The Crossing

Editorial Reviews
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A former member of the late '70s English punk band the Skids, guitarist/vocalist Stuart Adamson went to Scotland in 1982 to form a group whose goals were to regain the idealism and passion he felt the punk/new wave movement had lost through commercialization. Tapping U2's producer, Steve Lillywhite, then known for his highly textured, expansive sound, Adamson realized his vision on Big Country's 1983 debut. Propelled by the hit single "In a Big Country," and featuring such rousingly evocative fare as "Fields of Fire" and "Harvest Home," the group's decidedly Scotch-Irish tone prefigured the Celtic music boom by a good 10 years. --Billy Altman --This text refers to the Audio CD edition.

The Crossing
Average customer rating: 5 out of 5 stars
  • TO INFINITY AND BEYOND
  • Extra Tracks Make a Great Record Greater
  • One of the most influential and defining albums of the 80s
  • Timeless, Fat Guitar Sounds
  • Great trip back in time!
The Crossing
Big Country
Manufacturer: Island / Mercury
ProductGroup: Music
Binding: Audio CD

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ASIN: B00005Y1ZE
Release Date: 2002-02-05

Tracks:

  1. In A Big Country
  2. Inwards
  3. Chance
  4. 1000 Stars
  5. The Storm
  6. Harvest Home
  7. Lost Patrol
  8. Close Action
  9. Fields Of Fire
  10. Porrohman
  11. Wonderland
  12. All Fall Together
  13. Angle Park
  14. The Crossing
  15. Chance (re-recorded single version)

Customer Reviews:

5 out of 5 stars TO INFINITY AND BEYOND.......2007-07-25

THIS ALBUM WILL BLOW YOUR KILT UP! YOU HAVE NEVER HEARD SONGS THIS POWERFUL! VERY MOVING HEARTFELT LYRICS ABOUT THEIR COUNTRY AND CULTURE. THIS IS A MUST HAVE IF FOR NO OTHER REASON THAT NOTHING ELSE OUT THERE IS IN THE SAME STYLISTIC CATEGORY. THEY LITERALLY BANG THIS MUSIC OUT ON THE "CROSSING"

5 out of 5 stars Extra Tracks Make a Great Record Greater.......2007-05-01

This is a great album and with the addition of the extra tracks is even better. Particularly fitting is the inclusion of " The Crossing" which is one of the best on the album. I originally owned the tape format and pretty much wore it out. Big Country came along at an interesting time in my life. I was questing for great guitar music and finding bland over produced hair-metal. Then bands like Big Country, The Alarm and U2 came along and showed that you could have unique guitar based rock and still have substancial lyrical content. This album has many stand out songs beyond, "In a Big Country". Chance is very slow and melodic but has a killer guitar riff that is worth listening to the entire song. Close Action opens with some really great bitting guitar work. Porrohman is the best song on the album and a truly amazing blend of rock and traditional music. I really like much of their work after this album but this is the recording that really defines Big Country.

5 out of 5 stars One of the most influential and defining albums of the 80s.......2007-02-02

The Crossing is one of the most influential and defining albums of the 80s. The guitars speak for themselves in this album. Includes the instant classic "In a Big Country". Adamson and company delivered a work of art with this CD.

This CD also includes the songs from the Wonderland EP as bonus tracks (on the same CD) after the original Crossing songs.

Highly recommended!

5 out of 5 stars Timeless, Fat Guitar Sounds.......2007-01-05

This is a nearly perfect work of great guitar sounds, song writing and band chemistry. The ebows, the flange, the upfront basslines, and pummeling drums, plus the harmonies all combine to make a sum wayyyy bigger than the parts. Sure, you know the tune "In a Big Country", but check out the masterpieces "Porrohman" and "The Crossing"-- these songs are rock symponies with movements that will take you to unexpected places. Sure, you know the mock-bagpipe sounds, but the band also evokes asian textures on "Chance". Lyrically it's very poetic. Sadly, this is something lost in later releases, along with the incredible harmonies found on this work and Steeltown. Finally, this should not be considered a work just of Big Country, but also of Steve Lillywhite. You'll hear things in common (especially drums) on this disc to work he produced for the likes of U2, Coldplay, Peter Gabriel, The La's, Morrissey, The Pogues, Psychedelic Furs, The Rolling Stones, Simple Minds, XTC, etc.


5 out of 5 stars Great trip back in time!.......2006-11-10

This is a great cd that not only takes you back to the eighties but allows you the ability to enjoy the old days of good music.
The Essential Elmer Bernstein Film Music Collection
Average customer rating: 4.5 out of 5 stars
  • Sad, Really Sad
  • An excellent movie themes antology by ELMER BERNSTEIN
  • Excellent
  • Great Film Music
  • Fun, Powerfull music
The Essential Elmer Bernstein Film Music Collection

Manufacturer: Silva America
ProductGroup: Music
Binding: Audio CD

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  5. John Barry: The Collection

ASIN: B0007XTQ14
Release Date: 2005-06-07

Tracks:

  1. The Magnificent Seven
  2. To Kill A Mockingbird (Suite)
  3. The Buccaneer (Overture)
  4. Walk On The Wild Side
  5. An American Werewolf In London (Metamorphosis)
  6. The Age Of Innocence (End Titles)
  7. The Comancheros
  8. Ghostbusters
  9. Heavy Metal (Taarna's Theme)
  10. Johnny Staccato
  11. True Grit (Rooster Cogburn/A Warm Wrap-Up)
  12. Hollywood And The Stars
  13. Zulu Dawn (River Crossing)

Tracks:

  1. The Great Escape
  2. The Man With The Golden Arm
  3. Far From Heaven
  4. The Sons Of Katie Elder
  5. Airplane (Suite)
  6. The Shootist (Main Title)
  7. Hawaii (Overture)
  8. The Birdman Of Alcatraz (Finale)
  9. The Hallelujah Trail (Overture)
  10. The Bridge At Remagen
  11. Thoroughly Modern Millie (Sky-Hi)
  12. The Scalphunters
  13. The Ten Commandments (Overture)

Album Description

*A specially priced 2CD set with over 110 minutes of some of the greatest film music in the history of cinema.

*New digital recordings in spectacular and sound performed by the acclaimed City Of Prague Philharmonic Orchestra and National Youth Jazz Band.

*Includes world premiere recordings from "The Birdman Of Alcatraz," "Thoroughly Modern Millie," "Airplane!" and "An American Werewolf In London."

*In 2004 the world of cinema lost one of the most iconic figures in film composing. In a career that spanned half-a-century and over 250 films, Elmer Bernstein was responsible for writing the music to many of the greatest and most loved movies of all time ranging from "The Ten Commandments," "The Magnificent Seven" and "The Great Escape," through to "True Grit" and "Airplane!" This collection has been lovingly created and compiled as a tribute to a genius and true master of the art of film scoring.

Customer Reviews:

1 out of 5 stars Sad, Really Sad.......2007-05-13

These CDs don't meet the standards that I expect from Elmer Bernstein's wonderful film music.
*It's just Boring*
The ensemble doesn't have the energy one would expect to play "The Magnificent Seven" and "The Man with the Golden Arm". I think the City of Prague and National Youth Jazz Orchestras were bargain orchestras used to make an inexpensive CD set of one of my favorite film composers. The conducting and arrangements were what made this an obviously bad album.

5 out of 5 stars An excellent movie themes antology by ELMER BERNSTEIN.......2007-05-10

Silva Screen Records, presents this antology of the music from the late great composer/conductor ELMER BERNSTEIN, who supervised this recording just before die.
Played the The City of Prague Philharmonic Orchestra, and conducted by his one time assistant James Fitzpatrick
Recorded in HDCD and Dolby Surround

5 out of 5 stars Excellent.......2007-04-22

it's unfortunate that more tracks weren't able to be recorded as theree was a good 15-20 minutes of space remaining on both discs. Regardless, this is an excellent sampler, especially in conjunction with Varese's Bernstein sampler including rare stuff like the Black Cualdron.


With regards to this silva set, these recordings range back to 1994, with Sons of Katie Elder and True Grit being recorded for a John Wayne CD and Bridge At Remagen for a CD of classic War themes. The Great Escape was also recorded for that CD, but producer James Fitzpatrick opted to record a new arrangement (same with Magnificent Seven). In '97, The Buccaneer for included on a Swashbucklers disc, while Heavy Metal was on the popular 'Space and Beyond' compilation. In '98, the world premiere recording of Airplane first appeared on a DISASTERS film disc. So while it may technically be the world premiere RECORDING it certainly is not the world premiere CD RELEASE of that recording. Ghostbusters was included on Space 3: Beyond the Final Frontier, the second followup to the popular 'Space and Beyond'. Fast forward to 2002 and 4 recordings first appeared on WAY OUT WEST: ESSENTIAL WESTERN FILM MUSIC COLLECTION VOLUME TWO, those being The Comancheros, The Hallelujah Trail, The Scalphunters and The Shootist. Man With the Golden Arm and Walk on the Wild are from Silva's JAZZ IN FILM cd.


The remaining tracks were all newly recorded for this release. They are of course the strongest tracks, seeing as the City of Prague Philharmonic has improved over time. I do wonder though why they did not include the older arrangements of Great Escape and Mag. Seven as bonus tracks.

I also recommend the simultaneously released '40 years of Film Music: Jerry Goldsmith' for another great set honoring a late great film composer.

4 out of 5 stars Great Film Music.......2007-03-09

This is a great recording of some of the best film music ever. From the
great westerns to the Theme from Airplane to music he did for television,
Bernstein was one of the greatest.

