Dry

Editorial Reviews
Amazon.com essential recording
Dry is the cornerstone of the 1990s "women in rock" movement. To paraphrase what Lou Reed said about the Velvet Underground: Not many people bought the album, but those who did formed a band. The attraction is unmistakable: bluesy riffs played with punk-rock energy suddenly crash to a hush, while Harvey's desperate wails become fatigued moans. What is she so hung up about? Well, in the spirit of the Stones, love and hope and dirty dreams and sex and sex and sex. Through the raucous "Oh My Lover" and "Joe," Harvey airs her laundry quite loudly but never loses her wit, as "Sheela-Na-Gig," which features the mantra "I'm gonna wash that man right outta my hair / I'm gonna take my hips to a man who cares," attest. --Bill Crandall --This text refers to the Audio CD edition.

High 'N' Dry
Average customer rating: 4.5 out of 5 stars
  • A great album from a once great band
  • Solid, AC/DC influenced scruff rocker
  • 80's pop-metal from before the formula was established.
  • Revamped leppard
  • Raw power
High 'N' Dry
Def Leppard
Manufacturer: Island / Mercury
ProductGroup: Music
Binding: Audio CD

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Similar Items:
  1. On Through the Night
  2. Pyromania
  3. Hysteria
  4. Adrenalize
  5. Retro Active

ASIN: B000001DVD
Release Date: 1992-12-01

Tracks:

  1. Let It Go
  2. Another Hit And Run
  3. High 'N' Dry (Saturday Night)
  4. Bringin' On The Heartbreak
  5. Switch 625
  6. You Got Me Runnin'
  7. Lady Strange
  8. On Through The Night
  9. Mirror, Mirror (Look Into My Eyes)
  10. No No No

Amazon.com

Although it's difficult to remember through the smoke of Pyromania, this 1981 album, the quintet's second, hoisted Def Leppard to the apex of the New Wave of British Heavy Metal. Building on raw metal anthems, the band adds subtle melodic touches, catchy guitar riffs, and simpler lyrical themes. Producer Mutt Lange, a longtime associate of AC/DC, absorbs these pop-oriented changes without severely blunting the metal edge. While the album foreshadows Leppard's multiplatinum success, it also retains the aggressive power and rough-edged distortion of heavy metal. The power ballad "Bringing on the Heartbreak" ushered in a style that would come to define 1980s metal. Although later albums showcase well-crafted songwriting and glossy production, this one catches Leppard at the peak of their true metal years. --Marc Greilsamer

Customer Reviews:

5 out of 5 stars A great album from a once great band.......2007-06-27

There was a time, long, long ago when Def Leppard rocked. By listening to the band's musical out-put for the last fifteen years, it may be hard to believe that, but it's true. Early on, before "Let's Get Rocked," before touring with Bryan Adams and Journey, before making adult-contemporary soft-rock with the stink-bomb "X," (2002) there was a time when Def Leppard was genuinely a great rock band.

Released at the start of a new decade, the Judas Priest sounding debut from Def Leppard, '"On through the Night," (1980) may not have been the most original album of all-time, but it's still a great little-known gem in the chronicles of the NWOBHM (New Wave of British Heavy Metal). For their sophomore release, the band hooked-up with its unofficial sixth member, long-time Def Leppard collaborator and producer, John "Mutt" Lange. Released a year after the debut, Def Leppard's second album "High N' Dry" (1981) has some of the same NWOBHM elements that were on the "On though the Night, but also sees the band establishing its own identity and searching out new terrain.

AC/DC's monumental album "Back in Black" (1980) no doubt had an influence on Def Leppard's "High N' Dry." From singer Joe Elliot's attempts to sound like Brian Johnson, to guitarists Steve Clarke and Pete Willis attempts to imitate the Young brothers, "High N' Dry" sounds a lot like AC/DC. This isn't so surprising when you consider the fact that Lange produced "Back in Black." That said, the seeds of Def Leppard's signature sound that is so apparent on "Pyromania" (1983) and "Hysteria," (1987) like the melodic sing-along choruses and metallic yet infectious hooks, make their appearance on "High N' Dry." In a sense "High N' Dry" can be seen as the album that bridged the gap between Def Leppard's NWOBHM years, apparent on their debut, to their definitive pop-metal heyday of "Pyromania" and "Hysteria."

The band's early line-up on their first three albums was by far the best. Sorry Phil Collin (and Vivian Campbell), but the Pete Willis/Steve Clarke combo were by far the finest duel-guitarists that the band ever had. Their riffs and solos throughout the album are just plain killer, easily as good as anything AC/DC had to offer (is it blasphemy to hold that opinion?). It should be noted that apart from "Hit and Run," every song on "High N' Dry" was co-penned by either Clarke and/or Willis. With both long since gone (Willis was fired in '83 and Clarke died in '91) it's easy to see how the band has suffered creatively ever since. The songwriting throughout the whole disc is terrific, with very well-crafted but hard-rocking songs, one after the other, without a dud in the lot. Even the album's one balled "Bringing on the Heartbreak" sounds great and is light-years better than the syrupy trash that made up the band's most recent steaming-pile of manure, abomination of an album "X."

Another great feature of "High N' Dry" is its organic sound. While the band may be most well known for their ultra-slick "Hysteria," on "High N' Dry" the band sounds a lot rawer, much more rough-around-the edges and a lot more ballsy than they would on later albums ("Pyromania" can be seen as a mid-way point between the two).

"High N' Dry" is also great simply because the band wants to rock. Def Leppard at this point in their career were hungry and eager to prove to the world that they kicked ass, and they did. Don't believe Joe Elliot when he tells you that Def Leppard were always really a pop band at heart, not a metal one, that just isn't true. While there is a clear pop-sensibility to "High N' Dry" it most definitely has a metallic edge and a lot of balls.

When I think of Def Leppard, I think of the group existing as two separate entities. First, there is the Def Leppard of the 80s, a great rock band who put out four terrific albums, even if they did get a little too commercial towards the end. And second there is the Def Leppard of the 90s/00s, an embarrassment; a band for soccer moms, the less said about the better.

So even if Def Leppard has sucked beyond belief for years, go back in time with "High N' Dry," and rock out to an album from a once really great band.

4 out of 5 stars Solid, AC/DC influenced scruff rocker.......2007-05-23

Will the real Def Leppard please stand up? On their debut LP the band were fairly stock standard NWOBHM dudes. On later releases they alternated between ground breaking production jobs from Mutt Lange (also the producer of this) and soulless trend following losers. Here we find the band playing heads down hard rock presumably heavily influenced by Back in Blacks success.

And they made a pretty good fist of it. In fact due to it's heads down passion this album stands up decades later. Opening blasts of rifferama like Let it Go, Another Hit and Run and High 'n' Dry (Saturday Night) ride thick full bodied riffs while Bringin' On the Heartbreak is probably their besst ever ballad and tellingly was written before ballads were the bands reason to be. Side two - in the old money - doesn't have the highlights but such is it's solid recording, youthful swagger and desire to conquer that the tunes retain a certain hard rock honesty.

Def Leppard were never metal but on this album they deliver their most pounding and raucous hard rock, the sort of wattage that must of reduced many club dates to sweat soaked rubble. An album best played at volume and all up a totally viable slab of riff driven hard rock. Dig in.

5 out of 5 stars 80's pop-metal from before the formula was established........2007-02-23

I actually 'rediscovered' this album; Def Leppard's Pyromania was the first cassette I ever bought, shortly after its release (and shortly after my 13th birthday), and while I loved it, my tastes soon turned to things heavier. Years later, a friend was playing his beat-up cassette copy of High'n'Dry and I was absolutely floored. This is, from start to finish, a brilliant album, and like their debut On Through the Night, shows a very young and unpretentious band wanting to do nothing more than emulate and build on what bands like UFO, Thin Lizzy, Led Zeppelin and AC/DC had done before them. That said, I think the AC/DC comparisons are a bit overblown; obviously, they were an influence and they did share a producer, but AC/DC, as much as I love them, could never match Def Leppard's subtlety or sense of melody. Anyway, the production on this album is very full and clean, yet manages to retain the young band's rawness and energy - note the guitar feedback during the intro to 'Let It Go', and the shouted 3-count between the bridge and last chorus of 'Another Hit and Run'. High'n'Dry is unique in that it was written and recorded before the 80's hard rock/pop-metal formula had been firmly established, and in fact helped define it. As such, while this album contains all the recognizable elements that came to define the genre, it also covers a lot more ground musically than what was to follow in its footsteps. Not being a fan of Def Leppard's post-Pyromania releases, I don't know that I can really recommend it to fans of their later work, but to any fans of late-70's/early-80's hard rock who somehow have managed to not yet hear this in the 26 years since its release, do yourself a favor and get this now!



