Mummer [Import]
Editorial Reviews
Album Description
Japanese pressing featuring a limited edition miniature LP sleeve. To. 2005.
Average customer rating:
- Brilliant songwriting and studio wizardry.
- Waited A Long TIme For This One
- "Color TV" finally
- XTC's poorest effort, a flawed transitional album from touring band to studio project
- it took a long time
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Mummer
XTC
Manufacturer: Caroline
ProductGroup: Music
Binding: Audio CD
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Similar Items:
- The Big Express
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ASIN: B00005ATHL
Release Date: 2002-08-06 |
Tracks:
- Beating Of Hearts
- Wonderland
- Love On A Farmboy's Wages
- Great Fire
- Deliver Us From The Elements
- Human Alchemy
- Ladybird
- In Loving Memory Of A Name
- Me And The Wind
- Funk Pop A Roll
- Frost Circus
- Jump
- Toys
- Gold
- Procession Towards Learning Land
- Desert Island
Amazon.com
Mummer, from 1983, was the first fruit of the British pop combo's "pastoral" period, but merely proved to be the inaugural chapter in XTC's mercifully brief midlife crises. A commercial flop, stalling outside of the U.K. Top 50--a major setback considering the bridgeheads established in both the British and American charts by the preceding Black Sea and English Settlement albums--Mummer was considered something of an artistic disappointment at the time. Even so, any record that contains such moments of delicious rural innocence as the folksy "Love on a Farmboy's Wages" ("shilling for the fellow who brings the sheep in") or the mangled, chamber orchestra pyromania of "Great Fire" is worth a listen, while the addition of several alternately odd and poppy B-sides only adds to the intrigue. The poorer cousin of the subsequent Skylarking, perhaps, but well worth reassessing now that time has passed. --Kevin Maidment
Album Description
Remastered reissue of 1983 album. Virgin Records. 2001.
Customer Reviews:
Brilliant songwriting and studio wizardry........2006-07-21
In 1982, after a collapse on stage, Andy Partridge pulled the plug on XTC's touring and the band entered the studio to record their sixth album, 1983's "Mummer". Early in the sessions, drummer Terry Chambers quit the band (contributing only to three songs-- "Beating of Hearts", "Wonderland" and b-side "Toys"), leaving Partridge, Colin Moulding and Dave Gregory to soldier on as a trio (and with session drummer Peter Phipps). The freedom from touring and from any notions of having to play this material on-stage allowed the band to begin to experiment with the studio as a tool, and with producer Steve Nye on hand (who had recently helped Japan produce their masterwork and final album in "Tin Drum"), the band put together an album that far outshines everything they had done before.
The drastic changes are apparent right from the onset-- "Beating of Hearts" shows a level of detail and arrangement that was totally absent, even from the material on "English Settlement"-- Middle Eastern-inspired strings doubling and supporting Partridge's thick vocal, skanking guitars and tribal drums, hints at raga... this is something completely unprecedented. Likewise, "Great Fire" with its screeching sax and ragged guitars, synth-laden tension piece "Deliver Us From the Elements" and grunting, groaning, throbbing avant-rock of "Human Alchemy" all point to a band pushing and exploring.
When XTC sticks to more conventional sounds, their work is still detailed and fantastic-- Partridge's "Love on a Farmboy's Wages" is a fine example. Among the best material he's ever written, it's insistent acoustic guitars and muted drums (the latter apparently inspired Chambers' leaving the band) provide a support for Partridge's voice, which manages anxiety, desperation and hope all together. A handful of other great pop songs continue to fill out the album (Moulding's synthy "Wonderland", Partridge's lovely "Ladybird") and help prevent the distinct lack of subpar material that seemed evident in most of the earlier XTC albums. Even the songs that aren't quite as good as the rest ("Me and the Wind") are still quite intriguing and very listenable.
This reissue finds the album remastered and the depth of the arrangements and productions really shine. In addition, it's augmented by no less than six b-sides from the era. It's actually quite amazing some of these tracks didn't make the album-- four of them are pop songs similar in feel to the album tracks. Of particular note are "Jump", a delicate little pop song with an unnervingly catchy chorus and "Desert Island", a tropical, breezy song about a castaway in paradise, featuring a superb arrangement of growing vocal harmonies and a honking accordian lying over acoustic guitars and a slithering bass. The album also includes two ambient instrumentals, one of them is nice enough, though not particularly noteworthy ("Procession Towards Learning Land"), the other is a simply fantastic array of rising and falling synthesizers layered on top of each other. Fans of Brian Eno's work with find this brilliant.
