Measure for Measure [Import]
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Instruments of the Orchestra
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Manufacturer: Naxos
ProductGroup: Music
Binding: Audio CD
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- The Young Person's Guide to the Orchestra (Book & CD)
- What to Listen for in Music
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ASIN: B00006O0NT
Release Date: 2002-12-03 |
Tracks:
- Overture To 'Tannhauser'
- Domna, Pos Vos Ay Chausida
- We Don't Merely Use Instruments, We Play On Them. And They Play On Us.
- Hungarian Dance No.7
- The Violin Is One Of The Most Tender And Beautiful Instruments Ever Invented.
- Violin Concerto In D Major (Adagio)
- But For A Long Time It Was Seen As The Instrument Of The Devil.
- The Soldier's Tale: Triumphal March Of The Devil
- The Manipulative Seductiveness Of The Gypsy Violin.
- Csardas Music
- The Violin And The Initiation Of Nature
- The Four Seasons (Spring, Mvt 1)
- Birds Are Again Evoked In The Second Concerto, Especially Music's Natural Favourite.
- The Four Seasons (Summer, Mvt 1)
- Like The Devil, The Violin Is A Master Of Disguise.
- Old Viennese Dance No.3 'Schon Rosmarin'
- The Menacing Sensuality Of Ravel's Tzigane: A Very Different Side Of The Violin:
- Tzigane
- Do We Now Have The True Measure Of This Instrument? Not Just Yet.
- Caprice No.24
- The Many Effects Of The String Tremolando: Brandenburg Concerto No.4 (Last Mvt)/From Joy To Fright/Quartettsatz In C Minor/The String Tremolo Practically Spells The World Agitato.
- Variations On A Theme Of Frank Bridge (No.7)
- Prokofiev's Tremolo In Romeo And Juliet Should Not Be Heard Just Before Bedtime.
- Romeo And Juliet: Act IV
- Vivaldi Use It To Illustrate The Shivering Of Travellers Crossing The Ice.
- The Four Seasons (Winter, Mvt 1)
- The Violin Muted
- Clair De Lune
- The Gentleness Of Muted Strings Persists Even When A Whole Orchestra Plays.
- Piano Concerto No.21 In C Major, K.467 (Slow Mvt)
- The Pizzicato Violin
- Pizzicato Polka
- In Prokofiev's Second Violin Concerto, The Accompaniment Is Pizzicato.
- Violin Concerto No.2 In G Minor (Slow Mvt)
- Varieties Of Pizzicato: Colas Breugnon (The People's Feast)/Now A Drier, Leaner, Hungrier Pizzicato. There's Not A Lot Of Comfort Here./Capriol Suite (Tordion)/The Use Of Pizzicato As 'Percussion'/Romeo And Juliet (Act I)/Mahler Used Pizzicato...
- The Planets (Mars - The Bringer Of War)
- The Technique Of Double-Stopping Enables The Violin To Play Duets With Itself./Sonata No.3 In C Major For Unaccompanied Violin (Fugue)/Now A Later Example Of The Same Technique
- Hungarian Dance No.4
- Double-Stopping Is A Standard Feature Of A Lot Of Folk Music.
- The Four Seasons (Autumn, Mvt 1)
- Now The Same Technique, But The Sound Might Have Come From Another World.
- Bolero
- Double-Stopping Can Only Approximate The Sound Of A Real Violin Duet.
- Cadenza To The Violin Concerto By Brahms
- Now Compare That With A Real Violin Duet.
- Forty-Four Duos (No. 1: Teasing Song)
- Another Duo By Bartok, Demonstrating The Violin's Rich Lower Register
- Forty-Four Duos (No.2: Maypole Dance)
- And Now What May Be The Most Beautiful Accompanied Violin Duet In History
- Concerto In D Minor For Two Violins (Largo)
- The Soul Of The Violin Is In Song; But What About This Weird Passage?
- Violin Concerto No.1 In D Major (Mvt 2)
- The Use Of Harmonies In The Orchestra Can Be Both Magical And Unsettling.
- Symphony No.1 'Titan' (Mvt 1, Opening)
- Tchaikovsky's Use Of Harmonics In The Sleeping Beauty Is Both Strange And Darling.
- The Sleeping Beauty (Act II, No.15: Entr'Acte)
- Ravel's Harmonics In Mother Goose Effect A Magical Transformation.
- Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
- Stravinsky's Harmonics In The Firebird Transport Us Almost Into Another World./The Firebird (Introduction)
- The Natural Upper Notes Of The Violins Have A Unique Emotional 'Grab'.
- Also Sprach Zarathustra (Of The Afterworldsmen)
- Still In Their Upper Register, The Violins Unleash The Energy Of A Young Colt.
- Variations On A Theme Of Frank Bridge (No. 4)
- Elsewhere, Britten Uses The Same High Register To Create A Very Different Mood.
- Four Sea Interludes (Dawn) From 'Peter Grimes'
- To End This Outing With The Violins, A Charming Little Elfin Dance
- Elfenreigen
Tracks:
- Introduction To The Viola
- Viola Concerto (Mvt 1)
- Khatchaturian Gets A Very Different Sound From It: Fuller, Fruitier, More Exotic.
- Gayane Suite No.1 (Armen's Solo)
- Very Nearly The Whole Of The Violin's Upper Register Is Also Available To The Viola.
- Passacaglia, Op.33b From 'Peter Grimes'
- The Viola Can Bring A Special, Rich Twanginess To Pizzicato That The Violins Lack./Don Quixote/Berlioz Drew Sounds From It That Retain Their Metallic Strangeness Even Today.
- Harold In Italy (Mvt 4)
- The Muted Viola: Intimate, Gentle, Poignant In Dvork
- Cypresses (No.9)
- The Massed Violas Of The Modern Symphony Orchestra In Mahler
- Symphony No.4 (Mvt 3)
- The 'Period' Viola In Bach
- Brandenburg Concerto No.6 (Last Mvt)
- The Cello: A Voice Of Unique Nobility
- Suite No.1 For Unaccompanied Cello (Prelude)
- Brahms And The 'Soul' Of The Cello
- Piano Concerto No.2 In B Flat Major (Mvt 3)
- Most Orchestral Composers Tend To Emphasize The Cello's Lower Register.
- Cantata 'Herz Und Mund Und Tat Und Leben', BWV 147 (Soprana Aria: Bereite Dir, Jesu)
- In The Time Of Beethoven The Cello Remained As Fundamental As Ever.
- Symphony No.3 'Eroica' (Finale)
- But The Cello Is Not Condemned To Spend Its Life In The Basement.
- Elfentanz, Op.39
- Not Only In Recital Showpieces Like That Is The Cello Is Used In Its Highest Register.
- The Protecting Veil (Opening)
- A Cello With An Identity-Crisis: The Pizzicato Flamencan
- Flamenco
- Double-Stopping In The Lower Reaches Of The Cello's Range
- Solo Suiet For Cello And Piano (Sardana)
- It's In The Middle Register That The Cello Really Comes Into Its Own.
- Oriental Dance, Op.2 No.2
- It Was To The Cellos That Beethoven Gave Two Of His Most Famous Themes./Symphony No.5 (Mvt 2)/Still More Famous Than That Theme Is This One From The Ninth Symphony.
- Symphony No.9 (Finale)
- Introduction To The Double-Bass
- The Carnival Of The Animals (The Elephant)
- But The Double-Bass Can Be Intensely Expressive And Graceful.
- Elegy No.1 In D Major
- The Range Of The Double-Bass Is The Greatest Of All The String Instruments/Allegro Di Concerto, 'Alla Mendelssohn'/And It's Also Capable Of Very Considerable Virtuosity.
- Capriccio Di Bravura
- Double-Bass Solos In Orchestral Scores Are Rare But Often Memorable./Symphony No.1 'Titan' (Mvt 3)/In His Third Symphony Mahler Makes A Very Different Use Of The Instrument./Symphony No.3 (Mvt 1)
- The Double-Bass Muted In Prokofiev/Lieutenant Kije Suite (Kije's Wedding)/In Another Work Prokofiev Uses The Double-Bass To Enhance The Winds./Romeo And Juliet (Act III)/And He Combines The Bass Clarinet With A Shivering Tremolo From The Double-Basses....
