Technique

Editorial Reviews
Amazon.com essential recording
Technique is New Order's most fully realized dance album. Although other New Order albums have been mighty danceable, this recording contains a masterful use of the acid-house trends storming the club scene in 1989, when this album was released. New Order embraced the technology that was available at the time but never substituted brilliant song structures with prefabricated formats that sequencers, samplers, and other high-tech noisemakers can easily provide. They intelligently used these devices to incorporate elements of a broader genre beyond the "New Order sound," proving that even while experimenting with musical trends and other fleeting diversions, this accomplished group is capable of pulling off a genre-defining album without ever losing sight of their own identity. --Beth Bessmer --This text refers to the Audio CD edition.

Revolutionary, Vol. 1
Average customer rating: 5 out of 5 stars
  • Intelligent Rap
  • heavy praise is due for this debut!
  • Unbelievable
  • you can kill the revolution, but you can't kill the revolutionary
  • Viva la Revalucion!!
Revolutionary, Vol. 1
Immortal Technique
Manufacturer: Babygrande Records
ProductGroup: Music
Binding: Audio CD

GeneralGeneral | Dance & DJ | Styles | Music
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ASIN: B0009JE5Z8
Release Date: 2005-06-07

Tracks:

  1. Creation & Destruction
  2. Dominant Species
  3. Positive Balance - BigZoo, Immortal Technique
  4. Getaway
  5. Beef & Broccoli
  6. No Me Importa - M. "DJ Black Panther" Hill, Immortal Technique
  7. Top of the Food Chain [Remix] - Immortal Technique, Poison Pen
  8. Poverty of Philosophy
  9. Revolutionary
  10. Spend Some Time [Remix]
  11. Dance With the Devil
  12. Prophecy
  13. Understand Why
  14. No Mercy
  15. Illest - Jean Grae, Immortal Technique, Pumpkinhead
  16. Speak Your Mind [*] - Diabolic, Immortal Technique

Customer Reviews:

5 out of 5 stars Intelligent Rap.......2007-07-21

Immortal Technique is the best rapper I've heard in years. It's almost like Rage Against the Machine on hip hop beats. He is intelligent, entertaining, humorous, and meaningful at the same time. There isn't a single track on the CD that I don't absolutely love.
SUPPORT INDEPENDENT HIP HOP.

5 out of 5 stars heavy praise is due for this debut!.......2007-05-30

Oh yeah! I got vol. 2 first and had to go back for vol. 1, and I am so glad I did. Everything I.M. does is great. No complaints at all with my purchase. Can't wait for the next one.

5 out of 5 stars Unbelievable.......2007-03-27

This album is absolutely amazing. Amazing ideas and formulations of phrases. This is the ultimate album along with revolutionary volume 2. Never heard anything like it. Please do yourself a favor and buy this album.

5 out of 5 stars you can kill the revolution, but you can't kill the revolutionary.......2007-03-07

this is the best hip hop album out there, if you like hardcore hip hop then, this is for you. While most well-known artists talk about they being kings, having a lot of girls, tons of money, tech talks about real stuff, real issues that are going on in the world. he is probably the smartest underground MC. we probaly wont ever listen to him on the radio, because of his socialist believes. That means only one thing, THERE IS NO FREEDOM OF SPEECH, tech's anti-imperialist attitude, anti-capitalism, leftsist ideals, almost pro-castro reveals the guy who worries about the dangers of imperialsm. if you are not happy with the way the government treats you, then this cs is for you. buy it, it's totally worth it.

5 out of 5 stars Viva la Revalucion!!.......2006-12-14

This CD will go down in history, go out and get this classic album NOW!!!
Revolutionary, Vol. 2
Average customer rating: 4.5 out of 5 stars
  • Another Fantastic Album!
  • Do Sweat The Technique
  • A History Lesson you'll never get from the estabishment
  • This album is chocked full of thought nutrients
  • This cat is...
Revolutionary, Vol. 2
Immortal Technique
Manufacturer: Babygrande
ProductGroup: Music
Binding: Audio CD

GeneralGeneral | Dance & DJ | Styles | Music
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ASIN: B0009J4O90
Release Date: 2005-06-07

Tracks:

  1. Revolutionary (Intro) - Immortal Technique, Mumia Abu-Jamal
  2. Point of Now Return
  3. Peruvian Cocaine - C-Rayz Walz, , Diabolic, Immortal Technique, , Poison Pen, Pumpkinhead, Tonedeff
  4. Harlem Streets - Immortal Technique, Roc Raida
  5. Obnoxious
  6. Message & The Money
  7. Industrial Revolution - Immortal Technique, Roc Raida
  8. Crossing the Boundary
  9. Sierra Maestra
  10. 4th Branch
  11. Internally Bleeding
  12. Homeland and Hip Hop - Immortal Technique, Mumia Abu-Jamal
  13. Cause of Death
  14. Freedom of Speech
  15. Leaving the Past
  16. Truth's Razors
  17. You Never Know - Jean Grae, Immortal Technique
  18. One [Remix] - Akir, Immortal Technique

Customer Reviews:

5 out of 5 stars Another Fantastic Album!.......2007-07-21

Just as good as the first, if not better. Maybe a bit more mainstream, with more hooks on the tracks--but still far, far away & above anything else you hear on any rap station. You can now get your jam on without feeling as if the music is killing your brain cells.