5 out of 5 stars Fun, Powerfull music.......2007-02-17

It's great! It brings back memories of my dad. He loved John Wayne and the old cowboys of the Magnificent Seven. But it's nice just to listen and relax (it's not all cowboy music).
Instruments of the Orchestra
Average customer rating: 4.5 out of 5 stars
  • Instruments of the Orchestra - Great Reference Material!
  • Beginner or Expert
  • Very Informative and Enjoyable
  • Frank's view
  • Excellent Intro for Those Not Familiar with the Orchestra
Instruments of the Orchestra
Various Artists
Manufacturer: Naxos
ProductGroup: Music
Binding: Audio CD

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ASIN: B00006O0NT
Release Date: 2002-12-03

Tracks:

  1. Overture To 'Tannhauser'
  2. Domna, Pos Vos Ay Chausida
  3. We Don't Merely Use Instruments, We Play On Them. And They Play On Us.
  4. Hungarian Dance No.7
  5. The Violin Is One Of The Most Tender And Beautiful Instruments Ever Invented.
  6. Violin Concerto In D Major (Adagio)
  7. But For A Long Time It Was Seen As The Instrument Of The Devil.
  8. The Soldier's Tale: Triumphal March Of The Devil
  9. The Manipulative Seductiveness Of The Gypsy Violin.
  10. Csardas Music
  11. The Violin And The Initiation Of Nature
  12. The Four Seasons (Spring, Mvt 1)
  13. Birds Are Again Evoked In The Second Concerto, Especially Music's Natural Favourite.
  14. The Four Seasons (Summer, Mvt 1)
  15. Like The Devil, The Violin Is A Master Of Disguise.
  16. Old Viennese Dance No.3 'Schon Rosmarin'
  17. The Menacing Sensuality Of Ravel's Tzigane: A Very Different Side Of The Violin:
  18. Tzigane
  19. Do We Now Have The True Measure Of This Instrument? Not Just Yet.
  20. Caprice No.24
  21. The Many Effects Of The String Tremolando: Brandenburg Concerto No.4 (Last Mvt)/From Joy To Fright/Quartettsatz In C Minor/The String Tremolo Practically Spells The World Agitato.
  22. Variations On A Theme Of Frank Bridge (No.7)
  23. Prokofiev's Tremolo In Romeo And Juliet Should Not Be Heard Just Before Bedtime.
  24. Romeo And Juliet: Act IV
  25. Vivaldi Use It To Illustrate The Shivering Of Travellers Crossing The Ice.
  26. The Four Seasons (Winter, Mvt 1)
  27. The Violin Muted
  28. Clair De Lune
  29. The Gentleness Of Muted Strings Persists Even When A Whole Orchestra Plays.
  30. Piano Concerto No.21 In C Major, K.467 (Slow Mvt)
  31. The Pizzicato Violin
  32. Pizzicato Polka
  33. In Prokofiev's Second Violin Concerto, The Accompaniment Is Pizzicato.
  34. Violin Concerto No.2 In G Minor (Slow Mvt)
  35. Varieties Of Pizzicato: Colas Breugnon (The People's Feast)/Now A Drier, Leaner, Hungrier Pizzicato. There's Not A Lot Of Comfort Here./Capriol Suite (Tordion)/The Use Of Pizzicato As 'Percussion'/Romeo And Juliet (Act I)/Mahler Used Pizzicato...
  36. The Planets (Mars - The Bringer Of War)
  37. The Technique Of Double-Stopping Enables The Violin To Play Duets With Itself./Sonata No.3 In C Major For Unaccompanied Violin (Fugue)/Now A Later Example Of The Same Technique
  38. Hungarian Dance No.4
  39. Double-Stopping Is A Standard Feature Of A Lot Of Folk Music.
  40. The Four Seasons (Autumn, Mvt 1)
  41. Now The Same Technique, But The Sound Might Have Come From Another World.
  42. Bolero
  43. Double-Stopping Can Only Approximate The Sound Of A Real Violin Duet.
  44. Cadenza To The Violin Concerto By Brahms
  45. Now Compare That With A Real Violin Duet.
  46. Forty-Four Duos (No. 1: Teasing Song)
  47. Another Duo By Bartok, Demonstrating The Violin's Rich Lower Register
  48. Forty-Four Duos (No.2: Maypole Dance)
  49. And Now What May Be The Most Beautiful Accompanied Violin Duet In History
  50. Concerto In D Minor For Two Violins (Largo)
  51. The Soul Of The Violin Is In Song; But What About This Weird Passage?
  52. Violin Concerto No.1 In D Major (Mvt 2)
  53. The Use Of Harmonies In The Orchestra Can Be Both Magical And Unsettling.
  54. Symphony No.1 'Titan' (Mvt 1, Opening)
  55. Tchaikovsky's Use Of Harmonics In The Sleeping Beauty Is Both Strange And Darling.
  56. The Sleeping Beauty (Act II, No.15: Entr'Acte)
  57. Ravel's Harmonics In Mother Goose Effect A Magical Transformation.
  58. Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
  59. Stravinsky's Harmonics In The Firebird Transport Us Almost Into Another World./The Firebird (Introduction)
  60. The Natural Upper Notes Of The Violins Have A Unique Emotional 'Grab'.
  61. Also Sprach Zarathustra (Of The Afterworldsmen)
  62. Still In Their Upper Register, The Violins Unleash The Energy Of A Young Colt.
  63. Variations On A Theme Of Frank Bridge (No. 4)
  64. Elsewhere, Britten Uses The Same High Register To Create A Very Different Mood.
  65. Four Sea Interludes (Dawn) From 'Peter Grimes'
  66. To End This Outing With The Violins, A Charming Little Elfin Dance
  67. Elfenreigen

Tracks:

  1. Introduction To The Viola
  2. Viola Concerto (Mvt 1)
  3. Khatchaturian Gets A Very Different Sound From It: Fuller, Fruitier, More Exotic.
  4. Gayane Suite No.1 (Armen's Solo)
  5. Very Nearly The Whole Of The Violin's Upper Register Is Also Available To The Viola.
  6. Passacaglia, Op.33b From 'Peter Grimes'
  7. The Viola Can Bring A Special, Rich Twanginess To Pizzicato That The Violins Lack./Don Quixote/Berlioz Drew Sounds From It That Retain Their Metallic Strangeness Even Today.
  8. Harold In Italy (Mvt 4)
  9. The Muted Viola: Intimate, Gentle, Poignant In Dvork
  10. Cypresses (No.9)
  11. The Massed Violas Of The Modern Symphony Orchestra In Mahler
  12. Symphony No.4 (Mvt 3)
  13. The 'Period' Viola In Bach
  14. Brandenburg Concerto No.6 (Last Mvt)
  15. The Cello: A Voice Of Unique Nobility
  16. Suite No.1 For Unaccompanied Cello (Prelude)
  17. Brahms And The 'Soul' Of The Cello
  18. Piano Concerto No.2 In B Flat Major (Mvt 3)
  19. Most Orchestral Composers Tend To Emphasize The Cello's Lower Register.
  20. Cantata 'Herz Und Mund Und Tat Und Leben', BWV 147 (Soprana Aria: Bereite Dir, Jesu)
  21. In The Time Of Beethoven The Cello Remained As Fundamental As Ever.
  22. Symphony No.3 'Eroica' (Finale)
  23. But The Cello Is Not Condemned To Spend Its Life In The Basement.
  24. Elfentanz, Op.39
  25. Not Only In Recital Showpieces Like That Is The Cello Is Used In Its Highest Register.
  26. The Protecting Veil (Opening)
  27. A Cello With An Identity-Crisis: The Pizzicato Flamencan
  28. Flamenco
  29. Double-Stopping In The Lower Reaches Of The Cello's Range
  30. Solo Suiet For Cello And Piano (Sardana)
  31. It's In The Middle Register That The Cello Really Comes Into Its Own.
  32. Oriental Dance, Op.2 No.2
  33. It Was To The Cellos That Beethoven Gave Two Of His Most Famous Themes./Symphony No.5 (Mvt 2)/Still More Famous Than That Theme Is This One From The Ninth Symphony.
  34. Symphony No.9 (Finale)
  35. Introduction To The Double-Bass
  36. The Carnival Of The Animals (The Elephant)
  37. But The Double-Bass Can Be Intensely Expressive And Graceful.
  38. Elegy No.1 In D Major
  39. The Range Of The Double-Bass Is The Greatest Of All The String Instruments/Allegro Di Concerto, 'Alla Mendelssohn'/And It's Also Capable Of Very Considerable Virtuosity.
  40. Capriccio Di Bravura
  41. Double-Bass Solos In Orchestral Scores Are Rare But Often Memorable./Symphony No.1 'Titan' (Mvt 3)/In His Third Symphony Mahler Makes A Very Different Use Of The Instrument./Symphony No.3 (Mvt 1)
  42. The Double-Bass Muted In Prokofiev/Lieutenant Kije Suite (Kije's Wedding)/In Another Work Prokofiev Uses The Double-Bass To Enhance The Winds./Romeo And Juliet (Act III)/And He Combines The Bass Clarinet With A Shivering Tremolo From The Double-Basses....
  43. Symphony No.5 (Mvt 3)/So Much For The Strings/On Now To The Winds

Tracks:

  1. The Antiquity And Magic Of The Flute
  2. Prelude A L'Apres-Midi D'Un Faune
  3. The Versatility And Agility Of The Flute
  4. Orchestral Suite No.2 In B Minor (Badinerie)
  5. The Flute In Fifteenth-Century Spain
  6. Sa'Dawi
  7. Other Flutes: The Bass And Alto
  8. Chamber Music No.II
  9. The Piccolo - Aptly Named
  10. La Naissance D'Osiris (Mvt 6)
  11. From A Piccolo Of The Eighteenth Century To One Of Its Descendants In The Twentieth
  12. Suite No.1 For Small Orchestra (Valse)
  13. A Variety Of Techniques
  14. Chamber Music No.II
  15. Flutter-Tonguing. But Tchaikovsky Got There Eighty Years Before.
  16. The Nutcracker (Act II, No.2: Scene)
  17. From The Transverse To The Vertical: The Baroque Recorder
  18. Recorded Suite In A Minor (Menuet II)
  19. An Unfamiliar, Early Vision Of The Instrument
  20. Naelden, Naelden
  21. The Bachian Oboe
  22. Cantata 'Ein Feste Burg Ist Unser Gott', BWV 80 (No.7: Duetto)
  23. Introduction To The Cor Anglais Or 'English Born'
  24. Symphony No.9 'From The New World' (Mvt 2)
  25. The Loneliness Of The Cor Anglais
  26. The Swan Of Tuonela
  27. The Cor Anglais Joins The French Horn In Haydn.
  28. Symphony No.22 'The Philosopher' (Opening)
  29. Introduction To The Oboe D'Amore, Beloved Of Bach - But Also Of Ravel
  30. Bolero
  31. The Clarinet Family: Boxing The Compass, From The Depths Of The Bass Clarinet.../The Egyptian (Violence)/...To The Raucous And Squealy.../Taras Bulba (The Death Of Ostap)/...To The Shrill And Complaining...
  32. Petrushka (No.8: Peasant With Bear)/...To The High Sprits Of A Playful Puppy./Symphonie Fantastique (Last Mvt)/And To The Downright Jazzy/Romeo And Juliet (Act II)
  33. As The High Clarinets Tend To Be Loud, So The Bass Tends To Be Soft:
  34. Gayane Suite No. 1 (Mvt 5)
  35. The Bass Clarinet Is Used By Most Composers Mainly As A Colouring Agent.../Petrushka (No.4: The Blackamoor)/...But It Does Occasionally Get A Whole Tune To Itself./Iberia (Almeria).
  36. The Range Of The Normal Clarinet Parts Goes Quite High...
  37. The Snow Maiden (Scene 5: Melodrama)
  38. ...And Quite Low.
  39. Peter And The Wolf (The Cat)
  40. The Clarinet As Concerto Soloist
  41. Clarinet Concerto In A Major (Rondo)
  42. But That's Not The Instrument Mozart Wrote It For; This Is:
  43. Clarinet Concerto In A Major (Rondo)
  44. Introduction To The Saxophone
  45. Hary Janos Suite (Mvt 4)
  46. The Soprano Saxophone Has Quite A Different Feel To It.
  47. L'Arlesienne Suite No.1 (Minuet)
  48. The Little Sopranino Sax Goes Even Higher.
  49. Bolero
  50. The Most Famous Use Of The Saxophone Is In An Orchestration By Ravel.
  51. Pictures At An Exhibition (The Old Castle)
  52. The Saxophone Can Be Quite Contagiously Good-Humoured.
  53. Sax-O-Phun
  54. The Puffa-Puffa Image Of The Bassoon
  55. Peter And The Wolf (Grandfather)
  56. The Bachian Bassoon, In Accompanimental Mode
  57. Cantata 'Weichet Nur, Betrubte Schatten' ('Wedding Cantata'), BWV 202 (Aria No.1)
  58. Bizet Leaves The Puffa-Puffa Image Out, Allowing The Bassoon To Sing./Carmen Suite No.1 (Les Dragons D'Alcala)
  59. And Ravel, Also In Spanish Mode, Does Likewise.
  60. Bolero
  61. The Bassoon As A Voice Of High Seriousness, Indeed Desolate Loneliness
  62. Symphony No.3 (Opening)
  63. The Eerie Bassoon In Its Highest Register
  64. The Rite Of Spring (Opening)
  65. Stravinsky Now Draws On Its Lowest Register, Lonely And Melancholy.
  66. The Firebird Suite (1919, Berceuse)
  67. The Bassoon As Concerto Soloist, Avoiding All Exaggeration
  68. Bassoon Concerto In G Minor (Finale)
  69. The Deep-Voiced Contra-Bassoon, As A Fairy-Tale Beast
  70. Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
  71. The French Horn Under Its Woodwind Hat
  72. Wind Quintet, Op.43 (Last Mvt)
  73. Now A More Prominent Role, In A Woodwind Quintet From An Earlier Era
  74. Wind Quintet In A Minor, Op.100 No.5 (Mvt 2)
  75. The Horn In Harmonious Blend With Strings In Another Quintet
  76. Horn Quintet, K.407 (Finale)

Tracks:

  1. The Trumpet As Virtuoso Soloist
  2. Brandenburg Concerto No.2 (Last Mvt)
  3. The Special Brillance Of Paired Trumpets
  4. Concerto In C For Two Trumpets, RV537 (Mvt 1)
  5. The Ceremonial Trumpet
  6. Fanfare For The Common Man
  7. Trumpets And Drums - An Incomparable Alliance
  8. Messiah (The Trumpet Shall Sound)
  9. The Versatility Of The Trumpet, From The Most Public To The Most Lonely
  10. Piano Concerto In F (Slow Mvt)
  11. The Trumpet As The Voice Of The City/An American In Paris/The Trumpet As Recruitment Officer/The Soldier's Tale (The March)/The Trumpet As Swaggerer
  12. Carmen Suite No.2 (Habanera)
  13. The Trumpet As The Voice Of Strength And Courage
  14. Carmet Suite No.2 (Toreador's Song)
  15. The Trumpet Muted/Petrushka (No.4: The Blackamoor)/Lieutenant Kije Suite (Opening)/The Trumpet As The Voice Of Weariness
  16. Billy The Kid
  17. The Trumpet As Character Actor
  18. Pictures At An Exhibition (No.6)
  19. The Trumpet As The Voice Of God
  20. Mass In B Minor ('Et Exspecto')
  21. The Birth Of The Trombone
  22. Aenmerckt Nu Hier
  23. The Birth Of The Brass As A Family
  24. Canzon 12 In Double Echo
  25. The Trombone In The Eighteenth Century
  26. Trombone Concerto In B Flat Major (Finale)
  27. The Tone Of The Tenor Trombone/Romance For Trombone And Organ/The Memorable Voice Of The Bass Trombone/Requiem (Mvt 2)/But The Bass Trombone Is More Than An Instrumental Bullfrog.
  28. Hosannah
  29. The Trombones Become Part Of The Orchestra.
  30. Symphony No.5 (Finale)
  31. The Wagnerian Trombone:/Overture To 'Tannhauser'
  32. The Trombone As Caricaturist
  33. Pulcinella (No.19: Vivo)
  34. The Trombone As Raspberry/Concerto For Orchestra (Intermezzo)
  35. The Horn And The Hunt
  36. Horn Concerto No.4 In E Flat, K.495 (Finale)
  37. The Challenging Horn Of The Baroque
  38. Abaris Ou Les Boreades (Menuet)
  39. The Scarcity Of First-Rate Players In Handel's Time
  40. Walter Music (Minuet 1)
  41. The Horn As Magician/The Firebird Suite (1919, Finale)
  42. Horns And The Sound Of Nobility
  43. Overture To 'Tannhauser' (Opening)
  44. The Special Sound Of The Horn In Its Higher Register
  45. Mass In B Minor ('Quoniam Tu Solus Sanctus')
  46. The Trumpet-Like Sound Of Massed Horns
  47. Symphony No.3 (Mvt 1, Opening)
  48. The Tuba - Unfairly Maligned?
  49. Symphony No.6 (Mvt 3)
  50. The Tuba Perfectly Cast By Ravel
  51. Pictures At An Exhibition (Bydlo)

Tracks:

  1. Introduction. And We Begin With A Bang.
  2. Fanfare For The Common Man/The Bass Drum On The Battlefields/Wellington's Victory, Op.91 (Opening)
  3. At The Opposite Extreme Is The Triangle.
  4. Piano Concerto No.1 In E Flat (Scherzo)
  5. Categories Of Percussion: Tuned And Untuned. The Side Drum
  6. Overture To 'La Gazza Ladra' - The Thieving Magpie (Opening)
  7. The Side Drum In An Effective But Unexpected Role/Clarinet Concerto (Mvt 1)
  8. The Tambourine. One Of The Oldest Instruments In The World
  9. Den Hoboecken Dans
  10. Even Older Is The Originally Oriental Gong.
  11. Ma Mere L'Oye - Mother Goose (Laideronette)
  12. No Single Instrument Can Match The Gong In Evoking The Breaking Of Waves./Passacaglia, Op.33b From 'Peter Grimes'/But Gongs Don't Have To Be Struck To Be Effective.
  13. Gymnopedie No.2
  14. The Cymbals Are Generally Discovered Early In Life./The Sanguine Fan/And They Do More Than Clash Together Loudly. They Can Be Clashed Together Softly./Studio Example: But They Needn't Be Clashed Together At All/Studio Example: They Can Be Lightly...
  15. Other Untuned Percussion Instruments Include The Whip.: Piano Concerto In G Major (Opening)/And Here Are No Fewer Than Twenty, Cracked By Tchaikovsky: The Nutcracker (Act I, Scene 5)
  16. More Versatile Than The Whip Are The Wood Blocks.../Studio Example/...Which Crop Up All Over The Place In Twentieth-Century American Music.
  17. Rodeo (Hoe-Down)
  18. Related To The Wood Blocks, By Sound, Are The Castanets./Jota Aragonesa/But The Castanets Were Also Used By Monteverdi Back In The Seventeenth Century.
  19. Scherzi Musicali (Damigella Tutta Belle)
  20. A Still Earlier Example From Fifteenth-Century Spain
  21. Yo M'Enamori D'Un Aire
  22. The Birth Of The Bongo
  23. Symphonic Dances From 'West Side Story'
  24. From The Streets Of New York To The Blacksmith's Shop/Il Trovatore ('Anvil Chorus')
  25. Desert-Island Decibels: Grand Canyon Suite (On The Trail)/Arcana
  26. From One Vegetable To Another: The Humble Squash, Or Marrow/Huapango
  27. Onwards To The Tuned Percussion. First, The Timpani
  28. Also Sprach Zarathustra (Introduction)
  29. But The Drum Roll Can Be More Effectively Frightening Than The Big Bang.: Symphony No.2 'Resurrection' (Mvt 3)
  30. Not One Drum Roll, But Many/Grand Canyon Suite (Sunrise)/Symphonie Fantastique (Last Mvt)
  31. Taking Advantage Of Tunability
  32. Music For Strings, Percussion And Celeste (Mvt 2)
  33. The Russian Composer Rodion Shchedrin Takes A Downward Turn./Carmen Suite (Changing Of The Guard)/Tuned, Yes; But For The Truly Melodic We Must Look Elsewhere.
  34. Introducing The Glockenspiel/Carmen Suite (Carmen's Entrance And Habanera)
  35. Saint-Saens And The Xylophone
  36. The Carnival Of The Animals (Fossils)
  37. Ravel And The Xylophone
  38. Ma Mere L'Oye - Mother Goose (Laideronette)
  39. Introducing The Marimba/Carmen Suite (First Intermezzo)
  40. Introducing The Vibraphone
  41. The Treasure Of The Sierra Madre (Narange Dolce)
  42. The Vibraphone Goes Russian.../Carmen Suite (Carmen's Entrance And Habanera)/...And Is Joined By The Marimba./Carmen Suite (Carmen's Entrance And Habanera)
  43. Introducing The Hungarian Cimbalom
  44. Folk Dances
  45. The Cimbalom And The Symphony Orchestra
  46. Hary Janos Suite (Mvt 3)
  47. Introducing The Tubular Bells
  48. Hary Janos Suite (Viennese Musical Clock)
  49. A More 'Up-Front' Approach From Rodion Shchedrin
  50. Carmen Suite (Introduction)
  51. But The Bells Can Also Make The Sinister Even More Sinister./Symphony No.7 'Sinfonia Antartica' (Mvt 1)
  52. Introducing The Celeste
  53. The Nutcracker (Dance Of The Sugar Plum Fairy)
  54. Magic, In The Use Of Collective Percussion
  55. Miroirs (La Vallee Des Cloches)
  56. Plucked Instruments: The 'Undercover Percussion'/Carmen Suite (Scene)
  57. A Prime Case In Point Is The Harp, Irresistible To The Romantics./The Nutcracker (Act II, No.1: Scene)/The Non-Solo Harp As An Integral Part Of The Orchestra/Hungarian Rhapsody No.1
  58. The Traditionally Subservient Role Of The Harpsichord In The Baroque Orchestra
  59. Brandenburg Concerto No.2 (Slow Mvt)
  60. The Piano: King Of The Tuned Percussion/Symphony No.3 'Organ' (Mvt 3)/And A Quarter Of A Century After That:
  61. Petrushka (Russian Dance)
  62. The Anti-Romantic Piano As An Integral Part Of The Orchestra
  63. Music For Strings, Percussion And Celeste (Last Mvt)

Tracks:

  1. Keyboard Instruments In The Orchestra - The Most Powerful Of Them All:
  2. Symphony No.3 'Organ' (Finale)
  3. But Things In Handel's Day Were Very Different.
  4. Organ Concerto In B Flat, Op.4 No.3 (Last Mvt)
  5. The Organ Is Difficult To Classify.
  6. An Unexpected, Organ-related Guest
  7. Concerto Pour Zampogna (Last Mvt)
  8. Peasant-Fancying... And A Touch Of The Roaming Cowboy
  9. Les Miserables (Drink With Me)
  10. Outside Artefacts And The Power Of Association
  11. Mahler's Sleighbells
  12. Symphony No.4 (Opening)
  13. A Roll-Call Of Some Unusual Guests/The Typewriter/Parade
  14. Chains, And More/Integrales/An American In Paris/Sandpaper Ballet
  15. Purpose-Built Oddities: Wind Machines/Symphony No.7 'Sinfonia Antartica' (Opening)
  16. Don Quixote (Variation VIII)
  17. National Calling Cards: The Guitar For Spain/Concierto De Aranjuez (Finale)
  18. And The Guitar's Poor American Relative, The Banjo/Washington Breakdown
  19. And Poorer Still, The Mouth Organ/The Treasure Of The Sierra Madre (Packing Up)
  20. The Balalaika For Russia/Romeo And Juliet (Act II: No.14)
  21. The Maracas For Mexico/The Treasure Of The Sierra Madre (El Desayuno)
  22. The Bongos And Congas And A Whole Wealth Of Other Drums For Africa And Central America/Studio Example
  23. The Sitar Of India/Evening Raga: Bhapoli
  24. The Accordion For France (Especially Paris)/Paris Canaille
  25. The Zither For Vienna/The Third Man (Theme)
  26. The Cimbalom For Hungary/Folk Dances
  27. The Guitar As An Integral Part Of The Orchestra/Rondena
  28. There Are Whole Orchestras Of Balalaikas./Sveit Mesiats
  29. The Effect Of The Wordless Human Voice, Used Purely As An Instrument/Symphony No.7 'Sinfonia Antartica' (Mvt 1)
  30. Nocturnes
  31. Instruments And the Imitation Of Nature. The Clarinet As Cuckoo
  32. The Carnival Of The Animals (The Cuckoo)
  33. The Flute As An All-purpose Aviary
  34. The Carnival Of The Animals (The Aviary)
  35. The Oboe As Duck
  36. Peter And The Wolf (The Duck)
  37. The Recording Of Reality. Does It Work As Well?
  38. The Pines Of Rome (The Pines Of The Janiculum)
  39. The Recording Of Reality Electronically Reborn In New Guises
  40. Cantus Articus - Concerto For Birds And Orchesra (Mvt 2)
  41. Beethoven Turns Avian: Cuckoo, Nightingale, And Quail
  42. Symphony No.6 'Pastoral' (Andante Molto Mosso)
  43. Some Improbable Casting: The Violin As Braying Donkey
  44. The Carnival Of The Animals (Persons With Long Ears)
  45. A Truly Orchestral Hee-haw To Be Reckoned With
  46. Overture To 'A Midsummer Night's Dream'
  47. A Thunderstorm In A Million
  48. Symphony No.6 'Pastoral (Allegro-Allegretto)
  49. the Instrumental Depiction Of A Silent World
  50. The Carnival Of The Animals (The Aquarium)
  51. Saint-Saens' Menagerie Takes A Curtain Call.
  52. The Carnival Of The Animals (Finale)

Tracks:

  1. The Grouping Of Instrumental Families. An Additive Approach. First, Two Violins
  2. Forty-Four Duos (No.4)
  3. A Great Contrast, Of Both Pitch And Character: Violin And Viola
  4. Duo For Violin And Viola In B Flat Major, K.424 (Finale, Vars 1 & 2)/Studio Example
  5. Arrival Of The Standard String Trio: Violin, Viola, And Cello
  6. String Trio In B Flat (Menuetto)
  7. The String Quartet: Two Violins, Viola, And Cello
  8. String Quartet In F, Op.18 No.1 (Mvt 3)
  9. The String Quintet - When The Extra Instrument Is A Second Viola
  10. String Quartet No.5 In D, K.593 (Adagio)
  11. The String Quintet - When The Extra Instrument Is A Second Cello
  12. String Quintet In C (Mvt 3)
  13. The String Sextet: Two Violins, Two Violas, And Two Cellos
  14. String Sextet In B Flat (Mvt 2)
  15. The String Octet: The Standard String Quaret Times Two
  16. Octet In E Flat, Op.20 (Mvt 1)
  17. Double The String Octet: A Fully Fledged String Orchestra
  18. String Symphony No.2 (Finale)
  19. The Massed Strings Of A Symphony Orchestra
  20. Fantasia On A Theme Of Thomas Tallis
  21. Contrasts Of Pitch And Instrumental 'Colour' In The Woodwind Section
  22. Wind Quintet In A Minor, Op.100 No.5 (Theme)
  23. In The First Variation It's The Horn That Gets The Lion's Share.
  24. Wind Quintet In A Minor, Variation 1
  25. In Variation Two The Torch Is Handed To The Bassoon.
  26. Wind Quintet In A Minor, Variation 2
  27. In Variation Three The Oboe Leads.
  28. Wind Quintet In A Minor, Variation 3
  29. Variation Four: Conversation Before Returning To A Solo-dominated Texture
  30. Wind Quintet In A Minor, Variation 4
  31. And Variation Five is Dominated By The Clarinet.
  32. Wind Quintet In A Minor, Variation 5
  33. The Next To Be Featured Is The Virtuoso Flute.
  34. Wind Quintet In A Minor, Variation 6
  35. Individual Farewells And A Closing Chorus
  36. Wind Quintet In A Minor, Variation 7
  37. A Mixed Group: Clarinet, Bassoon, Horn, String Quartet, And Double-Bass
  38. Octet In F (Mvt 3)
  39. The Early Classical Symphony Orchestra Of Haydn And Mozart
  40. Symphony No.29 In A, K.201 (Finale)
  41. Strings, Wind, But No Brass. What Haydn And Mozart Never Knew
  42. Canzon 28
  43. Beethoven's Fifth: Two Horns, Two Trumpets, And Three Trombones Join The Team.
  44. Symphony No.5 (Finale)
  45. From Beethoven To The Massive Orchestras Of Berlioz, Wagner, And Mahler
  46. Beethoven Changed The Face Of The Symphony And The Orchestra Forever
  47. Symphoy No.6 'Tragic' (Mvt 1)
  48. The Cult Of Orchestral Elephantiasis Reaches Its Peak.
  49. Symphony No.1 'Gothic' (VI: Te Ergo Quaesumus)
  50. When Large Doesn't Necessarily Mean Loud: Debussy
  51. Images (Gigues)
  52. A Crisis Of Confidence; The Orchestra's Survival Hangs In The Balance, But It Still Develops. The Ondes Martenot:
  53. Turangalila Symphony (Chant D'amour 1)
  54. The Advent Of The 'Early Music' Movement Brings A New Vitality And Freshness.
  55. Balle De Xerxes (Gavotte En Rondeau)
  56. Computer And Synthesiser: Friends Or Foes?
  57. Concerto In D Minor For Two Violins (Largo)
  58. A Speculative Look Ahead/Mass In B Minor ('Dona Nobis Pacem')