One thing I have left out in talking about this is that as fantastic as the record is, it's probably not a good introduction to the band-- it can be a bit more quirky than can be easily digestable, nonetheless, once one is familiar with XTC, this is definitely one worth seeking out-- it's among the best in their catalog. Highly recommended.
Waited A Long TIme For This One.......2006-01-24
By 1983 I was sold on XTC. I anxiously awaited each new release. After several promised release dates that never came about it finally landed in June 1983. It is my understanding that this one almost did not get released in the U.S and all you need to do is listen to the lyrics of "Funk-Pop-A-Roll" to find out why. If anyone thought 1982's "English Settlement" was out of steps with the times imagine this release. For the most part a dark, brooding record even though it has a pastoral feeling. Certainly the single "Wonderland", a beautiful keyboard driven ballad from a faceless ordinary English Band was certainly not going to go anywhere with record buyers more focused on what Boy George's new look would be. Such deep songs as "Human Alchemy" which likens the slave trade to gold trade and the forementioned "Funk-Pop-A-Roll" a scathing attack on the hand that feeded XTC, the music industry, were brilliant but not many except for us rabid XTC fans were listening. For those of us rabbits who were not interested in getting fixed up, with our musical feed, or anyone selling us stuff we really did not need, thank goodness XTC was there, and that they did not die from being poisoned by the industry.
"Color TV" finally.......2006-01-08
At First this was kind of disappointing after hearing epics like "English Settlement" and "Apple Venus" and "Skylarking", but this is actually quite good, sometimes even on par with the three wonders stated before.
The CD clocks in at over an hour with the several bonus tracks from singles released from this album and two really different songs from a series of experiments Andy did, these are "Frost Cirus" and "Procession Towards Learning Land". These songs sound pretty cool, but aren't the better part of the album. The B-sides are pretty amazing with the three catchy songs that could have been A-sides "Jump", "Toys", and "Gold". "Desert Island" is also an excellent song about Britain...."Don't Rescue me...No! No! no-ohhoh"!
The actual original Mummer tracks shine as well AFTER A COUPLE LISTENS, the singles "Love on a Farmboy's Wages", "Great Fire", and maybe even "Me and the Wind"(it is too far out in the album though, you may want to quit listening before then) will hook you on first listen. "Love on a Farmboy's Wages" was definitely the first friendly song in the batch on first listen with its catchiness and wit. "Great Fire" has a great drama to it that anyone will like, it is a wonderful tune. Colin's single "Wonderland" has really cheesy production, so I had to skip it(it was so strange). But it is actually a good song and is more than listenable after a few listens to Mummer. The opening tune "Beating of Hearts" is a powerful song that is almost romantic and shows the power of humans that separates us from the animals....emotions and "Love"!
It is no wonder Terry wanted to leave XTC during this album, it is a dfferent direction for XTC...just about a 180 turn. That doesn't mean this is a bad album...by all means it was XTC maturing. The only song that is really similar to old XTC is the "Funk Pop a Roll" song, which is pretty awesome and funny. Again it is slower and the songs completely different like Colin's "Deliver Us From the Elements" is filled with backing vocals that sound like they are from a church choir. Andy's "Human Alchemy" is profound and sounds Afircan or something and is really controvesial...read other reviews here...it s a really good song with a message. On first listen though production-wise it may be too much to stomach, but it is one of my favorites on here now. "Lady Bird" starts off with Andy scat singing and turns out to be a most excellent pop tune.
A grand album with some questionable production, but that is the fun of the 80s. Recommended for XTC fans, unless you don't like quiet stuff.
XTC's poorest effort, a flawed transitional album from touring band to studio project.......2005-07-14
The band was in chaos when this was recorded. Andy Partridge couldn't play live anymore due to crippling stagefright and Terry Chambers, whose drumming largely characterized the XTC sound, decided to leave during the recording. Mummer's sound is analgous to a kind of retreat from the energies and nervousness of modern technological life (ie rock) into a romanticized, beatlesque kind of pop. A sound that is an aural reflection of Andy Partridge's retreat from the pressures of touring and music business chicanery. This is the first album where XTC went "pastoral" (code for wimpy), and while there are a few good songs on this album especially lyrically, for the most part it's unfocused and weak. XTC sound like they're grasping for a way to handle the change in muscal direction and just really aren't quite sure what to do. Consequently Mummer sounds more like a collection of demos than a finished album by a band with five albums (three of them brilliant) in their discography. The fault lies in the fact that XTC ceased to be a real band. Terry Chambers plays on only two songs and his drums, which were an integral part of the XTC sound, are very missed.