5 out of 5 stars Do Sweat The Technique.......2007-07-01

I heard about Immortal Technique through some friends and decided to pick up this album. Im pleasantly surprised. Immortal Technique not only has a killer flow but he's quite conscious of things that most zombies would pass off as lunacy. The albums kicks off with a great track Point Of No Return. Then then next track Peruvian Cocaine breaks down like a well acted out play. If you think he only has two or three songs of substance on this album guess again. Harlem Streets, 4th Branch, Internal Bleeding, The Cause Of Death, Leaving The Past are all tight tracks that prove otherwise. Immortal Technique keeps it true to the hip hop side of him with the humorous Obnoxious, which is his f*** all ya'll style track, Industrial Revolution and Crossing The Boundary. I'm still laughing at that track Freedom Of Speech. Even though its a deep cut, the funny part is the sampling of Pinochio and his sarcasm on the song. Immortal Technique teams up with Jean Grae on the deepest song on the album, You Never Know. On this song Immortal Technique tells a very vivid story of a girl he once loved who dies of aids. The album ends with the One Remix with Akir. The only track that is not a song is The Message & The Money. Its basically him telling other up and coming underground MCs that they need to know the ins and outs of the industry. Not bad but its not a song. Bottom Line: Immortal Technique's Revolutionary Vol. 2 is a must have for any fan of political hip hop. His lyrics were as truthful as they were phenomenal, the production was great and the guest appearances were a nice touch. All in all it was a beautifully put together album. 5 stars!

5 out of 5 stars A History Lesson you'll never get from the estabishment.......2007-06-10

Tech isn't rapping, he's teaching.
Setting a foundation for liberating minds.
Things that sound crazy aren't, they're real and you can see for yourself.
Many of the lyrics are the keywords to revealing a truth that has been buried. Don't take his word for it, find out for yourself.

5 out of 5 stars This album is chocked full of thought nutrients.......2007-05-30

Very good on the mic. Lyrical content is just how I like it. Beats are bumpin'. I don't need songs about bling and hoes. I need more mcs like this!

5 out of 5 stars This cat is..........2007-05-05

walkin' around with a full banana clip and he's blasting everything in site. Hip Hop, the government, people that did him wrong, etcetera. This cd is not for the Lite FM listener. Y'all better DUCK! Those that need to.
Technique
Average customer rating: 4.5 out of 5 stars
  • Ah yes, back when New Order was still good
  • BEST OF NEW ORDER
  • One of the best.
  • Still the Best
  • you got style, you got class, but most of all--you got a lot of technique
Technique
New Order
Manufacturer: Qwest / Wea
ProductGroup: Music
Binding: Audio CD

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  1. Brotherhood
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ASIN: B000002LGS
Release Date: 1990-10-25

Tracks:

  1. Fine Time
  2. All The Way
  3. Love Less
  4. Round & Round
  5. Guilty Partner
  6. Run
  7. Mr Disco
  8. Vanishing Point
  9. Dream Attack

Amazon.com essential recording

Technique is New Order's most fully realized dance album. Although other New Order albums have been mighty danceable, this recording contains a masterful use of the acid-house trends storming the club scene in 1989, when this album was released. New Order embraced the technology that was available at the time but never substituted brilliant song structures with prefabricated formats that sequencers, samplers, and other high-tech noisemakers can easily provide. They intelligently used these devices to incorporate elements of a broader genre beyond the "New Order sound," proving that even while experimenting with musical trends and other fleeting diversions, this accomplished group is capable of pulling off a genre-defining album without ever losing sight of their own identity. --Beth Bessmer

Customer Reviews:

4 out of 5 stars Ah yes, back when New Order was still good.......2007-07-09

It seems like lately they're little more than a tribute band of themselves, but Technique belongs in any serious New Order fan's collection.

5 out of 5 stars BEST OF NEW ORDER.......2007-05-25

This is the best New Order CD hands down, if you only have money for one New Order CD, BUY THIS ONE!!!

5 out of 5 stars One of the best........2006-06-27

Lots of techno, very upbeat. One of the best for New Order. Almost as good as Brotherhood.

5 out of 5 stars Still the Best.......2006-06-11

Yes, I like the new albums, "Get Ready" and "Waiting For the Siren's Call" quite a bit, but this classic is still my favorite overall. The opener, "Fine Time" sounds a little out of place and is by no means an indicator of things to come, but it's still an oddly catchy piece in its own right. And some of the lyrics are just hilarious (You know I've met a lot of cool chicks, but I've never met one with all her own teeth). What follows, however, is a string of beautiful, well-crafted masterpieces. Some of them have a more accoustic sound (All The Way, Love Less, Dream Attack) while others are more dance-based (Round and Round, Vanishing Point, Mr. Disco), but they're all excellent songs. The former three would have to be my favorites, though. All in all it's a very short album, about 40 minutes, but it contains no filler. I recommend it to any New Order fan who hasn't already purchased it yet (can't imagine there are many of those) or to people who love good music in general.