Customer Reviews:

5 out of 5 stars Instruments of the Orchestra - Great Reference Material!.......2007-04-04

This set lends itself to greatly enhancing one's knowledge of the orchestra, instruments in it, and their usage. I am a huge music buff, and I still picked up a great deal I previously did not know. I highly recommend this for all who wish to understand the origin of music, as well as the processes that are employed to create music!

5 out of 5 stars Beginner or Expert.......2007-03-12

This CD is excellent for the beginner or expert! To be able to haear the instrumets separately and then together really provides a good education. and/or refresher. The book thaty comes with the CD is alomost worth the price by itself!

5 out of 5 stars Very Informative and Enjoyable.......2006-11-20

Whether you're a music novice or pro, "The instruments of the Orchestra" is a very worthwhile purchase. The 7 CDs, with a total of 8 hours, are expertly narrated by Jeremy Siepmann. He's a great speaker, very much like the late Leonard Bernstein was. Mr. Siepmann takes you on an unforgetable musical journey covering the origins and use of the various orchestral instruments throughout musical history. The balance between his narration and a wealth of musical examples, which range from snippets to entire movements, is superb. The comprehensive enclosed booklet is excellent and faithfully follows the 7 CDs in content. Even with my 40+ years of music training I still learned new things from this wonderful collection. Considering the excellence of the content, and a cost that translates to about $5 per disc, this collection is a great value. Grab it, you won't regret that you did. Five solid stars!

3 out of 5 stars Frank's view.......2006-08-19

This boxed set of CD's with booklet achieved all I had hoped that it would. There are good samples of individual instruments and well done commentary on each. The only drawback was that some of the samples were too brief and could have been longer, hoiwever I guess this fits in with time constraints of the medium. It has given me a lot of clues as to future purchases of CD's for listening to individual instruments. Altogeth a satisfactory purchase and a welcome addition to my collection.

5 out of 5 stars Excellent Intro for Those Not Familiar with the Orchestra.......2003-11-08

I've listened to classical music for years and am interested in composition. I bought this CD set to learn how an orchestra and its instruments work. I thought the CDs would be a nice but boring lecture. They aren't! Not only are they FUN but they are informative as well. I learned a huge amount from each CD and couldn't wait to listen to the next one.

The narrator and writer is a great speaker and holds your attention well. He is definitely knowledgeable. He provides musical examples for each point he makes, so you get to "hear" what he just talked about. I'd say the CDs are about 65% music and 35% narration. You'll learn about the range of instruments, some history, different ways to play them, how they sound, and how they are used in the orchestra. This CD set was a great learning experience and is sold at such a low price!

I recommend this CD for those who want to learn about classical music and those who know about it but are interested in learning more about the inner workings of an orchestra. You'll learn much useful information. For instance, the Rite of Spring (with that eerie start) is written for bassoon! I never knew a bassoon could sound like that but now I do.

The one complaint I have is the last CD. This deals with the orchestra. I wanted more of a tour of how the orchestra has been used through history up to the present. Instead, it was a tour of how different groups of instruments sound. I thought it could have been better. The other 6 CDs are excellent.
Crossing Jordan
Average customer rating: 4.5 out of 5 stars
  • great music
  • SEASON OF THE WITCH!!!!!!!!!
  • Crossing Jordan DVD
  • Wonderful Music Selection
  • Wow!
Crossing Jordan
Various Artsits
Manufacturer: Sony
ProductGroup: Music
Binding: Audio CD

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Similar Items:
  1. CSI: Crime Scene Investigation
  2. CSI: Miami: The Soundtrack
  3. Providence
  4. Everwood: Original Television Soundtrack
  5. Nip/Tuck

ASIN: B00008PX87
Release Date: 2003-04-01

Tracks:

  1. I Wanna Be Your Man - Sam Phillips
  2. Days - Marc Anthony Thompson
  3. Can't Find My Way Home - Alison Krauss
  4. The Wind Cries Mary - Cassandra Wilson
  5. Season Of The Witch - Richard Thompson
  6. Hang Down Your Head - Lucinda Williams
  7. You're Gonna Need Somebody On Your Bond - The Holmes Brothers
  8. Buckets Of Rain - Vic Chesnutt
  9. You're Innocent When You Dream - Jill Hennessy
  10. Pale Blue Eyes - Joe Henry
  11. Trouble - The Holmes Brothers
  12. It's All Over Now, Baby Blue - Jill Hennessy
  13. Crossing Jordan Themes Medley - Wendy Melvoin & Lisa Coleman
  14. Black Coffee - Rosemary Clooney

Customer Reviews:

5 out of 5 stars great music.......2007-07-05

i only bought this cd for the allison krauss song, but it turned out to be full of great music, even though i've never even seen the show. cheers!

3 out of 5 stars SEASON OF THE WITCH!!!!!!!!!.......2007-01-09

$3.99 ... just for Thompson's ripping take on "witch" ...
get it just for that ... it's well worth it. amazing.

5 out of 5 stars Crossing Jordan DVD.......2006-10-23

I've always loved this show , now, the question is.... where is the dvd???or if anyone knows where we could get the dvd shows... that would really be great...

5 out of 5 stars Wonderful Music Selection.......2006-03-29


This is a great compilation with some very exciting covers. What I really wish they would do is release a "greatest hits" CD for EACH SEASON. There is some superb music in that series - not just the great cover versions, but overall. Nearly every episode has a song that makes you sit up and take notice.

I would also be quite pleased with a CD of "Garrett's favorites". He listens to some excellent music on that old Victrola phonograph. I'd love to be able to gather them up on one CD (or two disc set).

My advice: Buy this CD. It has something for almost everybody and the price is great.

5 out of 5 stars Wow!.......2006-03-13

I'm a big fan of Crossing Jordan. This is the first TV soundtrack CD I ever bought and I love it. My most favorite songs are "Buckets of Rain," "You're Innocent When You Dream" and "It's All Over Now, Baby Blue." These songs really get to me emotionally and I get wistful when I'm listening. I play the CD at least once a day. I really hope Jill Hennessy comes out with her own album; I'll definitely be getting it.
Winged Migration
Average customer rating: 4.5 out of 5 stars
  • Beautiful!
  • Winged Migration CD
  • Beautiful Soundtrack
  • WINGED MIGRATION
  • THE RIGHT MUSIC FOR THE RIGHT MOVIE
Winged Migration
Various Artists
Manufacturer: Higher Octave
ProductGroup: Music
Binding: Audio CD

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  1. Winged Migration
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ASIN: B00008V5TE
Release Date: 2003-04-22

Tracks:

  1. To Be By Your Side - Nick Cave
  2. Masters Of The Field - Robert Wyatt
  3. Northern Bound
  4. The Crossing
  5. The Highest Gander - Robert Wyatt
  6. Beating Drums
  7. The Return Of The Cranes
  8. The Blue Thread
  9. The Red Forest - Robert Wyatt
  10. Like A Breath Of Air - A Filetta
  11. The Takeoff
  12. Amidst The Factory Smoke
  13. The Glider
  14. After The Hunt
  15. The Paper Parrot
  16. The Swans Flight
  17. Feathers
  18. The Wounded Dove - Gabriel Yacoub
  19. Off Camera

Customer Reviews:

5 out of 5 stars Beautiful!.......2007-04-24

I've owned this CD for several years now, and it definitely remains on my short, short list of favorites! The music is beautiful and contemplative, drawing the listener into the journey of migration undertaken by the birds who inspired it. Everything is amazing on it: the writing, the instrumentation, the vocals. This albumn is definitely not just for fans of the movie, but for anyone who loves slow, calming, thoughtful music.

4 out of 5 stars Winged Migration CD.......2007-02-08

Awesome, for the most part- best after watching the documentary. A couple of songs had to skip through, but the rest is a good post movie mental review- watch the movie first...

5 out of 5 stars Beautiful Soundtrack.......2007-01-06

I loved this movie and the soundtrack makes it ever better. I havent bought a CD in a while and this one is reasonably priced and rare.

5 out of 5 stars WINGED MIGRATION.......2006-08-29

The movie is excellent. The scenery is breathtaking, but you actually feel like you are flying with the geese. Geese are amazing birds. A must see.