- Symphony No.5 (Mvt 3)/So Much For The Strings/On Now To The Winds
Tracks:
- The Antiquity And Magic Of The Flute
- Prelude A L'Apres-Midi D'Un Faune
- The Versatility And Agility Of The Flute
- Orchestral Suite No.2 In B Minor (Badinerie)
- The Flute In Fifteenth-Century Spain
- Sa'Dawi
- Other Flutes: The Bass And Alto
- Chamber Music No.II
- The Piccolo - Aptly Named
- La Naissance D'Osiris (Mvt 6)
- From A Piccolo Of The Eighteenth Century To One Of Its Descendants In The Twentieth
- Suite No.1 For Small Orchestra (Valse)
- A Variety Of Techniques
- Chamber Music No.II
- Flutter-Tonguing. But Tchaikovsky Got There Eighty Years Before.
- The Nutcracker (Act II, No.2: Scene)
- From The Transverse To The Vertical: The Baroque Recorder
- Recorded Suite In A Minor (Menuet II)
- An Unfamiliar, Early Vision Of The Instrument
- Naelden, Naelden
- The Bachian Oboe
- Cantata 'Ein Feste Burg Ist Unser Gott', BWV 80 (No.7: Duetto)
- Introduction To The Cor Anglais Or 'English Born'
- Symphony No.9 'From The New World' (Mvt 2)
- The Loneliness Of The Cor Anglais
- The Swan Of Tuonela
- The Cor Anglais Joins The French Horn In Haydn.
- Symphony No.22 'The Philosopher' (Opening)
- Introduction To The Oboe D'Amore, Beloved Of Bach - But Also Of Ravel
- Bolero
- The Clarinet Family: Boxing The Compass, From The Depths Of The Bass Clarinet.../The Egyptian (Violence)/...To The Raucous And Squealy.../Taras Bulba (The Death Of Ostap)/...To The Shrill And Complaining...
- Petrushka (No.8: Peasant With Bear)/...To The High Sprits Of A Playful Puppy./Symphonie Fantastique (Last Mvt)/And To The Downright Jazzy/Romeo And Juliet (Act II)
- As The High Clarinets Tend To Be Loud, So The Bass Tends To Be Soft:
- Gayane Suite No. 1 (Mvt 5)
- The Bass Clarinet Is Used By Most Composers Mainly As A Colouring Agent.../Petrushka (No.4: The Blackamoor)/...But It Does Occasionally Get A Whole Tune To Itself./Iberia (Almeria).
- The Range Of The Normal Clarinet Parts Goes Quite High...
- The Snow Maiden (Scene 5: Melodrama)
- ...And Quite Low.
- Peter And The Wolf (The Cat)
- The Clarinet As Concerto Soloist
- Clarinet Concerto In A Major (Rondo)
- But That's Not The Instrument Mozart Wrote It For; This Is:
- Clarinet Concerto In A Major (Rondo)
- Introduction To The Saxophone
- Hary Janos Suite (Mvt 4)
- The Soprano Saxophone Has Quite A Different Feel To It.
- L'Arlesienne Suite No.1 (Minuet)
- The Little Sopranino Sax Goes Even Higher.
- Bolero
- The Most Famous Use Of The Saxophone Is In An Orchestration By Ravel.
- Pictures At An Exhibition (The Old Castle)
- The Saxophone Can Be Quite Contagiously Good-Humoured.
- Sax-O-Phun
- The Puffa-Puffa Image Of The Bassoon
- Peter And The Wolf (Grandfather)
- The Bachian Bassoon, In Accompanimental Mode
- Cantata 'Weichet Nur, Betrubte Schatten' ('Wedding Cantata'), BWV 202 (Aria No.1)
- Bizet Leaves The Puffa-Puffa Image Out, Allowing The Bassoon To Sing./Carmen Suite No.1 (Les Dragons D'Alcala)
- And Ravel, Also In Spanish Mode, Does Likewise.
- Bolero
- The Bassoon As A Voice Of High Seriousness, Indeed Desolate Loneliness
- Symphony No.3 (Opening)
- The Eerie Bassoon In Its Highest Register
- The Rite Of Spring (Opening)
- Stravinsky Now Draws On Its Lowest Register, Lonely And Melancholy.
- The Firebird Suite (1919, Berceuse)
- The Bassoon As Concerto Soloist, Avoiding All Exaggeration
- Bassoon Concerto In G Minor (Finale)
- The Deep-Voiced Contra-Bassoon, As A Fairy-Tale Beast
- Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
- The French Horn Under Its Woodwind Hat
- Wind Quintet, Op.43 (Last Mvt)
- Now A More Prominent Role, In A Woodwind Quintet From An Earlier Era
- Wind Quintet In A Minor, Op.100 No.5 (Mvt 2)
- The Horn In Harmonious Blend With Strings In Another Quintet
- Horn Quintet, K.407 (Finale)
Tracks:
- The Trumpet As Virtuoso Soloist
- Brandenburg Concerto No.2 (Last Mvt)
- The Special Brillance Of Paired Trumpets
- Concerto In C For Two Trumpets, RV537 (Mvt 1)
- The Ceremonial Trumpet
- Fanfare For The Common Man
- Trumpets And Drums - An Incomparable Alliance
- Messiah (The Trumpet Shall Sound)
- The Versatility Of The Trumpet, From The Most Public To The Most Lonely
- Piano Concerto In F (Slow Mvt)
- The Trumpet As The Voice Of The City/An American In Paris/The Trumpet As Recruitment Officer/The Soldier's Tale (The March)/The Trumpet As Swaggerer
- Carmen Suite No.2 (Habanera)
- The Trumpet As The Voice Of Strength And Courage
- Carmet Suite No.2 (Toreador's Song)
- The Trumpet Muted/Petrushka (No.4: The Blackamoor)/Lieutenant Kije Suite (Opening)/The Trumpet As The Voice Of Weariness
- Billy The Kid
- The Trumpet As Character Actor
- Pictures At An Exhibition (No.6)
- The Trumpet As The Voice Of God
- Mass In B Minor ('Et Exspecto')
- The Birth Of The Trombone
- Aenmerckt Nu Hier
- The Birth Of The Brass As A Family
- Canzon 12 In Double Echo
- The Trombone In The Eighteenth Century
- Trombone Concerto In B Flat Major (Finale)
- The Tone Of The Tenor Trombone/Romance For Trombone And Organ/The Memorable Voice Of The Bass Trombone/Requiem (Mvt 2)/But The Bass Trombone Is More Than An Instrumental Bullfrog.
- Hosannah
- The Trombones Become Part Of The Orchestra.
- Symphony No.5 (Finale)
- The Wagnerian Trombone:/Overture To 'Tannhauser'
- The Trombone As Caricaturist
- Pulcinella (No.19: Vivo)
- The Trombone As Raspberry/Concerto For Orchestra (Intermezzo)
- The Horn And The Hunt
- Horn Concerto No.4 In E Flat, K.495 (Finale)
- The Challenging Horn Of The Baroque
- Abaris Ou Les Boreades (Menuet)
- The Scarcity Of First-Rate Players In Handel's Time
- Walter Music (Minuet 1)
- The Horn As Magician/The Firebird Suite (1919, Finale)
- Horns And The Sound Of Nobility
- Overture To 'Tannhauser' (Opening)
- The Special Sound Of The Horn In Its Higher Register
- Mass In B Minor ('Quoniam Tu Solus Sanctus')
- The Trumpet-Like Sound Of Massed Horns
- Symphony No.3 (Mvt 1, Opening)
- The Tuba - Unfairly Maligned?
- Symphony No.6 (Mvt 3)
- The Tuba Perfectly Cast By Ravel
- Pictures At An Exhibition (Bydlo)
Tracks:
- Introduction. And We Begin With A Bang.
- Fanfare For The Common Man/The Bass Drum On The Battlefields/Wellington's Victory, Op.91 (Opening)
- At The Opposite Extreme Is The Triangle.
- Piano Concerto No.1 In E Flat (Scherzo)
- Categories Of Percussion: Tuned And Untuned. The Side Drum
- Overture To 'La Gazza Ladra' - The Thieving Magpie (Opening)
- The Side Drum In An Effective But Unexpected Role/Clarinet Concerto (Mvt 1)
- The Tambourine. One Of The Oldest Instruments In The World
- Den Hoboecken Dans
- Even Older Is The Originally Oriental Gong.
- Ma Mere L'Oye - Mother Goose (Laideronette)
- No Single Instrument Can Match The Gong In Evoking The Breaking Of Waves./Passacaglia, Op.33b From 'Peter Grimes'/But Gongs Don't Have To Be Struck To Be Effective.
