To Bring You My Love

Editorial Reviews
Amazon.com essential recording
After fumbling around with producer-from-hell Steve Albini on Rid of Me (1993) and signing with U2 manager Paul McGuinness, Polly Jean Harvey is ready to live up to her lethal early promise at last. With its growling bass tones, "Meet Ze Monsta" sets the stage early on as Harvey explores her feminine psyche with an intensity and raw power unheard since Patti Smith's heyday. Unlike the terminally inconsistent Smith, however, Harvey plots a brilliant course through slippery laments ("Working for the Man"), corrosive testifying ("Long Snake Moan"), and fuzz-toned menace ("Down by the Water"). Skeptics who think Harvey can't outgrow her art-punk base are advised to cue up the flamenco-inflected, string-caressed "Send His Love to Me." --Jeff Bateman --This text refers to the Audio CD edition.

To Bring You My Love
Average customer rating:

Perfection.

Something For Anyone to Love

A dark and ambient masterpiece

"Let me ride on his grace for awhile..."

Haunting Femininity

To Bring You My Love
PJ Harvey
Manufacturer: Island
ProductGroup: Music
Binding: Audio CD

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Rid of Me

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ASIN: B000001E7T
Release Date: 1995-02-28

Tracks:

To Bring You My Love
Meet Ze Monsta
Working For The Man
C'Mon Billy
Teclo
Long Snake Moan
Down By The Water
I Think I'm A Mother
Send His Love To Me
The Dancer

Amazon.com essential recording

After fumbling around with producer-from-hell Steve Albini on Rid of Me (1993) and signing with U2 manager Paul McGuinness, Polly Jean Harvey is ready to live up to her lethal early promise at last. With its growling bass tones, "Meet Ze Monsta" sets the stage early on as Harvey explores her feminine psyche with an intensity and raw power unheard since Patti Smith's heyday. Unlike the terminally inconsistent Smith, however, Harvey plots a brilliant course through slippery laments ("Working for the Man"), corrosive testifying ("Long Snake Moan"), and fuzz-toned menace ("Down by the Water"). Skeptics who think Harvey can't outgrow her art-punk base are advised to cue up the flamenco-inflected, string-caressed "Send His Love to Me." --Jeff Bateman

Customer Reviews:

Perfection........2007-05-17

By far this is my favorite album of all time. It contains all of the elements I love in music: gut wrenching blues, edgy guitars, beautiful lyrics, raw passion, a conceptual idea, and PJ Harvey. It is both dramatic and sleek at the same time - to me it is produced to perfection. All of the songs fit perfectly together to aid in the design. PJ's performace is simply astounding: a force. Like any gifted artist, she has a clear, unabashed viewpoint. I can see how some may be thrown off by the album; it may not be easy to stomach - especially with today's trend in music. But for me, I was instantly and utterly in love. Perhaps you either love it or hate it (I regard this as a compliment!). But I think everyone should give it a listen.

Something For Anyone to Love.......2006-11-04

The Amazon clips here do not do this album justice. For years, I rejected the thought of buying this album because the parts of the songs I heard here failed to interest me. Then one day, I heard "Down By The Water" on the radio, and I knew I just had to try it. None of the other songs, much to my disappointment, were much like "Down By The Water," but most (I don't care for the strident "Send His Love To Me" or the prosaic "C'Mon Billy") were charming in different ways. "To Bring You My Love" is a bluesy track that sounds like what Fiona Apple was going for on her second album, "Meet Ze Monsta" sounds at once tough and bouncy, "Teclo" is haunting and lovely, and "The Dancer" is just plain fascination with its flamenco touches. If any of this sounds appealing, you should buy this before "good sense" changes your mind...

A dark and ambient masterpiece.......2006-05-29

TO BRING YOU MY LOVE was PJ Harvey's third release and honestly I didn't know what to make of the album at first. I had heard that the band had split up and she was going it alone, with help from producer Flood (!). In a way I was prepared for a different sounding PJ Harvey but looking back I guess I had no idea HOW different. I had just come off quite a high with her first two albums, the excellent RID OF ME and the beautiful debut DRY. When I first caught sight of the cover I thought, "Waaahhh!" It looks like our dear lil Polly is all growns up, and quite the force to be reckoned with, fierce in that red dress.

Gone are the days of the raw Albini produced sounds, this album has got a major blues vibe to it. I had heard the single "Down by the Water" and seen the video but yet I still wasn't prepared for this record. I wasn't prepared to fall in love with another PJ album, especially one that's such a departure from her beloved earlier works. But of course I did fall in love again and I think this album is her strongest work to date, both in songwriting and in use of instruments. Polly explores a darker range of topics with her lyrics this time around, especially in reference of a religious nature. Plenty of guitar, lush organs and standout vocals make for this dark, dense record. The ten tracks will take you on an intense musical journey and stretch your imagination, leaving you in awe of the complex yet spare sounds and its brutal melodrama will bring you to your knees.

