Silent Film

Editorial Reviews
Providence Journal, March 19, 2001
"The Jim James Band brought the best songwritng of the night: true life stories set in intricate art-rock arrangements."

Providence Phoenix, April 12-19, 2001
"What makes JJB so intriguing is the way they blend their instrumental simplicity with willingness to look into dark corners."

Album Description
Silent Film is a collection of twelve tunes that showcase the band's manic writing style.

Silent Film

Instruments of the Orchestra
Average customer rating: 4.5 out of 5 stars
  • Instruments of the Orchestra - Great Reference Material!
  • Beginner or Expert
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  • Excellent Intro for Those Not Familiar with the Orchestra
Instruments of the Orchestra
Various Artists
Manufacturer: Naxos
ProductGroup: Music
Binding: Audio CD

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Similar Items:
  1. Britten: Young Person's Guide to the Orchestra Op34; Simple Symphony Op4
  2. The Mahler Symphonies: An Owner's Manual (includes 1 CD)
  3. The Young Person's Guide to the Orchestra (Book & CD)
  4. What to Listen for in Music
  5. Study of Orchestration, Third Edition

ASIN: B00006O0NT
Release Date: 2002-12-03

Tracks:

  1. Overture To 'Tannhauser'
  2. Domna, Pos Vos Ay Chausida
  3. We Don't Merely Use Instruments, We Play On Them. And They Play On Us.
  4. Hungarian Dance No.7
  5. The Violin Is One Of The Most Tender And Beautiful Instruments Ever Invented.
  6. Violin Concerto In D Major (Adagio)
  7. But For A Long Time It Was Seen As The Instrument Of The Devil.
  8. The Soldier's Tale: Triumphal March Of The Devil
  9. The Manipulative Seductiveness Of The Gypsy Violin.
  10. Csardas Music
  11. The Violin And The Initiation Of Nature
  12. The Four Seasons (Spring, Mvt 1)
  13. Birds Are Again Evoked In The Second Concerto, Especially Music's Natural Favourite.
  14. The Four Seasons (Summer, Mvt 1)
  15. Like The Devil, The Violin Is A Master Of Disguise.
  16. Old Viennese Dance No.3 'Schon Rosmarin'
  17. The Menacing Sensuality Of Ravel's Tzigane: A Very Different Side Of The Violin:
  18. Tzigane
  19. Do We Now Have The True Measure Of This Instrument? Not Just Yet.
  20. Caprice No.24
  21. The Many Effects Of The String Tremolando: Brandenburg Concerto No.4 (Last Mvt)/From Joy To Fright/Quartettsatz In C Minor/The String Tremolo Practically Spells The World Agitato.
  22. Variations On A Theme Of Frank Bridge (No.7)
  23. Prokofiev's Tremolo In Romeo And Juliet Should Not Be Heard Just Before Bedtime.
  24. Romeo And Juliet: Act IV
  25. Vivaldi Use It To Illustrate The Shivering Of Travellers Crossing The Ice.
  26. The Four Seasons (Winter, Mvt 1)
  27. The Violin Muted
  28. Clair De Lune
  29. The Gentleness Of Muted Strings Persists Even When A Whole Orchestra Plays.
  30. Piano Concerto No.21 In C Major, K.467 (Slow Mvt)
  31. The Pizzicato Violin
  32. Pizzicato Polka
  33. In Prokofiev's Second Violin Concerto, The Accompaniment Is Pizzicato.
  34. Violin Concerto No.2 In G Minor (Slow Mvt)
  35. Varieties Of Pizzicato: Colas Breugnon (The People's Feast)/Now A Drier, Leaner, Hungrier Pizzicato. There's Not A Lot Of Comfort Here./Capriol Suite (Tordion)/The Use Of Pizzicato As 'Percussion'/Romeo And Juliet (Act I)/Mahler Used Pizzicato...
  36. The Planets (Mars - The Bringer Of War)
  37. The Technique Of Double-Stopping Enables The Violin To Play Duets With Itself./Sonata No.3 In C Major For Unaccompanied Violin (Fugue)/Now A Later Example Of The Same Technique
  38. Hungarian Dance No.4
  39. Double-Stopping Is A Standard Feature Of A Lot Of Folk Music.
  40. The Four Seasons (Autumn, Mvt 1)
  41. Now The Same Technique, But The Sound Might Have Come From Another World.
  42. Bolero
  43. Double-Stopping Can Only Approximate The Sound Of A Real Violin Duet.
  44. Cadenza To The Violin Concerto By Brahms
  45. Now Compare That With A Real Violin Duet.
  46. Forty-Four Duos (No. 1: Teasing Song)
  47. Another Duo By Bartok, Demonstrating The Violin's Rich Lower Register
  48. Forty-Four Duos (No.2: Maypole Dance)
  49. And Now What May Be The Most Beautiful Accompanied Violin Duet In History
  50. Concerto In D Minor For Two Violins (Largo)
  51. The Soul Of The Violin Is In Song; But What About This Weird Passage?
  52. Violin Concerto No.1 In D Major (Mvt 2)
  53. The Use Of Harmonies In The Orchestra Can Be Both Magical And Unsettling.
  54. Symphony No.1 'Titan' (Mvt 1, Opening)
  55. Tchaikovsky's Use Of Harmonics In The Sleeping Beauty Is Both Strange And Darling.
  56. The Sleeping Beauty (Act II, No.15: Entr'Acte)
  57. Ravel's Harmonics In Mother Goose Effect A Magical Transformation.
  58. Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
  59. Stravinsky's Harmonics In The Firebird Transport Us Almost Into Another World./The Firebird (Introduction)
  60. The Natural Upper Notes Of The Violins Have A Unique Emotional 'Grab'.
  61. Also Sprach Zarathustra (Of The Afterworldsmen)
  62. Still In Their Upper Register, The Violins Unleash The Energy Of A Young Colt.
  63. Variations On A Theme Of Frank Bridge (No. 4)
  64. Elsewhere, Britten Uses The Same High Register To Create A Very Different Mood.
  65. Four Sea Interludes (Dawn) From 'Peter Grimes'
  66. To End This Outing With The Violins, A Charming Little Elfin Dance
  67. Elfenreigen

Tracks:

  1. Introduction To The Viola
  2. Viola Concerto (Mvt 1)
  3. Khatchaturian Gets A Very Different Sound From It: Fuller, Fruitier, More Exotic.
  4. Gayane Suite No.1 (Armen's Solo)
  5. Very Nearly The Whole Of The Violin's Upper Register Is Also Available To The Viola.
  6. Passacaglia, Op.33b From 'Peter Grimes'
  7. The Viola Can Bring A Special, Rich Twanginess To Pizzicato That The Violins Lack./Don Quixote/Berlioz Drew Sounds From It That Retain Their Metallic Strangeness Even Today.
  8. Harold In Italy (Mvt 4)
  9. The Muted Viola: Intimate, Gentle, Poignant In Dvork
  10. Cypresses (No.9)
  11. The Massed Violas Of The Modern Symphony Orchestra In Mahler
  12. Symphony No.4 (Mvt 3)
  13. The 'Period' Viola In Bach
  14. Brandenburg Concerto No.6 (Last Mvt)
  15. The Cello: A Voice Of Unique Nobility
  16. Suite No.1 For Unaccompanied Cello (Prelude)
  17. Brahms And The 'Soul' Of The Cello
  18. Piano Concerto No.2 In B Flat Major (Mvt 3)
  19. Most Orchestral Composers Tend To Emphasize The Cello's Lower Register.
  20. Cantata 'Herz Und Mund Und Tat Und Leben', BWV 147 (Soprana Aria: Bereite Dir, Jesu)
  21. In The Time Of Beethoven The Cello Remained As Fundamental As Ever.
  22. Symphony No.3 'Eroica' (Finale)
  23. But The Cello Is Not Condemned To Spend Its Life In The Basement.
  24. Elfentanz, Op.39
  25. Not Only In Recital Showpieces Like That Is The Cello Is Used In Its Highest Register.
  26. The Protecting Veil (Opening)
  27. A Cello With An Identity-Crisis: The Pizzicato Flamencan
  28. Flamenco
  29. Double-Stopping In The Lower Reaches Of The Cello's Range
  30. Solo Suiet For Cello And Piano (Sardana)
  31. It's In The Middle Register That The Cello Really Comes Into Its Own.
  32. Oriental Dance, Op.2 No.2
  33. It Was To The Cellos That Beethoven Gave Two Of His Most Famous Themes./Symphony No.5 (Mvt 2)/Still More Famous Than That Theme Is This One From The Ninth Symphony.
  34. Symphony No.9 (Finale)
  35. Introduction To The Double-Bass
  36. The Carnival Of The Animals (The Elephant)
  37. But The Double-Bass Can Be Intensely Expressive And Graceful.
  38. Elegy No.1 In D Major
  39. The Range Of The Double-Bass Is The Greatest Of All The String Instruments/Allegro Di Concerto, 'Alla Mendelssohn'/And It's Also Capable Of Very Considerable Virtuosity.
  40. Capriccio Di Bravura
  41. Double-Bass Solos In Orchestral Scores Are Rare But Often Memorable./Symphony No.1 'Titan' (Mvt 3)/In His Third Symphony Mahler Makes A Very Different Use Of The Instrument./Symphony No.3 (Mvt 1)
  42. The Double-Bass Muted In Prokofiev/Lieutenant Kije Suite (Kije's Wedding)/In Another Work Prokofiev Uses The Double-Bass To Enhance The Winds./Romeo And Juliet (Act III)/And He Combines The Bass Clarinet With A Shivering Tremolo From The Double-Basses....
  43. Symphony No.5 (Mvt 3)/So Much For The Strings/On Now To The Winds

Tracks:

