American Standard
Editorial Reviews
Amazon.com
The term "bubblegrunge" was coined to describe stuff like the Toadies, Collective Soul, and Seven Mary Three. It's not a complimentary term, and I was the one who coined it in the first place, so you can tell what direction we're going here. Then again, Seven Mary Three have a weird sort of Southern-rock authenticity to their Pearl Jam bluster (they're from Florida), which suggests they might have even more right to the sound than a dilettante like Eddie Vedder. By "Southern rock," though, I don't mean the Allmans or Skynyrd so much as Molly Hatchet. They should be .38 Special instead: a swamp-boogie hat act that throws on some pop hooks and sucks back the Yankee dollars. The hit here is cumbersome. Er, that is, the hit here is "Cumbersome." --Gavin McNett --This text refers to the Audio CD edition.
Average customer rating:
- perfect
- 7M3 American Standard
- Southern Blend Of Modern Rock
- ONE OF MY FAVORITE CD'S
- Comes off a bit...um...cumbersome
|
American Standard
Seven Mary Three
Manufacturer: Atlantic / Wea
ProductGroup: Music
Binding: Audio CD
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ASIN: B000002JVD
Release Date: 1995-09-05 |
Tracks:
- Water's Edge
- Cumbersome
- Roderigo
- Devil Boy
- My My
- Lame
- Headstrong
- Anything
- Margaret
- Punch In Punch Out
- Favorite Dog
Amazon.com
The term "bubblegrunge" was coined to describe stuff like the Toadies, Collective Soul, and Seven Mary Three. It's not a complimentary term, and I was the one who coined it in the first place, so you can tell what direction we're going here. Then again, Seven Mary Three have a weird sort of Southern-rock authenticity to their Pearl Jam bluster (they're from Florida), which suggests they might have even more right to the sound than a dilettante like Eddie Vedder. By "Southern rock," though, I don't mean the Allmans or Skynyrd so much as Molly Hatchet. They should be .38 Special instead: a swamp-boogie hat act that throws on some pop hooks and sucks back the Yankee dollars. The hit here is cumbersome. Er, that is, the hit here is "Cumbersome." --Gavin McNett
Customer Reviews:
perfect.......2007-03-18
this was a new c.d. in the wrappings, great price, great availability and sounds great. Thanks
7M3 American Standard.......2007-01-10
I love this item I used to own the CD, but lkie all CDs, it got scratched; and I was only abel to hear songs 1-4. I can now enjoy the whole CD once again.
Southern Blend Of Modern Rock.......2006-12-30
Seven Mary Three just about does their own thing, but they do it well. I see them as part of a new version of Southern Rock that also includes acts like the Gin Blossums, Better Than Ezra, Dada, Four Star Mary, and others.
This album in particular resembles what Seven Mary Three is as well as shows effects of the nineties and grunge rock. They showed they could be hard on songs like My My and Water's Edge. They showed they could be emotional on Lame and Devil Boy. They showed off some interesting and extremely weird storytelling on many of their songs like Margaret and especially Roderigo.
Killer successful Platinum album by one of my favorite artists. Similar albums to this: Seven Mary Three's "Orange Avenue", Pound's "Same Old Life", Better Than Ezra's "Closer", and Stone Temple Pilots' "Core".
ONE OF MY FAVORITE CD'S.......2006-11-18
I LOVE THIS CD!!
I LOVE JASON ROSS'S VOICE WHETHER HE IS SINGING HIS HEART OUT OR SINGING SOFTLY. HE IS GIFTED!
THIS ALBUM, ALSO ROCKCROWN AND DISLOCATED ARE EXCELLANT.
I WASN'T TOO HAPPY WITH ORANGE AVE. BUT I AM REALLY LOOKING FORWARD TO NEW CD COMING OUT THIS FEB '07!!!
GO SEE THEM LIVE -- YOU WON'T REGRET IT!!!!
Comes off a bit...um...cumbersome.......2006-11-04
I'm a huge fan of the two singles off this album, `Cumbersome' and `Water's Edge' but I'm a little let down on the unoriginality of the rest of this album. Many of the songs sound very regurgitated. The lead singer's voice is decent and works well for songs like the aforementioned, but on songs like `Lame' (which is just that) he sounds out of place, shaky and uncertain. The only other songs I actually liked enough to listen to again were `My My' and `Anything' but even they are nothing new or anything special. Songs like `Lame' and `Roderigo' fumble in pure stupidity while `Devil Boy' just tries to hard, as does the closer `Favorite Dog'. I actually liked the concept behind `Punch in Punch Out', not so much as lyric-wise but the idea of singing over nothing but drums, it's different, but it just doesn't quite work like it should. All in all this album is only as good as its singles, and for two songs I can't say it's entirely worth the sticker price.
Average customer rating:
- Instruments of the Orchestra - Great Reference Material!
- Beginner or Expert
- Very Informative and Enjoyable
- Frank's view
- Excellent Intro for Those Not Familiar with the Orchestra
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Various Artists
Manufacturer: Naxos
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Similar Items:
- Britten: Young Person's Guide to the Orchestra Op34; Simple Symphony Op4
- The Mahler Symphonies: An Owner's Manual (includes 1 CD)
- The Young Person's Guide to the Orchestra (Book & CD)
- What to Listen for in Music
- Study of Orchestration, Third Edition
ASIN: B00006O0NT
Release Date: 2002-12-03 |
Tracks:
- Overture To 'Tannhauser'
- Domna, Pos Vos Ay Chausida
- We Don't Merely Use Instruments, We Play On Them. And They Play On Us.
- Hungarian Dance No.7
- The Violin Is One Of The Most Tender And Beautiful Instruments Ever Invented.
- Violin Concerto In D Major (Adagio)
- But For A Long Time It Was Seen As The Instrument Of The Devil.
- The Soldier's Tale: Triumphal March Of The Devil
- The Manipulative Seductiveness Of The Gypsy Violin.
- Csardas Music
- The Violin And The Initiation Of Nature
- The Four Seasons (Spring, Mvt 1)
- Birds Are Again Evoked In The Second Concerto, Especially Music's Natural Favourite.
- The Four Seasons (Summer, Mvt 1)
- Like The Devil, The Violin Is A Master Of Disguise.
- Old Viennese Dance No.3 'Schon Rosmarin'
- The Menacing Sensuality Of Ravel's Tzigane: A Very Different Side Of The Violin:
- Tzigane
- Do We Now Have The True Measure Of This Instrument? Not Just Yet.