We start off with the title track, "To Bring You My Love." This song to me is the only song reminisce of ROM on the record. It's a bit raw but in a moody kind of way. As soon as you hear Polly's voice you'll immediately sense this is a powerful song. What I love throughout this record is the usage of her vocals, clear and urgent, Polly's singing is impeccable.

"Meet Ze Monsta" is a crazy restless song. It's all over the place, I imagine a very strong woman trying to fight a "big black monsoon" but of course she loses and eventually gives in to suicide to "meet ze monstra." Over a quarrel with her lover. Alls fair in love and war.

"Working For The Man" is a strange, strange song. In a good way. It is very sinister, PJ's somber vocals very effective in lending to the eerie effect of the song. I think this song is about a psychotic serial killer who preys on women and insists he's doing well because he's "working for the man." You know, HIM.

"C'mon Billy" is bluesy folk rock at its best. I love the acoustic guitar, the emotion the strings bring out of me and the desperate yearning of PJ's voice here. A very heartfelt plea from a very desperate woman for the father of her son to return and lay with her on golden cornfields for days on end.

"Teclo" is stranger still. I read in a magazine that PJ said Teclo is someone's name. I would've never guessed. Hearing this song makes me conjure images of angels, halos and God. I dunno why.

"Long Snake Moan" is awesome! I swear this song helps me curb my road rage. I shout along to the lyrics and instantly feel better, it's like a stress reliever of a song. This song makes me feel powerful and important because I can work voodoo and make mere mortals and even "God above, All drunk on my love..."

"Down By The Water" is the single off the album and one that actually did well on the charts, I think. It's a very catchy song, with the heavy steady keyboards, playful bells and the malevolent chorus, "Little fish, big fish swimming in the water/Come back here man gimme my daughter."

My favorite song on this album has got to be the very dark, "I Think I'm A Mother." Reason being, well, frankly I just don't understand the freakin' song and I long to find out! I'm fascinated with this song, from the slow opening of the guitar and the building of the drums to the nonchalant-ness of her voice as she sings something about wanting to have an abortion because she despises the mother-in-law. Wait, what?! I know, hence the fascination.

"Send His Love To Me" is very similar to "C'mon Billy" in that it's very folksy. A very heartfelt, beautiful song.

"The Dancer" is without a doubt the most passionate song I've ever heard. I dare anyone to come up with a more beautiful, soulful song! The swaying of the strings, the gut-wrenching
wails of her voice and the killer lyrics just leaves me begging for more:

He came riding fast like a phoenix side a fire flame
He came dressed in black with a cross bearing my name
He came bathed in light and the splendor and glory
I can't believe what the Lord has finally sent me
He said "Dance for me, fanciulla gentil"
He said "Laugh for awhile, I can make your heart feel"
He said "Fly with me, touch the face of the true God"
And then he cried with joy at the depth of my love...

Oh Lord, how that song kills me. And what a lovely way to end an epic of an album. At first I wasn't sure how to feel about the album but a listen is all it took for me to be very impressed indeed. 5 stars all the way.

"Let me ride on his grace for awhile...".......2006-05-03

PJ Harvey's third release, To Bring you My Love is a middle of the road album for me. It's more produced, which is fine by me, never really cared either way, more romantic, and her voice is at its strongest here but I don't love all the tracks. Standout tracks include: To bring you my love, Come on Billy, Teclo, The Dancer, Down by the Water, and the gorgeous Send his Love to Me. The rest of the tracks are weird and plain. PJ is one skinny woman, does she ever eat? I prefer Dry, Is this Desire?, and Stories from the city.... better. This album is considered her masterpiece and it's good, but it's not great.

Haunting Femininity.......2006-04-18

3 1/2 stars

About half of these songs truly carve out a niche in your head with their immersive, overpowering qualities, while the other half seems to sort of cruise on autopilot..All in all, this is considered by many Polly Jean's seminal work, and it is for good reason..Songs like To Bring You My Love, Teclo, and The Dancer show Harvey at her most vulnerable, and most beautiful, qualities that this woman brings to the table better then most of her peers ever could.