5 out of 5 stars THE RIGHT MUSIC FOR THE RIGHT MOVIE.......2006-06-22

Even if you haven't seen the beautiful french documentary, you'll love this soundtrack. The score captivates listeners from the very beginning and the song "To Be By Your Side" by Nick Cave gives the very special mood that the movie requires. Bruno Coulais is the same composer from HIMALAYA, thus you may understand better the sort of music you're listening: half ethnic, half new age and totally haunting. Don't miss it.
The Edinburgh Military Tattoo: Bagpipe Marches of Scotland
Average customer rating: 4 out of 5 stars
  • Stay Away
  • Edinburgh Military Tattoo
  • Not like being there, but a good appetizer
  • Pipes and Drums: Amazing Grace
The Edinburgh Military Tattoo: Bagpipe Marches of Scotland

Manufacturer: Legacy
ProductGroup: Music
Binding: Audio CD

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  5. Regimental Marches of British Army, Vol. 1

ASIN: B000002NQ9
Release Date: 1994-07-18

Tracks:

  1. Pipes And Drums: Amazing Grace/Fanfare Trumpets: Fanfare Militaire
  2. Pipes And Drums: The Rock And Wee Pickle Tow/I Lo'ed A Laddie But Ane/The Drummer's Call...
  3. Massed Military Bands: The Band Strikes-Mexican Hat Dance
  4. 4/4 Marches And 3/4 Retreats: Hills Of Alva/Far O' Er Struy/Torosay Castle/Lord Byron...
  5. Waltzes: Hearken My Love/The Herding Song/My Lodging's On The Cold Cold Ground/Westering Home
  6. 2/4 Marches: Kitchener's Army/Balkan Hills/The Rhodesian Regiment
  7. 2/4 March, Strathspey And Reel: Miss Elspeth Campbell/The Shepherd's Crock/Smith O' Chilliechassie
  8. 4/4 And 2/4 Marches: Scotland The Brave/Highland Laddie/The Earl Of Mansfield...
  9. 6/8 Marches: 10th H.L.I. Crossing The Rhine/Mrs. Lily Christie/Dovecote Park
  10. Waltzes: Loch Broom Bay/My Home
  11. 4/4 March, Strathspeys, Reels, Hornpipes And Jigs: Peter McKenzie Warren/Sporting Jamie...

Customer Reviews:

1 out of 5 stars Stay Away.......2006-01-05

While the piping is excellent, the audio, particularly in the first half of the cd is terrible. Nearly 15 minutes are almost indecipherable. I think the recording was made with a hand held mike at the edge of a field.

4 out of 5 stars Edinburgh Military Tattoo.......2001-05-19

The Edinburgh Military Tattoo first started in 1947 with some spirited displays of army piping and dancing. Since that time the show has grown to become a world class act, unfortunately losing some of its traditional elements along the way. The word "Tattoo" is a corruption of the Dutch "Doe den Taptoe" which literary means "turn off the taps", a reference to when a lone drummer would play a "tattoo" or drum roll to signal the inkeeprs to stop serving beer and to summon the troops back to barracks. This ceremony was performed by the British while they were in the low countries during the early 18th century, but it is a custom common to many armies of that time, in particular the various German princeapalities of the day. Over time the Tattoo evolved into a more elaborate affair as more bands and musicians were drawn into its fare. What we have here is the modern development of the form started in previous centuries. The Edinburgh Tattoo is justly famed for its display of massed pipes and bands, and while the recording quality here is not the best, the listener can still get a good idea of the spectacle produced. The original recording of this 1972 show was recorded by EMI, but this version is a knock-off cut that was done by a small American record firm, and which since has been sold about in various forms as a popular item. It is unfortunate that we don't have a better version of the show for listeners than this. The Tattoo produces a recording every year, as well as a video which can be obtained by contacting the Edinburgh Military Tattoo via their website which can be found using any search engine. The good thing about this recording is that it does provide a glimpse of the show in its heyday, where modern fluff and show biz influences had not crept in as much as they have today. For this reason this CD is worth having, and serves as an introduction to this great pageant of the Scottish regiments and the British army. Even though the show is watered down today with pop elements, the grandeur is still there when the massed pipes and drums march out onto the castle esplanade playing the grand old tunes. Even the politically correct producers can't ruin this grand sight, and its hoped they never will!

5 out of 5 stars Not like being there, but a good appetizer.......2000-11-23

The producers and engineers for this CD are to be commended for the remarkable quality they obtained on this outdoor recording! While not quite like being there, it does convey the spirit and energy of the Tattoo.

5 out of 5 stars Pipes and Drums: Amazing Grace.......2000-06-11

I love the sound of the pipes for this one song, and is my favorite.
Atlantic Crossing
Average customer rating: 4 out of 5 stars
  • Like Mick without Keith...not bad, not the stuff of legends
  • The start of the rot?
  • Stands the test of time better than any of his latter output
  • a new phase
  • Rod, What The Hell?!
Atlantic Crossing
Rod Stewart
Manufacturer: Warner Bros / Wea
ProductGroup: Music
Binding: Audio CD

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ASIN: B00004Y6O1
Release Date: 2000-09-19

Tracks:

  1. Three Time Loser
  2. Alright For An Hour
  3. All In The Name Of Rock 'N' Roll
  4. Drift Away
  5. Stone Cold Sober
  6. I Don't Want To Talk About It
  7. It's Not The Spotlight
  8. This Old Heart Of Mine
  9. Still Love You
  10. Sailing

Customer Reviews:

3 out of 5 stars Like Mick without Keith...not bad, not the stuff of legends.......2007-03-31

"Atlantic Crossing" is one of the best post-Ron Wood solo albums from Rod Stewart. That said...the unavoidable fact that Stewart's work with Wood and MacLagen and Lane and Jones was what put him on the map...there are a few solid tracks on this album worth your attention. "Drift Away" isn't half bad, but Dobie Gray did it to perfection, so why do we need another version? "Stone Cold Sober" is the kind of rock and roll that Stewart should still record, refreshingly free the leering, adolescent and ignorant sexism of "Hot Legs" (The Faces were an aural porno flick, but they were adults). The Isley Brothers' "This Old Heart Of Mine" is the song that really taps into Rod's rock and roll heart, and there lies the problem in his recent career...crass commercialism forms the foundation for Rod Stewart Y2K and beyond. Stewart could sing the phone book if he put his HEART into it, but in modern times he seems perfectly happy with being a fourth-rate Barry Manilow. C'est La Vie...or Ooh La La, depending on your viewpoint. "Unplugged...and Seated" was the long-overdue reunion with Woody. "When We Were The New Boys" was the final parting shot from the Rod we all knew and loved. Then Elvis left the building. The King is dead. Long live the King.

3 out of 5 stars The start of the rot?.......2006-07-15

Well that all depends on which musical phase of Rod Stewart's career you prefer. There was his 'Mercury' period, spanning the 4 years prior to this album and where, IMO he produced his finest output. Once Rod decided to abandon his roots, move permanently to the US, change record labels, and deliberately set out to make albums to attract a mass market, all in one fell swoop, the magic started to wane for me.

With Rod's newly acquired champagne lifestyle Atlantic Crossing was the first album he produced from this era. However AC does contain 2 very famous classic ballads in the Stewart repetoire - "I don't want to talk about it", and of course the one song and single that many fans consider to be his signature tune, "Sailing", though he never actually wrote it. Inexplicably this was not a hit in the US, although it topped the charts for weeks just about everywhere else. Both these tracks well demonstrate the emotional quality of Rod Stewart's voice. And it's this aspect of his singing which his legion of fans of all ages find so appealing about the guy. 'Drift Away' the Dobie Gray classic is also covered here, but I prefer the original, although Rod does a more than adequate job with it.

The rockers are the downside on this album. "Stone Cold Sober", "Three Time Loser" are standard type blues rockers, the sort of songs Rod could do in his sleep having performed this type of material countless times in the past. But somehow, without the presence of the Faces behind him, from here on all of Stewart's rockers on his albums seemed to lack genuine quality and conviction, with which he performed so brilliantly in his days with Mercury. This became much more obvious on later albums, the most notorious examples being 'Hot Legs', and 'Do Ya Think I'm Sexy'. Here, these songs just sound mundane, and having girlie back-up singers doesn't help.

It's true that from Atlantic Crossing onwards Rod Stewart achieved far greater fame and fortune than he ever did before moving to the US. Part of this I suspect was due to his well publicised off-stage antics with models/film stars. All this publicicity only helped to bring him to the attention of a wider audience. AC is not a bad record,(there were far worse albums to come a few years later). It's certainly listenable, and doesn't sound too dated, but I personally would not buy AC for reasons outlined. But if this more commercial side of Rod Stewart is your bag, then you will probably love this album.

5 out of 5 stars Stands the test of time better than any of his latter output.......2006-03-05

I love this album its definitely stood the test of time well and it was better than any other Rod did ever after 1975 (is it really 30 years old?).

The title refers to Stewart's departure for the US and the cover depicts the transition and he is accompanied by top session musicians (including Steve Cropper, Barry Beckett and Lee Sklar) and veteran American producer Tom Dowd to create an overall slick sound.

The album is divided into two parts - slow side and fast side. The slow side is much stronger than the fast side overall, and all the hits and best-known tracks are on the slow half. Although there were no major hits in the US, 'Sailing' was number 1 in UK for 4 weeks in the summer of 1975. All 5 tracks on the slow side are excellent.

