Life of a Soldier [Explicit Lyrics]
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About the Artist
Unlockdoors is a group of rap artists bringing a whole new flavor to the rap industry. Revelations,the featured artist,produced and engineered: Life of a Soldier & Praising tha King.Unlockdoors began as a teenager vision(Revelations).Encouraged by the words of his music teacher saying"Theres something about you". Revelations begin striving for his dreams therefore, Unlockdoors Entertainment was created. Check us out.
Album Description
Life of a Soldier have that old school flavor mixed with country in Rush. Rap so different you have to hear it to understand it.
Average customer rating:
- Instruments of the Orchestra - Great Reference Material!
- Beginner or Expert
- Very Informative and Enjoyable
- Frank's view
- Excellent Intro for Those Not Familiar with the Orchestra
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Instruments of the Orchestra
Various Artists
Manufacturer: Naxos
ProductGroup: Music
Binding: Audio CD
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- Britten: Young Person's Guide to the Orchestra Op34; Simple Symphony Op4
- The Mahler Symphonies: An Owner's Manual (includes 1 CD)
- The Young Person's Guide to the Orchestra (Book & CD)
- What to Listen for in Music
- Study of Orchestration, Third Edition
ASIN: B00006O0NT
Release Date: 2002-12-03 |
Tracks:
- Overture To 'Tannhauser'
- Domna, Pos Vos Ay Chausida
- We Don't Merely Use Instruments, We Play On Them. And They Play On Us.
- Hungarian Dance No.7
- The Violin Is One Of The Most Tender And Beautiful Instruments Ever Invented.
- Violin Concerto In D Major (Adagio)
- But For A Long Time It Was Seen As The Instrument Of The Devil.
- The Soldier's Tale: Triumphal March Of The Devil
- The Manipulative Seductiveness Of The Gypsy Violin.
- Csardas Music
- The Violin And The Initiation Of Nature
- The Four Seasons (Spring, Mvt 1)
- Birds Are Again Evoked In The Second Concerto, Especially Music's Natural Favourite.
- The Four Seasons (Summer, Mvt 1)
- Like The Devil, The Violin Is A Master Of Disguise.
- Old Viennese Dance No.3 'Schon Rosmarin'
- The Menacing Sensuality Of Ravel's Tzigane: A Very Different Side Of The Violin:
- Tzigane
- Do We Now Have The True Measure Of This Instrument? Not Just Yet.
- Caprice No.24
- The Many Effects Of The String Tremolando: Brandenburg Concerto No.4 (Last Mvt)/From Joy To Fright/Quartettsatz In C Minor/The String Tremolo Practically Spells The World Agitato.
- Variations On A Theme Of Frank Bridge (No.7)
- Prokofiev's Tremolo In Romeo And Juliet Should Not Be Heard Just Before Bedtime.
- Romeo And Juliet: Act IV
- Vivaldi Use It To Illustrate The Shivering Of Travellers Crossing The Ice.
- The Four Seasons (Winter, Mvt 1)
- The Violin Muted
- Clair De Lune
- The Gentleness Of Muted Strings Persists Even When A Whole Orchestra Plays.
- Piano Concerto No.21 In C Major, K.467 (Slow Mvt)
- The Pizzicato Violin
- Pizzicato Polka
- In Prokofiev's Second Violin Concerto, The Accompaniment Is Pizzicato.
- Violin Concerto No.2 In G Minor (Slow Mvt)
- Varieties Of Pizzicato: Colas Breugnon (The People's Feast)/Now A Drier, Leaner, Hungrier Pizzicato. There's Not A Lot Of Comfort Here./Capriol Suite (Tordion)/The Use Of Pizzicato As 'Percussion'/Romeo And Juliet (Act I)/Mahler Used Pizzicato...
- The Planets (Mars - The Bringer Of War)
- The Technique Of Double-Stopping Enables The Violin To Play Duets With Itself./Sonata No.3 In C Major For Unaccompanied Violin (Fugue)/Now A Later Example Of The Same Technique
- Hungarian Dance No.4
- Double-Stopping Is A Standard Feature Of A Lot Of Folk Music.
- The Four Seasons (Autumn, Mvt 1)
- Now The Same Technique, But The Sound Might Have Come From Another World.
- Bolero
- Double-Stopping Can Only Approximate The Sound Of A Real Violin Duet.
- Cadenza To The Violin Concerto By Brahms
- Now Compare That With A Real Violin Duet.
- Forty-Four Duos (No. 1: Teasing Song)
- Another Duo By Bartok, Demonstrating The Violin's Rich Lower Register
- Forty-Four Duos (No.2: Maypole Dance)
- And Now What May Be The Most Beautiful Accompanied Violin Duet In History
- Concerto In D Minor For Two Violins (Largo)
- The Soul Of The Violin Is In Song; But What About This Weird Passage?
- Violin Concerto No.1 In D Major (Mvt 2)
- The Use Of Harmonies In The Orchestra Can Be Both Magical And Unsettling.
- Symphony No.1 'Titan' (Mvt 1, Opening)
- Tchaikovsky's Use Of Harmonics In The Sleeping Beauty Is Both Strange And Darling.
- The Sleeping Beauty (Act II, No.15: Entr'Acte)
- Ravel's Harmonics In Mother Goose Effect A Magical Transformation.
- Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
- Stravinsky's Harmonics In The Firebird Transport Us Almost Into Another World./The Firebird (Introduction)
- The Natural Upper Notes Of The Violins Have A Unique Emotional 'Grab'.
- Also Sprach Zarathustra (Of The Afterworldsmen)
- Still In Their Upper Register, The Violins Unleash The Energy Of A Young Colt.
- Variations On A Theme Of Frank Bridge (No. 4)
- Elsewhere, Britten Uses The Same High Register To Create A Very Different Mood.
- Four Sea Interludes (Dawn) From 'Peter Grimes'
- To End This Outing With The Violins, A Charming Little Elfin Dance
- Elfenreigen
Tracks:
- Introduction To The Viola
- Viola Concerto (Mvt 1)
- Khatchaturian Gets A Very Different Sound From It: Fuller, Fruitier, More Exotic.
- Gayane Suite No.1 (Armen's Solo)
- Very Nearly The Whole Of The Violin's Upper Register Is Also Available To The Viola.
- Passacaglia, Op.33b From 'Peter Grimes'
- The Viola Can Bring A Special, Rich Twanginess To Pizzicato That The Violins Lack./Don Quixote/Berlioz Drew Sounds From It That Retain Their Metallic Strangeness Even Today.
- Harold In Italy (Mvt 4)
- The Muted Viola: Intimate, Gentle, Poignant In Dvork
- Cypresses (No.9)
- The Massed Violas Of The Modern Symphony Orchestra In Mahler
- Symphony No.4 (Mvt 3)
- The 'Period' Viola In Bach
- Brandenburg Concerto No.6 (Last Mvt)
- The Cello: A Voice Of Unique Nobility
- Suite No.1 For Unaccompanied Cello (Prelude)
- Brahms And The 'Soul' Of The Cello
- Piano Concerto No.2 In B Flat Major (Mvt 3)
- Most Orchestral Composers Tend To Emphasize The Cello's Lower Register.
- Cantata 'Herz Und Mund Und Tat Und Leben', BWV 147 (Soprana Aria: Bereite Dir, Jesu)
- In The Time Of Beethoven The Cello Remained As Fundamental As Ever.
- Symphony No.3 'Eroica' (Finale)
- But The Cello Is Not Condemned To Spend Its Life In The Basement.
- Elfentanz, Op.39
- Not Only In Recital Showpieces Like That Is The Cello Is Used In Its Highest Register.
- The Protecting Veil (Opening)
- A Cello With An Identity-Crisis: The Pizzicato Flamencan
- Flamenco
- Double-Stopping In The Lower Reaches Of The Cello's Range
- Solo Suiet For Cello And Piano (Sardana)
- It's In The Middle Register That The Cello Really Comes Into Its Own.
- Oriental Dance, Op.2 No.2
- It Was To The Cellos That Beethoven Gave Two Of His Most Famous Themes./Symphony No.5 (Mvt 2)/Still More Famous Than That Theme Is This One From The Ninth Symphony.
- Symphony No.9 (Finale)
- Introduction To The Double-Bass
- The Carnival Of The Animals (The Elephant)
- But The Double-Bass Can Be Intensely Expressive And Graceful.
- Elegy No.1 In D Major
- The Range Of The Double-Bass Is The Greatest Of All The String Instruments/Allegro Di Concerto, 'Alla Mendelssohn'/And It's Also Capable Of Very Considerable Virtuosity.
- Capriccio Di Bravura
- Double-Bass Solos In Orchestral Scores Are Rare But Often Memorable./Symphony No.1 'Titan' (Mvt 3)/In His Third Symphony Mahler Makes A Very Different Use Of The Instrument./Symphony No.3 (Mvt 1)
- The Double-Bass Muted In Prokofiev/Lieutenant Kije Suite (Kije's Wedding)/In Another Work Prokofiev Uses The Double-Bass To Enhance The Winds./Romeo And Juliet (Act III)/And He Combines The Bass Clarinet With A Shivering Tremolo From The Double-Basses....
- Symphony No.5 (Mvt 3)/So Much For The Strings/On Now To The Winds
Tracks:
- The Antiquity And Magic Of The Flute
- Prelude A L'Apres-Midi D'Un Faune
- The Versatility And Agility Of The Flute
- Orchestral Suite No.2 In B Minor (Badinerie)
- The Flute In Fifteenth-Century Spain
- Sa'Dawi
- Other Flutes: The Bass And Alto
- Chamber Music No.II
- The Piccolo - Aptly Named
- La Naissance D'Osiris (Mvt 6)
- From A Piccolo Of The Eighteenth Century To One Of Its Descendants In The Twentieth
- Suite No.1 For Small Orchestra (Valse)
- A Variety Of Techniques
- Chamber Music No.II
- Flutter-Tonguing. But Tchaikovsky Got There Eighty Years Before.
- The Nutcracker (Act II, No.2: Scene)
- From The Transverse To The Vertical: The Baroque Recorder
- Recorded Suite In A Minor (Menuet II)
- An Unfamiliar, Early Vision Of The Instrument
- Naelden, Naelden
- The Bachian Oboe
- Cantata 'Ein Feste Burg Ist Unser Gott', BWV 80 (No.7: Duetto)
- Introduction To The Cor Anglais Or 'English Born'
- Symphony No.9 'From The New World' (Mvt 2)
- The Loneliness Of The Cor Anglais
- The Swan Of Tuonela
- The Cor Anglais Joins The French Horn In Haydn.
- Symphony No.22 'The Philosopher' (Opening)
- Introduction To The Oboe D'Amore, Beloved Of Bach - But Also Of Ravel
- Bolero
- The Clarinet Family: Boxing The Compass, From The Depths Of The Bass Clarinet.../The Egyptian (Violence)/...To The Raucous And Squealy.../Taras Bulba (The Death Of Ostap)/...To The Shrill And Complaining...
