Sound of Water [Extra tracks] [Import]
Editorial Reviews
Album Description
Follow-up to 1998's 'Good Humor' was recorded in Berlin with experimental pioneers To Rococo Rot. Sean O'Hagan from the High Llamas and Stereolab also worked on the album. The Japanese version includes 4 bonus tracks, 'Red Setter', 'Rose Neck', 'Thank You' and 'Shoot Out The Lights'. The domestic release isn't scheduled until June 6th. 2000 release. Standard jewel case.
Average customer rating:
- LOVE this Cd
- Excellent for babies and family
- A great CD for the car
- Baby Neptune
- Baby Neptune Review
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Baby Neptune
Manufacturer: Buena Vista
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Binding: Audio CD
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Similar Items:
- Baby Einstein: Lullaby Classics
- Baby Galileo
- Baby Mozart
- Baby Bach
- Baby Beethoven
ASIN: B00008BRCI
Release Date: 2003-03-04 |
Tracks:
- Orchestra Tune-Up
- Water Music, Suite No.1 In F, Allegro, Handel
- Water Music, Suite No.1 In F, Bourree, (Handel)
- Water Music, Suite No.1 In F, Passepied (Handel)
- Water Music, Suite No.3 In G, Gigue (Handel)
- Water Music, Suite No.1 In F, Menuet (Handel)
- Water Music, Suite No.2 In D, Alla Hornpipe (Handel)
- Water Music, Suite No.1 In F, Air (Handel)
- Water Music, Suite No.2 In D, Allegro (Handel)
- Blue Danube Waltz (Strauss)
- Concerto In A (Telemann)
- Water Music, Bourree (Telemann)
- Water Music, Harlequinade (Telemann)
- Water Music, Ebb And Flow (Telemann)
- Contradance No.11 (Beethoven)
- Contradance No.12 (Beethoven)
- Nocturne No.6, K239, 1st Movement (Mozart)
- Nocturne No.6, K239, 3rd Movement (Mozart)
- La Mer (Debussy)
- Music For The Royal Fireworks, Fanfare And Overture (Handel)
- Music For The Royal Fireworks, Menuet Medley (Handel)
- Music For The Royal Fireworks, La Rejouissance (Handel)
Product Description
The Baby Neptune Concert for Little Ears music CD is an imaginative 22-track, 39-minute concert celebrating the rhythm and motion of water. From the joyous melodies of Handel's Water Music to the timeless flow of Strass' Blue Danube Waltz, great classical compositions will immerse you and your little one in playful musical portraits. The Baby Neptune music CD features some of the classical scores heard in Baby Neptune Discovering Water, and more. Charming water themes from master composers are re-orchestrated for little ears by the Baby Einstein Music Box Orchestra.Musical Selections:* Orchestra tune-up* Water Music, Suite No. 1 in F, Allegro, Handel* Water Music, Suite No. 1 in F, Bourree, Handel* Water Music, Suite No. 1 in F, Passepied, Handel* Water Music, Suite No. 3 in G, Gigue, Handel* Water Music, Suite No. 1 in F, Menuet, Handel* Water Music, Suite No. 2 in D, Alla Hornpipe, Handel* Water Music, Suite No. 1 in F, Air, Handel* Water Music, Suite No. 2 in D, Allegro, Handel* Blue Danube Waltz, Straus* Concerto in A, Telemann* Water Music, Bourree, Telemann* Water Music, Harlequinade, Telemann* Water Music, Ebb and Flow, Telemann* Contradance No. 11, Beethoven* Contradance No. 12, Beethoven* Nocturne No. 6, K239, 1st movement, Mozart* Nocturne No. 6, K239, 3rd movement, Mozart* La Mer, Debussy* Music for the Royal Fireworks, Fanfare and Overture, Handel* Music for the Royal Fireworks, Menuet medley, Handel* Music for the Royal Fireworks, La Rejouissance, HandelAge: birth +Award: Billboard Magazine Top Midline Classical Albums (#6) - 2004
Customer Reviews:
LOVE this Cd.......2007-03-08
Great music and soothing sounds for any babies and even older children. Our children really enjoy them in the car.
Excellent for babies and family.......2007-01-22
This CD is mandatory in the car and it relax everybody. It has classic music but without many sudden ups and downs. I would like to buy the whole collection next time.
A great CD for the car.......2007-01-04
We were given one from these series of CDs for babies and our daughter loves it, so we bought this one. It is a really nice collection of soft music and we usually play it in the car. A great addition to your baby's music collection.
Baby Neptune.......2006-03-18
I love all of the Baby Einstein DVD's, so the music CD has been just as good as the DVD's. I play it all the time when my son is in the car and it seems to calm him and keep his attention. I even listen to it in the car when my son is not with me. It is relaxing and soothing.
Baby Neptune Review.......2006-01-17
Our daughter loves the Baby Neptune CD. It makes for a relaxing musical interlude for long car trips.
Average customer rating:
- Instruments of the Orchestra - Great Reference Material!
- Beginner or Expert
- Very Informative and Enjoyable
- Frank's view
- Excellent Intro for Those Not Familiar with the Orchestra
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Instruments of the Orchestra
Various Artists
Manufacturer: Naxos
ProductGroup: Music
Binding: Audio CD
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Similar Items:
- Britten: Young Person's Guide to the Orchestra Op34; Simple Symphony Op4
- The Mahler Symphonies: An Owner's Manual (includes 1 CD)
- The Young Person's Guide to the Orchestra (Book & CD)
- What to Listen for in Music
- Study of Orchestration, Third Edition
ASIN: B00006O0NT
Release Date: 2002-12-03 |
Tracks:
- Overture To 'Tannhauser'
- Domna, Pos Vos Ay Chausida
- We Don't Merely Use Instruments, We Play On Them. And They Play On Us.
- Hungarian Dance No.7
- The Violin Is One Of The Most Tender And Beautiful Instruments Ever Invented.
- Violin Concerto In D Major (Adagio)
- But For A Long Time It Was Seen As The Instrument Of The Devil.
- The Soldier's Tale: Triumphal March Of The Devil
- The Manipulative Seductiveness Of The Gypsy Violin.
- Csardas Music
- The Violin And The Initiation Of Nature
- The Four Seasons (Spring, Mvt 1)
- Birds Are Again Evoked In The Second Concerto, Especially Music's Natural Favourite.
- The Four Seasons (Summer, Mvt 1)
- Like The Devil, The Violin Is A Master Of Disguise.
- Old Viennese Dance No.3 'Schon Rosmarin'
- The Menacing Sensuality Of Ravel's Tzigane: A Very Different Side Of The Violin:
- Tzigane
- Do We Now Have The True Measure Of This Instrument? Not Just Yet.
- Caprice No.24
- The Many Effects Of The String Tremolando: Brandenburg Concerto No.4 (Last Mvt)/From Joy To Fright/Quartettsatz In C Minor/The String Tremolo Practically Spells The World Agitato.
- Variations On A Theme Of Frank Bridge (No.7)
- Prokofiev's Tremolo In Romeo And Juliet Should Not Be Heard Just Before Bedtime.
- Romeo And Juliet: Act IV
- Vivaldi Use It To Illustrate The Shivering Of Travellers Crossing The Ice.
- The Four Seasons (Winter, Mvt 1)
- The Violin Muted
- Clair De Lune
- The Gentleness Of Muted Strings Persists Even When A Whole Orchestra Plays.
- Piano Concerto No.21 In C Major, K.467 (Slow Mvt)
- The Pizzicato Violin
- Pizzicato Polka
- In Prokofiev's Second Violin Concerto, The Accompaniment Is Pizzicato.
