King Of Pop

Editorial Reviews
Album Description
A blend of alternative Rock and pop with a twist of humor. Third eye blind meets blink 182

Tracks:

She Is
Over My Head (Cable Car)
How To Save a Life
All At Once
Fall Away
Heaven Forbid
Look After You
Hundred
Vienna
Dead Wrong
Little House
Trust Me

Amazon.com

On their full-length debut, Denver quartet the Fray don't exactly reinvent the wheel, but those looking for melodic, mid-tempo pop could do far worse. That said, the 12 songs on Top 40 hit How To Save a Life are barely distinguishable from each other. If you like one, you'll probably like the rest (and you'll be in the company of thousands of other listeners.) If you don't like one, it's unlikely the others will change your mind. Formed in 2002 and signed by Epic in 2004, the band consists of Isaac Slade (vocals, piano), Joe King (guitar, vocals), Ben Wysocki (drums), and Dave Welsh (guitar). Since their formation, the Fray have elicited comparisons to British groups like Coldplay and Keane, and American ones like Counting Crows and the Wallflowers. They've also toured with Weezer and Ben Folds and had songs--like first single "Over My Head (Cable Car)"--featured on such popular programs as Grey's Anatomy. Though they incorporate guitar, unlike Keane, Slade's expert piano playing is prominent on every track. To his credit, he can also hit the high notes just as gracefully as Coldplay's Chris Martin, but therein lies the rub: As with the band as a whole, Slade hasn't quite found his own voice yet. How To Save a Life is polished and professional, bland and inoffensive. It goes down easy, but evaporates into the ether just as quickly. --Kathleen C. Fennessy

Customer Reviews:

Good Pop.......2007-07-20

Not bad, 3 stars only. Songs all kind of sound the same after a few plays!

Album starts off well then fades..........2007-07-19

By now, most people who listen to alternative rock have heard of these guys. If you are reading this, then you want to know "Do I really want this album?". I think if you like the genre of music a lot (like Coldplay, Blue October, Keane), the go ahead and give this album a try. If you just like one of their songs, consider downloading that song and a couple more (chose from tracks 1 - 6 for more upbeat melodies and after for slower ones). The album tended to grow on me but is still not one I listen too all that often because of many of the songs sounding very similar.

Over and over again.......2007-06-16

I heard "Over MY Head" on a TV cable series, found it catchy, and wanted to find out who recorded it. After an eventful personal odyssey, I finally discovered this. Unfortunately my journey was a wasted effort. HOW TO SAVE A LIFE, the debut album for this piano-based-sounding group (from Denver-if that has any significance), is pleasant enough, that is, on first listening, but it is clearly superficial and soon becomes redundant. The enticing single "Over My Head" does have an entertaining chorus and a memorable refrain that makes nice use of the cable car metaphor. The majority of the other compositions on this album, however, sound as if they were manufactured by a cookie cutter song machine. Indeed, I don't think I recall ever hearing selections that were so much alike: they use a very (VERY) similar musical structure, are almost identical in studio production, and follow the same form- opening with an understated verse which then moves speedily to a chorus (that sounds like the chorus of the previous song) and repeats ala loop to make the statement. A slight exception might be the title track "How To Save A Life" (apparently among those heard on Grey's Anatomy) with its delicate piano intro and tender ballad-like message or "She Is" which demonstrates a bit of a driving rhythm. But even those do not stray too far away from the mold. They both, for example, still employ the same repetitious chorus device (in fact, when I was listening to "How to Save A Life" I thought it was "Over My Head."). The rest aren't even worth comment other than to say they are undistinguished. At best, they are derivative in content (borrowing from other vanilla-type ensembles) which nonetheless still does not excuse their own absence of variety. Likewise, the lead singer's voice, reminiscent perhaps of David Gray's, fits the tone of "Over My Head," but by the time you hear its whining character on two or three of the other tracks [incidentally- NOT like David Gray], you may want to be rescued from the experience. The continued exposure will either annoy you or put you to sleep.
To the point, this first album for The FRAY indicates that the group understands the concept of formula far too well. They should appreciate, however, that comfortable and familiar often leads very quickly to boring. With that in mind, most, if not all, of this can be thrown in the waste bin unless you are looking for sounds that will induce deep slumber. To be honest, its most salient feature is monotony. It is unobtrusively bland and shallow, with little evidence of either creative or original effort.

very listenable tracks.......2007-06-04

I spend most of my time in Europe, so I don't get too much exposure to up and coming bands. By chance on a recent trip home I heard The Fray on one of the 'Top 40' programs. I liked what I heard, sampled a few tracks online, and bought the music. While I might agree with the numerous reviews that say many of the Fray's songs sound similar, I still enjoy them. I recommend giving a listen to the Fray and look forward to seeing what comes next from them.

excellent album.......2007-05-26

This album is a great album. Each song is really good. Very mellow.

