokes: Esel Aller Esel, Hi Ha Hess 277, Canon A 2 With Free Additional Part - Berliner Solisten/Kammerchor Der Berliner Singakademie/Dietrich Knothe
3. Canons, Epigrams And Jokes: Graf, Liebster Graf, Liebstes Schaf WoO 101, Musical Joke - Berliner Solisten/Kammerchor Der Berliner Singakademie/Dietrich Knothe
4. Canons, Epigrams And Jokes: Herr Graf, Ich Komme Zu Fragen Hess 276, Canon A 3 - Berliner Solisten/Kammerchor Der Berliner Singakademie/Dietrich Knothe
5. Canons, Epigrams And Jokes: Bester Graf, Sie Sind Ein Schaf WoO 183, Canon A 4 - Berliner Solisten/Kammerchor Der Berliner Singakademie/Dietrich Knothe
6. Canons, Epigrams And Jokes: Es Muss Sein WoO 196, Joke Or Riddle Canon - Berliner Solisten/Kammerchor Der Berliner Singakademie/Dietrich Knothe
7. Canons, Epigrams And Jokes: Canon A 2 in G, Hess 274 - Berliner Solisten/Kammerchor Der Berliner Singakademie/Dietrich Knothe
8. Canons, Epigrams And Jokes: Das Ist Das Wek, Sorgt Um Das Geld! WoO 197, Canon A 5 - Berliner Solisten/Kammerchor Der Berliner Singakademie/Dietrich Knothe
9. Canons, Epigrams And Jokes: Glaube Und Hoffe WoO 174, Canonlike Movt - Berliner Solisten/Kammerchor Der Berliner Singakademie/Dietrich Knothe
10. Canons, Epigrams And Jokes: Auf Einen, Welcher Hoffmann Geheissen WoO 180, 'Hoffmann, Sei Ja Kein... - Berliner Solisten/Kammerchor Der Berliner Singakademie/Dietrich Knothe
11. Canons, Epigrams And Jokes: Anglaise in D, Hess 61 - Berliner Solisten/Kammerchor Der Berliner Singakademie/Dietrich Knothe
12. Canons, Epigrams And Jokes: Rasch Tritt Der Tod Den Menschen An WoO 104, Song Of The Monks... - Berliner Solisten/Kammerchor Der Berliner Singakademie/Dietrich Knothe
13. Canons, Epigrams And Jokes: Ich War Hier, Doktor, Ich War Hier WoO 190, Riddle Canon - Berliner Solisten/Kammerchor Der Berliner Singakademie/Dietrich Knothe
14. Canons, Epigrams And Jokes: Signor Abate WoO 178, Canon A 3 - Berliner Solisten/Kammerchor Der Berliner Singakademie/Dietrich Knothe
15. Canons, Epigrams And Jokes: Kurz Ist Der Scmerz, Und Ewig Ist Die Freude WoO 163, Canon A 3 - Berliner Solisten/Kammerchor Der Berliner Singakademie/Dietrich Knothe
16. Canons, Epigrams And Jokes: Hol' Euch Der Teufel! B'hut Euch Gott! WoO 173, Riddle Canon - Berliner Solisten/Kammerchor Der Berliner Singakademie/Dietrich Knothe
17. Canons, Epigrams And Jokes: Gott Ist Eine Feste Burg WoO 188, Riddle Canon - Berliner Solisten/Kammerchor Der Berliner Singakademie/Dietrich Knothe
18. Canons, Epigrams And Jokes: Sankt Petrus War Ein Fels/Bernardus War Ein Sankt WoO 175, Riddle Canon - Berliner Solisten/Kammerchor Der Berliner Singakademie/Dietrich Knothe
19. Canons, Epigrams And Jokes: Tugend Ist Kein Leerer Name WoO 181 No.3, Canon A 3 - Berliner Solisten/Kammerchor Der Berliner Singakademie/Dietrich Knothe
20. Canons, Epigrams And Jokes: Edel Sei Der Mensch, Hulfreich Und Gut WoO 185, Canon A 6 - Berliner Solisten/Kammerchor Der Berliner Singakademie/Dietrich Knothe