  1. The Antiquity And Magic Of The Flute
  2. Prelude A L'Apres-Midi D'Un Faune
  3. The Versatility And Agility Of The Flute
  4. Orchestral Suite No.2 In B Minor (Badinerie)
  5. The Flute In Fifteenth-Century Spain
  6. Sa'Dawi
  7. Other Flutes: The Bass And Alto
  8. Chamber Music No.II
  9. The Piccolo - Aptly Named
  10. La Naissance D'Osiris (Mvt 6)
  11. From A Piccolo Of The Eighteenth Century To One Of Its Descendants In The Twentieth
  12. Suite No.1 For Small Orchestra (Valse)
  13. A Variety Of Techniques
  14. Chamber Music No.II
  15. Flutter-Tonguing. But Tchaikovsky Got There Eighty Years Before.
  16. The Nutcracker (Act II, No.2: Scene)
  17. From The Transverse To The Vertical: The Baroque Recorder
  18. Recorded Suite In A Minor (Menuet II)
  19. An Unfamiliar, Early Vision Of The Instrument
  20. Naelden, Naelden
  21. The Bachian Oboe
  22. Cantata 'Ein Feste Burg Ist Unser Gott', BWV 80 (No.7: Duetto)
  23. Introduction To The Cor Anglais Or 'English Born'
  24. Symphony No.9 'From The New World' (Mvt 2)
  25. The Loneliness Of The Cor Anglais
  26. The Swan Of Tuonela
  27. The Cor Anglais Joins The French Horn In Haydn.
  28. Symphony No.22 'The Philosopher' (Opening)
  29. Introduction To The Oboe D'Amore, Beloved Of Bach - But Also Of Ravel
  30. Bolero
  31. The Clarinet Family: Boxing The Compass, From The Depths Of The Bass Clarinet.../The Egyptian (Violence)/...To The Raucous And Squealy.../Taras Bulba (The Death Of Ostap)/...To The Shrill And Complaining...
  32. Petrushka (No.8: Peasant With Bear)/...To The High Sprits Of A Playful Puppy./Symphonie Fantastique (Last Mvt)/And To The Downright Jazzy/Romeo And Juliet (Act II)
  33. As The High Clarinets Tend To Be Loud, So The Bass Tends To Be Soft:
  34. Gayane Suite No. 1 (Mvt 5)
  35. The Bass Clarinet Is Used By Most Composers Mainly As A Colouring Agent.../Petrushka (No.4: The Blackamoor)/...But It Does Occasionally Get A Whole Tune To Itself./Iberia (Almeria).
  36. The Range Of The Normal Clarinet Parts Goes Quite High...
  37. The Snow Maiden (Scene 5: Melodrama)
  38. ...And Quite Low.
  39. Peter And The Wolf (The Cat)
  40. The Clarinet As Concerto Soloist
  41. Clarinet Concerto In A Major (Rondo)
  42. But That's Not The Instrument Mozart Wrote It For; This Is:
  43. Clarinet Concerto In A Major (Rondo)
  44. Introduction To The Saxophone
  45. Hary Janos Suite (Mvt 4)
  46. The Soprano Saxophone Has Quite A Different Feel To It.
  47. L'Arlesienne Suite No.1 (Minuet)
  48. The Little Sopranino Sax Goes Even Higher.
  49. Bolero
  50. The Most Famous Use Of The Saxophone Is In An Orchestration By Ravel.
  51. Pictures At An Exhibition (The Old Castle)
  52. The Saxophone Can Be Quite Contagiously Good-Humoured.
  53. Sax-O-Phun
  54. The Puffa-Puffa Image Of The Bassoon
  55. Peter And The Wolf (Grandfather)
  56. The Bachian Bassoon, In Accompanimental Mode
  57. Cantata 'Weichet Nur, Betrubte Schatten' ('Wedding Cantata'), BWV 202 (Aria No.1)
  58. Bizet Leaves The Puffa-Puffa Image Out, Allowing The Bassoon To Sing./Carmen Suite No.1 (Les Dragons D'Alcala)
  59. And Ravel, Also In Spanish Mode, Does Likewise.
  60. Bolero
  61. The Bassoon As A Voice Of High Seriousness, Indeed Desolate Loneliness
  62. Symphony No.3 (Opening)
  63. The Eerie Bassoon In Its Highest Register
  64. The Rite Of Spring (Opening)
  65. Stravinsky Now Draws On Its Lowest Register, Lonely And Melancholy.
  66. The Firebird Suite (1919, Berceuse)
  67. The Bassoon As Concerto Soloist, Avoiding All Exaggeration
  68. Bassoon Concerto In G Minor (Finale)
  69. The Deep-Voiced Contra-Bassoon, As A Fairy-Tale Beast
  70. Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
  71. The French Horn Under Its Woodwind Hat
  72. Wind Quintet, Op.43 (Last Mvt)
  73. Now A More Prominent Role, In A Woodwind Quintet From An Earlier Era
  74. Wind Quintet In A Minor, Op.100 No.5 (Mvt 2)
  75. The Horn In Harmonious Blend With Strings In Another Quintet
  76. Horn Quintet, K.407 (Finale)

Tracks:

  1. The Trumpet As Virtuoso Soloist
  2. Brandenburg Concerto No.2 (Last Mvt)
  3. The Special Brillance Of Paired Trumpets
  4. Concerto In C For Two Trumpets, RV537 (Mvt 1)
  5. The Ceremonial Trumpet
  6. Fanfare For The Common Man
  7. Trumpets And Drums - An Incomparable Alliance
  8. Messiah (The Trumpet Shall Sound)
  9. The Versatility Of The Trumpet, From The Most Public To The Most Lonely
  10. Piano Concerto In F (Slow Mvt)
  11. The Trumpet As The Voice Of The City/An American In Paris/The Trumpet As Recruitment Officer/The Soldier's Tale (The March)/The Trumpet As Swaggerer
  12. Carmen Suite No.2 (Habanera)
  13. The Trumpet As The Voice Of Strength And Courage
  14. Carmet Suite No.2 (Toreador's Song)
  15. The Trumpet Muted/Petrushka (No.4: The Blackamoor)/Lieutenant Kije Suite (Opening)/The Trumpet As The Voice Of Weariness
  16. Billy The Kid
  17. The Trumpet As Character Actor
  18. Pictures At An Exhibition (No.6)
  19. The Trumpet As The Voice Of God
  20. Mass In B Minor ('Et Exspecto')
  21. The Birth Of The Trombone
  22. Aenmerckt Nu Hier
  23. The Birth Of The Brass As A Family
  24. Canzon 12 In Double Echo
  25. The Trombone In The Eighteenth Century
  26. Trombone Concerto In B Flat Major (Finale)
  27. The Tone Of The Tenor Trombone/Romance For Trombone And Organ/The Memorable Voice Of The Bass Trombone/Requiem (Mvt 2)/But The Bass Trombone Is More Than An Instrumental Bullfrog.
  28. Hosannah
  29. The Trombones Become Part Of The Orchestra.
  30. Symphony No.5 (Finale)
  31. The Wagnerian Trombone:/Overture To 'Tannhauser'
  32. The Trombone As Caricaturist
  33. Pulcinella (No.19: Vivo)
  34. The Trombone As Raspberry/Concerto For Orchestra (Intermezzo)
  35. The Horn And The Hunt
  36. Horn Concerto No.4 In E Flat, K.495 (Finale)
  37. The Challenging Horn Of The Baroque
  38. Abaris Ou Les Boreades (Menuet)
  39. The Scarcity Of First-Rate Players In Handel's Time
  40. Walter Music (Minuet 1)
  41. The Horn As Magician/The Firebird Suite (1919, Finale)
  42. Horns And The Sound Of Nobility
  43. Overture To 'Tannhauser' (Opening)
  44. The Special Sound Of The Horn In Its Higher Register
  45. Mass In B Minor ('Quoniam Tu Solus Sanctus')
  46. The Trumpet-Like Sound Of Massed Horns
  47. Symphony No.3 (Mvt 1, Opening)
  48. The Tuba - Unfairly Maligned?
  49. Symphony No.6 (Mvt 3)
  50. The Tuba Perfectly Cast By Ravel
  51. Pictures At An Exhibition (Bydlo)

Tracks:

  1. Introduction. And We Begin With A Bang.
  2. Fanfare For The Common Man/The Bass Drum On The Battlefields/Wellington's Victory, Op.91 (Opening)
  3. At The Opposite Extreme Is The Triangle.
  4. Piano Concerto No.1 In E Flat (Scherzo)
  5. Categories Of Percussion: Tuned And Untuned. The Side Drum
  6. Overture To 'La Gazza Ladra' - The Thieving Magpie (Opening)
  7. The Side Drum In An Effective But Unexpected Role/Clarinet Concerto (Mvt 1)
  8. The Tambourine. One Of The Oldest Instruments In The World
  9. Den Hoboecken Dans
  10. Even Older Is The Originally Oriental Gong.
  11. Ma Mere L'Oye - Mother Goose (Laideronette)
  12. No Single Instrument Can Match The Gong In Evoking The Breaking Of Waves./Passacaglia, Op.33b From 'Peter Grimes'/But Gongs Don't Have To Be Struck To Be Effective.
  13. Gymnopedie No.2
  14. The Cymbals Are Generally Discovered Early In Life./The Sanguine Fan/And They Do More Than Clash Together Loudly. They Can Be Clashed Together Softly./Studio Example: But They Needn't Be Clashed Together At All/Studio Example: They Can Be Lightly...
  15. Other Untuned Percussion Instruments Include The Whip.: Piano Concerto In G Major (Opening)/And Here Are No Fewer Than Twenty, Cracked By Tchaikovsky: The Nutcracker (Act I, Scene 5)
  16. More Versatile Than The Whip Are The Wood Blocks.../Studio Example/...Which Crop Up All Over The Place In Twentieth-Century American Music.
  17. Rodeo (Hoe-Down)
  18. Related To The Wood Blocks, By Sound, Are The Castanets./Jota Aragonesa/But The Castanets Were Also Used By Monteverdi Back In The Seventeenth Century.
  19. Scherzi Musicali (Damigella Tutta Belle)
  20. A Still Earlier Example From Fifteenth-Century Spain
  21. Yo M'Enamori D'Un Aire
  22. The Birth Of The Bongo
  23. Symphonic Dances From 'West Side Story'
  24. From The Streets Of New York To The Blacksmith's Shop/Il Trovatore ('Anvil Chorus')
  25. Desert-Island Decibels: Grand Canyon Suite (On The Trail)/Arcana
  26. From One Vegetable To Another: The Humble Squash, Or Marrow/Huapango
  27. Onwards To The Tuned Percussion. First, The Timpani
  28. Also Sprach Zarathustra (Introduction)
  29. But The Drum Roll Can Be More Effectively Frightening Than The Big Bang.: Symphony No.2 'Resurrection' (Mvt 3)
  30. Not One Drum Roll, But Many/Grand Canyon Suite (Sunrise)/Symphonie Fantastique (Last Mvt)
  31. Taking Advantage Of Tunability
  32. Music For Strings, Percussion And Celeste (Mvt 2)
  33. The Russian Composer Rodion Shchedrin Takes A Downward Turn./Carmen Suite (Changing Of The Guard)/Tuned, Yes; But For The Truly Melodic We Must Look Elsewhere.
  34. Introducing The Glockenspiel/Carmen Suite (Carmen's Entrance And Habanera)
  35. Saint-Saens And The Xylophone
  36. The Carnival Of The Animals (Fossils)
  37. Ravel And The Xylophone
  38. Ma Mere L'Oye - Mother Goose (Laideronette)
  39. Introducing The Marimba/Carmen Suite (First Intermezzo)
  40. Introducing The Vibraphone
  41. The Treasure Of The Sierra Madre (Narange Dolce)
  42. The Vibraphone Goes Russian.../Carmen Suite (Carmen's Entrance And Habanera)/...And Is Joined By The Marimba./Carmen Suite (Carmen's Entrance And Habanera)
  43. Introducing The Hungarian Cimbalom
  44. Folk Dances
  45. The Cimbalom And The Symphony Orchestra
  46. Hary Janos Suite (Mvt 3)
  47. Introducing The Tubular Bells
  48. Hary Janos Suite (Viennese Musical Clock)
  49. A More 'Up-Front' Approach From Rodion Shchedrin
  50. Carmen Suite (Introduction)
  51. But The Bells Can Also Make The Sinister Even More Sinister./Symphony No.7 'Sinfonia Antartica' (Mvt 1)
  52. Introducing The Celeste
  53. The Nutcracker (Dance Of The Sugar Plum Fairy)
  54. Magic, In The Use Of Collective Percussion
  55. Miroirs (La Vallee Des Cloches)
  56. Plucked Instruments: The 'Undercover Percussion'/Carmen Suite (Scene)
  57. A Prime Case In Point Is The Harp, Irresistible To The Romantics./The Nutcracker (Act II, No.1: Scene)/The Non-Solo Harp As An Integral Part Of The Orchestra/Hungarian Rhapsody No.1
  58. The Traditionally Subservient Role Of The Harpsichord In The Baroque Orchestra
  59. Brandenburg Concerto No.2 (Slow Mvt)
  60. The Piano: King Of The Tuned Percussion/Symphony No.3 'Organ' (Mvt 3)/And A Quarter Of A Century After That:
  61. Petrushka (Russian Dance)
  62. The Anti-Romantic Piano As An Integral Part Of The Orchestra
  63. Music For Strings, Percussion And Celeste (Last Mvt)