Stewart's version of Danny Whitten's 'I Don't Want To Talk About It' must be one his best performances ever. 'Its not the Spotlight' is convincing. Track 3 on the slow half is the original version of 'This Old Heart of Mine' which is far superior to the later version. 'Still Love You' grows on you, and last but not least the catchy 'Sailing'.

The fast side unfortunately suffers from one or two weak tracks and the vocals aren't as strong, apart from 'Drift Away' (which really belongs in the slow half). The rest are mostly uptempo rockers, of which 'Three Time Loser' and and 'Stone Cold Sober' catch fire.

I originally had it on vinyl. Interestingly in some editions of the original LP the slow half was side one, and 'Stone Cold Sober' was listed as the final album track. The digitally remastered edition is the best yet - the original CD recording quality was poor so its definitely worth the upgrade.

Even though its not quite as strong as some of Rod's earlier material (including 'Maggie May'), this is his best out of all his albums that came Warner Brothers. A great album, worth having even if you only like the slow tracks, and one that you can always come back to enjoy.

4 out of 5 stars a new phase.......2005-11-12

This album represented a musical break with the past for Stewart. His first 5 CD's had very similar formats and styles (folk-rock and ballads with violins with a mix of hard-rock). His 4 CDs with the Faces during the same period also followed a similar format, except they were more sloopy, blusely, and sounded similar to the Stones.

For this CD, Stewart abandoned those formats for a hybrid of the two. It is not as good as his first 4 CDs or his 4 CDs with the Faces, but is worth buying. Steve Cropper, the pipe-smoking guitarist in the Blues Brothers movie, plays guitar on this CD!

Stewart would continue the musical style in this CD for two more albums (Night on the Town and Foot Loose), make one more decent album (Blondes Have More Fun) and would never be the same since, within a few years TOTALLY breaking from his past with songs like "Love Touch."

Now, he is kind of a hack, which is a shame because for about 10 years (1968-1978) his only rivals were the Stones and McCartney. McCartney has made a respectable comeback in time to reclaim his stature...we're still waiting for Stewart.

1 out of 5 stars Rod, What The Hell?!.......2004-11-16

Rod Stewart has for some time been the blue-collar, hard-labouring, all-American guy...

Except he is English and has this incessant will to create sell-out American styled and fused albums.

The Great American Songbook has been such a huge, gravely overrated set of albums I'm getting tired. For starter he's not American, he's not `great', nor is America (just joking honestly, I am English you see). I just question why label yourself under such false pretences.

I'll tell you why, just take a look at where those babies are in the charts...HIGH. Way too high for an incredulous false-labelled con man. Does this sh*te sell in England, not really no, and it's because he has this disregard for his roots, a hang-up.

As for the music, well, it's nothing great. I get this overwhelming feeling to cough violently when I hear Mr. America sing due to his old husky voice, which sounds like an 80 year old with throat cancer. Also, hang on...IT IS OLD. 70's ok...80's pushing it...90's mmm no more though, BUT NOW. Please just retire and shack up with some blonde thing.

He needs to grow up, cut his hair, get rid of the highlights, settle in his homeland America, marry and stop producing The Great Piece Of Self-Obsessed Ludicrous Songbook. I'm fed up to the teeth with Rodney Stewart, he's dealings with leggy young blondes half his age, his possessiveness with American Music charts, and of course the dollar he sticks up his arse every time a sheep buys this turd.

His use of the American public, idolising himself as an American singer and artist...yes of course us Brits believe you. Yep, I'm done with this old has-been.
Shadow Behind the Iron Sun
Average customer rating: 5 out of 5 stars
  • music i hear with my body
  • Beyond Belief
  • You don't listen to it, you experience it
  • Something a little different
  • A near-perfect album
Shadow Behind the Iron Sun

Manufacturer: RCA
ProductGroup: Music
Binding: Audio CD

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ASIN: B000031W9F
Release Date: 2000-03-07

Tracks:

  1. First Contract
  2. Shadow Behind The Iron Sun
  3. Attack Of The Glow Worm
  4. Land Of Vendon
  5. Icefall
  6. Thunder Caves
  7. The Council
  8. Warrior's Chant
  9. Battle Cry
  10. Wind Horse
  11. Crossing The Bridge
  12. Last Contract
  13. Battle Cry - (Bonus Mix)

Amazon.com

If you think the percussionist's role is merely to supply rhythmic backbone, you haven't encountered the phenomenon named Evelyn Glennie. The category-defying Scottish musician has spent her career pursuing the unique route of percussion virtuoso, turning music into an intensely hyperactive verb. Glennie's sound world encompasses a global, pan-cultural panoply of music makers in addition to the standard drum kit: watergongs, bamboo sticks, ceramic bells, car exhaust pipes, finger cymbals, thundersheet--to name a few from the arsenal she uses here (Glennie reportedly owns over 1,000 percussive instruments). Even in her interpretations of works by other composers--such as James MacMillan's Veni, Veni, Emmanuel or the Grammy-nominated Concerto for Percussion by Joseph Schwantner--Glennie scoops out plentiful opportunities for improvisation; but the concept of Shadow Behind the Iron Sun was to allow Glennie to lock herself up in her studio and improvise the entire album. With the help of her collaborator, pop mixmaster Michael Brauer, the result is a fantastically textured, mesmerizing adventure for the ears and the imagination. Despite a vague ambition to explore "as many moods as possible" (Michael Crichton's Eaters of the Dead was apparently the source for some of the picturesque titles here, such as "Attack of the Glow Worm" and "Wind Horse"), the variety and juxtaposition of colors evoke a cinematically gripping, almost synesthetic sense of atmosphere--yet another evolution of "program music" into the 21st century? Much of the fun is in experiencing sounds whose origin remains mysterious, as Glennie performs her one-woman-as-orchestra wonders. --Thomas May

Customer Reviews:

5 out of 5 stars music i hear with my body .......2005-03-09

I love this album!!! Evelyn Glennie is the most profound percussionist I have ever heard. Her music penetrates my body: sometimes I feel it in my heart, sometimes in my solar plexis. I feel it in my soul. This album can be enjoyed over and over and over. Thank You Evelyn Glennie! Big Gratitude!

5 out of 5 stars Beyond Belief.......2004-06-16

I went to a solo concert of hers because I had heard what I thought must be hype of her wonder. I was totally and utterly destroyed by her performance. She has complete technical perfection, tremendous athletic ability (yes percussion demands of the body), personal charm, and dramatic zest. Many of the albums I listened to after disappointed me because she clearly held herself within the strict measure of the others she performed with. I suspect her deafness makes her fearful of any rubatto in an orchestral setting. This album is the only one that begins to give a sense of her god-like gifts.

5 out of 5 stars You don't listen to it, you experience it.......2001-03-01

This CD is a true experience, similar to Charles Ives' "New England Holidays". The range of instruments Glennie uses and creates brings to mind Mickey Hart's statement about drummers being desperate and doing anything to produce sounds. Her music gets into your mind and body. It's appealing enough that my son, a rap fan, sat fascinated while "Land of Venden" was playing. His comment, "This is almost scary!", leads to my opinion that her talent is almost scary. Do yourself a favor and buy this one, it provides great mental and emotional rejuvenation.

5 out of 5 stars Something a little different.......2000-09-23

Even if percussion sans so-called melodic instruments isn't what you think of when selecting a cd you've got to listen to this. Ms Glennie creates quite a melodic and dramatic tapestry and draws the listener right into the middle of it. Yes, it does take a few listenings to penetrate to the gist of it but that only enhances the genuine beauty contained here. Perhaps that is a given in any deeply creative work.

5 out of 5 stars A near-perfect album.......2000-04-08

Even my dog liked it -- mesmerized by the music, staring at the stereo like the mutt in the RCA logo.

Solo percussion is, admittedly, an acquired taste. The song samples here give you a reasonable flavor of the album. If you don't like them, don't buy it.

At the same time, Glennie has done more than anybody to advance the art, the possibilities, and the popularity of percussion. (I saw her perform a snare solo encore last year that brought the audience to its feet.) In this album, she operates with more freedom and pushes more boundaries than in anything she's done to date. Yet it's still an approachable and genuinely exciting collection of music.
Crossing Bridges
Average customer rating: 4.5 out of 5 stars
  • Kaleidoscope of multi-hued sound that enchants
  • From strength to strength
  • Excellent music from a trio of truly gifted musicians
Crossing Bridges

Manufacturer: Omac
ProductGroup: Music
Binding: Audio CD

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ASIN: B00065TZ5A
Release Date: 2004-11-02

Tracks:

  1. Chief Sitting In The Rain/College Hornpipe
  2. Blackberry Mull
  3. Appalachia Waltz
  4. Old Country Fairy Tale
  5. F.C.'s Jig
  6. Poem For Carlita
  7. Limerock
  8. Caprice For Three
  9. Vistas
  10. Olympic Reel (Medley)

Customer Reviews:

5 out of 5 stars Kaleidoscope of multi-hued sound that enchants.......2005-01-07

Playing Time - 73:50 -- Recorded live at Spivey Hall at Clayton College & State University in Morrow, Georgia, "Crossing Bridges" features violinist Mark O'Connor's Appalachia Waltz Trio, which also features violist Carol Cook and cellist Natalie Haas. The CD's booklet provides this quote from O'Connor - "I always think that music should elevate the spirit, stimulate the intellect and strengthen the heart." If those criteria define his goal, then the consummate pro and his two sidekicks easily succeed. This album of largely original material offers much in the realms of vitality, reasoning and emotion.