21. Canons, Epigrams And Jokes: Bester Magistrat, Ihr Friert WoO 177, Canon - Berliner Solisten/Kammerchor Der Berliner Singakademie/Dietrich Knothe
22. Canons, Epigrams And Jokes: Kuhl, Nicht Lau WoO 191, Canon A 5 - Berliner Solisten/Kammerchor Der Berliner Singakademie/Dietrich Knothe
23. Canons, Epigrams And Jokes: Wir Irren Allesamt WoO 198, Riddle Canon - Berliner Solisten/Kammerchor Der Berliner Singakademie/Dietrich Knothe
24. Canons, Epigrams And Jokes: Auf Einen, Welcher Schwenke Geheissen WoO 187, 'Schwenke Dich Ohne... - Berliner Solisten/Kammerchor Der Berliner Singakademie/Dietrich Knothe
25. Canons, Epigrams And Jokes: Brauchle, Linke WoO 167, Canon A 4 - Berliner Solisten/Kammerchor Der Berliner Singakademie/Dietrich Knothe
26. Canons, Epigrams And Jokes: O Tobias! WoO 182, Canon A 5 - Berliner Solisten/Kammerchor Der Berliner Singakademie/Dietrich Knothe
27. Canons, Epigrams And Jokes: Gedenket Heute An Baden WoO 181 No.1, Canon A 4 - Berliner Solisten/Kammerchor Der Berliner Singakademie/Dietrich Knothe
28. Canons, Epigrams And Jokes: Seiner Kaiserlichen Hoheit...Alles Gute, Alles Schone WoO 179, Intro... - Berliner Solisten/Kammerchor Der Berliner Singakademie/Dietrich Knothe
29. Canons, Epigrams And Jokes: Gluck Fehl' Dir Vor Allem WoO 171, Canon A 4 - Berliner Solisten/Kammerchor Der Berliner Singakademie/Dietrich Knothe
30. Canons, Epigrams And Jokes: Gehabt Euch Wohl WoO 181 No.2, Canon A 4 - Berliner Solisten/Kammerchor Der Berliner Singakademie/Dietrich Knothe
31. Canons, Epigrams And Jokes: Freu Dich Des Lebens WoO 195, Canon A 2 - Berliner Solisten/Kammerchor Der Berliner Singakademie/Dietrich Knothe
32. Canons, Epigrams And Jokes: Gluck Zum Neuen Jahr WoO 165, Canon A 4 - Berliner Solisten/Kammerchor Der Berliner Singakademie/Dietrich Knothe
33. Canons, Epigrams And Jokes: Canon A 2 in A Flat - Berliner Solisten/Kammerchor Der Berliner Singakademie/Dietrich Knothe
34. Canons, Epigrams And Jokes: Im Arm Der Liebe Ruht Sich's Wohl WoO 159, Canon A 3 - Berliner Solisten/Kammerchor Der Berliner Singakademie/Dietrich Knothe
35. Canons, Epigrams And Jokes: Ich Kusse Sie WoO 169, Riddle Canon - Berliner Solisten/Kammerchor Der Berliner Singakademie/Dietrich Knothe
36. Canons, Epigrams And Jokes: Languisco E Moro Hess 229, Canon A 3 - Berliner Solisten/Kammerchor Der Berliner Singakademie/Dietrich Knothe
37. Canons, Epigrams And Jokes: Te Solo Adoro WoO 186, Canon A 2 - Berliner Solisten/Kammerchor Der Berliner Singakademie/Dietrich Knothe
38. Canons, Epigrams And Jokes: Ewig Dein WoO 161, Canon A 3 - Berliner Solisten/Kammerchor Der Berliner Singakademie/Dietrich Knothe
39. Canons, Epigrams And Jokes: Freundschaft Ist Der Quell Wahrer Gluckseligkeit WoO 164, Canon A 3 - Berliner Solisten/Kammerchor Der Berliner Singakademie/Dietrich Knothe