- Caprice No.24
- The Many Effects Of The String Tremolando: Brandenburg Concerto No.4 (Last Mvt)/From Joy To Fright/Quartettsatz In C Minor/The String Tremolo Practically Spells The World Agitato.
- Variations On A Theme Of Frank Bridge (No.7)
- Prokofiev's Tremolo In Romeo And Juliet Should Not Be Heard Just Before Bedtime.
- Romeo And Juliet: Act IV
- Vivaldi Use It To Illustrate The Shivering Of Travellers Crossing The Ice.
- The Four Seasons (Winter, Mvt 1)
- The Violin Muted
- Clair De Lune
- The Gentleness Of Muted Strings Persists Even When A Whole Orchestra Plays.
- Piano Concerto No.21 In C Major, K.467 (Slow Mvt)
- The Pizzicato Violin
- Pizzicato Polka
- In Prokofiev's Second Violin Concerto, The Accompaniment Is Pizzicato.
- Violin Concerto No.2 In G Minor (Slow Mvt)
- Varieties Of Pizzicato: Colas Breugnon (The People's Feast)/Now A Drier, Leaner, Hungrier Pizzicato. There's Not A Lot Of Comfort Here./Capriol Suite (Tordion)/The Use Of Pizzicato As 'Percussion'/Romeo And Juliet (Act I)/Mahler Used Pizzicato...
- The Planets (Mars - The Bringer Of War)
- The Technique Of Double-Stopping Enables The Violin To Play Duets With Itself./Sonata No.3 In C Major For Unaccompanied Violin (Fugue)/Now A Later Example Of The Same Technique
- Hungarian Dance No.4
- Double-Stopping Is A Standard Feature Of A Lot Of Folk Music.
- The Four Seasons (Autumn, Mvt 1)
- Now The Same Technique, But The Sound Might Have Come From Another World.
- Bolero
- Double-Stopping Can Only Approximate The Sound Of A Real Violin Duet.
- Cadenza To The Violin Concerto By Brahms
- Now Compare That With A Real Violin Duet.
- Forty-Four Duos (No. 1: Teasing Song)
- Another Duo By Bartok, Demonstrating The Violin's Rich Lower Register
- Forty-Four Duos (No.2: Maypole Dance)
- And Now What May Be The Most Beautiful Accompanied Violin Duet In History
- Concerto In D Minor For Two Violins (Largo)
- The Soul Of The Violin Is In Song; But What About This Weird Passage?
- Violin Concerto No.1 In D Major (Mvt 2)
- The Use Of Harmonies In The Orchestra Can Be Both Magical And Unsettling.
- Symphony No.1 'Titan' (Mvt 1, Opening)
- Tchaikovsky's Use Of Harmonics In The Sleeping Beauty Is Both Strange And Darling.
- The Sleeping Beauty (Act II, No.15: Entr'Acte)
- Ravel's Harmonics In Mother Goose Effect A Magical Transformation.
- Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
- Stravinsky's Harmonics In The Firebird Transport Us Almost Into Another World./The Firebird (Introduction)
- The Natural Upper Notes Of The Violins Have A Unique Emotional 'Grab'.
- Also Sprach Zarathustra (Of The Afterworldsmen)
- Still In Their Upper Register, The Violins Unleash The Energy Of A Young Colt.
- Variations On A Theme Of Frank Bridge (No. 4)
- Elsewhere, Britten Uses The Same High Register To Create A Very Different Mood.
- Four Sea Interludes (Dawn) From 'Peter Grimes'
- To End This Outing With The Violins, A Charming Little Elfin Dance
- Elfenreigen
Tracks:
- Introduction To The Viola
- Viola Concerto (Mvt 1)
- Khatchaturian Gets A Very Different Sound From It: Fuller, Fruitier, More Exotic.
- Gayane Suite No.1 (Armen's Solo)
- Very Nearly The Whole Of The Violin's Upper Register Is Also Available To The Viola.
- Passacaglia, Op.33b From 'Peter Grimes'
- The Viola Can Bring A Special, Rich Twanginess To Pizzicato That The Violins Lack./Don Quixote/Berlioz Drew Sounds From It That Retain Their Metallic Strangeness Even Today.
- Harold In Italy (Mvt 4)
- The Muted Viola: Intimate, Gentle, Poignant In Dvork
- Cypresses (No.9)
- The Massed Violas Of The Modern Symphony Orchestra In Mahler
- Symphony No.4 (Mvt 3)
- The 'Period' Viola In Bach
- Brandenburg Concerto No.6 (Last Mvt)
- The Cello: A Voice Of Unique Nobility
- Suite No.1 For Unaccompanied Cello (Prelude)
- Brahms And The 'Soul' Of The Cello
- Piano Concerto No.2 In B Flat Major (Mvt 3)
- Most Orchestral Composers Tend To Emphasize The Cello's Lower Register.
- Cantata 'Herz Und Mund Und Tat Und Leben', BWV 147 (Soprana Aria: Bereite Dir, Jesu)
- In The Time Of Beethoven The Cello Remained As Fundamental As Ever.
- Symphony No.3 'Eroica' (Finale)
- But The Cello Is Not Condemned To Spend Its Life In The Basement.
- Elfentanz, Op.39
- Not Only In Recital Showpieces Like That Is The Cello Is Used In Its Highest Register.
- The Protecting Veil (Opening)
- A Cello With An Identity-Crisis: The Pizzicato Flamencan
- Flamenco
- Double-Stopping In The Lower Reaches Of The Cello's Range
- Solo Suiet For Cello And Piano (Sardana)
- It's In The Middle Register That The Cello Really Comes Into Its Own.
- Oriental Dance, Op.2 No.2
- It Was To The Cellos That Beethoven Gave Two Of His Most Famous Themes./Symphony No.5 (Mvt 2)/Still More Famous Than That Theme Is This One From The Ninth Symphony.
- Symphony No.9 (Finale)
- Introduction To The Double-Bass
- The Carnival Of The Animals (The Elephant)
- But The Double-Bass Can Be Intensely Expressive And Graceful.
- Elegy No.1 In D Major
- The Range Of The Double-Bass Is The Greatest Of All The String Instruments/Allegro Di Concerto, 'Alla Mendelssohn'/And It's Also Capable Of Very Considerable Virtuosity.