Mummer was a HUGE disappointment when it came out and I thought at the time that the band was over, thankfully I was wrong. Yet with the benefit of hindsight, I find this album to be better than I thought at the time. No it doesn't sound like XTC due largely to Terry Chambers absence. It's a transitional album, flawed to be sure, and their worst album (at least until the Apple Venus cd crapfests were released), but it has it's charms. Caveat emptor. BTW the bonus tracks are all better than the songs on the actual album.
it took a long time.......2005-05-31
i sold this back twice. i bought it on cassette used and ported it around with me in my car. "great fire" and "love on a farm boy's" nothwithstanding, this takes a long time to sink in. once its sunk, however, you'll be beatifully bogged. not as lugubrious and pastoral as any number of persnickety XTCites maintain, not as majestic and etherally lovely as "Skylarking"--
as essential, however, as "Black Sea" or "Oranges and Lemons".
get it, kittens & cats.
Average customer rating:
- Pure beauty
- WHAT A GIFT!
- Incredible voice - Incredible CD
- The Best
- Charlotte is NO match...
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Pure
Manufacturer: Decca
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- Hayley Westenra
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ASIN: B0000TCP9A
Release Date: 2003-11-10 |
Tracks:
- Across the Universe of Time
- Never Say Goodbye
- Beat of Your Heart
- Pokarekare Ana
- Who Painted the Moon Black?
- River of Dreams
- Benedictus
- Hine E Hine
- Dark Waltz
- Amazing Grace
- My Heart and I
- In Trutina
- Heaven
- Wuthering Heights
- Pokarekare Ana [*] - Russell Watson, Hayley Westenra
Tracks:
- Silent Night [*]
- Away in a Manger [*]
- Mary Did You Know? [*]
- Mummers' Dance [*]
Album Description
A major artist in her native New Zealand, with a performance portfolio that includes the Royal Philharmonic Orchestra & Russell Watson. Hayley's voice so inspired New Zealand opera diva Dame Malvina Major she offered to tutor her. The first edition of this album was one of the fastest selling records in the classical genre of all time, surpassing even Charlotte Church! This limited edition includes one bonus track on disc one, 'Pokareare Ana' (duet with Russell Watson), & a bonus four track Christmas CD featuring, 'Away In A Manger', 'The Mummers' Dance', 'Mary Did You Know?', & 'Silent Night'. 19 tracks in all. Decca. 2003.
Album Details
Limited Edition Version of the Debut Album from New Zealand Singer Hayley Westenra Comes with a Bonus Disc featuring Four Christmas Songs, Including a Version of the Loreena Mckennitt Song "The Mummer's Dance". Also Includes "my Heart and I" which Does Not Appear on the USA Version.
Customer Reviews:
Pure beauty.......2005-09-06
Ever since Charlotte Church turned into a tabloids' darling and a wannabe pop star, there's been a gap opened for a young, sweet-faced soprano. The best bet on filling it seems to be Hayley Westenra, a young singer/dancer from New Zealand.
The result: "Pure," an album that is reminiscent of early Sarah Brightman, back when she did folk songs and showtunes. Westenra sticks close to her classical sound with songs like the delicate "In Trutina" and the traditional New Zealand song "Pokarekare Ana," which is rendered with the backing of a a rather muddled male chorus and some swelling strings.
However, Westenra doesn't neglect more modern songs, and she does well in classical pop as well as straightforward classical. The big difference seems to be a bit of synth and a delicate guitar melody, in songs like the charming "Beat of Your Heart" and dreamy "Why Painted the Moon Black?" It's a smooth, thoroughly sweet crossover effect.
Westenra also eschews the usual round of classical-pop songs, like "Nella Fantasia." I love that song, but it's been done so many times. Instead, she opts for Maori lullabies, Vivaldi ballads, the neglected "Mummer's Dance" and the orchestral cathedral grandeur of "Benedictus." She even covers Kate Bush's "Wuthering Heights," adding a modern feel to the finale.
That is not to say that every choice is an excellent one. "Wuthering Heights" has Westenra trying to sound more Bush-ian, while "Amazing Grace" is too simple vocally. Aside from those, her choices of song are excellent -- rich, uplifting and beautiful, and backed by a wide range of orchestral musicians, especially the strings.
There is also an accompanying EP, in which Westenra covers four Christmas ballads, and does them all justice. Her vocals are well suited to the dignified lyrics of songs like "The Mummer's Dance" and "Silent Night," although a bit less for the still-lovely "Mary Did You Know" and "Away in a Manger."
Her vocals themselves are not operatic, but they are strong, clear and sweet, without pretensions or dramatic flourishes. The effect is stunning, more given to magic and sweetness than to keeping to classical standards. Since this was recorded when Westenra was only sixteen, one wonders how good she'll be in ten years.
