Editorial Reviews No, Craig Bennett isn’t British. But should he have chosen to tell us that he was, it’s doubtful many of us outside of his friends and family would have known. He certainly has the slightly depressed, melancholy sensibilities of tunesmiths like Morrisey or Robert Smith, while incorporating a form of disjointed whimsy recalling folkies like Donovan. Working in a variety of light textures with dark undertones, Bennett is really a poet with a guitar, spinning verse that doesn’t always match the meter of the tunes and crafting tunes that are well-balanced between fundamental pop structures and his more obscure tendencies. For the most part, though, Bennett evokes the visage of David Bowie. Besides possessing very similar vocal abilities, Bennett colors his songs with true nonchalant cool. Lines like “I Say I’m a Marxist…it seems to appeal to girls that think. I say I’m an artist ‘cause all my life that’s what I’ve been told to say,” are highly indicative of the sly humor that runs through this largely moody set. Opening with “I was voted ‘most likely to seethe’ by those who knew little about me” amidst a background of atmospherics and quiet guitar, Bennett gives no hints that the track is about to lurch into a sunny chorus couched in chirping horns. Maintaining a cohesive focus, the majority of tracks are colored by a range of textures and tempos with melodies sunk deep below the surface in a sinister undertow of pianos, cellos and violins. Overall, Craig Bennett is a songwriter for whom no obvious contemporary parallel exists. His songs are neither brash nor overly florid. His melodies are not bold, though his words carry a visceral weight. In short, he’s the best “British” songwriter America has produced in some time, and his brand of elegantly layered pop is well worth checking out.
Happy Hollowdays
- Matt Fink, Delusions of Adequacy
In short he’s the best “British” songwriter America has produced in some time.
(Earbuzz.com)
profoundly artistic, creative, and edge bending genre defining stuff (Earbuzz.com (on-line indie music store))
Album Description
For some of us, it has been quite awhile since Great Britain produced a singer-songwriter that has truly captured our attention. Luckily, one of the best singer-songwriters to emerge from the British pop tradition can be found right under our noses. In Georgia, in fact.
Average customer rating: 
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Happy Hollowdays
Craig Bennett Manufacturer: Black Cottage Records ProductGroup: Music Binding: Audio CD  General
| Alternative Rock
| Styles
| Music
General
| Pop
| Styles
| Music
Pop Rock
| Pop
| Styles
| Music
General
| Alternative Rock
| Indie Music
| Stores
| Music
General
| Pop
| Indie Music
| Stores
| Music
ASIN: B000059M64 Release Date: 2000-10-24 |
Tracks:
Album Description
For some of us, it has been quite awhile since Great Britain produced a singer-songwriter that has truly captured our attention. Luckily, one of the best singer-songwriters to emerge from the British pop tradition can be found right under our noses. In Georgia, in fact.No, Craig Bennett isn't British. But should he have chosen to tell us that he was, it's doubtful many of us outside of his friends and family would have known. He certainly has the slightly depressed, melancholy sensibilities of tunesmiths like Morrisey or Robert Smith, while incorporating a form of disjointed whimsy recalling folkies like Donovan. Working in a variety of light textures with dark undertones, Bennett is really a poet with a guitar, spinning verse that doesn't always match the meter of the tunes and crafting tunes that are well-balanced between fundamental pop structures and his more obscure tendencies.
For the most part, though, Bennett evokes the visage of David Bowie. Besides possessing very similar vocal abilities, Bennett colors his songs with true nonchalant cool. Lines like “I Say I'm a Marxist…it seems to appeal to girls that think. I say I'm an artist `cause all my life that's what I've been told to say,” are highly indicative of the sly humor that runs through this largely moody set. Opening with “I was voted `most likely to seethe' by those who knew little about me” amidst a background of atmospherics and quiet guitar, Bennett gives no hints that the track is about to lurch into a sunny chorus couched in chirping horns. Maintaining a cohesive focus, the majority of tracks are colored by a range of textures and tempos with melodies sunk deep below the surface in a sinister undertow of pianos, cellos and violins. Overall, Craig Bennett is a songwriter for whom no obvious contemporary parallel exists. His songs are neither brash nor overly florid. His melodies are not bold, though his words carry a visceral weight. In short, he's the best “British” songwriter America has produced in some time, and his brand of elegantly layered pop is well worth checking out.
Music:
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