5 out of 5 stars you got style, you got class, but most of all--you got a lot of technique.......2006-06-03

there's really nothing new anyone can say about new order. to say their influence is far-reaching would be an understantment. most people, and understandably so, cite 'blue monday,' 'bizarre love triangle,' '1963,' and 'true faith,' as new order's defining songs (me, i say 'regret' and 'touched by the hand of god' are their best songs). it is, however, a tough argument to reject. however, most of new order's albums as wholes were a tad incosistent and sprinkled in on top of the undeniable brilliance of so many tracks was filler that weighed some albums down.

it was with their 1989 release, 'technique,' that new order finally nailed an entire album. new order 'purists' will likely disagree, but such disagreements are usually emotionally-charged and short-sided, and probably due in large part to 'technique's' commercial success. 'technique' begins withs one of new order's finest moments, the brilliant 'technique.' almost devoid of a vocal track, it was a fuzzy, acid-induced, dance-floor stomper. it seems an unlikely first single from the album, but a first single it was and. what's great about 'technique' is that the rest of the album is that it vascillates between vintage new order dance-tronica ('round and round,' 'mr. disco,' 'vanishing point') and more acoustical dance numbers ('all the way,' 'run,' 'loveless'). a few people complain that 'all the way' is a 'just like heaven' clone. it may use the exact same chord pattern, but then again so do several hundred other songs. the comparisons end there and 'all the way' stands on it's own as a brilliant track.

'round and round' is another absolutely classic new order single, every bit as good as 'blue monday' and 'true faith.' the band brought the dance beats to the forefront and let them shine. noticeably muted (and almost invisible) is peter hook's trademark bass. the funny thing is that 'round and round' is such a spectacular song that you barely notice its lack of prominence.

'run,' in my opinion, is the album standout. steven morris'running drum-line (listen closely, the drums are brilliant) and gillian gilbert's synthline serve as a nice counterpoint to peter hook's seductive bass and bernard's plaintive guitar melody. but what makes it special to me is gillian's synths the last minute of the song. it's like listening to a sunset. it's beautiful, terrible cliches aside.

what's puzzling about the album is its cover: nowhere do you find the band's name nor the album title. it may be a statement in and of itself: new order *knew* it was a great album, and additing a title or the band name might in some way detract from the album's brilliance. then again, maybe not. knowing new order, it could just have easily been a joke.

new order's induction into the rock 'n roll hall of fame can't be far off, and it will most deserved. new order, without question, is perhaps the defining dance band of the era.
Instruments of the Orchestra
Average customer rating: 4.5 out of 5 stars
  • Instruments of the Orchestra - Great Reference Material!
  • Beginner or Expert
  • Very Informative and Enjoyable
  • Frank's view
  • Excellent Intro for Those Not Familiar with the Orchestra
Instruments of the Orchestra
Various Artists
Manufacturer: Naxos
ProductGroup: Music
Binding: Audio CD

GeneralGeneral | Symphonies | Classical | Styles | Music
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  1. Britten: Young Person's Guide to the Orchestra Op34; Simple Symphony Op4
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ASIN: B00006O0NT
Release Date: 2002-12-03

Tracks:

  1. Overture To 'Tannhauser'
  2. Domna, Pos Vos Ay Chausida
  3. We Don't Merely Use Instruments, We Play On Them. And They Play On Us.
  4. Hungarian Dance No.7
  5. The Violin Is One Of The Most Tender And Beautiful Instruments Ever Invented.
  6. Violin Concerto In D Major (Adagio)
  7. But For A Long Time It Was Seen As The Instrument Of The Devil.
  8. The Soldier's Tale: Triumphal March Of The Devil
  9. The Manipulative Seductiveness Of The Gypsy Violin.
  10. Csardas Music
  11. The Violin And The Initiation Of Nature
  12. The Four Seasons (Spring, Mvt 1)
  13. Birds Are Again Evoked In The Second Concerto, Especially Music's Natural Favourite.
  14. The Four Seasons (Summer, Mvt 1)
  15. Like The Devil, The Violin Is A Master Of Disguise.
  16. Old Viennese Dance No.3 'Schon Rosmarin'
  17. The Menacing Sensuality Of Ravel's Tzigane: A Very Different Side Of The Violin:
  18. Tzigane
  19. Do We Now Have The True Measure Of This Instrument? Not Just Yet.
  20. Caprice No.24
  21. The Many Effects Of The String Tremolando: Brandenburg Concerto No.4 (Last Mvt)/From Joy To Fright/Quartettsatz In C Minor/The String Tremolo Practically Spells The World Agitato.
  22. Variations On A Theme Of Frank Bridge (No.7)
  23. Prokofiev's Tremolo In Romeo And Juliet Should Not Be Heard Just Before Bedtime.
  24. Romeo And Juliet: Act IV
  25. Vivaldi Use It To Illustrate The Shivering Of Travellers Crossing The Ice.
  26. The Four Seasons (Winter, Mvt 1)
  27. The Violin Muted
  28. Clair De Lune
  29. The Gentleness Of Muted Strings Persists Even When A Whole Orchestra Plays.
  30. Piano Concerto No.21 In C Major, K.467 (Slow Mvt)
  31. The Pizzicato Violin
  32. Pizzicato Polka
  33. In Prokofiev's Second Violin Concerto, The Accompaniment Is Pizzicato.
  34. Violin Concerto No.2 In G Minor (Slow Mvt)
  35. Varieties Of Pizzicato: Colas Breugnon (The People's Feast)/Now A Drier, Leaner, Hungrier Pizzicato. There's Not A Lot Of Comfort Here./Capriol Suite (Tordion)/The Use Of Pizzicato As 'Percussion'/Romeo And Juliet (Act I)/Mahler Used Pizzicato...
  36. The Planets (Mars - The Bringer Of War)
  37. The Technique Of Double-Stopping Enables The Violin To Play Duets With Itself./Sonata No.3 In C Major For Unaccompanied Violin (Fugue)/Now A Later Example Of The Same Technique
  38. Hungarian Dance No.4
  39. Double-Stopping Is A Standard Feature Of A Lot Of Folk Music.
  40. The Four Seasons (Autumn, Mvt 1)
  41. Now The Same Technique, But The Sound Might Have Come From Another World.
  42. Bolero
  43. Double-Stopping Can Only Approximate The Sound Of A Real Violin Duet.
  44. Cadenza To The Violin Concerto By Brahms
  45. Now Compare That With A Real Violin Duet.
  46. Forty-Four Duos (No. 1: Teasing Song)
  47. Another Duo By Bartok, Demonstrating The Violin's Rich Lower Register
  48. Forty-Four Duos (No.2: Maypole Dance)
  49. And Now What May Be The Most Beautiful Accompanied Violin Duet In History
  50. Concerto In D Minor For Two Violins (Largo)
  51. The Soul Of The Violin Is In Song; But What About This Weird Passage?
  52. Violin Concerto No.1 In D Major (Mvt 2)
  53. The Use Of Harmonies In The Orchestra Can Be Both Magical And Unsettling.
  54. Symphony No.1 'Titan' (Mvt 1, Opening)
  55. Tchaikovsky's Use Of Harmonics In The Sleeping Beauty Is Both Strange And Darling.
  56. The Sleeping Beauty (Act II, No.15: Entr'Acte)
  57. Ravel's Harmonics In Mother Goose Effect A Magical Transformation.
  58. Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
  59. Stravinsky's Harmonics In The Firebird Transport Us Almost Into Another World./The Firebird (Introduction)
  60. The Natural Upper Notes Of The Violins Have A Unique Emotional 'Grab'.
  61. Also Sprach Zarathustra (Of The Afterworldsmen)
  62. Still In Their Upper Register, The Violins Unleash The Energy Of A Young Colt.
  63. Variations On A Theme Of Frank Bridge (No. 4)
  64. Elsewhere, Britten Uses The Same High Register To Create A Very Different Mood.
  65. Four Sea Interludes (Dawn) From 'Peter Grimes'
  66. To End This Outing With The Violins, A Charming Little Elfin Dance
  67. Elfenreigen