4 out of 5 stars Revamped leppard.......2006-11-10

When you first hear this record you say-"wow, who got a hold of these guys?"---Excellent album. Great song writing accented by the production work of Mutt Lange. This album probably kicked off Mutt's long producing career, along with AC/DC's back in black. The layered vocals are top notch along with the guitar work of Clark and Willis. ( Willis was soon after replaced). I find Leppard albums after this "over produced". On this album they still have a touch of the sound from the first album. Highlights include "Bring' on the Heartbreak" bleeding into "Switch 625"-Let it Go-and the title track. If ya like Def Leppard at all, ya gotta have it.

4 out of 5 stars Raw power.......2006-10-12

High 'n' Dry makes up in raw power for what it lacks in production. Pyromania would take Def Leppard's production to a new level, but with that they lost the edge. The production of High 'n' Dry isn't *bad* by any stretch of the imagination, but the difference between this and Pyromania is clear. This album was the last where it was the music that mattered and not how slick it sounded.

I've never been a huge Def Leppard fan, but being a teenager during their hey-day, how could one not be familiar with the likes of "Photograph" and the other multi-platinum hits from Pyromania? With that said, though, the other noticeable difference between this album and the next is that there really are no bad songs on this album. It's just plain high-intensity rock 'n' roll from start to finish.

If "Bringing On The Heartbreak" single-handedly ushered in the rock-ballad genre, I suppose that's not the worst legacy to have. I have to admit that I like that song, even if I do despise a lot of what came after.

This is without a doubt the high-point of Def Leppard's creative output. Although Pyromania is the Def Leppard everybody remembers, High 'n' Dry is what made them. If you're a fan, you owe it to yourself to add this to your collection.
The Music of John Williams: 40 Years of Film Music
Average customer rating: 4 out of 5 stars
  • Very disappointing, considering what it could have been
  • Always a pleaser
  • JOHN WILLIAMS 40 Years of Film Music
  • Movie Music Magic & Memorabilia
  • John Williams: 40 Years of Outstanding Film Music
The Music of John Williams: 40 Years of Film Music

Manufacturer: Silva America
ProductGroup: Music
Binding: Audio CD

Movie ScoresMovie Scores | Soundtracks | Styles | Music
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Star WarsStar Wars | Soundtracks | Styles | Music
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Similar Items:
  1. John Williams - Greatest Hits 1969 - 1999
  2. Jerry Goldsmith: 40 Years of Film Music
  3. The Essential Elmer Bernstein Film Music Collection
  4. John Barry: The Collection
  5. Summon the Heroes

ASIN: B0000C6K09
Release Date: 2003-10-07

Tracks:

  1. The Sugarland Express-Main Theme
  2. Jaws-Main Theme
  3. Close Encounters Of The Third Kind-Suite
  4. Raiders Of The Lost Ark-March
  5. Raiders Of The Lost Arc-The Map Room:Dawn
  6. E.T. The Extra-Terrestrail-Adventures On Earth
  7. Indiana Jones And The Temple Of Doom-Mine Car Chase
  8. Indiana Jones And The Temple Of Doom-End Credits
  9. Empire Of The Sun-Exsultate Justi
  10. Indiana Jones And The Last Crusade-Indy's First Adventure

Tracks:

  1. Indiana Jones And The Last Crusade-End Credits
  2. Always-Follow Me/Dorinda's Solo Flight
  3. Hook-Main Themes
  4. Jurassic Park-Main Themes
  5. Schindler's List-Main Theme
  6. Amistad-Dry Your Tears, Afrika
  7. Saving Private Ryan-Hymn To The Fallen
  8. A.I. Artificial Intelligence-Where Dreams Are Made
  9. Minority Report
  10. Catch Me If You Can

Tracks:

  1. The Rare Breed-Suite (Universal Emblem/Hilary's Plight/Scottish Romeo/The Hunt)
  2. Jane Eyre-Suite: The Jane Eyre Theme
  3. Jane Eyre-Suite: To Thornfield
  4. Jane Eyre-Suite: Restoration
  5. The Cowboys-Overture
  6. The Poseidon Adventure-Prelude
  7. The Towering Inferno-Main Titles
  8. Family Plot-End Titles
  9. The Fury-Main Titles
  10. Superman-Main Theme
  11. Dracula-Main Titles & Storm
  12. The River-Main Theme & Love Theme
  13. The Witches Of Eastwick- Dance Of The Witches

Tracks:

  1. Born On The Fourth Of July-End Credits
  2. Presumed Innocent-End Titles
  3. JFK-Arlington/End Titles
  4. Harry Potter And The Philosopher's Stone-Hedwig's Theme
  5. Harry Potter And The Chamber Of Secrets-Fawkes The Phoenix
  6. Star Wars: A New Hope- Main Theme
  7. Star Wars: The Empire Strikes Back-Hans Solo And The Princess
  8. Star Wars: The Empire Strikes Back-The Imperial March
  9. Star Wars: The Phantom Menace- Anakin's Theme
  10. Star Wars: The Phantom Menace-The Flag Parade
  11. Star Wars: Attack Of The Clones-Across The Stars
  12. Star Wars: The Phantom Menace-Duel Of The Fates

Customer Reviews:

1 out of 5 stars Very disappointing, considering what it could have been.......2007-04-20

Take a look at the running times:

Disc 1: 60 minutes
Disc 2: 50 minutes
Disc 3: 61 minutes
Disc 4: 58 minutes

What gives Silva? There is *MUCH* more John Williams in the silva screen back catalogue by the Prague Philharmonic than what is in this set, and thats not including their entire discs devoted to Star Wars Films, Indiana Jones Trilogy etc. Why isn't Hook "When You're Alone" included on Disc 2? There's room. Why isn't 1941 on Disc 1? There's room. Why isn't Earthquake on Disc 3? There's room. Why isn't Far and Away on disc 4? There's room. Where's the other ten minutes of the Rare Breed suite on disc 3? Why isn't Midway on disc 1? Where are the Land of the Giants, Time Tunnel and Lots In Space tv themes? Etc. Etc. Etc.

C'mon Silva, most of these 4 disc mega boxes released in the past few years are packed to the brim, but not this one, and with new recordings made after this was released (the terminal, munich, geisha, war of the worlds, star wars ep 3, harry potter 3), it only makes sense for a "re-do" in the next couple of years.

Further, with Silva releasing the 100 Greatest Film Themes on six discs in a couple of months, it's only a matter of time before we see the ultimate six disc john williams set.

This isn't a BAD set to own, but it could have been much better and when compared to the Jerry Goldsmith and John Barry sets in this same series, this one is a major letdown.

5 out of 5 stars Always a pleaser.......2007-03-31

I listen to music all day with patients in my dental chair. This one is a winner with everyone. Patients always comment on how they recognize a song. Who doesn't love John Williams? His music transcends time.

5 out of 5 stars JOHN WILLIAMS 40 Years of Film Music.......2007-01-10

This 4 cd pack is an anthology of all John Williams works. From his earlier works "The Poseidon Adventure" and "Jaws" right through "Indiana Jones" and the most recent"Star Wars" prequel movies are included. Williams work in thriller and horror are also included. If you are into soundtracks and love movie music this is an essential buy. The quality of the music is excellent. With ten or more tracks on each cd it's well worth the money.

5 out of 5 stars Movie Music Magic & Memorabilia.......2006-12-13

This four CD set expands on the previously released John Williams Greatest Hits. It's a grand collection of nearly four hours of famous music scores from over forty years. There are many songs never before available in any collection. The short liner notes tell a great tale of musical movie history and include all of his numerous award nominations and wins. Each song (oddly enough) mentions the actors and the director, so fond are John Williams's memories of his work with these people. All of the conductors are mentioned along with specific orchestras, choirs, arrangement and orchestration specialists and even the publishers (contractual, I am sure). The only things missing are his early television scores, such as those for "Lost In Space" (by Johnny Williams back then). But with four discs, one has nothing to complain about and everything to enjoy!