Léhar: The Land of Smiles; The Merry Widow; The Count of Luxembourg (Highlights)

Average customer rating:

Arguably "The Best" English "Merry Widow "

Léhar: The Land of Smiles; The Merry Widow; The Count of Luxembourg (Highlights)

Manufacturer: Class. for Pleas. Us
ProductGroup: Music
Binding: Audio CD

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Release Date: 2003-09-02

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Arguably "The Best" English "Merry Widow ".......2006-09-12

This is the "Merry Widow" with English translation by Christopher Hassel sung by June Bronhill. I loved this rendition ever since I first heard it in about 1960. What's to love? First the translation is the best I've heard. The language doesn't sound "stilted" as some others. And, you can understand almost every word sung. Plus, the famous song, "Vilja" has some wording that moves me every time I hear it: The soprano sings, "Love me and I'll DIE for you!" with the word "die" somewhat emphasized. I don't know, there's just something "powerful" about someone saying they'd "die" for love! AND, at the end of "Vilja" the chorus and soprano raise to a crescendo hitting a high note together. In many renditions the chorus is heard but not the soprano on the final high note. In THIS version, the soprano, June Bronhill, can be heard rising to the final high note with an incressing crescendo and fortissimo louder than the chorus and holding the final high note---which gives a very thrilling effect as she holds that final note, I assure you!

The "problem" is that this June Bronhill, Reid, and Hassel version is hard to find on CD. For example, this CD is made in Holland and "there is one left" so it says on Amazon. But, if you can find it, I think it would be very much worth a listen. Then, after hearing it, if you think there's a "better" Merry Widow, please let ME know! Thanks. Email:boland7214@aol.

Average customer rating:

My favorite album. English church music at its finest.
The grand tradition of English music
music of great beauty
Excellent Selection, Excellent Performance
Best all-in-one English music CD ever

Treasures of English Church Music

Manufacturer: Collegium
ProductGroup: Music
Binding: Audio CD

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Music Of The Latin Rite: Ave Maria
Music Of The Latin Rite: Loquebantur variis linguis
Music Of The Latin Rite: Miserere mei
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Music Of The Latin Rite: Ave verum corpus
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Music Of The Reformation: Hide Not Thou Thy Face
Music Of The Reformation: Lord, For Thy Tender Mercy's Sake
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Music Of The Reformation: Bow Thine Ear
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Music Of The Restoration: Lord, How Long Wilt Thou Be Angry
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The Anglican Revival And The Twentieth Century: Beati quorum via
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The Anglican Revival And The Twentieth Century: A Hymn To The Virgin
The Anglican Revival And The Twentieth Century: Jesus Christ The Apple Tree
The Anglican Revival And The Twentieth Century: Faire Is The Heaven
Anthems And Introits: Rejoice In The Lord
Anthems And Introits: Remember Not, Lord, Our Offences
Anthems And Introits: Come, Let's Rejoice
Anthems And Introits: When David Heard
Anthems And Introits: I Sat Down Under His Shadow
Anthems And Introits: These Are They That Follow The Lamb
Latin Motets: Christe Jesu, pastor bone
Latin Motets: O beatum et sacrosanctum diem
Latin Motets: Nunc dimittis
Latin Motets: O vos omnes
Latin Motets: Factum est silentium
Latin Motets: Justorum animae
Settings Of Hymns And Other Poetry: Hail, Gladdening Light
Settings Of Hymns And Other Poetry: A Hymn To The Mother Of God
Settings Of Hymns And Other Poetry: Hymn For The Dormition Of The Mother Of God
Settings Of Hymns And Other Poetry: They Are At Rest
Settings Of Hymns And Other Poetry: A Litany
Settings Of Hymns And Other Poetry: Nolo mortem peccatoris
Settings Of Hymns And Other Poetry: O nata lux
Settings Of Hymns And Other Poetry: Loving Shepherd Of Thy Sheep
Prayer Settings: The Lord's Prayer
Prayer Settings: In manus tuas
Prayer Settings: Bring Us, O Lord God

Customer Reviews:

My favorite album. English church music at its finest........2005-10-06

Whether you have a couple dozen albums of English choral music or whether you're looking for an introduction to English choral music, this two CD collection is a must. Here you will find a wide selection of sacred favorites, from Gregorian chant to Ralph Vaughan Williams. It's a misnomer to call it "Anglican," since this would exclude (in addition to, of course, the pre-Reformation Latin hymns) the likes of Thomas Tallis and William Byrd -- both Catholics that kept to the ancient faith despite Elizabeth's (albeit relatively mild) persecutions. Tallis and Byrd set the standard in the 16th century for the distinctive "Englishness" (as opposed to Continental European) style of English choral music, with its soaring majesty yet somehow coupled with a subtle and sustained beauty (as opposed to the Continental ups and downs and often tiresome exaggerations). For those of us in the English-speaking world, this is our heritage. Let's treasure it. As for the recording itself, the mixing is superb. While listening, it's quite easy to imagine yourself in the beautiful King's College Chapel or perhaps heaven itself.