Average customer rating:

Ages well, like fine wine.
love this amazing cd
Her best
Classics get to be classics........................
Gotta Love Carole King

Tapestry
Carole King
Manufacturer: Sony
ProductGroup: Music
Binding: Audio CD

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Reflections: Carly Simon's Greatest Hits
The Best of James Taylor
Carole King - Her Greatest Hits: Songs Of Long Ago
The Best of Simon & Garfunkel
The Mamas & the Papas - Greatest Hits

ASIN: B00000J2PH
Release Date: 1999-05-25

Tracks:

I Feel The Earth Move
So Far Away
It's Too Late
Home Again
Beautiful
Way Over Yonder
You've Got A Friend
Where You Lead
Will You Love Me Tomorrow?
Smackwater Jack
Tapestry
(You Make Me Feel Like) A Natural Woman
Out In The Cold - (bonus track, previously unreleased)
Smackwater Jack - (bonus track, previously unreleased, live)

Amazon.com essential recording

Carole King was famous as a writer of girl-group hits in the '60s. In 1971, she became more famous. That's the year Tapestry became one of the biggest-selling LPs of all time. It's easy to hear why--the music is loose, earthy, L.A. session-pop. King is casual, intimate, and tough; she covers all the emotional ground of the post-liberated woman with ease. She brings adult nuance to "Will You Still Love Me Tomorrow?" and comes up with hits ("It's Too Late," "I Feel the Earth Move") whose white-soul realism and maturity put pop hits to shame. --Steve Tignor --This text refers to an out of print or unavailable edition of this title.

Customer Reviews:

Ages well, like fine wine........2007-07-20

What can I say about this album that isn't already well known. Simply flawless.

love this amazing cd.......2007-07-03

Find Me: How Psychic Detectives from Around the World Have Banded Together to Find Missing People Co-author of Find Me

I grew up listening to Carole, and still love her to this day! Thank you Mom for the introduction:) She is inspiring and uplifting to all:)

Her best.......2007-06-30

I owned this album on vinyl and then on cassette. It is a good quality CD that once again allows me to return to the yesterdays when I first heard of Smack Water Jack and felt the earth move under my feet. I know I'm biased but if these songs came out today, I think they still would climb high on the charts. If you want a sample of one of the greatest songwriters of her generation performing her own hits, you cannot go wrong with this CD.

Classics get to be classics...............................2007-06-11

........for a reason. This is generally considered to be one of the very greatest albums ever. It is. Carole King wrote and sang the songs of my generation. She and Carly Simon made the music that pretty much defines the baby-boomer years. There is little point in discussing individual songs...we've all felt the earth move, followed her lead, and been glad that she sings of being our friend. If ever a girl was a natural woman...she is, indeed, a beautiful tapestry.

The sound and the songs remain fresh and new, and the pure joy as great as ever. There are very few albums that everybody really ought to have....this one heads the list.

Gotta Love Carole King.......2007-05-18

Carole King can tell stories with her songs. I love the soulful way she sings. This is indeed one of the best

The Lion King (1997 Original Broadway Cast)

Average customer rating:

Choose this one over the movie soundtrack...
Best musical soundtrack ever!!!
We love the Lion King
Great Soundtrack for a Great Musical
Go see the show, just don't buy the CD there

The Lion King (1997 Original Broadway Cast)
Elton John , Tim Rice , Heather Headley , and Mark Mancina
Manufacturer: Disney
ProductGroup: Music
Binding: Audio CD

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LION KING, THE: PRIDE ROCK ON BROADWAY
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ASIN: B000001M1B
Release Date: 1997-11-14

Tracks:

Circle Of Life
Grasslands Chant
The Morning Report
The Lioness Hunt
I Just Can't Wait To Be King
Chow Down
They Live In You
Be Prepared
The Stampede
Rafiki Mourns
Hakuna Matata
One By One
The Madness Of King Scar
Shadow Land
The Lion Sleeps Tonight
Endless Night
Can You Feel The Love Tonight
He Lives In You (Reprise)
Simba Confronts Scar
King Of Pride Rock/Circle Of Life

Amazon.com

An Oscar win might suggest a score that would need a miracle to be bettered--but this colorful stage adaptation of Disney's The Lion King does so with flair. Composers Mark Mancina and Lebo M worked closely together to fuse the movie's many disparate elements. Where there was a veritable army exercising creative influences for the animated tale, this brings it all under the wings of a like-minded few. This is genuinely apparent as one track flows into the next. The African rhythms--both vocal and in instrumentation--come across as authentic and original all at once. No doubt this is largely through Mancina's passion for peculiar instruments and the possibilities suggested from nightly live performances. "Grasslands Chant" is a good place to hear this. The hit favorites are here of course, but both "Circle of Life" and "Can You Feel the Love Tonight" are pleasingly unrecognizable with chorus and shifting beats. Better still is the likelihood they will now be eclipsed by some of the new numbers. Mancina's own "He Lives in You" being a strong contender. With a sound mix as crisp as you'd hope to find, this is rousing stuff. --Paul Tonks

Customer Reviews:

Choose this one over the movie soundtrack..........2007-06-28

I bought this cd after seeing the show on broadway. If you like the African-influenced music present in the movie version of the Lion King, all of the original is present here as well as some really good new stuff. My favorite of the new songs is "Shadowland", which really just takes some recognizable background music from the movie and adds lyrics to it. other standouts include "He Lives in You", which you may have heard if you saw The Lion King 1 1/2, and the song Simba sings after his father has died.