- Capriccio Di Bravura
- Double-Bass Solos In Orchestral Scores Are Rare But Often Memorable./Symphony No.1 'Titan' (Mvt 3)/In His Third Symphony Mahler Makes A Very Different Use Of The Instrument./Symphony No.3 (Mvt 1)
- The Double-Bass Muted In Prokofiev/Lieutenant Kije Suite (Kije's Wedding)/In Another Work Prokofiev Uses The Double-Bass To Enhance The Winds./Romeo And Juliet (Act III)/And He Combines The Bass Clarinet With A Shivering Tremolo From The Double-Basses....
- Symphony No.5 (Mvt 3)/So Much For The Strings/On Now To The Winds
Tracks:
- The Antiquity And Magic Of The Flute
- Prelude A L'Apres-Midi D'Un Faune
- The Versatility And Agility Of The Flute
- Orchestral Suite No.2 In B Minor (Badinerie)
- The Flute In Fifteenth-Century Spain
- Sa'Dawi
- Other Flutes: The Bass And Alto
- Chamber Music No.II
- The Piccolo - Aptly Named
- La Naissance D'Osiris (Mvt 6)
- From A Piccolo Of The Eighteenth Century To One Of Its Descendants In The Twentieth
- Suite No.1 For Small Orchestra (Valse)
- A Variety Of Techniques
- Chamber Music No.II
- Flutter-Tonguing. But Tchaikovsky Got There Eighty Years Before.
- The Nutcracker (Act II, No.2: Scene)
- From The Transverse To The Vertical: The Baroque Recorder
- Recorded Suite In A Minor (Menuet II)
- An Unfamiliar, Early Vision Of The Instrument
- Naelden, Naelden
- The Bachian Oboe
- Cantata 'Ein Feste Burg Ist Unser Gott', BWV 80 (No.7: Duetto)
- Introduction To The Cor Anglais Or 'English Born'
- Symphony No.9 'From The New World' (Mvt 2)
- The Loneliness Of The Cor Anglais
- The Swan Of Tuonela
- The Cor Anglais Joins The French Horn In Haydn.
- Symphony No.22 'The Philosopher' (Opening)
- Introduction To The Oboe D'Amore, Beloved Of Bach - But Also Of Ravel
- Bolero
- The Clarinet Family: Boxing The Compass, From The Depths Of The Bass Clarinet.../The Egyptian (Violence)/...To The Raucous And Squealy.../Taras Bulba (The Death Of Ostap)/...To The Shrill And Complaining...
- Petrushka (No.8: Peasant With Bear)/...To The High Sprits Of A Playful Puppy./Symphonie Fantastique (Last Mvt)/And To The Downright Jazzy/Romeo And Juliet (Act II)
- As The High Clarinets Tend To Be Loud, So The Bass Tends To Be Soft:
- Gayane Suite No. 1 (Mvt 5)
- The Bass Clarinet Is Used By Most Composers Mainly As A Colouring Agent.../Petrushka (No.4: The Blackamoor)/...But It Does Occasionally Get A Whole Tune To Itself./Iberia (Almeria).
- The Range Of The Normal Clarinet Parts Goes Quite High...
- The Snow Maiden (Scene 5: Melodrama)
- ...And Quite Low.
- Peter And The Wolf (The Cat)
- The Clarinet As Concerto Soloist
- Clarinet Concerto In A Major (Rondo)
- But That's Not The Instrument Mozart Wrote It For; This Is:
- Clarinet Concerto In A Major (Rondo)
- Introduction To The Saxophone
- Hary Janos Suite (Mvt 4)
- The Soprano Saxophone Has Quite A Different Feel To It.
- L'Arlesienne Suite No.1 (Minuet)
- The Little Sopranino Sax Goes Even Higher.
- Bolero
- The Most Famous Use Of The Saxophone Is In An Orchestration By Ravel.
- Pictures At An Exhibition (The Old Castle)
- The Saxophone Can Be Quite Contagiously Good-Humoured.
- Sax-O-Phun
- The Puffa-Puffa Image Of The Bassoon
- Peter And The Wolf (Grandfather)
- The Bachian Bassoon, In Accompanimental Mode
- Cantata 'Weichet Nur, Betrubte Schatten' ('Wedding Cantata'), BWV 202 (Aria No.1)
- Bizet Leaves The Puffa-Puffa Image Out, Allowing The Bassoon To Sing./Carmen Suite No.1 (Les Dragons D'Alcala)
- And Ravel, Also In Spanish Mode, Does Likewise.
- Bolero
- The Bassoon As A Voice Of High Seriousness, Indeed Desolate Loneliness
- Symphony No.3 (Opening)
- The Eerie Bassoon In Its Highest Register
- The Rite Of Spring (Opening)
- Stravinsky Now Draws On Its Lowest Register, Lonely And Melancholy.
- The Firebird Suite (1919, Berceuse)
- The Bassoon As Concerto Soloist, Avoiding All Exaggeration
- Bassoon Concerto In G Minor (Finale)
- The Deep-Voiced Contra-Bassoon, As A Fairy-Tale Beast
- Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
- The French Horn Under Its Woodwind Hat
- Wind Quintet, Op.43 (Last Mvt)
- Now A More Prominent Role, In A Woodwind Quintet From An Earlier Era
- Wind Quintet In A Minor, Op.100 No.5 (Mvt 2)
- The Horn In Harmonious Blend With Strings In Another Quintet
- Horn Quintet, K.407 (Finale)
Tracks:
- The Trumpet As Virtuoso Soloist
- Brandenburg Concerto No.2 (Last Mvt)
- The Special Brillance Of Paired Trumpets
- Concerto In C For Two Trumpets, RV537 (Mvt 1)
- The Ceremonial Trumpet
- Fanfare For The Common Man
- Trumpets And Drums - An Incomparable Alliance
- Messiah (The Trumpet Shall Sound)
- The Versatility Of The Trumpet, From The Most Public To The Most Lonely
- Piano Concerto In F (Slow Mvt)
- The Trumpet As The Voice Of The City/An American In Paris/The Trumpet As Recruitment Officer/The Soldier's Tale (The March)/The Trumpet As Swaggerer
- Carmen Suite No.2 (Habanera)
- The Trumpet As The Voice Of Strength And Courage
- Carmet Suite No.2 (Toreador's Song)
- The Trumpet Muted/Petrushka (No.4: The Blackamoor)/Lieutenant Kije Suite (Opening)/The Trumpet As The Voice Of Weariness
- Billy The Kid
- The Trumpet As Character Actor
- Pictures At An Exhibition (No.6)
- The Trumpet As The Voice Of God
- Mass In B Minor ('Et Exspecto')
- The Birth Of The Trombone
- Aenmerckt Nu Hier
- The Birth Of The Brass As A Family
- Canzon 12 In Double Echo
- The Trombone In The Eighteenth Century
- Trombone Concerto In B Flat Major (Finale)
- The Tone Of The Tenor Trombone/Romance For Trombone And Organ/The Memorable Voice Of The Bass Trombone/Requiem (Mvt 2)/But The Bass Trombone Is More Than An Instrumental Bullfrog.