The grand tradition of English music.......2005-09-23

Recorded in the Lady Chapel of Ely Cathedral, the Cambridge Singers under the direction of John Rutter produced a duo of discs dedicated to Music of the English Church previously issued as two separate discs, 'Hail, Gladdening Light', and its companion piece, 'Faire is the Heaven'. The discs here are straight copies of those discs; hence, if you have those already, there is no need to purchase this - on the other hand, if you do not have the other discs, this is a bargain.

--Music--
This is all unaccompanied music, sung in a cathedral chapel acoustically suited for such music. The first disc has four primary sections: Music of the Latin Rite; Music of the Reformation; Music of the Restoration; and Anglican Revival and the twentieth century. The most famous composers in English music history -- Tallis, Byrd, Gibbons -- combine with later masters such as Purcell, Stanford, Howells, Walton, Britten and Vaughan Williams to form a truly masterful collection. These are anthems, hymns and other liturgical pieces that have remained important in Anglican worship, and can be often heard in situ on Sundays around the world. However, the Cambridge Singers bring their special music talent to the task, producing a good standard bearer for music of the English Church.

On the second disc, there are six Latin motets, set by composers such as Taverner, Howells, Stanford, Vaughan Williams, Philips and Dering. Anthens and Introits include notables Tomkins and Purcell, and lesser-known composers such as Amner, Bairstow and Goss. Hymns span the range from old to modern, including a hymn by John Rutter himself. The disc ends with three prayer settings, including one by the underappreciated John Sheppard, and another from William Harris, whose hymn serves as the title to the companion disc. These anthems and hymns show a powerful range of music, yet show a consistent tone also that makes it rather distinctive of the music of the English church.

The group's power and grace is second to none, particularly when singing this kind of music in a place such as Ely Cathedral, arguably the most natural of settings possible.

--Liner Notes--
The notes for this recording include the titles and words of each anthem or hymn. The notes for each piece also includes brief biographical information of the composer, and unique information about each work, when particular composers are represented more than once. One thing conspicuously missing is much biographical information about John Rutter, or any descriptive information about the Cambridge Singers apart from the most basic of information.

--John Rutter--
Rutter was born in London and educated at Clare College, Cambridge. This was where his career as a composer, arranger and conductor began. His early work was with groups at King's College Chapel at Cambridge as well as the Bath Choir and Philharmonic Orchestra. He has worked for the BBC providing music for educational series such as 'The Archaeology of the Bible Lands', until in 1979 he began forming the Cambridge Singers, and has continued a remarkable career of performance and recording as their director ever since.

--The Cambridge Singers--
The Cambridge Singers are a mixed choir of voices, many of whom were members of choir of Rutter's college, Clare College, Cambridge. While they specialise in English and Latin liturgical pieces, they have a wide range of recordings that span from modern compositions (including a remarkable requiem by Rutter) to English folk songs of the Middle Ages. Many are former members of the choir of Clare College and other Cambridge collegiate choirs (hence the name, Cambridge Singers). In the quarter-century since the founding, the Cambridge Singers have produced an impressive body of recordings.

music of great beauty.......2005-04-24

Pop one of these CDs into your car stero, turn up the volume and feel yourself drift into a sublime peace. Can music manifest the existence of God?

Excellent Selection, Excellent Performance.......2004-07-28

This two-CD compilation by the Cambridge Singers is truly very good. The repertoire is very diverse and only the best representations of composers and time periods are performed. ALthough most of the pieces were not written with a mixed choir in mind, the Cambridge Singers sing it so well you would not have had any idea. Their performances are careful and exquisite.

Best all-in-one English music CD ever.......2004-04-20

This is a re-release, as one set, of two of my favorite CDs ever: "Faire is the Heaven" and "Hail Gladdening Light" by the Cambridge singers. This is a fabulous compilation of everyone's favorite works from the English Cathedral tradition, all the way from Taverner (16th century) to Tavener (21st century). The selection of works is great and touches all the most important genres. The performance is exquisite, elegant, faultless. The Cambridge Singers have a softer, less edgy sound than the Tallis Scholars, and are more expressive, which may make them easier for some people to listen to, especially for the more recent works. They are no less musical. The Parsons Ave Maria alone brings one to tears. If you want an introduction to English church music, this is the CD to start with. Also makes a great gift, if you already love this music and want to introduce someone else to it.