I took off one star because I am not a fan of the singer portraying Scar in this recording, and I don't like most of his songs or those the hyenas sing. But the excellence of everthing else makes up for it.

Best musical soundtrack ever!!!.......2007-05-19

Awesome music!!! My kids love it, I love it! Everyone loves it!! I could listen to it over and over and not get sick of it!!!!

We love the Lion King.......2007-05-17

We had just gone to NY in March 07 and saw the play live. The CD is just as beautiful and the music brings tears to my eyes. My five year old knows all the words. We play it on the way to school and back everyday. He particularly likes "I just can't wait to be King".

Great Soundtrack for a Great Musical.......2007-05-13

This soundtrack is just as breathtaking as watching the musical and brings back all of the memories of NYC! This is the original cast recording, so if you've seen the production recently, most of the actors aren't the same; just keep that in mind.

Go see the show, just don't buy the CD there.......2007-03-04

I purchased this CD after seeing the U.S. tour. The show is amazing, go see it. I just say not to buy the CD there because there's a 300% markup! This exact CD is sold at the show's gift shop for $30...look what Amazon has it for. It's a great show, the music is better than that of the film. Enjoy!

Average customer rating:

"I've Been Here And I've Been There/ And I've Been In Between"
Whimsical Progresive Rock
Back in the day
Sophisticated progressive rock!
Let me join in the chorus of praise for this album, one of the greatest prog rock albums ever....

In the Court of the Crimson King
King Crimson
Manufacturer: Discipline Us
ProductGroup: Music
Binding: Audio CD

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ASIN: B00065MDRW
Release Date: 2004-11-22

Tracks:

21st Century Schizoid Man (Including Mirrors)
I Talk To The Wind
Epitaph (Including March For No Reason/Tomorrow And Tomorrow)
Moonchild (Including The Dream/The Illusion)
The Court Of The Crimson Song (Including The Return Of The Fire Witch/The Dance Of The Puppets)

Customer Reviews:

"I've Been Here And I've Been There/ And I've Been In Between".......2007-07-20

One can only imagine what it was like to hear King Crimson's debut album back in 1969 (unless you're at least 38 years old, I guess. Okay, I probably I could have picked a better sentence to start this review. Moving on...). In the Court of the Crimson King was a bold, dramatic statement, an uncomprimising record that seamlessly combined hard rock (in the 60s sense of the word. Think Blue Cheer and Cream) with psychedelia and elements of jazz and high-minded poetic grandeur. The eye-popping cover art and suite-style song structures sealed the deal, and a new style of music was born: Progressive rock. Indeed, just about every act that has ever been labled "prog," from Pink Floyd to Yes to Jethro Tull and onward through the likes of Radiohead and the Mars Volta can trace the basis of their sound back to the 'Crim's first record. Robert Fripp's slashing guitar chords and nimble melodies bridged the gap between hevy metal and art rock (before either style was really a full-fledged genre, Black Sabbath and the Velvets notwithstanding), while multi-instrumentalist Ian McDonald gave the music a jazzy, textured complexity, weather he was playing the flute, the vibes, or the mellotron, and Greg Lake's vocals were quintessential prog: Technically acomplished, dramatic, and high-minded. Michael Giles' drumming picked up where Fripp's guitar left off, spanning the (not all that wide) space between rock and jazz. Topping the whole shebang off were Peter Sinfield's lyrics, which were abstract and poetic in the extreme, a set of textures and images rather than coherent statements.

But you probably want to know if the music's good. Well, here's the deal: No matter how good a progressive rock band is (and believe me, King Crimson were very, very good), they (pretty much) inevitably succumb to a few pitfalls. The most common is pretention. On this particular record, the most obvious victim of that malady is "Epitaph." The song's eight minutes don't produce a single memorable melody, and Sinfield's lyrics are obtuse in the extreme. They amble through a series of references to men being "torn apart/ with nightmares and with dreames" and "the iron gates of fate" without producing a single good line. It doesn't help that Lake seems to think he's singing scripture, stuffing each sylable with forced drama and unreasonably present passion. The song does have a sort of lumbering majesty (created, pretty much, by sheer force of will), but it's far from a classic. And its typically bloated length insures that it'll overstay its welcome. And then there's the notorious "Moonchild," which features a ten-minute instrumental "freak-out" section, the only truly interesting aspect of which is its odd quietness. Otherwise, it's every bit as overblown and indulgent as the very worst of 60s sound "experiments."

Otheer than that, though, this is a really great listen. My personal favorite track is the achingly beautiful "I Talk To The Wind," a haunting dreamscape with some of Sinfield's most poignant lyrics. The chorus shows off the subtleties of Lake's considerable voice, as he twists his vocal chords over and around the words, enunciating them with an uncanny grace and power. Good stuff. In a similar vein, the first two minutes or so of "Moonchild" (pre freak-out) are a gorgeous accoustic rumination, full of imagery and joyous sound. Of course, there's also the eternal "21st Century Schizoid Man," which foreshadows Rush, only without the nerdiness. Fripp's brutal, slashing bar chords fuse with McDonald's white-hot trumpet and Giles' thundering drums to form the ideal bed for one of Lake's most uncharacteristic and awesome vocal performances ever. He spits pure venom, snarling the lyrics (a rush of fiery, apocalyptic imagery) with menace and boundless energy. The song then breaks off into an awesome intrumental section, which sees Fripp and McDonald spitting melodies at eachother. It's a lava-spewing jam that dazzles the listener with its polymelodic ferocity, its shape shifting intensity. Crank it up, dude. And then there's the title track, which closes the proceedings with a burst of endearing bombasm (that is almost certainly not a word, but I can't think of a noun form of "bombastic") and shape-shifting insanity.