- Hosannah
- The Trombones Become Part Of The Orchestra.
- Symphony No.5 (Finale)
- The Wagnerian Trombone:/Overture To 'Tannhauser'
- The Trombone As Caricaturist
- Pulcinella (No.19: Vivo)
- The Trombone As Raspberry/Concerto For Orchestra (Intermezzo)
- The Horn And The Hunt
- Horn Concerto No.4 In E Flat, K.495 (Finale)
- The Challenging Horn Of The Baroque
- Abaris Ou Les Boreades (Menuet)
- The Scarcity Of First-Rate Players In Handel's Time
- Walter Music (Minuet 1)
- The Horn As Magician/The Firebird Suite (1919, Finale)
- Horns And The Sound Of Nobility
- Overture To 'Tannhauser' (Opening)
- The Special Sound Of The Horn In Its Higher Register
- Mass In B Minor ('Quoniam Tu Solus Sanctus')
- The Trumpet-Like Sound Of Massed Horns
- Symphony No.3 (Mvt 1, Opening)
- The Tuba - Unfairly Maligned?
- Symphony No.6 (Mvt 3)
- The Tuba Perfectly Cast By Ravel
- Pictures At An Exhibition (Bydlo)
Tracks:
- Introduction. And We Begin With A Bang.
- Fanfare For The Common Man/The Bass Drum On The Battlefields/Wellington's Victory, Op.91 (Opening)
- At The Opposite Extreme Is The Triangle.
- Piano Concerto No.1 In E Flat (Scherzo)
- Categories Of Percussion: Tuned And Untuned. The Side Drum
- Overture To 'La Gazza Ladra' - The Thieving Magpie (Opening)
- The Side Drum In An Effective But Unexpected Role/Clarinet Concerto (Mvt 1)
- The Tambourine. One Of The Oldest Instruments In The World
- Den Hoboecken Dans
- Even Older Is The Originally Oriental Gong.
- Ma Mere L'Oye - Mother Goose (Laideronette)
- No Single Instrument Can Match The Gong In Evoking The Breaking Of Waves./Passacaglia, Op.33b From 'Peter Grimes'/But Gongs Don't Have To Be Struck To Be Effective.
- Gymnopedie No.2
- The Cymbals Are Generally Discovered Early In Life./The Sanguine Fan/And They Do More Than Clash Together Loudly. They Can Be Clashed Together Softly./Studio Example: But They Needn't Be Clashed Together At All/Studio Example: They Can Be Lightly...
- Other Untuned Percussion Instruments Include The Whip.: Piano Concerto In G Major (Opening)/And Here Are No Fewer Than Twenty, Cracked By Tchaikovsky: The Nutcracker (Act I, Scene 5)
- More Versatile Than The Whip Are The Wood Blocks.../Studio Example/...Which Crop Up All Over The Place In Twentieth-Century American Music.
- Rodeo (Hoe-Down)
- Related To The Wood Blocks, By Sound, Are The Castanets./Jota Aragonesa/But The Castanets Were Also Used By Monteverdi Back In The Seventeenth Century.
- Scherzi Musicali (Damigella Tutta Belle)
- A Still Earlier Example From Fifteenth-Century Spain
- Yo M'Enamori D'Un Aire
- The Birth Of The Bongo
- Symphonic Dances From 'West Side Story'
- From The Streets Of New York To The Blacksmith's Shop/Il Trovatore ('Anvil Chorus')
- Desert-Island Decibels: Grand Canyon Suite (On The Trail)/Arcana
- From One Vegetable To Another: The Humble Squash, Or Marrow/Huapango
- Onwards To The Tuned Percussion. First, The Timpani
- Also Sprach Zarathustra (Introduction)
- But The Drum Roll Can Be More Effectively Frightening Than The Big Bang.: Symphony No.2 'Resurrection' (Mvt 3)
- Not One Drum Roll, But Many/Grand Canyon Suite (Sunrise)/Symphonie Fantastique (Last Mvt)
- Taking Advantage Of Tunability
- Music For Strings, Percussion And Celeste (Mvt 2)
- The Russian Composer Rodion Shchedrin Takes A Downward Turn./Carmen Suite (Changing Of The Guard)/Tuned, Yes; But For The Truly Melodic We Must Look Elsewhere.
- Introducing The Glockenspiel/Carmen Suite (Carmen's Entrance And Habanera)
- Saint-Saens And The Xylophone
- The Carnival Of The Animals (Fossils)
- Ravel And The Xylophone
- Ma Mere L'Oye - Mother Goose (Laideronette)
- Introducing The Marimba/Carmen Suite (First Intermezzo)
- Introducing The Vibraphone
- The Treasure Of The Sierra Madre (Narange Dolce)
- The Vibraphone Goes Russian.../Carmen Suite (Carmen's Entrance And Habanera)/...And Is Joined By The Marimba./Carmen Suite (Carmen's Entrance And Habanera)
- Introducing The Hungarian Cimbalom
- Folk Dances
- The Cimbalom And The Symphony Orchestra
- Hary Janos Suite (Mvt 3)
- Introducing The Tubular Bells
- Hary Janos Suite (Viennese Musical Clock)
- A More 'Up-Front' Approach From Rodion Shchedrin
- Carmen Suite (Introduction)
- But The Bells Can Also Make The Sinister Even More Sinister./Symphony No.7 'Sinfonia Antartica' (Mvt 1)
- Introducing The Celeste
- The Nutcracker (Dance Of The Sugar Plum Fairy)
- Magic, In The Use Of Collective Percussion
- Miroirs (La Vallee Des Cloches)
- Plucked Instruments: The 'Undercover Percussion'/Carmen Suite (Scene)
- A Prime Case In Point Is The Harp, Irresistible To The Romantics./The Nutcracker (Act II, No.1: Scene)/The Non-Solo Harp As An Integral Part Of The Orchestra/Hungarian Rhapsody No.1
- The Traditionally Subservient Role Of The Harpsichord In The Baroque Orchestra
- Brandenburg Concerto No.2 (Slow Mvt)
- The Piano: King Of The Tuned Percussion/Symphony No.3 'Organ' (Mvt 3)/And A Quarter Of A Century After That:
- Petrushka (Russian Dance)
- The Anti-Romantic Piano As An Integral Part Of The Orchestra
- Music For Strings, Percussion And Celeste (Last Mvt)
Tracks:
- Keyboard Instruments In The Orchestra - The Most Powerful Of Them All:
- Symphony No.3 'Organ' (Finale)
- But Things In Handel's Day Were Very Different.