- Gymnopedie No.2
- The Cymbals Are Generally Discovered Early In Life./The Sanguine Fan/And They Do More Than Clash Together Loudly. They Can Be Clashed Together Softly./Studio Example: But They Needn't Be Clashed Together At All/Studio Example: They Can Be Lightly...
- Other Untuned Percussion Instruments Include The Whip.: Piano Concerto In G Major (Opening)/And Here Are No Fewer Than Twenty, Cracked By Tchaikovsky: The Nutcracker (Act I, Scene 5)
- More Versatile Than The Whip Are The Wood Blocks.../Studio Example/...Which Crop Up All Over The Place In Twentieth-Century American Music.
- Rodeo (Hoe-Down)
- Related To The Wood Blocks, By Sound, Are The Castanets./Jota Aragonesa/But The Castanets Were Also Used By Monteverdi Back In The Seventeenth Century.
- Scherzi Musicali (Damigella Tutta Belle)
- A Still Earlier Example From Fifteenth-Century Spain
- Yo M'Enamori D'Un Aire
- The Birth Of The Bongo
- Symphonic Dances From 'West Side Story'
- From The Streets Of New York To The Blacksmith's Shop/Il Trovatore ('Anvil Chorus')
- Desert-Island Decibels: Grand Canyon Suite (On The Trail)/Arcana
- From One Vegetable To Another: The Humble Squash, Or Marrow/Huapango
- Onwards To The Tuned Percussion. First, The Timpani
- Also Sprach Zarathustra (Introduction)
- But The Drum Roll Can Be More Effectively Frightening Than The Big Bang.: Symphony No.2 'Resurrection' (Mvt 3)
- Not One Drum Roll, But Many/Grand Canyon Suite (Sunrise)/Symphonie Fantastique (Last Mvt)
- Taking Advantage Of Tunability
- Music For Strings, Percussion And Celeste (Mvt 2)
- The Russian Composer Rodion Shchedrin Takes A Downward Turn./Carmen Suite (Changing Of The Guard)/Tuned, Yes; But For The Truly Melodic We Must Look Elsewhere.
- Introducing The Glockenspiel/Carmen Suite (Carmen's Entrance And Habanera)
- Saint-Saens And The Xylophone
- The Carnival Of The Animals (Fossils)
- Ravel And The Xylophone
- Ma Mere L'Oye - Mother Goose (Laideronette)
- Introducing The Marimba/Carmen Suite (First Intermezzo)
- Introducing The Vibraphone
- The Treasure Of The Sierra Madre (Narange Dolce)
- The Vibraphone Goes Russian.../Carmen Suite (Carmen's Entrance And Habanera)/...And Is Joined By The Marimba./Carmen Suite (Carmen's Entrance And Habanera)
- Introducing The Hungarian Cimbalom
- Folk Dances
- The Cimbalom And The Symphony Orchestra
- Hary Janos Suite (Mvt 3)
- Introducing The Tubular Bells
- Hary Janos Suite (Viennese Musical Clock)
- A More 'Up-Front' Approach From Rodion Shchedrin
- Carmen Suite (Introduction)
- But The Bells Can Also Make The Sinister Even More Sinister./Symphony No.7 'Sinfonia Antartica' (Mvt 1)
- Introducing The Celeste
- The Nutcracker (Dance Of The Sugar Plum Fairy)
- Magic, In The Use Of Collective Percussion
- Miroirs (La Vallee Des Cloches)
- Plucked Instruments: The 'Undercover Percussion'/Carmen Suite (Scene)
- A Prime Case In Point Is The Harp, Irresistible To The Romantics./The Nutcracker (Act II, No.1: Scene)/The Non-Solo Harp As An Integral Part Of The Orchestra/Hungarian Rhapsody No.1
- The Traditionally Subservient Role Of The Harpsichord In The Baroque Orchestra
- Brandenburg Concerto No.2 (Slow Mvt)
- The Piano: King Of The Tuned Percussion/Symphony No.3 'Organ' (Mvt 3)/And A Quarter Of A Century After That:
- Petrushka (Russian Dance)
- The Anti-Romantic Piano As An Integral Part Of The Orchestra
- Music For Strings, Percussion And Celeste (Last Mvt)
Tracks:
- Keyboard Instruments In The Orchestra - The Most Powerful Of Them All:
- Symphony No.3 'Organ' (Finale)
- But Things In Handel's Day Were Very Different.
- Organ Concerto In B Flat, Op.4 No.3 (Last Mvt)
- The Organ Is Difficult To Classify.
- An Unexpected, Organ-related Guest
- Concerto Pour Zampogna (Last Mvt)
- Peasant-Fancying... And A Touch Of The Roaming Cowboy
- Les Miserables (Drink With Me)
- Outside Artefacts And The Power Of Association
- Mahler's Sleighbells
- Symphony No.4 (Opening)
- A Roll-Call Of Some Unusual Guests/The Typewriter/Parade
- Chains, And More/Integrales/An American In Paris/Sandpaper Ballet
- Purpose-Built Oddities: Wind Machines/Symphony No.7 'Sinfonia Antartica' (Opening)
- Don Quixote (Variation VIII)
- National Calling Cards: The Guitar For Spain/Concierto De Aranjuez (Finale)
- And The Guitar's Poor American Relative, The Banjo/Washington Breakdown
- And Poorer Still, The Mouth Organ/The Treasure Of The Sierra Madre (Packing Up)
- The Balalaika For Russia/Romeo And Juliet (Act II: No.14)
- The Maracas For Mexico/The Treasure Of The Sierra Madre (El Desayuno)
- The Bongos And Congas And A Whole Wealth Of Other Drums For Africa And Central America/Studio Example
- The Sitar Of India/Evening Raga: Bhapoli
- The Accordion For France (Especially Paris)/Paris Canaille
- The Zither For Vienna/The Third Man (Theme)
- The Cimbalom For Hungary/Folk Dances
- The Guitar As An Integral Part Of The Orchestra/Rondena
- There Are Whole Orchestras Of Balalaikas./Sveit Mesiats
- The Effect Of The Wordless Human Voice, Used Purely As An Instrument/Symphony No.7 'Sinfonia Antartica' (Mvt 1)
- Nocturnes
- Instruments And the Imitation Of Nature. The Clarinet As Cuckoo
- The Carnival Of The Animals (The Cuckoo)
- The Flute As An All-purpose Aviary
- The Carnival Of The Animals (The Aviary)
- The Oboe As Duck
- Peter And The Wolf (The Duck)
- The Recording Of Reality. Does It Work As Well?
- The Pines Of Rome (The Pines Of The Janiculum)
- The Recording Of Reality Electronically Reborn In New Guises
- Cantus Articus - Concerto For Birds And Orchesra (Mvt 2)
- Beethoven Turns Avian: Cuckoo, Nightingale, And Quail
- Symphony No.6 'Pastoral' (Andante Molto Mosso)
- Some Improbable Casting: The Violin As Braying Donkey
- The Carnival Of The Animals (Persons With Long Ears)
- A Truly Orchestral Hee-haw To Be Reckoned With
- Overture To 'A Midsummer Night's Dream'
- A Thunderstorm In A Million
- Symphony No.6 'Pastoral (Allegro-Allegretto)
- the Instrumental Depiction Of A Silent World
- The Carnival Of The Animals (The Aquarium)
- Saint-Saens' Menagerie Takes A Curtain Call.
- The Carnival Of The Animals (Finale)
Tracks:
- The Grouping Of Instrumental Families. An Additive Approach. First, Two Violins
- Forty-Four Duos (No.4)
- A Great Contrast, Of Both Pitch And Character: Violin And Viola
- Duo For Violin And Viola In B Flat Major, K.424 (Finale, Vars 1 & 2)/Studio Example
- Arrival Of The Standard String Trio: Violin, Viola, And Cello
- String Trio In B Flat (Menuetto)
- The String Quartet: Two Violins, Viola, And Cello
- String Quartet In F, Op.18 No.1 (Mvt 3)
- The String Quintet - When The Extra Instrument Is A Second Viola
- String Quartet No.5 In D, K.593 (Adagio)
- The String Quintet - When The Extra Instrument Is A Second Cello
- String Quintet In C (Mvt 3)
- The String Sextet: Two Violins, Two Violas, And Two Cellos
- String Sextet In B Flat (Mvt 2)
- The String Octet: The Standard String Quaret Times Two
- Octet In E Flat, Op.20 (Mvt 1)
- Double The String Octet: A Fully Fledged String Orchestra
- String Symphony No.2 (Finale)
- The Massed Strings Of A Symphony Orchestra
- Fantasia On A Theme Of Thomas Tallis
- Contrasts Of Pitch And Instrumental 'Colour' In The Woodwind Section
- Wind Quintet In A Minor, Op.100 No.5 (Theme)
- In The First Variation It's The Horn That Gets The Lion's Share.