- Petrushka (No.8: Peasant With Bear)/...To The High Sprits Of A Playful Puppy./Symphonie Fantastique (Last Mvt)/And To The Downright Jazzy/Romeo And Juliet (Act II)
- As The High Clarinets Tend To Be Loud, So The Bass Tends To Be Soft:
- Gayane Suite No. 1 (Mvt 5)
- The Bass Clarinet Is Used By Most Composers Mainly As A Colouring Agent.../Petrushka (No.4: The Blackamoor)/...But It Does Occasionally Get A Whole Tune To Itself./Iberia (Almeria).
- The Range Of The Normal Clarinet Parts Goes Quite High...
- The Snow Maiden (Scene 5: Melodrama)
- ...And Quite Low.
- Peter And The Wolf (The Cat)
- The Clarinet As Concerto Soloist
- Clarinet Concerto In A Major (Rondo)
- But That's Not The Instrument Mozart Wrote It For; This Is:
- Clarinet Concerto In A Major (Rondo)
- Introduction To The Saxophone
- Hary Janos Suite (Mvt 4)
- The Soprano Saxophone Has Quite A Different Feel To It.
- L'Arlesienne Suite No.1 (Minuet)
- The Little Sopranino Sax Goes Even Higher.
- Bolero
- The Most Famous Use Of The Saxophone Is In An Orchestration By Ravel.
- Pictures At An Exhibition (The Old Castle)
- The Saxophone Can Be Quite Contagiously Good-Humoured.
- Sax-O-Phun
- The Puffa-Puffa Image Of The Bassoon
- Peter And The Wolf (Grandfather)
- The Bachian Bassoon, In Accompanimental Mode
- Cantata 'Weichet Nur, Betrubte Schatten' ('Wedding Cantata'), BWV 202 (Aria No.1)
- Bizet Leaves The Puffa-Puffa Image Out, Allowing The Bassoon To Sing./Carmen Suite No.1 (Les Dragons D'Alcala)
- And Ravel, Also In Spanish Mode, Does Likewise.
- Bolero
- The Bassoon As A Voice Of High Seriousness, Indeed Desolate Loneliness
- Symphony No.3 (Opening)
- The Eerie Bassoon In Its Highest Register
- The Rite Of Spring (Opening)
- Stravinsky Now Draws On Its Lowest Register, Lonely And Melancholy.
- The Firebird Suite (1919, Berceuse)
- The Bassoon As Concerto Soloist, Avoiding All Exaggeration
- Bassoon Concerto In G Minor (Finale)
- The Deep-Voiced Contra-Bassoon, As A Fairy-Tale Beast
- Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
- The French Horn Under Its Woodwind Hat
- Wind Quintet, Op.43 (Last Mvt)
- Now A More Prominent Role, In A Woodwind Quintet From An Earlier Era
- Wind Quintet In A Minor, Op.100 No.5 (Mvt 2)
- The Horn In Harmonious Blend With Strings In Another Quintet
- Horn Quintet, K.407 (Finale)
Tracks:
- The Trumpet As Virtuoso Soloist
- Brandenburg Concerto No.2 (Last Mvt)
- The Special Brillance Of Paired Trumpets
- Concerto In C For Two Trumpets, RV537 (Mvt 1)
- The Ceremonial Trumpet
- Fanfare For The Common Man
- Trumpets And Drums - An Incomparable Alliance
- Messiah (The Trumpet Shall Sound)
- The Versatility Of The Trumpet, From The Most Public To The Most Lonely
- Piano Concerto In F (Slow Mvt)
- The Trumpet As The Voice Of The City/An American In Paris/The Trumpet As Recruitment Officer/The Soldier's Tale (The March)/The Trumpet As Swaggerer
- Carmen Suite No.2 (Habanera)
- The Trumpet As The Voice Of Strength And Courage
- Carmet Suite No.2 (Toreador's Song)
- The Trumpet Muted/Petrushka (No.4: The Blackamoor)/Lieutenant Kije Suite (Opening)/The Trumpet As The Voice Of Weariness
- Billy The Kid
- The Trumpet As Character Actor
- Pictures At An Exhibition (No.6)
- The Trumpet As The Voice Of God
- Mass In B Minor ('Et Exspecto')
- The Birth Of The Trombone
- Aenmerckt Nu Hier
- The Birth Of The Brass As A Family
- Canzon 12 In Double Echo
- The Trombone In The Eighteenth Century
- Trombone Concerto In B Flat Major (Finale)
- The Tone Of The Tenor Trombone/Romance For Trombone And Organ/The Memorable Voice Of The Bass Trombone/Requiem (Mvt 2)/But The Bass Trombone Is More Than An Instrumental Bullfrog.
- Hosannah
- The Trombones Become Part Of The Orchestra.
- Symphony No.5 (Finale)
- The Wagnerian Trombone:/Overture To 'Tannhauser'
- The Trombone As Caricaturist
- Pulcinella (No.19: Vivo)
- The Trombone As Raspberry/Concerto For Orchestra (Intermezzo)
- The Horn And The Hunt
- Horn Concerto No.4 In E Flat, K.495 (Finale)
- The Challenging Horn Of The Baroque
- Abaris Ou Les Boreades (Menuet)
- The Scarcity Of First-Rate Players In Handel's Time
- Walter Music (Minuet 1)
- The Horn As Magician/The Firebird Suite (1919, Finale)
- Horns And The Sound Of Nobility
- Overture To 'Tannhauser' (Opening)
- The Special Sound Of The Horn In Its Higher Register
- Mass In B Minor ('Quoniam Tu Solus Sanctus')
- The Trumpet-Like Sound Of Massed Horns
- Symphony No.3 (Mvt 1, Opening)
- The Tuba - Unfairly Maligned?
- Symphony No.6 (Mvt 3)
- The Tuba Perfectly Cast By Ravel
- Pictures At An Exhibition (Bydlo)
Tracks:
- Introduction. And We Begin With A Bang.
- Fanfare For The Common Man/The Bass Drum On The Battlefields/Wellington's Victory, Op.91 (Opening)
- At The Opposite Extreme Is The Triangle.
- Piano Concerto No.1 In E Flat (Scherzo)
- Categories Of Percussion: Tuned And Untuned. The Side Drum
- Overture To 'La Gazza Ladra' - The Thieving Magpie (Opening)
- The Side Drum In An Effective But Unexpected Role/Clarinet Concerto (Mvt 1)
- The Tambourine. One Of The Oldest Instruments In The World
- Den Hoboecken Dans
- Even Older Is The Originally Oriental Gong.
- Ma Mere L'Oye - Mother Goose (Laideronette)
- No Single Instrument Can Match The Gong In Evoking The Breaking Of Waves./Passacaglia, Op.33b From 'Peter Grimes'/But Gongs Don't Have To Be Struck To Be Effective.
- Gymnopedie No.2
- The Cymbals Are Generally Discovered Early In Life./The Sanguine Fan/And They Do More Than Clash Together Loudly. They Can Be Clashed Together Softly./Studio Example: But They Needn't Be Clashed Together At All/Studio Example: They Can Be Lightly...
- Other Untuned Percussion Instruments Include The Whip.: Piano Concerto In G Major (Opening)/And Here Are No Fewer Than Twenty, Cracked By Tchaikovsky: The Nutcracker (Act I, Scene 5)
- More Versatile Than The Whip Are The Wood Blocks.../Studio Example/...Which Crop Up All Over The Place In Twentieth-Century American Music.
- Rodeo (Hoe-Down)
- Related To The Wood Blocks, By Sound, Are The Castanets./Jota Aragonesa/But The Castanets Were Also Used By Monteverdi Back In The Seventeenth Century.
- Scherzi Musicali (Damigella Tutta Belle)
- A Still Earlier Example From Fifteenth-Century Spain
- Yo M'Enamori D'Un Aire
- The Birth Of The Bongo
- Symphonic Dances From 'West Side Story'
- From The Streets Of New York To The Blacksmith's Shop/Il Trovatore ('Anvil Chorus')
- Desert-Island Decibels: Grand Canyon Suite (On The Trail)/Arcana
- From One Vegetable To Another: The Humble Squash, Or Marrow/Huapango
- Onwards To The Tuned Percussion. First, The Timpani
- Also Sprach Zarathustra (Introduction)
- But The Drum Roll Can Be More Effectively Frightening Than The Big Bang.: Symphony No.2 'Resurrection' (Mvt 3)
- Not One Drum Roll, But Many/Grand Canyon Suite (Sunrise)/Symphonie Fantastique (Last Mvt)
- Taking Advantage Of Tunability
- Music For Strings, Percussion And Celeste (Mvt 2)
- The Russian Composer Rodion Shchedrin Takes A Downward Turn./Carmen Suite (Changing Of The Guard)/Tuned, Yes; But For The Truly Melodic We Must Look Elsewhere.
- Introducing The Glockenspiel/Carmen Suite (Carmen's Entrance And Habanera)
- Saint-Saens And The Xylophone
- The Carnival Of The Animals (Fossils)
- Ravel And The Xylophone
- Ma Mere L'Oye - Mother Goose (Laideronette)
- Introducing The Marimba/Carmen Suite (First Intermezzo)
- Introducing The Vibraphone
- The Treasure Of The Sierra Madre (Narange Dolce)
- The Vibraphone Goes Russian.../Carmen Suite (Carmen's Entrance And Habanera)/...And Is Joined By The Marimba./Carmen Suite (Carmen's Entrance And Habanera)
- Introducing The Hungarian Cimbalom
- Folk Dances
- The Cimbalom And The Symphony Orchestra
- Hary Janos Suite (Mvt 3)
- Introducing The Tubular Bells
- Hary Janos Suite (Viennese Musical Clock)
- A More 'Up-Front' Approach From Rodion Shchedrin
- Carmen Suite (Introduction)
- But The Bells Can Also Make The Sinister Even More Sinister./Symphony No.7 'Sinfonia Antartica' (Mvt 1)
- Introducing The Celeste
- The Nutcracker (Dance Of The Sugar Plum Fairy)
- Magic, In The Use Of Collective Percussion
- Miroirs (La Vallee Des Cloches)
- Plucked Instruments: The 'Undercover Percussion'/Carmen Suite (Scene)
- A Prime Case In Point Is The Harp, Irresistible To The Romantics./The Nutcracker (Act II, No.1: Scene)/The Non-Solo Harp As An Integral Part Of The Orchestra/Hungarian Rhapsody No.1
- The Traditionally Subservient Role Of The Harpsichord In The Baroque Orchestra
- Brandenburg Concerto No.2 (Slow Mvt)
- The Piano: King Of The Tuned Percussion/Symphony No.3 'Organ' (Mvt 3)/And A Quarter Of A Century After That:
- Petrushka (Russian Dance)
- The Anti-Romantic Piano As An Integral Part Of The Orchestra
- Music For Strings, Percussion And Celeste (Last Mvt)
Tracks:
- Keyboard Instruments In The Orchestra - The Most Powerful Of Them All:
- Symphony No.3 'Organ' (Finale)
- But Things In Handel's Day Were Very Different.
- Organ Concerto In B Flat, Op.4 No.3 (Last Mvt)
- The Organ Is Difficult To Classify.