- Organ Concerto In B Flat, Op.4 No.3 (Last Mvt)
- The Organ Is Difficult To Classify.
- An Unexpected, Organ-related Guest
- Concerto Pour Zampogna (Last Mvt)
- Peasant-Fancying... And A Touch Of The Roaming Cowboy
- Les Miserables (Drink With Me)
- Outside Artefacts And The Power Of Association
- Mahler's Sleighbells
- Symphony No.4 (Opening)
- A Roll-Call Of Some Unusual Guests/The Typewriter/Parade
- Chains, And More/Integrales/An American In Paris/Sandpaper Ballet
- Purpose-Built Oddities: Wind Machines/Symphony No.7 'Sinfonia Antartica' (Opening)
- Don Quixote (Variation VIII)
- National Calling Cards: The Guitar For Spain/Concierto De Aranjuez (Finale)
- And The Guitar's Poor American Relative, The Banjo/Washington Breakdown
- And Poorer Still, The Mouth Organ/The Treasure Of The Sierra Madre (Packing Up)
- The Balalaika For Russia/Romeo And Juliet (Act II: No.14)
- The Maracas For Mexico/The Treasure Of The Sierra Madre (El Desayuno)
- The Bongos And Congas And A Whole Wealth Of Other Drums For Africa And Central America/Studio Example
- The Sitar Of India/Evening Raga: Bhapoli
- The Accordion For France (Especially Paris)/Paris Canaille
- The Zither For Vienna/The Third Man (Theme)
- The Cimbalom For Hungary/Folk Dances
- The Guitar As An Integral Part Of The Orchestra/Rondena
- There Are Whole Orchestras Of Balalaikas./Sveit Mesiats
- The Effect Of The Wordless Human Voice, Used Purely As An Instrument/Symphony No.7 'Sinfonia Antartica' (Mvt 1)
- Nocturnes
- Instruments And the Imitation Of Nature. The Clarinet As Cuckoo
- The Carnival Of The Animals (The Cuckoo)
- The Flute As An All-purpose Aviary
- The Carnival Of The Animals (The Aviary)
- The Oboe As Duck
- Peter And The Wolf (The Duck)
- The Recording Of Reality. Does It Work As Well?
- The Pines Of Rome (The Pines Of The Janiculum)
- The Recording Of Reality Electronically Reborn In New Guises
- Cantus Articus - Concerto For Birds And Orchesra (Mvt 2)
- Beethoven Turns Avian: Cuckoo, Nightingale, And Quail
- Symphony No.6 'Pastoral' (Andante Molto Mosso)
- Some Improbable Casting: The Violin As Braying Donkey
- The Carnival Of The Animals (Persons With Long Ears)
- A Truly Orchestral Hee-haw To Be Reckoned With
- Overture To 'A Midsummer Night's Dream'
- A Thunderstorm In A Million
- Symphony No.6 'Pastoral (Allegro-Allegretto)
- the Instrumental Depiction Of A Silent World
- The Carnival Of The Animals (The Aquarium)
- Saint-Saens' Menagerie Takes A Curtain Call.
- The Carnival Of The Animals (Finale)
Tracks:
- The Grouping Of Instrumental Families. An Additive Approach. First, Two Violins
- Forty-Four Duos (No.4)
- A Great Contrast, Of Both Pitch And Character: Violin And Viola
- Duo For Violin And Viola In B Flat Major, K.424 (Finale, Vars 1 & 2)/Studio Example
- Arrival Of The Standard String Trio: Violin, Viola, And Cello
- String Trio In B Flat (Menuetto)
- The String Quartet: Two Violins, Viola, And Cello
- String Quartet In F, Op.18 No.1 (Mvt 3)
- The String Quintet - When The Extra Instrument Is A Second Viola
- String Quartet No.5 In D, K.593 (Adagio)
- The String Quintet - When The Extra Instrument Is A Second Cello
- String Quintet In C (Mvt 3)
- The String Sextet: Two Violins, Two Violas, And Two Cellos
- String Sextet In B Flat (Mvt 2)
- The String Octet: The Standard String Quaret Times Two
- Octet In E Flat, Op.20 (Mvt 1)
- Double The String Octet: A Fully Fledged String Orchestra
- String Symphony No.2 (Finale)
- The Massed Strings Of A Symphony Orchestra
- Fantasia On A Theme Of Thomas Tallis
- Contrasts Of Pitch And Instrumental 'Colour' In The Woodwind Section
- Wind Quintet In A Minor, Op.100 No.5 (Theme)
- In The First Variation It's The Horn That Gets The Lion's Share.
- Wind Quintet In A Minor, Variation 1
- In Variation Two The Torch Is Handed To The Bassoon.
- Wind Quintet In A Minor, Variation 2
- In Variation Three The Oboe Leads.
- Wind Quintet In A Minor, Variation 3
- Variation Four: Conversation Before Returning To A Solo-dominated Texture
- Wind Quintet In A Minor, Variation 4
- And Variation Five is Dominated By The Clarinet.
- Wind Quintet In A Minor, Variation 5
- The Next To Be Featured Is The Virtuoso Flute.
- Wind Quintet In A Minor, Variation 6
- Individual Farewells And A Closing Chorus
- Wind Quintet In A Minor, Variation 7
- A Mixed Group: Clarinet, Bassoon, Horn, String Quartet, And Double-Bass
- Octet In F (Mvt 3)
- The Early Classical Symphony Orchestra Of Haydn And Mozart
- Symphony No.29 In A, K.201 (Finale)
- Strings, Wind, But No Brass. What Haydn And Mozart Never Knew
- Canzon 28
- Beethoven's Fifth: Two Horns, Two Trumpets, And Three Trombones Join The Team.
- Symphony No.5 (Finale)
- From Beethoven To The Massive Orchestras Of Berlioz, Wagner, And Mahler
- Beethoven Changed The Face Of The Symphony And The Orchestra Forever
- Symphoy No.6 'Tragic' (Mvt 1)
- The Cult Of Orchestral Elephantiasis Reaches Its Peak.