- Wind Quintet In A Minor, Variation 1
- In Variation Two The Torch Is Handed To The Bassoon.
- Wind Quintet In A Minor, Variation 2
- In Variation Three The Oboe Leads.
- Wind Quintet In A Minor, Variation 3
- Variation Four: Conversation Before Returning To A Solo-dominated Texture
- Wind Quintet In A Minor, Variation 4
- And Variation Five is Dominated By The Clarinet.
- Wind Quintet In A Minor, Variation 5
- The Next To Be Featured Is The Virtuoso Flute.
- Wind Quintet In A Minor, Variation 6
- Individual Farewells And A Closing Chorus
- Wind Quintet In A Minor, Variation 7
- A Mixed Group: Clarinet, Bassoon, Horn, String Quartet, And Double-Bass
- Octet In F (Mvt 3)
- The Early Classical Symphony Orchestra Of Haydn And Mozart
- Symphony No.29 In A, K.201 (Finale)
- Strings, Wind, But No Brass. What Haydn And Mozart Never Knew
- Canzon 28
- Beethoven's Fifth: Two Horns, Two Trumpets, And Three Trombones Join The Team.
- Symphony No.5 (Finale)
- From Beethoven To The Massive Orchestras Of Berlioz, Wagner, And Mahler
- Beethoven Changed The Face Of The Symphony And The Orchestra Forever
- Symphoy No.6 'Tragic' (Mvt 1)
- The Cult Of Orchestral Elephantiasis Reaches Its Peak.
- Symphony No.1 'Gothic' (VI: Te Ergo Quaesumus)
- When Large Doesn't Necessarily Mean Loud: Debussy
- Images (Gigues)
- A Crisis Of Confidence; The Orchestra's Survival Hangs In The Balance, But It Still Develops. The Ondes Martenot:
- Turangalila Symphony (Chant D'amour 1)
- The Advent Of The 'Early Music' Movement Brings A New Vitality And Freshness.
- Balle De Xerxes (Gavotte En Rondeau)
- Computer And Synthesiser: Friends Or Foes?
- Concerto In D Minor For Two Violins (Largo)
- A Speculative Look Ahead/Mass In B Minor ('Dona Nobis Pacem')
Customer Reviews:
Instruments of the Orchestra - Great Reference Material!.......2007-04-04
This set lends itself to greatly enhancing one's knowledge of the orchestra, instruments in it, and their usage. I am a huge music buff, and I still picked up a great deal I previously did not know. I highly recommend this for all who wish to understand the origin of music, as well as the processes that are employed to create music!
Beginner or Expert.......2007-03-12
This CD is excellent for the beginner or expert! To be able to haear the instrumets separately and then together really provides a good education. and/or refresher. The book thaty comes with the CD is alomost worth the price by itself!
Very Informative and Enjoyable.......2006-11-20
Whether you're a music novice or pro, "The instruments of the Orchestra" is a very worthwhile purchase. The 7 CDs, with a total of 8 hours, are expertly narrated by Jeremy Siepmann. He's a great speaker, very much like the late Leonard Bernstein was. Mr. Siepmann takes you on an unforgetable musical journey covering the origins and use of the various orchestral instruments throughout musical history. The balance between his narration and a wealth of musical examples, which range from snippets to entire movements, is superb. The comprehensive enclosed booklet is excellent and faithfully follows the 7 CDs in content. Even with my 40+ years of music training I still learned new things from this wonderful collection. Considering the excellence of the content, and a cost that translates to about $5 per disc, this collection is a great value. Grab it, you won't regret that you did. Five solid stars!
Frank's view.......2006-08-19
This boxed set of CD's with booklet achieved all I had hoped that it would. There are good samples of individual instruments and well done commentary on each. The only drawback was that some of the samples were too brief and could have been longer, hoiwever I guess this fits in with time constraints of the medium. It has given me a lot of clues as to future purchases of CD's for listening to individual instruments. Altogeth a satisfactory purchase and a welcome addition to my collection.
Excellent Intro for Those Not Familiar with the Orchestra.......2003-11-08
I've listened to classical music for years and am interested in composition. I bought this CD set to learn how an orchestra and its instruments work. I thought the CDs would be a nice but boring lecture. They aren't! Not only are they FUN but they are informative as well. I learned a huge amount from each CD and couldn't wait to listen to the next one.
The narrator and writer is a great speaker and holds your attention well. He is definitely knowledgeable. He provides musical examples for each point he makes, so you get to "hear" what he just talked about. I'd say the CDs are about 65% music and 35% narration. You'll learn about the range of instruments, some history, different ways to play them, how they sound, and how they are used in the orchestra. This CD set was a great learning experience and is sold at such a low price!
I recommend this CD for those who want to learn about classical music and those who know about it but are interested in learning more about the inner workings of an orchestra. You'll learn much useful information. For instance, the Rite of Spring (with that eerie start) is written for bassoon! I never knew a bassoon could sound like that but now I do.
The one complaint I have is the last CD. This deals with the orchestra. I wanted more of a tour of how the orchestra has been used through history up to the present. Instead, it was a tour of how different groups of instruments sound. I thought it could have been better. The other 6 CDs are excellent.
Average customer rating:
- valuable asset
- Hats off, gentlemen, a genius!
- This man is a genius!
|
Orchestral Excerpts for Violin
William Preucil , Bedrich Smetana , Wolfgang Amadeus Mozart , Ludwig van Beethoven , Felix Mendelssohn , Johannes Brahms , Robert Schumann , and Richard Strauss
Manufacturer: Summit(Classical)
ProductGroup: Music
Binding: Audio CD
All Works by Beethoven
| Beethoven, Ludwig van
| ( B )
| Featured Composers, A-Z
| Classical
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All Works by Brahms
| Brahms, Johannes
| ( B )
| Featured Composers, A-Z
| Classical
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All Works by Wolfgang Amadeus Mozart
| Mozart, Wolfgang Amadeus
| ( M )
| Featured Composers, A-Z
| Classical
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All Works by Mendelssohn
| Mendelssohn, Felix
| ( M )
| Featured Composers, A-Z
| Classical
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All Works by Robert Schumann
| Schumann, Robert
| ( S )
| Featured Composers, A-Z
| Classical
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All Works by Smetana
| Smetana, Bedrich
| ( S )
| Featured Composers, A-Z
| Classical
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All Works by Strauss
| Strauss, Richard
| ( S )
| Featured Composers, A-Z
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Classical
| Symphonies
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| Theatrical, Incidental & Program Music
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| Theatrical, Incidental & Program Music
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Tone Poems
| Theatrical, Incidental & Program Music
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| Classical
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General
| Classical (c.1770-1830)
| Historical Periods
| Classical
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| Romantic (c.1820-1910)
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Similar Items:
- Orchestral Excerpts for Cello
- Orchestra Excerpts for Viola
- Violin Mastery: Interviews with Heifetz, Auer, Kreisler and Others (Dover Books on Music)
ASIN: B00000F1UN
Release Date: 1998-11-17 |
Tracks:
- Don Juan
- Don Juan
- The Bartered Bride
- The Bartered Bride
- Sym No.39
- Sym No.39
- Sym No.39
- Sym No.39
- Sym No.39
- Sym No.39
- Sym No.39
- Sym No.39
- Sym No.39
- Sym No.39
- SymNo.3
- SymNo.3
- SymNo.3
- SymNo.3
- SymNo.3
- SymNo.3
- SymNo.3
- SymNo.3
- Sym No.9
- Sym No.9
- Midsummer Nights Dream
- Midsummer Nights Dream
- Sym No.2
- Sym No.2
- Sym No.2
- Sym No.2
- Sym No.2
- Sym No.2
- Sym No.2
- Sym No.2
- Sym No.2
- Sym No.2
- Sym No.2
- Sym No.2
- Sym No.2
- Sym No.2
- Sym No.2
- Sym No.2
- Sym No.2
- Sym No.2
- Closing Comments
Customer Reviews:
valuable asset.......2006-03-15
This cd is a valuable asset for the aspiring professional violinist. It's the next best thing to having a lesson on these orchestral excerpts.