5 out of 5 stars John Williams: 40 Years of Outstanding Film Music.......2006-11-28

I have been a huge fan of John Williams and I have known about his music for years. However, I never actually bought any of his music on CD. I was rather skeptical about purchasing this CD but when it arrived I knew I had made the right choice. The sound quality of the compilation is outstanding. The City of Prague Philharmonic Orchestra do a great job under the direction of Paul Bateman. The original London Symphony Orchestra CDs of John Williams' Star Wars Trilogy CDs are marginally better but this is still a great CD compilation. If you love ET, Star Wars, Indiana Jones and Harry Potter, you will love this compilation soundtrack. Buy it, listen to these CDs in the car and enjoy every minute of the collection!!!
Dry
Average customer rating: 4.5 out of 5 stars
  • Exceeds the 5 star rating!
  • One of the best debut albums, ever!
  • "Gonna take my hips to a man who cares..."
  • A True Musical Genius Emerges With This Irresistable Album
  • A very good album
Dry
PJ Harvey
Manufacturer: Island
ProductGroup: Music
Binding: Audio CD

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Similar Items:
  1. Rid of Me
  2. To Bring You My Love
  3. Is This Desire?
  4. 4-Track Demos
  5. Stories From The City, Stories From The Sea

ASIN: B000001F0H
Release Date: 1997-06-10

Tracks:

  1. Oh My Lover
  2. O Stella
  3. Dress
  4. Victory
  5. Happy And Bleeding
  6. Sheela-Na-Gig
  7. Hair
  8. Joe
  9. Plants And Rags
  10. Fountain
  11. Water

Amazon.com essential recording

Dry is the cornerstone of the 1990s "women in rock" movement. To paraphrase what Lou Reed said about the Velvet Underground: Not many people bought the album, but those who did formed a band. The attraction is unmistakable: bluesy riffs played with punk-rock energy suddenly crash to a hush, while Harvey's desperate wails become fatigued moans. What is she so hung up about? Well, in the spirit of the Stones, love and hope and dirty dreams and sex and sex and sex. Through the raucous "Oh My Lover" and "Joe," Harvey airs her laundry quite loudly but never loses her wit, as "Sheela-Na-Gig," which features the mantra "I'm gonna wash that man right outta my hair / I'm gonna take my hips to a man who cares," attest. --Bill Crandall

Customer Reviews:

5 out of 5 stars Exceeds the 5 star rating!.......2006-12-30

I bought this cassette when it came out in 1992. I had long ago worn out the cassette. I just recently purchased the CD's to all her music, man I have missed it.
PJ Harvey is a powerful singer, song writer and musician. This CD is not for someone expecting happy, sappy love songs or a tame beat.
She exudes a raw, feminine, tough, and sometime comical outlook in her songs. She holds nothing back.
Each song is an experience.

Oh My Lover: she sings to her lover "You can love her and you can love me at the same time, much to discover." Not only is this song sexual, it's also pretty emotional to me. She asks him to "take at your leisure, take whatever you can find." Then she almost pleads with him to say her name and offers to take on his troubles. To me this song always represented a woman willing to go to the extreme to please her man, to keep him.

Dress: this is a really fast, upbeat song. But the lyrics are kind of sad. She's lonely and gets all dressed up and tries to get male attention. It reminds me of all the uncomfortable stuff we do trying to attract the opposite sex. At the end of the song, she's still alone.

Happy and Bleeding: I always took this song to be a celebration of a woman's amazing body and its capabilities. Whether or not that is the correct interpretation, I have no idea. "...fruit flower myself inside out, I'm happy and bleeding for you."

Sheela-Na-Gig: if you have never seen a Sheela-Na-Gig, you need to look one up in order to fully appreciate this song. This is one of the songs I feel she takes a more 'comical' approach. She is showing off her child bearing hips and other assorted 'assets' while her 'partner' is accusing her of exhibitionism. All the while she professes to find a new man. At one point he asks her to clean her "dirty pillows" because he doesn't want to be unclean.

Fountain: I always thought this song was beautiful. She starts it off by standing under a fountain and washing away a man. Then another man comes and saves her, only to leave her like the other one did. The beat starts off slow and then builds.

That's just a few of the songs on this CD and each one is remarkable in its own right. I will never tire of this CD, its music or its lyrics. PJ Harvey is in a class by herself.

5 out of 5 stars One of the best debut albums, ever!.......2006-05-18

DRY was PJ HARVEY's debut and in my humble opinion, one of the best debut albums from any artist, ever. Words cannot explain what an amazing album this really is. One would have to hear it to believe it. Over a decade later I still find myself going back again and again to this CD whenever I feel a need and it does the trick each and every time. I honestly love all her albums and while RID OF ME is still my favorite, I think DRY is her most creative, and an easier listen, making this album my top contender for that trip to LostIsland. All the songs are good, each raw with emotion yet still passionate, with a wide topic range, and all contain an interesting, melodic use of instruments and lushly beautiful lyrics. I won't go through each song because I feel my fellow reviewers have done a great job of that but I would like to share some thoughts on why I love this album so much.

From the beginning riffs of "Oh My Lover" I was hooked. What a great opening song, I can hear (and relate to!) the yearning and hurt in Polly's voice as she sings her heart out to an unfaithful lover. "Oh, my lover! Don't you know it's alright? You can love her, you can love me at the same time.."

"Dress" is a great song. What a classic rock song. I remember hearing it for the first time nearly knocked me off my chair! It's fast with lots of guitar and a hint of salsa, I think. I swear you can't help but tap your foot to this song! I'm warning you, it's infectious! "Put on that dress, I'm going out dancing. Starting off red, clean and sparkling then he'll see me.." I think this song is about a disillusioned woman who learns that sometimes in life being dressed for success doesn't necessarily guarantee it.

One of my favorite PJ Harvey songs ever is "Sheela-Na-Gig." To me this is such an empowering song and I love to shout along with the lines, "Gonna wash that man right outta my hair!.. Gonna take my hips to a man who cares!.." The title (I hear) refers to a Celtic statue of a nude pagan girl amusing herself you know, down south. Hence the chorus, "Sheela-Na-Gig, You exhibitionist!" Starts off with excellent guitar and then we hear Polly's voice and this poetry:

I've been trying to show you over and over..
Look at these, my child bearing hips
Look at these, my ruby red ruby lips
Look at these, my work strong arms and
You've got to see my bottle full of charm...

"Plants and Rags" leaves me breathless. I cannot get enough of this song! I got goosebumps the first time I heard it. To me this is the best song of the album but I'm a bit bias because I feel this song has a very RID OF ME vibe to it and ROM is, ultimately, my favorite of all PJ recordings. Don't be fooled as this song is quite sinister. It starts off rather slow, with a bit of guitar and PJ's nonchalant vocals, "Plants and rags. Ease myself into a body bag..." The song gets even eerier soon enough, with heavy weird strings and the building drama of a creepy violin. You really start to get a sense for the song, especially as PJ's voice grows more urgent as she sings, "White and black. You looking for the sun, boy? The sun doesn't shine down here, no, no..." O Goodness, this song is so good, I wanna name a star after it!

And this album is so awesome that when I am King I shall declare everyday, PJ Harvey Day.

God bless Polly Jean.

5 out of 5 stars "Gonna take my hips to a man who cares...".......2006-05-03

PJ Harvey's debut album is raw, quiet, and gutsy. I guess you would call this an indie album, very subtle and low-key in production quality. Some great songs here, some of my all-time favorites are Happy and Bleeding, "Hour of season, happy and bleeding, long over-due too early and it's late too." Sheena-la-gig (hope I spelled it right!) is one catchy and fun song, "Look at these my childbearing hips, look at these my ruby red ruby lips..." Oh My Lover is a classic, "You can love her and you can love me at the same time." Plants and Rags, a gorgeous ballad, "Dreamt of man, he fed me fine food he gave me shiny things." Fountain is another standout, "On my hill I wait for wind..." The rest of the tracks are fabulous as well. Dry is the perfect album if you want a strong female singer and talented songwriter all in one, buy this hidden masterpiece!

5 out of 5 stars A True Musical Genius Emerges With This Irresistable Album.......2006-01-30

"Dry" is P.J. Harvey's debut album, released in 1992 it was a critical success while it did modest on the commercial side of things. Harvey was a breath of fresh air to the industry and was that generation's Patti Smith. Her mixture of pounding riffs and raw vocals created one superb album, the multi-talented Harvey wasn't content with just singing she had to co-produce the album, play guitars and violin, and write all but two of the tracks (those two she co-wrote). There are standouts but the album is overall a solid effort and flows well.

The album starts with the simplistic "Oh My Lover", the track is simple yet effective and isn't an all-out assault on the ears. I really like the starkness in P.J.'s voice.
"O Stella" seems a bit like a reprise of the previous track, though I do like this song better, it's shorter and does more musically, but that doesn't mean I hate "Oh My Lover".

Next up is "Dress", I like the repitition in the lyrics and the double bass part which is played to perfection. The song has a very syncopated feel, even though at times an irregular feel.
"Victory" is another great track with a nice echo section in it and some nice guitar parts. The bass is great, the drums are probably stronger than ever since the start of the album.

"Happy And Bleeding" sounded like it had elements of country and folk in it upon first listen and I still can hear little elements of it, though not as much now, it's another great track though a bit of variation in the riffs would've be nice.
"Sheela-Na-Gig" is one of the best songs on the album and the most successfull single off the album, the structure of the song is perfect, especially the 'I'm gonna wash that man right of my hair...' bit. I like the chorus, it's really catchy.