Tracks:

  1. Keyboard Instruments In The Orchestra - The Most Powerful Of Them All:
  2. Symphony No.3 'Organ' (Finale)
  3. But Things In Handel's Day Were Very Different.
  4. Organ Concerto In B Flat, Op.4 No.3 (Last Mvt)
  5. The Organ Is Difficult To Classify.
  6. An Unexpected, Organ-related Guest
  7. Concerto Pour Zampogna (Last Mvt)
  8. Peasant-Fancying... And A Touch Of The Roaming Cowboy
  9. Les Miserables (Drink With Me)
  10. Outside Artefacts And The Power Of Association
  11. Mahler's Sleighbells
  12. Symphony No.4 (Opening)
  13. A Roll-Call Of Some Unusual Guests/The Typewriter/Parade
  14. Chains, And More/Integrales/An American In Paris/Sandpaper Ballet
  15. Purpose-Built Oddities: Wind Machines/Symphony No.7 'Sinfonia Antartica' (Opening)
  16. Don Quixote (Variation VIII)
  17. National Calling Cards: The Guitar For Spain/Concierto De Aranjuez (Finale)
  18. And The Guitar's Poor American Relative, The Banjo/Washington Breakdown
  19. And Poorer Still, The Mouth Organ/The Treasure Of The Sierra Madre (Packing Up)
  20. The Balalaika For Russia/Romeo And Juliet (Act II: No.14)
  21. The Maracas For Mexico/The Treasure Of The Sierra Madre (El Desayuno)
  22. The Bongos And Congas And A Whole Wealth Of Other Drums For Africa And Central America/Studio Example
  23. The Sitar Of India/Evening Raga: Bhapoli
  24. The Accordion For France (Especially Paris)/Paris Canaille
  25. The Zither For Vienna/The Third Man (Theme)
  26. The Cimbalom For Hungary/Folk Dances
  27. The Guitar As An Integral Part Of The Orchestra/Rondena
  28. There Are Whole Orchestras Of Balalaikas./Sveit Mesiats
  29. The Effect Of The Wordless Human Voice, Used Purely As An Instrument/Symphony No.7 'Sinfonia Antartica' (Mvt 1)
  30. Nocturnes
  31. Instruments And the Imitation Of Nature. The Clarinet As Cuckoo
  32. The Carnival Of The Animals (The Cuckoo)
  33. The Flute As An All-purpose Aviary
  34. The Carnival Of The Animals (The Aviary)
  35. The Oboe As Duck
  36. Peter And The Wolf (The Duck)
  37. The Recording Of Reality. Does It Work As Well?
  38. The Pines Of Rome (The Pines Of The Janiculum)
  39. The Recording Of Reality Electronically Reborn In New Guises
  40. Cantus Articus - Concerto For Birds And Orchesra (Mvt 2)
  41. Beethoven Turns Avian: Cuckoo, Nightingale, And Quail
  42. Symphony No.6 'Pastoral' (Andante Molto Mosso)
  43. Some Improbable Casting: The Violin As Braying Donkey
  44. The Carnival Of The Animals (Persons With Long Ears)
  45. A Truly Orchestral Hee-haw To Be Reckoned With
  46. Overture To 'A Midsummer Night's Dream'
  47. A Thunderstorm In A Million
  48. Symphony No.6 'Pastoral (Allegro-Allegretto)
  49. the Instrumental Depiction Of A Silent World
  50. The Carnival Of The Animals (The Aquarium)
  51. Saint-Saens' Menagerie Takes A Curtain Call.
  52. The Carnival Of The Animals (Finale)

Tracks:

  1. The Grouping Of Instrumental Families. An Additive Approach. First, Two Violins
  2. Forty-Four Duos (No.4)
  3. A Great Contrast, Of Both Pitch And Character: Violin And Viola
  4. Duo For Violin And Viola In B Flat Major, K.424 (Finale, Vars 1 & 2)/Studio Example
  5. Arrival Of The Standard String Trio: Violin, Viola, And Cello
  6. String Trio In B Flat (Menuetto)
  7. The String Quartet: Two Violins, Viola, And Cello
  8. String Quartet In F, Op.18 No.1 (Mvt 3)
  9. The String Quintet - When The Extra Instrument Is A Second Viola
  10. String Quartet No.5 In D, K.593 (Adagio)
  11. The String Quintet - When The Extra Instrument Is A Second Cello
  12. String Quintet In C (Mvt 3)
  13. The String Sextet: Two Violins, Two Violas, And Two Cellos
  14. String Sextet In B Flat (Mvt 2)
  15. The String Octet: The Standard String Quaret Times Two
  16. Octet In E Flat, Op.20 (Mvt 1)
  17. Double The String Octet: A Fully Fledged String Orchestra
  18. String Symphony No.2 (Finale)
  19. The Massed Strings Of A Symphony Orchestra
  20. Fantasia On A Theme Of Thomas Tallis
  21. Contrasts Of Pitch And Instrumental 'Colour' In The Woodwind Section
  22. Wind Quintet In A Minor, Op.100 No.5 (Theme)
  23. In The First Variation It's The Horn That Gets The Lion's Share.
  24. Wind Quintet In A Minor, Variation 1
  25. In Variation Two The Torch Is Handed To The Bassoon.
  26. Wind Quintet In A Minor, Variation 2
  27. In Variation Three The Oboe Leads.
  28. Wind Quintet In A Minor, Variation 3
  29. Variation Four: Conversation Before Returning To A Solo-dominated Texture
  30. Wind Quintet In A Minor, Variation 4
  31. And Variation Five is Dominated By The Clarinet.
  32. Wind Quintet In A Minor, Variation 5
  33. The Next To Be Featured Is The Virtuoso Flute.
  34. Wind Quintet In A Minor, Variation 6
  35. Individual Farewells And A Closing Chorus
  36. Wind Quintet In A Minor, Variation 7
  37. A Mixed Group: Clarinet, Bassoon, Horn, String Quartet, And Double-Bass
  38. Octet In F (Mvt 3)
  39. The Early Classical Symphony Orchestra Of Haydn And Mozart
  40. Symphony No.29 In A, K.201 (Finale)
  41. Strings, Wind, But No Brass. What Haydn And Mozart Never Knew
  42. Canzon 28
  43. Beethoven's Fifth: Two Horns, Two Trumpets, And Three Trombones Join The Team.
  44. Symphony No.5 (Finale)
  45. From Beethoven To The Massive Orchestras Of Berlioz, Wagner, And Mahler
  46. Beethoven Changed The Face Of The Symphony And The Orchestra Forever
  47. Symphoy No.6 'Tragic' (Mvt 1)
  48. The Cult Of Orchestral Elephantiasis Reaches Its Peak.
  49. Symphony No.1 'Gothic' (VI: Te Ergo Quaesumus)
  50. When Large Doesn't Necessarily Mean Loud: Debussy
  51. Images (Gigues)
  52. A Crisis Of Confidence; The Orchestra's Survival Hangs In The Balance, But It Still Develops. The Ondes Martenot:
  53. Turangalila Symphony (Chant D'amour 1)
  54. The Advent Of The 'Early Music' Movement Brings A New Vitality And Freshness.
  55. Balle De Xerxes (Gavotte En Rondeau)
  56. Computer And Synthesiser: Friends Or Foes?
  57. Concerto In D Minor For Two Violins (Largo)
  58. A Speculative Look Ahead/Mass In B Minor ('Dona Nobis Pacem')

Customer Reviews:

5 out of 5 stars Instruments of the Orchestra - Great Reference Material!.......2007-04-04

This set lends itself to greatly enhancing one's knowledge of the orchestra, instruments in it, and their usage. I am a huge music buff, and I still picked up a great deal I previously did not know. I highly recommend this for all who wish to understand the origin of music, as well as the processes that are employed to create music!

5 out of 5 stars Beginner or Expert.......2007-03-12

This CD is excellent for the beginner or expert! To be able to haear the instrumets separately and then together really provides a good education. and/or refresher. The book thaty comes with the CD is alomost worth the price by itself!

5 out of 5 stars Very Informative and Enjoyable.......2006-11-20

Whether you're a music novice or pro, "The instruments of the Orchestra" is a very worthwhile purchase. The 7 CDs, with a total of 8 hours, are expertly narrated by Jeremy Siepmann. He's a great speaker, very much like the late Leonard Bernstein was. Mr. Siepmann takes you on an unforgetable musical journey covering the origins and use of the various orchestral instruments throughout musical history. The balance between his narration and a wealth of musical examples, which range from snippets to entire movements, is superb. The comprehensive enclosed booklet is excellent and faithfully follows the 7 CDs in content. Even with my 40+ years of music training I still learned new things from this wonderful collection. Considering the excellence of the content, and a cost that translates to about $5 per disc, this collection is a great value. Grab it, you won't regret that you did. Five solid stars!

3 out of 5 stars Frank's view.......2006-08-19

This boxed set of CD's with booklet achieved all I had hoped that it would. There are good samples of individual instruments and well done commentary on each. The only drawback was that some of the samples were too brief and could have been longer, hoiwever I guess this fits in with time constraints of the medium. It has given me a lot of clues as to future purchases of CD's for listening to individual instruments. Altogeth a satisfactory purchase and a welcome addition to my collection.

5 out of 5 stars Excellent Intro for Those Not Familiar with the Orchestra.......2003-11-08

I've listened to classical music for years and am interested in composition. I bought this CD set to learn how an orchestra and its instruments work. I thought the CDs would be a nice but boring lecture. They aren't! Not only are they FUN but they are informative as well. I learned a huge amount from each CD and couldn't wait to listen to the next one.

The narrator and writer is a great speaker and holds your attention well. He is definitely knowledgeable. He provides musical examples for each point he makes, so you get to "hear" what he just talked about. I'd say the CDs are about 65% music and 35% narration. You'll learn about the range of instruments, some history, different ways to play them, how they sound, and how they are used in the orchestra. This CD set was a great learning experience and is sold at such a low price!

I recommend this CD for those who want to learn about classical music and those who know about it but are interested in learning more about the inner workings of an orchestra. You'll learn much useful information. For instance, the Rite of Spring (with that eerie start) is written for bassoon! I never knew a bassoon could sound like that but now I do.

