F-Line [Explicit Lyrics]

Editorial Reviews
About the Artist
F-Line was formed in Aberdeen, WA IN 1999. Five guys from totally different musical backgrounds came together for one singular purpose. To rock!

Album Description
A great hard rock album with something for everyone.

Tracks:

Checkmate: Prologue - The Players
Checkmate: Dance Of The Red Pawns
Checkmate: Dance Of The Four Knights
Checkmate: Entry Of The Black Queen
Checkmate: The Red Knight's Mazurka
Checkmate: Ceremony Of The Red Bishops
Checkmate: Entry Of The Red Castles
Checkmate: Entry Of The Red King And Queen
Checkmate: The Attack
Checkmate: The Duel
Checkmate: The Black Queen Dances
Checkmate: Finale - Checkmate
The Prospect Before Us: Scene 1 No: 1 Allegro Assai
The Prospect Before Us: Scene 1 No: 2 Vivace
The Prospect Before Us: Scene 1 No: 3 Tempo Di Gavotta
The Prospect Before Us: Scene 1 No: 4 Menuetto
The Prospect Before Us: Scene 1 No: 5 Adagio
The Prospect Before Us: Scene 2 Allegro
The Prospect Before Us: Scene 3 No: 1 Vivace
The Prospect Before Us: Scene 3 No: 2 Allegro Ma Non Troppo
The Prospect Before Us: Scene 4 No: 1 Andante
The Prospect Before Us: Scene 4 No: 2 Allegro
The Prospect Before Us: Scene 4 No: 3 Andante
The Prospect Before Us: Scene 4 No: 4 Vivace
The Prospect Before Us: Scene 5 Ov - Larghetto
The Prospect Before Us: Scene 5 No: 1 Allegro
The Prospect Before Us: Scene 5 No: 2 Pondoroso
The Prospect Before Us: Scene 5 No: 3 Bouree
The Prospect Before Us: Scene 7 No: 1 Balletto Grazioso
The Prospect Before Us: Scene 7 No: 2 Gavot
The Prospect Before Us: Scene 7 No: 3 Jigg
The Prospect Before Us: Scene 7 Finale - Adagio
The Prospect Before Us: Scene 7 Finale - Menuetto

Tracks:

The Rake's Progress: Prld
The Rake's Progress: The Reception
The Rake's Progress: The Dancing Lesson (Menuetto Galante)
The Rake's Progress: The Orgy (Rondo)
The Rake's Progress: The Faithful Girl (Loure)
The Rake's Progress: The Gambling Den (Gigue)
The Rake's Progress: Outside The Prison Gates (Saraband)
The Rake's Progress: The Mad House (Quod Libet)
The Haunted Ballroom: Scene 1
The Haunted Ballroom: Interlude
The Haunted Ballroom: Scene 2
The Haunted Ballroom: Scene 3

Average customer rating:

Disappointing..
Yes, Jazz but no much
More jazz than Bach
Papa Bach boogies! Oh, yeah!
interesting

Bach to the Beatles

Manufacturer: White Line
ProductGroup: Music
Binding: Audio CD

Suites | Forms & Genres | Classical | Styles | Music

General | Classical | Styles | Music

General | Chamber Music | Classical | Styles | Music

General | Opera & Vocal | Styles | Music

Cantatas | Vocal Non-Opera | Opera & Vocal | Styles | Music

General | Jazz | Styles | Music

Latin Jazz | Jazz | Styles | Music

Vocal Jazz General | Vocal Jazz | Jazz | Styles | Music

Smooth Jazz | Jazz | Styles | Music

Folk | Latin Music | Styles | Music
Similar Items:

Cello Submarine: Beatles Classics by the 12 Cellists of the Berlin Philharmonic
Bach Meets the Beatles: Revisited
Bach >> Beatles >> Bluegrass
The Beatles Gregorian Songbook
Arthur Fiedler & The Boston Pops Play the Beatles

ASIN: B0000030XV
Release Date: 1993-12-21

Tracks:

All My Loving
Jesu, Joy Of Man's Desiring
A Hard Day's Night
Groovy Gavotte II
The Long And Winding Road
Air On A G String
Can't Buy Me Love
Minuet
Yesterday
Aria
Hey Jude
D Minor Double
Michelle
Jig
Norwegian Wood
Sleepers Awake
Eleanor Rigby
Sicilienne
Here, There And Everywhere
Brandenburg Boogie

Customer Reviews:

Disappointing.........2006-06-29

Not worth the money or time and trouble ordering this product. I just did not like it!!!!