- Symphony No.1 'Gothic' (VI: Te Ergo Quaesumus)
- When Large Doesn't Necessarily Mean Loud: Debussy
- Images (Gigues)
- A Crisis Of Confidence; The Orchestra's Survival Hangs In The Balance, But It Still Develops. The Ondes Martenot:
- Turangalila Symphony (Chant D'amour 1)
- The Advent Of The 'Early Music' Movement Brings A New Vitality And Freshness.
- Balle De Xerxes (Gavotte En Rondeau)
- Computer And Synthesiser: Friends Or Foes?
- Concerto In D Minor For Two Violins (Largo)
- A Speculative Look Ahead/Mass In B Minor ('Dona Nobis Pacem')
Customer Reviews:
Instruments of the Orchestra - Great Reference Material!.......2007-04-04
This set lends itself to greatly enhancing one's knowledge of the orchestra, instruments in it, and their usage. I am a huge music buff, and I still picked up a great deal I previously did not know. I highly recommend this for all who wish to understand the origin of music, as well as the processes that are employed to create music!
Beginner or Expert.......2007-03-12
This CD is excellent for the beginner or expert! To be able to haear the instrumets separately and then together really provides a good education. and/or refresher. The book thaty comes with the CD is alomost worth the price by itself!
Very Informative and Enjoyable.......2006-11-20
Whether you're a music novice or pro, "The instruments of the Orchestra" is a very worthwhile purchase. The 7 CDs, with a total of 8 hours, are expertly narrated by Jeremy Siepmann. He's a great speaker, very much like the late Leonard Bernstein was. Mr. Siepmann takes you on an unforgetable musical journey covering the origins and use of the various orchestral instruments throughout musical history. The balance between his narration and a wealth of musical examples, which range from snippets to entire movements, is superb. The comprehensive enclosed booklet is excellent and faithfully follows the 7 CDs in content. Even with my 40+ years of music training I still learned new things from this wonderful collection. Considering the excellence of the content, and a cost that translates to about $5 per disc, this collection is a great value. Grab it, you won't regret that you did. Five solid stars!
Frank's view.......2006-08-19
This boxed set of CD's with booklet achieved all I had hoped that it would. There are good samples of individual instruments and well done commentary on each. The only drawback was that some of the samples were too brief and could have been longer, hoiwever I guess this fits in with time constraints of the medium. It has given me a lot of clues as to future purchases of CD's for listening to individual instruments. Altogeth a satisfactory purchase and a welcome addition to my collection.
Excellent Intro for Those Not Familiar with the Orchestra.......2003-11-08
I've listened to classical music for years and am interested in composition. I bought this CD set to learn how an orchestra and its instruments work. I thought the CDs would be a nice but boring lecture. They aren't! Not only are they FUN but they are informative as well. I learned a huge amount from each CD and couldn't wait to listen to the next one.
The narrator and writer is a great speaker and holds your attention well. He is definitely knowledgeable. He provides musical examples for each point he makes, so you get to "hear" what he just talked about. I'd say the CDs are about 65% music and 35% narration. You'll learn about the range of instruments, some history, different ways to play them, how they sound, and how they are used in the orchestra. This CD set was a great learning experience and is sold at such a low price!
I recommend this CD for those who want to learn about classical music and those who know about it but are interested in learning more about the inner workings of an orchestra. You'll learn much useful information. For instance, the Rite of Spring (with that eerie start) is written for bassoon! I never knew a bassoon could sound like that but now I do.
The one complaint I have is the last CD. This deals with the orchestra. I wanted more of a tour of how the orchestra has been used through history up to the present. Instead, it was a tour of how different groups of instruments sound. I thought it could have been better. The other 6 CDs are excellent.
Average customer rating:
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Great American Light Orchestra
Manufacturer: Guild
ProductGroup: Music
Binding: Audio CD
All Works by Herbert
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Similar Items:
- Holiday for Strings
ASIN: B0002PZW74
Release Date: 2006-04-17 |
Tracks:
- Fiddle Faddle - Leroy Anderson & His "Pops" Concert Orchestra
- Bad and the Beautiful [Theme from the Bad and the Beautiful]
- Brazilian Sleigh Bells - Percy Faith & His Orchestra
- Anna - Victor Young & His Orchestra
- No Stings Attached - Richard Hayman & His Orchestra
- Rain - Paul Weston & His Orchestra
- Holiday in Rio
- Sophisticated Lady - Morton Gould & His Orchestra
- Marguerite Waltz
- Blue Violins - Hugo Winterhalter & His Orchestra
- No Other Love - Gordon Jenkins & His Orchestra
- Three O'Clock in the Morning
- Mer - MGM Studio Orchestra
- If You Are But a Dream - Frank DeVol & His Orchestra
- Satan and the Polar Bear
- Carriage Trade - Richard Hayman & His Orchestra
- Tradewinds
- Manhattan Serenade - Andre Kostelanetz & His Orchestra
- Cavalier's Ball
- Tropicana
- Smoke Gets in Your Eyes - Gordon Jenkins & His Orchestra
- Andalucia
- Dance of the Violins - MGM Studio Orchestra
- Tic-Tac-Toe - Hugo Winterhalter & His Orchestra
- Toyland Waltz [From Babes in Toyland]
- Manhattan Masquerade - Paul Whiteman Orchestra
Customer Reviews:
Pure instrumental magic!.......2007-06-13
The purchase of this CD was highly recommended by a fellow member of Yahoo's "Beautiful Instrumentals Group." Containing several formerly unavailable on CD selections, this album is pure instrumental magic! For example, some of you may recall Monte Kelly's mid-1950s rendition of "Tropicana," from the LP of the same name, and other songs from that collection. They are here at last! I have been waiting since CDs came out to see "Tropicana" and many other "magical instrumentals" from the US and Europe finally appear on CD, and this is the first in a series of new CDs produced by Nick Acquaviva to hit the market that feature these wonderful instrumentals. I highly recommend that anyone who loves classic instrumental check this and the entire series out. You will not be disappointed!
