Come In
Editorial Reviews
Lotus Magazine
The two largest Electronica Music Magazines are reveiwing Sarp's album, Lotus Magazine and BPM. In Progress
BPM
In Progress
Album Description
"Come In" encompasses the extremes - from the harshest of House to the most gentle of Ambient. Sarp infuses futuristic Electronica rhythms with sounds and harmonies from his native land that have been around for over 1000 years. The consummate terrestrial experience, as our first element, OLM Records Presents
SARP.
Come In
Average customer rating:
- Good companion for Battlestar Fans
- Captures the feel of the show
- Awesome Soundtrack
- BSG
- Agree with everyone else
|
Battlestar Galactica: Season One
Daniel McGrew , Ken Stacey , Lillis Ó Laoire , Melanie Henley Heyn , Michael Now , and Raya Yarbrough
Manufacturer: La-La Land Records
ProductGroup: Music
Binding: Audio CD
Movie Scores
| Soundtracks
| Styles
| Music
Movie Soundtracks
| Soundtracks
| Styles
| Music
Television Soundtracks
| Soundtracks
| Styles
| Music
General
| Soundtracks
| Styles
| Music
Similar Items:
- Battlestar Galactica: Season 2
- Battlestar Galactica
- Battlestar Galactica: Season 2.5 (Episodes 10-20)
- Battlestar Galactica - Season 2.0 (Episodes 1-10)
- Battlestar Galactica - Season One
ASIN: B0009Q0F5U
Release Date: 2005-06-21 |
Tracks:
- Prologue
- Main Title (US Version)
- Helo Chase
- The Olympic Carrier
- Helo Rescued
- A Good Lighter
- The Thousandth Landing
- Two Funerals
- Starbuck Takes On All Eight
- Forgiven
- The Card Game
- Starbuck On The Red Moon
- Helo In the Warehouse
- Baltar Speaks With Adama
- Two Boomers
- Battlestar Operatica
- The Dinner Party
- Battlestar Muzaktica
- Baltar Panics
- Boomer Flees
- Flesh And Bone
- Battle On The Asteroid
- Wander My Friends
- Passacaglia
- Kobol's Last Gleaming
- Destiny
- The Shape Of Things To Come
- Bloodshed
- Re-Cap
- Main Title (UK Version)
Album Description
Presenting the original soundtrack from the first season of Sci Fi Channel's critically acclaimed, top-rated television series starring Edward James Olmos, Mary McDonnell, James Callis, Tricia Helfer and Katee Sackhoff. Composer Bear McCreary's dynamic score ingeniously melds orchestra, vocals and synth into an emotional experience that ranges from full-throttle action to soul-stirring drama. Packed with more than 78 minutes of music, this is a comprehensive collection of the very best musical moments from this amazing sci-fi drama's first season. Features both U.S. and U.K. main title themes and includes exclusive liner notes.
Customer Reviews:
Good companion for Battlestar Fans.......2007-05-07
If you're a Battlestar Galatica Fan, this audio is an excellent companion to your collection. Passacaglia, Forgiven, and The Shape of Things to Come are emotional and addictive orchestral soundtracks. Not every song from the first season is included in this CD. The opening credit songs for the UK and the US versions and the battle songs (The Thousandth Landing, Battle on the Asteroid) are included. Battlestar Muzaktica is quite odd and doesn't fit with the collection of songs.
Captures the feel of the show.......2007-04-11
Has a great selection of songs from the 1st season. I like show/movie CDs that you can picture the scenes and emotion of the actors when you hear the song. The Celtic underlays are great, and the Taiko drumming style is very well used for building intensity in the music. If you really like the series, you should probably really enjoy the music as well!
Awesome Soundtrack.......2007-04-11
If you like the music in a scene that just blends in and makes the scene even more emotional or suspenseful, that is what the scores from season one do on this cd. I initially bought it to for the prologue (cylon music) and the two main titles (U.S. and U.K.) but after listening to the entire cd, I have become completely addicted to it. The titles of the scores usually give you a hint of the scene and the liner notes also tell you the episode that they are from but the soundtrack has definitely made rewatching season one an even more intriguing experience. The scores with words, are written by Bear and are in various languages, but the words, especially the opera piece, are actually so dead one with the scene and in this specific scene hilarious. I love this soundtrack. If you are someone who is addicted to really grasping everything that happens in this show and watch and analyze it beyond face value, this is an added bonus to have in your collection. I highly recommend it!!!
BSG.......2007-04-10
Man I love the Classic and the Present BSG's So Inaturally find the SoundTrack/Score A joy and very relaxing. They tend to sound very similar but they are very diffrent.
Agree with everyone else.......2007-03-28
There have been lots of raving reviews of this album, as well as the equally sensational season 2 soundtrack. I just wanted to add my opinion on one track, "Destiny". An earlier review describes an Arabic string instrument being used, but it is actually a biwa, a traditional Japanese instrument that has such a distinct sound that it's hard to imagine it being used for anything other than traditional gagaku music. I don't know if anyone but McCreary has ever tried to use this instrument for something else, but it hardly matters. The fact that McCreary managed to use it so effectively in a piece that is so different from gagaku music is a perfect testament to his unique genius. I'm really looking forward to following McCreary's career.
Average customer rating:
- good memories for me and fun "new" songs for my children
- memories
- TV Theme Songs
- TV themes
- Deja Vu
|
TV Land Presents: Favorite TV Theme Songs
Cyndi Grecco , and Jones, Jack
Manufacturer: Rhino / Wea
ProductGroup: Music
Binding: Audio CD
Movie Soundtracks
| Soundtracks
| Styles
| Music
Star Trek
| Soundtracks
| Styles
| Music
General
| Soundtracks
| Styles
| Music
Rhino Records
| Amazon.com Label Stores
| Stores
| Music
Soundtracks
| Styles
| Blowout Music
| Stores
| Music
All Blowout Music
| Blowout Music
| Stores
| Music
More Titles at Least 25% Off
| Blowout Music
| Stores
| Music
Purists
| Warner Brothers Records
| Stores
| Music
Similar Items:
- TV Guide: 50 All-Time Favorite TV Themes
- All-Time Top 100 TV Themes
- Classic TV Game Show Themes
- One Hundred Greatest TV Themes
- Toon Tunes: Funny Bone Favorites
ASIN: B00006EXIL
Release Date: 2002-08-20 |
Tracks:
- I Love Lucy Theme - Wilbur Hatch
- Dragnet - Ray Anthony
- The Twilight Zone - Rod Open
- Bonanza - Al Caiola & His Orchestra
- The Andy Griffith Theme - Earle Hagen
- The Ballad Of Jed Clampett - Earl Scruggs
- The Addams Family (Main Theme) - Vic Mizzy
- Munsters Theme - Jack Marshall
- The Ballad Of Gilligan's Isle - Morton Stevens
- Green Acres - Eddie Albert
- Jeannie - Hugo Montenegro
- Batman Theme - Neal Hefti
- (Theme From) The Monkees - The Monkees
- Star Trek (Main Title & Closing Theme) - The Royal Philharmonic Orchestra
- Mannix - Lalo Schifrin
- Hawaii Five-O - Mort Stevens & His Orchestra
- Theme From The Brady Bunch - The Brady Bunch
- Come On Get Happy - The Partridge Family
- Those Were The Days - Carroll O'Connor
- And Then There's Maude - Donny Hathaway
- Good Times - Jim Gilstrap
- Movin' On Up - Oren Waters
- The Rockford Files - Mike Post
- Them From S.W.A.T. - Rhythm Heritage
- Happy Days - Pratt & McClain
- Making Our Dreams Come True - Cyndi Grecco
- Chico And The Man - Jose Feliciano
- Welcome Back - John Sebastian
- What's Happening!! - Henry Mancini
- Barney Miller - Jack Elliott
- Charlie's Angels - Jack Elliott
- Love Boat Theme - Jack Jones
- Angela (Theme From 'Taxi') - Bob James
- It Takes Diff'rent Strokes - Gloria Loring
- Theme From Dukes Of Hazzard (Good Ol' Boys) - Waylon
- Theme From Magnum, P.I. - Mike Post
- The Theme From Hill Street Blues - Mike Post
- Theme From Dynasty - Bill Conti
- Theme From 'Greatest American Hero' (Believe It Or Not) - Joey Scarbury
- Thank You For Being A Friend - Cynthia Fee
Album Description
TV Land brings you 40 of your favorite evening show theme songs. Highlights include 'Happy Days', 'The Greatest American Hero', 'Dukes Of Hazzard (Good Ol' Boys)', 'Laverne & Shirley', 'I Dream Of Jeanie', 'I Love Lucy', 'Welcome Back, Kotter', 'The Love Boat', 'Hawaii Five-O', 'The Golden Girls' and many, many more. 2002. Rhino.
Customer Reviews:
good memories for me and fun "new" songs for my children.......2007-06-27
We had ordered this for "The Dukes of Hazzard" theme song for our 4yr old and our whole family has fallen in love with the cd. It makes me want to share some of the old fun and simple shows with my children. I forgot about some of those shows. It brings back good memories for my husband and me and the songs are new and exciting for our children. It's a nice change from children's cd's, but our children still think it's fun. The sound quality is good and the songs included on the cd are a great mix. I would definately recommend this one.
memories.......2007-02-22
This cd is excellent it has a lot of very good music and true to the original sound, Am getting a lot of enjoyment,highly recomended
TV Theme Songs.......2007-01-13
This is a great CD for people who watch a lot of TV -especially TV LAND and reruns of old shows when shows had actual theme songs. I took the CD to work and everyone loved trying to figure out what show the songs were from.