"Hair" keeps the same formula that has made the album what it is and doesn't interrupt the flow at all. All the basic things are here, good lyrics, catchy hooks and superb instrumenation.
"Joe" is another short track that is set at a very fast tempo, it seems to be gone and over really quick. It's still a nice track though.

"Plants And Rags" is the best song on the album and seems a bit out of place on the album, I love the way the strings are used and written. This song is without a doubt the most emotional album on the album and P.J. proves her voice's potential well on this track.

"Fountain" starts off incredibly lo-fi and then breaks into the signature sound of the album. I like the contrast and how it makes the song a bit segmented. "Water" has been described as the 'lightest' track off the album, although it does seem a bit light, it still has that punch about it. Great vocals by P.J. again.

Overall, "Dry" is special, it retains it's rock-alternative sound while still displaying emotion and beauty. The two best tracks would have to be "Plants And Rags" & "Sheela-Na-Gig", simply because they well, standout. This album though is incredibly solid throughout and flows nicely making this an irresistable album by a true musical genius.

4 out of 5 stars A very good album.......2005-12-15

Hey, to the shmuck who said "this is what happens when your sister listens to too much Nirvana" -- check the date, man. This album was contemporanious with Nirvana, and indeed shares a link to that band in producer Steve Albini. PJ is her own artist, posessive of a strength of self not seen since Billie Holiday and this record captures that in a very visceral way.

That said, it's not as good as Rid of Me, but it's a very good album. If you can find a bootleg of the demos that led to this album (called "Jungle Queen"), the non-electric sessions of these same songs are much more captivating...I'd have to say Albini's influence spoiled things a little bit.
Thirtieth Anniversary Special
Average customer rating: 4.5 out of 5 stars
  • this group is GREAT
  • A charming hour that treats us to DBFS's sound since 1989
Thirtieth Anniversary Special
Dry Branch Fire Squad
Manufacturer: Rounder / Umgd
ProductGroup: Music
Binding: Audio CD

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Rounder RecordsRounder Records | Specialty Stores | Music
Similar Items:
  1. Live at the Newburyport Firehouse
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  3. Low Country Suite
  4. A Hundred Miles or More: A Collection
  5. Lefty's Old Guitar

ASIN: B000OLHFR6
Release Date: 2007-05-15

Tracks:

  1. I've Lived a Lot In My Time
  2. Devil, Take the Farmer
  3. I Saw a Man At Close Of Day
  4. Rollin' On Rubber Wheels
  5. Church By the Road
  6. He's Coming To Us Dead
  7. A Distant Land To Roam
  8. Over In the Glory Land
  9. Do You Ever Dream Of Me?
  10. The Honest Farmer
  11. Long Journey
  12. Oak Grove Church
  13. Hide You In the Blood
  14. Golden Ring
  15. Carolyn At the Broken Wheel Inn
  16. When I Went Down In the Valley To Pray
  17. The Orphan Train
  18. While Roving On Last Winter's Night
  19. Dip Your Fingers In Some Water
  20. We Believe In Happy Endings
  21. How Great Thou Art

Album Description

For three decades now, the beloved Dry Branch Fire Squad has been a bastion of mountain soul, bluegrass, and old-time music - carrying timeless traditions into the modern era with a blend of reverence, soul, and wit all their own. This special edition thirtieth anniversary collection is designed to complement Rounder's previous Dry Branch anthology, Tried and True (Rounder 11519), and contains material (some previously unreleased) recorded in the twenty years since that collection's release. Under the stewardship of Ron Thomason, Dry Branch Fire Squad has weathered the storms on the sea of time, all to forge an iron-clad brand of defiantly rugged old-time and traditional bluegrass music that imparts essential reminders of the past while unafraid to meet the future head-on.

Customer Reviews:

5 out of 5 stars this group is GREAT.......2007-06-28

Have enjoyed their music for the past 10 years. Have 5 of their CD's and they are great to listen to. Have even given this last one as a birthday gift!

4 out of 5 stars A charming hour that treats us to DBFS's sound since 1989.......2007-05-19

Playing Time - 63:24 -- In the course of a lifetime, turning thirty may bring a few aches and pains. A band achieving that milestone may also experience similar ailments that also come with musical maturity. Back in 1971, mandolinist Ron Thomason was picking with Ralph Stanley and the Clinch Mountain Boys. Ricky Skaggs and Keith Whitley were also his bandmates. From Springfield, Ohio, The Dry Branch Fire Squad formed in 1976 and took its name from a small town in Virginia (where Ron was born). The band's successful longevity has been attributed to their raw, mountain-style vocals and Thomason's wry humor as an emcee and storyteller. Until retiring in 1999, Ron was an English and math teacher and junior high assistant principal.

Their ninth album on Rounder Records, this heartfelt 30th anniversary collection only draws material from the label's releases since 1989. The reason is that there was a previous band anthology, "Tried and True," (Rounder 11519) released in 1987. Would it have been better for a 30-year album to also draw material from all three decades, and from as far back as their three pre-Rounder LPs from the 1977-78 timeframe? While their Rounder material has been superior to their earliest recordings, it would've been exciting to document all 30 years with a couple songs like Out on the Blue Ridge Mountain from their earliest 1977 "Live at the Crying Cowboy Concert Saloon" LP (RT-513). Also, the early days of the band emphasized basic, mournful, sensitive vocal duet arrangements with Ron Thomason and tenor John Baker (fiddler Kenny Baker's son). You'll need to get DBFS's 1979, 1981 or 1982 Rounder albums ("Born to be Lonesome," "Antiques and Inventions," or "Fannin' the Flames") to experience them together. Or to hear some of Thomason's originals like "Dak's Song" or "Oh! What a Storm." So, to truly celebrate all 30 years with this band, I recommend also picking up a copy of the 1987 "Tried and True" anthology mentioned earlier.

Among the 21 tracks on "30th Anniversary," there are four previously unreleased songs (He's Coming To Us Dead, Over in the Glory Land, Golden Ring, How Great Thou Art). Although liner notes don't indicate when they were recorded, they're quite recent, and three feature the band's newest lineup of Ron Thomason, Brian Aldridge, Dan Russell and Tommy Boyd. A hit for George Jones and Tammy Wynette, "Golden Ring" is still arranged with Ron's crosspicked guitar, and the song does appear on the band's 1981 album "Antiques and Inventions" with a different group except for common denominator Thomason. The binding thread or glue in all of the band configurations, Ron primarily plays guitar or mandolin. His clawhammer banjo picking appears in two songs - his solo rendition of Grayson & Whitter's "He's Coming To Us Dead" and the band's quartet offering of "The Honest Farmer," accompanied only by fiddle and banjo.

Vocal arrangements capture the emotional essence of their largely traditional bluegrass and gospel canon. On all vocal cuts, Thomason sings lead. In the last two decades, the band's mournful signature sound has also regularly been built around Ron's lead with female tenor or high baritone parts (courtesy of Suzanne Thomas and Mary Jo Leet). All three of them are showcased together in "Dip Your Fingers in Some Water," and the quartet (with Charles Leet singing bass) entitled "When I Went Down in the Valley to Pray." Hazel Dickens, who recalls a time when it was "downright subversive practically to be a woman in bluegrass," sings tenor on "Hide You in the Blood." These songcarriers have kept nuggets like Carter Stanley's "Rollin' on Rubber Wheels" in their repertoire for years. Ron once said that he viewed the band as "spokesmen for a way of life" among the people who originally propagated the music. It's their revitalization of dusty old classic treasures (like A. P. Carter's "A Distant Land To Roam") that has also built their fanbase. Doc Watson simply called it "the old music," folk ballads and the kinds of songs sung by the Carter Family and Grayson & Whitter. Interestingly, their vocal stacking for that A.P. Carter cover includes four vocal parts, but no tenor according to the liner notes.