So, the end result is one of the coolest debuts of the sixties, a fantastic rock album, an introduction to some really gifted musicians, and the Rosetta Stone of prog. Neat!

Whimsical Progresive Rock.......2007-07-17

The debut album of King Crimson is one of their finest (though not their best; see Red if you want their top recording). This is the only Crimson album that features Greg Lake (of Emerson, Lake, and Palmer fame) on lead vocals. Although there are only five tracks, each one is rather lengthy and showcases the hallmarks of progressive rock as a whole.

My favorite two tracks are 21st Century Schizoid Man and The Court of the Crimson King, the first and last tracks respectively. Both are epic progressive songs, and are essential for any progressive rock fan; well worth the price of admission for this album.

Back in the day.......2007-06-28

I had a fairly adequate stereo which was centered on a Thorens transcription turntable with an excellent stylus. It always cheered me up to hear this album played at moderate to somewhat loud volume levels. I won't get into the progressive rock chicken and egg debate, for I also appreciate many of the other groups mentioned but KC has a very special place in my hierarchy of rock bands. They made several other good recordings, again duly noted in several reviews but I always have liked this one the best.

For those who have not heard this I would suggest attempting to hear part of it at least prior to buying as I realize this particular genre of rock can be considered an acquired taste.

Sophisticated progressive rock!.......2007-06-24

I knew this album of course before buying it, but it really amazes you when you listen to the whole thing song by song in your home stereo.

Let me join in the chorus of praise for this album, one of the greatest prog rock albums ever...........2007-06-12

This is arguably one of the greatest debuts in rock history (alongside The Velvet Underground and Nico). It is an almost perfect album, a feat that doesn't happen very often. Every song is so beautifully written, crafted, sequenced, and performed by some of the greatest musicians the rock world has ever heard or seen. The starter, 21st Century Schizoid Man, is amazingly intricate. It's one of the best songs from Crimson's library, and the middle section is blistering in its intensity. The quieter songs (just about the rest of the album) are so mellow, moving, and haunting, with lyrics (courtesy of prog rock's greatest lyricist, Pete Sinfield) that still hold up today. There are only 5 songs on the album (all running epic length), but they're pretty much perfect. The only one that gives me a slight problem is Moonchild. The last 10 minutes of the song (after a beautiful introduction) are kind of aimless. But then, maybe a few more listens, and the song will finally kick in. This is one of my favorite albums ever.

Average customer rating:

Stuck in a time warp...
Freddie must be very proud.
Disappointed
In the Palace of the King
Nice tribute

In the Palace of the King
John Mayall and the Bluesbreakers
Manufacturer: Eagle Records
ProductGroup: Music
Binding: Audio CD

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ASIN: B000O590CU
Release Date: 2007-04-17

Tracks:

You Know That You Love Me
Goin' Down
Some Other Day, Some Other Time
Palace Of The King
I'd Rather Be Blind
Time To Go
Big Legged Woman
Now I Got A Woman
I Love You More Every Day
Help Me Through The Day
Cannonball Shuffle
You've Got Me Licked
King Of The Kings
Living On The Highway

Amazon.com

The 56th album by the 73-year-old godfather of British blues is a tribute to one of his major influences, the late Texas-born guitarist Freddie King. It's also a nod to current Bluesbreakers picker Buddy Whittington, an underrated pyrotechnician who follows a long line of distinguished six-string Mayall sidemen that includes Eric Clapton, Peter Green, Mick Taylor, Coco Montoya, and Walter Trout. Whittington measures up, recreating the terse energy of King's biting, blunt phrasing on the legend's classic "Going Down" and the swinging "You Know That You Love Me." And he puts his own grinding, slashing brand on the riff 'n' rip guitar of "The Palace of the King," a biographical tune Don Nix, Leon Russell, and Duck Dunn wrote for King. Guest guitarist Robben Ford lends his own instrumental King homage, "Cannonball Shuffle," but it's Mayall's piano-led "King of the Kings" that's most touching. Singing in his arcing, high voice, slightly thinned by age, Mayall explains how King influenced him and his Bluesbreakers, showing Clapton, Green, and Taylor "all the licks to play," and concludes that he's "Got the blues for Mr. Freddie/Sorry that you had to go." --Ted Drozdowski

Album Description

John Mayall, the "Godfather of British Blues", returns with the Bluesbreakers for his latest studio album "In The Palace Of The King". This new album is John's tribute to one of his blues heroes, the late, great Freddie King. King was a blues guitar pioneer from the mid-50's through to his tragically early death in the mid-70's and he influenced everyone from Peter Green to DaveEdmunds to Stevie Ray Vaughan and probably most of all Eric Clapton, who produced and played on King's final album. "In The Palace Of The King" features John Mayall's take on his personal selection of Freddie King favorites and is a fabulous combination of two true blues legends.