Despite comparisons to Charlotte Church, Hayley Westenra is more like Sarah Brightman -- a sweet-voiced singer, straddling the fence between classical and pop. An enchanting experience.
WHAT A GIFT!.......2004-12-20
I RECEIVED THESE 2 CDS AS A GIFT AND I LISTEN TO THEM FREQUENTLY. HER PERFORMANCE WITH RUSSELL WATSON (ON DVD)ON HIS TOUR IS WONDERFUL. I CAN'T WAIT FOR A NEW ALBUM. WOULD LIKE TO GET HER NEW SONG, BRIDAL BALLAD, FROM THE SOUNDTRACK OF THE MERCHANT OF VENICE
Incredible voice - Incredible CD.......2004-04-29
I recently saw Hayley on TV and had to immediately buy this CD. Her voice is so clear and pure, and her songs are filled with lyrical emotion.
It is an absolutely incredible CD that any music lover should have in their collection. My favorite song is Wuthering Heights.
The Best.......2004-04-27
Her album is the best, voice of an angel.......you can totally relakes to her music.
Charlotte is NO match..........2003-12-15
Hayley is just phenomenal. There is no doubt that she surpasses every other female artist in her genre. This CD is astonishing. My two favorite songs are "Heaven" and "Wuthering Heights". The first Hayley Westenra song I ever heard was "Heaven". It would not be the last. Her voice is like that of an angel. She has a smooth, serene sound, and she has an incredible range. If you want a more classical sound, you want her. It's not that gaudy stuff that people generally think of. This stuff has a beat... and it's not pumping with bass. If you're a fan of Sarah Brightman, Josh Groban, Charlotte Church, or Mario Frangoulis... try Hayley Westenra, you won't regret it. I just can't wait 'til she comes to the states... that'll be a good day. She has a few Italian songs, but she's not heavy on the foreign stuff like some of the other artists of Opera / Classical. She's got a wonderful voice for a little girl... I'm a huge fan, Hayley! You roped me in, in about 2 minutes time!
Average customer rating:
- This SACD is very good
- Interesting and good music
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Celtic Spectacular
Erich Kunzel , and Cincinnati Pops
Manufacturer: Telarc
ProductGroup: Music
Binding: Audio CD
General
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Similar Items:
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ASIN: B00006771B
Release Date: 2002-04-30 |
Customer Reviews:
This SACD is very good.......2007-07-20
All of the music this SACD is very good. I like very much of the celtic music.
Interesting and good music.......2007-01-26
A good music ,good sonics.
I particularly enjoyed some traks such as No. 4 in which James Galway plays but also no. 6 and 9 and the others.
Average customer rating:
- Flying under the radar...
- Transitional XTC album
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Mummer
XTC
Manufacturer: Virgin
ProductGroup: Music
Binding: Audio CD
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ASIN: B00005ASH4
Release Date: 2001-08-07 |
Tracks:
- Beating Of Hearts
- Wonderland
- Love On A Farmboy's Wages
- Great Fire
- Deliver Us From The Elements
- Human Alchemy
- Ladybird
- In Loving Memory Of A Name
- Me And The Wind
- Funk Pop A Roll
- Frost Circus
- Jump
- Toys
- Gold
- Procession Towards Learning Land
- Desert Island
Album Description
Japanese 24-bit remastered reissue of 1983 album. Packaged in a miniature LP sleeve. Includes the six bonus tracks 'Frost Circus', 'Jump', 'Toys', 'Gold', 'Procession Towards Learning Land' & 'Desert Island'.
Album Details
Digitally remastered Japanese version in a limited LP style slipcase.
Customer Reviews:
Flying under the radar..........2001-08-28
It's rarely mentioned by fans as an essential purchase, but this xtc collection has always been one of my favorites. Mummer is unassuming - - it doesn't smack you in the face and scream "I am important." Its charms instead lie waiting patiently to be discovered. Aside from the songs mentioned in an earlier review, "Ladybird" and "Me And The Wind" are outstanding. And among the bonus tracks, "Desert Island" and "Gold" are delights. "Elements" sounds as freakishly astonishing today as it did the first time I heard it.
Transitional XTC album.......2001-05-31
Mummer is the Rodney Dangerfield of XTC albums; it has rarely gotten either accolades or respect it deserves. While Mummer is far from a perfect album, it has a number of strong individual moments that demonstrate the XTC creative flame hadn't dimished but just needed fresh fuel to burn bright again. Written and recorded after Andy Partridge's famous on stage breakdown, the album is both a step forward in terms of the band's sound and a retreat to safer territory. While it lacks much of the thematic and musical bite of English Settlement, Mummer was the band's most melodic album to date.