40. Canons, Epigrams And Jokes: Canon A 4 Wo0 160 No.2 - Berliner Solisten/Kammerchor Der Berliner Singakademie/Dietrich Knothe
41. Canons, Epigrams And Jokes: Ta Ta Ta, Lieber Malzel WoO 162, Canon A 4 - Berliner Solisten/Kammerchor Der Berliner Singakademie/Dietrich Knothe
42. Canons, Epigrams And Jokes: Ich Bitt' Dich, Schreib' Mir Die Es-Scala Auf WoO 172, Canon A 3 - Berliner Solisten/Kammerchor Der Berliner Singakademie/Dietrich Knothe
43. Canons, Epigrams And Jokes: Ars Longa, Vita Breevis WoO 192, Riddle Canon - Berliner Solisten/Kammerchor Der Berliner Singakademie/Dietrich Knothe
44. Canons, Epigrams And Jokes: Canon A 3, WoO 160 No.1 - Berliner Solisten/Kammerchor Der Berliner Singakademie/Dietrich Knothe
45. Canons, Epigrams And Jokes: Das Schweigen. 'Lerne Schwigen, O Freund' WoO 168 No.1, Riddle Canon - Berliner Solisten/Kammerchor Der Berliner Singakademie/Dietrich Knothe
46. Canons, Epigrams And Jokes: Das Reden 'Rede, Wenn's Um Einen Freund Dir Gilt' WoO 168 No.2, Canon... - Berliner Solisten/Kammerchor Der Berliner Singakademie/Dietrich Knothe
47. Canons, Epigrams And Jokes: Falstrafferel WoO 184, Canon A 5 - Berliner Solisten/Kammerchor Der Berliner Singakademie/Dietrich Knothe
48. Canons, Epigrams And Jokes: Allegro in A, WoO 34 - Berliner Solisten/Kammerchor Der Berliner Singakademie/Dietrich Knothe
49. Canons, Epigrams And Jokes: Abschiedsgesang 'Die Stunde Schlagt' WoO 102 - Berliner Solisten/Kammerchor Der Berliner Singakademie/Dietrich Knothe
50. From: 25 Irish Songs, Wo0 152: No.2 Sweet Power Of Song - Renate Krahmer/Ingeborg Springer/Eberhard Buchner/Armin Ude/Siegfried Lorenz
51. From: 25 Irish Songs, Wo0 152: No.5 On The Massacre Of Glencoe 'O! Tell Me, Harper' - Renate Krahmer/Ingeborg Springer/Eberhard Buchner/Armin Ude/Siegfried Lorenz
52. From: 25 Irish Songs, Wo0 152: No.6 What Shall I Do To Shew How Much I Love Her? - Renate Krahmer/Ingeborg Springer/Eberhard Buchner/Armin Ude/Siegfried Lorenz
53. From: 25 Irish Songs, Wo0 152: No.8 Come Draw We Round A Cheerful Ring - Renate Krahmer/Ingeborg Springer/Eberhard Buchner/Armin Ude/Siegfried Lorenz
54. From: 25 Irish Songs, Wo0 152: No.10 The Deserter 'If Sadly Thinking' - Renate Krahmer/Ingeborg Springer/Eberhard Buchner/Armin Ude/Siegfried Lorenz
55. From: 25 Irish Songs, Wo0 152: No.11 Thou Emblem Of Faith - Renate Krahmer/Ingeborg Springer/Eberhard Buchner/Armin Ude/Siegfried Lorenz
56. From: 25 Irish Songs, Wo0 152: No.13 Musing On The Roaring Ocean - Renate Krahmer/Ingeborg Springer/Eberhard Buchner/Armin Ude/Siegfried Lorenz
57. From: 25 Irish Songs, Wo0 152: No.15 Let Brainspinning Swains - Renate Krahmer/Ingeborg Springer/Eberhard Buchner/Armin Ude/Siegfried Lorenz
58. From: 25 Irish Songs, Wo0 152: No.17 In Vain To This Desert - Renate Krahmer/Ingeborg Springer/Eberhard Buchner/Armin Ude/Siegfried Lorenz