The one complaint I have is the last CD. This deals with the orchestra. I wanted more of a tour of how the orchestra has been used through history up to the present. Instead, it was a tour of how different groups of instruments sound. I thought it could have been better. The other 6 CDs are excellent.
Third Man & Other Original Recordings
Average customer rating: 4.5 out of 5 stars
  • perfect score for a perfect movie
  • Pleasant "ethnic" melodies
  • Third Man & Other Original Records
  • The first man of the zither
  • This is the one you're looking for.
Third Man & Other Original Recordings
Anton Karas
Manufacturer: Jasmine Music
ProductGroup: Music
Binding: Audio CD

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ASIN: B00006J9M2
Release Date: 2004-04-05

Tracks:

  1. Third Man Theme (The Harry Lime Theme) (Original Version)
  2. Anton Karas Second Theme
  3. Cafe Mozart Waltz (Original Version)
  4. Carol Theme
  5. That Dear Old Song (Original Version)
  6. Rendezvous Waltz (Previously Unissued)
  7. Farewell To Vienna (Previously Unissued)
  8. Alt Wiener Tanz In C-Dur
  9. Visions Of Vienna
  10. Danube Dreams
  11. Anton Karas Medley Pt. 1
  12. Anton Karas Medley Pt. 2
  13. Im In The Middle Of A Riddle (V. Kay Arment)
  14. Where Do I Go From You? (V. Kay Armen)
  15. Zither Rhythm Of Anton Karas
  16. Vienna, Women And Song (Later Version)
  17. Cherry Stones
  18. Wo Grunes Kranzel Hangt
  19. Silent Night, Holy Night
  20. Vienna, City Of My Dreams
  21. Vienna, Women And Song (Original Version)
  22. Third Man Theme (Later Version)
  23. Cafe Mozart Waltz (Later Version)
  24. That Dear Old Song (Later Version)
  25. Wenn Der Herrgott Net Will / The Third Man Theme (Brief Reprise)

Customer Reviews:

5 out of 5 stars perfect score for a perfect movie.......2007-02-19

Carol Reed's veteran cinematographer Robert Krasker's quirky angles under Reed's direction perfectly framed the ready-made-for-an-art designer bombed out shadows and stark, isolated street lights of post-war Vienna and its underworld. Unique to cinema history the whole score (but for some canned incidental cafe music) was just the brilliant zither playing of Anton Karas, adding his nuances to every dramatic transition. Krasker won an Oscar, and Karas was nominated.

The "Third Man Theme" (also known as the "Harry Lime Theme") is alternately brittle, jaunty, bittersweet, romantic, wry, and even sardonic piece of music--which fits the mood of the story and the film perfectly -- that, once heard, can't be forgotten.

The "Third Man Theme" turned Anton Karas into a wealthy man after 28 years of toiling in obscurity an relative poverty in Vienna.

One night, Carol Reed was passing by a wine tavern where growers offer their own wines for sale directly, and heard Anton Karas's playing in the background. Reed had never heard a zither before and found the sound to be attractive. He approached Karas and persuaded him to play for him at his hotel, and made a recording, which Reed brought back to the studio to test. He liked the effect when the zither's sound was placed against the recorded dialogue and, ignoring the protests of many around him, hired Karas and brought him to London for 12 weeks.

Anton Karas screened the movie hundreds of times, devising music for each scene. The Third Man ended up with a vast amount of music, scored in virtually every scene of its 104 minutes. Ironically, the piece that became known as the "Third Man Theme" was something that Anton Karas had written two decades earlier and hadn't played in over 15 years. As he later explained to Reed, playing the zither for a whole night for tips was hard work, and one tended to play the easiest pieces the most often, to save the fingers.

Other zither players never got it to sound just right. The truth was that as recorded for the movie, "The Third Man Theme" was one of the first practical examples of overdubbing on a hit record, rivaling Les Paul's work--Anton Karas had gotten just the right effect working underneath Reed's kitchen table, and had gotten the piece just right by recording and mixing more than one zither part.

The Third Man was finished and prepared for release, and Reed and the production company, London Films, tried to raise interest in it through the music. None of the record companies, however, was interested in recording Karas or releasing the "Third Man Theme." The music was too strange and different, and although British movies had produced some soundtrack successes in the past, those were usually more conventional light classical pieces, not a jangly piece of music played on a central European folk instrument.

3 out of 5 stars Pleasant "ethnic" melodies.......2007-01-22

The tunes on this disc have a nice, comforting sound. Some of the selections are haunting, some have a peasant-liveliness. Nothing great or revolutionary, but plain good zither music, very enjoyable.

5 out of 5 stars Third Man & Other Original Records.......2006-11-10

We bought it for a friend. They loved it.

4 out of 5 stars The first man of the zither.......2006-03-10

The CD didn't sound as good as the movie sound track. Ity sounded a bit rushed as if the sampling during the transfer was not sufficient

5 out of 5 stars This is the one you're looking for........2004-04-26

You've been looking for the original version of the music in "The Third Man", right? Every other CD on the market wouldn't work for you. But lucky for you, this is the one! Don't go wrong.
Hitman: Codename 47 / Hitman 2 - Silent Assassin
Average customer rating: 4 out of 5 stars
  • Pretty Good
Hitman: Codename 47 / Hitman 2 - Silent Assassin
Jesper Kyd
Manufacturer: La-La Land Records
ProductGroup: Music
Binding: Audio CD

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ASIN: B000A2GP5W
Release Date: 2005-08-30

Tracks:

  1. Intro
  2. Main Title (Extended Version)
  3. Hong Kong Themes
  4. Jungle Exploration
  5. Dark Jungle
  6. Hotel Themes
  7. Harbor Themes
  8. Hospital Themes
  9. Hotel Music (Early Demo)
  10. Rainforest (Early Demo)
  11. Atmosphere Demo
  12. Main Title (Original Slow Version)

Tracks:

  1. Hitman 2 Main Title
  2. Waiting For Action
  3. Action Begins
  4. 47 Makes A Decision
  5. The Penthouse
  6. Japanese Mansion
  7. Japanese Snow Castle
  8. Streets Of India
  9. Mission In India
  10. 47 In St. Petersburg
  11. Trouble In Russia
  12. Desert Sun
  13. Arabian Dance
  14. The Setup
  15. End Boss
  16. Slow Ambience
  17. Fast Ambience
  18. H2 Exploration
  19. H2 Action
  20. Dreams Of Instanbul (Bonus Track)

Customer Reviews:

4 out of 5 stars Pretty Good.......2006-07-29

This was a very unique item. Fans of the series will enjoy it. At times some of the tracks seem out of place when out of the game, but that's more than made up for by the many powerful and classic tracks that these CD's have. The first CD is more techno-inspired while the second is more operatic. It's good music to do push-ups to or to drive to. Especially the first track of the first CD.
Singin' in the Rain (1952 Film Soundtrack) (Deluxe Edition)
Average customer rating: 5 out of 5 stars
  • the perfect movie
  • I LOVE MY FAVORITE SONG, AND THANKS TO THIS CD I CAN LISTEN TO IT ALL DAY LONG!!
  • Wonderful Soundtrack to a Wonderful Movie
  • Great CD
  • musical memories
Singin' in the Rain (1952 Film Soundtrack) (Deluxe Edition)
Nacio Herb Brown , Gene Kelly , and Arthur Freed
Manufacturer: Rhino / Wea
ProductGroup: Music
Binding: Audio CD

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ASIN: B00006JOF3
Release Date: 2002-10-01

Tracks:

  1. Main Title/Singin' In The Rain - Gene Kelly
  2. Fit As A Fiddle (And Ready For Love) - Gene Kelly
  3. Tango (Temptation) - MGM Studio Orchestra
  4. All I Do Is Dream Of You - Debbie Reynolds
  5. All I Do Is Dream Of You (Outtake) - Gene Kelly
  6. Make 'Em Laugh - Donald O'Connor
  7. Beautiful Girl Montage - MGM Studio Orchestra & Chorus
  8. Beautiful Girl - Jimmie Thompson
  9. You Were Meant For Me - Gene Kelly
  10. You Are My Lucky Star (Outtake) - Debbie Reynolds
  11. Moses - Gene Kelly
  12. Good Morning - Gene Kelly
  13. Singin' In The Rain - Gene Kelly
  14. Would You? - Betty Noyes
  15. Broadway Melody Ballet - MGM Studio Orchestra & Chorus
  16. Would You? End Title - Gene Kelly
  17. Singin' In The Rain (In A-Flat) - Debbie Reynolds
  18. Finale - Gene Kelly
  19. Main Title (Alternate Version) - MGM Studio Orchestra
  20. Beautiful Girl (Alternate Version/Tempo Track) - Gene Kelly
  21. Would You? (Unused Version) - Debbie Reynolds
  22. Would You (Duet) (Unused Version) - Gene Kelly
  23. Beautiful Girl (Unused Original Version) - Jimmie Thompson
  24. Singin' In The Rain (Alternate Vocal) - Gene Kelly
  25. Should I (Unused Instrumental) - MGM Studio Orchestra

Tracks:

  1. The Broadway Melody - Charles King
  2. You Were Meant For Me - Charles King
  3. The Wedding Of The Painted Doll - James Burroughs
  4. Singin' In The Rain - Cliff Edwards
  5. Should I - Charles Kaley
  6. Beautiful Girl - Sam Ash
  7. All I Do Is Dream Of You - Gene Raymond
  8. Broadway Rhythm - Frances Langford
  9. I've Got A Feelin' Your Foolin' - Robert Taylor
  10. You Are My Lucky Star - Marjorie Lane
  11. Would You - Jeanette MacDonald
  12. Good Morning - Judy Garland
  13. Singin' In The Rain - Judy Garland
  14. All I Do Is Dream Of You - Judy Garland
  15. Dignity - MGM Studio Orchestra
  16. Stunt Montage (Extended Version) - MGM Studio Orchestra
  17. First Silent Picture (Extended Version) - MGM Studio Orchestra
  18. Have Lunch With Me - MGM Studio Orchestra
  19. Dancing On A Rainbow - Arthur Freed
  20. Singin' In The Rain (Radio Broadcast) - Arthur Freed
  21. Broadway Melody Ballet (Original Version) - Gene Kelly

Amazon.com

A vibrant tribute to MGM's legendary confluence of brains, talent, hard work, ambition--and dare we say it?--massive egos, Singin' in the Rain long ago took its rightful place among the first rank of the studio's dizzying catalog of film musicals. This double-disc, 46-track 50th-anniversary edition features all of the film's familiar songs, as well as numerous outtakes and extended versions, many culled directly from the film's original recording masters. Its second disc also chronicles the film's clever--if studio imposed--self-referential musical gambit of recycling a slate of Arthur Freed/Nacio Herb Brown songs from Metro's first decade by including 14 of the originals, including performances by Jeanette McDonald, Judy Garland, Mickey Rooney, and Freed himself. Featuring a dozen previously unreleased recordings and an illustrated booklet containing the insightful reminiscences of the film's original writers, Betty Comden and Adolph Green, it's the ultimate musical companion to one of cinema's magical, enduring masterpieces. --Jerry McCulley

Album Description

The complete 50th Anniversary Edition and a bonus disc featuring the original recordings that inspired the 1952 MGM classic! Includes 12 previously unreleased tracks 'Would You?' (duet) (unused version), 'Beautiful Girl' (unused original version), 'Singin' In The Rain' (alternative vocal), 'Should I' (unused instrumental), 'You Were Meant For Me', 'All I Do Is Dream Of You', 'Broadway Rhythm', 'You Are My Lucky Star', 'Would You?', 'Dancing On A Rainbow' plus 'Broadway Melody Ballet' (original version). Rhino. 2002.