Customer Reviews:

Stuck in a time warp..........2007-07-25

This CD is reminiscent of the John Mayall recordings from the 60's and 70's...in fact it sounds like the same recordings remixed. The best song on here is Big Legged Woman, and it is only OK with further listenings. The rest sounds like it is 40 years old, and not in a good way.

Freddie must be very proud........2007-07-17

The Texas Cannonball has been gone for 30 years. With John Mayall's latest release, the double fisted Blues frieght train that was Freddie King is back on track. Bravo John.

Disappointed.......2007-07-02

Superb Musicianship, tight arrangements, so what's wrong?

If you're new to the work of the great Freddie King, consider
investing a few bucks in the real deal. Most of Freddie
King's best work is still in print, e.g., "Getting Ready" or "Texas
Cannonball". His soaring vocals and wicked guitar phrasing are
like comparing a fine whiskey to this...I don't know...lemonade?

I found the tracks with Mayall singing (most of them), immediately
annoying. His straining, thin and unconvincing vocals pretty much
derail most of the material, which is too bad considering this is
a lineup of musicians with talent to burn. The "jump the shark"
moment - Mayall doing the line about not being able to "get a chitlin'
pizza at any price I pay...". I've never been a big Mayall fan as his
elephant sized ego always seems to intrude into his material and often
push it into the realm of precious and pretentious.

This is a John Mayall CD that happens to cover Freddie King material.
If you're a Mayall fan you'll probably like it.

In the Palace of the King.......2007-06-27

Another great album from the British Father of the Blues. Albert King is one of my favorite performers, and Mayall does him justice. I've yet to find a Mayall album I didn't like, although some weren't as strong as others, this is a very good listen.

Nice tribute.......2007-06-27

Great songs done by an all time blues superstar in memory of a "king". I especially like the Buddy W. vocals on Big Legged Woman.

Well done ! John
RIP Freddie

Average customer rating:

Good album, but not as good as THE PUPPET MASTER
KIng Diamond does it again
A Masterpiece
More Tales Of Gothic Menace From The King
From beyond the grave...

Give Me Your Soul...Please
King Diamond
Manufacturer: Metal Blade
ProductGroup: Music
Binding: Audio CD

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ASIN: B000QFCD2W
Release Date: 2007-06-26

Tracks:

The Dead
Never Ending Hill
Is Anybody Here?
Black Of Night
Mirror Mirror
The Cellar
Pictures In Red
Give Me Your Soul
The Floating Head
Cold As Ice
Shapes Of Black
The Girl In the Bloody Dress
Moving On

Customer Reviews:

Good album, but not as good as THE PUPPET MASTER.......2007-07-26

I must say it took me about 2 songs to get into this one, but by THE CELLAR, I was hooked. LaRoque shreds on this album similar to the glory days of 87-93, but I hated the fact KD didn't give us the grand falsetto that I feel we all miss.

That being said, it's still a great listen. Second best of KD's this decade with THE PUPPET MASTER way out in front. But you'll love this one as well. Keep rocking KING!

KIng Diamond does it again.......2007-07-24

King Diamond has released another great album "Give Me Your Soul Please" is an excellent follow up to "The Puppet Master". With great riffs and a creepy as HELL storyline, The King has found magic again, let's hope there is more twisted tails to come.

A Masterpiece.......2007-07-20

The King has done it again!

King's command of his voice is more controlled than it has ever been in his career. The story line is as good for conjuring up images in the imagination as ever.
The guitar work is just as inspirational as it was since Fatal Portrait but with a maturity that allows Andy and Mike to hit the sweet spots regularly.
The rhythm section is groovin with Hal putting down some very memorable bass lines.
The production makes me ever so glad these guys are able to have control over their recordings since Puppet Master. You can hear everything. The sound is warm. I would love to hear the album 'Them' re-recorded with Andy's mobile studio.

The true greatness is that all of these points, while they stand on their own, don't just stand by themselves. They mix together in a greater blend that makes this album one that gets replayed again and again, not only through the speakers but in your head as well.

More Tales Of Gothic Menace From The King.......2007-07-08

King Diamond has really created his own distinct style and genre, and in a playing field with no other contenders, he reamains the King indeed. King Diamond albums have been something I look forward to since I was 13 or so, when I first heard "Them". Bizarre, gothic and dark concept albums featuring the phenomenal classic metal guitar work of Andy LaRocque and others and, of course, King Diamond's incomparable caterwauling vocals and sinister storytelling, there is nothing else quite like it.

"Give Me Your Soul Please" is no exception, and an excellent addition to King's canon, his latest tale of the supernatural involves murder, suicide, a ghostly apparition of a little girl in a bloody dress, a black cat, and a floating severed head. So, business as usual. (laughs) I always love the way King assumes the voices of different characters in his stories in an almost theatrical manner, and the eerie music and amazing, intese riffs and solos laid out on this release by Mike Wead and Andy LaRocque are just sick....I had a blast with this disc, but for other King fans it is perhaps a bit weaker than some of his other releases (although it is hard to top the trifecta of "Them", "Conspiracy" and "The Eye", which remain my favorite). For folks who are new to the King, this really isn't a bad place at all to start. Be sure to listen all the way through, preferably in one sitting (the only proper way to listen to a King Diamond album). In a crowded metal scene, this stuff really comes off as being quite original....recommended!