Tracks:

  1. Introduction To The Viola
  2. Viola Concerto (Mvt 1)
  3. Khatchaturian Gets A Very Different Sound From It: Fuller, Fruitier, More Exotic.
  4. Gayane Suite No.1 (Armen's Solo)
  5. Very Nearly The Whole Of The Violin's Upper Register Is Also Available To The Viola.
  6. Passacaglia, Op.33b From 'Peter Grimes'
  7. The Viola Can Bring A Special, Rich Twanginess To Pizzicato That The Violins Lack./Don Quixote/Berlioz Drew Sounds From It That Retain Their Metallic Strangeness Even Today.
  8. Harold In Italy (Mvt 4)
  9. The Muted Viola: Intimate, Gentle, Poignant In Dvork
  10. Cypresses (No.9)
  11. The Massed Violas Of The Modern Symphony Orchestra In Mahler
  12. Symphony No.4 (Mvt 3)
  13. The 'Period' Viola In Bach
  14. Brandenburg Concerto No.6 (Last Mvt)
  15. The Cello: A Voice Of Unique Nobility
  16. Suite No.1 For Unaccompanied Cello (Prelude)
  17. Brahms And The 'Soul' Of The Cello
  18. Piano Concerto No.2 In B Flat Major (Mvt 3)
  19. Most Orchestral Composers Tend To Emphasize The Cello's Lower Register.
  20. Cantata 'Herz Und Mund Und Tat Und Leben', BWV 147 (Soprana Aria: Bereite Dir, Jesu)
  21. In The Time Of Beethoven The Cello Remained As Fundamental As Ever.
  22. Symphony No.3 'Eroica' (Finale)
  23. But The Cello Is Not Condemned To Spend Its Life In The Basement.
  24. Elfentanz, Op.39
  25. Not Only In Recital Showpieces Like That Is The Cello Is Used In Its Highest Register.
  26. The Protecting Veil (Opening)
  27. A Cello With An Identity-Crisis: The Pizzicato Flamencan
  28. Flamenco
  29. Double-Stopping In The Lower Reaches Of The Cello's Range
  30. Solo Suiet For Cello And Piano (Sardana)
  31. It's In The Middle Register That The Cello Really Comes Into Its Own.
  32. Oriental Dance, Op.2 No.2
  33. It Was To The Cellos That Beethoven Gave Two Of His Most Famous Themes./Symphony No.5 (Mvt 2)/Still More Famous Than That Theme Is This One From The Ninth Symphony.
  34. Symphony No.9 (Finale)
  35. Introduction To The Double-Bass
  36. The Carnival Of The Animals (The Elephant)
  37. But The Double-Bass Can Be Intensely Expressive And Graceful.
  38. Elegy No.1 In D Major
  39. The Range Of The Double-Bass Is The Greatest Of All The String Instruments/Allegro Di Concerto, 'Alla Mendelssohn'/And It's Also Capable Of Very Considerable Virtuosity.
  40. Capriccio Di Bravura
  41. Double-Bass Solos In Orchestral Scores Are Rare But Often Memorable./Symphony No.1 'Titan' (Mvt 3)/In His Third Symphony Mahler Makes A Very Different Use Of The Instrument./Symphony No.3 (Mvt 1)
  42. The Double-Bass Muted In Prokofiev/Lieutenant Kije Suite (Kije's Wedding)/In Another Work Prokofiev Uses The Double-Bass To Enhance The Winds./Romeo And Juliet (Act III)/And He Combines The Bass Clarinet With A Shivering Tremolo From The Double-Basses....
  43. Symphony No.5 (Mvt 3)/So Much For The Strings/On Now To The Winds