Beating of Hearts, Love On A Farm Boy's Wages, Great Fire, Wonderland, Deliver Us From The Elements and Funk Pop A Roll stand with the best songs Andy Partridge and Colin Moulding have written. They also hint at the stylistic changes and challenges the band would embark upon with later albums. The one track that doesn't fit on the album is the last tune Funk Pop A Roll. It's a great song but doesn't quite fit the mood of the album. Partridge visits the same themes as Elvis Costello did on his classic Radio Radio with equal power and venom.
The artwork on this reissue is comparable to the original cardboard sleeve of the vinyl record. Ian Cooper has done a great job on remastering this album (although to be fair the previous verison sounded pretty darn good as well). There are a few drawbacks--the Japanese lyric insert is pretty accurate and very good but the type is too light and too small (at least for these eyes) compared to the booklet with the previous version. With the extra $ spend on this limited edition import you'd expect better.
It's easy to see why Mummer was overlooked when it was first released; it broke with the "traditional" XTC sound cemented on English Settlement. Mummer still deserves a place in anybody's collection despite flaws.
Average customer rating:
- Like taking a scented bath in sheer symphonic sound...
- Pure Orchestra
- Tesh, a savior..... maybe, just maybe
- Did not reach its fullest potential
- Uplifting
|
Pure Orchestra
Manufacturer: Garden City Music
ProductGroup: Music
Binding: Audio CD
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Meditation
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- The John Tesh Project: Pure Movies 2
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ASIN: B0000560S9
Release Date: 2001-01-16 |
Tracks:
- Book of Days
- After the Sunrise
- Picture This
- Silk Road
- Song for Jennifer
- Marching Season
- Watermark
- Longing / Love
- The Mummer's Dance
- Dancin' In The Stars
- Havana
- Angel Eyes
- Blue
Amazon.com
The thinking behind Pure Orchestra is as follows: select 11 familiar melodies composed by New Age-related artists, arrange them for a 60-member orchestra, then hope something special happens. Alas, nothing much does. This installment from John Tesh's music factory is a decent, well-intentioned effort that may find fans among listeners drawn to symphonic renditions of pop music. Yet for anyone who holds dear the compositions addressed on Pure Orchestra (Enya's "Book of Days," Jim Brickman's "Picture This," "Marching Season" by Yanni, and so on), these lightweight, soundtrack-like interpretations will probably only make you long to hear the originals. Tesh's role here is only as a producer, not a performer, though he does include two original, though uneventful, pieces of his own ("Song for Jennifer" and "Blue"). Kenny G's "Havana" sounds as though its re-creation was being handled by 101 Strings. Meanwhile, the interpretations of two Yanni tracks pale compared to what can be found on Live at the Acropolis, and truly affecting solo pieces such as Brickman's "Angel Eyes" and "Longing/Love" by George Winston gain nothing by orchestral treatment. Sometimes it's better to leave well enough alone. --Terry Wood
Album Description
Lose yourself in a dynamic swirl of strings, horns and percussion as performed by a 60-piece Symphony Orchestra! Powerful melodies transform 13 memorable songs from the world's most popular new age composers into fully orchestrated, symphonic
Customer Reviews:
Like taking a scented bath in sheer symphonic sound..........2004-12-09
This album comes in handy when you want to take a break from all those Mancini, Bacharach, John williams etc. reissues. The program is drawn from compositions of top New Age artists all arranged for a sixty piece orchestra. The arrangements are quite weighty for the most part with a lot of bravado during the big moments. Strings breeze from speaker to speaker, with glissening brass and horns throughout. Yanni, Chip Davis, and Tesh himself have all used orchestras extensively. Keep in mind
John Tesh does not perform on the album; he produces and had a hand in choosing the selections. One does not have to be a New Age fan to enjoy this disc; in fact I was not even familiar with most the compositions. When your in the mood for a semiclassical atmosphere this will fit the bill. Add a star if you think this album will inspire you to pursue more on the original artists.
Pure Orchestra.......2004-08-11
I loved it! I enjoyed every piece on the album. I have played it several times and have enjoyed just as much each time. I bought a copy for my Sister & Brother-in-law.
Tesh, a savior..... maybe, just maybe.......2003-07-31
If you are looking for some powerful and great new age music, and who is, this disc is not for you. i feel like i should be crossing a finish line in the olympics every time i hear tesh. to call the music corny would be the greatest compliment, and accomplishment for tesh to this day. much worse words are needed to truely describe the music of the infamous, john tesh. now, if you dont take my word, and you actually go through with the purchase of this cd, please, please, make sure your running shoes are laced, be sure to have plenty of water and run that mile. make sure there is something for you to run through at the end of the mile, and time it so a big orchestra stab hits at that moment. well, i dont care for tesh, but i am looking very much forward to the day when tesh, hasselhoff, kevin bacon, keanu reeves (sp) & william shatner all join forces to create a monster, star-laden group, that all sorts of people will buy, even though it truely smells of week old britches that have been soiled and sitting in the sun.