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Great Hits from Sigmund Romberg

Great Hits from Sigmund Romberg

Manufacturer: Pearl
ProductGroup: Music
Binding: Audio CD

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ASIN: B000000X26
Release Date: 1992-06-12

Tracks:

The Desert Song: It
Maytime: Waltz Medley
Girl Of The Golden West: Who Are We To Say?
The New Moon: Introduction - Stout Hearted Men - Lover Come Back To Me - Girl On The Prow - Try Her Out At Dances - Wanting You - Softly As In A Morning Sunrise - One Kiss - Finale
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Viennese Nights: Introduction - I Bring You A Love Song - Here We Are - You Will Remember Vienna - Regimental March
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My Maryland: Introduction - Dixie - Boys In Grey - Mother - Silver Moon - Your Land Is My Land
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The Desert Song: Introduction - Riff Song - One Flower In Your Garden - Waltz - The Foreign Legion - Romance - One Alone
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Nina Rosa: Your Smiles, Your Tears
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The New Moon: Softly As In A Morning Sunrise
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The Student Prince: Intorduction - Arrival Of The Prince - Serenade - Deep In My Heart, Dear - Drinking Song - Just We Two - Students' March Song

Customer Reviews:

Great Hits from Sigmund Romberg.......2007-01-04

Excellent audio product, especially considering its age and the state of technology.

Average customer rating:

One of America's great songwriters

Over the Rainbow

Manufacturer: Pearl
ProductGroup: Music
Binding: Audio CD

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Release Date: 1997-11-18

Tracks:

(You Got Me In Between) The Devil And The Deep Blue Sea
I've Got The World On A String
I Gotta Right To Sing The Blues
Public Melody No. 1
When The Sun Comes Out
Hittin' The Bottle
Let's Fall In Love
Let's Put Our Heads Together
Now I Know
As Long As I Live
Rasin' The Rent
Blues In The Night
Down With Love
Over The Rainbow
It's Only A Paper Moon
Bud's Won't Bud
One For My Baby (And One More For The Road)
Stormy Weather
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Two Blind Loves
That Old Black Magic
Ac-Cent-Tchu-Ate The Positive
Ill Wind
Get Happy

Customer Reviews:

One of America's great songwriters.......2001-03-09

Amid the Cole Porters, Irving Berlins and George Gershwins of the world, Harold Arlen tends to be forgotten. And yet, when the greatest song of the 20th century was recently voted on by a distinguished panel of critics, whose song came out on top? Mr. Arlen's (Over the Rainbow). Here is a superb cross section of Harold Arlen songs by a cast ranging from Judy Garland to Bing Crosby to Ethel Waters, spanning decades and spanning a wide range of styles, from jazz to ballads, poignant to funny. Although the sound is not ideal, as many of the recordings date from the 30's and Pearl's objective in remastering has always been to achieve the fullest musical sound rather than to reduce surface noise, this is a minor complaint given the rich and mind-opening selection of great music found here.

Night and Day: Thomas Hampson Sings Cole Porter

Average customer rating:

Let theyself be hereby dubbed.........Best Broadway Tune Vocalist...
This isn't a vanity crossover project but Cole Porter with art and style
pure self indulgent garbage
Thank god, no astaire or kelly singing on this one
Cole must have been watching over this project

Night and Day: Thomas Hampson Sings Cole Porter

Manufacturer: Angel Records
ProductGroup: Music
Binding: Audio CD

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'Night And Day': 'Begin The Beguine' (Jubilee)
'Night And Day': 'In The Still Of The Night' (Rosalie)
'Night And Day': 'Easy To Love' (Born To Dance)
'Night And Day': 'Two Little Babes In The Wood' (Greenwich Village Follies - Sixth Yearly Edition)
'Night And Day': 'When My Baby Goes To Town' (Something For The Boys)
'Night And Day': 'When I Had A Uniform On' (Hitchy-Koo 1919)
'Night And Day': 'I've Got You Under My Skin' (Born To Dance)
'Night And Day': 'Bring Me Back My Butterfly' (Hitchy-Koo 1919)
'Night And Day': 'Who Said Gay Paree?' (Can-Can- Unused, Nicht verwendet, Inutilise)
'Night And Day': 'A Fool There Was' (Rosalie - Can-Can- Unused, Nicht verwendet, Inutilise)
'Night And Day': 'How's Your Romance?' (Gay Divorce)
'Night And Day': 'My Cozy Little Corner In The Ritz' (Hitchy-Koo 1919)
'Night And Day': 'Don't Fence Me In' (Hollywood Canteen)
'Night And Day': 'Drink' (Seven Lively Arts)
'Night And Day': 'Night And Day' (Gay Divorce)
'Night And Day': 'It Was Written In The Stars' (Du Barry Was A Lady)
'Night And Day': 'I Concentrate On You' (Broadway Melody Of 1940)
'Night And Day': 'Bull Dog' (Yale College)

Customer Reviews:

Let theyself be hereby dubbed.........Best Broadway Tune Vocalist..........2007-06-21

Of my dozens and dozens of Broadway music performances, I find only one singer can be dubbed "Best." That person, Thomas Hampson, is thee. While show performers and ballad singers have all had their way with these tunes, only one is across-the-board great in them.