Tracks:

  1. The Antiquity And Magic Of The Flute
  2. Prelude A L'Apres-Midi D'Un Faune
  3. The Versatility And Agility Of The Flute
  4. Orchestral Suite No.2 In B Minor (Badinerie)
  5. The Flute In Fifteenth-Century Spain
  6. Sa'Dawi
  7. Other Flutes: The Bass And Alto
  8. Chamber Music No.II
  9. The Piccolo - Aptly Named
  10. La Naissance D'Osiris (Mvt 6)
  11. From A Piccolo Of The Eighteenth Century To One Of Its Descendants In The Twentieth
  12. Suite No.1 For Small Orchestra (Valse)
  13. A Variety Of Techniques
  14. Chamber Music No.II
  15. Flutter-Tonguing. But Tchaikovsky Got There Eighty Years Before.
  16. The Nutcracker (Act II, No.2: Scene)
  17. From The Transverse To The Vertical: The Baroque Recorder
  18. Recorded Suite In A Minor (Menuet II)
  19. An Unfamiliar, Early Vision Of The Instrument
  20. Naelden, Naelden
  21. The Bachian Oboe
  22. Cantata 'Ein Feste Burg Ist Unser Gott', BWV 80 (No.7: Duetto)
  23. Introduction To The Cor Anglais Or 'English Born'
  24. Symphony No.9 'From The New World' (Mvt 2)
  25. The Loneliness Of The Cor Anglais
  26. The Swan Of Tuonela
  27. The Cor Anglais Joins The French Horn In Haydn.
  28. Symphony No.22 'The Philosopher' (Opening)
  29. Introduction To The Oboe D'Amore, Beloved Of Bach - But Also Of Ravel
  30. Bolero
  31. The Clarinet Family: Boxing The Compass, From The Depths Of The Bass Clarinet.../The Egyptian (Violence)/...To The Raucous And Squealy.../Taras Bulba (The Death Of Ostap)/...To The Shrill And Complaining...
  32. Petrushka (No.8: Peasant With Bear)/...To The High Sprits Of A Playful Puppy./Symphonie Fantastique (Last Mvt)/And To The Downright Jazzy/Romeo And Juliet (Act II)
  33. As The High Clarinets Tend To Be Loud, So The Bass Tends To Be Soft:
  34. Gayane Suite No. 1 (Mvt 5)
  35. The Bass Clarinet Is Used By Most Composers Mainly As A Colouring Agent.../Petrushka (No.4: The Blackamoor)/...But It Does Occasionally Get A Whole Tune To Itself./Iberia (Almeria).
  36. The Range Of The Normal Clarinet Parts Goes Quite High...
  37. The Snow Maiden (Scene 5: Melodrama)
  38. ...And Quite Low.
  39. Peter And The Wolf (The Cat)
  40. The Clarinet As Concerto Soloist
  41. Clarinet Concerto In A Major (Rondo)
  42. But That's Not The Instrument Mozart Wrote It For; This Is:
  43. Clarinet Concerto In A Major (Rondo)
  44. Introduction To The Saxophone
  45. Hary Janos Suite (Mvt 4)
  46. The Soprano Saxophone Has Quite A Different Feel To It.
  47. L'Arlesienne Suite No.1 (Minuet)
  48. The Little Sopranino Sax Goes Even Higher.
  49. Bolero
  50. The Most Famous Use Of The Saxophone Is In An Orchestration By Ravel.
  51. Pictures At An Exhibition (The Old Castle)
  52. The Saxophone Can Be Quite Contagiously Good-Humoured.
  53. Sax-O-Phun
  54. The Puffa-Puffa Image Of The Bassoon
  55. Peter And The Wolf (Grandfather)
  56. The Bachian Bassoon, In Accompanimental Mode
  57. Cantata 'Weichet Nur, Betrubte Schatten' ('Wedding Cantata'), BWV 202 (Aria No.1)
  58. Bizet Leaves The Puffa-Puffa Image Out, Allowing The Bassoon To Sing./Carmen Suite No.1 (Les Dragons D'Alcala)
  59. And Ravel, Also In Spanish Mode, Does Likewise.
  60. Bolero
  61. The Bassoon As A Voice Of High Seriousness, Indeed Desolate Loneliness
  62. Symphony No.3 (Opening)
  63. The Eerie Bassoon In Its Highest Register
  64. The Rite Of Spring (Opening)
  65. Stravinsky Now Draws On Its Lowest Register, Lonely And Melancholy.
  66. The Firebird Suite (1919, Berceuse)
  67. The Bassoon As Concerto Soloist, Avoiding All Exaggeration
  68. Bassoon Concerto In G Minor (Finale)
  69. The Deep-Voiced Contra-Bassoon, As A Fairy-Tale Beast
  70. Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
  71. The French Horn Under Its Woodwind Hat
  72. Wind Quintet, Op.43 (Last Mvt)
  73. Now A More Prominent Role, In A Woodwind Quintet From An Earlier Era
  74. Wind Quintet In A Minor, Op.100 No.5 (Mvt 2)
  75. The Horn In Harmonious Blend With Strings In Another Quintet
  76. Horn Quintet, K.407 (Finale)