- Violin Concerto No.2 In G Minor (Slow Mvt)
- Varieties Of Pizzicato: Colas Breugnon (The People's Feast)/Now A Drier, Leaner, Hungrier Pizzicato. There's Not A Lot Of Comfort Here./Capriol Suite (Tordion)/The Use Of Pizzicato As 'Percussion'/Romeo And Juliet (Act I)/Mahler Used Pizzicato...
- The Planets (Mars - The Bringer Of War)
- The Technique Of Double-Stopping Enables The Violin To Play Duets With Itself./Sonata No.3 In C Major For Unaccompanied Violin (Fugue)/Now A Later Example Of The Same Technique
- Hungarian Dance No.4
- Double-Stopping Is A Standard Feature Of A Lot Of Folk Music.
- The Four Seasons (Autumn, Mvt 1)
- Now The Same Technique, But The Sound Might Have Come From Another World.
- Bolero
- Double-Stopping Can Only Approximate The Sound Of A Real Violin Duet.
- Cadenza To The Violin Concerto By Brahms
- Now Compare That With A Real Violin Duet.
- Forty-Four Duos (No. 1: Teasing Song)
- Another Duo By Bartok, Demonstrating The Violin's Rich Lower Register
- Forty-Four Duos (No.2: Maypole Dance)
- And Now What May Be The Most Beautiful Accompanied Violin Duet In History
- Concerto In D Minor For Two Violins (Largo)
- The Soul Of The Violin Is In Song; But What About This Weird Passage?
- Violin Concerto No.1 In D Major (Mvt 2)
- The Use Of Harmonies In The Orchestra Can Be Both Magical And Unsettling.
- Symphony No.1 'Titan' (Mvt 1, Opening)
- Tchaikovsky's Use Of Harmonics In The Sleeping Beauty Is Both Strange And Darling.
- The Sleeping Beauty (Act II, No.15: Entr'Acte)
- Ravel's Harmonics In Mother Goose Effect A Magical Transformation.
- Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
- Stravinsky's Harmonics In The Firebird Transport Us Almost Into Another World./The Firebird (Introduction)
- The Natural Upper Notes Of The Violins Have A Unique Emotional 'Grab'.
- Also Sprach Zarathustra (Of The Afterworldsmen)
- Still In Their Upper Register, The Violins Unleash The Energy Of A Young Colt.
- Variations On A Theme Of Frank Bridge (No. 4)
- Elsewhere, Britten Uses The Same High Register To Create A Very Different Mood.
- Four Sea Interludes (Dawn) From 'Peter Grimes'
- To End This Outing With The Violins, A Charming Little Elfin Dance
- Elfenreigen
Tracks:
- Introduction To The Viola
- Viola Concerto (Mvt 1)
- Khatchaturian Gets A Very Different Sound From It: Fuller, Fruitier, More Exotic.
- Gayane Suite No.1 (Armen's Solo)
- Very Nearly The Whole Of The Violin's Upper Register Is Also Available To The Viola.
- Passacaglia, Op.33b From 'Peter Grimes'
- The Viola Can Bring A Special, Rich Twanginess To Pizzicato That The Violins Lack./Don Quixote/Berlioz Drew Sounds From It That Retain Their Metallic Strangeness Even Today.
- Harold In Italy (Mvt 4)
- The Muted Viola: Intimate, Gentle, Poignant In Dvork
- Cypresses (No.9)
- The Massed Violas Of The Modern Symphony Orchestra In Mahler
- Symphony No.4 (Mvt 3)
- The 'Period' Viola In Bach
- Brandenburg Concerto No.6 (Last Mvt)
- The Cello: A Voice Of Unique Nobility
- Suite No.1 For Unaccompanied Cello (Prelude)
- Brahms And The 'Soul' Of The Cello
- Piano Concerto No.2 In B Flat Major (Mvt 3)
- Most Orchestral Composers Tend To Emphasize The Cello's Lower Register.
- Cantata 'Herz Und Mund Und Tat Und Leben', BWV 147 (Soprana Aria: Bereite Dir, Jesu)
- In The Time Of Beethoven The Cello Remained As Fundamental As Ever.
- Symphony No.3 'Eroica' (Finale)
- But The Cello Is Not Condemned To Spend Its Life In The Basement.
- Elfentanz, Op.39
- Not Only In Recital Showpieces Like That Is The Cello Is Used In Its Highest Register.
- The Protecting Veil (Opening)
- A Cello With An Identity-Crisis: The Pizzicato Flamencan
- Flamenco
- Double-Stopping In The Lower Reaches Of The Cello's Range
- Solo Suiet For Cello And Piano (Sardana)
- It's In The Middle Register That The Cello Really Comes Into Its Own.
- Oriental Dance, Op.2 No.2
- It Was To The Cellos That Beethoven Gave Two Of His Most Famous Themes./Symphony No.5 (Mvt 2)/Still More Famous Than That Theme Is This One From The Ninth Symphony.
- Symphony No.9 (Finale)
- Introduction To The Double-Bass
- The Carnival Of The Animals (The Elephant)
- But The Double-Bass Can Be Intensely Expressive And Graceful.
- Elegy No.1 In D Major
- The Range Of The Double-Bass Is The Greatest Of All The String Instruments/Allegro Di Concerto, 'Alla Mendelssohn'/And It's Also Capable Of Very Considerable Virtuosity.
- Capriccio Di Bravura
- Double-Bass Solos In Orchestral Scores Are Rare But Often Memorable./Symphony No.1 'Titan' (Mvt 3)/In His Third Symphony Mahler Makes A Very Different Use Of The Instrument./Symphony No.3 (Mvt 1)
- The Double-Bass Muted In Prokofiev/Lieutenant Kije Suite (Kije's Wedding)/In Another Work Prokofiev Uses The Double-Bass To Enhance The Winds./Romeo And Juliet (Act III)/And He Combines The Bass Clarinet With A Shivering Tremolo From The Double-Basses....
- Symphony No.5 (Mvt 3)/So Much For The Strings/On Now To The Winds
Tracks:
- The Antiquity And Magic Of The Flute
- Prelude A L'Apres-Midi D'Un Faune
- The Versatility And Agility Of The Flute
- Orchestral Suite No.2 In B Minor (Badinerie)
- The Flute In Fifteenth-Century Spain
- Sa'Dawi
- Other Flutes: The Bass And Alto
- Chamber Music No.II
- The Piccolo - Aptly Named
- La Naissance D'Osiris (Mvt 6)
- From A Piccolo Of The Eighteenth Century To One Of Its Descendants In The Twentieth
- Suite No.1 For Small Orchestra (Valse)
- A Variety Of Techniques
- Chamber Music No.II
- Flutter-Tonguing. But Tchaikovsky Got There Eighty Years Before.
- The Nutcracker (Act II, No.2: Scene)
- From The Transverse To The Vertical: The Baroque Recorder
- Recorded Suite In A Minor (Menuet II)
- An Unfamiliar, Early Vision Of The Instrument
- Naelden, Naelden
- The Bachian Oboe
- Cantata 'Ein Feste Burg Ist Unser Gott', BWV 80 (No.7: Duetto)
- Introduction To The Cor Anglais Or 'English Born'
- Symphony No.9 'From The New World' (Mvt 2)
- The Loneliness Of The Cor Anglais
- The Swan Of Tuonela
- The Cor Anglais Joins The French Horn In Haydn.
- Symphony No.22 'The Philosopher' (Opening)
- Introduction To The Oboe D'Amore, Beloved Of Bach - But Also Of Ravel
- Bolero
- The Clarinet Family: Boxing The Compass, From The Depths Of The Bass Clarinet.../The Egyptian (Violence)/...To The Raucous And Squealy.../Taras Bulba (The Death Of Ostap)/...To The Shrill And Complaining...