And whether or not these are the "best" representative songs of Porter is a moot point, something entirely up to personal taste. The point is that these songs have not been better performed by an individual male singer. It certainly doesn't hurt, either, that the great John McGlinn was on board as conductor/director (and likely strongly involved in arranging).

****

This isn't a vanity crossover project but Cole Porter with art and style.......2006-07-17

The glut of crossover albums that came our way in the ripe era of Pavarotti and Domingo has abated, leaving not the best taste in the mouth. But there were some high points, and this 1991 Cole Porter collection from Thomas Hampson is a gorgeous example. Like his hero from the 30s, Lawrence Tibbett, who triumphed as much on radio as in the opera house, Hampson sings full out, applying an overtly operatic baritone to popular song. He has such a command of vocal technique that, as with Tibbett and more recently Ben Heppner, the glory of the vocalism would carry the day on its own.

But Hampson adds to this a good deal of finesse, humor, and suavity--particularly the last. "Begin the Beguine" and "In the Still of the Night" convey the cosmopolitan asurance that is a Cole Porter trademark. There are also some bigger songs, such as "It Was Written in the Stars," where Hampson can unleash his voice at full force, a thrilling experience. I don't think there's been an opera star who's made a Cole Porter recording other than Kiri Te Kanawa, in forty years. This is a very enjoyable one indeed.

pure self indulgent garbage.......2006-04-22

SOMEONE PLEASE STOP THOMAS HAMPSON, BEFORE HE HURTS HIMSELF...OR HURTS THE REST OF US....What a collective piece of trash this album is?..is there a more self-important, bloated, indulgent, precious, affected, pompous singer on the planet?...i am waiting for Thomas Hampson sings Disco...or Thomas Hampson sings Elton John...or Thomas Hampson does Eminem?...he probably thinks he could pull 'em off...what unmitigated gaul...don't waste your money here

Thank god, no astaire or kelly singing on this one.......2001-04-30

This was a great listen and it was finally nice to hear trained singers doing Porter. Can't stand it when I hear a lilting Porter song in an MGM film and then Astaire or Gene Kelly decide to try and sing it, usually off key, and end up slaughtering the number. Great to hear some of the old stuff and different takes on other standards.

Cole must have been watching over this project.......2000-09-06

John McGlinn's orchestrations on this compilation of Cole Porter tunes have as much to do with the brilliance of this CD as Mr Hampson's vocal renderings. Both have that lush sound that make a Porter tune sound like what this reviewer believes Porter would have appreciated, judging by his own versions of his songs, and the arrangements that he was involved in. McGlinn remained faithful to those original arrangements and added a few of his own ideas and along with modern day recording improvements produced a sound that I think Porter would very much approve of. My only complaint is the selection of songs, but that as always comes down to personal taste. However in doing so I was tuned into a few songs that I had never heard before, some of which are now among my favorite Porter songs. Specifically, 'Who said Gay Paree' is a sublime version of a lesser known Porter tune. It is one of his tunes about Paris but unlike the others its a sad tune of love lost with McGlinn and Hampson both at their finest. Another one new to me was'My Cozy Little Corner In the Ritz' an early Porter tune with him at his sarcastic best and a brilliant rendition. The standards are all briliantly done. 'In the Still of the Night' is my favorite, followed by I Concentrate on You', 'Easy To Love', 'Night and Day' (edging out Sinara's version, but not quite as magical as Fred Astaire's from the movie 'Gay Divorcee', but close) 'I've Got You Under My Skin' is divine, Begin the Beguine and 'Don't Fence me in'. All the others are great versions but none would make my top 50 Porter tunes. With the convenience of tracking with CD's though I program my favorites in and hear an hour of heavenly music from one of my favorite tunesmiths as interpreted by two contemporary masters of our time.