Hats off, gentlemen, a genius!.......2002-12-10
Severance Hall, 3rd row center, Beethoven Concerto, Preucil and the Cleveland Orchestra...
...musical nirvana
(Bill, do you need a roadie?)
This man is a genius!.......1999-04-12
The first time I heard William Preucil play "live," it was the Symphony No. 5 by Shostakovich. He was a young man and my expectations weren't ready for what came next. Having collected all of the top recordings, I ran home after the concert to confirm, this guy played -- far and away -- better than any recording I had ever heard. The last time I heard William Preucil play "in person," it was a Mozart Divertimento with a chamber orchestra. How often do you go crazy over a violin solo from a Mozart Divertimento? Although Mr. Preucil's solos were extended, not a single note went by without the entire audience sitting on the edge of their seats, riveted. Years later, I was in a CD shop talking about recordings of violinists when the shop owner mentioned, "the most memorable" violin solo he had ever heard. It was William Preucil's performance that night, of this Mozart Divertimento. I wasn't the only one to maintain that recollection. Next, I was in a movie theater where the New York City Ballet's production of the Nutcracker had been released as a feature film. Having recently studied and listened to EVERY recording available to Tchaikovsky's Sleeping Beauty Ballet, I was surprised during the film to hear the big violin solo from Sleeping Beauty suddenly begin during a film adaptation of Nutcracker. More surprising, it was obvious to me that the violinist here was better than any recording (ever made, probably) of the Sleeping Beauty ballet. My precise thoughts were, "This playing is as good as William Preucil...I guess violinists are getting better because I thought only he was this good!" I waited through the end credits, because I had to know the name of this violinist whose playing is equal to my memory of William Preucil. I had to smile when the end credits said, "William Preucil, concertmaster." Not surprisingly, William Preucil is now concertmaster of the Cleveland Orchestra. There is nobody like him on the planet and all I can say is, if you are interested in violin playing at all, you cannot afford to pass up on this incredible opportunity to hear Mr. Preucil play and give "advice" on some great excerpts from the orchestral literature for violin. The man is a genius!
Average customer rating:
- A soundtrack as wonderful as the movie!
- Why is this soundtrack so hard to find?
- The Legend of Bagger Vance
- This soundtrack was worthy of an oscar.
- This is my favorite CD
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The Legend of Bagger Vance: Music from the Motion Picture (2000 Film)
Manufacturer: Chapter III Records
ProductGroup: Music
Binding: Audio CD
Movie Scores
| Soundtracks
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Movie Soundtracks
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Similar Items:
- The Cider House Rules: Music from the Miramax Motion Picture
- The Legend of Bagger Vance
- Emma: Music From The Miramax Motion Picture
- Rudy: Original Motion Picture Soundtrack
- Sapphire and Steel - The Complete Series
ASIN: B0000508VR
Release Date: 2000-11-07 |
Tracks:
- My Best Wishes - Fats Waller
- The Legend Of Bagger Vance
- Savannah Needs A Hero
- Bagger Offers To Caddy For Junuh
- Bagger & Hardy Measure The Course At Night
- The Day Of The Match Dawns
- Birdie
- Junuh Sees The Field
- Hole In One
- Junuh Comes Out Of The Woods
- Bagger Leaves
- Old Hardy Joins Bagger By The Sea
- Bluin' The Blues - Muggsy Spanier
- Mood Indigo - Duke Ellington
Amazon.com
Robert Redford's fable of a cynical, young, white war veteran (Matt Damon) learning the perfect golf swing--and the meanings of life--from a mysterious black caddy (Will Smith) is typically rich in subtexts, from racial discrimination to armchair existential philosophy. As she did for the period dramaThe Cider House Rules, English composer Rachel Portman imbues Vance with an American sense of time and place. Bookended by the bluesy jazz of Fats Waller, Mugsy Spanier, and Duke Ellington, Portman's elegant orchestral score is rich in powerful brass and string-driven melody and emotional nuances. Portman once again displays a strong affinity for the plaintive resolve and emotionally longing colors of Aaron Copland's most familiar works, and there are moments here that subtly evoke passages of that composer's Lincoln Portrait. It's a fine irony of modern film that one of Copland's spiritual heirs and most effective practitioners of his essentially male American musical ethos is a soft-spoken Englishwoman. --Jerry McCulley
Customer Reviews:
A soundtrack as wonderful as the movie!.......2005-08-17
When I first saw the picture, the music was one of the two bigger impacts it had on me (cinematography being the other). I had one of those experiences where as soon as the credits were finished I was already planning on purchasing the soundtrack. Problem is the average CD store did not hold it. Lucky for all of us there is Amazon.com!
The music composed by Rachel Portman is nothing short of wonderful! Very American in its orchestration and has often reminded me of the score to JFK (John Williams) & The Natural (Randy Newman/ironically another Redford film). From the scenes where Damon's on the golf course and the camera performs its classic Hitchcock maneuver, to the humorous driving sound as Theron's character takes on the city councilmen, this score proves to be one that must be cherished by all movie music goers.
This is a soundtrack that can inspire people with imagination and heighten the experience of outdoor activities. I myself have played this score while hiking back home and it has performed beautifully. When I play this in my free time it has allowed me to drift away from troubles and distress.
As for the tracks that aren't Portman's composition, they are equally enjoyable. The sound of Muggsy Spanier, Ellington, & Fats Waller are just pure boogie, woogie, oogie know what I mean? Makes you wanna swing.
It's a good soundtrack, one that I am lucky to have in my horde. If you can get it, I highly recommend it.
Why is this soundtrack so hard to find?.......2004-02-18
It goes without saying that a good score can either brilliantly enhance or possibly downright destroy a movie. With the film "The Legend of Bagger Vance" you have a beautiful story accented by beautiful scenery and beautiful period sets and costumes. Anything less than a beautiful score could lessen the appeal and, ultimately, the certain quality that could make this good movie great. Rachel Portman has developed a reputation for making okay movies unforgettable. Any less of a score could have ruined "The Cider House Rules" or even more so "Chocolat". Ms. Portman's score is a perfect example of how image and sound should come together to create something beautiful. In addition to the evocative and nostalgic opening fanfare-like theme, Ms. Portman welds together at least three other prominent themes, as well as a virtual abundance of recurring motifs. But, unlike her recent score CD for "The Human Stain", this album contains a much more varied mix of music that, most times, leaves the listener simply wanting more, but at the same time feeling totally satisfied. Unfortunately, if this review has successfully whet your appetite for this album, all you have to do now is find a copy for a reasonable amount of money. This soundtrack is highly reccommended, but good luck finding it.
The Legend of Bagger Vance.......2003-02-20
Great soundtrack, very relaxing and emotional. Very pleased with the cd music, but disappointed in what I had to pay for it. Also, the seller represented it as NEW and it was not. It had been resealed!
This soundtrack was worthy of an oscar........2002-11-07
When I saw this film I remember thinking, "what an extraordinary soundtrack" and I immediately went out and got the cd. And now a few years later it almost always is in my cd player. I love, love, love soundtracks and this is a homerun to me. I don't remember what the competititon was for the oscars that year but I wish it would have won. I don't even remember if it got a nomination. If you like Randy Newman's work, Aaron Copeland and maybe Hans Zimmer, you will like this cd. She did a really wonderful job. I wish I knew more about the composer.
This is my favorite CD.......2001-11-04
I purchased this CD to find a music selection for my daughter's skating routine. I had previously purchased "Cider House Rules" soundtrack and thoroughly enjoyed it, so we purchased this after listening to the samples on Amazon.com. This soundtrack has to be the best one I have heard! I watched the movie after I had listened to the CD, and I must say that Rachel Portman's music brings the movie to a whole new emotional level. I, too, wonder why this was not nominated for an Oscar. Rachel Portman has that special gift to communicate through her music. I look forward to purchasing more of her works.