TV themes.......2006-07-05
Not all what I expected, not all of the tunes are the original recordings you remember as the TV themes.
Deja Vu.......2006-02-17
Listening to these familiar themes as performed by the original artists certainly brings back wonderful memories! I was particularly pleased, not only with the quality of the pieces, but with the actual performances themselves, just as we remembered them!
Average customer rating:
- Wow.
- Love this CD
- Could it get any better?
- Moulin rouge tried to fill up the GAP
- ahahahahaha
|
Moulin Rouge 2
Manufacturer: Interscope Records
ProductGroup: Music
Binding: Audio CD
General
| Pop
| Styles
| Music
Pop Rock
| Pop
| Styles
| Music
Movie Scores
| Soundtracks
| Styles
| Music
Movie Soundtracks
| Soundtracks
| Styles
| Music
General
| Soundtracks
| Styles
| Music
General
| Musicals
| Broadway & Vocalists
| Styles
| Music
Pop
| Styles
| Blowout Music
| Stores
| Music
Broadway & Vocalists
| Styles
| Blowout Music
| Stores
| Music
Soundtracks
| Styles
| Blowout Music
| Stores
| Music
Classical
| Styles
| Blowout Music
| Stores
| Music
All Blowout Music
| Blowout Music
| Stores
| Music
More Titles at Least 25% Off
| Blowout Music
| Stores
| Music
Similar Items:
- Moulin Rouge
- Moulin Rouge! (Two-Disc Collector's Edition)
- Chicago
- William Shakespeare's Romeo + Juliet: Music From The Motion Picture, Volume 2 (1996 Version)
- William Shakespeare's Romeo + Juliet: Music From The Motion Picture (1996 Version) [Enhanced CD]
ASIN: B00005YW4Z
Release Date: 2002-02-26 |
Tracks:
- Your Song
- Sparkling Diamonds [Original Film Version]
- One Day I'll Fly Away
- The Pitch (Spectacular Spectacular) [Original Film Version]
- Come What May [Original Film Version]
- Like a Virgin [Original Film Version]
- Meet Me in the Red Room [Original Film Version]
- Your Song
- The Show Must Go On [Original Film Version]
- Ascension/Nature Boy (From the Death and...)
- Bolero (Closing Credits) [Original Film Version]
Amazon.com
There are but two kinds of people in the world: Those captivated by Baz Luhrmann's heady, postmodernist musical romp Moulin Rouge--and everybody else. Oddly, the film's initial soundtrack release may have been the project's most traditional element, marketing a slate of pop-star contributions that gave listeners a sometimes-skewed perspective on its true musical charms. This follow-up corrects much of that oversight, offering original film versions of "Sparkling Diamonds" (the lavish, Nicole Kidman-performed medley of "Diamonds Are a Girl's Best Friend" and "Material Girl"), Jim Broadbent's and Richard Roxburgh's loopy take on "Like a Virgin," as well as the lively Offenbach "Can Can" parody "The Pitch (Spectacular Spectacular)." It also pays homage to the efforts of composer Craig Armstrong, whose quietly compelling underscore often binds the film's other far-flung musical influences together, be they stately orchestral readings of Elton John's "Your Song," a dramatic arrangement for Kidman and Ewan MacGregor's original film duet of "Come What May," or his dark, melodramatic take on Queen's "The Show Must Go On." The first Moulin Rouge soundtrack collection flaunted the film's bold, cross-genre ambitions; this one chronicles its nakedly emotional heart and soul. --Jerry McCulley
Album Details
Volume Two Includes the Memorable Renditions of 'like a Virgin' and 'your Song' and 'the Pitch (Spectacular Spectacular).' It also features a Mix of the Nicole Kidman Song 'one Day I'll Fly Away.'
Customer Reviews:
Wow........2007-01-15
I must say...I was very glad when they released Part Two of the Moulin Rouge soundtrack. Don't get me wrong...the first part was great and all, but it was nothing spectacular. I was specifically looking for certain songs from the movie, and I was completely disappointed when they were on there. The release of a second soundtrack was, in my opinion, an absolute necessecity.
The highlights of the album are:
-Your Song (Instrumental)
-Sparkling Diamonds (original film version)
-Come What May (original film version)
-The Show Must Go On (original film version)
In my opinion, "The Show Must Go On" is the best song on this album...it was just so perfect for the ending of the movie, and I fell in love with the song. I was so disappointed that it wasn't on the first soundtrack. This song is part of what makes the second soundtrack so amazing...the song is fierce!!
If you love the movie and are a fan of the first soundtrack, then definitely, get this one. Many of the songs are versions taken straight from the movie - I recommend this with 4.5 stars...you will NOT be disappointed!
Love this CD.......2006-07-04
I love everything about this movie. The music is amazing and the instrumental songs on this CD are perfect. The first CD seemed to be more for a bunch of teenyboppers that wanted to hear the worst song on the whole CD (Lady Marmalade). If only they could combine the good songs from the first CD into this one.
I gave this 5 stars even though it's about a 4.5 because they split the soundtrack over two seperate cds.
Could it get any better?.......2006-03-02
So i thought that the first instalment in these soundtracks was great (and it was) but the purchase of this sequel is a must if you want the full effect. With the original film versions of these songs, sung by the stars of the movie, you get the real feel that was the magnifisence of Moulin Rouge! Ewan McGregor is still by far the star, with his talent spilling over the dramatic lovesong 'Come What May' and 'Your Song', but Nicole's brilliant performance as Satine definatly takes front and center in 'One Day I'll Fly Away' and the film version of 'Sparkling Diamonds'...I have noticed that many complain about how the first soundtrack did not include the film version of this song...well you need this CD then...you will not be dissapointed. Other highlights include 'Like a Virgin' which is downright histarical, and the dark cover of 'the show must go on' which highlights the tragidy behind this tightly woven tale. THis is one must have soundtrack for your ever growing collection. A perfect companion to soundtrack number 1!
Moulin rouge tried to fill up the GAP.......2006-02-12
This contains many great tracks missing from the original soundtrack, including Like A Virgin, Spectacular Spectacular and The Show Must Go On. I thought the inclusion of two instrumental versions of Your Song might be a bit redundant, but upon listening to them I really enjoyed them and they are quite different from one another. OK, it's not the best soundtrack that could have been put out. But it's pretty darn close. One thing that many DEDICATED fans of the movie (including myself) said is that the original movie soundtrack lacked the actual original movie score. There are 10+ songs in "Moulin Rouge" and many didn't make the final cut.
Baz did the smart thing, taking the audiences favorite music, a few gems from the first soundtrack such as "Come What May" and "Sparkling Diamonds" as well as a few new songs, like "Like a Virgin", "The Show Must Go On" and "The Pitch (Spectacular Spectacular)" and releasing the Original Film versions, allowing for the amazing vocal performances of the actors, including the fabulous Jim Broadbent, to be shine through. Also, released is background music "Meet Me in the Red Room", played during Christian's arrival in the elephant, marking the only non-actor/orchestral piece within the context of the CD.
One thing that this soundtrack included that I didn't expect was several orchestral pieces that were mostly used as background music throughout the film. "Your Song - Instrumental" (#1) has personally become a favorite and is constantly being repeated in the CD player. Also included is the ending credits music "Bolero" and the final piece ... known as "Ascension/Nature Boy". Also included is a remix of "One Day I'll Fly Away", and like all MR remixes, is a little tough to listen to at first but after repeat listening, it becomes music to your ears.
To all you MR diehards out there: this is a must. Not like I could stop you anyways. To others who haven't been introduced to the spectacular (spectacular) world of Moulin Rouge, this is a great introductory piece, especially side-by-side with the first soundtrack.
ahahahahaha.......2006-02-01
Everything the other customers are saying is true: more music from the film, thankyouverymuch, not irritating pop conceits like the first. However, I would not have reviewed this album unless I found it absolutely necesary to point out that, in the climactic moments of track 5 "Come What May," Ewan MacGregor's voice is for some reason missing and replaced by a bizarre, operatic man's voice. It truly had me crying with laughter the first few times I heard it, and I wanted to share this wondrous discovery with the world.