Customer Reviews:

5 out of 5 stars the perfect movie.......2007-03-10

My old Gene did it: the perfect movie, the perfect american history, the perfect music. Some people think musicals are "B" movies. I say them: look about the dream, the performance, the music.
Who can say what is beatiful? Look at faces of Gene and Stan during the shooting on the set: whole concentration and attention for everything.
This is a unique moment in their story, and in the story of cinema.
Unforgettable.

5 out of 5 stars I LOVE MY FAVORITE SONG, AND THANKS TO THIS CD I CAN LISTEN TO IT ALL DAY LONG!!.......2007-01-28

I love Singin' in the Rain. It was the movie that made me like musicals, not those simple, mellow movies like South Pacific and the Sound of Music, but REAL musicals, with people like Fred Astaire or Eleanor Powell tapping their hearts out, or great singers like Frances Langford or Dick Powell putting over a song like they mean it.The Singin' in the Rain 2disc special edition introduced me to my favorite movie, the Broadway Melody of 1936, the MOST AMAZING MOVIE EVER! So I was so glad when my parents got me the soundtrack to Singin' in the Rain, and besides the music of the 1951 versions of the Nacio Herb Brown/Arthur Freed, there are also the original versions of the songs in their original movies. I am so glad that Rhino put the duet of Robert Taylor and June Knight singing I've Got a Feelin' You're Foolin' on this CD set! It's my favorite song, and now I can listen to it! Hooray!! It's the best song EVER!! There's also vocals of Charles King singing the Broadway Melody, which is great! And many more, like Bing Crosby, Frances Langford, Jeanette MacDonald, and other great singers I can't think of right now. This CD set is great, the sound is nice and un-staticy (mostly), there are 30-plus songs, and the price is phenomenal. I love my favorite song, and now I can listen to it all day long!! Yay! :)

5 out of 5 stars Wonderful Soundtrack to a Wonderful Movie.......2006-06-16

Yes, this is it--the first real musical I ever saw. Okay, I saw "Wizard of Oz" and "The Sound of Music", and I love both of those musicals dearly. I had even seen "My Fair Lady." I thought musicals were all like those. Until this one. I had never seen such dancing. And this CD causes me to relive the joy of the musical each time I listen to it. Complete with the tap sounds. I love that they included even the deleted songs. Now we just need a DVD that has all the deleted scenes in context. But the studio probably threw all those away. Oh well, our imaginations can take care of what is missing.

5 out of 5 stars Great CD.......2006-03-20

This is a great CD of music for your family to listen to. Our family enjoys it very much.

4 out of 5 stars musical memories.......2006-03-14

I enjoyed this CD very much, as I remember seeing the movie years ago. I grew up watching MGM musicals and this was one of the best. I loved all of the wonderful songs that came from this movie. Great sound on this CD.
The Battleship Potemkin
Average customer rating: 5 out of 5 stars
  • Battleship Potemkin Sails Again!
  • Bettern' Pink Floyd while stoned! 0___*
  • Amazing Dream
  • Deep & exciting !!!!
  • Correct sync information
The Battleship Potemkin
Mancini Pops Orchestra , Markus Schwind , Annegret Meder , Eva Oppl , Franziska Weiß , Kirstin Maria Pientka , and Robert Hartung
Manufacturer: EMI Int'l
ProductGroup: Music
Binding: Audio CD

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ASIN: B000A2ESC4
Release Date: 2005-09-12

Tracks:

  1. After all (The Odessa Steps)
  2. Men And Maggots
  3. A Beautiful Place
  4. Drama In The Harbour
  5. Nyet
  6. To The Shore
  7. Odessa
  8. No Time For Tears
  9. To The Battleship
  10. After All (The Odessa Staircase)
  11. Stormy Meetings
  12. Night Falls
  13. Full Steam Ahead
  14. The Squadron
  15. For Freedom

Album Description

A few years after their foray into musicals, the Pet Shop Boys, who are quite possibly disco-pop's most intellectual act, have returned with another project: a live score to Sergei Eisenstein's Battleship Potemkin. Battleship Potemkin was a silent film made in Leninist Russia in 1925, and tells the (somewhat idealized) story of a revolt among sailors of the Czar's Black Sea fleet. Given the Pet Shop Boys' history of playing with Leninist imagery (take, for example, the lyrics to 'West End Girls'), they were a suitably apt choice to do a live score to this film. 15 tracks. EMI. 2005.

Album Details

To Celebrate the 80th Anniversary of the Classic Russian Silent Film by Sergei Eisenstein and the Centenary of the Odessa Uprising, Messrs.tennant And Lowe Created Original Music for the Film Classic "Battleship Potemkin". They Enlisted the Dresden Sinfoniker to Provide Orchestral Backup for this Recording that Balances Electronics and Acoustic Instruments. The Remastered Film and It's New Soundtrack Premiered in Winter 2004 to Rave Audience Reviews.

Customer Reviews:

5 out of 5 stars Battleship Potemkin Sails Again!.......2007-04-08

This film soundtrack, done by the Pet Shop Boys (Tennant/Lowe) is the latest new soundtrack to this classisc silent film (Battleship Potemkin) from the Russian school. Alone, the soundtrack is a bit strange because it fits the movie exactly, frame by frame, cut by cut. There are some abrupt changes and three songs. However it is a crowning achievement for Tennant and Lowe. I was most impressed by the performance as well. It's a live recording from Liechester Square in London, and it set a world record for the largest crowd ever to see an art film. If you love the Pet Shop Boys, You'll love this soundtrack which I count amongst their finest artistic achievements.

5 out of 5 stars Bettern' Pink Floyd while stoned! 0___*.......2006-01-21

Wow!

I love this album! This is the best thing they've released in a VERY long time! Such an eargasm after Release - which, although better than most crap being made nowadays, was just so not THEM... and I couldn't get into it very much.

This is the kind of album you just have to allow to play from start to end - if you stop and start it at different parts of the disc, the soundtrack loses its power. I do, however, prefer certain tracks. My absolute fave was "The Squadron", which is probably the most thrilling track they've ever composed. The strings in it are stunning, and the buildup is so dramatic, by the time you reach the melody, it's like you're having some kind of orgasm. At least, after a joint that's what it's like! ;-)

I do hope they release the film with this soundtrack dubbed over it on DVD - I actually have never seen the original version, and so seeing the film for the first time with this amazing score would be mesmerizing.

Anyone who thinks the PSB are just another lame 80s gay pop band /who think they've lost their touch in recent years has to hear this.

5 out of 5 stars Amazing Dream.......2006-01-10

Zaboravite na klasican Pet Shop Boys, ovo je nesto sasvim drugacije. Isti bend u mnogo boljem i zrelijem svetlu.
The Battleship Potemkin je definitivno jedan od najboljih albuma koje je pruzila 2005.
Uzivajte!
Ovo je pravo remek-delo! Bez sumnje!

5 out of 5 stars Deep & exciting !!!!.......2005-12-27

Let me first assure people that this "instrumental" album (yet considered by some as background music )...is by far one of the best Pet Shop Boys' albums ever produced . All the essence of the PSB sound is here and amplified dramatically by the classical orchestra ; the music captures very well the subject of the film putting the listener right in the middle of the ocean : as soon as the music starts you will REALLY get the feeling of sailing !!! even the steaming mechanical sounds of the battleship make their way into the album to make your experience "closer" to this trip .
The expression "moving" is the best for describing the sound : from the ambient electronics that capture your body ...to the classical symphony that captures your brain ... or more accurately your heart !
Neil Tennant was absolutely right affirming that this piece of work is more than background music .
And MUCH MORE !!!...

5 out of 5 stars Correct sync information.......2005-12-25

The prior review refers to a cut of the film (released in U.S. by Image Entertainment) containing a single block of extra footage, beginning at

00:08:22.969 (butcher sniffs meat)

and ending at

00:13:27.573 (begin dishwashing).

If you pause and then resume the soundtrack at these times the rest of the film will be roughly in sync, including the cues previously mentioned. Enjoy!
Carnivàle
Average customer rating: 5 out of 5 stars
  • HBO, you're idiots!
  • best part isn't even by jeff beal
  • "Carnivale" review
  • Carnivale sound track
  • Awesome!
Carnivàle
Jeff Beal
Manufacturer: Varese Sarabande
ProductGroup: Music
Binding: Audio CD

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ASIN: B0006J2GA2
Release Date: 2004-12-14

Tracks:

  1. Carnivale End Title (Ben's Theme)
  2. Dora Mae's Funeral
  3. Carnivale Main Title Theme
  4. Meet Samson, Ben's Dream
  5. Justin At Mr. Chin's (Justin's Theme)
  6. His Name Was Michael
  7. Storm's Coming
  8. Ben Heals The Girl
  9. Rita Sue And Jonesy
  10. Lodz And Ben
  11. The Carnivale Convoy
  12. We Can Be Saved
  13. The Mark Of The Beast
  14. The Silent Film
  15. Fix Up Dora Mae
  16. Black Blizzard
  17. Ben Heals Kerrigan
  18. Justin Calls Iris
  19. Management's Advice
  20. You're The One
  21. The Russian Front
  22. Babylon
  23. Ben Searches the Templar Hall
  24. Sofie Reads The Cards For Ben
  25. Lodz And Management's Plot
  26. Lucky To Have Jonesy (Sofie's Theme)

Amazon.com

HBO's pioneering series takes the dark carnival gambit of Ray Bradbury's Something Wicked This Way Comes, drops it in the bleak heartland of Dust Bowl-era America and jolts it with a compelling undercurrent of Biblical apocalypse. That's no easy dramatic flux to musically evoke, but veteran TV composer Jeff Beal graces the show with cues that seamlessly fuse Appalachian folk traditions with a brooding, goth-inspired ambient gloom. The anxious solo fiddle of the show's theme is a repeating motif, one the composer uses to variously evoke melancholy ("Dora Mae's Funeral"), bittersweet romance ("Rita Sue and Jonesy") or supernatural wonders ("Ben Heals the Girl"). Beal's use of mournful solo horn (as on "Mark of the Beast") often heralds the show's undercurrent of Biblical doom, while his hesitant, haunting piano passages seem to hang in the air for eternity. The evocative cues here stand in stark contrast to the oft-quirky jazz cool of the composer's Emmy-winning work on Monk, ample tribute to Beal's masterful abilities to channel his musical instincts into even the most diverse dramatic material. --Jerry McCulley

Customer Reviews:

5 out of 5 stars HBO, you're idiots!.......2007-05-07

This was a great show, and the music is awesome. Haunting and wistful, it's great in the background when working or taking a bubble bath.