Instrumentally, the band's unpretentious picking is sufficient for their authentic kind of repertoire. With some electric bass and steel guitar, "Carolyn at the Broken Wheel Inn" is a unique selection. Besides those mentioned above, others in the band have included Dave Edmundson (fiddle, vocals), John Hisey (banjo, vocals), [...] Irwin (bass), Bobby Maynard (fiddle) and Adam McIntosh (banjo, mandolin, vocals). The band's widespread appeal in live performance is also due to their showmanship and stage presence that enhance their purest form bluegrass. The charismatic band opens up, sings and plays with sincerity, and builds rapport. All in all, this is a charming hour that treats us to DBFS's sound since 1989. (Joe Ross, staff writer, Bluegrass Now)
Peter & The Commissar
Average customer rating: 4.5 out of 5 stars
  • Hilarious!!!
  • Peter and the Commissar
  • A very funny piece
  • Great CD
  • Classical Gas
Peter & The Commissar

Manufacturer: Collector's Choice
ProductGroup: Music
Binding: Audio CD

General ModernGeneral Modern | Modern, 20th, & 21st Century | Historical Periods | Classical | Styles | Music
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  1. My Son, The Greatest: The Best Of Allan Sherman
  2. My Son, The Box
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  4. Sibling Revelry: The Best of the Smothers Brothers
  5. The First Family, Vol. 1-2

ASIN: B0002LO7GU
Release Date: 2004-11-09

Tracks:

  1. Peter and The Commissar
  2. Variations On "How Dry I Am"
  3. The End of a Symphony

Product Description

1. Peter And The Commissar
2. Peter And The Commissar (Introduction)
3. Variations On How Dry I Am
4. End Of A Symphony, The


Format: CD

Customer Reviews:

5 out of 5 stars Hilarious!!!.......2007-07-03

I just listened to this CD for the first time yesterday. If you love the Boston Pops, classical music, amazing "NEW" arrangements of old favorites, and Allan Sherman's crazy humor, this is the CD for you. My husband and I laughed ourselves silly.

I will never think of "Peter and the Wolf" in the same way again, and Allan's creative genius is clearly demonstrated in his variations on "How Dry I Am." Then, he seems to access all the thoughts you've ever had on the "never ending" finales to classical symphonies -- right on target!

I have loved "Hello Muddah, Hello Faddah" and many of Allan's other famous parodies for years -- don't want to admit how many, but I had never heard this album. It is now my favorite!

As to the sound -- it is crisp and clean -- even when heard through a car stereo.

Buy it. You won't be sorry. (Heck, I'm buying several more to give as gifts!)

5 out of 5 stars Peter and the Commissar.......2007-01-22

Of all the CD's (and LP's) I have listened to over the years, this is without doubt my favorite. Allan Sherman was a pretty funny comic in the early 60's and The Boston Pops were (and are), well, The Boston Pops. This was a very clever combination of a funny guy, a world renowned orchestra and a witty story and music line. Classical music lovers with a sense of humor will love this CD.

5 out of 5 stars A very funny piece.......2007-01-18

I first heard this back in the early 1970s and found it again. The title track is a very funny piece of satire and I enjoyed listening to it again after such a long time.

I got a second copy for a friend and he was absolutely delighted when he received it.

Allan Sherman did some great comedy pieces and this is certainly one of his best, I think.

4 out of 5 stars Great CD.......2006-07-09

For years I was only familiar with this recording from a promotional album (only partial tracks and interview snippets) my Grandfather had and was excited to see that the full version was available on CD. I still love it but after having heard the "best bits" version some of the new (to me) stuff feels like filler. Regardless, the "best bits" are very funny and the album - I mean - CD is worth getting. Even my boys (ages 10 and 12) enjoy it....Hey, don't forget to pick up the Allan Sherman Boxed Set as well...it's another family favorite.

5 out of 5 stars Classical Gas.......2006-01-30

This is the most hilarious CD with a classical bent I have ever heard. Allen Sherman is gifted when it comes to imaginative uses of classical themes. Anyone who has heard any of these famous melodies will laugh themselves silly when they hear what is done to them! It's a super pick-me-up when I'm feeling blue. It's a must-hear for all you classical music buffs!
Nixon in China
Average customer rating: 4.5 out of 5 stars
  • The Inner Psychological and Philosopical Questions of Power
  • An Opera about Nixon
  • Fabu
  • getting down in the horn of africa
  • A Waste of Commission Money
Nixon in China
John Adams , Edo de Waart , Trudy Ellen Craney , Marion Dry , John Duykers , Stephanie Friedman , and Thomas Hammons
Manufacturer: Nonesuch
ProductGroup: Music
Binding: Audio CD

All Works by AdamsAll Works by Adams | Adams, John | ( A ) | Featured Composers, A-Z | Classical | Styles | Music
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  1. John Adams - The Death of Klinghoffer / Nagano, The Orchestra of the Opera de Lyon
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  3. On the Transmigration of Souls
  4. Naive & Sentimental Music
  5. Adams: Violin Concerto/Shaker Loops

ASIN: B000005IYW
Release Date: 1990-10-25

Tracks:

  1. Act I, Scene I: Beginning - Orch Of St. Luke's/Edo De Waart
  2. Act I, Scene I: 'Soldiers Of Heaven Hold The Sky'
  3. Act I, Scene I: 'The People Are The Heroes Now'
  4. Act I, Scene I: Landing Of The Spirit Of '76
  5. Act I, Scene I: 'Your Flight Was Smooth, I Hope?'
  6. Act I, Scene I: 'News Has A Kind Of Mystery:'
  7. Act I, Scene II: Beginning - Orch Of St. Luke's/Edo De Waart
  8. Act I, Scene II: 'You Know We'll Meet With Your Confrere The Democratic Candidate If He Should Win.'
  9. Act I, Scene II: 'You've Said That There's A Certain Well-Known Tree'
  10. Act I, Scene II: 'Founders Come First, Then Profiteers.'
  11. Act I, Scene II: 'We No Longer Need Confucius.'
  12. Act I, Scene II: 'Like The Ming Tombs.'
  13. Act I, Scene III: Beginning - Orch Of St. Luke's/Edo De Waart
  14. Act I, Scene III: 'Ladies And Gentlemen, Comrades And Friends,'
  15. Act I, Scene III: 'Mr. Premier, Distinguished Guests,'
  16. Act I, Scene III: Cheers

Tracks:

  1. Act II, Scene I: Beginning - Orch Of St. Luke's/Edo De Waart
  2. Act II, Scene I: 'Look Down At The Earth,'
  3. Act II, Scene I: 'This Is Prophetic!'
  4. Act II, Scene I: 'At Last The Weather's Warming Up.'
  5. Act II, Scene II: Beginning - Orch Of St. Luke's/Edo De Waart
  6. Act II, Scene II: 'Oh What A Day I Thought I'd Die!'
  7. Act II, Scene II: 'Whip Her To Death!'
  8. Act II, Scene II: Tropical Storm
  9. Act II, Scene II: 'Flesh Rebels'
  10. Act II, Scene II: 'I Have My Brief'
  11. Act II, Scene II: 'It Seems So Strange'
  12. Act II, Scene II: 'I Am The Wife Of Mao Tse-Tung'

Tracks:

  1. Act III: Beginning - Orch Of St. Luke's/Edo De Waart
  2. Act III: 'Some Men You Cannot Satisfy.'
  3. Act III: 'I Am No One.'
  4. Act III: The Maos Dance
  5. Act III: 'Sitting Around The Radio'
  6. Act III: 'Let Us Examine What You Did.'
  7. Act III: 'When I Woke Up I Dimly Realized The Jap Bombers Had Given...
  8. Act III: 'I Have No Offspring.'
  9. Act III: 'I Can Keep Still,'
  10. Act III: 'After That The Sweat Had Soaked My Uniform'
  11. Act III: 'Peking Watches The Stars,'
  12. Act III: 'You Won At Poker.'
  13. Act III: 'I Am Old And I Cannot Sleep'

Customer Reviews:

5 out of 5 stars The Inner Psychological and Philosopical Questions of Power .......2007-06-25

Even though I am quite familiar with a lot of "classical" orchestral works and some chamber music, I am just beginning to explore the world of opera. So far, the only other operas I have to compare are Monteverdi's "Orfeo" and Mozart's "Magic Flute".

The composer, John C. Adams, uses the "minimalist" approach to which I am also somewhat unfamiliar. The only minimalist works I've heard proir to "Nixon in China" are Gorecki's beautiful and sad, "Symphony of Sorrow" and "The Photographer" by Philip Glass.

This opera seems to sound a lot like what little of the music of Philip Glass I have heard. It also sounds a bit like Carl Orff's "Carmina Burana" at times. There are really no "songs" that one can sieze, as the entire 2 1/2 hours has the same unending feel to it.

I would say that the music style makes "Nixon in China" a piece of moods and feelings rather than "beautiful melodies". These moods and feelings are dependent on the well-crafted liberetto (collection of lyrics) and expressive singing. At times, the opera becomes very intense and urgent. In this sense, "Nixon in China" is more akin to "Orfeo" than "The Magic Flute".

Through it all, "Nixon in China" is a very intriguing opera. It is a truly modern work, unlike anything by Beethoven through Stravinsky or Schoenberg. The setting and subject matter are also something new: not mythological or based on some great novel or play; but rather a diplomatic mission between two of the most important nations on the geo-political stage in our modern age: China and the USA.