Average customer rating:
- Beautiful music
- Andrea Bocelli-Sacred Arias
- An "experience" of sacred arias more than "listening" of sacred arias
- amazing talent
- Perfect arias for the perfect voice
|
Andrea Bocelli - Sacred Arias / Myung-Whun Chung
George Frideric Handel , Giulio Caccini , Charles Gounod , Franz Schubert , Cesar Franck , Gioachino Rossini , Giuseppe Verdi , Wolfgang Amadeus Mozart , Richard Wagner , Pietro Mascagni , Louis Niedermeyer , Franz Xaver Gruber , John Francis Wade , Jean-Paul Lecot , Myung-Whun Chung , and Andrea Bocelli
Manufacturer: Philips
ProductGroup: Music
Binding: Audio CD
General
| Franck, César
| ( F )
| Featured Composers, A-Z
| Classical
| Styles
| Music
All Works by Gounod
| Gounod, Charles
| ( G )
| Featured Composers, A-Z
| Classical
| Styles
| Music
All Works by Handel
| Handel, George Frideric
| ( H )
| Featured Composers, A-Z
| Classical
| Styles
| Music
All Works by Mascagni
| Mascagni, Pietro
| ( M )
| Featured Composers, A-Z
| Classical
| Styles
| Music
All Works by Wolfgang Amadeus Mozart
| Mozart, Wolfgang Amadeus
| ( M )
| Featured Composers, A-Z
| Classical
| Styles
| Music
All Works by Schubert
| Schubert, Franz
| ( S )
| Featured Composers, A-Z
| Classical
| Styles
| Music
All Works by Verdi
| Verdi, Giuseppe
| ( V )
| Featured Composers, A-Z
| Classical
| Styles
| Music
All Works by Wagner
| Wagner, Richard
| ( W )
| Featured Composers, A-Z
| Classical
| Styles
| Music
All Works by Rossini
| Rossini, Gioacchino
| ( R )
| Featured Composers, A-Z
| Classical
| Styles
| Music
General
| Baroque (c.1600-1750)
| Historical Periods
| Classical
| Styles
| Music
General
| Classical (c.1770-1830)
| Historical Periods
| Classical
| Styles
| Music
Requiems
| Forms & Genres
| Early Music
| Historical Periods
| Classical
| Styles
| Music
Chamber Music
| Forms & Genres
| Romantic (c.1820-1910)
| Historical Periods
| Classical
| Styles
| Music
Vocal & Song
| Romantic (c.1820-1910)
| Historical Periods
| Classical
| Styles
| Music
Bocelli, Andrea
| ( B )
| Featured Performers, A-Z
| Classical
| Styles
| Music
General
| Classical
| Styles
| Music
Italy
| Continental Europe
| Europe
| International
| Styles
| Music
General
| Arias
| Opera & Vocal
| Styles
| Music
General
| Opera & Vocal
| Styles
| Music
Baroque (c.1600-1750)
| Historical Periods
| Opera & Vocal
| Styles
| Music
Romantic (c.1820-1910)
| Historical Periods
| Opera & Vocal
| Styles
| Music
Italian
| Languages
| Opera & Vocal
| Styles
| Music
Oratorios
| Opera & Vocal
| Styles
| Music
Masses
| Vocal Non-Opera
| Opera & Vocal
| Styles
| Music
Motets
| Vocal Non-Opera
| Opera & Vocal
| Styles
| Music
Noels
| Vocal Non-Opera
| Opera & Vocal
| Styles
| Music
Oratorios
| Vocal Non-Opera
| Opera & Vocal
| Styles
| Music
Requiems
| Vocal Non-Opera
| Opera & Vocal
| Styles
| Music
Bocelli, Andrea
| A to B
| Featured Performers, A-Z
| Opera & Vocal
| Styles
| Music
General
| Pop
| Styles
| Music
General
| Adult Contemporary
| Pop
| Styles
| Music
General
| Easy Listening
| Pop
| Styles
| Music
General Christmas
| Holiday
| Miscellaneous
| Styles
| Music
General Christmas
| Holiday Music
| Special Features
| Music
Similar Items:
- Romanza
- Andrea Bocelli - Amore
- Sogno
- Cieli di Toscana
- Andrea Bocelli - The Opera Album ~ Aria
ASIN: B00002ND9N
Release Date: 1999-11-09 |
Tracks:
- Caccini/Mercurio: Ave Maria
- Mascagni: Sancta Maria
- Gounod: Ave Maria
- Schubert: Ave Maria
- Franck: Panis Angelicus
- Rossini: Cuius animam
- Verdi: Ingemisco
- Mozart: Ave verum
- Wagner: Der Engel
- Handel: Ombra mai fu
- Niedermeyer: Pieta signore
- Rossini: Dominus Deus
- Schubert/Mercurio: Mille Cherubini in coro
- Gruber/Mercurio: Silent Night
- Wade: Adeste Fideles
- Gloria a te, Cristo Ges
Amazon.com
When he was growing up, Andrea Bocelli recalls finding inspiration in a favorite recording of sacred music performed by tenor legend Franco Corelli. Bocelli--who in the meantime has come to inspire millions of fiercely loyal fans himself--returns to the genre as the guiding theme of Sacred Arias, the release of which coincides with the first English-language biography of the singer. These performances are filled with the singer's phenomenally well-known vocal signature: his flair for long, sweetly floating high notes and the gentle sense of cadence he brings to a melody. It's a mistake to compartmentalize Bocelli into a singer of "operatic" versus "popular" styles: in truth his approach is at heart the same. Lack of color and control in his phrasing remains a drawback, but the emotional empathy Bocelli evokes is never in doubt. The arias collected here sample some of the most famous devotional pieces: Schubert's "Ave Maria" and Mozart's transporting "Ave Verum," as well as an arrangement of "Silent Night" in which Bocelli tries out his English. There's also a decidedly odd choice of bedfellows for a program of "sacred" music, such as a song from Wagner's Wesendonck Lieder (whose "angel" is the object of an overpoweringly erotic attraction) and Handel's figurative ode to a tree, "Ombra mai fu." Still, Bocelli sings with an unfeigned directness that is sure to expand his already enormous following even further. --Thomas May
Customer Reviews:
Beautiful music.......2007-01-12
This is my second copy of this CD, I burned the first one out!!
Andrea Bocelli has a very gorgeous voice that is a gift from above. His voice is not affected or braggadoccio but naturally magnificent. I could and do start my day listening to this spiritually uplifting CD almost everyday. It is a wonderful way to get off to a pleasant peaceful start, but also a nice way to come home in the evening if you have a CD player in your car. I highly recommend it to all.
Andrea Bocelli-Sacred Arias.......2006-08-25
Excellent listening. Voice quality and tone is superb. Brings tears to my eyes when I envision listening to this in a church setting.
An "experience" of sacred arias more than "listening" of sacred arias.......2006-04-28
I bought this CD's special edition with DVD, and I am impressed by bocelli's singing in this album. I have heard many voices singing sacred songs, and christmas songs, but very few singers can achieve the "sacred atmosphere" that bocelli devotes when he sings. He may not have a "strong" voice as opera singers, but I think singing these sacred songs, devoting the "sacred atmosphere" to the audience is much more important, the voice actually is just a tool that helps a singer to achieve the result. For real, I have heard some CD by some chorus that perform sacred arias, but they did not move me as much as this CD does, mostly not even close. Personally I like "O come all ye faithful", "silent night", all "ave maria"'s, "domine deus", "cujus animam" the most. When I listen Bocelli's singing I focus on what he tries to devote in singing more than his voice color, because in terms of voice color he surely cant be compared with pavarotti or domingo, so why compares? The way of listening him and listening real opera singers is different man. But the reason I gave only this CD four stars is that I have heard several sacred arias from this album performed by his voice teacher, the legendary tenor Franco Corelli. I tried not to compare both...but I cant, not because Bocelli sings bad, he is already excellent, just Corelli is TOO excellent that cant be described by human language (well I think even Pavarotti is not even close to Franco Corelli, but this is just my opinion). Anyway if you want to "experience" the true beauty of sacred arias, this CD is highly recommended. And this is also a very good sacred aria album for beginning listeners who want to broaden their musical taste to sacred arias.
amazing talent.......2006-03-25
worth the price the songs are breathtaking and talent is indescribable
Perfect arias for the perfect voice.......2006-03-04
These are just terrific. How does Andrea acheive the range he does, and the power he has, without sounding too heavy or too light? His voice sounds like the perfect voice for these perfect arias.
I have noticed one concern with the CD. I have heard several clicks scattered here and there in the songs -- but the CD is clean and I feel confident it is not the machine. Has anyone else noticed this?
Average customer rating:
- Luciano Pavrotti: The Best (Farewell Tour)
- Luciano Pavorotti
- Luciano is the best!
|
Luciano Pavrotti: The Best (Farewell Tour)
Manufacturer: Decca
ProductGroup: Music
Binding: Audio CD
All Works by Donizetti
| Donizetti, Gaetano
| ( D )
| Featured Composers, A-Z
| Classical
| Styles
| Music
All Works by Flotow
| Flotow, Friedrich von
| ( F )
| Featured Composers, A-Z
| Classical
| Styles
| Music
All Works by Meyerbeer
| Meyerbeer, Giacomo
| ( M )
| Featured Composers, A-Z
| Classical
| Styles
| Music
All Works by Puccini
| Puccini, Giacomo
| ( P )
| Featured Composers, A-Z
| Classical
| Styles
| Music
All Works by Verdi
| Verdi, Giuseppe
| ( V )
| Featured Composers, A-Z
| Classical
| Styles
| Music
All Works by Rossini
| Rossini, Gioacchino
| ( R )
| Featured Composers, A-Z
| Classical
| Styles
| Music
General Modern
| Modern, 20th, & 21st Century
| Historical Periods
| Classical
| Styles
| Music
Vocal & Song
| Romantic (c.1820-1910)
| Historical Periods
| Classical
| Styles
| Music
Berlin Philharmonic Orchestra
| ( B )
| Featured Performers, A-Z
| Classical
| Styles
| Music
All Works Featuring Luciano Pavarotti
| Pavarotti, Luciano
| ( P )
| Featured Performers, A-Z
| Classical
| Styles
| Music
London Philharmonic Orchestra
| ( L )
| Featured Performers, A-Z
| Classical
| Styles
| Music
National Philharmonic Orchestra London
| ( N )
| Featured Performers, A-Z
| Classical
| Styles
| Music
General
| Classical
| Styles
| Music
Romances
| Classical (c.1770-1830)
| Historical Periods
| Opera & Vocal
| Styles
| Music
Romantic (c.1820-1910)
| Historical Periods
| Opera & Vocal
| Styles
| Music
General
| Opera & Vocal
| Styles
| Music
French
| Languages
| Opera & Vocal
| Styles
| Music
German
| Languages
| Opera & Vocal
| Styles
| Music
Italian
| Languages
| Opera & Vocal
| Styles
| Music
Bixio, Cesare Andrea
| A to B
| Featured Composers, A-Z
| Opera & Vocal
| Styles
| Music
Cardillo, Salvatore
| C to G
| Featured Composers, A-Z
| Opera & Vocal
| Styles
| Music
Capua, Eduardo di
| C to G
| Featured Composers, A-Z
| Opera & Vocal
| Styles
| Music
Curtis, Ernesto de
| C to G
| Featured Composers, A-Z
| Opera & Vocal
| Styles
| Music
The Decca Records Store
| Specialty Stores
| Music
Similar Items:
- The Best of the Three Tenors
- Romantica: The Very Best Of Luciano Pavarotti
- Pavarotti: Greatest Hits
- Amore: Romantic Italian Love Songs
- The Best of Luciano Pavarotti: 20th Century Masters/The Millennium Collection
ASIN: B0007V5WB4
Release Date: 2005-09-13 |
Tracks:
- La donna obile
- Una furtiva lagrima
- "Libiamo ne'lieti calici (Brindisi)
- Donna non vidi mai
- Che gelida manina
- O soave fanciulla
- Mi batte il cor...O Paradiso!