Did not reach its fullest potential.......2003-01-04
I hate to be the only partly dissenting review so far (taking a deep breath), but here goes:
This is a wonderful album in concept, but earns about a C+ in execution. The song selection is wonderful - truly some of the best melodies from the modern "new age" genre. (I agree with John Tesh in his liner notes: "...'new age' music never really gets much respect as a musical genre. It's a shame, because I believe these melodies to be strong and vital.") Unfortunately, this album may not advance the "new age" genre's reputation as he (or I) had hoped.
It is vital to note that John Tesh didn't do the arranging or orchestrating on this album. One can almost immediately hear it doesn't have his trademark lush, full sounds. Arranger, orchestrater, and conductor J. Eric Schmidt didn't take full advantage of his source material. Most of his arrangements sound thin, especially considering the intent was to fill-out the songs with a 60 piece orchestra. Almost every piece sounds rushed and too staccato. There's no hallmark fermatta-type chords one can hang on to and truly luxuriate in.
Though I do enjoy a few pieces on this album, the tracks I'm most disappointed in are the songs with which I'm most familiar. A couple of examples: Jim Brickman's "Angel Eyes", normally a very pensive and peaceful piece, is so fast it sounds like the conductor just couldn't wait to get out of the studio. Enya's "Book of Days" starts out impressively, but again, there's an underlying rushed feeling and Schmidt changes some of the original chords in the chorus that sound like either lazy arranging or mistakes. The horns in the 2nd and 3rd choruses sound really frail, almost pathetic.
Ultimately, this is a collection of great songs that under poor management falls flat and short of its grander intent. One can enjoy it simply because the skeletons of each piece is so strong. The fleshing out leaves something to be desired.
Uplifting.......2001-10-20
This is the album I selected to be played around the clock in the hospital room of a dear friend who was in a coma. Every selection is uplifting, the melodies and instrumentation beautiful. There are no howling wolves, crashing waves, or dripping water...just music that makes you feel good all over. I am buying it for my dad who is a classical music purist (distrusts the contemporary composers.) It will convert him immediately!
Average customer rating:
- Brilliant songwriting and studio wizardry.
- Waited A Long TIme For This One
- "Color TV" finally
- XTC's poorest effort, a flawed transitional album from touring band to studio project
- it took a long time
|
Mummer
XTC
Manufacturer: Geffen Records
ProductGroup: Music
Binding: Audio CD
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Similar Items:
- The Big Express
- Black Sea
- Drums and Wires
- English Settlement
- Nonsuch
ASIN: B000000OS8
Release Date: 1991-03-19 |
Tracks:
- Beating Of Hearts
- Wonderland
- Love On A Farmboy's Wages
- Great Fire
- Deliver Us From The Elements
- Frost Circus
- Jump
- Toys
- Gold
- Procession Towards Learning Land
- Desert Island
- Human Alchemy
- Ladybird
- In Loving Memory Of A Name
- Me And The Wind
- Funk Pop A Roll
Amazon.com
Mummer, from 1983, was the first fruit of the British pop combo's "pastoral" period, but merely proved to be the inaugural chapter in XTC's mercifully brief midlife crises. A commercial flop, stalling outside of the U.K. Top 50--a major setback considering the bridgeheads established in both the British and American charts by the preceding Black Sea and English Settlement albums--Mummer was considered something of an artistic disappointment at the time. Even so, any record that contains such moments of delicious rural innocence as the folksy "Love on a Farmboy's Wages" ("shilling for the fellow who brings the sheep in") or the mangled, chamber orchestra pyromania of "Great Fire" is worth a listen, while the addition of several alternately odd and poppy B-sides only adds to the intrigue. The poorer cousin of the subsequent Skylarking, perhaps, but well worth reassessing now that time has passed. --Kevin Maidment
Album Description
Remastered reissue of 1983 album. Virgin Records. 2001.