Yes, Jazz but no much.......2006-02-24

This CD is very smooth to ear. The player trio is fine. The flute (Elena Duran) is more present on Beatles music, Grapelli (violin) presents a splendid violin solo on Bach music (his Air On A G String violin solo is unforgettable). The jazzistic components are presented by bass, drums and piano, but they're not enough to give a genuine jazz touch to this disc, I think so. If you want mor jazzistic features for Bach and Beatles music, you must ear Swingle Singers and Jacques Loussier.

More jazz than Bach.......2004-05-20

Given the title of this album, I was expecting arrangements of a baroque nature; that's not what they've done, however. There are renditions of 19 Beatles tunes done in a style that is largely of the light, sprightly jazz variety, and a similar treatment of a theme from Bach's Brandenburg No. 2. If you like this kind of thing, the recording quality is excellent and the players are good at what they do; the performance is very fluid (to my ear) and the sound is crisp. It is not, however, a baroque adaptation of modern material; the style of performance is merely shifted from rock to acoustical jazz ensemble with embellishments to match. Unfortunately, the moods of the original pieces do not always match the moods of the versions here, and some of the arrangements venture off into other styles in places as well. If I hadn't been expecting something else, I'd probably have liked this CD more.

Papa Bach boogies! Oh, yeah!.......2004-04-06

You are welcome to the Beatles cuts on this CD. The Bach tracks are what make it worth the price.

Don't get me wrong. I love the Beatles, but honestly, the works of Lennon and McCartney do not easily adapt to the jazz trio style. It's more like being pummeled into submission. What's left is better heard in a vertically moving metal booth with a panel of numbered buttons next to its automatic sliding doors (OK, OK, I'll say it! It's ELEVATOR MUSIC!). ::whew::

The Bach selections, quite the opposite, are as at home with a cup of strong black coffee at a bistro table for two as they are on a picnic with an 8-piece spicy chicken dinner from Popeye's (red beans and rice, please). It's only right. Bach was, after all, such an improviser that some of his compositions consist of 2 or 3 chords. It was up to the performer to put SOMETHING between those chords.

When these recordings were originally released on the Angel Records digital LP "Brandenburg Boogie," the titular track was the opening salvo. Here, it's saved for last and very well indeed it serves as a finale to the works that precede it.

"Jesu, Joy of Man's Desiring" sways in a hammock nudged by the breezes of Stephane Grappelli's violin and Elena Duran's flute while Laurie Holloway's piano work sparkles like sunlight filtering through the leaves.

"Groovy Gavotte," based on the Gavotte from French Suite for keyboard No. 5 in G major struts along like an iron-pumping peacock with attitude. Grappelli sits this one out while Duran plays straight lady to Holloway's key-pounding improvisation evocative of that peacock whomping the snot out of a hawk that tried to have him for lunch.

Everyone who records Bach records "Air on the G String." Maybe it's some kind of RIAA reguirement but here, the most mellow cut on the whole disc, is where the whole trio seems to be at their most adventurous. Even Duran nudges her flute outside the dots and lines more than on any other cut.

The Minuet from the Little Notebook for Anna Magdalena Bach returns to the norm with Duran once again playing the melody as straight as an arrow while Holloway comes back with the kinds of electric piano riffs you only hear in those previously smoke-filled jazz clubs.

The aria from Cantata No. 30 starts off like a ride in a swing at the park but soon soars over town like a hot-air balloon. Duran's octave leap on the closing bars is a true high point of the disc.