Tracks:

  1. The Trumpet As Virtuoso Soloist
  2. Brandenburg Concerto No.2 (Last Mvt)
  3. The Special Brillance Of Paired Trumpets
  4. Concerto In C For Two Trumpets, RV537 (Mvt 1)
  5. The Ceremonial Trumpet
  6. Fanfare For The Common Man
  7. Trumpets And Drums - An Incomparable Alliance
  8. Messiah (The Trumpet Shall Sound)
  9. The Versatility Of The Trumpet, From The Most Public To The Most Lonely
  10. Piano Concerto In F (Slow Mvt)
  11. The Trumpet As The Voice Of The City/An American In Paris/The Trumpet As Recruitment Officer/The Soldier's Tale (The March)/The Trumpet As Swaggerer
  12. Carmen Suite No.2 (Habanera)
  13. The Trumpet As The Voice Of Strength And Courage
  14. Carmet Suite No.2 (Toreador's Song)
  15. The Trumpet Muted/Petrushka (No.4: The Blackamoor)/Lieutenant Kije Suite (Opening)/The Trumpet As The Voice Of Weariness
  16. Billy The Kid
  17. The Trumpet As Character Actor
  18. Pictures At An Exhibition (No.6)
  19. The Trumpet As The Voice Of God
  20. Mass In B Minor ('Et Exspecto')
  21. The Birth Of The Trombone
  22. Aenmerckt Nu Hier
  23. The Birth Of The Brass As A Family
  24. Canzon 12 In Double Echo
  25. The Trombone In The Eighteenth Century
  26. Trombone Concerto In B Flat Major (Finale)
  27. The Tone Of The Tenor Trombone/Romance For Trombone And Organ/The Memorable Voice Of The Bass Trombone/Requiem (Mvt 2)/But The Bass Trombone Is More Than An Instrumental Bullfrog.
  28. Hosannah
  29. The Trombones Become Part Of The Orchestra.
  30. Symphony No.5 (Finale)
  31. The Wagnerian Trombone:/Overture To 'Tannhauser'
  32. The Trombone As Caricaturist
  33. Pulcinella (No.19: Vivo)
  34. The Trombone As Raspberry/Concerto For Orchestra (Intermezzo)
  35. The Horn And The Hunt
  36. Horn Concerto No.4 In E Flat, K.495 (Finale)
  37. The Challenging Horn Of The Baroque
  38. Abaris Ou Les Boreades (Menuet)
  39. The Scarcity Of First-Rate Players In Handel's Time
  40. Walter Music (Minuet 1)
  41. The Horn As Magician/The Firebird Suite (1919, Finale)
  42. Horns And The Sound Of Nobility
  43. Overture To 'Tannhauser' (Opening)
  44. The Special Sound Of The Horn In Its Higher Register
  45. Mass In B Minor ('Quoniam Tu Solus Sanctus')
  46. The Trumpet-Like Sound Of Massed Horns
  47. Symphony No.3 (Mvt 1, Opening)
  48. The Tuba - Unfairly Maligned?
  49. Symphony No.6 (Mvt 3)
  50. The Tuba Perfectly Cast By Ravel
  51. Pictures At An Exhibition (Bydlo)

Tracks:

  1. Introduction. And We Begin With A Bang.
  2. Fanfare For The Common Man/The Bass Drum On The Battlefields/Wellington's Victory, Op.91 (Opening)
  3. At The Opposite Extreme Is The Triangle.
  4. Piano Concerto No.1 In E Flat (Scherzo)
  5. Categories Of Percussion: Tuned And Untuned. The Side Drum
  6. Overture To 'La Gazza Ladra' - The Thieving Magpie (Opening)
  7. The Side Drum In An Effective But Unexpected Role/Clarinet Concerto (Mvt 1)
  8. The Tambourine. One Of The Oldest Instruments In The World
  9. Den Hoboecken Dans
  10. Even Older Is The Originally Oriental Gong.
  11. Ma Mere L'Oye - Mother Goose (Laideronette)
  12. No Single Instrument Can Match The Gong In Evoking The Breaking Of Waves./Passacaglia, Op.33b From 'Peter Grimes'/But Gongs Don't Have To Be Struck To Be Effective.
  13. Gymnopedie No.2
  14. The Cymbals Are Generally Discovered Early In Life./The Sanguine Fan/And They Do More Than Clash Together Loudly. They Can Be Clashed Together Softly./Studio Example: But They Needn't Be Clashed Together At All/Studio Example: They Can Be Lightly...
  15. Other Untuned Percussion Instruments Include The Whip.: Piano Concerto In G Major (Opening)/And Here Are No Fewer Than Twenty, Cracked By Tchaikovsky: The Nutcracker (Act I, Scene 5)
  16. More Versatile Than The Whip Are The Wood Blocks.../Studio Example/...Which Crop Up All Over The Place In Twentieth-Century American Music.
  17. Rodeo (Hoe-Down)
  18. Related To The Wood Blocks, By Sound, Are The Castanets./Jota Aragonesa/But The Castanets Were Also Used By Monteverdi Back In The Seventeenth Century.
  19. Scherzi Musicali (Damigella Tutta Belle)
  20. A Still Earlier Example From Fifteenth-Century Spain
  21. Yo M'Enamori D'Un Aire
  22. The Birth Of The Bongo
  23. Symphonic Dances From 'West Side Story'
  24. From The Streets Of New York To The Blacksmith's Shop/Il Trovatore ('Anvil Chorus')
  25. Desert-Island Decibels: Grand Canyon Suite (On The Trail)/Arcana
  26. From One Vegetable To Another: The Humble Squash, Or Marrow/Huapango
  27. Onwards To The Tuned Percussion. First, The Timpani
  28. Also Sprach Zarathustra (Introduction)
  29. But The Drum Roll Can Be More Effectively Frightening Than The Big Bang.: Symphony No.2 'Resurrection' (Mvt 3)
  30. Not One Drum Roll, But Many/Grand Canyon Suite (Sunrise)/Symphonie Fantastique (Last Mvt)
  31. Taking Advantage Of Tunability
  32. Music For Strings, Percussion And Celeste (Mvt 2)
  33. The Russian Composer Rodion Shchedrin Takes A Downward Turn./Carmen Suite (Changing Of The Guard)/Tuned, Yes; But For The Truly Melodic We Must Look Elsewhere.
  34. Introducing The Glockenspiel/Carmen Suite (Carmen's Entrance And Habanera)
  35. Saint-Saens And The Xylophone
  36. The Carnival Of The Animals (Fossils)
  37. Ravel And The Xylophone
  38. Ma Mere L'Oye - Mother Goose (Laideronette)
  39. Introducing The Marimba/Carmen Suite (First Intermezzo)
  40. Introducing The Vibraphone
  41. The Treasure Of The Sierra Madre (Narange Dolce)
  42. The Vibraphone Goes Russian.../Carmen Suite (Carmen's Entrance And Habanera)/...And Is Joined By The Marimba./Carmen Suite (Carmen's Entrance And Habanera)
  43. Introducing The Hungarian Cimbalom
  44. Folk Dances
  45. The Cimbalom And The Symphony Orchestra
  46. Hary Janos Suite (Mvt 3)
  47. Introducing The Tubular Bells
  48. Hary Janos Suite (Viennese Musical Clock)
  49. A More 'Up-Front' Approach From Rodion Shchedrin
  50. Carmen Suite (Introduction)
  51. But The Bells Can Also Make The Sinister Even More Sinister./Symphony No.7 'Sinfonia Antartica' (Mvt 1)
  52. Introducing The Celeste
  53. The Nutcracker (Dance Of The Sugar Plum Fairy)
  54. Magic, In The Use Of Collective Percussion
  55. Miroirs (La Vallee Des Cloches)
  56. Plucked Instruments: The 'Undercover Percussion'/Carmen Suite (Scene)
  57. A Prime Case In Point Is The Harp, Irresistible To The Romantics./The Nutcracker (Act II, No.1: Scene)/The Non-Solo Harp As An Integral Part Of The Orchestra/Hungarian Rhapsody No.1
  58. The Traditionally Subservient Role Of The Harpsichord In The Baroque Orchestra
  59. Brandenburg Concerto No.2 (Slow Mvt)
  60. The Piano: King Of The Tuned Percussion/Symphony No.3 'Organ' (Mvt 3)/And A Quarter Of A Century After That:
  61. Petrushka (Russian Dance)
  62. The Anti-Romantic Piano As An Integral Part Of The Orchestra
  63. Music For Strings, Percussion And Celeste (Last Mvt)

Tracks:

  1. Keyboard Instruments In The Orchestra - The Most Powerful Of Them All:
  2. Symphony No.3 'Organ' (Finale)
  3. But Things In Handel's Day Were Very Different.
  4. Organ Concerto In B Flat, Op.4 No.3 (Last Mvt)
  5. The Organ Is Difficult To Classify.
  6. An Unexpected, Organ-related Guest
  7. Concerto Pour Zampogna (Last Mvt)
  8. Peasant-Fancying... And A Touch Of The Roaming Cowboy
  9. Les Miserables (Drink With Me)
  10. Outside Artefacts And The Power Of Association
  11. Mahler's Sleighbells
  12. Symphony No.4 (Opening)
  13. A Roll-Call Of Some Unusual Guests/The Typewriter/Parade
  14. Chains, And More/Integrales/An American In Paris/Sandpaper Ballet
  15. Purpose-Built Oddities: Wind Machines/Symphony No.7 'Sinfonia Antartica' (Opening)
  16. Don Quixote (Variation VIII)
  17. National Calling Cards: The Guitar For Spain/Concierto De Aranjuez (Finale)
  18. And The Guitar's Poor American Relative, The Banjo/Washington Breakdown
  19. And Poorer Still, The Mouth Organ/The Treasure Of The Sierra Madre (Packing Up)
  20. The Balalaika For Russia/Romeo And Juliet (Act II: No.14)
  21. The Maracas For Mexico/The Treasure Of The Sierra Madre (El Desayuno)
  22. The Bongos And Congas And A Whole Wealth Of Other Drums For Africa And Central America/Studio Example
  23. The Sitar Of India/Evening Raga: Bhapoli
  24. The Accordion For France (Especially Paris)/Paris Canaille
  25. The Zither For Vienna/The Third Man (Theme)
  26. The Cimbalom For Hungary/Folk Dances
  27. The Guitar As An Integral Part Of The Orchestra/Rondena
  28. There Are Whole Orchestras Of Balalaikas./Sveit Mesiats
  29. The Effect Of The Wordless Human Voice, Used Purely As An Instrument/Symphony No.7 'Sinfonia Antartica' (Mvt 1)
  30. Nocturnes
  31. Instruments And the Imitation Of Nature. The Clarinet As Cuckoo
  32. The Carnival Of The Animals (The Cuckoo)
  33. The Flute As An All-purpose Aviary
  34. The Carnival Of The Animals (The Aviary)
  35. The Oboe As Duck
  36. Peter And The Wolf (The Duck)
  37. The Recording Of Reality. Does It Work As Well?
  38. The Pines Of Rome (The Pines Of The Janiculum)
  39. The Recording Of Reality Electronically Reborn In New Guises
  40. Cantus Articus - Concerto For Birds And Orchesra (Mvt 2)
  41. Beethoven Turns Avian: Cuckoo, Nightingale, And Quail
  42. Symphony No.6 'Pastoral' (Andante Molto Mosso)
  43. Some Improbable Casting: The Violin As Braying Donkey
  44. The Carnival Of The Animals (Persons With Long Ears)
  45. A Truly Orchestral Hee-haw To Be Reckoned With
  46. Overture To 'A Midsummer Night's Dream'
  47. A Thunderstorm In A Million
  48. Symphony No.6 'Pastoral (Allegro-Allegretto)
  49. the Instrumental Depiction Of A Silent World
  50. The Carnival Of The Animals (The Aquarium)
  51. Saint-Saens' Menagerie Takes A Curtain Call.
  52. The Carnival Of The Animals (Finale)