- An Unexpected, Organ-related Guest
- Concerto Pour Zampogna (Last Mvt)
- Peasant-Fancying... And A Touch Of The Roaming Cowboy
- Les Miserables (Drink With Me)
- Outside Artefacts And The Power Of Association
- Mahler's Sleighbells
- Symphony No.4 (Opening)
- A Roll-Call Of Some Unusual Guests/The Typewriter/Parade
- Chains, And More/Integrales/An American In Paris/Sandpaper Ballet
- Purpose-Built Oddities: Wind Machines/Symphony No.7 'Sinfonia Antartica' (Opening)
- Don Quixote (Variation VIII)
- National Calling Cards: The Guitar For Spain/Concierto De Aranjuez (Finale)
- And The Guitar's Poor American Relative, The Banjo/Washington Breakdown
- And Poorer Still, The Mouth Organ/The Treasure Of The Sierra Madre (Packing Up)
- The Balalaika For Russia/Romeo And Juliet (Act II: No.14)
- The Maracas For Mexico/The Treasure Of The Sierra Madre (El Desayuno)
- The Bongos And Congas And A Whole Wealth Of Other Drums For Africa And Central America/Studio Example
- The Sitar Of India/Evening Raga: Bhapoli
- The Accordion For France (Especially Paris)/Paris Canaille
- The Zither For Vienna/The Third Man (Theme)
- The Cimbalom For Hungary/Folk Dances
- The Guitar As An Integral Part Of The Orchestra/Rondena
- There Are Whole Orchestras Of Balalaikas./Sveit Mesiats
- The Effect Of The Wordless Human Voice, Used Purely As An Instrument/Symphony No.7 'Sinfonia Antartica' (Mvt 1)
- Nocturnes
- Instruments And the Imitation Of Nature. The Clarinet As Cuckoo
- The Carnival Of The Animals (The Cuckoo)
- The Flute As An All-purpose Aviary
- The Carnival Of The Animals (The Aviary)
- The Oboe As Duck
- Peter And The Wolf (The Duck)
- The Recording Of Reality. Does It Work As Well?
- The Pines Of Rome (The Pines Of The Janiculum)
- The Recording Of Reality Electronically Reborn In New Guises
- Cantus Articus - Concerto For Birds And Orchesra (Mvt 2)
- Beethoven Turns Avian: Cuckoo, Nightingale, And Quail
- Symphony No.6 'Pastoral' (Andante Molto Mosso)
- Some Improbable Casting: The Violin As Braying Donkey
- The Carnival Of The Animals (Persons With Long Ears)
- A Truly Orchestral Hee-haw To Be Reckoned With
- Overture To 'A Midsummer Night's Dream'
- A Thunderstorm In A Million
- Symphony No.6 'Pastoral (Allegro-Allegretto)
- the Instrumental Depiction Of A Silent World
- The Carnival Of The Animals (The Aquarium)
- Saint-Saens' Menagerie Takes A Curtain Call.
- The Carnival Of The Animals (Finale)
Tracks:
- The Grouping Of Instrumental Families. An Additive Approach. First, Two Violins
- Forty-Four Duos (No.4)
- A Great Contrast, Of Both Pitch And Character: Violin And Viola
- Duo For Violin And Viola In B Flat Major, K.424 (Finale, Vars 1 & 2)/Studio Example
- Arrival Of The Standard String Trio: Violin, Viola, And Cello
- String Trio In B Flat (Menuetto)
- The String Quartet: Two Violins, Viola, And Cello
- String Quartet In F, Op.18 No.1 (Mvt 3)
- The String Quintet - When The Extra Instrument Is A Second Viola
- String Quartet No.5 In D, K.593 (Adagio)
- The String Quintet - When The Extra Instrument Is A Second Cello
- String Quintet In C (Mvt 3)
- The String Sextet: Two Violins, Two Violas, And Two Cellos
- String Sextet In B Flat (Mvt 2)
- The String Octet: The Standard String Quaret Times Two
- Octet In E Flat, Op.20 (Mvt 1)
- Double The String Octet: A Fully Fledged String Orchestra
- String Symphony No.2 (Finale)
- The Massed Strings Of A Symphony Orchestra
- Fantasia On A Theme Of Thomas Tallis
- Contrasts Of Pitch And Instrumental 'Colour' In The Woodwind Section
- Wind Quintet In A Minor, Op.100 No.5 (Theme)
- In The First Variation It's The Horn That Gets The Lion's Share.
- Wind Quintet In A Minor, Variation 1
- In Variation Two The Torch Is Handed To The Bassoon.
- Wind Quintet In A Minor, Variation 2
- In Variation Three The Oboe Leads.
- Wind Quintet In A Minor, Variation 3
- Variation Four: Conversation Before Returning To A Solo-dominated Texture
- Wind Quintet In A Minor, Variation 4
- And Variation Five is Dominated By The Clarinet.
- Wind Quintet In A Minor, Variation 5
- The Next To Be Featured Is The Virtuoso Flute.
- Wind Quintet In A Minor, Variation 6
- Individual Farewells And A Closing Chorus
- Wind Quintet In A Minor, Variation 7
- A Mixed Group: Clarinet, Bassoon, Horn, String Quartet, And Double-Bass
- Octet In F (Mvt 3)
- The Early Classical Symphony Orchestra Of Haydn And Mozart
- Symphony No.29 In A, K.201 (Finale)
- Strings, Wind, But No Brass. What Haydn And Mozart Never Knew
- Canzon 28
- Beethoven's Fifth: Two Horns, Two Trumpets, And Three Trombones Join The Team.
- Symphony No.5 (Finale)
- From Beethoven To The Massive Orchestras Of Berlioz, Wagner, And Mahler
- Beethoven Changed The Face Of The Symphony And The Orchestra Forever
- Symphoy No.6 'Tragic' (Mvt 1)
- The Cult Of Orchestral Elephantiasis Reaches Its Peak.
- Symphony No.1 'Gothic' (VI: Te Ergo Quaesumus)
- When Large Doesn't Necessarily Mean Loud: Debussy
- Images (Gigues)
- A Crisis Of Confidence; The Orchestra's Survival Hangs In The Balance, But It Still Develops. The Ondes Martenot:
- Turangalila Symphony (Chant D'amour 1)
- The Advent Of The 'Early Music' Movement Brings A New Vitality And Freshness.
- Balle De Xerxes (Gavotte En Rondeau)
- Computer And Synthesiser: Friends Or Foes?
- Concerto In D Minor For Two Violins (Largo)
- A Speculative Look Ahead/Mass In B Minor ('Dona Nobis Pacem')
Customer Reviews:
Instruments of the Orchestra - Great Reference Material!.......2007-04-04
This set lends itself to greatly enhancing one's knowledge of the orchestra, instruments in it, and their usage. I am a huge music buff, and I still picked up a great deal I previously did not know. I highly recommend this for all who wish to understand the origin of music, as well as the processes that are employed to create music!
Beginner or Expert.......2007-03-12
This CD is excellent for the beginner or expert! To be able to haear the instrumets separately and then together really provides a good education. and/or refresher. The book thaty comes with the CD is alomost worth the price by itself!
Very Informative and Enjoyable.......2006-11-20
Whether you're a music novice or pro, "The instruments of the Orchestra" is a very worthwhile purchase. The 7 CDs, with a total of 8 hours, are expertly narrated by Jeremy Siepmann. He's a great speaker, very much like the late Leonard Bernstein was. Mr. Siepmann takes you on an unforgetable musical journey covering the origins and use of the various orchestral instruments throughout musical history. The balance between his narration and a wealth of musical examples, which range from snippets to entire movements, is superb. The comprehensive enclosed booklet is excellent and faithfully follows the 7 CDs in content. Even with my 40+ years of music training I still learned new things from this wonderful collection. Considering the excellence of the content, and a cost that translates to about $5 per disc, this collection is a great value. Grab it, you won't regret that you did. Five solid stars!
Frank's view.......2006-08-19
This boxed set of CD's with booklet achieved all I had hoped that it would. There are good samples of individual instruments and well done commentary on each. The only drawback was that some of the samples were too brief and could have been longer, hoiwever I guess this fits in with time constraints of the medium. It has given me a lot of clues as to future purchases of CD's for listening to individual instruments. Altogeth a satisfactory purchase and a welcome addition to my collection.
Excellent Intro for Those Not Familiar with the Orchestra.......2003-11-08
I've listened to classical music for years and am interested in composition. I bought this CD set to learn how an orchestra and its instruments work. I thought the CDs would be a nice but boring lecture. They aren't! Not only are they FUN but they are informative as well. I learned a huge amount from each CD and couldn't wait to listen to the next one.
The narrator and writer is a great speaker and holds your attention well. He is definitely knowledgeable. He provides musical examples for each point he makes, so you get to "hear" what he just talked about. I'd say the CDs are about 65% music and 35% narration. You'll learn about the range of instruments, some history, different ways to play them, how they sound, and how they are used in the orchestra. This CD set was a great learning experience and is sold at such a low price!
I recommend this CD for those who want to learn about classical music and those who know about it but are interested in learning more about the inner workings of an orchestra. You'll learn much useful information. For instance, the Rite of Spring (with that eerie start) is written for bassoon! I never knew a bassoon could sound like that but now I do.
The one complaint I have is the last CD. This deals with the orchestra. I wanted more of a tour of how the orchestra has been used through history up to the present. Instead, it was a tour of how different groups of instruments sound. I thought it could have been better. The other 6 CDs are excellent.
Average customer rating:
- You fools!
- Missing Theme Song - but otherwise not bad
- Fine score, but a consumer warning for the CD
- Thomas Newman is a Genius!
- Almost perfect for the film, loses points as a cd
|
Jarhead
Manufacturer: Decca
ProductGroup: Music
Binding: Audio CD
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ASIN: B000BVRM1S
Release Date: 2005-12-06 |
Tracks:
- Welcome To The Suck
- Raining Oil
- Battery Run
- Mirage Bedouin
- Don't Worry Be Happy - Bobby McFerrin
- No Standard Solution
- 8 Men 5 Camels
- Full Chemical Gear
- Unsick Most Ricky-Tick
- Morning Glory
- Bang A Gong (Get It On) - T-Rex
- Desert Storm
- Desert Sunrise
- Zoomies
- Horse
- Pink Mist
- Jarhead For Life - Naughty By Nature
- O.P.P. - Naughty By Nature
- Dickskinner
- Permission To Fire
- Dead Anyway
- Scuds
- Listen Up - Public Enemy
- Fight The Power - Public Enemy
- Soldier's Things - Tom Waits
Amazon.com
For his third collaboration with director Sam Mendes (after American Beauty and The Shawshank Redemption), composer Thomas Newman has come up with one of his finest scores. The music mixes modern atmospheric quasi-rock touches with Middle Eastern influences (with particularly great success on the tracks "Welcome to the Suck" and "Zoomies."). The latter manifest themselves in both the beats and the instrumentation--the credits include soloists on exotic instruments such as the bowed cumbus (a type of banjo-like lute) and the processed xaphoons (a sax made of bamboo). All the more jarring, then, when the CD's handful of songs pop up. (It's quite a jolt to hear Bobby McFerrin's "Don't Worry Be Happy" after four eerie instrumental tracks.) The other song picks are obvious but well chosen: T-Rex's "Bang a Gong (Get It On)," "Naughty by Nature's "O.P.P.," Public Enemy's "Fight the Power," and Tom Waits's "Soldier's Things." Still, it's Newman's work that propels this CD, not the pick-up songs. Surprisingly, Wagner's "Ride of the Valkyries," which figures in one of the movie's most memorable scenes (when soldiers watch Apocalypse Now), isn't included here. --Elisabeth Vincentelli
Customer Reviews:
You fools!.......2006-10-27
I am reading all the negative reviews of this soundtrack, and most of them mention the absence of Kanye West's "Jesus Walks." One reviewer gives the album one star because he was "misled" into buying the album.