What do you do when you have only one violin but you're playing a movement from the "Double" Violin Concerto? You have Elena play one violin part on her flute while Stephane rocks on his violin and Laurie rolls on his keyboards. Yes, it's been done on classical recordings before but never like this.

The Gigue in B flat major gives the listener and the performers a chance to cool down with a stretch. Once more, one notes Duran's careful note-for-note playing contrasted by Grappelli's sonic leaps and bounds.

The other must-record piece is "Wauchet Auf". Grappelli's improvisation dances around Duran's presentation of the melody. Then, Stephane takes center stage and challenges Laurie to a violin versus electric piano showdown at twenty paces. Who wins? Does it matter?

The Sicilienne from the Sonata for harpsichord and flute exudes an air of mystery and lulls the listener into a sort of calm before a musical storm of Bayou hurricane proportions.

That storm arrives when the trio gets down on "Brandenburg Boogie", modeled after the first movement of the second Brandenburg Concerto. In its original form, the piece was once described as "Dixieland Baroque," all the more fitting for this performance. Grappelli and Holloway provide the most raucous moments while Duran's flute keeps order. Everything culminates in a sort of musical "Oh, yeah!" that leaves the listener both invigorated and out of breath.

interesting.......2002-06-20

This mix of baroque touch and beatle melody results in true pleasure for the ear.

Average customer rating:

Reverie

Manufacturer: White Line
ProductGroup: Music
Binding: Audio CD

Dances | Ballets & Dances | Classical | Styles | Music

Pavanes | Ballets & Dances | Classical | Styles | Music

Etudes | Forms & Genres | Classical | Styles | Music

General | Classical | Styles | Music

General | Chamber Music | Classical | Styles | Music

General | Opera & Vocal | Styles | Music

Cantatas | Vocal Non-Opera | Opera & Vocal | Styles | Music

General | Jazz | Styles | Music
ASIN: B0000030Y3
Release Date: 1993-12-22

Tracks:

Reverie
Arabesque No.1
Ste Bergamasque: Clair De Lune
Etude, Op.42 No.4
Sleepers Awake!
Jesu, Joy Of Man's Desiring
The Lark
Alt Wien
Le Carnaval Des Animaux: The Swan
Arabesque in C, Op.18
Kinderszenen: Traumerei, Op.15 No.7
Intermezzo in A, Op.118 No.2
Lyric Pieces Book 3: Butterfly, Op.43 No.1
Lyric Pieces Book 5: Nocturne, Op.54 No.4
Le Tombeau De Couperin: Forlane
Pavane Pour Une Infante Defunte

British Light Music, Vol. 6: Discoveries

Average customer rating:

British Light Music, Vol. 6: Discoveries

Manufacturer: White Line
ProductGroup: Music
Binding: Audio CD

General | Symphonies | Classical | Styles | Music

General | Classical | Styles | Music

Movie Scores | Soundtracks | Styles | Music

Movie Soundtracks | Soundtracks | Styles | Music
Similar Items:

British Light Music Discoveries, Vol. 4
British Light Music Discoveries
British Light Music: Discoveries 5
British Light Music World Premieres
British Light Music Discoveries 3

ASIN: B00025OHIO
Release Date: 2004-07-27

Tracks:

March Past The Royal Air Force - Royal Ballet Sinfonia
Prologue - Michael Allen
Night Flight - Michael Allen
Remembrance - Michael Allen
Manhunt - Michael Allen
Spirit Of The Lake - Michael Allen
Londonderry Air - Royal Ballet Sinfonia
Rondo in A Flat - Alan MacLean
Overture 1912 - Royal Ballet Sinfonia
Tarka The Otter - City Of Prague Philharmonic Orchestra
Serenata: Mother And Child - City Of Prague Philharmonic Orchestra
Fallingwater - London Symphony Orchestra
Guggenheim NYC - London Symphony Orchestra
Solar Hemicycle - London Symphony Orchestra
Wingspread - London Symphony Orchestra

Average customer rating:

A Real Find!
An Ambitious Interpretation of Gershwin's Pianism
Authentic is a misused word, but this time it really applies