From beyond the grave..........2007-07-07

Another splendid musical horror novel from King Diamond, the little girl in the bloody dress comes through the mirror, uncertain about her state of being... the introductory song "Dead" is laden with mood-setting organ, haunting voices explaining the basics of the disturbing plot, dealing with a little brother and sister who were murdered by their father, but are scheduled for different destinations "after death" - it is up to her to save him from Hell, after being accused by "the powers that be" of suicide. She reveals the true circumstances of their demise - to set the terms "right" so they may 'rest in peace' together, presumably in "Heaven", although 'demons' pine for both their 'souls' in this supernatural adventure / thriller concept album.

The album features the spectral voice of Livia Zita, whom you may recognize from 'The Puppet Master' as well, adding an enchanting compliment to the music as well as storyline. Besides the intricate Metal instrumentation, cellos and the harpsichord are included, adding an eerie feel to the brilliant orchestration.

Of particular note, My personal favorites herein are "Dead" {the 'gothic' horror instrumental}, "Give Me Your Soul" {really displays the talent and skill of the band}, "Shapes of Black" {great beat and harmony; one can actually relate to these occurrences, environment, and denizens}, "Cold As Ice" {the cold temperature in the dark room even in remmus}, "Girl In The Bloody Dress" {the rhythms and correlations of voices}, and "Moving On" {the hypnotically-melancholy quality and voice combinations} .

The aesthetics are predictably wonderfully ornate, of course featuring the band, and one Magic, King's black cat familiar, perceiving the ghost as familiars are said to sense. It was also gratifying to see the band dressed in black robes within, each signalling the Cornu, adding a most evocatively mystical impression. King promises a Hell of a show to accompany this chapter as well, repleat with horror psychodrama.

Overall, 'Give Me Your Soul... Please' is definitely one of King's best.

Average customer rating:

Funny, funny, funny
Another Good Collection
Absolutely hilarious!!!
Funniest Man In Comedy!
Rodney almost does it again.

King of the Mountains
Rodney Carrington
Manufacturer: Capitol
ProductGroup: Music
Binding: Audio CD

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Rodney Carrington: Live at the Majestic
Greatest Hits
Morning Constitutions
But I Could Be Wrong
Nut Sack

ASIN: B000NJXCAI
Release Date: 2007-04-03

Tracks:

Intro
Tee Off
Massage
TV Show
Shopping On Rodeo Street
Real Fancy Place
Give It A Try
Zoo
Yoga Class
Boxing
Christmas With The Kids
Home Movie
Short Arms
Wheel Of Fortune
Travel Pillow
The Apple
Fun
Changes
Baby Back
Fat Girl
Put Your Clothes Back On
Rap Star
Rhymes With Truck
Show Them To Me
Baby Back
Rhymes With Truck
Rap Star
Show Them To Me
Tribute To Barry Martin
Angel Friend

Customer Reviews:

Funny, funny, funny.......2007-06-27

If you love comedy you need this CD. Rodney Carrington is one of the funniest comedians today. I also purchased his DVD "Rodney Carrington: Live at the Majestic". This DVD is his "King of the Mountain" album but the fact that you actually see him acting out the show makes it that much funnier. My favorite part is the "Chicken Song". If you get the DVD (which I highly recommend) it will keep you laughing long after you see it. Trust me you will want to watch it over and over again......... I know I did.

Another Good Collection.......2007-06-19

This is another entertaining collection of countrified humor from a man who mostly has one thing on his mind; that is the thing that most men have on their minds. He is self deprecating and usually funny. That's enough for me.

Rodney is also known for his songs. These are usually scattered throughout his albums but in this one, they are all concentrated at the end. First come the live performances and then there are some repeats using studio recordings.

Its not a bad collection

Absolutely hilarious!!! .......2007-06-11

This is one of the funniest CD's and/or albums I have ever listened to. I heard these live on tour but, I still laugh like crazy. Also, Angel Friend is a very touching tribute to his good friend and fellow comedian Barry Martin. The song actually brought me through a very bad time and gave me hope when I lost my best friend.

Funniest Man In Comedy!.......2007-06-05

I've watched this dvd 5 times already and could watch it 10 more...you will laugh the whole time its on!

Rodney almost does it again........2007-05-21

This was really funny, but I don't think it was quite as funny as his earlier stuff.