The inner psychological and philosopical questions of power are also explored through the complex characterizations of Nixon, Mao, Kissenger and Cho En-lai. As a student of music, psychology and history; I found the very idea of "Nixon in China" quite interesting.



5 out of 5 stars An Opera about Nixon.......2007-01-20

John Adams never was any better than on this fantastic opera. It is absolutely spectacular. I even went to see it played in Paris I think 15 years ago. He manages to integrate his minimalist approach into this masterpiece of modern music.

5 out of 5 stars Fabu.......2005-11-22

I understand why opera lovers would call this minimalist. In the context of opera as a whole it is minimal, thankfully if you ask me. However, viewed in relation to modern music it is very full and sonically beautiful. Compared to Beeson's "Lizzie Borden" etc. "Nixon in China" is an homage to classic opera.

The libretto is stunningly brilliant. It gets enough attention so I won't add anything here.

The music is lyrical and addictive. You will find yourself whistling, humming or just full out singing it outloud while walking down the street. The first time you listen to it you will be completely hooked from the very beginning and be in full on gush mode by the end of Nixon's "News" aria at the end of the very first scene.

I won't mention this recording too much. Could it be better? Yes. I am simply desperate for a DVD version like the other Adams operas "el Nino" and "Death of Klingenhoffer." But US residents shouldn't complain since I paid double the price here in the Netherlands.

In the end "Nixon in China" basically uses every trick in the opera bag. It will definitely be an opera that lasts. Ten years after I heard it for the first time it is just as crisp and addictive as before.

Lastly. On a complete side note. I've heard excerpts of "Nixon in China" in the "Civilizations IV" computer game as the background music to the modern era.

5 out of 5 stars getting down in the horn of africa.......2005-08-17

I can't even begin to say how much I love this disc and Volume 8 of this series. This is the most unique, fun, danceable, funky, bluesy, r&b, poppy fun and sometimes even spooky music i have heard in over a year.

just listen to the samples and be bewitched and feel your feet start to shuffle. buy it, make all your friends listen to it and they will love you for it.

funtimes await you!

2 out of 5 stars A Waste of Commission Money.......2002-10-23

This terrible, trite, insipid piece of music was a waste of a commission. Unbelievably repetitive at every level. Find some of Adams' inspired earlier music rather than this tripe.

The only thing worse is experiencing a live performance...awful sets ..

The recording is fine.
Of Vengeance and Violence
Average customer rating: 4 out of 5 stars
  • This is how you do it...
  • Solid, but still not quite great
  • third time's a charm
  • Not bad
  • Dry Kill Logic's third album
Of Vengeance and Violence
Dry Kill Logic
Manufacturer: Repossession Records
ProductGroup: Music
Binding: Audio CD

GeneralGeneral | Alternative Rock | Styles | Music
GeneralGeneral | Rock | Styles | Music
Alternative MetalAlternative Metal | Hard Rock & Metal | Styles | Music
GeneralGeneral | Hard Rock & Metal | Styles | Music
Pop RockPop Rock | Pop | Styles | Music
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  1. Savior Sorrow
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ASIN: B000GY72XS
Release Date: 2006-09-25

Tracks:

  1. L5(Progogue)
  2. My Dying Heart
  3. 4039
  4. Caught In The Storm
  5. From Victim To Killer
  6. The Innocence Of Genius
  7. Boneyard
  8. Kingdom Of The Blind
  9. Dead Mans Eyes
  10. Confidence Vs Consequence
  11. Breaking The Broken
  12. Lying Through Your Teeth
  13. In Memoria Di

Product Description

1) L5 (Prologue)
2) My Dying Heart
3) 4039
4) Caught In a Storm
5) Kingdom of the Blind
6) The Innocence of Genius
7) Boneyard
8) Dead Mans Eyes
9) Confidence vs. Consequence
10) Breaking the Broken
11) Lying through your Teeth
12) From Victim to Killer
13) In Memoria Di


Format: CD

Customer Reviews:

5 out of 5 stars This is how you do it..........2007-07-24

How does a band that came out strong in the shadows of bands like Slipknot and Mudvayne break through to keep their careers? They get better and better and slide into a completely different genre. Let me tell you, I have always loved this band, but I was never really impressed by their writing abilities other than the fact that they could write something catchy and their overall sound was great, but they never impressed me as musicians. I have to say, when I picked up this disc, I was expecting the same and probably knowing then that this would definitely be the last nail in the coffin for these guys. Wow, did they have me fooled! They slid right into more of the metalcore genre this time around and showed everyone that they actually have a lot of musical talent! So, I don't know if they got lessons or if they were just like, "Finally, we don't have to dumb it down anymore!" But yes, this album blew me away from start to finish. If you are expecting the same old DKL from the days of The Darker Side of Nonsense, you aren't going to get that. But if you like some of the newer sound of bands like say Killswitch Engage, or even some of the less mainstream bands like August Burns Red or something, this is definitely right up your alley. ENJOY!

3 out of 5 stars Solid, but still not quite great.......2007-06-07

Westchester County, New York-based quintet Hinge formed 1997, then changed their name to Dry Kill Logic in time to release their debut, "The Darker Side Of Nonsense" in 2001, and a sophomore effort called "Dead And Dreaming" three years later. Although the latter was partially influenced by metalcore, both of those first two albums were predominantly nu-metal (a very popular genre in the early 2000s). Now, in 2006, Dry Kill Logic's officially complete: Album number three, "Of Vengeance and Violence," is almost straight metal/moshcore (though technically speaking, it is probably best described as nu-ish, moshcore-influenced groove metal.)

As a result, "Of Vengeance and Violence" is doubtlessly DKL's heaviest and best record yet. It sports an abundance of jagged, abrasive rhythms, propulsive, industrial-strength, sometimes thrashy riffing, good vocals, and hefty drumming (including a few blast beats -- Phil Arcuri's drumming seems to grow more complex and furious as the album plays.) There are several flashes of brilliance sprinkled on throughout the album, such as the fiery, turgid guitar lead, memorable groove, and ripping, even borderline-wailing solo behind "4039," the blowtorch riffs, bullying rhythm, and forceful double bass/blast beat pummel that anchors the heaviest tracks ("Boneyard" and "Dead Man's Eyes"), and the deft, almost blistering rave-up, "Lying Through Your Teeth." But surprisingly, the album's biggest highlights are definitely the two soft numbers: "Kingdom of the Blind" and "In Memoria Di." The former is a power ballad of sorts where frontman Cliff Rigano takes over and shows the world his astonishingly great, proper-singing abilities; and the latter song is an acoustic-strummed, lighter-waving set closer with more exceptional vocals.

At the end of the day though, there's an indefinable "something" that seems missing from "Of Vengeance and Violence." For one, most of the heavier fare blends together too much. Plus, a substantial amount of the record seems a bit flat, flaccid, and/or formulaic - catchy, technically proficient, and sufficiently heavy, but lacking a noticeable flare, backbone or timeless innovation, thus giving off an air of somewhat tired or uninspired songwriting. And whatever the problem may be, one thing is for sure: The members of Dry Kill Logic obviously put a respectable amount of work into "OVAV," because this is by far their finest, and most accomplished, realized, and relevant release to date, but the album (and the band, in general) are still a ways behind most of their peers, and miles behind groups like Lamb of God, Chimaira, and Machine Head. It does not speak well for DKL that they are three full-length albums into their career and have gotten only so far. This is a very competent band, they have all of the tools they need to get the job done, but they just haven't completely done it yet. Hopefully they will get another shot at greatness before the music industry (and the rest of the world) gives up on them.

Lest this review comes across as too harsh, it should be noted that "Of Vengeance and Violence" isn't a bad album by any stretch of the imagination -- in fact, this is a good, solid record. But is it worth buying? Well, that all depends on your loyalty to this band and/or this genre. If you are already a big Dry Kill Logic fan, or if you just can't seem to get enough of this whole moshcore/metalcore/New Wave Of American Heavy Metal scene, then by all means, pick this album up. And "Of Vengeance and Violence" is still worth hearing even if neither of those apply to you, just don't expect too much.

5 out of 5 stars third time's a charm.......2007-04-21

This is by far DKL's best record to date. They have matured by leaps and bounds and have grown both musically and lyrically. They have not sacrificed any of their heaviness, but are getting better at writing great hooks. They usually have some softer songs on their albums, and this is no exception. Song number 8 may be my favorite DKL song. It is really catchy. If you are new to DKL, this is the one to get first. If you like it, you will like the other two cds, but their debut is very chaotic and immature compared to their newer stuff.

3 out of 5 stars Not bad.......2007-01-05

I'm a fan of DKL after hearing their last alubm, The Dead and Dreaming. All I can say for this latest release is not as good as the last outing. For fans of DKL only....