Average customer rating:
- Simply Classic
- Cool songs on this one!
|
Measure for Measure
Icehouse
Manufacturer: Wea International
ProductGroup: Music
Binding: Audio CD
General
| Alternative Rock
| Styles
| Music
General
| Rock
| Styles
| Music
Pop Rock
| Pop
| Styles
| Music
Alternative Rock
| Imports
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Rock
| Imports
| Stores
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Similar Items:
- Man of Colours
- Primitive Man
- Sidewalk
- Flowers
- Code Blue
ASIN: B00006HCR8
Release Date: 2002-10-21 |
Tracks:
- Paradise
- No Promises
- Mr Big
- Angel Street
- The Flame
- Regular Boys
- Cross The Border
- Spanish Gold
- Lucky Me
- Baby Youre So Strange
- Too Late Now
- Into The Wind
- Just A Word
- The Perfect Crime
- The Flame (Live)
- No Promises (Live)
- Sister (Live)
Album Description
2002 digitally remastered reissue of the Aussie alternative act's 1986 album that's unavailable domestically. Includes 5 bonus tracks 'Just A Word', 'The Perfect Game', 'The Flame' (Live), 'No Promises' (live) & 'Sister' (live). Available at mid-price for a strictly limited time! Diva Records.
Album Details
Digitally Remastered with Bonus Tracks.
Customer Reviews:
Simply Classic.......2005-02-22
4 and a half is my real score
This one is a big 80s album, The Icehouse big-jump to the Rock (in a classic way, not post punk as the Flowers album).
With Measure For Measure, Iva Davies has reached a balanced pop-rock-synth album with very good songs.
The lyrics and the musical work are clear and effective, most of the songs show us the exceptional creativity of the group to fill many styles. The Mastering work is pretty good (with total respect to the original 80's release)
My pick-up songs (almost all): No promises, Paradise (of the best Icehouse's work), Angel Street (so Beautiful), The Flame (Powerful), Too Late Now (Subblime), Just a Word (Good New Wave-style Ballad) Regular Boys and Cross The Border (Booth good songs).
The half of the star empty is for Lucky in Me (the album 'filler') and Baby you're so strange (I Wonder why the boys selected this one as a single when any other song is better).
But that's all the complain, the rest of the songs are fine, the album worth the importation's price,and in global this is simply a good material from a good band.
Cool songs on this one!.......2004-09-02
This cd includes some of the best Ice house songs. Check it out: Paradise (my personal favorite one), Spanish Gold, No Promises, Angel Street. Really cool songs. If you are a big fan, or even if you only know about Ice House for Electric Blue or Crazy, Go, "Cross the Border" and Don't miss this one!
Average customer rating:
- Songs for anyone who likes acoustic music, hurricane, drought, or otherwise
- Trains and Hurricanes!
- Why isn't she a star?
- One more time
- Unforgettable Voice, Beautiful Music
|
Songs for a Hurricane
Kris Delmhorst
Manufacturer: Signature Sounds Recordingss
ProductGroup: Music
Binding: Audio CD
General
| Folk
| Styles
| Music
Traditional Folk
| Folk
| Styles
| Music
General
| Traditional Country
| Country
| Styles
| Music
Similar Items:
- Strange Conversation
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ASIN: B0000AGWGB
Release Date: 2003-08-12 |
Tracks:
- Waiting Under The Waves
- East Of The Mountains
- You're No Train
- Bobby Lee
- Weathervane
- Juice+June
- Hummingbird
- Hurricane
- Come Home
- Too Late
- Wasted Word
- Short Work
- Mingalay
Amazon.com
A favorite of folk fans in the Boston area, the singer-songwriter makes a striking bid for a broader audience with her third release. The propulsive "East of the Mountains" and "Short Work" benefit from the backbeat of former Morphine drummer Billy Conway (Delmhorst's co-producer), while "Hurricane" builds to a furious climax through the Neil Young-style guitar squall of Kevin Barry. Multi-instrumentalist Delmhorst seasons various tracks with fiddle, cello, and guitars. Though her breathy, brooding vocals can occasionally sound a bit mannered--giving a cloying quality to the overly precious "Hummingbird"--most of the musical settings reinforce the power of her elemental imagery. While the bulk of the material evokes the turbulence of a relationship, the conviction that Delmhorst brings to her music suggests that it would take an awfully strong wind to blow her away. --Don McLeese
Customer Reviews:
Songs for anyone who likes acoustic music, hurricane, drought, or otherwise.......2006-03-26
If you needed proof that the best songwriters out there are not the most famous, Kris is it. Her voice will floor you and her lyrics will pick you back up again. Buy this album, and then go and buy Red Bird, her collaboration with P. Mulvey and J. Foucault. You won't regret it.
Delmhorsts songs are strong, implacable and iconic. In this album she really abandons the personal-confessional style of 90s-era acoustic songwriting -- and fully comes into her own, using the pure voice of metaphor, myth, and image. Delmhorst loves the negative image -- "Baby, you're no train, you're the track" ... "no more weathervane, I'm gonna be the wind / no more turn around" -- and through her gorgeous low voice you can hear the muscle of her language rippling powerfully beneath.
And what a voice! It grows dark, menacing in minor in the likes of "East of the Mountains," "Weathervane" and "Come Home on the Train," and so sweet and gauzelike in "Juice + June" and (especially) "Mingalay" that the hard of heart would grow teary-eyed to hear her.
Simply put, this album is a keeper.
Trains and Hurricanes!.......2005-02-13
I don't buy much North American music, though you'll find Caroline Lavelle, Loreena Mckennitt, Mae Moore, Sarah McLachlan, October Project, Paul Simon, Kristine W, Milla Jovovich, and Over the Rhine in my collection (all of these, by the way, are recommended). Kris Delmhorst was unknown to me until just a few weeks ago. Based on a personal recommendation (thanks a million, Katie!) I bought it, and I have been listening to it almost non-stop since. I adore this album!
To those unfamiliar with this artist, her voice is somewhat reminiscent of McLachlan's, but the songs are moodier, less contrived, and seem more personal than McLachlan's. In that respect, her work has more in common with Mae Moore, but with a more visceral approach.
Several of the songs contain imagery of trains and hurricanes, the reasons for which are mysterious....
Why isn't she a star?.......2004-05-17
I love female singer-songwriters-- I'm a huge fan of Gillian Welch as well as Joni Mitchell, Ani Difranco, the Indigo Girls, Lucinda Williams, Alison Krauss, Norah Jones, etc. I'm always on the lookout for more to add to list, and if you'll let me mix my metaphors, Kris Delmhorst is a diamond in a haystack. Her voice and lyrics are beautiful and I'm really surprised that she isn't better known. Thank goodness I happened upon amazon's free download because I had never heard of this amazing woman. I went right out and bought all of her CDs and every last one is worth it. The songs range from mellow and introspective to rollicking and bluegrassy. If you like Alison Kruass, Norah Jones, Joni Mitchell, or the Indigo Girls I almost guarantee you'll appreciate Kris's albums.
One more time.......2004-03-13
This is one of those rare cds that I can listen to for days at a time and not get tired or annoyed. There is quite the musical mix and yet Kris's voice is constantly blending in perfectly as it floats over the music. This cd has it all: upbeat 'bluegrassy' songs such as "Bobby Lee", "East of The Mountains", "Come Home" and "Short Work". It has slow, jazzy songs "Waiting Under the Waves" and "Juice+June". Then there are the more 'rocky' songs "Wasted Word", "Weathervane". And of course, my personal favorites, the sad, mellow songs that really allow Kris's vocals to shine "Too Late", "You're No Train", and "Mingalay". "Hummingbird" is one of the most beautiful songs I have EVER heard and it is my favorite of this cd. I can get lost in this music and that is a good thing. Kris has a unique and soulful voice that can put me to sleep or get me excited to be alive. I love this cd and highly recommend it to all!!
Unforgettable Voice, Beautiful Music.......2004-01-27
Admittedly, I'm a sucker for great women singers. But on this album Kris Delmhorst shows she has much more than a distinctive voice, bringing a thematically linked set of songs together with some wonderful musicianship by Delmhorst and her band. And yet, it really is Delmhorst's voice that makes this an album to listen to both casually and carefully... repeatedly. But while you listen, you'll also find that this CD shows lots of respect for folk music styles. A sample of the songs and why I can't stop listening:
"East of the Mountains"
This country ballad displays something of Delmhorst's feel for a range of music styles. The voice here has all the rich texture of the gentler songs on the album, but applied to a quick-tempo tale of a woman "sent away" by her family, never to see her lover again, Delmhorst registers both sensual longing and resilient anger.