Customer Reviews:
Brilliant songwriting and studio wizardry........2006-07-21
In 1982, after a collapse on stage, Andy Partridge pulled the plug on XTC's touring and the band entered the studio to record their sixth album, 1983's "Mummer". Early in the sessions, drummer Terry Chambers quit the band (contributing only to three songs-- "Beating of Hearts", "Wonderland" and b-side "Toys"), leaving Partridge, Colin Moulding and Dave Gregory to soldier on as a trio (and with session drummer Peter Phipps). The freedom from touring and from any notions of having to play this material on-stage allowed the band to begin to experiment with the studio as a tool, and with producer Steve Nye on hand (who had recently helped Japan produce their masterwork and final album in "Tin Drum"), the band put together an album that far outshines everything they had done before.
The drastic changes are apparent right from the onset-- "Beating of Hearts" shows a level of detail and arrangement that was totally absent, even from the material on "English Settlement"-- Middle Eastern-inspired strings doubling and supporting Partridge's thick vocal, skanking guitars and tribal drums, hints at raga... this is something completely unprecedented. Likewise, "Great Fire" with its screeching sax and ragged guitars, synth-laden tension piece "Deliver Us From the Elements" and grunting, groaning, throbbing avant-rock of "Human Alchemy" all point to a band pushing and exploring.
When XTC sticks to more conventional sounds, their work is still detailed and fantastic-- Partridge's "Love on a Farmboy's Wages" is a fine example. Among the best material he's ever written, it's insistent acoustic guitars and muted drums (the latter apparently inspired Chambers' leaving the band) provide a support for Partridge's voice, which manages anxiety, desperation and hope all together. A handful of other great pop songs continue to fill out the album (Moulding's synthy "Wonderland", Partridge's lovely "Ladybird") and help prevent the distinct lack of subpar material that seemed evident in most of the earlier XTC albums. Even the songs that aren't quite as good as the rest ("Me and the Wind") are still quite intriguing and very listenable.
This reissue finds the album remastered and the depth of the arrangements and productions really shine. In addition, it's augmented by no less than six b-sides from the era. It's actually quite amazing some of these tracks didn't make the album-- four of them are pop songs similar in feel to the album tracks. Of particular note are "Jump", a delicate little pop song with an unnervingly catchy chorus and "Desert Island", a tropical, breezy song about a castaway in paradise, featuring a superb arrangement of growing vocal harmonies and a honking accordian lying over acoustic guitars and a slithering bass. The album also includes two ambient instrumentals, one of them is nice enough, though not particularly noteworthy ("Procession Towards Learning Land"), the other is a simply fantastic array of rising and falling synthesizers layered on top of each other. Fans of Brian Eno's work with find this brilliant.
One thing I have left out in talking about this is that as fantastic as the record is, it's probably not a good introduction to the band-- it can be a bit more quirky than can be easily digestable, nonetheless, once one is familiar with XTC, this is definitely one worth seeking out-- it's among the best in their catalog. Highly recommended.
Waited A Long TIme For This One.......2006-01-24
By 1983 I was sold on XTC. I anxiously awaited each new release. After several promised release dates that never came about it finally landed in June 1983. It is my understanding that this one almost did not get released in the U.S and all you need to do is listen to the lyrics of "Funk-Pop-A-Roll" to find out why. If anyone thought 1982's "English Settlement" was out of steps with the times imagine this release. For the most part a dark, brooding record even though it has a pastoral feeling. Certainly the single "Wonderland", a beautiful keyboard driven ballad from a faceless ordinary English Band was certainly not going to go anywhere with record buyers more focused on what Boy George's new look would be. Such deep songs as "Human Alchemy" which likens the slave trade to gold trade and the forementioned "Funk-Pop-A-Roll" a scathing attack on the hand that feeded XTC, the music industry, were brilliant but not many except for us rabid XTC fans were listening. For those of us rabbits who were not interested in getting fixed up, with our musical feed, or anyone selling us stuff we really did not need, thank goodness XTC was there, and that they did not die from being poisoned by the industry.
"Color TV" finally.......2006-01-08
At First this was kind of disappointing after hearing epics like "English Settlement" and "Apple Venus" and "Skylarking", but this is actually quite good, sometimes even on par with the three wonders stated before.
The CD clocks in at over an hour with the several bonus tracks from singles released from this album and two really different songs from a series of experiments Andy did, these are "Frost Cirus" and "Procession Towards Learning Land". These songs sound pretty cool, but aren't the better part of the album. The B-sides are pretty amazing with the three catchy songs that could have been A-sides "Jump", "Toys", and "Gold". "Desert Island" is also an excellent song about Britain...."Don't Rescue me...No! No! no-ohhoh"!