- M'appari
- Quando le sere al placido chiaror d'un ciel stellato
- Se quel guerrier io fossi!..Celeste Aida
- Forse la soglia attinse
- Recitar! - "Vesti la giubba"
- Come un bel di maggio
- Ah mes amis - Pour mon
- Di quella pira
- Nessun dorma!
Tracks:
- Torna a Surriento
- Santa Lucia luntana
- La Danza
- L'ultima canzone
- Non t'amo pi
- Mattinata
- 'O sole mio
- 'A vucchella
- Core 'ngrato
- Nel blu, dipinto di blu
- Vivere
- Il Canto
- Caruso
- Buongiorno a te
- Ti adoro
- E lucevan le stelle
- Questa o quella (Ballata)
- Parmi veder le lagrime
Customer Reviews:
Luciano Pavrotti: The Best (Farewell Tour).......2007-06-27
Wonderful Pavarotti sings the best of the best. His voice never ceases to amaze me. Listening pleasure at it's finest.
Luciano Pavorotti.......2007-02-17
All the songs are wonderful, can never become tired of listening to his songs. Excellent.
Luciano is the best!.......2007-01-20
I can't speak more highly of this collection of Pavrotti's songs. I keep this two CD pack in my car so I can enjoy it on my way to and from work. Even after I have arrived, I find myself sitting in my car waiting for a song to end. Walking out on a song seems sacriligious. While I grew up listening to Caruso and Lanza, there is no question that Pavrotti is the Master! Although, I do have to admit Pavrotti has the greater advantage of modern recording technology to better present his talent than Caruso and Lanza had. However, Lanza definitely didn't have the power that Pavrotti has. With Caruso, we will never know... I highly recommend this collection of Pavrotti's, if you are a Pavrotti fan. If you aren't, buy it anyway and become one:)
Average customer rating:
- Bright Star
- Anna Netrebko: Opera Arias
- First DGG album--very promising
- Remarkable!
- Beautiful voice, beautiful girl
|
Anna Netrebko: Opera Arias
Anna Netrebko , Elina Garanca , Gianandrea Noseda , Wiener Philharmoniker , and Hector Berlioz
Manufacturer: Deutsche Grammophon
ProductGroup: Music
Binding: Audio CD
Bellini, Vincenzo
| ( B )
| Featured Composers, A-Z
| Classical
| Styles
| Music
All Works by Berlioz
| Berlioz, Hector
| ( B )
| Featured Composers, A-Z
| Classical
| Styles
| Music
All Works by Donizetti
| Donizetti, Gaetano
| ( D )
| Featured Composers, A-Z
| Classical
| Styles
| Music
General
| Dvorák, Antonín
| ( D )
| Featured Composers, A-Z
| Classical
| Styles
| Music
All Works by Gounod
| Gounod, Charles
| ( G )
| Featured Composers, A-Z
| Classical
| Styles
| Music
All Works by Massenet
| Massenet, Jules
| ( M )
| Featured Composers, A-Z
| Classical
| Styles
| Music
All Works by Wolfgang Amadeus Mozart
| Mozart, Wolfgang Amadeus
| ( M )
| Featured Composers, A-Z
| Classical
| Styles
| Music
All Works by Puccini
| Puccini, Giacomo
| ( P )
| Featured Composers, A-Z
| Classical
| Styles
| Music
General
| Classical (c.1770-1830)
| Historical Periods
| Classical
| Styles
| Music
General
| Classical
| Styles
| Music
Vienna Philharmonic Orchestra
| ( V )
| Featured Performers, A-Z
| Classical
| Styles
| Music
Romances
| Classical (c.1770-1830)
| Historical Periods
| Opera & Vocal
| Styles
| Music
Romantic (c.1820-1910)
| Historical Periods
| Opera & Vocal
| Styles
| Music
General
| Arias
| Opera & Vocal
| Styles
| Music
General
| Opera & Vocal
| Styles
| Music
Czech
| Languages
| Opera & Vocal
| Styles
| Music
French
| Languages
| Opera & Vocal
| Styles
| Music
German
| Languages
| Opera & Vocal
| Styles
| Music
Italian
| Languages
| Opera & Vocal
| Styles
| Music
Deutsche Grammophon: Music
| Specialty Stores
| Music
Similar Items:
- Sempre Libera
- Russian Album
- Violetta: Arias and Duets from Verdi's La Traviata [Includes DVD]
- Anna Netrebko - The Woman, The Voice
- Verdi - La Traviata
ASIN: B00008MLSH
Release Date: 2003-09-09 |
Tracks:
- Idomeneo: Recitativo ed Aria "Quando avran fine omai" - Mozart
- Don Giovanni: Recitativo accompagnato e Rondo "Crudele!" - Mozart
- Benvenuto Cellini: Cavatine "Entre l'amour et le devoir" - Berlioz
- La Sonnambula: Recitativo e Cavatina "Care compagne, et voi, ternei amici" - Bellini
- Manon: Air du Cours-la-Reine "Suis-je gentille ainsi?" - Massenet
- Lucia di Lammermoor: Scena e Cavatina "Ancor non giunse!" - Donizet
- Faust: Ricitatif "Les grands seigneurs ont seuls des airs..." - Gounod
- Rusalka: "Mesicku na nebli hlubokem" - Dvorak
- La Boheme: "Quando me'n vo' (Musette's Waltz)" - Puccini
Amazon.com
Here, a year after her sensational Metropolitan debut as Prokofiev's Natasha from War and Peace, comes the debut solo recital album of 30-something soprano Anna Netrebko. She hails from southern Russia, and her emergence from the life of a conservatory student has a touch of the Cinderella talethe bit, that is, about being discovered by Gergiev mopping floors for the Kirov as a part-time job and making her way into the Kirov's ranks. Later she became a favorite at San Francisco Opera, trying on for size a swath of comic and dramatic roles. Opera Arias parades Netrebko's way through a spectrum of vocal styles and characters. This mesmerizing lyric soprano engages--at times thrillingly grips--the listener with an imagination far greater than the disc's title (couldn't someone have dreamt up a less ridiculously bland handle?), but most significantly leaves an impression that the enterprise here isn't merely about singing. Netrebko's Ilia and Donna Anna are flesh-and-blood characters in real situations, as Mozart wanted them to be. The results are a bit more uneven with her bel canto heroines, where the required balance between Netrebko's emotional identification, so obviously a forte, and the musical phrasing thereof is a delicate one. Her shading of Lucia's mood swings, vocal and emotional, isn't consistently compelling. On the other hand, Netrebko uncovers gemlike facets not just in Gounod's "Jewel Song" but particularly in her stunning, passionately realized and beautifully phrased Manon (even if her trills disappoint). A shame that samples of her Russian repertory are missing here, though Netrebko's "Song to the Moon" from Dvorak's Rusalka concentrates and sets a mood with enviable mastery. Netrebko's musical intelligence and theatrical savvy seem destined to ensure her a magnificent career, so it's no surprise that many fans are already clamoring for more than the tease of an aria collection. --Thomas May
Customer Reviews:
Bright Star.......2007-07-13
If you like opera, if you like the lyric soprano, if the vocal range of the colortura causes goose bumps to rise, Anna Netrebko is a must. Roberta Peters, Beverly Sills, Anna Moffo, Joan Southerland, Maria Callas, she takes a back seat to none of them,she sits he front seat with the best of them and guess what? She is beautiful too.
Anna Netrebko: Opera Arias.......2007-03-29
Her voice takes my breath away, I fell in love with her.
I highly reccomend it.
First DGG album--very promising.......2007-02-01
Anna Netrebko has rapidly become a first tier star in opera. This album, her first at DGG, illustrates why some rate her so highly; it also illustrates some of the questions that some have raised about her. All in all, though, a very nice CD.
A few selections illustrate:
Mozart, Idomeneo, "Quando avran fine omai." She displays a rich and clean voice. There is a very attractive quality to her voice manifest in this work.
Mozart, Don Giovanni, "Crudele? Ah no, mio bene!...Non mi dir." This is Donna Anna's poignant aria, given her circumstances. Netrebko displays rich tones. This is a well sung cut. "Non mi dir" shows off some agility in her voice.
Donizetti, Lucia di Lammermoor. "Ancor non giunse!. . .Regnava nel silenzio. . .Quando rapito in estasi" Something of a disappointment. Coloratura is not her forte (and see her "Sempre Libera" CD for further confirmation). She clearly shows off a rich and lush voice. I think that she displays some characterization here that is compelling. She hits high notes cleanly. But her ornamentation is indifferent, and she appears unable to trill. I know, some say that that is irrelevant. But compare Beverly Sills' version of this work, with almost too many trills extraordinarily well sung and her florid technique, and this version simply pales.