"Bobby Lee"
Of the many songs on the album that give Delmhorst a chance to really give the warmth of her voice full sway, this along with "Mingalay" may be the best. And while the star here is the wonderful tone of voice that gives the song's simple melody its full emotional range, the more I listen, the more I find myself thinking about its subject... the difficulty of "rolling the stone away" in a maybe-permanently broken relationship.
This song is a great example of just how resourceful a musician Delmhorst is, neither just a singer nor just a songwriter. You sense here that the album has a non-ostentatious feel for making use of its range of resources, much like you do when you listen to Merrie Amsterberg's "Little Steps" or Lucinda Williams' "Car Wheels on a Gravel Road" (as different as those artists are from Delmhorst).
"Juice and June"
At her most sultry here, Delmhorst and her band take it slow to get across the beauty of dancing toward passion, under the influence of "juice and June." The lovely risks of letting yourself fall too soon, which are slyly linked here to the pleasures of indulging in the music itself, give the song that wonderful quality of being a song about falling that lures its listener into falling for the song's own "juice and June."
"Hurricane"
I just have to begin by saying that this one sends chills down my spine. Again, and again. Why? Well, the song is about loving (someone's) storminess. It's an appealing tune, makes you want to sing it. And while the lyrics aren't unnecessarily tangled up with poetry... the texture of Delmhorst's voice gets a hold of the passion without histrionics... that is, through singing in the purest sense, not a display of singing. She handles the song the way a great actor does a great monologue, letting the material fully register in herself and show her the way to give it voice. And so she let's the song unfold toward its stormy closing instrumental burst in a way that feels organic.
"Come Home"
A song that could show up on a Gillian Welch album, here played simply with background rain effects, and sung with that remarkable voice. Listen to it on headphones to hear how Delmhorst keeps it simple and yet there's nothing simple in a voice working with a song's genre to capture its expressive range while staying true to its style.
"Wasted Word"
A sweet tune, about making the "wasted" past right in the lovely present. Pain has never looked so sweet, sincerely so, but you can't sing this song and make it believable unless you have a voice that can capture pain and beauty at once.
"Short Work"
A sort of country shuffle on betrayal and paying it back. Again, Delmhorst knows how to work within the song's shape to texture it musically but not interfere with the expressive potentials that it has as written.
"Mingalay"
An album that circles its hurricane theme throughout would not be complete without a traditional sailor's ballad... given a thoughtful update here through Delmhorst's final verse that complements the song's traditional look homeward from the sea with a look out to sea from those waiting on land. Played here with a bluesy sultriness, the song allows Delmhorst to handle the melody with a characteristic mix of aching tenderness and passion.
And again, you'll be torn between singing along and listening in rapt silence. To me, a singer who can cultivate precisely this conflict in the listener must be doing something right.
If you want to get a sense of just how remarkable the songwriting is here, do this: make a short playlist for yourself of
"East of the Mountains"
"Bobby Lee"
"Juice and June"
"Hurricane"
"Wasted Word"
"Mingalay"
and give this short set a listen. I defy you to find me a more beautiful set of songs on any recent recording, though each is different in style. But don't keep listening to this short set, go back to the full CD and listen to it all.
This is very, very good songwriting, musicianship, and, not least of all, singing. Spread the word, because this is an artist who deserves an appreciative audience.
Average customer rating:
- Desert Island Early Music Disc
- I'm thrilled to find this is now available on CD!
- Awesome!
- It's on the mark.
|
Henry VIII & His Six Wives
Manufacturer: Testament UK
ProductGroup: Music
Binding: Audio CD
Byrd, William
| ( B )
| Featured Composers, A-Z
| Classical
| Styles
| Music
All Works by Dowland
| Dowland, John
| ( D )
| Featured Composers, A-Z
| Classical
| Styles
| Music
Holborne, Anthony
| ( H )
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Similar Items:
- Early Music Festival / David Munrow, Early Music Consort
- Two Renaissance Dance Bands; Monteverdi's Contemporaries
- Sinners & Saints: The Ultimate Medieval and Renaissance Music Collection
- All Goodly Sports: Music of Henry VIII
- Panorama: Dances of the Renaissance
ASIN: B00016ZKRQ
Release Date: 2004-04-13 |
Customer Reviews:
Desert Island Early Music Disc.......2006-03-19
I actually heard this on Ohio State's Radio Station, WOSU, way
back in the summer of 1971, I'd just picked up my dog from the vet's, there was a thundershower going on, and this fantastic
album came on the air. I was immediately entranced with it, and
immediately bought the LP. It was out of print for many years,
and so last summer when I was in Seattle for Cycle One of the Ring, I was overjoyed to see a copy of this at Tower Records;and
instantly purchased it.
This is quite possibly one of the best Early Music discs ever
made, bar none. In fact, I believe it set off the Early Music
Revolution-without it, there might be a much smaller interest in
Early Music due to living history enthusiasts, such as the SCA
(Society for Creative Anachronism), Renfaire devotees, and others.
This is the germinal album that started it all: it was the first time that a historical movie had been accurately scored
with the music and instruments of the timeperiod-and David Mun-
row's Early Music Consort's lively interpretations galvanized
a belated enthusiasm for Early Music that continues to evolve
to this very day.
In short, BUY THIS ALBUM-it is a classic. And wonderful to listen to. An added frisson is the Song by King Henry VIII him-
self, "Pastime With Good Company," in his younger days he was
quite the all-round renaissance man, jouster, writer, composer,
athlete, and his music is pretty good, too.
As a companion album to this, I would highly recommend one of the other David Munrow albums to start with, Two Renaissance
Dance Bands, which is LP format was known as Music of the Court:
Music for King Henry VIII and Elizabeth I." This contrasts the
dance music heard at both courts, and the times, also a desert
island early music disc.
In short, BUY THIS DISC!!!!!!!!!!!It kicks musical Uknowwhat!!!
It completely shatters the old, long-held belief that Early Music was dull, dull, dull. Far from it. It was every bit as
lively as anything from the 18th, 19th centuries, and our own.
I'm thrilled to find this is now available on CD!.......2006-01-02
I first received this album as a gift way back in the early 70's, when I was an eleven year old Henry VIII fan. It is often thought to be the score for the BBC six-part series The Six Wives Of Henry VIII, but was actually the score for a spin-off movie by the same name, also starring Keith Michell as King Hal. The six-part series actually did not have much music in it (low budget).
This album has excellent examples of early music, performed on period instruments. It features one song written by Henry VIII, as well as many authentic period pieces. There are a couple of "cheats" - a setting of a poem purportedly written by Anne Boleyn in the Tower before her execution, and a Robin and Marian ballad which was written specifically for the movie, but the rest is authentic and authentically performed. The weakest part of the album is a poor choice in counter tenor, who performs Pastime In Good Company and the song made from the Anne Boleyn poem - he has problems with pitch and diction. Otherwise, the album is purely thumbs up.
Awesome!.......2005-12-30
This CD is actually a re-release of an old album not from the TV series but actually from a spin-off movie. The TV series is titled, "The Six Wives of Henry VIII". The movie was called "Henry VIII & His Six Wives" (which, unfortunately, was never released on video or DVD here in the states, but may be one day). Regardless, this music from the film is a wonderful example of Tudor and Elizabethan music played on authentic instruments by on of the greatest early music scholars and musicians, the late David Munrow. This is an excellent CD for fans of early music and anyone who wants to experience the true sounds of the period.
It's on the mark........2004-12-16
I saw the mini series on PBS and I now own the videos. I believe it is on a box set of DVD's too. The music on this CD is the soundtrack to the series. If you loved Elizabeth R with Glenda Jackson playing Queen Elizabeth back in the 1970's you will definitely love this series. The music and the acting are so incredibly good.
Average customer rating:
|
Dream Goes on
Us Navy Band , and Sea Chanters Chorus
Manufacturer: Altissimo Records
ProductGroup: Music
Binding: Audio CD
General
| Jazz
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Marches
| Miscellaneous
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General
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ASIN: B000065DWT
Release Date: 2002-04-30 |
Tracks:
- Olympic Fanfare
- America, The Dream Goes On
- Hero For Today
- America the Beautiful
- The Last Full Measure Of Devotion
- The Sea Is My Second Home
- Seeds Of Freedom
- American Salute
- Battle Hymn Of The Republic
- Patriotic Medley (This Is My Country, You're A Grand Old Flag, This Land Is Your Land, God Bless America)
- Armed Forces On Parade
- God Bless The USA
- The Stars And Stripes Forever
- The Star Spangled Banner
Album Description
Recorded by the U. S. Navy Band and Sea Chanters Chorus conducted by Commander Ralph M. Gambone.