Um, hello? This is an instrumental score for the film! NOT a Various Artists soundtrack! This is, you may have noticed, an album that falls under the name of Thomas Newman! If anyone bought this expecting other music, then it's entirely their own fault. It even says on the front: "MUSIC BY THOMAS NEWMAN."
That said, I'd also like to correct Amazon on something - they said this is Newman's third outing with Mendes, the other two being "Shawshank Redemption" and "American Beauty."
Shawshank was directed by Frank Darabont, NOT Sam Mendes.
Mendes' other pairing with Newman was actually on 2002's "Road to Perdition," which is another great soundtrack I'd heartily recommend purchasing.
Missing Theme Song - but otherwise not bad.......2006-03-01
If you've watched the previews for this film, you're likely expecting a song called Jesus Walks by Kanye West to be on the soundtrack but it's not there - very annoying. But otherwise it's a pretty good CD of music to listen to while you work out or drive fast.
Fine score, but a consumer warning for the CD.......2006-01-20
Thomas Newman's original music for JARHEAD is not only typically daring with many unconventional sounds (utilizing samples, electronic treatments and exotic percussion), but one of his most stirring, rock-influenced efforts as well (as with the opening track, "Welcome to the Suck"). At first I thought there were no melodies as memorable as "Dead Already" from AMERICAN BEAUTY or "Road to Chicago" from ROAD TO PERDITION, but the 3/4-time march used in both "Raining Oil" and "Desert Storm" has grown on me. Of course the CD is recommendable for Newman's score alone. But...
...while one doesn't buy a CD of this nature primarily for the extra songs, one does expect the extras to be competently presented when they appear. So I was taken aback to hear Public Enemy's "Fight the Power" at a faster tempo and higher pitch than usual, as though mastered from a sped-up tape. I can't think of any intentional reason for this, so I'm assuming it was a mistake, but either way I found it not only annoying in itself but because of "Fight the Power"'s thematic significance, with its reference to the Bobby McFerrin tune heard earlier in the movie. ("'Don't Worry Be Happy' was a number one jam/Damn if I say it you can slap me right here".)
So then, while I like the Thomas Newman score a lot, I'm docking the CD a star for the sped-up "Fight the Power". Caveat emptor.
Thomas Newman is a Genius!.......2006-01-07
Thomas Newman is brilliant as always and delivers beautifully. Having read the book prior to the motion picture, Thomas Newman truly brings Swofford's tale to life. If you enjoyed The Horse Whisperer or the Shawshank Redemption score, then you'll thoroughly enjoy Jarhead.
Almost perfect for the film, loses points as a cd.......2005-12-23
Make no mistake - Jarhead proves Thomas Newman's abillity to write music for film. He is not making the music in order to show off his amazing talents, he is making the music so it is perfect for the film. Whereas some composers might score depressing scenes with grand sweeping movements trying to make themselves look like complex composers, Newman knows what will enhance the scene and what won't, and what can convey the message required.
Ultimately, this describes Jarhead perfectly. I have seen the movie and music is seamless and perfect for it. For the most part, there is a sonic texture created, with guitars and drums to represent the bravado of the characters. If you are a fan of Newman's stirring orchestral works this is definitely not something you would like. Newer fans of "American Beauty" and the like will find things to enjoy here, but not in as vibrant or pleasing a way as in that album. The score on it's own is just not as exciting or involving as it could be. It is interesting in it's own right, but not very pleasing to hear. However, there are many good tracks interspersed throughout the score to take you to the good spot.
Overall, Jarhead warrants a 4.5/5 for the film, but on a cd, it's score drops to 3/5. It is pleasant at times, and mostly an interesting CD, but there are too many Newman masterpieces to consider this one high on your buying list. Then agan, if you are a Newman fan, this CD should satisfy you're urge to see what the guy is up to. Final score? Three out of five.
Average customer rating:
- "The Summer Smiles, The Summer Knows"
- Magnificent Monica!
- She's chocolate and creme!
- Astonishing
- Monica's Latest is the best yet
|
Cinema Paradiso
Monica Mancini
Manufacturer: Concord Records
ProductGroup: Music
Binding: Audio CD
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ASIN: B00006LSQE
Release Date: 2002-11-05 |
Tracks:
- Cinema Paradiso (from Cinema Paradiso)
- A Day In The Life of a Fool (from Black Orpheus)
- A Love Before Time (from Croutching Tiger, Hidden Dragon)
- Senza Fine (from Ghost Ship)
- I'll Never Say Goodbye (from The Promise)
- The Shadow of Your Smile (from The Sandpiper)
- Alfie (from Alfie)
- Soldier in the Rain (from Soldier in the Rain)
- Too Late Now (from Royal Wedding)
- The Summer Knows (from The Summer of '42)
- Baby Mine (from Dumbo)
- Somewhere Over The Rainbow (from The Wizard of Oz)
Album Description
Featuring the title track from the Warner Bros. Motion picture 'Ghost Ship.' The love theme from the film Cinema Paradiso has been given an English lyric for the first time and makes its debut on this recording. Until now the composer Ennio Morricone has never accepted an English lyric for Cinema Paradiso. Concord Records. 2002.
Customer Reviews:
"The Summer Smiles, The Summer Knows".......2006-01-07
"When Monica Mancini set out to record this retrospective of songs from films, she clearly had her passions in order. Monica comes by her affinity for the medium honestly, having grown up in a house permeated with some of the best film music in history, from the pen of her incredibly prolific father, Henry. So it is no surprise that this collection has all the artistry, pathos, and musicality that it so deserves." ~ Dave Grusin, Liner Notes - 2002 ~
Dave Grusin, an expert arranger, conductor, pianist, film scorer himself has described this album so perfectly. The choice of material in this CD is impeccable with Monica Mancini's graceful interpretations and not to mention the flawlessly beautiful arrangements by Torrie Zito, John Calandrelli, Michael Lang, Patrick Williams, George Doering, Ray Ellis, Harvey Cohen and John Frizzell. There are twelve theme songs from various remarkable films in this recording and most of the tracks were backed up by an orchestra with the exception of a few.
The theme song from the movie "Summer of '42" penned by the creative husband-and-wife-team of Alan & Marilyn Bergman and composer Michel Legrand "The Summer Knows" is one of my top choices from this collection. Splendidly arranged by Michael Lang and Harvey Cohen on string section, she renders this timeless song so true to its essence and making it the most beautiful version, bar none!
Burt Bacharach and Hal David's "Alfie" (from the movie of the same title), is a moving song accompanied only by the sublime piano playing of Michael Lang. She has an exquisitely beautiful voice, the kind that still shines without the trimmings and backing up of an orchestra, (the kind that still glows even on A Cappella singing). Another affecting song and a favorite of mine is "Too Late Now," a Burton Lane and Alan Jay Lerner treasure and theme from the movie "Royal Wedding." The orchestral arrangement was done by Torrie Zito, a fine pianist/arranger/conductor who worked briefly with the legendary musical icon, Frank Sinatra. I loved the way he injected a classical touch on his arrangement, almost sounding like one of Claude Debussy's masterpieces. I would say that this is one of the best tracks. Ditto with another Torrie Zito arrangement, Johnny Mandel and Paul Webster's "The Shadow of Your Smile" from the movie "The Sandpiper." Ms. Mancini gave these classics the retire-the-trophy-treatments and made them her very own.
The lovely opener, Ennio Morricone and Gregg Field's "Cinema Paradiso," arranged by Jorge Calandrelli, is also one of the standouts. Another beauty is "I'll Never Say Goodbye" from the movie "The Promise" with piano accompaniment by Michael Lang. The finale "Over The Rainbow" from "The Wizard of Oz" is simply divine with orchestral arrangement by Ray Ellis.
This recording produced by Ms. Mancini's musician husband, Gregg Field, truly showed off not only the singer's vocal artistry, but her classy and elegant style of singing. Thank you Ms. Mancini for your wonderful gift of music. Music to enjoy forever!
Magnificent Monica!.......2004-06-28
My favorite song of all time is "The Shadow of Your Smile" from the movie "The Sandpiper". Until now, the 2 best versions of it were by Barbra Streisand and Tony Bennett. By FAR, this is THE best version of that song. Pure, without "vocal gymnastics", screaming, yelping or other artificial "stylings".. here it is sung as it was written, perfectly performed with beautiful orchestration. The rest of the album is no less miraculous. It is stunning. "A Day in the Life of a Fool", "Cinema Paradiso" and the haunting and tender "Theme from Crouching Tiger, Hidden Dragon" are just as lavish and well-crafted. Okay Monica, now could you release one album a year instead of one album every 3 years? Pleeeeassee??
She's chocolate and creme!.......2004-01-29
Seeing Monica Mancini on stage singing the theme from Crouching Tiger Hidden Dragon, hearing Gregg Field's drums, seeing the multi-media film clip behind her... is like having chocolate and creme!
Monica does not belt you to death, she does not yell at you, she does not punch notes into your being... she soothes you to her, lures you, with a voice that has been hidden for years.
Her voice is perfect in pitch, tone, and her ability to hit every single note as if she were born to sing. Clearly having inherited talent from her mom Ginny and her dad Henry.
On this cd I love the way she embraces other composers songs..."Baby Mine" just one of them. I about melted when she sang that song.
She has a great sense of humor on stage, is spontaneous, and is herself.
She has a great secure personality and stage persona and she has the family roots to give you a chill in your bones when she shares them with you in stories and song.
Hearing her sing live is like being home!
Astonishing.......2003-09-04
I sample A LOT of jazz vocalists (for some reason most contemporary jazz vocalists seem to be female) but initially dismissed Monica Mancici because she's the child of a famous father. Henry was very classy and as accomplished as musicians get, and such qualities rarely get passed down the line. What a mistake. I only heard her Mercer album because it was -- thankfully -- being played in a store I was visiting. I bought it, loved it, and was primed for this collection. A solid Five Stars. There's new stuff here (for me) and old songs done splendidly. Over The Rainbow, aside from its original iconic take by "Judy," has been covered hundreds of times. And Monica's take? Quite simply as good as any. With this release I've recognized what I love about Monica's voice: Aside from being simply perfect technically, her voice glows like a crackling fireplace! I mourned the recent passing of Rosemary Clooney, and now feel that there's a relatively new vocalist who I can follow for many years. Live or recorded, I'll be there ...