Bellini, La Sonnambula. "Care compagna. . .Come per me sereno." Again, Netrebko displays a rich voice. She displays an agile voice and the ability to hit the high notes. Her rendition of "come per sereno" is spirited.
Gounod, Faust. "The Jewel Song." Very smooth singing; animated singing. But the technique does not measure up to Anna Moffo's version--let alone Joan Sutherland's.
Puccini, La Boheme. "Musetta's Waltz." Yikes! What a version. Brava Netrebko. Her darker voice is very well suited to this. The characterization of Musetta seems on the mark. A wonderful cut.
All in all, this shows the promise of Netrebko. It also indicates where her strengths are and where she does not do so well (coloratura work). However, this is a very nice introduction to her work and her art.
Remarkable!.......2006-11-02
Perhaps her voice is not as candid as some other sopranos, but her rendition of the score and interpretative expression make her and exquisite hearing pleasure. This recording shows a more matured artist capable of capturing the role dynamics and emotions.
Yes, her voice is not as lyric as you might expect, and some roles may sound a little big heavy (sometimes maybe bordering verismo), but definitively at stated before hearing her is a gloriuos pleasure, almost as good as looking at her.
Beautiful voice, beautiful girl.......2005-11-22
When I heard Anna Netrebko singing Quando Men Vo I was stunned by a voice of stunning purity, great power and sheer beauty. The best Musetta I've heard! Her Song to the moon is stunning and I love her Bel Canto! Anna Netrebko has a very bright future ahead of her. Her Mozart is top class!
Average customer rating:
- Wonderful, but not my first choice
- THE BEST recording of the BEST oratorio ever...
- Too bad there are so few recordings of Elijah
|
Mendelssohn: Elijah
Manufacturer: EMI Classics
ProductGroup: Music
Binding: Audio CD
General
| Symphonies
| Classical
| Styles
| Music
General
| Classical
| Styles
| Music
All Works by Mendelssohn
| Mendelssohn, Felix
| ( M )
| Featured Composers, A-Z
| Classical
| Styles
| Music
General
| Opera & Vocal
| Styles
| Music
Oratorios
| Opera & Vocal
| Styles
| Music
Oratorios
| Vocal Non-Opera
| Opera & Vocal
| Styles
| Music
Similar Items:
- Franz Joseph Haydn: The Creation
- Mendelssohn - Elijah / Terfel, Fleming, Bardon, Ainsley, Fulgoni, Paul Daniel
- Mahler: Das Lied von der Erde
- Brahms - Ein Deutsches Requiem (A German Requiem) / Auger, Stilwell, Atlanta SO, Robert Shaw
- Brahms: Ein deutsches Requiem [A German Requiem]
ASIN: B0002XV31A
Release Date: 2005-02-15 |
Tracks:
- Introduction: As God The Lord Of Israel Liveth
- Overture
- No.1 Help, Lord! Wilt Thou Quite Destroy Us?
- No.2: Lord! Bow Thine Ear To Our Prayer!
- No.3: Ye People, Rend Your Hearts
- No.4: If With All Your Hearts
- No.5: Yet Doth The Lord See It Not
- No.6: Elijah! Get Thee Hence
- No.7: For He Shall Give His Angels Charge Over Thee
- Recitative: Now Cherith's Brook Is Dried Up
- No.8: What Have I Do To Do With Thee?
- No.9: Blessed Are The Men Who Fear Him
- No.10: As God The Lord Of Sabaoth Liveth
- No.11: Baal, We Cry To Thee: Hear And Answer Us!
- No.12: Call Him Louder, For He Is A God!
- No.13: Call Him Louder! He Heareth Not!
- No.14: Lord God Of Abraham, Isaac And Israel!
- No.15: Cast Thy Burden Upon The Lord
- No.16: O Thou, Who Makest Thine Angels Spirits
- No.17: Is Not His Word Like A Fire?
- No.18: Woe Unto Them Who Forsake Him!
- No.19: O Man Of God, Help Thy People!
- No.20: Thanks Be To God!
Tracks:
- No.21: Hear Ye, Israel; Hear What The Lord Speaketh
- No.22: Be Not Afraid, Saith God The Lord
- No.23: The Lord Hath Exalted Thee
- No.24: Woe To Him, He Shall Perish
- No.25: Man Of God, Now Let My Words Be Precious
- No.26: It Is Enough; O Lord Now Take My Life
- No.27: See, Now He Sleepeth
- No.28: Lift Thine Eyes To The Mountains
- No.29: He, Watching Over Israel, Slumbers Not
- No.30: Arise, Elijah, For Thou Hast A Long Journey
- No.31: O Rest In The Lord
- No.32: He That Shall Endure To The End, Shall Be Saved
- No.33: Night Falleth Round Me, O Lord!
- No.34: Behold! God The Lord Passed By!
- No.35: Above Him Stood The Seraphim
- No.36: Go, Return Upon Thy Way
- No.37: For The Mountains Shall Depart
- No.38: Then Did Elijah The Prophet Break Forth
- No.39: Then Shall The Righteous Shine Forth
- No.40: Behold, God Hath Sent Elijah
- No.41: But The Lord, From The North Hath Raised One
- No.41a: O Come Everyone That Thirsteth
- No.42: And Then Shall Your Light Break Forth
Customer Reviews:
Wonderful, but not my first choice.......2007-04-07
I believe this was the first recording of Elijah in English that used an "international" conductor and some international singers. Fruhbeck gives a good, dramatic sweep to the piece, with some wonderful dramatic moments. This is an old fashioned performance, with only a solo quartet, and if there is a semi-chorus, I can't tell the difference. This means that the soprano is the Widow, and an Angel, the mezzo the Angel and Queen Jezabel, etc. You really should have a libretto, but you don't get one at this price.
Fischer-Dieskau roughens up his voice for the role, and therein lies a problem. The voice spreads and his diction suffers because of it; that and his unidiomatic pronounciation, with far too many rolled "r"s. He does the drama well, but what works well in lieder works here less well on the large scale. Odd, given his success as on opera singer (check out his Iago), that here he frequently comes off blustery.
Dame Gwyneth Jones belies her reputation and gives a contolled, dramatic performance, using her "edge" to advantage in "Hear Ye, Israel". Gedda's diction is amazing, with exactly the right color for this literature, and projecting a little more blood than an English tenor.
Dame Janet Baker is my star in this performance. Dramatic, heart-rending when need be, and in wonderful voice. She'll chill your blood when she tells the people of Baal to "slaughter him, do what he hath done!".
And as for the people of Baal, the Philharmonia Chorus is wonderful. Incisive and dramatic, with beautiful tone. I could do without the trick of the boy choir for "Lift Thine Eyes", and I miss the small ensembles, but all in all a fine performance, and good recording, circa 1968.
First choice in English, Daniels/Terfel: better Elijah in Terfel, better recording, more authentic orchestra, small vocal ensembles (as per the score) but inferior women (including Fleming: beautiful tone, but where's her head?). In German, it's Sawallisch/Adam all the way.
But if you're singing Elijah, and have a score, this is a good choice.
THE BEST recording of the BEST oratorio ever..........2006-08-15
Okay, I'm gonna admit I'm biased- I first sung in the chorus of Elijah when I was 14 and it made a BIG impression on me!
This recording is in every way wonderful. Starting with Dietrich Fischer-Dieskau. He IS Elijah to me. His singing is perfection. He has amazing phrasing and his diction makes it possible to understand the lovely, inspired libretto to this heavenly music. There are so many pieces that are ephemeral, but a couple of my favorites are: #14, Lord God of Abraham and #37, For the Mountains shall Depart. Dieskau does a great job of what I think of as compassionate, heartfelt singing. His interpretation sounds like the voice of God himself. It has a quality of kindness and yet he sounds just as convincing reprimanding the people of Baal. He is the true highlight of this recording.
That said, the rest of the cast is wonderful as well. Gwyneth Jones has a lovely, silvery voice that has a clarion bell-like tone that rings over the large orchestra with ease. She has occasional "misfire" but is a consistent performer. Dame Janet Baker and Nicolai Gedda both perform at a consistently lovely level. The orchestra and chorus are both wonderful. #15, Cast thy Burden upon the Lord, #32 He that Shall Endure to the End, and #38 Then Did Elijah are all highlights.
All said, for me the main reason to get this recording is Dieskau's Elijah- after all, he's the main character. But don't forget the lovely music. This story is exciting and passionate and sacred all at the same time. For me, it's the best oratorio that has a moving story and great music too.
Too bad there are so few recordings of Elijah.......2006-07-03
This is a good recording of an oratorio that deserves more attention. The chorus and soloists are very good--I just wish Fischer-Diskau wouldn't slide around so much in singing the title part!