His rise to fame has been noteworthy. I remember when O'Connor, originally from Seattle, was just a young pup in the 70s drawing a large crowd in jam sessions with mentor Benny Thomasson at the National Old-Time Fiddlers Contest in Weiser, Idaho. In fact, he could identify specific classical composers at age three. He began playing guitar at six and violin at eleven. Before he had fiddled for a year, Mark had won second place at Weiser. At age 12, he was on the Grand Ole Opry. By 14, he'd won various fiddle and guitar championships, and the Winfield, Ks. guitar contest rules were changed to require that contestants wait at least five years before they could win again. He did. Touring with Dan Crary, The David Grisman Quintet, and The Dregs followed. In 1983, he embarked on a solo career and journey that has him "crossing bridges" into many musical genres.

In 1991, Mark & The New Nashville Cats (featuring Vince Gill, Ricky Skaggs, and Steve Wariner) won the CMA "Vocal Event of the Year" Award. Mark O'Connor also won the CMA "Musician of the Year " Award consecutively from 1991-1996. He toured with Marty Stuart and Travis Tritt in 1993. In more recent times, he has focused primarily on classical music. He wrote his first violin concerto in 2000. His 2002 Nashville concert with Chris Thile, Bryan Sutton and Bryon House was captured on his excellent "Thirty Year Retrospective" album (OMAC Records 5). The "Bowtie" track from this album has been nominated for a Grammy in the Country Instrumental category.

Now, O'Connor, Cook and Haas unite to recreate, with expert technical proficiency, the original 1995 "Appalachia Waltz" repertoire and some fine new material in the same tradition. The original two "Appalachia Waltz" CDs and tours featured violinist O'Connor, cellist Yo-Yo Ma and bassist Edgar Meyer. Yo-Yo Ma made a solo version of the title track his signature piece perfect for an encore.

Compared to the original sound with violin, cello and bass, the new trio's sound is more airy, fluid and light. No one should question the credential of Cook and Haas. Cook was a a member of Scott Yoo's great ensemble, Metamorphosen. She's also a champion Scottish fiddler and made her debut with the Edinburgh Symphony at age 16. Haas studied at Julliard under cello legend Fred Sherry. She also loves Scottish folk music. The album's 15-minute closer "Olympic Reel" medley is textbook string pyrotechnics. Some other technically impressive tracks include "Chief Sitting in the Rain/College Hornpipe," "F.C.'s Jig" and "Limerock." All in all, the generous 74-minute album gives us a kaleidoscope of multi-hued sound that enchants us from the first measure to the last. The sheet music is available on Mark's website. (Joe Ross, staff writer, Bluegrass Now)

5 out of 5 stars From strength to strength.......2004-12-03

If you know Mark O'Connor's work, it's probably enough to say that this is up to his usual standard of musicianship. The other striking thing about him is his knack for finding superb collaborators, whether they be giants who inspired him (as in his CD "Heroes") or newer arrivals on the scene, like the young cellist Natalie Haas. She takes on (for instance) Appalachia Waltz, a work which Yo-Yo Ma had all but canonized, and comes through with an inspired performance. I recently heard her play with Scottish fiddler Alasdair Fraser, and it's clear to me that she has a brilliant future ahead of her. As for Carol Cook, this is the first performance of hers I've heard, but it won't be the last. She disproves all the bad press violists get. By the way, this CD does include Amazing Grace, contrary to what a previous reviewer wrote. But by some glitch it's just added on as part of the tenth and last track and is not acknowledged either on the list of tracks or in the notes (which are otherwise very thorough).

4 out of 5 stars Excellent music from a trio of truly gifted musicians.......2004-11-12

I was fortunate enough to catch a performance of this trio in Columbus, GA this past February, and ever since that day I have waited for this CD to come out. Mark O'Connor is a violin/fiddle virtuoso, Carol Cook can coax mezmerizing sounds out of a viola, and the amazing Natalie Haas can make you hear cello in a whole different light. Only two things keep this from being a five-star recording. First, you can never capture the beauty of a live performance on a CD. Second, they should have included the chilling rendition of 'Amazing Grace' that they do in concert. (NOTE: As highlighted by a later reviewer, this track is indeed included as a 'hidden' track at the end. My comments on the piece still stand). At the show I attended that was one piece through which the audience sat transfixed. When the last notes faded, there were several moments of stunned silence, followed by a collective 'WOW' from all assembled there. Still, it's a great listen...give it a try and you won't be sorry.
Crossing Muddy Waters
Average customer rating: 4.5 out of 5 stars
  • timeless
  • Recommend to Your Friends
  • Courage
  • Fantastic Acoustic Album
  • Style change with STYLE!
Crossing Muddy Waters

Manufacturer: Vanguard Records
ProductGroup: Music
Binding: Audio CD

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ASIN: B00004X03W
Release Date: 2000-09-26

Tracks:

  1. Lincoln Town
  2. Crossing Muddy Waters
  3. What Do We Do Now?
  4. Only The Song Survives
  5. Lift Up Every Stone
  6. Take It Down
  7. Gone
  8. Take It Back
  9. Mr. Stanley
  10. God's Golden Eyes
  11. Before I Go

Amazon.com

Two and a half decades into a career that's never delivered the stardom forecast by legions of champions, John Hiatt has settled into a niche that's about as comfortable as a maturing singer-songwriter could ask for. No longer a major-label priority, Hiatt has hooked up with the stalwart folk label Vanguard for his 15th release. Crossing Muddy Waters adroitly captures Hiatt's comfort and confidence. Not so much blues as blusey, Crossing Muddy Waters features 11 new Hiatt compositions, half of which feel instantly familiar. The rambunctious "Lift Up Every Stone" sounds a little like some of Tom Waits's more accessible recent efforts, while "Take It Down" is a love-lost lament that's as heavy as a foggy evening. Crossing Muddy Waters was cut in three days and features only two accompanists--the uncommonly sympathetic Davey Faragher and David Immercluck. Just goes to show that Hiatt moves just fine when he's not dragging a lot of added weight and heavy expectations behind him. --Steven Stolder

Customer Reviews:

5 out of 5 stars timeless.......2007-01-31

My boyfriend bought this CD in 2000 and it was phenomenal. We played it over and over on our first vacation together. Then we played the last track as we left our wedding reception in 2001 with flying rose petals. Just last month I was on a trip with my father and my 2 sons and I'm still playing it. My dad liked it so much, I sent him a copy to thank him for taking a trip with us. My husband and I are great Johan Hiat fans and this particular CD will always be on my top 10 list.

5 out of 5 stars Recommend to Your Friends.......2006-07-14

This is such a great album. John Hiatt has always been the Daddy of the singer/songwriter clique, but he has cemented his positon with this extremely insightful and helpful group of meditations and musings.
I bought a copy of this album for my friend who recently lost her husband, and she told me that she listens to it every day. I can see why

5 out of 5 stars Courage.......2006-01-30

John Hiatt's title song is the bravest work of art I've ever experienced. He uses the title as a metaphor for his first wife's suicide: she's crossed the waters, leaving him and an infant daughter to struggle alone on the other side.
At night when the wind blows he hears her moans of remorse in the trees. But the waters have widened and there's no crossing back.
Hiatt's simple arrangement makes the song even more evocative by providing a haunting melody that doesn't drown his words in molasses.
It took amazing courage for Hiatt to express this achingly sad experience in song and share it with the world. "Crossing Muddy Waters'' also highlights his artistry: in less talented hands the song would sound mawkish, i.e., Nashville mainstream.
That Hiatt, a recovering alcoholic, has lived on some of life's highest peaks and in its deepest valleys makes his music so much more meaningful than the canned crap rolling out of the Acme Music Factory that Nashville has become.

5 out of 5 stars Fantastic Acoustic Album.......2005-03-27

John Hiatt's music has always been a little difficult to categorize, and this may be one reason he hasn't received the attention he deserves over the course of his career. If Hiatt was overly concerned about this, he wouldn't have released "Crossing Muddy Waters", with its unusual blend of musical styles. Fortunately, Hiatt seems to value quality work over huge commercial success, or we'd have missed out on a spectacular album. I don't think there's a weak track on the CD, from the driving opening track "Lincoln Town" and the haunting title track, to the uplifting final track "Before I Go". The acoustic "format" isn't that far removed from some of Hiatt's other work, but it is somewhat of a switch, and Hiatt handled it masterfully. One of the best albums from a guy who always delivers!

5 out of 5 stars Style change with STYLE!.......2003-08-06

Disagree with just about everybody here. Hiatt's bluegrass turn is just fine and even includes a couple of good rockers (Lincoln Town--which has plenty of sass & Lift Up Every Stone--excited gospel stylings). Crossing Muddy Waters is a great slow song (and I love the pun in the title) and Gone is a jaunty little divorce number that Emmylou Harris would have been happy to have recorded in her prime. I love Slow Turning & Bring The Family but I hate to think that Hiatt should have to keep recording in that vein forever. The best since Walk On. Hope you enjoy it too.

RA

Music:

  1. The Great Destroyer
  2. The Secret Pattern of Things
  3. The Sins of Others
  4. This Is Fort Apache
  5. Tiny Music...Songs From the Vatican Gift Shop
  6. Trancefer [Import]
  7. Under a Blood Red Sky [Live]
  8. Uninhibited
  9. Vanishing Point
  10. Walkin' the Desert [Import]

Music

music

Music

Headhunter 2000

Martin: Monologes No1-6; Chants de Noël

Kallen Esperian: American Treasure

People

Cabaret '79

Music for Jogging

Miss Saigon [Cast Recording]

Meditation: Classical Relaxation, Vol. 4

Let's Party [Import]

Kiss on Wood

Konitz [Import]

Mary Lou Williams: 1927-1940

Homenaje a Beny Moré

Double Praise 6

Breakin' Away