- Petrushka (No.8: Peasant With Bear)/...To The High Sprits Of A Playful Puppy./Symphonie Fantastique (Last Mvt)/And To The Downright Jazzy/Romeo And Juliet (Act II)
- As The High Clarinets Tend To Be Loud, So The Bass Tends To Be Soft:
- Gayane Suite No. 1 (Mvt 5)
- The Bass Clarinet Is Used By Most Composers Mainly As A Colouring Agent.../Petrushka (No.4: The Blackamoor)/...But It Does Occasionally Get A Whole Tune To Itself./Iberia (Almeria).
- The Range Of The Normal Clarinet Parts Goes Quite High...
- The Snow Maiden (Scene 5: Melodrama)
- ...And Quite Low.
- Peter And The Wolf (The Cat)
- The Clarinet As Concerto Soloist
- Clarinet Concerto In A Major (Rondo)
- But That's Not The Instrument Mozart Wrote It For; This Is:
- Clarinet Concerto In A Major (Rondo)
- Introduction To The Saxophone
- Hary Janos Suite (Mvt 4)
- The Soprano Saxophone Has Quite A Different Feel To It.
- L'Arlesienne Suite No.1 (Minuet)
- The Little Sopranino Sax Goes Even Higher.
- Bolero
- The Most Famous Use Of The Saxophone Is In An Orchestration By Ravel.
- Pictures At An Exhibition (The Old Castle)
- The Saxophone Can Be Quite Contagiously Good-Humoured.
- Sax-O-Phun
- The Puffa-Puffa Image Of The Bassoon
- Peter And The Wolf (Grandfather)
- The Bachian Bassoon, In Accompanimental Mode
- Cantata 'Weichet Nur, Betrubte Schatten' ('Wedding Cantata'), BWV 202 (Aria No.1)
- Bizet Leaves The Puffa-Puffa Image Out, Allowing The Bassoon To Sing./Carmen Suite No.1 (Les Dragons D'Alcala)
- And Ravel, Also In Spanish Mode, Does Likewise.
- Bolero
- The Bassoon As A Voice Of High Seriousness, Indeed Desolate Loneliness
- Symphony No.3 (Opening)
- The Eerie Bassoon In Its Highest Register
- The Rite Of Spring (Opening)
- Stravinsky Now Draws On Its Lowest Register, Lonely And Melancholy.
- The Firebird Suite (1919, Berceuse)
- The Bassoon As Concerto Soloist, Avoiding All Exaggeration
- Bassoon Concerto In G Minor (Finale)
- The Deep-Voiced Contra-Bassoon, As A Fairy-Tale Beast
- Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
- The French Horn Under Its Woodwind Hat
- Wind Quintet, Op.43 (Last Mvt)
- Now A More Prominent Role, In A Woodwind Quintet From An Earlier Era
- Wind Quintet In A Minor, Op.100 No.5 (Mvt 2)
- The Horn In Harmonious Blend With Strings In Another Quintet
- Horn Quintet, K.407 (Finale)
Tracks:
- The Trumpet As Virtuoso Soloist
- Brandenburg Concerto No.2 (Last Mvt)
- The Special Brillance Of Paired Trumpets
- Concerto In C For Two Trumpets, RV537 (Mvt 1)
- The Ceremonial Trumpet
- Fanfare For The Common Man
- Trumpets And Drums - An Incomparable Alliance
- Messiah (The Trumpet Shall Sound)
- The Versatility Of The Trumpet, From The Most Public To The Most Lonely
- Piano Concerto In F (Slow Mvt)
- The Trumpet As The Voice Of The City/An American In Paris/The Trumpet As Recruitment Officer/The Soldier's Tale (The March)/The Trumpet As Swaggerer
- Carmen Suite No.2 (Habanera)
- The Trumpet As The Voice Of Strength And Courage
- Carmet Suite No.2 (Toreador's Song)
- The Trumpet Muted/Petrushka (No.4: The Blackamoor)/Lieutenant Kije Suite (Opening)/The Trumpet As The Voice Of Weariness
- Billy The Kid
- The Trumpet As Character Actor
- Pictures At An Exhibition (No.6)
- The Trumpet As The Voice Of God
- Mass In B Minor ('Et Exspecto')
- The Birth Of The Trombone
- Aenmerckt Nu Hier
- The Birth Of The Brass As A Family
- Canzon 12 In Double Echo
- The Trombone In The Eighteenth Century
- Trombone Concerto In B Flat Major (Finale)
- The Tone Of The Tenor Trombone/Romance For Trombone And Organ/The Memorable Voice Of The Bass Trombone/Requiem (Mvt 2)/But The Bass Trombone Is More Than An Instrumental Bullfrog.
- Hosannah
- The Trombones Become Part Of The Orchestra.
- Symphony No.5 (Finale)
- The Wagnerian Trombone:/Overture To 'Tannhauser'
- The Trombone As Caricaturist
- Pulcinella (No.19: Vivo)
- The Trombone As Raspberry/Concerto For Orchestra (Intermezzo)
- The Horn And The Hunt
- Horn Concerto No.4 In E Flat, K.495 (Finale)
- The Challenging Horn Of The Baroque
- Abaris Ou Les Boreades (Menuet)
- The Scarcity Of First-Rate Players In Handel's Time
- Walter Music (Minuet 1)
- The Horn As Magician/The Firebird Suite (1919, Finale)
- Horns And The Sound Of Nobility
- Overture To 'Tannhauser' (Opening)
- The Special Sound Of The Horn In Its Higher Register
- Mass In B Minor ('Quoniam Tu Solus Sanctus')
- The Trumpet-Like Sound Of Massed Horns
- Symphony No.3 (Mvt 1, Opening)
- The Tuba - Unfairly Maligned?
- Symphony No.6 (Mvt 3)
- The Tuba Perfectly Cast By Ravel
- Pictures At An Exhibition (Bydlo)
Tracks:
- Introduction. And We Begin With A Bang.
- Fanfare For The Common Man/The Bass Drum On The Battlefields/Wellington's Victory, Op.91 (Opening)
- At The Opposite Extreme Is The Triangle.
- Piano Concerto No.1 In E Flat (Scherzo)
- Categories Of Percussion: Tuned And Untuned. The Side Drum
- Overture To 'La Gazza Ladra' - The Thieving Magpie (Opening)
- The Side Drum In An Effective But Unexpected Role/Clarinet Concerto (Mvt 1)
- The Tambourine. One Of The Oldest Instruments In The World
- Den Hoboecken Dans
- Even Older Is The Originally Oriental Gong.
- Ma Mere L'Oye - Mother Goose (Laideronette)
- No Single Instrument Can Match The Gong In Evoking The Breaking Of Waves./Passacaglia, Op.33b From 'Peter Grimes'/But Gongs Don't Have To Be Struck To Be Effective.
- Gymnopedie No.2
- The Cymbals Are Generally Discovered Early In Life./The Sanguine Fan/And They Do More Than Clash Together Loudly. They Can Be Clashed Together Softly./Studio Example: But They Needn't Be Clashed Together At All/Studio Example: They Can Be Lightly...
- Other Untuned Percussion Instruments Include The Whip.: Piano Concerto In G Major (Opening)/And Here Are No Fewer Than Twenty, Cracked By Tchaikovsky: The Nutcracker (Act I, Scene 5)
- More Versatile Than The Whip Are The Wood Blocks.../Studio Example/...Which Crop Up All Over The Place In Twentieth-Century American Music.
- Rodeo (Hoe-Down)
- Related To The Wood Blocks, By Sound, Are The Castanets./Jota Aragonesa/But The Castanets Were Also Used By Monteverdi Back In The Seventeenth Century.