Average customer rating:
- Middle of the road wedding music
- just what I was looking for
- Most Chosen Selections
- Another Great Reference CD
- A Nice CD
|
Bride's Guide to Wedding Music
Manufacturer: Angel Records
ProductGroup: Music
Binding: Audio CD
Quartets
| Chamber Music
| Classical
| Styles
| Music
General
| Chamber Music
| Classical
| Styles
| Music
All Works by J.S. Bach
| Bach, Johann Sebastian
| ( B )
| Featured Composers, A-Z
| Classical
| Styles
| Music
All Works by Charpentier
| Charpentier, Marc-Antoine
| ( C )
| Featured Composers, A-Z
| Classical
| Styles
| Music
All Works by Handel
| Handel, George Frideric
| ( H )
| Featured Composers, A-Z
| Classical
| Styles
| Music
All Works by Wolfgang Amadeus Mozart
| Mozart, Wolfgang Amadeus
| ( M )
| Featured Composers, A-Z
| Classical
| Styles
| Music
All Works by Mendelssohn
| Mendelssohn, Felix
| ( M )
| Featured Composers, A-Z
| Classical
| Styles
| Music
All Works by Pachelbel
| Pachelbel, Johann
| ( P )
| Featured Composers, A-Z
| Classical
| Styles
| Music
All Works by Schubert
| Schubert, Franz
| ( S )
| Featured Composers, A-Z
| Classical
| Styles
| Music
All Works by Stanley
| Stanley, John
| ( S )
| Featured Composers, A-Z
| Classical
| Styles
| Music
Vaughan Williams, Ralph
| ( V )
| Featured Composers, A-Z
| Classical
| Styles
| Music
All Works by Vivaldi
| Vivaldi, Antonio
| ( V )
| Featured Composers, A-Z
| Classical
| Styles
| Music
All Works by Wagner
| Wagner, Richard
| ( W )
| Featured Composers, A-Z
| Classical
| Styles
| Music
Concerto Grossi
| Concertos
| Forms & Genres
| Classical
| Styles
| Music
General
| Concertos
| Forms & Genres
| Classical
| Styles
| Music
General
| Sonatas
| Forms & Genres
| Classical
| Styles
| Music
Suites
| Forms & Genres
| Classical
| Styles
| Music
Incidental Music
| Theatrical, Incidental & Program Music
| Forms & Genres
| Classical
| Styles
| Music
General
| Baroque (c.1600-1750)
| Historical Periods
| Classical
| Styles
| Music
General
| Classical (c.1770-1830)
| Historical Periods
| Classical
| Styles
| Music
General
| Vaughan Williams, Ralph
| Composers
| Modern, 20th, & 21st Century
| Historical Periods
| Classical
| Styles
| Music
General Modern
| Modern, 20th, & 21st Century
| Historical Periods
| Classical
| Styles
| Music
Chamber Music
| Forms & Genres
| Romantic (c.1820-1910)
| Historical Periods
| Classical
| Styles
| Music
Theatrical, Incidental & Program Music
| Forms & Genres
| Romantic (c.1820-1910)
| Historical Periods
| Classical
| Styles
| Music
Vocal & Song
| Romantic (c.1820-1910)
| Historical Periods
| Classical
| Styles
| Music
Trumpet
| Brass
| Instruments
| Classical
| Styles
| Music
Violin
| Strings
| Instruments
| Classical
| Styles
| Music
General
| Classical
| Styles
| Music
Compilations
| Classical
| Styles
| Music
Cantatas
| Classical (c.1770-1830)
| Historical Periods
| Opera & Vocal
| Styles
| Music
Romantic (c.1820-1910)
| Historical Periods
| Opera & Vocal
| Styles
| Music
General
| Opera & Vocal
| Styles
| Music
German
| Languages
| Opera & Vocal
| Styles
| Music
Oratorios
| Opera & Vocal
| Styles
| Music
Cantatas
| Vocal Non-Opera
| Opera & Vocal
| Styles
| Music
Oratorios
| Vocal Non-Opera
| Opera & Vocal
| Styles
| Music
Wedding Music
| Miscellaneous
| Styles
| Music
General
| Miscellaneous
| Styles
| Music
1990-1999
| Decades
| Compilations
| Miscellaneous
| Styles
| Music
1990s
| By Decade
| Pop
| Styles
| Music
Similar Items:
- Bride's Guide to Wedding Music, Vol. II
- 25 Wedding Favorites
- Classical Wedding
- Modern Bride Presents the Wedding Album
- The Complete Wedding Album
ASIN: B000002SOG
Release Date: 1993-09-14 |
Tracks:
- Three Lute Dances: Prelude: Courante
- Sonata In E-Flat: Prelude: Adagio
- Brandenburg Concerto No. 4 In G: Prelude: Allegro
- Water Music: Prelude: Suite No. 1- Air
- Processional: Trumpet Voluntary (The Prince Of Denmark's March)
- Te Deum: Processional: Prelude
- Processional: Canon In D
- Processional: Trumpet Tune
- Lohengrin: Processional: 'Wedding March'
- Cantata 147: Ceremony: 'Jesu, Joy Of Man's Desiring'
- The Four Seasons: Ceremony: 'Spring' - Allegro
- Ceremony: 'Ave Maria'
- Five Mystical Songs: Ceremony: 'The Call'
- Ceremony: 'Sheep May Safely Graze'
- A Midsummer Night's Dream: Recessional: 'Wedding March'
- Solomon: Recessional: 'Arrival Of The Queen Of Sheeba'
- Brandenburg Concerto No. 1 In F: Recessional: First Movement
- Organ Symphony No. 5: Recessional: Toccata
Customer Reviews:
Middle of the road wedding music.......2007-01-20
I bought this cd because I had everything in my wedding planned to the last tiny detail except the ceremony music. All the songs on the cd are nice traditional wedding songs. I did not use any of the music from the cd, but I am glad I bought it because it helped me realize that traditional wedding music was not what I wanted. All and all a nice classical music cd but not for brides who really want a personal ceremony. BTW I went with Enya and Lorena McKennitt.
just what I was looking for.......2007-01-10
We wanted traditional wedding music and found it in this CD. I'm no music expert, but the arrangements and performances seemed fine. I would definitely recommend this CD for any bride looking for a concise collection of traditional wedding pieces.
Most Chosen Selections.......2006-03-13
As a wedding officiant, my wife and I are often asked to assist the couple with other services for their ceremony, such as music. For this, we have a very large selection in our music library to choose from. We have put together a catalog of cd's that we loan out to the couple for their review, and most often, their selections come from BRIDE'S GUIDE TO WEDDING MUSIC.
If you're planning a traditional or formal wedding on a budget, this cd has it all. There are even two selections of Wagner's "Wedding March" to choose from. Only two of the selections have vocals, the rest are all extraordinary instrumental selections.
Often, even around the house or in my car, I find myself listening to this cd. The music is soothing, refreshing, uplifting and most enjoyable. I recommend this cd over all other wedding music cd's.
Another Great Reference CD.......2006-01-09
This is a great compilation, CD, along with Bride's Guide to Wedding Music Volume 2, to use as a reference for some of the more popular wedding songs; just about everything on here is standard fare for weddings. All of the musicians are generally superb, and the sound quality is very good. However, this is most useful if you are playing the CD at your wedding, or using it as a reference CD to talk over potential music selections with an organist, a string quartet, etc. Like my review for Volume 2, I only gave it four stars based on practicality, not on quality. If it were just quality, I would give it five stars. I purchased this CD since I am in the process of making my own wedding CD (I am a professional, freelance violinist), and this was nice to listen to, even just as background music for dinner. BTW: beware of reviewers who don't use their names, especially "A music fan." This is most likely the producer of the "Wedding Traditions" CD and he slanders other CDs so his will look better. You'd think that in the wedding music business people would have better ethics, but unfortunately, that's not always the case. The best advice I can give, as a classical musician myself, if to take time to listen to the sound clips, and if possible, try to find them on iTunes where they might sound higher quality. This is the only real way of knowing whether the CD is right for you.
A Nice CD.......2005-12-30
This is a very nice CD.
Our daughter used some of the songs on this CD
and some of the songs that are on the
"Classical Wedding Traditions" CD for the wedding.