Average customer rating:
- I love Cynthia - but this is not quite up to snuff
- Fabulous Album
- Deeeeluxe!!!! I love this band.
|
Alas Alack
Gloria Deluxe
Manufacturer: Gloria Deluxe Music
ProductGroup: Music
Binding: Audio CD
General
| Alternative Rock
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Similar Items:
- Accidental Nostalgia
- Devotionals (Songs for Shunkin)
- Gloria Deluxe
- Hooker
ASIN: B00006ZL27
Release Date: 2002-10-06 |
Tracks:
- Tender Mercies
- Never Binding
- Pants! (I wear them)
- Lullagoodbye
- Weed the Garden
- Dust to Dust
- (I work on my) Daddy's Farm
- It Is Not a Question
- Country Boy (lie with me one time)
- Little Black Train
- It's So Hard to Say Goodbye
- Nothing But a Lack
- Do You Remember?
Album Description
A quieter and more intimate offering from Gloria Deluxe, this album expresses heartbreaking sadness and uplifting joy in equal measure.
Customer Reviews:
I love Cynthia - but this is not quite up to snuff.......2006-12-22
I found this album less interesting that Devotionals and Accidental.
Fabulous Album.......2006-03-25
This is a terrific, soulful record. Cynthia Hopkins has a voice to break your heart, and a wit to make you think. This album is not quite as daring as the more recent ACCIDENTAL NOSTALGIA (which I rate even more highly), but in some ways it is more listenable on that account. The incorporation of instruments you don't normally hear in popular music nowaday (Ms. Hopkins' accordion chief among these) is also nice. This record feels fresh and different, and worth listening to for a long time to come.
Deeeeluxe!!!! I love this band........2006-01-11
I love this CD. I have seen and heard them through CD and through concerts.
This is a standout from a very underrated and unique alternative band.
Average customer rating:
- This is the "chill" album
- A great album lyrically and musically
- Easy listening with amazing versatility from song to song
- Excellent
|
Yesterday Night
Weak Lazy Liar
Manufacturer: Weak Lazy Liar
ProductGroup: Music
Binding: Audio CD
General
| Rock
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Pop Rock
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Pop Rock
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ASIN: B00000JBGY
Release Date: 1999-07-13 |
Tracks:
- empress of new york
- forgive
- monster
- chanson d'automne
- again
- snow
- bright yellow bucket
- rocketpop
- shari's listening
- tuesday
- my gravity
Customer Reviews:
This is the "chill" album.......2001-07-01
Just sooooooooo excellent. Easy listenin' music that is very well complimented with the excellent lyrics.
A great album lyrically and musically.......2001-03-16
The first full length by weaklazyliar is a doozy. Maintaining a folk/pop/rock sensibility throughout, this disc goes from slow and beautiful acoustic ballads like the haunting "Snow" to full on rockers like "Forgive". The real highlight is the excellent lyrical quality. Lyricist Gerlinda Grimes really opens up in expressing emotion and telling stories. Listen carefully to the sympathy that her words and voice convey for a teenage outcast in "Bright Yellow Bucket". In addition to the strength of the original material is an excellent unlisted cover of The Pixies' "Levitate Me". Definitely worth the price of a disc.
Easy listening with amazing versatility from song to song.......1999-08-17
Great CD - I would love to sit in a nightclub listening to these guys! I enjoyed the laid back Chanson d'Automne as much as the faster pace of Rocketpop.
Excellent.......1999-06-07
With driving lyrics and intense backbone, this album is the best to date for WWL! Do not miss this album!
Average customer rating:
- SAVAE IS A HIDDEN TREASURE
- Culturally pleasing...
- Let tell you something...
- Unbelievable
- Modern Aztec Interpretations
|
El Milagro de Guadalupe
Manufacturer: Iago Records/Talking Taco
ProductGroup: Music
Binding: Audio CD
General
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General
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Similar Items:
- Guadalupe: Virgen De Los Indios
- La Noche Buena: Christmas Music of Colonial Latin America
- Native Angels
- Native Angels
- Matins for the Virgin of Guadeloupe
ASIN: B00001O2XH
Release Date: 2000-05-01 |
Tracks:
- Dios Itlazo Nantzine
- Teponazcuicatl
- Dixit Dominus
- Jesu Christo Nuestro Dios
- Esta Es Cenda Dem Amor Llena
- Domine Ad Adjuvando
- Asi Andando
- El Fiel Peso Y Medida
- In Itlauentzin
- Ave Maria
- Magnificat
- Tlaxicaqui
- Llegaos
- Sakve
- Xitlehco Noxocoyouh
- Muestra Lat Tierra Alegria
- Auh Ca Niman
Product Description
The hypnotic rhythms of Aztec drums and hautning sounds of Mesoamerican wind instruments blend with the seven voice of SAVAE in this companior recording to their bestselling "Guadalupe: Virgen de Los Indios." The music, dating from the mid-16th century reflects the unprecedentd vangelization that occurred as result of the appearance of the Virgin Mary to the Nahua Inidan Juan Dieo in 1531.
Customer Reviews:
SAVAE IS A HIDDEN TREASURE.......2005-08-09
I did not know much about SAVAE or this recording until I attended the annual conference of the Hymn Society of the US and Canada, which met in San Antonio, TX this year. There, I had the wonderful experience of a workshop with several members of SAVAE, in which we sang and clapped the complex melodies and rhythms of the music, and were introduced to some of the indigenous language, as well as the various drums, stones and flutes they used for accompaniment. Later in the conference, we (some 300 of us) were treated to a sublime concert, which included some of the pieces on this recording. We also got to sight-read three pieces from their upcoming CD of Christmas music from the same era. I don't think they had ever performed before so larga and appreciative an audience. This group deserves to be discovered by lovers of Early Music everywhere!
Culturally pleasing..........2003-06-19
In the album, El Milagro de Guadalupe, SAVAE clearly demonstrate their ability to cross-cultures and to unite or fuse the commonalities without difficulty. The sacred music somehow seems so much more holy in this context. The vocalists are quite talented singers and linguists. Overall a very pleasant cd and would recommend it to others.
Let tell you something..........2002-06-14
This is not what I think that
the Spaniards would wanted done,
in actual practice. This is all
sacred music all performed on
native aztec instruments, not
a single significant part for
convetional European instrument.
In most poor congregation in colonial
Latin-America, there would at least
be an organ, or a gitar, in the poorest
congregations, if an organ was out
of the question, a pair of recorders
would do just fine for church services.
There are better versions out there of
colonial Latin-American music.
Unbelievable.......2001-11-09
I was given this CD as a gift and I must say that it is the most incredible thing I have ever heard. There is something about it's "earthyness" that attracts my friends and I to it. I hope that SAVAE is around for a long time and that they keep blessing the world with their music.
Modern Aztec Interpretations.......2000-11-02
The music on this CD is in a word, ethereal. Beautiful choral music fused with Aztec instruments for a listening experience to not be forgotten nor matched in sheer beauty. The Nahuatl language is a joy to the ears, it speaks in whispers of a time long forgotten. The playing of indigenous Aztec instruments transports the listeners to another time period, a time without cars and planes, and the hectic schedules associated with modern times. Put this CD on and relax, it is hauntingly beautiful. The songs are all superb, inspiring one to transend the mundane to elevate to a higher plane. I don't know about 6+5+4 beats but I do know that the complex rhythmns astound the soul. The inspiration for this CD is La Virgen de Guadalupe and her grace must have bestowed supernatural powers on this recording because it is excellent. If you know of any devotees of La Virgen de Guadalupe this is an excellent choice to give them. The music is so different from anything you may have heard before. A revival of Aztec music, by a superb group of choral singers and musicians that is breathtaking. Put this CD on to listen to your inner sanctum, you might like what you hear, it is music for your soul. A real jewel, file this under inspiration.
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Great European Organs 37
Holloway: Violin Concerto,Op.70/Horn Concerto, Op.43
It Was Almost like a Song
Marmalized
Invisible Rhythm
Jazz Collection [Import]
Hindemith: Sonata for viola solo Op25/1; Sonata for viola solo Op11/5
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Mendelssohn: The Symphonies, Vol.2
Timeagain