59. From: 25 Irish Songs, Wo0 152: No.19 Wife, Children And Friends 'When The Blackletter'd List To... - Renate Krahmer/Ingeborg Springer/Eberhard Buchner/Armin Ude/Siegfried Lorenz
60. From: 25 Irish Songs, Wo0 152: No.20 Farewell Bliss And Farewell Nancy - Renate Krahmer/Ingeborg Springer/Eberhard Buchner/Armin Ude/Siegfried Lorenz
61. From: 25 Irish Songs, Wo0 152: No.21 Morning A Cruel Turmoiler Is - Renate Krahmer/Ingeborg Springer/Eberhard Buchner/Armin Ude/Siegfried Lorenz
62. From: 25 Irish Songs, Wo0 152: No.23 The Wand'ring Gypsy. 'A Wand'Ring Gyps, Sirs, Am I' - Renate Krahmer/Ingeborg Springer/Eberhard Buchner/Armin Ude/Siegfried Lorenz
63. From: 25 Irish Songs, Wo0 152: No.24 The Traugh Welcome. 'Shall A Son Of O'Donnel' - Renate Krahmer/Ingeborg Springer/Eberhard Buchner/Armin Ude/Siegfried Lorenz
64. From: 20 Irish Songs, Wo0 152: No.1 When Eve's Last Rays In Twilight Die - Renate Krahmer/Ingeborg Springer/Eberhard Buchner/Armin Ude/Siegfried Lorenz
65. From: 20 Irish Songs, Wo0 152: No.4 Since Greybeards Inform Us that Youth Will Decay - Renate Krahmer/Ingeborg Springer/Eberhard Buchner/Armin Ude/Siegfried Lorenz
66. From: 20 Irish Songs, Wo0 152: No.5 I Dream'd I Lay Where Flow'rs Were Springing - Renate Krahmer/Ingeborg Springer/Eberhard Buchner/Armin Ude/Siegfried Lorenz
67. From: 20 Irish Songs, Wo0 152: No.7 O Soothe Me, My Lyre - Renate Krahmer/Ingeborg Springer/Eberhard Buchner/Armin Ude/Siegfried Lorenz
68. From: 20 Irish Songs, Wo0 152: No.8 Norah Of Balamagairy. 'Farewell Mirth And Hilarity' - Renate Krahmer/Ingeborg Springer/Eberhard Buchner/Armin Ude/Siegfried Lorenz
69. From: 20 Irish Songs, Wo0 152: No.10 The Hapless Soldier. 'Oh, Thou Hapless Soldier' - Renate Krahmer/Ingeborg Springer/Eberhard Buchner/Armin Ude/Siegfried Lorenz
70. From: 20 Irish Songs, Wo0 152: No.15 'Tis But In Vain, For Nothing Thrives - Renate Krahmer/Ingeborg Springer/Eberhard Buchner/Armin Ude/Siegfried Lorenz
71. From: 20 Irish Songs, Wo0 152: No.17 Come, Darby Dear, Easy, Be Easy - Renate Krahmer/Ingeborg Springer/Eberhard Buchner/Armin Ude/Siegfried Lorenz
72. From: 20 Irish Songs, Wo0 152: No.20 Thy Ship Must Sail, My Henry Dear - Renate Krahmer/Ingeborg Springer/Eberhard Buchner/Armin Ude/Siegfried Lorenz

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No More Shall We Part Nick Cave & the Bad Seeds Manufacturer: EMI ProductGroup: Music Binding: Audio CD General | Alternative Rock | Styles | Music Singer-Songwriters | Pop | Styles | Music ASIN: B0000DERXJ Release Date: 2002-01-08

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No More Shall We Part Nick Cave Manufacturer: Phantom Sound & Vision ProductGroup: Music Binding: Audio CD General | Alternative Rock | Styles | Music General | Miscellaneous | Styles | Music General | Soundtracks | Styles | Music ASIN: B000BRI8VU Release Date: 2001-04-02

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