Monica's Latest is the best yet.......2003-06-04
Sorry, but I don't worry about the nuts and bolts of every particular detail of an album. I play what I enjoy and Monica's albums bring me that enjoyment. Cinema Paradiso has rarely left my CD Player. I'm only sorry she appears not to have a web page. Where someone like Michael Jackson or Dixie Chicks are all over the Internet, virtually no information is available concerning Monica Mancini. It's impossible to find a concert schedule. I hope she produces another album soon, I've worn out her others.
Average customer rating:
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Land of My Fathers: 100 Great Welsh Choir Favourites
Manufacturer: Castle Pulse
ProductGroup: Music
Binding: Audio CD
All Works by Beethoven
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ASIN: B0009SOFXG
Release Date: 2005-08-01 |
Tracks:
- Guide Me O Thou Great Redeemer (CWM Rhondda) - Caerphilly Make Voice Choir
- Land of My Fathers - Caerphilly Make Voice Choir
- Dies Irae
- Men of Harlech
- You'll Never Walk Alone
- Cadwyn O Emyn Donau Cymreig: Joanna (Trad./Elfion Wyn)/Crugybar (Trad.
- Old Folks at Home
- Il Liza Jane
- Faust/Soldier's Chorus - Caerphilly Make Voice Choir
- Vergine Degli Angeli
- Ballard of Rourke's Drift - Cwt-Y-Collen Choir
- My Hero
- God Bless the Prince of Wales - Caerphilly Make Voice Choir
- German Mass/Gloria
- German Mass/Sanctus
- Misbles/Master of the House/On My Own/Drink with Me/Empty Chairs at
- All Through the Night - Caerphilly Make Voice Choir
- Arwelfa
- Invictus
- Softly as I Leave You
Tracks:
- Diolch l'R L
- Hine E Hine (Maori Lullaby)
- Pererin Wyf (Amazing Grace)
- Tribute to the USA: America the Beautiful (Ward/Bates)/God Bless ...
- Memories of Martha
- I Lombardi/The Crusaders' Chorus - Treorchy Male Choir
- Myfanwy - Treorchy Male Choir
- Tales of Hoffman/Barcarolle
- Creation's Hymn
- In the Spirit!
- Shall We Gather at the River
- Nos a Bore
- Very Best Time of Year
- Soon Ah Will Be Done
- Thanks Be to God
- Flower That Shattered the Stone
- Rhys - Treorchy Male Choir
- Where Shall I Be?
- Bywyd y Bugail
- Lord's Prayer
Tracks:
- Ave Maria
- Pearl Fishers/Divine Brahma
- She Was Beautiful (Cavatina) - Treorchy Male Choir
- Cymru Fach
- Nidaros
- Jacob's Ladder - Treorchy Male Choir
- Watching the Wheat
- Pan Ddaw y Saint (When the Saints Go Marching In)
- Misbles/Stars
- Rachie
- Pirates of Penzance/With Cat-Like Tread - Treorchy Male Choir
- There Is a Balm in Gilead
- Rise Up Shepherd and Foller
- My Lord, What a Mornin'
- Bryn Myrddin
- Jesus Christ Superstar/Medley: Jesus Christ Superstar/Hosanna/The Last
- Finnish Forest (Suomen Salossa)
- Nabucco/The Glory of Israel
- Ride the Chariot
- Tydi a Roddaist - Treorchy Male Choir
Tracks:
- Y Nefoedd
- Phantom of the Opera/Think of Me
- Morte Christe (When I Survey the Wondrous Cross)
- By Babylon's Wave
- I'm Gonna Sing
- Where Could I Go But to the Lord?
- Holy City - Treorchy Male Choir
- Mefistofele: Ave Signor, Degli Angeli
- Senzenina (Zulu Chant)
- That's All I Want from You
- Deep Harmony - Treorchy Male Choir
- Give Me Jesus
- Just a Closer Walk with Thee
- My Wish for You
- Jeptha/Waft Her Angels
- Mose in Egitto/Prayer
- Be Still My Soul (Finlandia Hymn)
- God's Choir in the Sky
- Floral Dance - Treorchy Male Choir
- Smilin' Through
Tracks:
- Calon Lan
- True Love
- Mor Fawr Wyt Ti (How Great Thou Art)
- Aberystwyth
- Comrades in Arms
- Cats/Memory
- They Led My Lord Away
- State Fair/It's a Grand Night for Singing
- When I Fall in Love
- Let's Face the Music and Dance
- Windmills of Your Mind
- How Soon
- Non Nobis Domine
- Rhythm of Life
- Kalinka
- Sound an Alarm
- Neapolitan Trilogy: It's Now or Never (Di Capua/Schroeder/Gold)/Mo ...
- Turandot/Nessun Dorma
- Christus Redemptor
- Ann Evening's Pastorale
Album Details
Choirs Include the Morriston Orpheus Choir, the Pontadrddulais Male Voice Choir, the Caerphilly Male Voice Choir, the Cwrt-y-gollen Choir, the Treorchy Male Choir and the Lucknow Male Voice Choir.
Average customer rating:
- Moving CD with a message
- Awesome - A Great Surprise
- For any Serviceman/Servicewoman
- Keni Thomas Review
- A true tribute to those who have served.
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Flags Of Our Fathers: A Soldier's Story
Keni Thomas
Manufacturer: Moraine Records
ProductGroup: Music
Binding: Audio CD
General
| Country
| Styles
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ASIN: B0006ZOV8G
Release Date: 2005-01-25 |
Tracks:
- Flags Of Our Fathers
- Hero
- Not Me (with Vince Gill & Emmylou Harris)
- Send Me (with Shawn Mullins)
- Gloryland (with Blackhawk)
- 7 Days (with Michael McDonald)
- Prove Them Wrong
- Fight I Couldn't Win
- Circle On The Cross (with Kenny Rogers)
- Last Band Of Brothers
Amazon.com
At a time when the fighting in Iraq brings out more pain than patriotism in a majority of vocal Americans, Keni Thomas--a smooth-voiced Georgia musician and former Army member of Task Force Ranger, sent into the Mogadishu of Black Hawk Down--steps forward with a collection of songs that restore the poignancy and eloquence of the good fight. Never bombastic in the vein of Toby Keith nor rabble-rousing à la Darryl Worley, Thomas--who wrote or cowrote all 10 tracks with an ear for classic country and rock--simply tells the stories of the men and women in uniform. "Not Me," which boasts no less than Vince Gill and Emmylou Harris on harmony vocals, is an eloquent and understated paean to leadership and courage, while "Circle on the Cross," featuring a spoken introduction by Kenny Rogers, spotlights a military marking worth remembering. Carolyn Dawn Johnson, Michael McDonald, Blackhawk, and Shawn Mullins also lend their efforts to this surprising, affecting project. (Proceeds partly benefit the Hero Fund and the Special Operations Warrior Foundation, which provide college tuition to the children of Special Ops personnel who die in training or combat.) --Alanna Nash
Album Description
Flags Of Our Fathers is a collection of songs wirtten by Thomas that tell stories inspired by life in the military and those who serve our nation. Working with producers Brent Maher and Mark Selby he uses his unique insight to bring these memorable songs to life and tell a story as only someone who has experienced them can. It's a remarkable album from an equally remarkable artist.
Customer Reviews:
Moving CD with a message.......2007-05-12
I had the good fortune of listening to Keni around Memorial Day. In case you didn't know, Keni was involved in Task Force RANGER that was elegantly presented in "Black Hawk Down" Book and Movie. He is a great story teller and that's reflected in his songs....moving, poignant, and relevant. Great story teller and a great singer/performer.
Awesome - A Great Surprise.......2007-01-08
An awesome album from start to finish. I have already purchased another copy for a friend. Extremely well written songs especially if you have even a single patriotic bone in your body.
For any Serviceman/Servicewoman.......2006-04-15
Having been in the military and served with the Rangers plus being a musician now, anyone who has ever had to go to combat can relate to this CD.
A soldiers story combines mom's apple pie c rations and MRE's all rolled up into one. Keni's voice draws one to listen to the lyrics more so than most singers.
If you have ever been in combat anywhere, anytime...this CD will bring tears to your eyes and make your chest swell with pride. Keni T's been there and done that. And this CD is living proof of the enourmous patriotism our country holds for our Troops in harms way. It's a gut wrenching story and those who have been there........must hear it! RLTW
Joey "Brasso" Welsh
Castroville, TX
Keni Thomas Review.......2006-03-24
Great CD. I saw this performer with an USO tour in Iraq and had to buy the cd. A patriotic must!