2 out of 5 stars best part isn't even by jeff beal.......2007-03-04

the tone for the shows music was created by wendy melvoin & lisa coleman...the theme they created is the best part of this cd. too bad more of the original music from the first season wasn't included in this compilation. also, just a correction to a previous post; the people who designed the main titles won the emmy, the jeff beal.

5 out of 5 stars "Carnivale" review.......2006-11-04

Without a doubt "Carnivale" is head and shoulders above any series I have seen. There is not a weak point in any of the catagories.
the acting was superb. The Sets were awsome. The music was incredible. The lightening was phenominal.. Great great Series.

5 out of 5 stars Carnivale sound track.......2005-10-07

This is an excellent CD...I love it! There is not a single track that is not worth lisening to.

5 out of 5 stars Awesome!.......2005-08-18

I am a huge fan of "Carnivale" and had hoped from the start for a soundtrack! THANK YOU!!! The music is AWESOME!
Jay & Silent Bob Strike Back
Average customer rating: 4.5 out of 5 stars
  • son's music
  • Jay & Silent Bob Strike Back
  • For Jay and Silent Bob fans only!
  • "What the F*** is the internet"?
  • poop shoot
Jay & Silent Bob Strike Back
Original Soundtrack
Manufacturer: Umvd Labels
ProductGroup: Music
Binding: Audio CD

Movie SoundtracksMovie Soundtracks | Soundtracks | Styles | Music
GeneralGeneral | Soundtracks | Styles | Music
Similar Items:
  1. Clerks: Music From The Motion Picture
  2. Mallrats (1995 Film)
  3. Clerks II
  4. Jay and Silent Bob Strike Back (Dimension Collector's Series)
  5. Dogma: Music from the Motion Picture

ASIN: B00005N8Z4
Release Date: 2001-08-07

Tracks:

  1. Cue Music
  2. Jay's Rap
  3. Kick Some Ass - Stroke 9
  4. Holden on Affleck
  5. Tube of Wonderful - Dave Pirner
  6. Cyber Savvy
  7. Choked Up - Minibar
  8. Doobie Snacks
  9. Magic Carpet Ride - Steppenwolf
  10. Jay & Justice
  11. Bad Medicine - Bon Jovi
  12. Stealing Monkeys
  13. This Is Love - PJ Harvey
  14. Advice From Above
  15. The Devil Song - Marcy Playground
  16. Idiots vs. The Internet
  17. Tougher Than Leather - Run DMC
  18. Willenholly's Woe
  19. Bullets - Bob Schneider
  20. Touching A Brother's Heart
  21. Hiphopper - Thomas Rusiak
  22. Two Thumbs Up
  23. Jackass - Bloodhound Gang
  24. A Smooth Pimp and a Man-Servant
  25. Jungle Love - Morris Day and The Time
  26. NWP
  27. Because I Got High - Afroman
  28. Stop Stealing Monkeys

Amazon.com

The delusional Jay ("a pimped-out Jedi knight," as Bloodhound Gang's "Jackass" has it) and ironic, semi-wise Silent Bob finally get their own Kevin Smith feature and accompanying soundtrack album. A stack of jokingly aggressive, self-deprecating tunes by the Bloodhounds, Stroke 9, and Marcy Playground are augmented by straight-faced rawk from across the spectrum (Steppenwolf, Bon Jovi, PJ Harvey) and a true pick-to-click in Afroman's hilariously blunted hip-hop testament "Because I Got High." Add more than a dozen film sound bites--Jay's recollection of Good Will Hunting as that "movie with a Mork from Ork in it," his electro-goofy "Jay's Rap 2001," and some prime Chris Rock moments among them--and the result is a CD made to order for fans of the dynamic duo. --Rickey Wright

Customer Reviews:

5 out of 5 stars son's music.......2006-11-03

i purchased this for my son and he loved it thank you debbie schreffler

5 out of 5 stars Jay & Silent Bob Strike Back.......2006-08-17

This is one of my favorite movies within the collection of Jay & Silent Bob. It is hilarious. Had me on the floor laughing. This is a must see, must own movie.

4 out of 5 stars For Jay and Silent Bob fans only!.......2005-01-26

I'm a huge Jay and Silent Bob fan (way after the time though, I'm only 17). I'm not really your typical fan either. I'm a straight-A student, ect., ect., but I just can't get enough of these two! Who doesn't appriciate a bit of sick, and usually stupid humor? Actually, my whole family are Kevin Smith fans- Brother, Step-Dad, even Mom. My point is, you'd be surprised how many people love watching honry Jay and sweet, slient Bob in movies.

As far as the movie goes, I wasn't too impressed by it. It was enjoyable, but I guess I just had really high expectations from Kevin Smith. This isn't a review of the movie so...

The CD- very enjoyable! It has a lot of fun soundbites that, yes, bring you right back to memorable movie moments, and lots of fun songs to go with it. But I would only suggest this to majoy Jay and Bob fans; most others will find it... well, stupid. Also, I usually hate the explicit lyrics labels, but, yeah, it fits this time.

Just one last note- Jay's Rap was my favorite! :) Of couse, that is somewhat of a bad thing- I'm constantly getting it stuck in my head and accidently singing it. :P

4 out of 5 stars "What the F*** is the internet"?.......2003-10-27

This soundtrack pretty much follows the same formula as the "Mallrats" cd, soundbite-song-soundbite-song, but the music is more eclectic. There's numerous other soundtracks I wish did that, like "Dumb and Dumber" and "Northern Exposure". Anyway, The music is as diverse as "PJ Harvey", "Bon Jovi", and "Afroman". Not every song is a winner, but most fit. The big plus though is hearing "Jay", "Will Ferrell", and "Chris Rock" between tracks. It will take you right back to the movie, along with some "doobie snacks".

5 out of 5 stars poop shoot.......2003-08-14

i love that movie bye jay and silent bob it is funny
The Science Fiction Album
Average customer rating: 4.5 out of 5 stars
  • The penultimate collection ...
  • Muisic of the Spheres
  • The Ulllllltimate Sci-Fi Music Collection
  • SciFi Album gift
  • Away From to be a Collectible Peace
The Science Fiction Album
Various Artists
Manufacturer: Silva America
ProductGroup: Music
Binding: Audio CD

Movie SoundtracksMovie Soundtracks | Soundtracks | Styles | Music
Star WarsStar Wars | Soundtracks | Styles | Music
Star TrekStar Trek | Soundtracks | Styles | Music
GeneralGeneral | Soundtracks | Styles | Music
Similar Items:
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  4. Sci-Fi Channel - Sci-Fi's Greatest Hits, Vol. 2: The Dark Side
  5. The Fantasy Album

ASIN: B000066HE5
Release Date: 2005-02-08

Tracks:

  1. 2001: A Space Odyssey
  2. Aliens
  3. Sound Effect - The Nostromo
  4. Alien
  5. A.I.
  6. Armageddon
  7. Sound Effect - Apollo 13 Lift-off
  8. Apollo 13
  9. Back To The Future
  10. Battle Beyond The Stars
  11. Battlestar Galactica
  12. The Black Hole
  13. Contact
  14. Capricorn One
  15. Close Encounters of the Third Kind
  16. The Day The Earth Stood Still
  17. Dune

Tracks:

  1. Galaxy Quest
  2. Sound Effect - Dogfight in Space
  3. Enemy Mine
  4. Ghostbusters
  5. Gremlins
  6. Heavy Metal
  7. Independence Day
  8. E.T.
  9. Judge Dredd
  10. The Last Starfighter
  11. Lifeforce
  12. Sound Effect - Crash Landing
  13. Lost In Space
  14. Mars Attacks
  15. The Matrix
  16. Predator
  17. The Right Stuff

Tracks:

  1. Moonraker
  2. Robocop
  3. Silent Running
  4. Sound Effect - Alien Organism
  5. Species
  6. Stargate
  7. Starship Troopers
  8. Starman
  9. Star Trek - TV Theme
  10. Star Trek: The Motion Picture End Title
  11. Klingon Attack
  12. Sound Effect - Warp Drive
  13. Star Trek II: The Wrath of Khan
  14. Star Trek: Deep Space Nine
  15. Star Trek: Generations
  16. Star Trek IV: The Voyage Home

Tracks:

  1. Star Trek VI: The Undiscovered Country
  2. Sound Effect - Transporter Crew
  3. Star Trek: Deep Space Nine - Main Theme
  4. Star Trek First Contact
  5. Star Wars
  6. The Empire Strikes Back
  7. The Empire Strikes Back
  8. Return of the Jedi
  9. Sound Effect - Battle Stations
  10. Star Wars Episode 1: The Phantom Menace - The Flag Parade
  11. Anakin's Theme
  12. The Adventures of Jar Jar
  13. Duel of the Fates
  14. The Time Machine
  15. Things to Come
  16. The Thing From Another World
  17. War of the Worlds
  18. When Worlds Collide
  19. Total Recall
  20. You Only Live Twice
  21. Superman

Customer Reviews:

5 out of 5 stars The penultimate collection ..........2006-12-07

Generally I agree with Strategos in his ecstatic Spotlight Review above. It is a joy to here some of the most memorable themes and cues from some of the most memorable science fiction and fantasy movies (re)recorded in great sound and in lavish (re)orchestrations, played by renowned classical orchestras, namely the City of Prague Philharmonic Orchestra, the Royal Philharmonic Concert Orchestra and the Philharmonia Orchestra, no less.

I have always had a weak spot for (good, or maybe even intelligent) science fiction/fantasy and film music, especially its way of evoking mystery, grandure and wide open spaces. Call it a weakness if you want. But it was maybe really kick started off, for as far as I can remember, with Star Trek. But especially Star Trek II, III and IV - essentially a trilogy - because of their very romantic but very warm, human core, set on the broadest canvasses of unlimited and mysterious outer space. But then there was the music for adding that essential extra dimension of emotion and atmosphere. I am happy that much of the music on this album is from the Star Trek series and films, often equaling or sometimes even outclassing the original recordings.