- Scherzi Musicali (Damigella Tutta Belle)
- A Still Earlier Example From Fifteenth-Century Spain
- Yo M'Enamori D'Un Aire
- The Birth Of The Bongo
- Symphonic Dances From 'West Side Story'
- From The Streets Of New York To The Blacksmith's Shop/Il Trovatore ('Anvil Chorus')
- Desert-Island Decibels: Grand Canyon Suite (On The Trail)/Arcana
- From One Vegetable To Another: The Humble Squash, Or Marrow/Huapango
- Onwards To The Tuned Percussion. First, The Timpani
- Also Sprach Zarathustra (Introduction)
- But The Drum Roll Can Be More Effectively Frightening Than The Big Bang.: Symphony No.2 'Resurrection' (Mvt 3)
- Not One Drum Roll, But Many/Grand Canyon Suite (Sunrise)/Symphonie Fantastique (Last Mvt)
- Taking Advantage Of Tunability
- Music For Strings, Percussion And Celeste (Mvt 2)
- The Russian Composer Rodion Shchedrin Takes A Downward Turn./Carmen Suite (Changing Of The Guard)/Tuned, Yes; But For The Truly Melodic We Must Look Elsewhere.
- Introducing The Glockenspiel/Carmen Suite (Carmen's Entrance And Habanera)
- Saint-Saens And The Xylophone
- The Carnival Of The Animals (Fossils)
- Ravel And The Xylophone
- Ma Mere L'Oye - Mother Goose (Laideronette)
- Introducing The Marimba/Carmen Suite (First Intermezzo)
- Introducing The Vibraphone
- The Treasure Of The Sierra Madre (Narange Dolce)
- The Vibraphone Goes Russian.../Carmen Suite (Carmen's Entrance And Habanera)/...And Is Joined By The Marimba./Carmen Suite (Carmen's Entrance And Habanera)
- Introducing The Hungarian Cimbalom
- Folk Dances
- The Cimbalom And The Symphony Orchestra
- Hary Janos Suite (Mvt 3)
- Introducing The Tubular Bells
- Hary Janos Suite (Viennese Musical Clock)
- A More 'Up-Front' Approach From Rodion Shchedrin
- Carmen Suite (Introduction)
- But The Bells Can Also Make The Sinister Even More Sinister./Symphony No.7 'Sinfonia Antartica' (Mvt 1)
- Introducing The Celeste
- The Nutcracker (Dance Of The Sugar Plum Fairy)
- Magic, In The Use Of Collective Percussion
- Miroirs (La Vallee Des Cloches)
- Plucked Instruments: The 'Undercover Percussion'/Carmen Suite (Scene)
- A Prime Case In Point Is The Harp, Irresistible To The Romantics./The Nutcracker (Act II, No.1: Scene)/The Non-Solo Harp As An Integral Part Of The Orchestra/Hungarian Rhapsody No.1
- The Traditionally Subservient Role Of The Harpsichord In The Baroque Orchestra
- Brandenburg Concerto No.2 (Slow Mvt)
- The Piano: King Of The Tuned Percussion/Symphony No.3 'Organ' (Mvt 3)/And A Quarter Of A Century After That:
- Petrushka (Russian Dance)
- The Anti-Romantic Piano As An Integral Part Of The Orchestra
- Music For Strings, Percussion And Celeste (Last Mvt)
Tracks:
- Keyboard Instruments In The Orchestra - The Most Powerful Of Them All:
- Symphony No.3 'Organ' (Finale)
- But Things In Handel's Day Were Very Different.
- Organ Concerto In B Flat, Op.4 No.3 (Last Mvt)
- The Organ Is Difficult To Classify.
- An Unexpected, Organ-related Guest
- Concerto Pour Zampogna (Last Mvt)
- Peasant-Fancying... And A Touch Of The Roaming Cowboy
- Les Miserables (Drink With Me)
- Outside Artefacts And The Power Of Association
- Mahler's Sleighbells
- Symphony No.4 (Opening)
- A Roll-Call Of Some Unusual Guests/The Typewriter/Parade
- Chains, And More/Integrales/An American In Paris/Sandpaper Ballet
- Purpose-Built Oddities: Wind Machines/Symphony No.7 'Sinfonia Antartica' (Opening)
- Don Quixote (Variation VIII)
- National Calling Cards: The Guitar For Spain/Concierto De Aranjuez (Finale)
- And The Guitar's Poor American Relative, The Banjo/Washington Breakdown
- And Poorer Still, The Mouth Organ/The Treasure Of The Sierra Madre (Packing Up)
- The Balalaika For Russia/Romeo And Juliet (Act II: No.14)
- The Maracas For Mexico/The Treasure Of The Sierra Madre (El Desayuno)
- The Bongos And Congas And A Whole Wealth Of Other Drums For Africa And Central America/Studio Example
- The Sitar Of India/Evening Raga: Bhapoli
- The Accordion For France (Especially Paris)/Paris Canaille
- The Zither For Vienna/The Third Man (Theme)
- The Cimbalom For Hungary/Folk Dances
- The Guitar As An Integral Part Of The Orchestra/Rondena
- There Are Whole Orchestras Of Balalaikas./Sveit Mesiats
- The Effect Of The Wordless Human Voice, Used Purely As An Instrument/Symphony No.7 'Sinfonia Antartica' (Mvt 1)
- Nocturnes
- Instruments And the Imitation Of Nature. The Clarinet As Cuckoo
- The Carnival Of The Animals (The Cuckoo)
- The Flute As An All-purpose Aviary
- The Carnival Of The Animals (The Aviary)
- The Oboe As Duck
- Peter And The Wolf (The Duck)
- The Recording Of Reality. Does It Work As Well?
- The Pines Of Rome (The Pines Of The Janiculum)
- The Recording Of Reality Electronically Reborn In New Guises
- Cantus Articus - Concerto For Birds And Orchesra (Mvt 2)
- Beethoven Turns Avian: Cuckoo, Nightingale, And Quail
- Symphony No.6 'Pastoral' (Andante Molto Mosso)
- Some Improbable Casting: The Violin As Braying Donkey
- The Carnival Of The Animals (Persons With Long Ears)
- A Truly Orchestral Hee-haw To Be Reckoned With
- Overture To 'A Midsummer Night's Dream'
- A Thunderstorm In A Million
- Symphony No.6 'Pastoral (Allegro-Allegretto)
- the Instrumental Depiction Of A Silent World
- The Carnival Of The Animals (The Aquarium)
- Saint-Saens' Menagerie Takes A Curtain Call.
- The Carnival Of The Animals (Finale)
Tracks:
- The Grouping Of Instrumental Families. An Additive Approach. First, Two Violins
- Forty-Four Duos (No.4)
- A Great Contrast, Of Both Pitch And Character: Violin And Viola
- Duo For Violin And Viola In B Flat Major, K.424 (Finale, Vars 1 & 2)/Studio Example
- Arrival Of The Standard String Trio: Violin, Viola, And Cello
- String Trio In B Flat (Menuetto)
- The String Quartet: Two Violins, Viola, And Cello
- String Quartet In F, Op.18 No.1 (Mvt 3)
- The String Quintet - When The Extra Instrument Is A Second Viola
- String Quartet No.5 In D, K.593 (Adagio)
- The String Quintet - When The Extra Instrument Is A Second Cello
- String Quintet In C (Mvt 3)
- The String Sextet: Two Violins, Two Violas, And Two Cellos
- String Sextet In B Flat (Mvt 2)
- The String Octet: The Standard String Quaret Times Two
- Octet In E Flat, Op.20 (Mvt 1)
- Double The String Octet: A Fully Fledged String Orchestra
- String Symphony No.2 (Finale)
- The Massed Strings Of A Symphony Orchestra
- Fantasia On A Theme Of Thomas Tallis
- Contrasts Of Pitch And Instrumental 'Colour' In The Woodwind Section
- Wind Quintet In A Minor, Op.100 No.5 (Theme)
- In The First Variation It's The Horn That Gets The Lion's Share.