The Authentic George Gershwin, Vol. 1

Manufacturer: White Line
ProductGroup: Music
Binding: Audio CD

General | Classical | Styles | Music

General | Jazz | Styles | Music

Swing General | Swing Jazz | Jazz | Styles | Music

Vocal Jazz General | Vocal Jazz | Jazz | Styles | Music

General | Easy Listening | Pop | Styles | Music
ASIN: B0000030YA
Release Date: 1993-11-02

Tracks:

Swanee
Come To The Moon
I Was So Young (You Were So Beautiful)
Tee-Oodle-Um-Bum-Bo
Nobody But You
Limehouse Night
Drifting Alone With The Tide
Rhapsody In Blue
Oh Lady Be Good!
Fascinating Rhythm
Hang On To Me
I'd Rather Charleston
The Man I Love
The Half Of It, Dearie, Blues
So Am I
Kickin' The Clouds Away
Con in F

Customer Reviews:

A Real Find!.......2003-08-20

This CD was released in about 1992 but somehow I'd never run across it. I was interested because Jack Gibbons is a pianist I very much admire, primarily for his superb 2CD recording of the minor key études of Alkan, the kind of music that makes even piano virtuosos have nightmares because of their difficulty. One thing I noted in Gibbons's Alkan release was his loose and easy sense of rhythm. So, thought I, maybe he can do Gershwin the way he was meant to be played. And sure enough, he can and does.

These are mostly recreations from the piano roll elaborations that Gershwin recorded himself. Unfortunately the technology at the time Gershwin made them was fairly primitive and it created a kind of rhythmic strait-jacket for his playing. So what Gibbons has done is play the same notes Gershwin played, but subtly free the rhythms so that they sound spontaneous. And do they!

The CD includes a solo piano version of 'Rhapsody in Blue' based on Gershwin's own two-piano arrangement. Also recorded is the slow movement from the 'Concerto in F.' Both are done beautifully.

There is a dynamite performance of 'I'd Rather Charleston,' a tune hardly remembered today. And then there's Gershwin's own patented version (here perfectly mimicked) of 'Fascinating Rhythm.' And on and on.

This is 67 minutes of sheer joy!

Scott Morrison

An Ambitious Interpretation of Gershwin's Pianism.......2002-02-25

Jack Gibbons does a remarkable job in performing his transcriptions of Gershwin's works -- TOO remarkable that is. Each track easily displays Gibbons' technical gifts as a pianist but this is the rare case where it actually works against him. Listen to the original recordings of Gershwin himself playing these works of his and you'll see how EASILY the music flows whereas Gibbons' performance projects that "hard-work" atmosphere; you can hear Gibbons concentrating more on playing everything exactly "right" instead of having plain, flat-out fun. This is not surprising considering Gershwin's pianistic style was shaped by the free-wheeling, Harlem stride-piano masters whereas Gibbons was no doubt a classically-trained pianist where typically each and every single note must be played with proper dynamics and tempo (Gershwin didn't vary his dynamics nor tempo as often as many believe). Still, Jack Gibbons' "The Authentic George Gershwin" series is hands-down the best window into the artistry of George Gershwin's piano playing style. High praise should be given to Gibbons for not "watering-down" Gershwin's piano pieces (like so many have before) and making a recording for anyone who admires Gershwin as a composer as well as a magnificent pianist.

Authentic is a misused word, but this time it really applies.......1999-02-11

I have a huge Gershwin collection accumulated over 40 years and know all this music cold. But I've never heard it played better. I think George himself would smile to hear Gibbons. Unlike the perfect--and bloodless--Gershwin renditions of Michael Feinstein, this one truly captures the spirit of the music. It takes the old Gershwin piano roll renditions with their mechanical rhythm and gives them life. Here, you'll hear hundreds of small variations and Gershwinesque riffs you've never heard before, even if you know this music as well as I do.