This kind of music (for the movies) should be seen as an art on its own rights with its own merits and qualities. As such, the musical sequences on these CD's are a beautifully played cross section of some of the most evoking orchestral music for science fiction/fantasy film ever created. And I very much like the nicely blended, wide and deep orchestral soundpicture with enough reverberation to evoke a sense of wide open spaces.
I am quite thrilled by tracks like the evocative music from Dune, truly transporting one to the vastly sands of Arrakis (the music is wonderful, but to my great regret I think the movie itself is a flawed masterpiece at best, alas.). And then there is the very different, goofy music for Ghostbusters (memories of childhood), the spoofy but electrifying music from Mars Attacks (lovingly parodist music, this, with not a little touch of irony) and the happily adventurous, forward driving Theme from Galaxy Quest ('Never give up, never surrender!'), now also used for the internet-based fan-series Star Trek: The Hidden Frontier. On the other side of the spectrum we have the atmospheric music for Enemy Mine (an underestimated 'little' movie), the Theme from The Right Stuff (actually science FACT, not fiction, this film, just like Apollo 13, of course), the eerily attractive music for Species, the original End Title for Alien (not used in the theatrical version of the movie, where it was replaced by music from howard Hanson's Second Symphony), the exquisitely exotic music for Stargate, the sweet and warmly sympathetic, beautifully re-orchestrated, theme for Starman, the title cue for Star Trek: TOS (much more melodiously played than the original! If only a series nowadays could continue to be as thought provoking and as original as Star Trek was during its launch, fourty years ago ...) and a truly overpowering End Titles Suite from Star Trek VI: The Undiscovered Country. I especially like the thrillingly grandiloquent rendition here of the music for Star Trek II: The Wrath of Khan. And how nice it is to hear the (thematic) similarities between James Horner's music for The Wrath of Khan, his great break-through as a film music composer, and his (two years) earlier music for Battle Beyond the Stars (which did indeed help him earn the job for writing the music for Star Trek II) ...

But on the 'down side', if one is looking for - for example - the gorgeously expansively played End Titles from Cocoon, it is not included here: one has to acquire the album that 'kicked it all off', so to say, namely 'Space and Beyond', also on Silva Screen. I was very pleased also with the inclusion on that album of some of the music from the series Star Trek: The Next Generation, namely where one of the characters, Tasha Yar, in one of the episodes (Skin of Evil) is saying goodbye to her crewmmates: sweetly sentimental and simple music which I have always wanted to own on CD. I guess that a few cues from the other two sequals ('Alien Invasion: Space and Beyond II' and 'Space3: Beyond the Final Frontier') didn't make it onto this 4 CD collection-album as well, but I guess that it would be the 'better part of the bargain' to opt to buy this 'The Science Fiction Album' instead of buying all three albums separately. Well, of course it is for yourself to ultimately decide what you really want ;-)

If I were to nitpick (which is not easy with such a marvellous project as this one), then I would say that while all music is performed with magnificent grandure and with style, some of it is not performed as crisply and as technically 'on the spot' as some of the original recordings: ensemble is a little slack and the playing somewhat stilted sometimes, losing some of the edge and the originality of the writing. ET and Star Wars spring to mind, but then the soundtracks for Star Wars are traditionally recorded with the magnificent London Symphony Orchestra, conducted by maestro John Williams himself, and these superior recordings (especially the ones for Episode I, II and III) can't really be bettered, IMHO. Likewise for the music from Star Trek: The Motion Picture, I believe that in the end one really has to resort to the ultimate reference, namely the original recording (which is true in many other instances of 'original recordings'), and then the 20th anniversay colector's edition of this soundtrack on Columbia/Legacy (truly unmissable, this veritable classic of sci-fi/film music soundtracks!).

But all in all this 4CD-collection amounts to probably being the penultimate high quality sci-fi music album collection (I certainly know of no other project that comes as close quality as well as quantity wise), with some of the most memorable musical moments from classic to modern sci-fi/fantasy film captured in lavish orchestrations.
Collection-wise: five *stars*. Playing: generally four *stars*, sometimes more. The recording quality: five *stars*. The music (qualified on its own merits as film music) and its (re)orchestrations: generally five *stars*. In the end this is all highly recommended, and certainly not to be missed by science fiction and fantasy film music fans. Klaatu barada nikto.

5 out of 5 stars Muisic of the Spheres.......2006-11-06

You wonderful four disk collection of SF music. It startsa up the the grand master of SF music, 2001: A space Odyssey all the way to Superman. This is all American SF music and several themes I would have liked to have included are not there. All in all though, a collection you will enjoy.

5 out of 5 stars The Ulllllltimate Sci-Fi Music Collection.......2005-10-23

If one person gives great gifts, it's the illustrious Codemaster Talon. I've received a fair number of gifts in my lifetime, but so far, my older sister's take the cake. Take this one for instance. I'm real big on orchestral music, to the point where I listen to them more than any other kind of music. I've got orchestral versions of video game themes, orchestral soundtracks to truck-loads of anime shows (Big O, Escaflowne, and Giant Robo are incredible), and could probably spend the rest of my life just trying to study the nuances of all the classical music I've got. Being such a huge fan of orchestral music, I also have come to believe that orchestra music produced for movies and television is the new classical music (or as someone once said, Mozart would be making music for movies if he were alive today). Being a huge sci-fi fan, that kind of music has always been particularly near and dear to my heart. But were I to buy each and every soundtrack for every sci-fi I liked it would cost quite a bundle, and would include a lot of sub-par music along with the grandiose and fantastic main and memorable themes. That's where this beauty comes in.

The moment I ripped off the shrink-wrap and popped it into my cd player was a moment of great trepidation. Believe me when I tell that I've seen my fair share of sub-par orchestral recording in my lifetime. Very often they are in those big super-packs of music, and suffer from poor direction, improper mastering, and sometime even pathetic orchestration (or worse yet have something sounding like a cheap synthesizer and a kazoo in place of a full orchestra). I needn't have worried though. This sucker is fantastic.

Many people who are not audiophiles will probably miss the point of this cd collection. It is not the original versions of the pieces. It is re-orchestrations, mostly by the phenomenal Prague Symphony Orchestra. Many of these themes didn't sound all that hot in there original versions because they were low budget films or were not recorded in high-fidelity. Here they are given the full treatment, mastered with the most loving care imaginable. Often the version found in these cds is SUPERIOR to the original.

Remember the theme from 2001: A Space Odyssey? Of course you do. But how many times have you heard a cheap imitation of the original version from the movie, starting too low in volume and ending too high (and missing the essential pipe-organ that gives it that extra oomph)? Well, this first track in the entire collection is not only everything it should be instrumental and timing-wise, but it also has been oh-so-carefully adjusted during the mastering process so that at no time is the music either too low or too high in volume (surely a benchmark for every other recording ever to be made of the piece).

Or what about the theme from the (at-the-time) uber-creepy The Black Hole? The orchestration of this piece of music goes from tiumphant to terrifying and back again, with a splendor and cleanness that I CERTAINLY don't remember being in the original recording.

Then there's the new version of the theme from Independence Day, complete with a violin solo, a far more electrifying ending climax, and a chorus so thunderous that you feel like applauding at the end. Simply indescribable. Kind of like the MIND-BLOWING rendition of the theme from The Last Star Fighter. This has been one of my favorite themes for a long time now, but I've never heard it played like this. I think the original version of the theme is something like 1 minute long, but this new version doesn't just fade out (HAHAHAHA!!!!) THIS version is THREE minutes long, goes through the main theme THREE times, with the final strains being so triumphant and joyous I could not help but feel an electrifying charge the first dozen or so times (come to think of it, I still feel that way). This is superior to the original in EVERY way. AWESOME.

And let's not forget the incredible new rendition of Stargate with it's heavy use of clarinets (for Egyptian effect!) and a triumphant new ending (completely lacking the chanting from the original version. This version is so different that for the first minute it is very hard to tell that it is in fact Stargate. But then the main theme kicks in, and then you get this incredible flute solo for my favorite part of theme (the whole thing is played slower, but arguably more powerfully than the original). My goodness. At first I found the thing so different I didn't like it. But then I listened to it again. And again. And again.

I could go on and on, talking about the fantastic new rendition of Moon Raker, the ear-popping Battlestar Galactica, the classic Star Trek (First Contact has a minute or two of the theme from Star Trek:The Motion Picture before going into the main theme), or the sweet renditions of music from the Star Wars movies (or the music from E.T.).

I have to mention though that this collection was not picked based merely on what people want, or on what is popular. No, the people who made it obviously thought a GOOD music collection was better than a popular one. That's why you get a heartbreakingly beautiful theme from A.I. instead of the main theme. It's why you get music from movies that you probably never gave a second thought to the music (because the movie was lousy). It's why you get Armageddon, Judge Dredd, and Robocop (who would have guessed their music was so COOL when there was all that crazy action and bad-acting going on on-screen).

I said it before and I'll say it again. This cd-set was mastered with tender-loving-care, and it shows BIG-TIME. High-fidelity the likes of which I have not seen since the days when cds were brand-new in the world. Dolby Surround. Perfectly balanced. BEAUTIUFL orchestrations. About the only thing that makes me scratch my head is the weird sound-effect tracks (Oooookay.....). Other than that, it's PERFECT. Obviously they could not include every sci-fi theme ever (no one can), but this collection is REALLY GOOD. A lot of great themes that got away (forgotten gems :), new versions of old favorites, and under-appreciated classics aplenty, but ALWAYS the full and complete versions with nothing cut-out (the theme from Dune is quite extended).

If you love movie music (and sci-fi movie music in particular) you MUST buy this awesome collection). It is not the original recordings. Almost always the new ones are better (if they aren't better they're just equal). This is what you have been waiting for. I for one am going to be buying quite a few cds from this company in the future. Give your ears the treat they deserve. Buy it NOW.

5 out of 5 stars SciFi Album gift.......2005-07-20

I bought the Science Fiction Album as a gift for my son who is twenty-one years old. He is a musician, and also a huge fan of many SciFi shows and movies. I thought this would be the perfect thing for him and I was right. He loves it!

3 out of 5 stars Away From to be a Collectible Peace.......2004-12-16

If you like Sci-Fi movies and want a compilation of their important scores, this is the CD-set to buy. But let me warn you about that very few songs in the cds are from the original soundtracks. Most of them is re-recorded by The City of Prague Philharmonic Orchestra. But the sound quality of cds are very good, because they have HDCD and Dolby Surround labels. This set is away from to be a collectible peace, but it is a good general compilation of favorite Sci-Fi movie scores.
Joy to the World
Average customer rating: 5 out of 5 stars
  • A Timeless Christmas Classic
Joy to the World
Mormon Tabernacle Choir
Manufacturer: Sony
ProductGroup: Music
Binding: Audio CD

GeneralGeneral | Soundtracks | Styles | Music
GeneralGeneral | Classical | Styles | Music
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Similar Items:
  1. Silent Night: The Greatest Hits of Christmas
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  5. The Essential Mormon Tabernacle Choir

ASIN: B00006L3ON
Release Date: 2002-10-08

Tracks:

  1. Joy To The World
  2. The First Noel
  3. Deck The Hall
  4. Carol Of The Bells
  5. O Come, O Come, Emmanuel
  6. We Wish You A Merry Christmas
  7. O Come, All Ye Faithful
  8. O, Holy Night
  9. Hark! The Herald Angels Sing
  10. Here We Come A-Caroling
  11. O Tannenbaum
  12. Silent Night
  13. Have Yourself A Merry Little Christmas
  14. The Christmas Song (Chestnuts Roasting On An Open Fire)
  15. Hallelujah Chorus (From Messiah)