- Wind Quintet In A Minor, Variation 1
- In Variation Two The Torch Is Handed To The Bassoon.
- Wind Quintet In A Minor, Variation 2
- In Variation Three The Oboe Leads.
- Wind Quintet In A Minor, Variation 3
- Variation Four: Conversation Before Returning To A Solo-dominated Texture
- Wind Quintet In A Minor, Variation 4
- And Variation Five is Dominated By The Clarinet.
- Wind Quintet In A Minor, Variation 5
- The Next To Be Featured Is The Virtuoso Flute.
- Wind Quintet In A Minor, Variation 6
- Individual Farewells And A Closing Chorus
- Wind Quintet In A Minor, Variation 7
- A Mixed Group: Clarinet, Bassoon, Horn, String Quartet, And Double-Bass
- Octet In F (Mvt 3)
- The Early Classical Symphony Orchestra Of Haydn And Mozart
- Symphony No.29 In A, K.201 (Finale)
- Strings, Wind, But No Brass. What Haydn And Mozart Never Knew
- Canzon 28
- Beethoven's Fifth: Two Horns, Two Trumpets, And Three Trombones Join The Team.
- Symphony No.5 (Finale)
- From Beethoven To The Massive Orchestras Of Berlioz, Wagner, And Mahler
- Beethoven Changed The Face Of The Symphony And The Orchestra Forever
- Symphoy No.6 'Tragic' (Mvt 1)
- The Cult Of Orchestral Elephantiasis Reaches Its Peak.
- Symphony No.1 'Gothic' (VI: Te Ergo Quaesumus)
- When Large Doesn't Necessarily Mean Loud: Debussy
- Images (Gigues)
- A Crisis Of Confidence; The Orchestra's Survival Hangs In The Balance, But It Still Develops. The Ondes Martenot:
- Turangalila Symphony (Chant D'amour 1)
- The Advent Of The 'Early Music' Movement Brings A New Vitality And Freshness.
- Balle De Xerxes (Gavotte En Rondeau)
- Computer And Synthesiser: Friends Or Foes?
- Concerto In D Minor For Two Violins (Largo)
- A Speculative Look Ahead/Mass In B Minor ('Dona Nobis Pacem')
Customer Reviews:
Instruments of the Orchestra - Great Reference Material!.......2007-04-04
This set lends itself to greatly enhancing one's knowledge of the orchestra, instruments in it, and their usage. I am a huge music buff, and I still picked up a great deal I previously did not know. I highly recommend this for all who wish to understand the origin of music, as well as the processes that are employed to create music!
Beginner or Expert.......2007-03-12
This CD is excellent for the beginner or expert! To be able to haear the instrumets separately and then together really provides a good education. and/or refresher. The book thaty comes with the CD is alomost worth the price by itself!
Very Informative and Enjoyable.......2006-11-20
Whether you're a music novice or pro, "The instruments of the Orchestra" is a very worthwhile purchase. The 7 CDs, with a total of 8 hours, are expertly narrated by Jeremy Siepmann. He's a great speaker, very much like the late Leonard Bernstein was. Mr. Siepmann takes you on an unforgetable musical journey covering the origins and use of the various orchestral instruments throughout musical history. The balance between his narration and a wealth of musical examples, which range from snippets to entire movements, is superb. The comprehensive enclosed booklet is excellent and faithfully follows the 7 CDs in content. Even with my 40+ years of music training I still learned new things from this wonderful collection. Considering the excellence of the content, and a cost that translates to about $5 per disc, this collection is a great value. Grab it, you won't regret that you did. Five solid stars!
Frank's view.......2006-08-19
This boxed set of CD's with booklet achieved all I had hoped that it would. There are good samples of individual instruments and well done commentary on each. The only drawback was that some of the samples were too brief and could have been longer, hoiwever I guess this fits in with time constraints of the medium. It has given me a lot of clues as to future purchases of CD's for listening to individual instruments. Altogeth a satisfactory purchase and a welcome addition to my collection.
Excellent Intro for Those Not Familiar with the Orchestra.......2003-11-08
I've listened to classical music for years and am interested in composition. I bought this CD set to learn how an orchestra and its instruments work. I thought the CDs would be a nice but boring lecture. They aren't! Not only are they FUN but they are informative as well. I learned a huge amount from each CD and couldn't wait to listen to the next one.
The narrator and writer is a great speaker and holds your attention well. He is definitely knowledgeable. He provides musical examples for each point he makes, so you get to "hear" what he just talked about. I'd say the CDs are about 65% music and 35% narration. You'll learn about the range of instruments, some history, different ways to play them, how they sound, and how they are used in the orchestra. This CD set was a great learning experience and is sold at such a low price!
I recommend this CD for those who want to learn about classical music and those who know about it but are interested in learning more about the inner workings of an orchestra. You'll learn much useful information. For instance, the Rite of Spring (with that eerie start) is written for bassoon! I never knew a bassoon could sound like that but now I do.
The one complaint I have is the last CD. This deals with the orchestra. I wanted more of a tour of how the orchestra has been used through history up to the present. Instead, it was a tour of how different groups of instruments sound. I thought it could have been better. The other 6 CDs are excellent.
Average customer rating:
- Truly A Masterpiece!
- Definitive, historical, all-in-one
- Súper Colección
- Walter's best
- Loved It All Over Again
|
Switched-On Boxed Set
Manufacturer: East Side Digital
ProductGroup: Music
Binding: Audio CD
All Works by J.S. Bach
| Bach, Johann Sebastian
| ( B )
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All Works by Handel
| Handel, George Frideric
| ( H )
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| Classical
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All Works by Monteverdi
| Monteverdi, Claudio
| ( M )
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| Classical
| Styles
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All Works by Domenico Scarlatti
| Scarlatti, Domenico
| ( S )
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Concerto Grossi
| Concertos
| Forms & Genres
| Classical
| Styles
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General
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Inventions
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Sonatinas
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Suites
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Similar Items:
- A Clockwork Orange: Wendy Carlos's Complete Original Score
- Sonic Seasonings + [Enhanced CD]
- The Well-Tempered Synthesizer
- Beauty in the Beast
- By Request
ASIN: B00002DDS5
Release Date: 1999-10-26 |
Tracks:
- Sinfonia to Cantata #29
- Air on a G String
- Two-Part Invention in F Major
- Two-Part Invention in B-Flat Major
- Two-Part Invention in D Minor
- Jesu, Joy of Man's Desiring
- Prelude and Fugue #7 in E-Flat Major
- Prelude and Fugue #2 in C
- Chorale Prelude "Wachet Auf" Bradenburg Concerto No. 3 in G Major
- Brandenburg Concerto #3 in G: I. Allegro
- Brandenburg Concerto #3 in G: II. Adagio
- Brandenburg Concerto #3 in G: III. Allegro
- Brandenburg Concerto #3 in G: II. Adagio
- Brandenburg Concerto #3 in G: Initial Experiments
Tracks:
- Orfeo Suite: Toccata/Ritornello I/Choro II/Ritornello II/Choro II/Ritor
- Sonata in G Major
- Sonata in D Major
- Bourree
- Air
- Allegro Deciso
- Sonata in E Major
- Sonata in D Major
- Bradenburg Concerto #4 in G Major: I. Allegro
- Bradenburg Concerto #4 in G Major: II. Andante
- Bradenburg Concerto #4 in G Major: III. Presto
- Domine Ad Adjuvandum
- Stereo Allignment Tones
- Well-Tempered Experiments
Tracks:
- Badinerie
- Minuet
- Bourree
- Two-Part Invention in A-Minor
- Two-Part Invention in a Major
- Sheep May Safely Graze
- Suite from Anna Magdalena Notebook: Musette in D Major
- Suite from Anna Magdalena Notebook: Minuet in G Major
- Suite from Anna Magdalena Notebook: Bist du Bei Mir
- Suite from Anna Magdalena Notebook: Marche in D Major
- Little Fugue in G Minor
- Bradenburg Concerto #5 in D Major: Allegro
- Bradenburg Concerto #5 in D Major: Affettuoso
- Bradenburg Concerto #5 in D Major: Allegro
Tracks:
- Brandenburg Concerto #1 in F Major: I. Allegro
- Brandenburg Concerto #1 in F Major: II. Adagio
- Brandenburg Concerto #1 in F Major: III. Allegro
- Brandenburg Concerto #1 in F Major: IV. Menuuetto, Trio I, Polocca, Trio
- Brandenburg Concerto #2 in F Major: I. Allegro
- Brandenburg Concerto #2 in F Major: II. Andante
- Brandenburg Concerto #2 in F Major: III. Allegro Assai
- Brandenburg Concerto #6 in B-Flat Major: I. Allegro
- Brandenburg Concerto #6 in B-Flat Major: II. Adagio Ma Non Tanto
- Brandenburg Concerto #6 in B-Flat Major: III. Allegro
Amazon.com
In 1968, keyboardist-composer Wendy Carlos released Switched-On Bach, her bestselling LP featuring baroque music performed on the Moog synthesizer. Carlos intended to spread the gospel of electronic classical music through this quirky release; instead, she sold more albums than Karlheinz Stockhausen could ever dream of, released a few follow-ups, and paved the way for Hot Butter's "Popcorn." Carlos has since become well known for more than just these wacky classical interpretations--she recorded the soundtracks to A Clockwork Orange and Tron and released new works--but the Switched-Ons are the goofy synthesizer recordings that most of us still remember.