All for You: A Dedication to the Nat King Cole Trio

Average customer rating:

A lady you can never get tired of hearing
a pleasure to listen to
great combination
Another great album
Incredible singing instrument

All for You: A Dedication to the Nat King Cole Trio
Diana Krall
Manufacturer: Grp Records
ProductGroup: Music
Binding: Audio CD

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Love Scenes
From This Moment On
When I Look in Your Eyes
The Look of Love
Only Trust Your Heart

ASIN: B000003N89
Release Date: 1996-03-12

Tracks:

I'm An Errand Girl For Rythm
Gee Baby, Ain't I Good To You
You Call It Madness
Frim Fram Sauce
Boulevard Of Broken Dreams
Baby Baby All The Time
Hit That Jive Jack
You're Looking At Me
I'm Thru With Love
Deed I Do
A Blossom Fell
If I Had You

Amazon.com essential recording

All for You is a tribute to the Nat "King" Cole Trio of the 1940s, when Cole performed as both a singer and a pianist. Krall, like her heroes Lena Horne and Carmen McRae, is also a singer-pianist, and she plays both roles on most of the songs here. She's able to link her singing to her piano playing in sympathetic ways and projects tremendous feeling through both. Like Cole in the '40s, Krall plays with a drummerless trio--here with guitarist Russell Malone and bassist Paul Keller. Their sense of intimate rapport is especially valuable on ballads such as "You Call It Madness" and "I'm Thru with Love," but also allows such uptempo tunes as "Hit That Jive Jack" to swing with surprising lightness. --Geoffrey Himes

Customer Reviews:

A lady you can never get tired of hearing.......2007-07-04

Its so good to hear a musician who doesnt force the music but rather lets it flow, lets it just drift out from within. Beautiful, soft and mellow; this is definatly chill out music. Hard day at work, in need of something to take your mind off the rat race? Just slip this CD into the player and sit back and listen to a wonderful gifted jazz musician.

a pleasure to listen to.......2007-03-08

nice voice, nice music.
When it's good there is no need to go on and on with words.

great combination.......2007-02-19

The magic of Nat King Cole's music sung by the beautiful voice of Diana Krall, a great combination.

Another great album.......2007-01-22

Diana Krall's voice is like no one else's and I love listening to her. She's very talented in her piano playing, of course, but that voice of hers and the songs on her albums --- I've never been disappointed in any of her work.

Incredible singing instrument .......2007-01-01

Most of the songs here are unfamiliar to me. But in every track one hears the remarkable singing voice of Krall. She is one of those singers like Streisand who makes the voice a musical instrument. She moves us in so many subtle ways. And there is something about the quality of her voice, its fullness, its beautiful timbre. She seems also to have such control of what she is doing , and she is always making it interesting with new little riffs here and there. She is the best 'new singer' I have heard in years.
Just a remarkable singer who it is pleasure to hear.

The Lord of the Rings: The Return of the King

Average customer rating:

The Best Soundtrack Ever. Period.
Modern Day Symphony for Middle Earth
The stuff of legends!
Bored of the Rings...
If you like classical movie soundtracks...you NEED this!

The Lord of the Rings: The Return of the King
Howard Shore , and Annie Lennox
Manufacturer: Reprise / Wea
ProductGroup: Music
Binding: Audio CD

Movie Scores | Soundtracks | Styles | Music

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The Lord of the Rings: The Two Towers
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The Lord of the Rings: Fellowship of the Ring - The Complete Recordings

ASIN: B0000DZEA1
Release Date: 2003-11-25

Tracks:

A Storm Is Coming
Hope and Memory
Minas Tirith - Ben del Maestro
The White Tree
The Steward of Gondor - Billy Boyd
Minas Morgul
The Ride of the Rohirrim
Twilight and Shadow - Renee Fleming
Cirith Ungol
Anduril
Shelob's Lair
Ash and Smoke
The Fields of the Pelennor
Hope Fails
The Black Gate Opens - James Galway
The End of All Things - Renee Fleming
The Return of the King - Viggo Mortensen
The Grey Havens - James Galway
Into the West - Annie Lennox

Amazon.com

This final chapter of Peter Jackson's sprawling adaptation of Tolkien's "Ring" trilogy closes out one of the most accomplished cycles in cinema--and film music--history. As he's done for the saga's first two installments, composer Howard Shore has honed a mature, brooding orchestral masterpiece that's long on subtle shadings of mood and nuance, while eschewing the hollow bombast that's characterized all too many mainstream action and adventure films for three decades. If anything, he's pared this chapter of his music for Middle Earth even closer to the bone, the trilogy's familiar themes repeated with a sparing hand that only heightens their dramatic power. Like Herrmann before him, Shore has a preternatural understanding of orchestral timbres and their almost mystical connections with human emotions, and he's used it here to close out this remarkable trilogy with Wagnerian dramatic sweep, yet one with a distinctly modern, understated melodic sense that is Shore's alone. James Galway and Renee Fleming make key instrumental and vocal contributions, respectively, while Annie Lennox's soulful "Into the West" makes the expected, if unobtrusive, bow to the theatrical pop song conventions. --Jerry McCulley

Album Description

The regular jewel-case version will contain one of seven collectors' cards.

Customer Reviews:

The Best Soundtrack Ever. Period........2006-11-25

The entire "The Lord of the Rings" film trilogy is absolutely amazing and all are groundbreaking achievements in filmmaking but in my opinion they wouldn't be as good without the amazing master work of composer Howard Shore. 'The Return of the King', in particular, has the most expressive, emotional and dramatic music of the three films which perfectly complements the emotion and drama of the movie. The music alone is a work of genius. From the orchestral music to Annie Lennox's "Into the West", this soundtrack is truly astonishing.

Modern Day Symphony for Middle Earth.......2006-11-02

One session of listening to Howard Shore's breathtaking score for LOTR--RETURN OF THE KING and you instantly appreciate why he was repeatedly nominated for an Oscar.