She also used many of the songs on the
"New Wedding Traditions Volume I" CD
Amazon is a great place to find good wedding music
Average customer rating:
- Ring introduction critique
- FASCINATING STUDY FOR NOVICES AND AFFICIONADOS ALIKE
- Welcome back to a classic analysis
- Essential for Understanding Wagner's Ring Cycle
- Very Functional
|
An Introduction to Der Ring des Nibelungen
Deryck Cooke , Georg Solti , Wiener Philharmoniker , Anita Valkki , Berit Lindholm , Birgit Nilsson , Brigitte Fassbaender , Christa Ludwig , Claire Watson , Claudia Hellmann , Dame Gwyneth Jones , Dietrich Fischer-Dieskau , Eberhard Wächter , George London , Gerhard Stolze , Gottlob Frick , Grace Hoffmann , Gustav Neidlinger , Hans Hotter , Helen Watts , Helga Dernesch , Hetty Plumacher , Ira Malaniuk , James King , Jean Madeira , Joan Sutherland , Kirsten Flagstad , Kurt Böhme , Lucia Popp , Marga Höffgen , Marilyn Tyler , Maureen Guy , Oda Balsborg , Paul Kuen , Régine Crespin , Set Svanholm , Vera Little , Vera Schlosser , Waldemar Kmentt , Walter Kreppel , and Vienna Philharmonic Orchestra
Manufacturer: Decca
ProductGroup: Music
Binding: Audio CD
Chamber Music
| Forms & Genres
| Classical (c.1770-1830)
| Historical Periods
| Classical
| Styles
| Music
General Modern
| Modern, 20th, & 21st Century
| Historical Periods
| Classical
| Styles
| Music
General
| Classical
| Styles
| Music
General
| Chamber Music
| Classical
| Styles
| Music
Vienna Philharmonic Orchestra
| ( V )
| Featured Performers, A-Z
| Classical
| Styles
| Music
General
| Opera & Vocal
| Styles
| Music
Baritones
| Voices
| Opera & Vocal
| Styles
| Music
The Decca Records Store
| Specialty Stores
| Music
Similar Items:
- Wagner's Ring: Turning the Sky Round
- Wagner - Der Ring des Nibelungen (Ring Cycle) / Sir Georg Solti
- Decoding Wagner: An Invitation to His World of Music Drama (includes 2 CDs)
- Wagner - Der Ring des Nibelungen / Levine, Metropolitan Opera (Complete Ring Cycle)
- Ring of the Nibelung
ASIN: B00000424H
Release Date: 2005-09-13 |
Tracks:
- Of All Great Musical Compositions... (Examples 1-4)
- The Fundamental Symbol... (Examples 5-11)
- Returning Now To The Nature Motive... (Examples 6, 12-16)
- A Number Of Further Motives... (Examples 5, 17-21)
- A Second, Much Smaller Family... (Examples 22-25)
- So Much For Nature. (Examples 26-38)
- The Cause Of The Deterioration... (Examples 39-44)
- The Other Transformation... (Examples 45-48)
- Several Other Motives... (Examples 49-52)
- Two Further Motives... (Examples 41, 53-61)
- The Basic Motive Associated With The Spear... (Examples 62-68)
- Along Another, More Complex Line... (Examples 69-72)
- In Act Two Of Walkure... (Examples 69, 73-75)
- Returning Now To Act Two Of Walkure... (Examples 76-79)
- Love Is Another Of The Central Symbols... (Examples 80-83)
- Later In The Same Scene... (Examples 84-87)
- Freia's Motive Has Two Independent Segments... (Examples 88-91)
- The Label 'Flight'... (Example 92)
- When Fasolt, In Scene Two Of Rhinegold... (Examples 93-98)
- A Little Later In The Interlude... (Examples 99-103)
Tracks:
- The Other New Motive... (Examples 104-109)
- There Are Several Independent Love-Motives... (Examples 110-114)
- The Characters In Whose Lives... (Examples 115-120)
- One Further Motive Belongs... (Example 121)
- The Sword Motive Recurs... (Examples 122-130)
- Ironically, This Phrase... (Examples 131-135)
- Closely Associated With Gutrune's Motive... (Examples 136-140)
- Here We Come To The End... (Examples 141-146)
- Complemtary To This Symbol... (Examples 147-149)
- One Last Central Symbol... (Examples 150-157)
- One Further Motive Connected... (Examples 158-161)
- There Are One Or Two Motives... (Examples 162-168)
- These Motives Of Alberich And Mime... (Examples 169-171)
- Quite A Number Of The Subsidiary Motives... (Examples 172-176)
- Besides This Family Of Motives... (Examples 177-180)
- Our Final Example... (Examples 10, 181, 182)
- In The Final Scene Of Gotterdammerung... (Examples 181-183)
- Even More Masterly... (Examples 184-188)
- Now If We Return... (Examples 189-191)
- This Masterly Way... (Examples 192, 193)
Amazon.com
When Wagner set the Ring to music, he intended the orchestra to act in the fashion of a chorus from a classic Greek tragedy--setting the mood and commenting on the action. In order to allow a nonverbal musical line to reflect on the plot, Wagner developed a psychologically and musically complex symbology to communicate his thoughts to the listener. From the beginning the Ring has spawned numerous written commentaries on the relationships of the motif structure, but by using examples from the Decca Ring recording, Deryck Cooke's thoughtful spoken commentary is by far the most accessible guide for either the fledgling Ring enthusiast or the seasoned veteran. --Christian C. Rix
Customer Reviews:
Ring introduction critique.......2006-11-04
This is very worthwhile, at the same time it requires time, patience and attention, but it does provide some keys to better enjoyment of a sensational piece of music.
FASCINATING STUDY FOR NOVICES AND AFFICIONADOS ALIKE.......2006-08-16
This may look an intimidating, daunting and dull prospect - a 2+ hour lecture on the motifs in the Ring. Don't be put off. Whether you're a relative novice to the Ring and want to find out what it's all about, more experienced with a desire to understand the composer's methods better or an afficionado who thinks he knows it all inside out, there is great pleasure as well as elucidation to be had from this set. Originally made to accompany the Decca Solti Ring, it contains a multitude of musical illustrations taken from those recordings as well as some specially recorded by Solti just for this Introduction.
It wasn't the first time this has been tried. The famous HMV sets from the late 20's also included recorded examples of over 100 motifs. (These, by the way, are available as part of the Pearl reissue of those wonderful HMV recordings). What that set lacked was the wonderful insights as well as the approachability of the talk by Deryck Cooke. Cooke was a great and much missed musicologist - a Mahler expert responsible for the performing edition of the Tenth Symphony still most played today, a fascinating explorer into the nature of music's basic building-blocks in his excellent book, The Language of Music, and an inspiring and elucidating critic of Wagner's work as shown by the fascinating book he left unfinished at his death, I Saw the World End.
On these CDs he does much more than list the leitmotifs and identify them as calling-cards. He shows the amazingly integrated and organic growth of the musical material that Wagner uses throughout his vast work. He demonstrates how motifs can change their sense and meaning as they evolve through the drama. And he shows how the complex combinations of motifs can radically advance both the musical and the dramatic narrative of the piece. There are even places where he corrects the misinterpretation of some of the motifs that had become ingrained from early commentators' false labels.
This set should engage and enlighten anyone with an interest in Wagner's huge and inexhaustible tetralogy. Do give it a try - no matter how far down the road to Wagnerianism you are.
Welcome back to a classic analysis.......2006-05-28
Deryck Cooke's lecture series upon THE RING is almost as much a classic by now as the Solti RING cycle, with which it was originally issued on LP, and from which it derives its musical examples. The difference is that whereas the Solti RING has been continuously in print ever since it was completed, and was among the first opera sets to benefit from the CD revolution, the Cooke analysis was for long almost totally unobtainable. Now we have it back. It should be welcomed: it is a classic. Cooke's mellow, deep voice with the hint of a Celtic burr - which made him ideal on BBC radio - patiently explains Wagner's melodic, rhythmic, and harmonic metamorphoses to such good effect that if you own this recording, you really require no other RING analysis. (A pity about the abrupt beginnings and endings of too many vocal and orchestral illustrations, though.) Musicology lost a fine, sensitive thinker with Cooke's premature death in 1976.
If all you want is dilettantish baby food, there are plenty of dumbed-down Wagner commentaries on the market, stretching from Anna Russell's famous monologue (which doesn't pretend to be anything other than a parody aimed at morons) to the latest standard-issue "Wagner-was-a-Nazi-boo-hiss" feuilleton (which, unfortunately, does). Without reasonable score-reading skill you will find Cooke useless, however diligently you have ploughed through Marx, Jung, Freud, or other gurus purportedly relevant to THE RING. Cooke expects you to use your brains and your musical sense. Quelle horreur. At today's BBC his "elitism" would render him unemployable.
Essential for Understanding Wagner's Ring Cycle.......2006-05-15
I originally bought this set on vinyl in the early 70s when I discovered the Ring in college. I studied the records and booklet assiduously, and after about three run-throughs I finally started getting it. Wow! Thirty-five years later, I still remember Mr. Cooke's analyses of various motive families, and I don't know how I could have mastered and loved the Ring without him. I now own this set on CD and listen again on the rare occasion of attending a Ring performance. My wife calls me a "Ring nut," but of course I'm nuts about many other things as well.
Bottom line, buy this set and study it if the Ring has captivated you as it has countless others. The presentation is dry, but sticking with it brings measureless and longlasting rewards.
Very Functional.......2006-03-19
This CD set is excellent for what it sets out to do: present the leitmotives of the Ring according to their relationship to one another and their role in developing both characters and plotlines. Deryck Cooke's lectures on each motive are very insightful, very helpful at cueing the listener into the semantic aspect of Wagner's orchestral writing. The one drawback is that the musical examples are a bit jarring. Without fade-ins or -outs, the engineering is quite barbaric. And though the orchestra was, I believe, conducted by Solti, and is beautifully done, the vocal performances can be quite unpleasant. Point being: this is not background music, but in accomplishing what it sets out to do, it is very successful, and I don't know of anything else like it.
Average customer rating:
- Only one diva, only Bartoli.
- Amazing disc
- Beautiful Music, but vocally unmusical.