Average customer rating:
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Random Hymns
Phantom Limbs
Manufacturer: Gold Standard Labora
ProductGroup: Music
Binding: Audio CD
Punk
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- Applied Ignorance
- Displacement
ASIN: B0007NFL6S
Release Date: 2005-02-15 |
Tracks:
- Topanga Canyon Torture
- Swill
- Olympics
- Jackalope Rising
- Cobrador Minutero
Average customer rating:
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Orchestral Favourites
Manufacturer: Naxos American
ProductGroup: Music
Binding: Audio CD
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Similar Items:
- Greatest Hits
- The Leroy Anderson Collection
- The Best of Leroy Anderson: Sleigh Ride
ASIN: B00005UO8Q
Release Date: 2002-03-05 |
Tracks:
- Serenata
- The Syncopated Clock
- The Penny Whistle Song
- The Typewriter
- Sarabande
- Trumpeter's Lullaby
- Fiddle Faddle
- Forgotten Dreams
- Blue Tango
- Jazz Legato
- Jazz Pizzicato
- The Phantom Regiment
- Bugler's Holiday
- The Waltzing Cat
- March Of The Two Left Feet
- Promenade
- Plink, Plank, Plunk!
- The Girl In Satin
- Sandpaper Ballet
- Belle Of The Ball
- Sleigh Ride
Average customer rating:
- Disappointment
- Has It Really Been 13 Years???
- Sets the Standard
- From a much-missed band.....
- infectous
|
American Standard
Mary's Danish
Manufacturer: Morgan Creek
ProductGroup: Music
Binding: Audio CD
General
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Similar Items:
- Circa
- Experience: Live + Foxey Lady
- songs of love and empire
- Natural Ingredients
- American Thighs
ASIN: B0000042N0
Release Date: 1995-08-29 |
Tracks:
- Killjoy
- God Said
- Underwater
- O Lonely Soul, It's A Hard Road
- Weeping Tree
- Porcupine
- Leave It Alone
- The Living End
- Ode To A Life
- My Dear Heretic
- Shotgun
- Gotcha Covered
- Sister Shade
- I Fought The Law And The Law Won
Customer Reviews:
Disappointment.......2006-01-15
Another reviewer here says that they got more serious about their music on this album. If that's what it was, they should have just kept playing unserious music. Their other three albums are outstanding. 5 stars for both the studio releases. But the change here was just not good for them. The talented slap of Wag is totally absent. There is a lack of the jazzing sounding guitar tracks found in their previous work. Also, these songs are way to polished. Their other albums offered much more diverse and raw sound. As a hugh fan, it greatly disappointed me and still years later, I can't find myself enjoying more than bits and pieces of this one. The fun found in the other albums is just missing.
Has It Really Been 13 Years???.......2005-02-21
I did a double take when I saw that release date, wow, no wonder I miss Mary's Danish so much. I have all three of their releases on cassette, and who listens to cassettes anymore? I've tried to find their music on the internet to no avail, and may have to consider purchasing the CDs here on Amazon. They're such a superb band (were, anyway) that it would be worth it for sure.
If I weren't a surfer I probably never would have heard of Mary's Danish. A surf filmmaker named Jack McCoy put a couple of their songs - off their debut 'There Goes the Wonderstruck - in a video he put out 15 years ago or so. The music just jumped out of the film, as original as it was catchy and addictive. After buying and loving that album I got Circa, their second release, which I think is a brilliant album. It has the feel of a concept album, large in scope, but it's just a great listen all around with many great tracks. And finally, there came what would prove to be their final release, American Standard.
With American Standard, Mary's Danish got seemingly more serious about their music. The album has a stronger, more intense feel than the previous two. Songs like Underwater - an adrenaline pumping song if there ever was one - are perfect examples. Right from the opening track, Killjoy, you get a sense of Mary's Danish's style of songcraft. Edgy, hooky, powerful, and raw. One of the most unique facets of the band is its pair of female lead singers, and what singers they are. Two beautiful screeching (roaring, perhaps) women fronted this band very handily for the years that they were around. How many bands can boast that?
I remember back when this album came out they actually got a shot on Letterman, who was then on NBC, and funny. If memory serves me they played Killjoy, and rocked it. In retrospect I suppose it looked like Mary's Danish were about to take off, to have some financial success approaching the creative success they had achieved in the studio for years. But alas, it was not to be. The reasons why are a mystery to me, I'm not one to keep up with the gossipy details about why bands split up or get back together or do whatever they do. I only know that Mary's Danish is gone, and they've been gone for a very long time. Shame...
Sets the Standard.......2003-03-06
I took a chance on this album the year it was released, after hearing so much about their (major label) debut "Circa". With so much critical acclaim, I was initially skeptical; I generally am where critics are concerned. But after further listenings, the band's influences mattered less than the total product, which turns out to be one of the top ten best albums of the 1990s.
Their influences range from Hendrix to the Go-Go's, but this isn't a novelty retro pastiche. Some of the numbers ('God Said', 'Underwater') suffer from lack of conviction, but 'Killjoy', 'Weeping Tree', and 'Porcupine' take the plunge and show that the band isn't afraid to rock out sensibly.
For the best song Jane's Addiction never wrote, check out 'Sister Shade'. It's epic in its scale, and the freshest thing written in all of 1992.
It's not original, but it's entirely unique in its field. The same can be said about "Everything Must Go" by the Manic Street Preachers (another essential 90s album). 'There Goes The Wondertruck' and 'Circa' are fine, and you can't go wrong by purchasing them, but if you don't own this album, then your collection is far from complete.
From a much-missed band............2001-03-16
This is a wonderful album, full of deep emotion and stirrings of the soul. While Mary's Danish had created two other full masterpieces prior to this, "AMERICAN STANDARD" really stands as a testament to thier incredibly strong songwriting abilities.
A much-missed band, this. They had the sound, the look, and a pretty strong fan-base..... Be sure to get this, and keep an eye open for "There Goes The Wondertruck", "Circa", and Julie Ritter's "Songs of Love and Empire" as well.
infectous.......1999-11-10
This album covers a wide variety of feelings and emotions. Gretchen and Julie's voice harmonize together beautifully,this album will definately leave you wanting more.
Average customer rating:
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American Standard
Thelonius Moog
Manufacturer: GrownUp Records
ProductGroup: Music
Binding: Audio CD
General
| Jazz
| Styles
| Music
General
| Rock
| Styles
| Music
Similar Items:
- Country Moog/Nashville Gold
- The Happy Electropop Music Machine
ASIN: B000PLCMKU
Release Date: 2007-05-08 |
Tracks:
- Powerhouse
- T 4 2
- Hocus Pocus
- Caravan
- Take 5, 6, & 7
- Got Rhythm?
- Alley Cat
- Duodenum
- Hocus Pocus
- Have U Seen It Yet?