5 out of 5 stars Dry Kill Logic's third album.......2006-12-17

In my opinion, there is no way Dry Kill Logic could possibly do anything bad. This is their third album as Dry Kill Logic, previously Hinge, and it's another amazing one. As you listen, you can tell they're growing more comfortable exploring their talents. With a few tracks you can see them get away from their normally metal-core songs. I would have had a problem with this if it wasn't executed so perfectly. The album flows well and there is never a time where I would want to skip a track. Pick up all 3 albums and support Dry Kill Logic. They don't get nearly enough attention, especially for being so damn good.
Man in the Hills/Dry & Heavy
Average customer rating: 4.5 out of 5 stars
  • It Is Good When A Man Can Think For Himself
  • An Excellent Decision By Island
  • Maybe I just need to give it more time
Man in the Hills/Dry & Heavy
Burning Spear
Manufacturer: Island
ProductGroup: Music
Binding: Audio CD

GeneralGeneral | Reggae | International | Styles | Music
GeneralGeneral | Reggae | Compilations | International | Styles | Music
InternationalInternational | Styles | Blowout Music | Stores | Music
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Similar Items:
  1. Hail H.I.M.
  2. Marcus Garvey
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  4. Two Sevens Clash
  5. Cumbolo

ASIN: B00009KTWA
Release Date: 2003-06-03

Tracks:

  1. Man In The Hills
  2. It's Good
  3. No More War
  4. Black Soul
  5. Lion
  6. People Get Ready
  7. Children
  8. Mother
  9. Door Peep
  10. Groovy
  11. Any River
  12. The Sun
  13. It's A Long Way Around
  14. I W.I.N.
  15. Throw Down Your Arms
  16. Dry And Heavy
  17. Wailing
  18. Black Disciples
  19. Shout It Out

Customer Reviews:

5 out of 5 stars It Is Good When A Man Can Think For Himself.......2005-06-10

Spear mushroomed into a youth mass movement that epitomized roots with one Winston Rodney, the musical mystic from Jamaica trancing his followers into wonderful rhythm and spirituality,however one defines it's meaning...and many meanings can exist..This CD is bass heavy but fine, these 2 wonderful albums on 1 CD is a treasure...Spear and all the members of his ongoing band play well while the band always changed around the arrangements to his bedrock of early songs that somehow never dies despite the recycling going on for 35 years.
Those colors and full original artwork is missed but the notes and packaging will do.

4 out of 5 stars An Excellent Decision By Island.......2005-01-30

Like the cover sleeve says, "two classic albums on one cd!" It was wise of Island Records to put these two albums ("Man In the Hills/Dry & Heavy" 1976-77) on one cd. Out of all Winston Rodney's work these two albums are the most indistinguishable from each other, the material being quite upbeat in places with hints of jazz-like horns incorporated in. Also, being sandwiched between two other classic Burning Spear albums, "Marcus Garvey" '75 and "Social Living" '78, the music company probably felt they would make more money putting these two sets together which are only slightly weaker than their immediate successor and forerunner.

It never fails with Burning Spear; every time I buy one of his albums, I'm dissappointed at first and then growing to love it later, go out and buy another one, am disappointed then grow to love it then....etc. etc. These appealed to me much more quickly than most of his stuff, though and some of the songs here are my favorites of the artist. I love "I W.I.N." and "Throw Down Your Arms." "Dry & Heavy" is really good. The first one I began to listen to a lot was "Children." "Mother" is great, also and "The Sun" is an exciting one. But their isn't a bad track on the whole cd! From beginning to end I highly recommend this; for collectors of reggae or anyone who likes music and especially for fans of Burning Spear.

There's a lot to read inside the cover insert as well.

4 out of 5 stars Maybe I just need to give it more time.......2003-11-23

Maybe this cd is more for Burning Spear completists than anything else. The 2 old albums on this cd aren't essential for reggae or for Burning Spear, but it's music.
Dead and Dreaming
Average customer rating: 4.5 out of 5 stars
  • More mature than debut, but lacking the obvious hooks
  • Decent effort
  • screw hindsight every song makes the cd
  • Good stuff!
  • This album is so good I can't think of anything I could write for a title that would tell how much I love it
Dead and Dreaming
Dry Kill Logic
Manufacturer: Repossession Records
ProductGroup: Music
Binding: Audio CD

GeneralGeneral | Alternative Rock | Styles | Music
GeneralGeneral | Rock | Styles | Music
Alternative MetalAlternative Metal | Hard Rock & Metal | Styles | Music
GeneralGeneral | Hard Rock & Metal | Styles | Music
Pop RockPop Rock | Pop | Styles | Music
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  1. The Darker Side of Nonsense
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ASIN: B0003JAGVG
Release Date: 2004-10-05

Tracks:

  1. Lost
  2. Paper Tiger
  3. Buckles
  4. With Deepest Regrets...
  5. Neither Here Nor Missed
  6. The Perfect Enemy
  7. Living Witness
  8. One Handed Knife Fight
  9. As Thick As Thieves
  10. 200 Years
  11. No Reason

Product Description

1. Lost
2. Paper Tiger
3. Buckles
4. With Deepest Regrets
5. Neither Here Nor Missed
6. Perfect Enemy
7. Living Witness
8. One Handed Knife Fight
9. As Thick As Thieves
10. 200 Years
11. No Reason

Format: CD

Customer Reviews:

4 out of 5 stars More mature than debut, but lacking the obvious hooks.......2007-04-13

I'm a big fan of DKL. They keep getting better with each record. This release is a step away from some of the goofiness of the debut and I think it accomplishes the desired result of people taking them seriously. The songwriting is much tighter, and it is a much more straightforward metal record. Very good album, but it needs to grow on you after a few listens.

4 out of 5 stars Decent effort.......2007-03-29

For the record I'm not really a Dry Kill Logic fan per say. I own their first two records and I've heard all of the new one. I'd have to say The Dead and Dreaming is their "crowning" effort. Now first off, nothing about this band is really original. There were already so many metal bands out there playing these same old riffs for over ten years so by the time DKL came around it was already old. However, the crushing energy and agression cannot be ignored. The mellower parts are very boring and when he sings it sounds like Linkin Park-esque vocals. Nothing special there. So anyway, if you like your metal loud and angry, but low on the technical and originality scale then Dry Kill Logic is for you. This is their heaviest album and packs a punch. Better than Limp Bizkit, Korn, Hatebreed and all that mess, but I'll still stick to my Slayer, Opeth, and Testament albums.

5 out of 5 stars screw hindsight every song makes the cd.......2006-10-23

you can't say that one song made this cd good. it takes a team effort by all the songs working together, sharing the load. this cd is a shining star in the sky of all the other crap being put out. paper tiger and 200 years being 2 of my favorites. buy this cd or something because if you don't own it then you don't know what your missing.

4 out of 5 stars Good stuff!.......2006-08-16

Some of the better metal out there. "Buckles" and "Paper Tiger" are standout tracks.

5 out of 5 stars This album is so good I can't think of anything I could write for a title that would tell how much I love it.......2006-02-06

Well, I'll give it to you straight and simple. Dry Kill Logic f**king rule. Now I don't know much about them except that there is four members, but I am already convinced DKL is one hell of a band. A couple of months ago, I listened to "Nightmare" and "Rot", two songs off DKL's first album "The Darker Side Of Nonsense", on a mate's mp3 player. Needless to say, I was instantly hungry for more. I was going to buy the album, when my eyes instead locked on to The Dead And Dreaming. More interested in something more modern, I bought this CD without even sampling it because I could basically tell from the album cover it was going to be awesome. And believe me, I wasn't disappointed. Dry Kill Logic are all about one thing: expressing their anger and frustration through a series of pulse-hammering songs. Mixing melodic vocals with sheer power and aggression, DKL provide the kind of music that would make you want to destroy your bedroom. I can't choose any standout tracks, because they are all as good as each other. I too have heard people refer to DKL as nu-metal, and this is absurd. Nu-metal describes acts like P.O.D, Linkin Park and Korn. Dry Kill Logic fit more comfortably under the heavy metal/hardcore catergory alongside Slipknot and Hatebreed.