No less than Glenn Gould proclaimed, "Carlos's realization of the Fourth Brandenburg Concerto is, to put it bluntly, the finest performance of any of the Brandenburgs--live, canned, or intuited--I've ever heard." We're not sure what he meant by that, but if you have half the enthusiasm Gould did for this music, check out this box set. All four of Carlos's baroque-gone-space-age LPs from the '70s are included here--Switched-On Bach, The Well-Tempered Synthesizer, Switched-On Bach II, and Switched-On Brandenburgs--completely remastered in all their stereophonic glory and containing bonus tracks (the fourth CD is even enhanced for use on your computer). The liner notes weigh in at around 150 pages, filled with photos and background information even on the evolution of Carlos's studio (you get the original LP notes in their entirety, too). The music? It's hilarious, absolutely riveting, and--whether Scarlatti, Bach, Handel, or Monteverdi--played successfully by Carlos and her battery of special effects. For the lover of the eclectic or the classical fan who knows how to let loose, this is a box set to get. --Jason Verlinde
Customer Reviews:
Truly A Masterpiece!.......2007-05-11
This collection is a treasured addition to our music library here at home, in part because I have long been a fan of the artist. Also, because we all enjoy the spin that Wendy puts on many of the classical works of the old masters of music. I heartily recommend this boxed set to any listener who wants to be delighted by the sounds of the Moog synthesizer, played in a masterful way by Wendy Carlos...
Definitive, historical, all-in-one.......2007-03-04
If you've loved the Walter/Wendy Carlos recordings over the years, this is a great way to get them all in one place. If you are at all interested in the production process, this is a _must have_ item.
Some have complained about the discussion tracks at the end of some CDs; I guess I can see how some might find them annoying. For pure ambience, you'll want to program your CD player to not play them, or just rip these CDs and burn a new copy minus those tracks.
One minor complaint I have is that the Brandenburgs are scattered throughout. I don't think it should have been all that bad to just have some of them duplicated. But I do understand the rationale, including them as is on the albums where they appeared individually, and then only putting the rest on the actual Brandenburgs pair of CDs. Personally, I love being able to listen to all the Brandenburgs straight through, so again I just made new versions of CD for my own use with them all together in their original order.
And of course, these days so many people aren't even listening to their CDs on the CD player. The music is ripped and then played using an MP3 player, computer, or similar device. Making playlists for your preferred track arrangements obviates any of the above complaints.
Regardless, I think that the value of having an all-in-one collection of these classic electronic instruments and performances far outweighs any minor issues regarding one's opinion of the choice of production arranagement.
Súper Colección.......2007-01-03
Una joya de arte, en su estuche y con un gran contenido de los primeros volúmenes de esta gran interprete.
Simplemente una gran colección para los fanaticos de Wendy
Walter's best.......2006-06-09
I know record and CD covers have been reprinted to reflect that Walter goes by the name of Wendy now. But this is all his best stuff in one collection. If you never had "Switched-On Brandenburgs Vol. 1 & 2" on LP and didn't get them either on CD back in 1987, then this is your chance to get them along with bits from his other works. Also get his other masterpiece "By Request" and the soundtrack of the movie "A Clockwork Orange". That's all you need if you are a fan of 60's analog synthesizer classical music, which only Walter was doing at that time.
Loved It All Over Again.......2005-08-03
When I heard the first piece from the first album as a young boy, I was completely hooked. I don't think Wendy could have picked a better song to start with. The power and expansiveness of the Sinfonia is surely what Bach must have heard in his head when he wrote it over 300 years ago.
Honestly, some of the music on these albums is so good you may never hear Bach, Handel, or Scarlatti the same way again.
When I saw this boxed set for sale, I purchased it with a little trepidation, unsure if it would live up to my memory of it and not sure what my wife or daughter would make of it. I'm glad I got it, though. It's a wonderful recording and the two bonus tracks are fun to listen to. In fact, I wish CDs had the same "commentary" tracks that DVDs have as I would have enjoyed hearing more about how this recording was put together.
Average customer rating:
|
Handel: The Masterworks (Box Set)
Manufacturer: Brilliant Classics
ProductGroup: Music
Binding: Audio CD
Trios
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General
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All Works by Handel
| Handel, George Frideric
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Similar Items:
- Vivaldi: The Masterworks (Box Set)
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ASIN: B00062FLI8
Release Date: 2004-11-30 |
Average customer rating:
- Soloists Poor, Vibrato Out Of Control, Spend $ Elsewhere
- A fabulous CD!
- Decent, but too much vibrato
- Not bad...BYU is markedly superior.
- Not BYU, but worth adding to your collection
|
Water & Light
Choral Project , and Daniel Hughes
Manufacturer: Clarion
ProductGroup: Music
Binding: Audio CD
All Works by Lauridsen
| Lauridsen, Morten
| ( L )
| Featured Composers, A-Z
| Classical
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All Works by Tavener
| Tavener, John Kenneth
| ( T )
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Similar Items:
- Eric Whitacre: The Complete A Cappella Works, 1991-2001
- Eric Whitacre: Cloudburst and other choral works
- Nocturne
- Lauridsen: The Complete Choral Cycles
- The Music Of Eric Whitacre
ASIN: B0000WTITM
Release Date: 2003-11-15 |
Tracks:
- Five Hebrew Love Songs (with string quartet): Eric Whitacre
- Cloudburst (with piano and percussion): Eric Whitacre
- i thank You God for most this amazing day: Eric Whitacre
- She Weeps Over Rahoon (with piano and English horn):Eric Whitacre
- Little Birds (with piano): Eric Whitacre
- Water Night: Eric Whitacre
- Sleep: Eric Whitacre
- Agnus Dei: Edward Elgar/David Giardiniere
- Hymn to the Mother of God: John Tavener
- There will be rest: Frank Ticheli
- Ave Maria: Giancarlo Aquilanti
- Tonight eternity alone: Renlausen
- O magnum mysterium: Morten Lauridsen
Album Description
Clarion is proud to showcase another great American choir, The Choral Project, in a program featuring the music of Eric Whitacre. Included are the ever-popular "Cloudburst" and the "Five Hebrew Love Songs" performed with String Quartet. Founded in 1996 by Artistic Director Daniel Hughes, The Choral Project has performed throughout Northern California in concert performances, interfaith services, and choral festivals, including a performance at the National Cathedral in Washington DC, as part of the California State Day Celebration Service. In June of 2001, The Choral Project received rave reviews and standing ovations at concert performances during their first international tour to Mexico and Costa Rica, which included highly acclaimed performances on Mexican National Radio, and a joint concert with the Café Chorale in Costa Rica. They have performed world premieres of compositions by numerous composers including Eric Whitacre.