Amazon.com

The Mormon Tabernacle Choir sets the tone for what Christmas albums should sound like, and Joy to the World upholds their exacting standard of excellence. Re-released from two concerts recorded in 1970 and 1977 and repacked with three bonus tracks, this collection is as perfect as it gets, thanks to pristine production, gorgeous vocal arrangements, and stately accompaniment by the Philadelphia Brass Ensemble, the Philadelphia Orchestra, and the Columbia Symphony Orchestra. This record will set the mood for reveling, both with more contemporary carols, like "Have Yourself a Merry Little Christmas" and "The Christmas Song," and sacred numbers, such as Handel's "Hallelujah Chorus" and "O Holy Night." Joy to the World qualifies as an essential yuletide album. --Jaan Uhelszki

Customer Reviews:

5 out of 5 stars A Timeless Christmas Classic.......2003-12-08

I'm a lover of traditional Christmas music and I've acquired about 20 CDs of it. There's nothing my family likes better in December than putting on some good Christmas music and getting in the mood for the season, hearing once again the old favorites you've known since childhood. Of all the Christmas music CDs I've tried, I have two desert-island favorites, the two I always reach for first. This is one of them. I think it's one of the greatest recordings of traditional Christmas music ever made. The arrangements (by Arthur Harris) are joyous, beautiful, and soul-stirring; the performances are heartfelt and magnificent. If you can listen to this CD and not feel filled by the Christmas spirit, you must be (a) named Ebeneezer Scrooge, or (b) deaf. This one is a timeless Christmas classic, not to be missed. Warmest recommendation.
The Songs That Got Away
Average customer rating: 3.5 out of 5 stars
  • For Fans of Broadway (Sondheim, Hamlisch & Bernstein e.g.):
  • The songs that didn't get away
  • Songs that showcase Sarah's theatrical gifts
  • Good, for Sarah Brightman
  • Pleasant, but not up to standard
The Songs That Got Away

Manufacturer: Decca Broadway
ProductGroup: Music
Binding: Audio CD

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Similar Items:
  1. Dive
  2. Surrender
  3. The Trees They Grow So High
  4. Fly
  5. Love Changes Everything: The Andrew Lloyd Webber Collection, Vol. 2

ASIN: B000005S0R
Release Date: 1999-11-16

Tracks:

  1. Meadowlark
  2. I Am Going To Like It Here
  3. I Remember
  4. Mr. Monotony
  5. Dreamers
  6. Silent Heart
  7. Lud's Wedding
  8. Three-Cornered Tune
  9. If I Ever Fall In Love Again - Sarah Brightman Sarah Brightman
  10. What Makes Me Love Him?
  11. Chi Il Bel Sogno Di Doretta
  12. Away From You
  13. If Love Were All
  14. Half A Moment - Sarah Brightman Sarah Brightman

Amazon.com

For those Sarah Brightman fans who didn't spring for The Songs That Got Away when it was a pricey import, this domestic release will be a must-buy. Originally recorded in 1989 shortly after she achieved international fame in The Phantom of the Opera, the album spotlights obscure American and British musical theater songs that either were removed from shows or were "lost" when the shows themselves slipped out of the repertoire. (Of course, some of the songs aren't nearly as obscure as they were in 1989--the opening track, Stephen Schwartz's soaring "Meadowlark," has since been claimed by Liz Callaway, Patti LuPone, and Betty Buckley, while Stephen Sondheim's "I Remember"--well suited to Brightman's glasslike tones--is now recognized as one of his most gorgeous and haunting compositions.) Brightman performs well on this diverse collection of entertaining and often lovely songs, including an early draft of Frank Loesser's "Fugue for Tinhorns," here sung as a triple-tracked, lilting waltz, and the Puccini aria "Chi il bel sogno di doretta," which foreshadows her later, more ambitious crossover projects. There's also a tune from Jeeves by then-husband Andrew Lloyd Webber, who produced this album not long before he and Brightman divorced in 1990. --David Horiuchi

Customer Reviews:

4 out of 5 stars For Fans of Broadway (Sondheim, Hamlisch & Bernstein e.g.):.......2007-02-24

This is an interesting and surprising production that showcases the vocal prowess of Sara Brightman. It is not however, representative of the new and highly overproduced vocal productions that constitute her newer recordings. Although this production really allows the listener to hear a very melodic and unencumbered vocal performance, as it is pleasing in it's simplicity, yet meant for the more discriminating listener. Fans of Irving Berlin, Andrew Lloyd Weber, and Richard Rodgers will feel right at home here. For those seeking another major sonic production as in Eden, La Luna, Dive, or The Harem Tour this is not it! My criticism is not of her vocal prowess or production values but the apparently endless array of previously released material offered as a new and different recording. But I suppose that this is rather due to the greedy objectives of of A&M Records just trying to go to the bank, often and laden heavy with dollars. Nothing that any label wouldn't try to do. My advice with Sara Brightman is "caveat emptor" (buyer beware) check the disc carefully for redundancy of tracks within her discography. If you're a fan of this genre of music, you will probably respond quite well to this recording.

5 out of 5 stars The songs that didn't get away.......2004-02-12

This is one of my favorite albums by Sarah. She surprised me with her ability to go from light opera to jazz. Here we don't find the over-produced albums such as Harem, just a superbly trained voice. No little girl breathy tunes here, just solid performances. This is the Sarah Brightman that I like to remember and enjoy. If you see this album and you're a Sarah Brightman fan, pick it up and treasure it. I'd like to see her do more of thisgenre, where she showcases her voice. Who ever thinks that Sarah has a small voice will be convinced otherwise by this album.

4 out of 5 stars Songs that showcase Sarah's theatrical gifts.......2003-12-11

Before experimental albums like Dive and Fly, as well as the ones where her classically-trained voice enchanted millions, Sarah Brightman did a collection of musical and theatrical songs originally released in 1989, but reissued when she made it big with Time To Say Goodbye. Her vocal style leans towards the theatrical Broadway side, but more mellowed. But on songs like the strings-laden mid-tempo "Meadowlark" from Stephen Schwartz's The Baker's Wife, the way she would later do splendidly interpret Lloyd Webber's songs is in the making. Here are other highlights, including those that were reissued on Sarah's Encore album (2002).

Stephen Sondheim's "I Remember" is a sad ballad told from the POV of a window mannequin remembering the sights it has experienced throughout the seasons, but the memories are now hazy and at the end, it sings, "At times I think/I would gladly die/for a day of sky."

Some songs like "Lud's Wedding" from Bernstein's failed bicentennial musical, only seem to work due to Sarah's voice. Ditto for the simple "Three-Cornered Tune." Consisting of three verses, each repeated twice. However, Irving Berlin's "Mr. Monotony", a tune understandably cut from Easter Parade, is not a particularly inspiring song.

Marvin Hamlisch's "Dreamers" is one of my favourites here, as I have affinity to it, and I'm sure Sarah is one at heart as well. "Only dreamers have wings with which to fly far away", as in their own fantasies, but unfortunately, "sometimes dreamers are forced to leave their dreams far away", i.e. the harshness of reality. However, it paints them in a positive light and states that everyone needs to have some sort of dream "to take time to find treasures and mountains we can climb."

"Silent Heart" really showcases Sarah's voices, on how some things the heart is best left silent, as in things that really thrill it. "If I Ever Fall In Love Again" is taken from The Crooked Mile and is a nice love song Sarah really wraps herself in.

"Chi Il Bel Sogno Di Doretta" from Puccini's La Rondine is a great showcase of the operatic voice that would come into full bloom on Time To Say Goodbye. This song would be reissued on Encore.

"Away From You" by Richard Rodgers, and taken from a musical biog of Henry VIII (!!!). "The clocks are frozen and time's a traveler who's lost his way" is one of the sentiments Sarah conveys effectively. Also reissued on Encore.

"If love were all, I should be lonely" sings Sarah from Noel Coward's Bittersweet, "If Love Were All" was the one song that stood out for me when I first heard this CD. The ability of a talent to amuse is seen as a solid standing for mental security. A definite standout here.

From Lloyd Webber's Jeeves, the lush strings of "Half A Moment" features the vocal stylings familiar enough to those who have Sarah's Andrew Lloyd Webber Collection. It focuses on how important the capture of a moment to bright up a future rainy day is. Also reissued on Encore.

Initially, I dismissed this as the songs that should've stayed away. Although they lack the magical punch of Time To Say Goodbye or La Luna, it's still a worthwhile collection, because Sarah's clear birdlike theatrical/musicals voice makes it all worthwhile.

2 out of 5 stars Good, for Sarah Brightman.......2003-08-25

Some people just love Sarah's voice, but I don't see what's so special about it. She sings in two sorts of ways, the first one is lovely, simple, forgetable, and the other sounds like Stitch with a high voice. This CD does her justice, though. A lot of the tunes are catchy and nice (how she sings them could be better) but the one I really like is "Three cornered tune." Now that's a good song! She does not have a particularly bad voice, but nothing interesting - that's for sure. And when she tries to act in her music she sounds even worse! But that's alright. After all, everyone has a different style. A highlight of this CD includes "Mr. Monotony," which, unfortunatly, did not come with lyrics in the CD case. Too bad, because its a great song. At the end of this record, though, she writes about these songs and - wow! It is amazing how many shows that song was taken out of! At one point it said it had Judy Garland singing it, and when I try to imagine her doing it I know that must have been awesome. I really want to hear Judy Garland singing this song sometime. Maybe I'll find it here on Amazon... But anyway, back to Sarah Brightman. The only other thing I can think of to say at the moment is that from what I've heard of her records, this is as good as it gets. And also, the track titled "Dreamers" is nice. I like the tune and she doesn't sing it too bad, either. It would be a good song to be played at a graduation. Only after a while the sound of it gets a little creepy and annoying. And its sticky, too. "Silent heart" is a classic, though she shouldn't sing it twice. For you see, she sings it, and then you think, "Ah, that's a sweet song. Wonderful words, soft tune," and the music gets at a great stoping point and then comes back for an encore (as one of Sarah's other records is titled). And then we have to listen to it all over again - and its not as good the second time. So overall is it good? Yes, it is. Though perhaps not good enough.

3 out of 5 stars Pleasant, but not up to standard.......2003-06-22

I love Sarah Brightman's singing and her musical style as presented on Eden and La Luna. This CD is completely different in style from those two. I find it enjoyable, but it is not my favorite. Her singing is nothing special on this CD, it doesn't display her vocal range or talent in the way that her other CDs do, especially her CD "Surrender", her vocals are absolutely stunning on that CD.

Music:

  1. Sing Loud, Sing Proud
  2. Sonic Flower Groove
  3. Sonic Sunday
  4. Sound Affects [Import] [Limited Edition] [Original recording remastered]
  5. Sound of Speed
  6. Space Age Tranceology
  7. Spatial
  8. Spilled Drinks Can Lead To Chaos And Mass Destruction
  9. Standards
  10. Telling Lies [CD-single]

Music

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Minoru Miki Selected Works II: Concerto Requiem, for 20-String Koto & Japanese Instruments / Hanayagi (The Greeting) / Autumn Fantasy, for Shakuhachi & 20-String Koto / Sao-no-Kyoku (Venus in Spring) / Tatsuta-no-Kyoku (Venus in Autumn)

Purple Room

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Mas Ranchero Que Nunca

Aki Takahashi Plays Morton Feldman

George Antheil: Piano Concertos Nos. 1 & 2; a Jazz Symphony; Jazz Sonata