The actual original Mummer tracks shine as well AFTER A COUPLE LISTENS, the singles "Love on a Farmboy's Wages", "Great Fire", and maybe even "Me and the Wind"(it is too far out in the album though, you may want to quit listening before then) will hook you on first listen. "Love on a Farmboy's Wages" was definitely the first friendly song in the batch on first listen with its catchiness and wit. "Great Fire" has a great drama to it that anyone will like, it is a wonderful tune. Colin's single "Wonderland" has really cheesy production, so I had to skip it(it was so strange). But it is actually a good song and is more than listenable after a few listens to Mummer. The opening tune "Beating of Hearts" is a powerful song that is almost romantic and shows the power of humans that separates us from the animals....emotions and "Love"!
It is no wonder Terry wanted to leave XTC during this album, it is a dfferent direction for XTC...just about a 180 turn. That doesn't mean this is a bad album...by all means it was XTC maturing. The only song that is really similar to old XTC is the "Funk Pop a Roll" song, which is pretty awesome and funny. Again it is slower and the songs completely different like Colin's "Deliver Us From the Elements" is filled with backing vocals that sound like they are from a church choir. Andy's "Human Alchemy" is profound and sounds Afircan or something and is really controvesial...read other reviews here...it s a really good song with a message. On first listen though production-wise it may be too much to stomach, but it is one of my favorites on here now. "Lady Bird" starts off with Andy scat singing and turns out to be a most excellent pop tune.
A grand album with some questionable production, but that is the fun of the 80s. Recommended for XTC fans, unless you don't like quiet stuff.
XTC's poorest effort, a flawed transitional album from touring band to studio project.......2005-07-14
The band was in chaos when this was recorded. Andy Partridge couldn't play live anymore due to crippling stagefright and Terry Chambers, whose drumming largely characterized the XTC sound, decided to leave during the recording. Mummer's sound is analgous to a kind of retreat from the energies and nervousness of modern technological life (ie rock) into a romanticized, beatlesque kind of pop. A sound that is an aural reflection of Andy Partridge's retreat from the pressures of touring and music business chicanery. This is the first album where XTC went "pastoral" (code for wimpy), and while there are a few good songs on this album especially lyrically, for the most part it's unfocused and weak. XTC sound like they're grasping for a way to handle the change in muscal direction and just really aren't quite sure what to do. Consequently Mummer sounds more like a collection of demos than a finished album by a band with five albums (three of them brilliant) in their discography. The fault lies in the fact that XTC ceased to be a real band. Terry Chambers plays on only two songs and his drums, which were an integral part of the XTC sound, are very missed.
Mummer was a HUGE disappointment when it came out and I thought at the time that the band was over, thankfully I was wrong. Yet with the benefit of hindsight, I find this album to be better than I thought at the time. No it doesn't sound like XTC due largely to Terry Chambers absence. It's a transitional album, flawed to be sure, and their worst album (at least until the Apple Venus cd crapfests were released), but it has it's charms. Caveat emptor. BTW the bonus tracks are all better than the songs on the actual album.
it took a long time.......2005-05-31
i sold this back twice. i bought it on cassette used and ported it around with me in my car. "great fire" and "love on a farm boy's" nothwithstanding, this takes a long time to sink in. once its sunk, however, you'll be beatifully bogged. not as lugubrious and pastoral as any number of persnickety XTCites maintain, not as majestic and etherally lovely as "Skylarking"--
as essential, however, as "Black Sea" or "Oranges and Lemons".
get it, kittens & cats.
Average customer rating:
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Souloranismstate
ProductGroup: Music
Binding: Audio CD
General
| Dance & DJ
| Styles
| Music
Dance & DJ
| Imports
| Stores
| Music
ASIN: B000GLKL70
Release Date: 2006-09-26 |
Average customer rating:
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Mummer's Dance
Loreena Mckennitt
ProductGroup: Music
Binding: Audio CD
Similar Items:
- An Ancient Muse
ASIN: B00004ZN5L |
Tracks:
- Marrakesh Night Market(Live Version)
- The Dark Night Of The Soul(Live Version)
- The Mummers' Dance(Single Version)
- The Mummers' Dance(Album Version)
Album Description
Two mixes of her new agey/ Celtic sounding hit (SingleVersion & Album Version), plus live versions of 'MarrakeshNight Market' & 'The Dark Night Of The Soul', both recordedin San Francisco at the Palace of Fine Arts on May 19, 1994.Slimline jewel case. 1997
Average customer rating:
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Mummer
XTC
Manufacturer: Virgin
ProductGroup: Music
Binding: Audio CD
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ASIN: B000024ZU2 |
Average customer rating:
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Strawberry Fair & other European folksongs
Manufacturer: Fermate Records
ProductGroup: Music
Binding: Audio CD
Chamber Music
| Forms & Genres
| Classical (c.1770-1830)
| Historical Periods
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General
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ASIN: B000028E9X
Release Date: 2000-01-25 |
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