Sweeping orchestral pieces transport you to the epic battles fought, while softer instrumentals summon the characters' pains suffered and quiet triumphs obtained.

If you own the other 2 CDs in the series, this is a no brainer. If you don't, ironically, starting here gives you a taste of all 3 as Shore weaves together a final tapestry of the trilogy in an expert fashion!

The stuff of legends!.......2006-10-02

What can I say that hasn't already been said about Howard Shore's magnificent score for the "Lord of the Rings" trilogy? A soundtrack can define the whole atmosphere of a film, and this fully orchestrated work certainly does that with sweep, splendor and wonder, alternately humanizing (hobbit-izing?) the characters, imbuing the landscape with magic and capturing the world-shaking impact of events of mythic proportions. And this was no easy task considering the iconoclastic status of the story and the superb quality of Peter Jackson's filmmaking. This is a truly a soundtrack for the ages--a fitting accompaniment to a film for the ages! Every aspect of life, from the extreme to the mundane, is captured in this music. Listening to it can make every remembered moment of the movie come alive again in your mind, from the most horrific battle to the smallest moment of humor or kindness. And the battle scenes in "Return of the King" are incredible visuals, blending live action and computer-generated imagery so seamlessly and densely that it boggles the mind. But what would they be with only screams and snorts and scuffles to give them voice? It's Shore's frenetic, string-laden, brass-filled, drum-spurred fury that truly gives them life, waxing, waning and cueing the audience as to when the greatest menace is about to threaten the war-weary heroes. The musical themes from the first two movies continue to be developed here, wending their way in and out of expanded interpretations whose dense complexity rivals that of Tolkien's story, not to mention Peter Jackson's filmmaking itself. The total effect is utterly convincing and utterly transporting. Peter Jackson chose well when he picked Shore as his score writer. Very, very well! Be sure to get the scores from the other two movies in the trilogy as well - "The Fellowship of the Ring" and "The Two Towers." They seem to be available in no end of different packagings, including ones with bonus DVDs about the creation of the score. Also, make sure to get the extended edition DVDs of the movie itself, with hours and hours of fascinating commentaries and behind-the-scenes documentaries about the making of the films. Truly a bargain at any price! And for authentic music from bygone ages, try the real thing! There are many fine groups out there. Here's just a sampling: Anonymous 4 (pure-voiced sacred chant by four women), The Baltimore Consort (jaunty popular music from the Renaissance), David Munrow's Early Music Consort of London (simply perfection), Christian Mendoze's Musica Antiqua (lively, percussive Renaissance dance music), The Toronto Consort (great variety), Ensemble Unicorn (worlds of fun!), Wolgemut (brash buzzies and bagpipes with attitude), and the magical early/folk fusion of Cantiga and Burlap Lute. Have some fun with them and live your own fantasy!

Bored of the Rings..........2006-09-13

First off, I'm fifteen.

I'd like to caution anyone considering buying this soundtrack. My sister has all three (Fellowship, Two Towers, Return), and I have to say that by what I know, this is not that great of a soundtrack. It's just overrated. To understand my point, listen to the music sample for song #16. At first, you may think "AWESOOMMME! This is so coooool!". But listen to it again, and you should find out that it's actually annoying. If you want to hear the "AAAAAAHHH"'s done right, listen to John Williams' Star Wars III, numbers 3 and 4. Now THAT is good music. Unlike ROTK (Return of the King), it's not just some mindless noise. I'm going to make a list of excellent soundtracks that you should consider waaaay over this one:

For a quiet, moving soundtrack, Get "A Beautiful Mind".

For action\adventure-type music, get one, several, or all the soundtracks below instead of LOTR:

~Jaws (don't think that you've "heard it all" from the movie already, because you haven't)

~Star Wars III

~Jurassic Park I

For War music, "The Patriot" is a very well done soundtrack. Based on reviews, "Band of Brothers" and "Saving Private Ryan" seem spectacular as well.

As far as horror music, "Signs" looks pretty good, as does "The Ring". But if you really want a horror soundtrack, Williams' "Close encounters of the Third Kind" is probably the best of horror. Check the reviews for this one.

There you have it, folks. Before you buy this overrated soundtrack, at least look into these that I've listed, based on your interests (Horror, Action, etc.)

If only Jackson had gotten Williams to make these soundtracks...things could have been so much better...

If you like classical movie soundtracks...you NEED this!.......2006-09-08

My brother and his wife to be walked down the aisle to selections from this soundtrack. With my being a lover of classical music especially that from movie scores...I was instantly hooked. Movie scores have always mystified me even in my own life...made me kind of look back differenly at the world moving around me. I cried at my brother's wedding when his bride to be came out to this music and cried even harder when I sat in the comfort of my office, and then my bedroom while listening to Annie Lennox pour passion and soul into the song "into the west". So beautifully written, anyone can find some meaning that touches their life in some personal way...through this beautiful song.

Average customer rating:

A must have blues album
"These are the great ones"
RICK SHAQ GOLDSTEIN SAYS: "CLAPTON MAY BE BEHIND THE WHEEL ON THE COVER, BUT HE'S DEFINATELY JUST ALONG FOR THE RIDE WITH BB!"
just buy it
Riding With the King- Eric Clapton and B.B. King