If you like Dry Kill Logic and haven't bought this album yet, get off your ass and do so.
Shave 'Em Dry: The Best of Lucille Bogan
Average customer rating: 5 out of 5 stars
  • Raunchy but Real -- Like an X-rated Bessie Smith
  • Shave 'em
  • Lucille really shaves them dry
  • ...as big as two thumbs
Shave 'Em Dry: The Best of Lucille Bogan
Lucille Bogan
Manufacturer: Sony
ProductGroup: Music
Binding: Audio CD

Classic Female Vocal BluesClassic Female Vocal Blues | Blues | Styles | Music
GeneralGeneral | Blues | Styles | Music
Traditional BluesTraditional Blues | Blues | Styles | Music
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ASIN: B00021998Q
Release Date: 2004-05-04

Tracks:

  1. Drinking Blues
  2. Barbecue Blues
  3. B.D. Womans Blues
  4. Baking Powder Blues
  5. Tired As I Can Be
  6. Groceries On The Shelf
  7. Walking' Blues
  8. Skin Game Blues
  9. Stew Meat Blues
  10. Hungry Man's Scuffle
  11. Watcha Gonna Do?
  12. Jump Steady daddy
  13. Boogan Ways Blues
  14. Reckless Woman
  15. Pig Iron Sally
  16. Man Stealer Blues
  17. Shave Em' Dry
  18. Shave Em' Dry
  19. I'm Gonna Shave You Dry
  20. Till The Cows Come Home

Customer Reviews:

5 out of 5 stars Raunchy but Real -- Like an X-rated Bessie Smith.......2007-01-09

Ever since I heard a scratchy, tinny "pirate" edition of Lucille Bogan's legendary "Shave 'em Dry" I knew I had to get a digitally remastered version. This is not smut for smut's sake, but the sincerely expressed
celebration of sexuality. This is what elevates Lucille Bogan's spice above the smirking raunch of "dirty records". Her delivery is not only eloquently musical, but exuberantly refreshing. A few of the songs were completely new to me, which was a pleasant surprise. In my opinion she ranks right up there with Ma Rainey, Bessie Smith, et. al. Bogan doesn't try to titillate her audience with "dirty verses". She celebrates lust as she knew it with all its rough edges including prostitution, lesbianism, and men that coulnd't satisfy. Highly recommended for lovers of the down and dirty blues.

5 out of 5 stars Shave 'em.......2006-07-16



She deserves better. Ms. Bogan doesn't seem to be as well known or respected as the likes of Bessie smith, "Ma" Rainey, or Ida Cox, but she is every bit as authentic a classic blues singer as any of them. I take it her musicianship was eclipsed by the bawdy themes her music explored, most notably rather explicit songs about prostitution ("barbecue Bess," "Stew Meat Blues," "Groceries on the Shelf"). She also sings- fairly explicitly even by today's standards- about adultery, lesbianism, alcoholism, coke-snorting ("Baking-Powder Blues)," and abusive men.

Check out "B.D. Woman's Blues," you can figure out what B.D. refers to, which rather openly celebrates emotional freedom and sexual liberation:

"Comin' a time, B.D. woman ain't goin' to need no men
`Cause the way they treat us is a low down and dirty sin."

We also get three different versions of "Shave `Em Dry," which is referred to as one of the most coarse blues songs every recorded, along with the braggadocios "Till the Cows Come Home." Of course the Blues are famous for songs that seemed to get away with sexual metaphors and oblique references that would be unacceptable in any other popular form. But even by blues standards, Ms. Bogan's music had a straightforward audacity that was a notch above the more pervasive veiled references of the time. But I'm not recommending this music purely for glimpses into the tough, libidinal world of the Birmingham black underworld of the Jim Crow era, although it certainly succeeds in that regard. There is also plenty of vulnerability and tenderness on display here as well, and plenty of good music. Good blues. From Lucille Bogan and from her accompanists.

But do not miss out on these gems, classic 1920's blues, with a rowdy tone, beautiful phrasing with a truculent delivery, and all without sacrificing the down home style. [excuse me, I just checked the liner notes, seems these songs were all recorded in the 30's, but I'll stubbornly stand by the characterization of this as solid 20's blues]

I know a lot of discriminatory music fans, guys who find themselves talking more about their speakers and equipment then the music, who avoid these older recordings, with their pops and crackles. It's their loss. You are supposed to listen to the music in between and underneath the snaps and pops. I'm sure there is some sort of unique pleasure that comes from obsessing about the technology, but you sure miss out on a lot of wonderful music if that's what you focus on.

Buy this CD. Thank you for listening.

5 out of 5 stars Lucille really shaves them dry.......2005-07-14

Of the 1920's to 1930's female blues singers, Lucille Bogan was one of the earthiest. Shave'em Dry takes the last set of recordings she did on Banner and ARC records, from 1933 to 1935, on ARC records. Accompanying her was pianist Walter Roland, also on that label. Her songs were groundbreaking in terms of explicitness, the use of double entendres, innuendos, and metaphors, and also of a woman in a man's world. She went under her Bessie Anderson persona, Bessie derived from her legendary contemporary, Bessie Smith.

One of her better known songs is the somber "Drinking Blues" "The blues have got me drinking, trouble's got me thinking, and it's gonna carry me to my grave," she sings in the first verse, on the oft-told story of trying drink one's worries away.

Her use of food as a metaphor for prostitution and the "dirty deed" is abundant here. On "Barbecue Bess," she invites men to her place to sample her goods, if one knows what I mean: "I'm selling it cheap cause I got good stuff and if you try one time you can't get enough" and "If you want my meat, you can come to my house at twelve." But "55 cents and you can get some twice?" Now that IS cheap! Another is "Groceries On The Shelf" where Piggly Wiggly, the name of a grocery chain down South, is analogically a whorehouse. "Stew Meat Blues" revolves around a man who's going up the river, and wants to be credited for some of her stew. Well, stew means, yes, just that.

"Hungry Man's Shuffle" is a skit by the Jolly Jivers, which is Bogan, Roland, and singer Sonny Scott, who portrays a man who dances to keep from starving. Roland's uptempo piano and the shuffling sounds of Scott's dancing gives this is a cheery atmosphere, as well as Bogan's generosity in offering Scott some chili. The same trio return for "Watcha Gonna Do," on the problems ones face on the aftermaths of mistreating one's mate.

"Boogan Ways Blues" is another "mean mistreater" type song, while "Reckless Woman" is on a love gone cold, with a man whom she lets run around. The cruelty and harshness of the world has turned the protagonist in "Pig Iron Sally" into someone who doesn't even trust a squirrel.

"Shave'em Dry" refers to shaving one's skin without soap so that it itches, making it a sort of payback for being wronged. However, it takes on a more explicit meaning in the X-rated version of that song, which is the one briefly played in Martin Scorcese's Blues series, the Warming By The Devil's Fire movie. These recordings were unheard until the days of the LP. Anatomical descriptions, "grind me until I cry," and references to arousing a dead man, are present, and she really gets into strong language until she cracks up laughing before regaining her composure. Ditto for "I'm Gonna Shave You Dry" sung by Roland, with speaking accompaniment by Bogan. And "Till The Cows Come Home" refers to how long one wants to be satisfied. However, she does some gender-swapping in terms of her anatomy. And this sixty years before P.J. Harvey sang "Bend over Casanova" in "50 Ft Queenie"!

A copy of an account entry for her services lists the songs she performed, the date and amount paid, and it's criminal how little she was paid for her hard work. Add to this, like many other blues singers those days, royalties was not included in their contract.

As many other people, I'd never heard of Bogan until the Scorcese series, and hopefully she'll get some sort of recognition, given a strong vocal delivery that put her alongside Bessie Smith. Oh, and thanks to my Amazon Friend Eric Andrews for getting this for my birthday.

4 out of 5 stars ...as big as two thumbs.......2005-03-03

Lucille Bogan! She is a national hero! Give Bessie and Billie a rest and spend some time with this unregenerate reprobate. I kind of love her earlier records a bit more (see my review of the Yazoo compilation) but these are great too. And you can't live without Shave 'Em Dry. All three versions lovingly reissued on a major label! Is this a great world or what?

Music:

  1. Eat to the Beat
  2. Empty Souls, Pt. 2 [CD-single] [Enhanced] [Import]
  3. End Weight Loss Self-Sabotage
  4. Flowers of Love and Delusion
  5. Further
  6. Go 2
  7. Goo
  8. Hallowed Ground
  9. Heart Still Beating [Live]
  10. Henry's Dream

Music

music

Music

Secret [Live]

Wagner: Rienzi/Tannhäuser/Die Meistersinger/Tristan Und Isolde

Vivaldi: Concerti For A Wind Instrument

Backroads of My Mind

Better Road [Original recording remastered] [Import]

Winter Peace

Wonderful Town (2004 Broadway Revival Cast with Brooke Shields) [Enhanced] [Soundtrack]

Vivaldi: L'estro armonico, Op. 3

Twenty Years [CD-single] [Import]

Wagner: Der Ring Des Nibelungen [Box set]

Walkin' Tuff

Village Vanguard Live Sessions, Vol. 1 [Import]

Viejo Lazaro

Vinegar and Brown Paper

Travelin' Light