A true tribute to those who have served........2006-01-16
This complete CD is a great tribute to all that have served and put country before self. There is not a song on this CD that you will not listen to over and over. To know what Keni Thomas has been through and hear it in his music is great. Everyone should own this, CD even if it only gets played a few times a year on the 4th of July, Veterans Day and Memorial Day. BUY BUY BUY
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What Dreams May Come
Manufacturer: Albany Records
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ASIN: B00064AEB0
Release Date: 2004-10-26 |
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The Ultimate Lotte Lenya Collection
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ASIN: B0000251AF
Release Date: 1999-03-22 |
Tracks:
- 'Happy End': Surabaya-Johnny (1929)
- 'Happy End': Bilbao-Song (1929)
- 'Aufstieg Und Fall Der Stadt Mahagonny': Alabama-Song (1930) - Lotte Lenya/The Three Admirals
- 'Aufstieg Und Fall Der Stadt Mahagonny': Denn Wie Man Sich Bettet (1930) - Lotte Lenya/The Three Admirals
- 'Aufstieg Und Fall Der Stadt Mahagonny': Alabama-Song (1930)
- 'Aufstieg Und Fall Der Stadt Mahagonny': Denn Wie Man Sich Bettet (1930)
- 'Die Dreigoschenoper': Ouverture/Moritat/Ballade Vom Angenehmen Leben (1931) - Kurt Gerron/Willy Trenk-Trebitsch
- 'Die Dreigoschenoper': Liebeslied/Kanonensong (1931) - Kurt Gerron/Erika Helmke/Willy Trenk-Trebitsch/Chorus
- 'Die Dreigoschenoper': Die Seerauberjenny (1931) - Kurt Gerron/Lotte Lenya
- 'Die Dreigoschenoper': Erstes Dreigroschen-Finale (1931) - Kurt Gerron/Lotte Lenya/Erika Helmke/Erich Ponto
- 'Die Dreigoschenoper': Barbarasong/Eifersuchtsduett (1931) - Kurt Gerron/Lotte Lenya/Erika Helmke
- 'Die Dreigoschenoper': Abschied/Zweites Dreigroschen-Finale (1931) - Kurt Gerron/Erika Helmke/Willy Trenk-Trebitsch/Chorus
- 'Die Dreigoschenoper': Zuhalter-Ballade/Lied Von Der Unzulanglichkeit Menschlichen Strebens (1931) - Kurt Gerron/Willy Trenk-Trebitsch/Lotte Lenya/Erich Ponto
- 'Die Dreigoschenoper': Moritat/Schlusschoral (1931) - Kurt Gerron/Lotte Lenya/Chorus
- Querschnitt, 1. Tiel: 'Aufstieg Und Fall Der Stadt Mahagonny' (1932)
- Querschnitt, 2. Tiel: 'Aufstieg Und Fall Der Stadt Mahagonny' (1932)
- 'Happy End': Surabaya-Johnny (1943) - Lotte Lenya/Kurt Weill
- 'Aufstieg Und Fall Der Stadt Mahagonny': Denn Wie Man Sich Bettet (1943) - Lotte Lenya/Kurt Weill
- Complainte De La Seine (1943) - Lotte Lenya/Kurt Weill
- J'Attends Un Navire (1943) - Lotte Lenya/Kurt Weill
- 'Lost In The Stars': Lover Man (1943) - Lotte Lenya/Kurt Weill
- 'Lost In The Stars': Lost In The Stars (1943) - Lotte Lenya/Kurt Weill
- 'I've Got The Tune': And So The Last Thing, Too (1937 Interview) - Lotte Lenya/Marc Blitzstein/Shirley Booth
Tracks:
- 'Die Dreigoschenoper': Moritat (1955)
- 'Die Dreigoschenoper': Barbara-Song (1955)
- 'Die Dreigoschenoper': Seerauberjenny (1955)
- 'Aufstieg Und Fall Der Stadt Mahagonny': Havanna-Lied (1955)
- 'Aufstieg Und Fall Der Stadt Mahagonny': Alabama-Song (1955)
- 'Aufstieg Und Fall Der Stadt Mahagonny': Denn Wie Man Sich Bettet (1955)
- 'Happy End': Bilbao-Song (1955)
- 'Happy End': Surabaya-Johnny (1955)
- 'Happy End': Was Die Herren Matrosen Sagen (Matrosen-Tango) (1955)
- 'Das Berliner Requiem': Ballade Vom Ertrunkenen Madchen (1955)
- 'Der Silbersee': Ich Bin Eine Arme Verwandte (1955)
- 'Der Silbersee': Casar-Ballade (1955)
- 'Die Sieben Todsunden': Prolog/Introduktion (1956) - Lotte Lenya/Julius Kantona/Fritz Gollnitz/Sigmund Roth/Ernst Poettgen
- 'Die Sieben Todsunden': Faulheit (1956) - Lotte Lenya/Julius Kantona/Fritz Gollnitz/Sigmund Roth/Ernst Poettgen
- 'Die Sieben Todsunden': Stolz (1956) - Lotte Lenya/Julius Kantona/Fritz Gollnitz/Sigmund Roth/Ernst Poettgen
- 'Die Sieben Todsunden': Zorn (1956) - Lotte Lenya/Julius Kantona/Fritz Gollnitz/Sigmund Roth/Ernst Poettgen
- 'Die Sieben Todsunden': Vollerei (1956) - Lotte Lenya/Julius Kantona/Fritz Gollnitz/Sigmund Roth/Ernst Poettgen
- 'Die Sieben Todsunden': Unzucht (1956) - Lotte Lenya/Julius Kantona/Fritz Gollnitz/Sigmund Roth/Ernst Poettgen
- 'Die Sieben Todsunden': Habsucht (1956) - Lotte Lenya/Julius Kantona/Fritz Gollnitz/Sigmund Roth/Ernst Poettgen
- 'Die Sieben Todsunden': Neid (1956) - Lotte Lenya/Julius Kantona/Fritz Gollnitz/Sigmund Roth/Ernst Poettgen
- 'Die Sieben Todsunden': Epilog (1956) - Lotte Lenya/Julius Kantona/Fritz Gollnitz/Sigmund Roth/Ernst Poettgen
Tracks:
- 'Aufstieg Und Fall Der Stadt Mahagonny': Akt 1, Szene 1 (1957) - Lotte Lenya/Chorus Des NDR/Max Thurn
- 'Aufstieg Und Fall Der Stadt Mahagonny': Akt 1, Szene 2 (1957) - Lotte Lenya/Chorus Des NDR/Max Thurn
- 'Aufstieg Und Fall Der Stadt Mahagonny': Akt 1, Szene 3 (1957) - Lotte Lenya/Chorus Des NDR/Max Thurn
- 'Aufstieg Und Fall Der Stadt Mahagonny': Akt 1, Szene 4 (1957) - Lotte Lenya/Chorus Des NDR/Max Thurn
- 'Aufstieg Und Fall Der Stadt Mahagonny': Akt 1, Szene 5 (1957) - Lotte Lenya/Chorus Des NDR/Max Thurn
- 'Aufstieg Und Fall Der Stadt Mahagonny': Akt 1, Szene 6 (1957) - Lotte Lenya/Chorus Des NDR/Max Thurn
- 'Aufstieg Und Fall Der Stadt Mahagonny': Akt 1, Szene 7 (1957) - Lotte Lenya/Chorus Des NDR/Max Thurn
- 'Aufstieg Und Fall Der Stadt Mahagonny': Akt 1, Szene 8 (1957) - Lotte Lenya/Chorus Des NDR/Max Thurn
- 'Aufstieg Und Fall Der Stadt Mahagonny': Akt 1, Szene 9 (1957) - Lotte Lenya/Chorus Des NDR/Max Thurn
- 'Aufstieg Und Fall Der Stadt Mahagonny': Akt 1, Szene 10 (1957) - Lotte Lenya/Chorus Des NDR/Max Thurn
- 'Aufstieg Und Fall Der Stadt Mahagonny': Akt 1, Szene 11 (1957) - Lotte Lenya/Chorus Des NDR/Max Thurn
- 'Aufstieg Und Fall Der Stadt Mahagonny': Akt 2, Szene 12 (1957) - Lotte Lenya/Chorus Des NDR/Max Thurn
- 'Aufstieg Und Fall Der Stadt Mahagonny': Akt 2, Szene 13 (1957) - Lotte Lenya/Chorus Des NDR/Max Thurn
Tracks:
- 'Aufstieg Und Fall Der Stadt Mahagonny': Akt 2, Szene 14 (1957) - Lotte Lenya/Chorus Des NDR/Max Thurn
- 'Aufstieg Und Fall Der Stadt Mahagonny': Akt 2, Szene 15a (1957) - Lotte Lenya/Chorus Des NDR/Max Thurn
- 'Aufstieg Und Fall Der Stadt Mahagonny': Akt 2, Szene 15b (1957) - Lotte Lenya/Chorus Des NDR/Max Thurn
- 'Aufstieg Und Fall Der Stadt Mahagonny': Akt 2, Szene 16 (1957) - Lotte Lenya/Chorus Des NDR/Max Thurn
- 'Aufstieg Und Fall Der Stadt Mahagonny': Akt 2, Szene 17 (1957) - Lotte Lenya/Chorus Des NDR/Max Thurn
- 'Aufstieg Und Fall Der Stadt Mahagonny': Akt 3, Szene 18 (1957) - Lotte Lenya/Chorus Des NDR/Max Thurn
- 'Aufstieg Und Fall Der Stadt Mahagonny': Akt 3, Szene 19 (1957) - Lotte Lenya/Chorus Des NDR/Max Thurn
- 'Aufstieg Und Fall Der Stadt Mahagonny': Akt 3, Finale (1957) - Lotte Lenya/Chorus Des NDR/Max Thurn
Tracks:
- 'Knickerbocker Holiday': September Song (1957)
- 'Knickerbocker Holiday': It Never Was You (1957)
- 'Lady In The Dark': Saga Of Jenny (1957)
- 'One Touch Of Venus': Foolish Heart (1957)
- 'One Touch Of Venus': Speak Low (1957)
- 'The Firebrand Of Florence': Sing Me Not A Ballad (1957)
- 'The Eternal Road': Song Of Ruth (July Version) (1957)
- 'Street Scene': Lonely House (1957)
- 'Street Scene': A Boy Like You (1957) - Lotte Lenya/Darryl Richard
- 'Love Life': Green-Up Time (1957)
- 'Lost In The Stars': Trouble Man (1957)
- 'Lost In The Stars': Stay Well (1957)
- 'Lost In The Stars': Lost In The Stars (1957)
- 'The Eternal Road': Song Of Ruth (August Version) (1957)
- 'The Threepenny Opera': Pirate Jenny (1954)
- 'The Threepenny Opera': Solomon-Song (1954)
- 'The Threepenny Opera': Tango-Ballad (1954) - Lotte Lenya/Scott Merrill
- 'The Threepenny Opera': Lenya & Blitzstein TV Interview (1954) - Lotte Lenya/Marc Blitzstein
- 'Johnny Johnson': Mon Ami, My Friend (1956)
- Young Blood (1969)
- Welcome Home (1969)
Tracks:
- 'Die Dreigoschenoper': Ouverture (1958) - Lotte Lenya/Erich Schellow/Willy Trenk-Trebitsch/Trude Hesterberg/Johanna Von Koczian...
- 'Die Dreigoschenoper': Moritat (1958) - Lotte Lenya/Erich Schellow/Willy Trenk-Trebitsch/Trude Hesterberg/Johanna Von Koczian...
- 'Die Dreigoschenoper': Morgenchoral Des Peachum (1958) - Lotte Lenya/Erich Schellow/Willy Trenk-Trebitsch/Trude Hesterberg/Johanna Von Koczian...
- 'Die Dreigoschenoper': Anstatt-Dass-Song (1958) - Lotte Lenya/Erich Schellow/Willy Trenk-Trebitsch/Trude Hesterberg/Johanna Von Koczian...
- 'Die Dreigoschenoper': Hochzeitslied Fur Armere Leute (1958) - Lotte Lenya/Erich Schellow/Willy Trenk-Trebitsch/Trude Hesterberg/Johanna Von Koczian...
- 'Die Dreigoschenoper': Kanonensong (1958) - Lotte Lenya/Erich Schellow/Willy Trenk-Trebitsch/Trude Hesterberg/Johanna Von Koczian...
- 'Die Dreigoschenoper': Liebeslied (1958) - Lotte Lenya/Erich Schellow/Willy Trenk-Trebitsch/Trude Hesterberg/Johanna Von Koczian...
- 'Die Dreigoschenoper': Barbara-Song (1958) - Lotte Lenya/Erich Schellow/Willy Trenk-Trebitsch/Trude Hesterberg/Johanna Von Koczian...
- 'Die Dreigoschenoper': Erstes Dreigroschen-Finale (1958) - Lotte Lenya/Erich Schellow/Willy Trenk-Trebitsch/Trude Hesterberg/Johanna Von Koczian...
- 'Die Dreigoschenoper': Der Pferdestall (1958) - Lotte Lenya/Erich Schellow/Willy Trenk-Trebitsch/Trude Hesterberg/Johanna Von Koczian...
- 'Die Dreigoschenoper': Abschiedslied Der Polly (1958) - Lotte Lenya/Erich Schellow/Willy Trenk-Trebitsch/Trude Hesterberg/Johanna Von Koczian...