Customer Reviews:
Soloists Poor, Vibrato Out Of Control, Spend $ Elsewhere.......2006-04-25
Truly dissapointed with this one.
Of course, BYU's is better than this; the sopranos sound like they have an average age of 60.
The soprano section lives in some wierd dichotomy. During the "Agnus Dei" you get a particularly bad B-52 like vibrato, then during the 7/8 section of "5 Hebrew Songs" they sound like a mediocre State School College Choir with a breathy unsupported sound. Both instances weren't out of tune. They just lacked a firm foundation.
When the soloists in "Tonight Eternity Alone" come in with shocking vibrato and lack of professional musicality, I actually skipped ahead.
If you are looking for a great cd other than BYU's. Try the CD entitled "Cloudburst", sung by Polyphony, conducted by Stephen Layton on Hyperion Records. It will blow you away. Save your money on this one, unless you would like to use this CD to compare the differences between it and either BYU or Polyphony.
Paying a premium fee for this CD, I expected something a bit better than an average grade semi-professional choir.
Daniel, find some new sopranos if you want to continue to sell CD's for $17 a pop.
A fabulous CD!.......2006-03-24
I don't know what these people are talking about. I've heard the BYU cd and it leaves me cold. The tone is so pure and thin that it has no life to it. The Choral Project breathes life into these pieces by Eric Whitacre. Another winner is Frank Ticheli's "There Will Be Rest". Simply stunning. A fabulous CD!
Decent, but too much vibrato.......2006-02-03
I am a huge Eric Whitacre fan, so I am always excited about his recordings. So far the best recording of his Choral works is the BYU singers, which is far superior to this recording. My biggest complaint is that nearly every piece from Water and Light is filled with vibrato. I have read some internet postings by Mr. Whitacre himself and he has said that his pieces are best sung without vibrato because the harmonies are designed to fit tightly together. All the vibrato makes the pieces not sound completely in tune (I'm am not saying that these performers are not capable of singing in tune, just that the vibrato makes the harmonies not quite as strong)
Not bad...BYU is markedly superior........2006-01-29
As the previous reviewer, I'm a huge Eric Whitacre fan. If you're looking for a recording of his Five Hebrew Love Songs (which are stunningly beautiful), may I recommend "Beautiful River" by BYU Concert Choir (on Tantara Records). In comparing the two side by side...well there is no comparison.
Not BYU, but worth adding to your collection.......2006-01-17
Eric Whitacre has taken the contemporary choral music world by storm. Since the release of his collected a cappella works CD (recorded by BYU Singers/Ron Staheli), choral music fans cannot get enough of his music.
Being such a fan, I bought this CD on a whim. I was excited for the opportunity to hear recordings of several pieces not included on the BYU recording (Little Birds, She Weeps Over Rahoon, Five Hebrew Love Songs).
Whitacre's music is as aurally stunning as it is difficult to sing, and the Choral Project does an adequate job of re-interpreting these pieces. If you've gotten use to the excellent quality of the BYU recording, you may be disappointed by this album--the balance and blend of this choir leaves something to be desired at times (not to mention the overly-offensive vibrato from several of the sopranos).
Perhaps the best track on the album is the Ticheli (mostly known for his band/wind ensemble compositions) "There Will Be Rest". If you aren't familiar with this piece, it's worth buying the album just to hear this one...
All-in-all, it's worth buying this album as long as you don't set your expectations too high.
Average customer rating:
- Not what I expected
- Tan Dun: A Composer as much for the Visual as the Aural
- St. Matthew Passion as World Ritual
|
Water Passion After St Matthew
Tan Dun , O'Connor , and Beiser
Manufacturer: Sony
ProductGroup: Music
Binding: Audio CD
Chamber Music
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Similar Items:
- Ghost Opera
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ASIN: B0000787FZ
Release Date: 2002-11-19 |
Tracks:
- Baptism
- Temptations
- Last Supper
- Water Cadenza
- In The Garden Of Gethsemane
Tracks:
- Stone Song
- Give Us Barabbast!
- Death And Earthquake
- Water And Resurrection
Customer Reviews:
Not what I expected.......2005-08-28
Probably my own fault. I was looking for something more like the Spirited Away soundtrack. This album is VERY experimental.
Tan Dun: A Composer as much for the Visual as the Aural.......2005-04-30
Tan Dun, the 48-year-old composer from Hunan, China now living in the US, has entered the world of notoriety in composition based on successes with music scores for majestic Chinese films. It is not unusual, then, that his works for the stage and for orchestra and voices have a decided visual bent. In a recent premiere of a revised work commissioned by the LA Philharmonic for the opening of Disney Hall - "Paper Concerto for Paper Percussion and Orchestra" - it becomes even more understandable why his music is reaching a wide audience: it is simple, accessible, highly dependent on stagecraft and amplification using his favorite elements remembered from childhood - paper, stone, and water. And while he amazes with his ability to pull as much sound from his 'non-instruments' such as paper or water, his actual orchestral writing is repetitive and minimally interesting.
So it is with WATER PASSION. Again, the works should be seen as well as heard: the LA Master Chorale recently performed this work and while the various manipulations of water vessels and pourings are visually beautiful, the choral writing is thick to the point of indecipherable and the instrumental portion is reduced to incidental effects.
This recording does its best to capitalize on the absence of the visual and because it is a captured live recording, both the tension and message that is oddly present are as well done as can be expected. Time will tell whether this music is lasting and viable, but for the moment Tan Dun has found a responsive audience for his interesting investigation of the sounds of the world of nature. Grady Harp, April 05
St. Matthew Passion as World Ritual.......2003-04-16
The concept for this contribution to the Passion 2000 project smacked so much of "political correctness" and world music crossover gimmickry that I almost passed it by. Tan Dun is a composer that intrigues me, but the idea of a Buddhist making understandable this most Christian of stories seemed quite a stretch to me. I shouldn't have worried at all. I have heard three of the four works from the Passion 2000 project, and Tan Dun's work is by far the deepest spiritually. It is an altogether remarkable work.
Tan Dun was given the Passion according to Matthew. Not content to deal merely with the passion story, Dun's work starts with the Baptism of Jesus, includes the Temptation in the Wilderness and then continues with the Last Supper, Garden of Gethsemane, the Betrayal/Denial, Trial, Crucifixion and atypically, ends with the Resurrection. Each section is set apart, almost as a tableau, with a ritualistic quality. Tan Dun's "orchestration" is simple but remarkably effective. The work is scored for choir, soprano and baritone soloists, three percussionists, violin and cello soloists and electronics. Many extended techniques are called for. The soprano has to test the greatest extent of her range with declamation that recalls Chinese opera, and the baritone is required to sing in overtones, influenced by Tuvan throat singing. The choir also plays stones, Tibetan bells and other small instruments. The percussionists get the most fascinating instruments. Tan Dun has long been interested in what he calls "water percussion" - instruments which use water as a significant part of their sounding. The effect in this work is elemental...the use of water sounds, stones (specified to have been taken from a river or the ocean) and other natural elements emphasizes the basic natural elements of the story.