- Not to my taste
- Exciting, moving, beautiful, energetic, heart-felt, fantastic...
|
Cecilia Bartoli ~ Opera Proibita (Handel · Scarlatti · Caldara) / Les Musiciens du Louvre · Minkowski
Cecilia Bartoli , George Frideric Handel , Alessandro Scarlatti , Antonio Caldara , Marc Minkowski , and Les Musiciens du Louvre
Manufacturer: Decca
ProductGroup: Music
Binding: Audio CD
Caldara, Antonio
| ( C )
| Featured Composers, A-Z
| Classical
| Styles
| Music
All Works by Handel
| Handel, George Frideric
| ( H )
| Featured Composers, A-Z
| Classical
| Styles
| Music
All Works by Alessandro Scarlatti
| Scarlatti, Alessandro
| ( S )
| Featured Composers, A-Z
| Classical
| Styles
| Music
General
| Baroque (c.1600-1750)
| Historical Periods
| Classical
| Styles
| Music
Bartoli, Cecilia
| ( B )
| Featured Performers, A-Z
| Classical
| Styles
| Music
General
| Classical
| Styles
| Music
All Works Featuring Bartoli
| Bartoli, Cecilia
| A to B
| Featured Performers, A-Z
| Opera & Vocal
| Styles
| Music
Cantatas
| Classical (c.1770-1830)
| Historical Periods
| Opera & Vocal
| Styles
| Music
General
| Opera & Vocal
| Styles
| Music
Oratorios
| Opera & Vocal
| Styles
| Music
Cantatas
| Vocal Non-Opera
| Opera & Vocal
| Styles
| Music
Oratorios
| Vocal Non-Opera
| Opera & Vocal
| Styles
| Music
The Decca Records Store
| Specialty Stores
| Music
More Titles at Least 20% Off
| Classical Music Blowout
| Stores
| Music
All Classical Music Blowout
| Classical Music Blowout
| Stores
| Music
Caldara, Antonio
| ( C )
| Composers, A-Z
| Classical Music Blowout
| Stores
| Music
Handel, George Frideric
| ( H )
| Composers, A-Z
| Classical Music Blowout
| Stores
| Music
Scarlatti, Alessandro
| ( S )
| Composers, A-Z
| Classical Music Blowout
| Stores
| Music
Bartoli, Cecilia
| ( B )
| Performers, A-Z
| Classical Music Blowout
| Stores
| Music
Opera & Vocal
| Classical Music Blowout
| Stores
| Music
Similar Items:
- Sacred Songs
- Cecilia Bartoli - If You Love Me (Se tu m'ami ), 18th-Century Italian Songs
- Vivaldi: Bajazet [Includes Bonus DVD]
- Cecilia Bartoli - The Vivaldi Album / Il Giardino Armonico
- Lamento
ASIN: B000A6T1HC
Release Date: 2005-09-13 |
Tracks:
- All'arme si accesi guerrieri (Aria dell Pace)
- Mentre io godo (Aria della Speranza)
- Un pensiero nemico di pace
- Vanne pentita a piangere
- Sparga il senso lascivo veleno
- Caldo Sangue
- Come nembo che fugge col vento
- Ecco negl'orti tuoi...Che dolce simpatica
- Qui resta...L'alta Roma
- Lascia la spina cogli la rosa
- Ahi qual cordoglio...Doppio affetto
- Si piangete pupille dolente
- Ahi quanto cieca...Come foco allo splendore
- Disserratevi oh porte d'Averno
- Notte funesta...Ferma l'ali
Amazon.com
Cecilia Bartoli's new CD features a collection of music that could not be heard in her native Rome at the start of the 18th century due to Papal censorship. Theaters, the Church felt, were places of evil and corruption and operas led people to immorality. But some music-loving senior members of the priesthood asked composers to write oratorios and cantatas--indeed, operas without staging, essentially--for their own private entertainment. Call it what you will, the music is sensational--by turns virtuosic, gentle, and playful--and always expressive: just right, it seems, for Cecilia Bartoli's temperament. The opening aria on the CD, a call for peace in the name of Jesus, is, in fact, a dazzling martial air with trumpets blaring and the voice going through an amazing array of coloratura fireworks. It shows Bartoli at her most aggressive. The listener is practically hurled back from the speakers when she begins, with rapid-fire runs and trills and cascades of notes, all perfectly in place. Showy arias are offset by several tender ones ("Lascia la spina" from Handel's Il trionfo del Tempo e del Disinganno returns in the composer's Rinaldo, four years later, as the now-famous "Lascia ch'io pianga"), and Bartoli exhibits again, her many, many levels of pianissimo and sensitive phrasing. Marc Minkowski and his Musiciens are just right for this repertoire and back Bartoli up superbly. This is a fascinating project, rivetingly performed and presented. --Robert Levine
Album Description
Limited Australian pressing. An extraordinary album of dramatic arias written in Rome at a time when opera performance was forbidden by the Church, and female singers were forbidden from singing in public. Decca. 2005.
Customer Reviews:
Only one diva, only Bartoli........2007-06-19
Just like Farinelli was the opera phenomenon of his time, fast-forward to the 21st century, Bartoli gives once again this music of the Italian settecento a breath of new life in all its splendor and glory.
In Opera Proibita, Bartoli's repertoire not only reflects on her as a consummate vocal artist but also as the ultimate scholar. Rarely an opera singer would dig this dip and go that far to unearth great scores from total obscurity. Even more uncommonly a singer would take the challenge of singing these arias without the risk of ridiculing herself, but to the contrary establishing a new record and precedent.
Her execution of the Handel arias is truly astonishing in coloratura and melismas probably not heard for three hundred years when only the best castrati commanded the virtuosity to tackle these arias. Also surprising and refreshing was to hear works by Handel that show his wild side.
Bartoli brings this album to a high climax with the arias from Il Trionfo del Tempo e del Disinganno. This is really her realm and true medium. Her vocal runs in "Un pensiero nemico di face" sound like a first violin, and as if this was not difficult enough she ornaments the da capo melismas in tempo from allegro to presto molto vivace, and transitions into a note crescendo with great ease and certainty. Wonderful!
Amazing disc.......2007-03-03
This disc has all the elements needed for an amazing disc. The conductor, orchestra, and music are all top notch. Bartoli's singing is amazing. I find this album energizing and a testament to how exciting baroque music can be. However, if you don't like Bartoli's voice in previous recordings, you probably won't change your opinion because of this disc.
Beautiful Music, but vocally unmusical........2007-02-09
I owned over a dozen of Bartoli solo albums, plus other operatic albums of hers. From the early days of 'Arias Antique' I got impressed by her beautiful singing and her outstanding technique.
Alas, starting from her Vivaldi Album, I do not find her singing that beautiful any more. True, the songs picked there are technically very challenging, used to be sung by male castrato singers. The songs picked here are even more difficult.
BUT - is singing just about technique?
There are some songs in the Vivaldi Album that have the vocal musical lines broken in places. Here in Opera Proibita, almost every song has this problem, even the slow ones of Caldara. Compare her singing in the earlier part of her career, her early Mozart operas, I could not help but wonder if Ms. Bartoli has taken the correct turn in her career: her forced high notes, though squarely hit, do not sound at all pleasing; her runs and trills, though taken accurately at great tempi, is no longer truly musical. Compare her singing with the other two great baroque mezzo-sopranos Bernarda Fink and the tragically short-lived late Lorraine Hunt Lieberson, you would understand what I mean.
With the latest turn in Ms. Bartoli's singing, I am being forced to admit that this is a singer of great technical brilliance and enormous fame, but not at all pleasing to the ear.
Not to my taste.......2006-11-05
Cecilia Bartoli has her fans, no doubt, as the other reviews on this site demonstrate, people who love her warmth of tone and her impassioned interpretations. These vocal qualities may suit the performance conventions of the nineteenth-century repertoire; however in this anthology of eighteenth century sacred arias the result is an unhappy imbalance. The problem is, in my opinion, one of clashing calls for attention, whose affect is to distract the listener from attention to the music itself. True, the god of the counter-reformation was to be worshipped ecstatically. And true, also, that I am an anti-romantic listener, who grew up with those early music performances which valued detached purity of tone. This was vaunted as the ideal means of interpretation of the rediscovered seventeenth and eighteenth-century repertoire (it protested too much its rightness, and alienated people- but I like it). However to return to the subject at hand- I find Bartoli's readings of these crypto-erotic arias overblown and self-indulgent. I guess that this sort of coloratura always offered a chance for a bit of ego to be let loose, even in church- however when the performance goes so far as to insist on attention to itself rather than deflecting attention to the music, I stop enjoying the music. This recording does not find the balance between the big romantic personality and eighteenth-century performance conventions, which, after 30 or 40 years of self-critique, have some authority. I disliked it very much. I am a great admirer of Mark Minkowski's opera interpretations, which I think find a perfect balance between these opposing impulses of warm and cool- a binary we can trace throughout aesthetics and through the ages. Here there's an overbalance in favour of warm (hot, in fact), which the performers might argue is just the sort of vivification that Baroque performance needs. Not for me. I gave it to a friend (she's still a friend).
Exciting, moving, beautiful, energetic, heart-felt, fantastic..........2006-09-02
What more can I add?
Cecilia Bartoli just "does it" for me almost every time. She is just fantastic in my books. I love her dearly. She can give one an adrenalin rush with her bravura singing and then break one's heart with her pathos.
This is a superb collection of Baroque arias from "almost" operas! ;-))
I also liked the cheeky and none-too-subtle references to La Dolce Vita on
cover and the images inside the disc. Nice to see an opera singer with a playful sense of humour!
I am listening to this disc as I write this review and all I can say is that I love this disc and it is clearly one of the best Signorina Bartoli has released, although I like all of her recordings. Listen to track 12 and you will buy this disc.
More, please!
PS: How about DECCA getting Cecilia Bartoli and Andreas Scholl together for a musical project? I'd love to see two of my favourite singers together on the one disc.
PSPS: If you like Opera Proibita, buy Andreas Scholl's Arcadia and Arias for Senesino, too!
Music:
- Connect The Hearts
- Crush
- Dirty
- Earth Dreaming
- Ed Littman's SPLATT
- Emmerdale
- Free All Angels [Import]
- Goodnight Moon [CD-single]
- Happy Hollowdays
- Hey Driver [CD-single] [Import]
Music
music
Music
Someone Else's Party
3 Golden Tenors
Athletic Conveyences
Chasing Rainbows
Mad Shadows [Original recording remastered] [Import]
A Sky of Dreams
Addicted to Jesus
4 Scherzi [Import]
Abbadance the Album [Import]
12 Degrees of Freedom [Import]
101 [Live]
16 Big Band Hits, Vol. 3
100 Aņos de Bolero: Exitos de Oro de Los Panchos
Gerald Moore: The Unashamed Accompanist - Testament
My Brazilian Heart