Average customer rating:

Outstanding and varied period Haydn
Haydn Hitting on All Six

Haydn: The Battle of the Nile

Manufacturer: White Line
ProductGroup: Music
Binding: Audio CD

Trios | Chamber Music | Classical | Styles | Music

General | Chamber Music | Classical | Styles | Music

General | Classical | Styles | Music
ASIN: B00005COYC
Release Date: 2001-06-26

Tracks:

Kbd Trio No.19 (Son) in g, Hob XV:19: Andante - Presto
Kbd Trio No.19 (Son) in g, Hob XV:19: Adagio Ma Non Troppo
Kbd Trio No.19 (Son) in g, Hob XV:19: Presto
Two Italian Duets, Hob XXVa: 2&1: Senti Qui
Two Italian Duets, Hob XXVa: 2&1: Guarda Qui
Andante With Vars in f, Hob XVII:6
The Spirit's Song, Hob XXV1a: 41
The Battle Of The Nile, Hob XXV1b:4
Kbd Trio No.18 (Son) in A, Hob XV:18: Allegro Moderato
Kbd Trio No.18 (Son) in A, Hob XV:18: Andante
Kbd Trio No.18 (Son) in A, Hob XV:18: Allegro

Customer Reviews:

Outstanding and varied period Haydn.......2004-04-24

Here is one of the most unusual and outstanding Haydn disks extant. The Four Nations Ensemble has put together a pair of piano trios -- played on a period piano -- with two Italian duets, the famous Andante with Variation in F Minor for keyboard, "The Spirit's Song" from Haydn's lieder, and an unusual and rarely recorded duet, "The Battle of the Nile", which the Penguin Guide says has been recorded one other time.

Certainly the greatest interest must be in this piece of music, a counterpart to Haydn's famous "Nelson" mass, written to commemorate Admiral Nelson's victory over Napoleon at the Nile. In this concert aria accompanied by fortepiano, soprano Ann Monoyios tells the story again. "The Nile with wrecks o'erspread," she says, "the curling smoke, the captive banners seat the doom of haughty France and break her galling yoke. (A bit of Haydn's irrelverent national humor in that last line, perhaps?) "Eternal praise, great Nelson to they name and these immortal partners of they fame!"

I love Haydn vocal music and must say this CD presents gifts I never knew of before. "The Spirit's Song", performed by Brown, is so lovely it makes me wish he'd record the entire set of Original Canzonettas with fortepianist Andrew Appel as accompanist. The keyboard trios are not my thing, to be honest, although I enjoyed the tinkly performances. The Italian duets are nice but insubstantial. On the other hand, Appel's performance of the Andante with Variations is good enough to compete with Brendel, Peraiha, Richter and the rest of the world's greatest Haydn players.

This is an unusual and unusually exemplary CD that has been around since 2001. Considering the state of the classical CD business, if you like this kind of thing you may want to act soon. This is the kind of CD that, once disappeared, never reappears. And it is too full of beauty and interest to never have been heard.

Haydn Hitting on All Six.......2001-11-21

This wonderful speculative Haydn soiree features vocal, chamber, and solo instrumental works written when the composer was at the very height of his powers. Like Dvorak a century later, Haydn could seem to do no wrong in the '90s, and the music he produced, even those pieces at the edge of or outside the repertoire, are done with the consummate skill of a master entertainer.

The least of the works on this ASV disk is "The Battle of the Nile," an occasional recitative and aria based on a poem written by Lord Nelson's lover to commemorate his triumph over the French fleet on the Nile, which doomed Napoleon's Egyptian campaign. Despite the negligible quality of the verse, the piece shows Haydn's superb skill as a tone painter. And it features Haydn's characteristic dry humor in the somewhat overboard drama the composer imparts and that the performers capture well.

The two trios, which the very good notes to the recording explain are actually augmented keyboard sonatas, are nicely contrasted, one in the minor key and the other in the major. The A minor trio is music in Haydn's Emfindsamkeit style--brooding, yearning, emotionally charged. The A major trio, on the other hand, is all smiles and energy. Both trios have marvelously impetuous finales that make for great listener satisfaction.

Then there are the "Two Italian Duets" and "The Spirit's Song." The former is a lovely pair of love songs that, if they happened to bear the sainted name of Mozart, would be at the center of the duet repertoire. The later shows Haydn in a Gothic mood, capturing the spookiness of England's latest literary crazy, thanks to Horace Walpole et al. Again, this is fun.