Hey Mr. Producer!: The Musical World of Cameron MacKintosh

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Hey Mr. Producer!: The Musical World of Cameron MacKintosh
Martin Koch
Manufacturer: Polygram
ProductGroup: Music
Binding: Audio CD

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ASIN: B000023ZUQ
Release Date: 1998-08-25

Tracks:

We Said We Wouldn't Look Back [Salad Days] - Martin Koch
Cats Overture [From Cats] - Martin Koch
Food Glorious Food [From Oliver!] - Workhouse Children
Wouldn't It Be Loverly [From My Fair Lady] - Gillian Lynne, Liz Robertson, Company
Quit Professor Higgins [From My Fair Lady] - Company
Rain in Spain [From My Fair Lady] - Jonathan Pryce, Liz Robertson,
Get Me to the Church on Time [From My Fair Lady] - Peter Bayliss, , Company
I've Grown Accustomed to Her Face [From My Fair Lady] - Jonathan Pryce, Liz Robertson
Introduction (Show Medeley) - Julie Andrews
One Two Three [The Fix] - John Barrowman
Little Shop of Horrors - Wendy Mae Brown, Dawn Hope, Femi Taylor
Somewhere That's Green [Little Shop of Horrors] - Ellen Greene
Suddenly Seymour [Little Shop of Horrors] - Ellen Greene, Teddy Kempner
Day by Day [Godspell] - Company
I Get a Kick Out of You [From Anything Goes] - Laurie Holloway, Marian Montgomery,
Variations [Song and Dance] - Julian Lloyd Webber, , Company
Unexpected Song [Song and Dance] - Bernadette Peters
Nicer in Nice [The Boyfriend] - Jasna Ivir, Company
I Love a Lassie [Lauder] - Scottish Power Pipe Band
Five Guys Named Moe/Is You Is or Is You Ain't My Baby? [Five Guys ...] - Trent Armand Kendall, , , ,
Pick a Pocket or Two - Russ Abbot, , ,
As Long as He Needs Me [From Oliver!] - Sonia Swaby
Introduction - Julie Andrews
I'm Martin Guerre - David Campbell
How Many Tears? [Martin Guerre] - Maria Friedman
Heat Is on in Saigon [From Miss Saigon] - David Campbell, , Lea Salonga, Company
Wedding [From Miss Saigon]
Last Night of the World [From Miss Saigon] - David Campbell, Lea Salonga
This Is the Hour [From Miss Saigon] - Company
American Dream [From Miss Saigon] - Jonathan Pryce, Company

Tracks:

Phantom of the Opera [From The Phantom of the Opera] - Lisa Vroman, Colm Wilkinson
Music of the Night [From Phantom of the Opera] - Colm Wilkinson
Broadway Baby [Follies] - Maria Friedman, Julia McKenzie
Oh, What a Beautiful Morning [From Oklahoma!] - Hugh Jackman
Carousel Waltz/Ballet [From Carousel] - Dana Stackpole, Company
Porch Scene [From Carousel] - Hal Fowler, Barbara King, Joanna Riding, Dana Stackpole
You'll Never Walk Alone [From Carousel] - Joanna Riding, Company
Introduction - Ned Sherrin
Side by Side [Company] - David Kernan, Millicent Martin, Julia McKenzie, Ned Sherrin, Stephen Sondheim
You Could Drive a Person Crazy [Company] - Maria Friedman, Ruthie Henshall, Millicent Martin, Lea Salonga
Send in the Clowns (A Little Night Music) - Judi Dench
Losing My Mind [Follies] - Michael Ball
Being Alive [Company] - Bernadette Peters
You've Gotta Have a Gimmick [From Gypsy] - Michael Ball, Judi Dench, Maria Friedman, Ruthie Henshall, David Kernan, , Dean Martin, Julia McKenzie, Bernadette Peters
Introduction - Stephen Sondheim
Duelling Pianos - Andrew Lloyd Webber, Stephen Sondheim,
Poisoning Pigeons in the Park [Tom Foolery] - Tom Lehrer
Jellicle Songs [From Cats] - Brian Blessed, , Paul Nicholas, Company
Memory [From Cats] - Elaine Paige
At the End of the Day [From Les Miserables] - Company
Stars [From Les Miserables] - Philip Quast
Do You Hear the People Sing? [From Les Miserables] - Hal Fowler, Company
On My Own [From Les Miserables] - Lea Salonga
Bring Him Home [From Les Miserables] - Colm Wilkinson
One Day More [From Les Miserables] - Michael Ball, Hal Fowler, Ruthie Henshall, Tammi Jacobs, Teddy Kempner, Philip Quast, Lea Salonga, Colm Wilkinson, Za
We Said We Wouldn't Look Back [From Les Miserables] - Cameron Mackintosh

Album Description

Subtitled the Musical Word of Cameron Mackintosh. Import only 56-track collection. A live recording at the Lyceum Theatre in London, in the presence of her majesty the Queen and HRH the Duke of Edinburgh. In aid of the Royal National Institute for the Blind and the combined theatrical charities. Universal.