- 'Die Dreigoschenoper': Zwischenlied (1958) - Lotte Lenya/Erich Schellow/Willy Trenk-Trebitsch/Trude Hesterberg/Johanna Von Koczian...
- 'Die Dreigoschenoper': Ballade Von Der Sexuellen Horigkeit (1958) - Lotte Lenya/Erich Schellow/Willy Trenk-Trebitsch/Trude Hesterberg/Johanna Von Koczian...
- 'Die Dreigoschenoper': Die Seerauberjenny (1958) - Lotte Lenya/Erich Schellow/Willy Trenk-Trebitsch/Trude Hesterberg/Johanna Von Koczian...
- 'Die Dreigoschenoper': Zuhalter-Ballade (1958) - Lotte Lenya/Erich Schellow/Willy Trenk-Trebitsch/Trude Hesterberg/Johanna Von Koczian...
- 'Die Dreigoschenoper': Ballade Vom Angenehmen Leben (1958) - Lotte Lenya/Erich Schellow/Willy Trenk-Trebitsch/Trude Hesterberg/Johanna Von Koczian...
- 'Die Dreigoschenoper': Eifersuchtsduett (1958) - Lotte Lenya/Erich Schellow/Willy Trenk-Trebitsch/Trude Hesterberg/Johanna Von Koczian...
- 'Die Dreigoschenoper': Arie Der Lucy (1958) - Lotte Lenya/Erich Schellow/Willy Trenk-Trebitsch/Trude Hesterberg/Johanna Von Koczian...
- 'Die Dreigoschenoper': Zweites Dreigroschen-Finale (1958) - Lotte Lenya/Erich Schellow/Willy Trenk-Trebitsch/Trude Hesterberg/Johanna Von Koczian...
- 'Die Dreigoschenoper': Lied Von Der Unzulanglichkeit Menschlichen Strebens (1958) - Lotte Lenya/Erich Schellow/Willy Trenk-Trebitsch/Trude Hesterberg/Johanna Von Koczian...
- 'Die Dreigoschenoper': Solomon-Song (1958) - Lotte Lenya/Erich Schellow/Willy Trenk-Trebitsch/Trude Hesterberg/Johanna Von Koczian...
- 'Die Dreigoschenoper': Ruf Aus Der Gruft (1958) - Lotte Lenya/Erich Schellow/Willy Trenk-Trebitsch/Trude Hesterberg/Johanna Von Koczian...
- 'Die Dreigoschenoper': Ballade In Der MacHeath Jedermann Abbitte Leistet (1958) - Lotte Lenya/Erich Schellow/Willy Trenk-Trebitsch/Trude Hesterberg/Johanna Von Koczian...
- 'Die Dreigoschenoper': Der Reitende Bote (1958) - Lotte Lenya/Erich Schellow/Willy Trenk-Trebitsch/Trude Hesterberg/Johanna Von Koczian...
- 'Die Dreigoschenoper': Drittes Driegroschen-Finale (1958) - Lotte Lenya/Erich Schellow/Willy Trenk-Trebitsch/Trude Hesterberg/Johanna Von Koczian...
- 'Die Dreigoschenoper': Schlusstrophen Der Moritat (1958) - Lotte Lenya/Erich Schellow/Willy Trenk-Trebitsch/Trude Hesterberg/Johanna Von Koczian...
Tracks:
- 'Happy End': Introduktion (Hosiannah) (1960)
- 'Happy End': Bilbao-Song (1960)
- 'Happy End': Der Kleine Leutnant Des Lieben Gottes (1960)
- 'Happy End': Geht Hinein In Die Schlacht (Heilsarmee-Lied 1) (1960)
- 'Happy End': Was Die Herren Matrosen Sagen (Matrosen-Tango) (1960)
- 'Happy End': Bruder, Gib Dir Einen Stoss (Heilsarmee-Lied 2) (1960)
- 'Happy End': Das Lied Vom Branntweinhandler (1960)
- 'Happy End': Der Song Von Mandelay (1960)
- 'Happy End': Furchte Dich Nicht (Heilsarmee-Lied 3) (1960)
- 'Happy End': Surabaya-Johnny (1960)
- 'Happy End': Das Lied Von Der Harten Nuss (1960)
- 'Happy End': In Der Jugend Gold'Nem Schimmer (Heilsarmee-Lied 4) (1960)
- 'Happy End': Die Ballade Von Der Hollen-Lili (1960)
- 'Happy End': Der Kleine Leutnant Des Lieben Gottes (1960)
- 'Cabaret': So What? (1966)
- 'Cabaret': It Couldn't Please Me More (1966) - Lotte Lenya/Jack Gilford
- 'Cabaret': Married (1966) - Lotte Lenya/Jack Gilford
- 'Cabaret': What Would You Do (1966)
- 'Cabaret': Finale (1966) - Lotte Lenya/Bert Convy/Jill Haworth/Jack Gilford/Joel Grey
Tracks:
- Unter Der Linde (1958)
- Menschlich Elende (1958)
- Das Rosenband (1958)
- Der Tod Und Das Madchen (1958)
- Abendlied (1958)
- Der Bauer (1958)
- Lebenspflichten (1958)
- Gesang Der Geister Uber Den Wassern (1958)
- Aus 'Romische Elegein' (1958)
- Gefunden (1958)
- Wo Bist Du Itzt (1958)
- Der Handschuh (1958)
- Hyperions Schicksalied/Aus 'Hymnen Der Nacht' (1958)
- Mondnacht (1958)
- Das Schloss Boncourt (1958)
- Kommen Und Scheiden (1958)
- Auf Geheimem Waldespfade (1958)
- Der Weiher (1958)
- Das Verlassene Magdlein (1958)
- Der Wirtin Tochterlein (1958)
- Mit Dummen Madchen (1958)
- Im Wunderschonen Monat Mai (1958)
- Ich Wollte Meine Lieder (1958)
- Nachtlich Am Busento (1958)
- Kehr Ein Bei Mir! (1958)
- Altassyrisch (1958)
- Die Musik Kommt (1958)
- Wer Weiss Wo (1958)
- Der Romische Brunnen (1958)
- Vereinsamt (1958)
- Der Werwolf (1958)
- Der Arbeitsmann (1958)
- Die Bieden (1958)
- Du Schlank Und Rein Wie Eine Flamme (1958)
- Spanische Tanzerin (1958)
- Ich Liebe Frauen (1958)
- An Den Leser (1958)
- Die Entwicklung Der Menschheit (1958)
- Der Vater (1958)
- Erinnerung An Die Marie A (1958)
- Von Der Freundlichkeit Der Welt (1958)
- Kinderkreuzzug (1958)
Tracks:
- A Hunger Artist (1959)
- An Imperial Message (1959)
- A Fratricide (1959)
- The Care Of A Family Man (1959)
- Up In The Gallery (1959)
- A Dream (1959)
- The Bucket Rider (1959)
- Vergnugungen: What I Enjoy (Last Song) (1962) - Diane Clark/Anne Jackson/Lotte Lenya/Viveca Lindfors/George Voskovec/Michael Wager
- Inscription On A China Lion (The Lion) (1962) - Diane Clark/Anne Jackson/Lotte Lenya/Viveca Lindfors/George Voskovec/Michael Wager
- 'Die Dreigroscheneroper': The Solomon Song (1962) - Diane Clark/Anne Jackson/Lotte Lenya/Viveca Lindfors/George Voskovec/Michael Wager
- 'Buckower Elegien': Changing Wheels (1962) - Diane Clark/Anne Jackson/Lotte Lenya/Viveca Lindfors/George Voskovec/Michael Wager
- Burning Books (1962) - Diane Clark/Anne Jackson/Lotte Lenya/Viveca Lindfors/George Voskovec/Michael Wager
- Written On The Wall (1962) - Diane Clark/Anne Jackson/Lotte Lenya/Viveca Lindfors/George Voskovec/Michael Wager
- Lied Der Courage (1962) - Diane Clark/Anne Jackson/Lotte Lenya/Viveca Lindfors/George Voskovec/Michael Wager
- Song Of A German Mother (1962) - Diane Clark/Anne Jackson/Lotte Lenya/Viveca Lindfors/George Voskovec/Michael Wager
- 'Buckower Elegien': The Dog (1962) - Diane Clark/Anne Jackson/Lotte Lenya/Viveca Lindfors/George Voskovec/Michael Wager
- To The Next Generation (1962) - Diane Clark/Anne Jackson/Lotte Lenya/Viveca Lindfors/George Voskovec/Michael Wager
- Bad Times For Poetry (1962) - Diane Clark/Anne Jackson/Lotte Lenya/Viveca Lindfors/George Voskovec/Michael Wager
- Und Was Bekam Des Soldaten Weib (1943) - Lotte Lenya/Kurt Weill
- Wie Lange Noch (1943) - Lotte Lenya/Kurt Weill
- Lied Einer Deutschen Mutter (1943) - Lotte Lenya/Kurt Weill
Tracks:
- 'Die Dreigroscheneroper': Moritat Von Mackie Messer (1960)
- 'Aufstieg Und Fall Der Stadt Mahagonny': Havanna-Leid (1960)
- 'Das Berliner Requiem': Ballade Vom Ertrunkenen Madchen (1960)
- 'Happy End': Was Die Herren Matrosen Sagen (Matrosen-Tango) (1960)
- 'Das Berliner Requiem': Zu Potsdam Unter Den Eichen (1960)
- 'Die Dreigroscheneroper': Die Seerauberjenny (1960)
- 'Happy End': Bilbao-Song (1960)
- Carnegie Hall Introduction (1965)
- 'Aufstieg Und Fall Der Stadt Mahagonny': Alabama-Song (1965)
- 'Aufstieg Und Fall Der Stadt Mahagonny': Havanna-Song (1965)
- 'Das Berliner Requiem': Ballade Vom Ertrunkenen Madchen (1965)
- 'Das Berliner Requiem': Zu Potsdam Unter Den Eichen (1965)
- 'One Touch Of Venus': Speak Low (1965)
- 'One Touch Of Venus': Foolish Heart (1965)
- 'One Touch Of Venus': Bilbao-Song (1965)
- 'One Touch Of Venus': Surabaya-Johnny (1965)
- 'Love Life': Love-Song (1965)
- 'Love Life': Susan's Dream (1965)
- 'Happy End': Was Die Matrosen Sagen (Matrosen-Tango) (1965)
- 'Happy End': Der Song Von Mandelay (1965)
- 'Happy End': Das Lied Von Der Harten Nuss (1965)
- 'Happy End': Lilli Of Hell (1965)
- 'Knickerbocker Holiday': September Song (1965)
- 'Die Dreigroscheneroper': Barbara Song (1965)
Tracks:
- Moritat (1965)
- Moritat (German Version) (1965) - Lotte Lenya/Turk Murphy
- Mack The Knife (1965) - Lotte Lenya/Louis Armstrong
- Mack The Knife (1965) - Lotte Lenya/Louis Armstrong
- Lied Der Courage I (1965) - Lotte Lenya/Harry Buckwitz
- Das Lied Vom Weib Und Soldaten (1965)
- Lied Von Der Grossen Kapitulation (1965)
- Lied Der Courage II (1965)
- Lied Der Courage III (1965)
- Eia Popeia, Was Ras Im Stroh (1965)
- Lied Der Courage IV (1965)
- The Dick Cavett Show (1975) - Lotte Lenya/Dick Cavett
- Start (1975) - Lotte Lenya/Dick Cavett
- American Films (1975) - Lotte Lenya/Dick Cavett
- The Opening Night Ot The Rise And Fall Of The City Of Mahagonny (1975) - Lotte Lenya/Dick Cavett
- 'One Touch Of Venus': I'm A Stranger Here Myself (1975) - Lotte Lenya/Dick Cavett
- Anita Berber (1975) - Lotte Lenya/Dick Cavett
- The Great Inflation (1975) - Lotte Lenya/Dick Cavett
- Thoughts On 'Oh, Calcutta' (1975) - Lotte Lenya/Dick Cavett
- Berlin Visit 1955 (1975) - Lotte Lenya/Dick Cavett
- Introduction To 'Bilbao-Song' (1975) - Lotte Lenya/Dick Cavett
- Bilbao-Song (1975) - Lotte Lenya/Dick Cavett
- Introduction (1966)
- 'Knickerbocker Holiday': How Can You Tell An American (1966)
- 'Knickerbocker Holiday': September Song (1966)
Average customer rating:
|
Symphony for the Sons of Nam
Manufacturer: One Omik
ProductGroup: Music
Binding: Audio CD
General
| Classical
| Styles
| Music
ASIN: B000APVN74
Release Date: 2004-01-01 |
Tracks:
- Fanfare for Life
- American Soldier
- American Soldier (Continued)
- Symphony for the Sons of Nam
- Symphony for the Sons of Nam (Continued)
Product Description
Symphony for the sons of Nam was recorded November 2003 in St. Petersburg, Rissia. All scores performed by The Symphony Orchestra of Saint Petersburg Philharmonia. Included are Fanfare For Life, American Solider,
and Symphony for the Sons of Nam.