Finally, the keyboard "Andante with Variations," an acknowledged masterwork though not heard much today. The mood is that of the A minor trio: very stern and serious stuff for Haydn, very commanding as well.

Tracks:

Cello Romance: Serenade
Cello Romance: Sicilienne
Cello Romance: Vocalise Op. 34 No. 14
Cello Romance: Irish Tune From County Derry
Cello Romance: Spanish Cance No. 5 'Andaluza'
Cello Romance: Apres Un Reve Op. 7 No. 1
Cello Romance: Romance
Cello Romance: Song Of India
Cello Romance: Valse Sentimentale Op. 51 No. 6
Cello Romance: Elegy
Cello Romance: Romance
Cello Romance: Christmas Of The HOmeless Children
Cello Romance: Elgie Op. 17 -
Cello Romance: Billy Boy
Cello Romance: Blow The Wind Southerly
Cello Romance: The Keel Row
Cello Romance: Spanish Serenade Op. 20 No 2
Cello Romance: Piece en forme D'Habanera
Cello Romance: The Swan
Cello Romance: Melody In F Op. 3 No. 1
Cello Romance: Albumblatt, Op. 51. No. 1

Average customer rating:

MARCH FANS HAVE SOMETHING TO TALK ABOUT
Playing Does Not Meet Concept of Album

Locomotion Express

Manufacturer: Centaur
ProductGroup: Music
Binding: Audio CD

General | Symphonies | Classical | Styles | Music

General | Classical | Styles | Music

Marches | Miscellaneous | Styles | Music

Classic Big Band | Swing Jazz | Jazz | Styles | Music
ASIN: B000056V21
Release Date: 2001-01-23

Customer Reviews:

MARCH FANS HAVE SOMETHING TO TALK ABOUT.......2001-06-08

IF YOUR LOOKING FOR SOMETHING THAT ANY TRAIN FAN, OR MARCH FAN WILL ENJOY, THAN THIS DISC IS FOR YOU. THE PERFORMANCE IS ENERGETIC AND STRONG. THE DISC FEATURES MORE THAN ENOUGH MUSIC TO KEEP YOUR NEIGHBORS BANGING ON YOUR DOOR TO QUIET DOWN. GREAT LINER NOTES FROM A MORE HISTORICAL POINT OF VIEW. A MUST FOR TRAIN LOVERS. TOTALLY ENJOYABLE FOR THE ENTIRE FAMILY.

Playing Does Not Meet Concept of Album.......2001-04-25

What could be more fun than a disc of band music about trains? There is the great band standard "Rolling Thunder" (Henry Fillmore) and several marches that promise to be great fun. (The Toledo Blade, The B&O March, Little Red Caboose, Field & Concert Novelty for example).

I was really looking forward to this album when I saw it. The circus band sounds underrehearsed. There's some great music on this disc--little-played, but not worth investing money. Mr. Phillips has another disc with his Circus Band out--I hope it is better prepared than those on this disc.

Tracks:

The Stars And The Stripes Forever - The Band Of The Royal Air Force College Cranwell
Imperial Echoes - The Band Of The Adjutant General's Corps
Army And Marine - The Band Of The Grenadier Guards
Father Rhine - The Royal Artillery Band
Wait For The Wagon - The Band Of The Royal Corps Of Transports
Sarie Marais - The Regimental Band Of The King's Own Royal Border Regiment
Grenadier Mars - The Band Of The Grenadier Guards
Gladiator's Farewell - The Band Of HM Royal Marines School Of Music
Marche De La Gendermerie National Belge - St. George's Band The Royal Regiment Of Fusiliers
Thundering Guns - The Regimental Band 16th/5th The Queen's Royal Lancers
Quality Plus - The Band Of The Corps Of Royal Engineers
Under Freedom's Banner - The Royal Artillery Band
The Empire - The Band Of The Welsh Guards
Royal Bulgers - The Band Of HM Royal Marines Commandos
The Jaguars - The Central Band Of The Royal Air Force
Les Grande De La Reine - The Regimental Band Of The 14th/20th King's Hussars
Forward Of The Line - The Regimental Band 16th/5th The Queen's Royal Lancers
Vimy Ridge - The Band Of HM Royal Marines, Royal Marines School Of Music
The Tornado - The Band Of The Royal Air Force Germany
Royal Highlanders - The Regimental Band Of The Black Watch (Royal Highland Regiment)
Ca Ira - The Regimental Band Of The 13th/18th Royal Hussars (QMO)
Stable Jacket - The Regimental Band 16th/5th The Queen's Royal Lancers
Under The White Ensign - The Band Of HM Royal Marines (C-in-C, NHC)
March Of The Toys - The Royal Artillery Orchestra
The Vanished Army (They Never Die) - The Regimental Band Of The Royal Welch Fusiliers