With a Song in My Heart: The Songs of Rodgers & Hart

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With a Song in My Heart: The Songs of Rodgers & Hart

Manufacturer: Asv Living Era
ProductGroup: Music
Binding: Audio CD

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Similar Items:

Tea for Two: The Songs of Vincent Youmans
Rodgers & Hart, Vol. 1
Yes Sir, That's My Baby: The Songs of Walter Donaldson
Anything Goes: The Songs of Cole Porter
Till the Clouds Roll By: The Songs of Jerome Kern

ASIN: B000059N0T
Release Date: 2001-03-27

Tracks:

Manhattan - Ben Selvin & His Orchestra
Mountain Greenery - Frank Crumit
The Girl Friend - George Olsen & His Music
The Blue Room - The Revelers
My Heart Stood Still - Jessie Matthews/Hutch
Thou Swell - Ben Selvin & His Orchestra
You Took Advantage Of Me - Paul Whiteman & His Orchestra
With A Song In My Heart - Hutch
Ten Cents A Dance - Ruth Etting
Isn't It Romantic - Jeanette MacDonald
Lover - Paul Whiteman & His Orchestra
You Are Too Beautiful - Frank Sinatra
Blue Moon - Glen Gray & His Casa Loma Orchestra
It's Easy To Remember - Bing Crosby
My Romance - Dinah Shore & Frank Sinatra
There's A Small Hotel - Hal Kemp & His Orchestra
Where Or When - Lena Horne
My Funny Valentine - Mary Martin
Johnny One Note - Wynn Murray
The Lady Is A Tramp - Sophie Tucker
Falling In Love With Love - Allan Jones
This Can't Be Love - Benny Goodman & His Orchestra/Martha Tilton
I Didn't Know What Time It Was - Margaret Whiting
Bewitched, Bothered And Bewildered - Doris Day

Mozart: Le Nozze Di Figaro - Highlights / Giulini, Prey, Schwarzkopf, et al

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Mozart: Le Nozze Di Figaro - Highlights / Giulini, Prey, Schwarzkopf, et al
Hermann Prey , Elisabeth Schwarzkopf , Giuseppe Taddei , Graziella Sciutti , Dutch Chamber Choir , Residentie-Orchestra , and Carlo Maria Giulini
Manufacturer: Gala
ProductGroup: Music
Binding: Audio CD

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ASIN: B000006O25
Release Date: 2000-06-06

Tracks:

Act One, No.6 Aria: I No longer Know What I Am Or What I'm Doing - Stafania Malagu
Act One, No.9 Aria: No More, You Amorous Butterfly - Giuseppe Taddei
Act Two, No.10 Cavatina: O Love, Bring Some - Elisabeth Schwarzkopf
Act Two, No.11 Canzona: You Ladies - Stafania Malagu
Act Two, No.12 Aria: Come...Kneel Down - Graziella Sciutti
Act Two, No.15 Finale: Now Out You Come, You Imp Of Satan - Hermann Prey/Elisabeth Schwarzkopf
Act Two, No.15 Finale: My Lord And Lady, The Musicians Are Outside - Giuseppe Taddei
Act Two, No.15 Finale: Oh My Just And Noble Lord - Mimi Aarden/Frans Vroons/Joseph Rouleau/Hermann Prey/Graziella Sciutti/Elisabeth Schwarzkopf...
Act Three, No.16 Duet: Cruel One, Why Have You Caused Me Thus To Languish? - Hermann Prey/Graziella Sciutti/Giuseppe Taddei
Act Three, No.17 Recitative And Aria: We've Won Our Case!...Must I See A Serf Of Mine Made Happy - Hermann Prey
Act Three, No.18 Sextet: Dearest Son, In This Embrace - Hermann Prey/Graziella Sciutti
Act Three, No.19 Recitative And Aria: Susanna's Not Come!...Where Are Those Happy Moments - Elisabeth Schwarzkopf
Act Three, No.20 Duet: To The Zephyr...How Sweet The Breeze - Graziella Sciutti/Elisabeth Schwarzkopf
Act Three, No.26 Recitative And Aria: Everything Is Ready...Just Open Your Eyes - Giuseppe Taddei
Act Three, No.26 Recitative And Aria: At Last Comes The Moment...Come, Do Not Delay - Graziella Sciutti
Act Three, No.26 Recitative And Aria: Ho There! Bring Your Swords - Hermann Prey/Giuseppe Taddei/Frans Vroons/Chris Taverne/Ge Smit/Joseph Rouleau/Graziella Sciutti...