Average customer rating:
|
Life & Works of Verdi
Verdi
Manufacturer: Naxos
ProductGroup: Music
Binding: Audio CD
General
| Opera & Vocal
| Styles
| Music
General
| Instructional
| Miscellaneous
| Styles
| Music
Spoken Word
| Poetry, Spoken Word & Interviews
| Miscellaneous
| Styles
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General
| Classical
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Hungarian National Philharmonic Orchestra
| ( H )
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Similar Items:
- The Life and Works of Franz Schubert
- The Life and Works of Pyotr Il'yich Tchaikovsky
- Brahms: Life & Works
- The Life and Works of Antonín Dvorák, Narration with Musical Excerpts
- The Life and Works of Franz Liszt
ASIN: B00007FPFM
Release Date: 2003-04-15 |
Tracks:
- Aida: Grand March And Triumphal Chorus / Background, Childhood And Youth
- La Traviata: Brindisi 'Libiam Ne' Lieti Calici'
- Early Manhood, Civil Strife And The Start Of A Career
- Overture To 'Oberto, Conte Di San Bonifacio'
- Tragedy, Creation, And The Birth Of A True Professional
- Overture To 'Un Giorno Di Regno'
- Failure, Despair, And Rescue: The Genesis Of Nabucco
- Nabucco: Chorus Of The Hebrew Slaves 'Va, Pensiero, Sull' Ali Dorate'
- A Sensation Reported And Recalled
- Overture To 'Nabucco'
- In The Galleys: Fame, Frustration, And A Major Surprise
- Macbeth: Chorus Of The Scottish Exiles 'Patria Oppressa!'
- The Revolution Of Macbeth And A Return To Safer Ground
- Overture To 'I Masnadieri'
- Paris And A Love Affair
- The Revolutions Of 1848
- Overture To 'La Battaglia Di Legnano'
Tracks:
- Composition And Censorship: The Strife-Torn Birth Of Rigoletto
- Rigoletto: 'La Donna E Mobile'
- Verdi The Unsurpassed Psychologist
- Rigoletto: 'Bella Figlia Dell' Amore'
- Strepponi, Busseto, And The Rift With Barezzi
- Escape: Verdi And Strepponi At Sant' Agata
- Il Trovatore: Soldiers' Chorus 'Or Co' Dadi, Ma Fra Poco'
- 'The Bear Of Busseto' Emerges: The Darker Side Of Verdi
- Il Trovatore: 'Di Tale Amor Che Dirsi'
- Verdi's 'Divorce' From His Parents; His Mother's Death, And A Theatrical Fiasco
- La Traviata: 'Dite Alla Giovine'
- Verdi And Women: Strepponi And The 'Dark Lady'
- 'La Travailata': Verdi's Trials At The Paris Opera
- I Vespri Siciliani: 'Quando Al Mio Sen Per Te Parlava'
- Verdi In Rehearsal - And A Review From Berloiz
- Overture To 'I Vespri Siciliani'
Tracks:
- Yet More Trouble With The Censors
- Un Ballo In Maschera: 'Ma Se M'e Forza Perderti'
- A Passionate Patriot, A Reluctant Politician
- A Semi-Official Retirement, Nursed By Disenchantment
- Verdi Welcomes War
- He Travels To Paris For Don Carlos
- Don Carlos: 'Tu Che La Vanita'
- 'Stupendous Triumph'
- Verdi Shaken By Deaths Of His Father, Barezzi And Rossini
- He Meets Manzoni
- An Unusual Opera
- La Forza Del Destino: 'Solenne In Quest' Ora'
- Enter Teresa Stolz, Exit Mariani
- La Forza Del Destino: 'Pace, Pace'
- Strepponi Struggles With Jealousy As Verdi Writes Aida
- Aida: Act III, Nile Scene
Tracks:
- Verdi Bemoans The Corruption
- Manzoni's Death Begets A Masterpiece
- Requiem: 'Rex Tremendae'
- The Return To Shakespeare
- Otello: 'Canzone Del Salce - Ave Maria'
- Verdi The Wagner Of Italy
- Otello: 'Desdemona Rea, Si, Per Ciel'
- A Shakespearian Swansong
- Falstaff: Finale 'Ogni Sorta Di Gente; Facciamo Il Parentado'
- Old Age And Death Of Strepponi
- Verdi The Widower
- Stolz And The Aged Verdi; A Visit From Toscanini
- Te Deum
- The Old Man Dies And The World Pays Homage
- Requeim, Part VII: Dies Irae; Requiem Aeternam; Libera Me
Average customer rating:
- At Work with Power Clasics
|
Power Classics! Volumes 1-10
Manufacturer: Delta
ProductGroup: Music
Binding: Audio CD
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ASIN: B000001VUZ
Release Date: 1994-08-30 |
Tracks:
- Carmen: Les Toreadors - POWER CLASSICS!
- Slavonic Dance No.8 In G Minor, Op.46 - POWER CLASSICS!
- L'Arlesienne: Farandole - POWER CLASSICS!
- Symphony No.3: 3rd Movement, Ziemlich schnell - POWER CLASSICS!
- Gotterdammerung: Siegfried's Death And Funeral Music - POWER CLASSICS!
- Symphony No.3 In E Flat, Op.97: Rhenish: 1st Movement - POWER CLASSICS!
- Piano Concerto No.1 In B Flat Minor, Op.23: 3rd Movement: Allegro con fuoco - POWER CLASSICS!
- Symphony No.1: Titan: 2nd Movement - Kraftig bewegt - POWER CLASSICS!
- The Prophet: Coronation March - POWER CLASSICS!
- Hungarian Rhapsody No.1 - POWER CLASSICS!
Tracks:
- Toccata In D Minor
- Symphony No.5 In C Minor: 1st Movement: Allegro con brio
- Swan Lake: Mazurka
- Mastersingers Of Nuremburg: Overture
- Coppelia: Czardas
- Faust: Allegro vivo
- Symphony No.4 In A Major: 1st Movement: Allegro vivace
- Piano Concerto In A Minor, Op.16: 1st Movement: Allegro molto e marcato
- The Damnation of Faust: Rakozy March
- The Rhine Gold: Entry Of The Gods Into Walhalla
Tracks:
- Ride Of The Valkyries
- Hungarian Dance No.5 In G Minor
- Sylvia: Cortege de Bacchus
- The Nutcracker: Trepak - Russian Dance
- Bartered Bride: Overture
- William Tell: Soldiers' Dance
- Symphony No.1: 3rd Movement: Scherzo
- The Flying Dutchman: Overture
- Espana
- Totentanz
Tracks:
- Lohengrin: Prelude To Act 3 - POWER CLASSICS!
- A Midsummer Night's Dream: Wedding March - POWER CLASSICS!
- Marche Slave, Op.31 - POWER CLASSICS!
- Hungarian Rhapsody No.2 - POWER CLASSICS!
- Swan Lake: Danze hongroise Czardas - POWER CLASSICS!
- Flight Of The Bumble Bee - POWER CLASSICS!
- Eugene Onegin: Polonaise - POWER CLASSICS!
- Symphony No.9 In E Minor 'New World': Third Movement, Scherzo - POWER CLASSICS!
- Tannhauser: Arrival Of The Guests At Wartburg - POWER CLASSICS!
- Symphony No.5 In E Minor: Finale. Andante Maestoso - POWER CLASSICS!
Tracks:
- Ruslan And Ludmilla - Overture
- The Bartered Bride: Polka
- Symphony NO.4 In E Minor: 3rd Movement: Allegro giocoso
- Coriolan Overture, Op.62
- Symphony No.4 In A Major: Italian: 4th Movement - Saltarello presto
- Bocklin Suite: Bacchannal
- The Valkyries: Magic Fire Music
- Piano Concerto No.1 In E Flat Major: 3rd Movement: Allegro marziale animato - Presto
- Symphony No.2: 3rd Movement: Scherzo. Allegro molto vivace
- Symphony No.9: From The New World: Finale - Allegro con fuoco
Tracks:
- The Sleeping Beauty: Introduction
- Snegurochka: Dance Of The Tumblers
- Piano Concerto No.2 In F Minor, Op.21, No.3: Allegro vivace
- Symphony In G Major, No.4: Allegro ma non troppo
- Chowanschtschina: Dance Of The Persian Slaves
- Coppelia: Slavonic Folk Melody
- Die Meistersinger von Nurnberg: Dance Of The Apprentices & Entrance Of The Masters
- The Bartered Bride: Furiant
- Symphony No.6: Tragic: II. Scherzo. Wuchtig
- The Nutcracker: Waltz - Finale & Apothese
Tracks:
- Mlada: Cortege
- Piano Concerto No.1 In E Flat Major: I. Allegro maestoso
- The Sleeping Beauty: Waltz
- Soroshintsy Fair: Gopak
- Symphony No.0 In D Minor: Ill. Scherzo. Presto
- Organ Concerto Op.137: Ill. Finale. Con moto
- Symphony No.7 In D Minor: Ill. Scherzo. Vivace
- L'Arlesienne: Pastorale
- Nocturnes: Fetes
- Symphony No.1 In C Minor: IV. Allegro non troppo, ma con br