The overall result is quite moving. The piece begins with a droned sound, in many ways reminiscent of the opening of Wagner's Ring cycle. Then the choir introduces a chorale melody that appears in various guises during the rest of the work. Each tableaux of the work is highly differentiated and given some recognizable sonic symbol. As the story progresses toward the cross, the music becomes wilder and more impassioned. The final section, which poetically represents the Resurrection, is as lovely a closing as I could imagine for this work...in many ways as moving as the music for the final scene of Crouching Tiger Hidden Dragon. Dun strips the passion story down to it's bare spiritual essentials and creates a work of almost ritual power.
The live recording is terrific. A better or cleaner one could not be asked for. The string soloists are marvelous, including the ever-fabulous Mark O'Connor on the violin. Both vocal soloists handle the demanding requirements of the piece with grace and aplomb and the choral singing is exquisite. The one thing missing in this wonderful CD is the visual element, which is quite pronounced in this piece, I gather in much the same way as it is in the work of Crumb. This is only a small matter though. In general, I find this to be the strongest, least traditional, and most spiritually moving work of the Passion 2000 cycle, at least that I've heard. Highly recommended!
Average customer rating:
- Good for what it is, however narrow.
|
Telarc SACD Sampler: The Absolute Sound
Manufacturer: Telarc
ProductGroup: Music
Binding: Audio CD
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ASIN: B000CRR3Q0
Release Date: 2006-01-24 |
Customer Reviews:
Good for what it is, however narrow........2006-11-09
The Absolute Sound has been a premiere audiophile rag for decades. If you are one, you already know them. If not, then there is only a small chance their magazine will be useful to you. They have another publication for home theatre, "Perfect Vision" which has far broader appeal these days. SACD is the format for this disk. Many of them are pressed in "hybrid" for use on conventional CD players. SACD is a significant improvement on the CD, which initially promised "perfect sound forever".
Telarc is a particularly high quality label that supports SACD. They have a fine list of recordings that extends far beyond these chestnuts.
To appreciate this improvement you need to have a SACD player. So the best use of this disk is to bring it with you to different audio stores to audition their equipment. Over time it functions as a reference disk, or benchmark, as you compare different sound systems.
Because it has only bleeding hunks of well known classical music, it has little other value unless you are interested in classical music but have little experience of it. In that case it may serve as a sampler to lead you to buy complete recordings of these selections. But again you need the SACD player, which you may already have if you are a jazz or rock audiophile. Otherwise, pass it by.
Average customer rating:
- I'm Mad About Baroque
- Amazing!
|
Mad About Baroque
Manufacturer: Deutsche Grammophon
ProductGroup: Music
Binding: Audio CD
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- Mad About Bach
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ASIN: B000001GKF
Release Date: 1993-07-13 |
Tracks:
- The Arrival Of The Queen Of Sheba
- Canon In D
- Rondeau (Masterpiece Theater Theme)
- Jesu, Joy Of Man's Desiring
- Water Music: Allegro-Andante(Allegro da capo)
- Water Music: Air
- Water Music: Bourree
- Water Music: Hornpipe
- Xerxes: Largo
- Sound Of The Trumpet, Sound
- The Four Seasons 'Winter': Largo
- Messiah: Hallelujah Chorus
- Adagio In G Minor
- Music For The Royal Fireworks: La Rejouissance
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- Concerto No. 12 In B Minor: Aria. Larghetto e Piano
- Le Coucou
- Brandenburg Concerto No. 3 In G Major: Allegro
Customer Reviews:
I'm Mad About Baroque.......2007-01-05
I love this CD and am so pleased to have purchased it. I put it on almost daily at work -- it is the perfect length equipt with the perfect choice music.
Amazing!.......2002-12-18
I thouroughly enjoy this CD! The music is beautiful enough to listen to all by itself, but also quiet and peaceful enough to listen to while studying for exams or doing homework. Mad about Baroque has been in my discman for many weeks and accompanied to the library many times. This is a great CD!
Average customer rating:
- Great classic!
- Tenors on Tour - Versatile and Beautiful
|
Tenors on Tour
Manufacturer: Sony
ProductGroup: Music
Binding: Audio CD
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ASIN: B0000029VG
Release Date: 1997-03-04 |
Tracks:
- Blue Moon - Moon River
- Besame Mucho
- Climb Ev'ry Mountain
- Love is a Many Splendored-Thing
- Maria
- Yesterday
- Autunm Leaves
- Over the Rainbow
- Giants In the Sky
- Sometimes A Day Goes By
- Time After Time
- Some Enchanted Evening
- This Nearly Was Mine
- Ave Maria
- Wiegenlied (Lullaby)
- The Long and Winding Road
- Bridge Over Troubled Water
- O Sole Mio
- Torna a Surriento
- Mamma
- Lolita
- Chitarra Romana
- Nessun Dorma
Customer Reviews:
Great classic!.......2003-03-25
This is a great compilation with the best tenors ever!Try this CD!
Tenors on Tour - Versatile and Beautiful.......2001-06-20
Tenors on Tour is a CD which will live forever. The opening songs by Placido Domingo, His arrangement of Blue Moon and Moon River, set the tone for the CD. To hear Richard Tucker do "Climb every Mountain" was a wonderful trip down memory lane. Who will ever forget him? Placido continues with Broadway..Maria from West Side Story and a Beatles song "Yesterday". Mandy Patinkin's "Over the Rainbow" is classic and wonderful! But in my opinion Jose Carreras has the most "goose bumping" production on the entire CD. His Ave (Maria) is so beautifully done it may just bring tears to your eyes. The "King" Pavarotti is the "clean-up Hitter with selections from LaBoheme,and he does "O Sole Mio" as only He can do it. This CD is a treat for anyone who enjoys fine music. You will play it over and over again.
Average customer rating:
|
Rain On A Tin Roof
Pure White Noise®
Manufacturer: Pure White Noise®
ProductGroup: Music
Binding: Audio CD
Meditation
| New Age
| Styles
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Relaxation
| New Age
| Styles
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ASIN: B000RUR3S0 |
Product Description
A wonderfully nostalgic, comforting sound to help you relax and sleep. Let the sound of Rain on a Tin Roof take you back to a favorite time and place when your cares were few, and you snuggled into your bed for an oh-so-cozy nights sleep while it was raining outside! In this CD, we have captured the comforting rising and falling patter of rain falling on a tin roof. This soothing sound creates a truly calming mood to help adults and children alike relax and gently fall asleep. 74 minutes.
Note - Our CDs are now packaged in earth friendly recyclable cardboard jackets. It is environmentally irresponsible for us to use the outdated petroleum intensive big bulky plastic CD jewel cases in a web based retail environment. Thank you for joining us in our efforts to become more earth friendly.
Music:
- Spirit Journey
- Suburban Mornings
- Surrender Mystical Music For Yoga
- The Distance To Here [IMPORT]
- The Downward Spiral (Japan) [+Bonus Track]
- The Faith of a Crucified Child
- The Third Message
- This Business of Art
- Too Much Punk For Just One Fist [Explicit Lyrics]
- WiredMasses
Music
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In the Line of Fire
Music from Six Continents - 1993 Series - Loeb, Snyder, Yasinitsky and others
Pianoforte in France
Sad Girl
Family Glue
Putumayo Presents the Best of World, Vol. 1: World Vocal
Slow
Mundy: Cathedral Music
Philtre [Import]
One
Piano Players & Significant Others (Jazz in July Live at the 92nd Street Y) [Live]
On Green Dolphin Street
Los Mejores del Pop 2003
Old Testament Rap
Double Exposure