- Java
- Harlem Nocturne
Product Description
Those wacky funsters responsible for the much talked about Yes, We Didnt are back with a band this time out. Thelonious Moogs American Standard salutes such timeless (or tireddepending on your perspective) jazz standards as Take 5, I Got Rhythm and Tea For Two with rollicking new arrangements via the twisted minds of Joe Guido Welsh and Steve Million. Also present are a few oddball tracks like Frank Zappaa Duodenum, Dutch prog-giants Focus Hocus Pocus and Raymond Scotts often ripped Powerhouse. All are presented with much more swing than psychedelic swagger and rely less on synthesizers than their previous release. A groovy, swingin time is guaranteed for all!
Average customer rating:
- I Need To Pick My Jaw Up From the Floor It's So Good
|
The American Standard
Dreadnaught
Manufacturer: Red Fez
ProductGroup: Music
Binding: Audio CD
General
| Alternative Rock
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General
| Alternative Rock
| Indie Music
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Rock
| Alternative Rock
| Indie Music
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ASIN: B00005U2QP
Release Date: 2001-11-17 |
Tracks:
- Ballbuster
- The Jester's Theme
- Deneb
- Tournament
- Derby Days
- Popeye
- Bunnaschidt
- James Thresher Industries: Building Solid Careers In Middle Management Since 1976
- Welding
- Kim Philby
- Rats and Me
- Swing
- Clownhead
Album Description
THE AMERICAN STANDARD (2001, Red Fez Records), progabilly trio Dreadnaught's third full-length album, is a genre-busting opus that constitutes "a hellacious blast to the senses... a new standard of music" (FACE MAGAZINE). The band's unconventional blend of old school prog, Americana, classical, and jazz is one of the most unusual sounds you'll ever hear - complex and intricate arrangements, dense and labyrinthine orchestration, extreme tones, and blazing playing are just a small part of the sonic landscape that the album traverses. From the frantically heavy King Crimson and Bach-inspired opener "Ballbuster" to the pastoral Yes and Aaron Copland-esque strains of "Derby Days," THE AMERICAN STANDARD pulls no punches.
The album was produced by Dreadnaught (Robert M. Lord vs. Justin S. Walton) and recorded, engineered, mixed, and mastered by Shaun Frenchie Michaud (of prog-poppers Event) with assistance from Thanks to Gravity's Andy Happel at Dizzyland Studios in Rochester NH, where Dreadnaught has recorded each of its three releases. The cover art is a painting by the renowned SF and fantasy artists The Brothers Hildebrandt (Star Wars, Lord of the Rings).
Catch Dreadnaught on their national tour in support of THE AMERICAN STANDARD. Check dreadnaughtrock.com and redfezrecords.com for more information regarding the band, the album, and the tour.
Customer Reviews:
I Need To Pick My Jaw Up From the Floor It's So Good.......2002-01-31
This album sounds like the future of music, making it quite clear that Dreadnaught are one of the few reasons to own a CD player. The sheer power and musicianship of this band is evident on every single track. The opus of "DEUS EX MACHINA" is nothing short of mindblowing. Every serious musician should give this album a listen, and when you do you will find yourself listening to it over and over. If fresh, bold, creative music excites you then look no further. The American Standard by Dreadnaught stands out as one of the best independent releases of all time.
Average customer rating:
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Classics Go Jazz
Manufacturer: RCA
ProductGroup: Music
Binding: Audio CD
All Works by Bernstein
| Bernstein, Leonard
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| Gershwin, George
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All Works by Morton Gould
| Gould, Morton
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| Schuller, Gunther
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| The Sony BMG Masterworks Store
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ASIN: B000003G78
Release Date: 1997-04-15 |
Tracks:
- Dance Music From 'West Side Story' - RCA Victor Symphony
- Promenade (Walking The Dog) - London Symphony
- Prelude And Fugue, In Jazz - Arthur Fiedler
- American Symphonette No. 2: Pavane - Morton Gould And His Orchestra
- Variations On 'I Got Rhythm' - Arthur Fiedler
- Prelude, Fugue And Riffs - London Symphony
- Seven Studies On Themes Of Paul Klee: Little Blue Devil - Boston Symphony Orchestra
- Jazz Pizzicato - Jazz Legato - Arthur Fiedler
- Rhapsody In Blue - Arthur Fiedler
Average customer rating:
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Benjamin Verdery Soepa
Manufacturer: Mushkatweek
ProductGroup: Music
Binding: Audio CD
General
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Similar Items:
- Start Now
ASIN: B00005QDSW
Release Date: 2001-09-01 |
Tracks:
- 4 the tears in your eyes - Prince, arr. by B. Verdery
- Strummage - Jack Vees
- On Wet Roads on Autumn Nights- Van Stiefel
- Your Cry Will be a Whisper - Daniel Asia (movement one)
- Your Cry Will be a Whisper, movement two
- Your Cry Will be a Whisper, movement three
- Sonatina- John Anthony Lennon
- Purple Rain-Prince, arr. by B. Verdery
- Kiss-Prince, arr. by B. Verdery
- Let's Go Crazy-Prince, arr. by B. Verdery
- Satyagraha -Benjamin Verdery
- Soepa - Ingram Marshall (movement one)
- Soepa, movement two
- Soepa, movement three
Album Description
Soepa: American Guitar Music. This recording is a sequel to my first recording of American music entitled, "Ride the Wind Horse" (Sony Classical). Like that recording, the inspiration came from the composers, who were kind enough to write such moving music for me. One of the many reasons this recording was wonderful to make was that each composer was at the recording of his piece. I hope you find joy and beauty in all the music on this CD. - Benjamin Verdery
Customer Reviews:
Cool guitar!.......2002-01-12
This recording is very exciting, and I especially like the tracks by Prince. It's great to hear those songs on classical guitar. Thanks!
Music:
- Automatic for the People
- Barrel of a Gun [CD-single]
- Bells
- Big Bad Voodoo Daddy
- Blue Lines
- Blue Sky on Mars
- Bow To The Sceptor [Explicit Lyrics] [EP]
- Boy
- By His Spirit
- Car Button Cloth
Music
music
Music
Pushing Through the Seasons [Enhanced]
The Most Peaceful Sibelius Album In The World
Songs of Solomon
Today
Distemper [Import]
The Book of Moviescores
Sweet Charity [Cast Recording]
The Rimsky-Korsakov Collection, Vol. 2
Sing The Hits Of Easy Rock Male (Karaoke)
Shostakovich: String Quartets Nos. 1,2 and 4
The Poll Winners
Thunderbolt: R&B Sax Instumentals
Sus Exitos Con Falgas E Ibanes [Import]
The Music of Percy Grainger, Vol. 1
That's Him