Average customer rating:

'Swonderful and Fascinatin'

The Authentic George Gershwin, Vol. 1-3

Manufacturer: White Line
ProductGroup: Music
Binding: Audio CD

Preludes | Forms & Genres | Classical | Styles | Music

General | Classical | Styles | Music

General | Chamber Music | Classical | Styles | Music

General | Jazz | Styles | Music

Swing General | Swing Jazz | Jazz | Styles | Music

Movie Scores | Soundtracks | Styles | Music

Movie Soundtracks | Soundtracks | Styles | Music

General | Soundtracks | Styles | Music

Traditional Vocal Pop | Broadway & Vocalists | Styles | Music

Classical | Box Sets | Stores | Music
ASIN: B00000I85Q
Release Date: 1995-10-17

Tracks:

Swanee
Come To The Moon
I Was So Young (You Were So Beautiful)
Tee-Oodle-Um-Bum-Bo
Nobody But You
Limehouse Night
Drifting Alone With The Tide
Rhapsody In Blue
Oh Lady Be Good!
Fascinating Rhythm
Hang On To Me
I'd Rather Charleston
The Man I Love
The Half Of It, Dearie, Blues
So Am I
Kickin' The Clouds Away
Con in F

Tracks:

Tip-Toes: Sweet And Low-Down (I)
Tip-Toes: That Certain Feeling (I)
Tip-Toes: Looking For A Boy (I)
Tip-Toes: When Do We Dance? (II)
Tip-Toes: Sweet Low-Down (II)
Tip-Toes: That Certain Feeling (II)
Irish Waltz (Three-Quarter Blues)
Oh, Kay!: Do,Do,Do
Oh, Kay!: Someone To Watch Over Me
Oh, Kay!: Clap Yo' Hands
Oh, Kay!: Maybe
Three Prlds: No. 1, Allegro Ben Ritmato E Deciso/No. 2, Andante Con Moto/No. 3, Allegro Ben Ritmato
Strike Up The Band: Meadow Serenade
Funny Face: My One And Only
Funny Face: 'S Wonderful/Funny Face
Funny Face: He Loves And She Loves
An American In Paris
Show Girl: Liza
Strike Up The Band: Strike Up The Band
Crazy Girl: Embraceable You
Crazy Girl: I Got Rhythm (I)
Crazy Girl: I Got Rhythm (II)

Tracks:

Of Thee I Sing Ov
Jilted
Second Rhapsody
For You, For Me, For Evermore
Cuban Ov
Isn't It A Pity?
Vars On 'I Got Rhythm'
Porgy And Bess Ste (Catfish Row): I. Catfish Row: Intro-Jasbo Brown (Complete)...
Porgy And Bess Ste (Catfish Row): II. 'I Got Plenty O' Nuthin''...
Porgy And Bess Ste (Catfish Row): III. Fugue: Murder Of Crown, Act III Scene I
Porgy And Bess Ste (Catfish Row): IV. Hurricane: Intro, Act II Scene 3...
Porgy And Bess Ste (Catfish Row): V. Good Morning, Brother...
They Can't Take That Away From Me
Let's Call The Whole Thing Off
Our Love Is Here To Stay