Tracks:

  1. The Grouping Of Instrumental Families. An Additive Approach. First, Two Violins
  2. Forty-Four Duos (No.4)
  3. A Great Contrast, Of Both Pitch And Character: Violin And Viola
  4. Duo For Violin And Viola In B Flat Major, K.424 (Finale, Vars 1 & 2)/Studio Example
  5. Arrival Of The Standard String Trio: Violin, Viola, And Cello
  6. String Trio In B Flat (Menuetto)
  7. The String Quartet: Two Violins, Viola, And Cello
  8. String Quartet In F, Op.18 No.1 (Mvt 3)
  9. The String Quintet - When The Extra Instrument Is A Second Viola
  10. String Quartet No.5 In D, K.593 (Adagio)
  11. The String Quintet - When The Extra Instrument Is A Second Cello
  12. String Quintet In C (Mvt 3)
  13. The String Sextet: Two Violins, Two Violas, And Two Cellos
  14. String Sextet In B Flat (Mvt 2)
  15. The String Octet: The Standard String Quaret Times Two
  16. Octet In E Flat, Op.20 (Mvt 1)
  17. Double The String Octet: A Fully Fledged String Orchestra
  18. String Symphony No.2 (Finale)
  19. The Massed Strings Of A Symphony Orchestra
  20. Fantasia On A Theme Of Thomas Tallis
  21. Contrasts Of Pitch And Instrumental 'Colour' In The Woodwind Section
  22. Wind Quintet In A Minor, Op.100 No.5 (Theme)
  23. In The First Variation It's The Horn That Gets The Lion's Share.
  24. Wind Quintet In A Minor, Variation 1
  25. In Variation Two The Torch Is Handed To The Bassoon.
  26. Wind Quintet In A Minor, Variation 2
  27. In Variation Three The Oboe Leads.
  28. Wind Quintet In A Minor, Variation 3
  29. Variation Four: Conversation Before Returning To A Solo-dominated Texture
  30. Wind Quintet In A Minor, Variation 4
  31. And Variation Five is Dominated By The Clarinet.
  32. Wind Quintet In A Minor, Variation 5
  33. The Next To Be Featured Is The Virtuoso Flute.
  34. Wind Quintet In A Minor, Variation 6
  35. Individual Farewells And A Closing Chorus
  36. Wind Quintet In A Minor, Variation 7
  37. A Mixed Group: Clarinet, Bassoon, Horn, String Quartet, And Double-Bass
  38. Octet In F (Mvt 3)
  39. The Early Classical Symphony Orchestra Of Haydn And Mozart
  40. Symphony No.29 In A, K.201 (Finale)
  41. Strings, Wind, But No Brass. What Haydn And Mozart Never Knew
  42. Canzon 28
  43. Beethoven's Fifth: Two Horns, Two Trumpets, And Three Trombones Join The Team.
  44. Symphony No.5 (Finale)
  45. From Beethoven To The Massive Orchestras Of Berlioz, Wagner, And Mahler
  46. Beethoven Changed The Face Of The Symphony And The Orchestra Forever
  47. Symphoy No.6 'Tragic' (Mvt 1)
  48. The Cult Of Orchestral Elephantiasis Reaches Its Peak.
  49. Symphony No.1 'Gothic' (VI: Te Ergo Quaesumus)
  50. When Large Doesn't Necessarily Mean Loud: Debussy
  51. Images (Gigues)
  52. A Crisis Of Confidence; The Orchestra's Survival Hangs In The Balance, But It Still Develops. The Ondes Martenot:
  53. Turangalila Symphony (Chant D'amour 1)
  54. The Advent Of The 'Early Music' Movement Brings A New Vitality And Freshness.
  55. Balle De Xerxes (Gavotte En Rondeau)
  56. Computer And Synthesiser: Friends Or Foes?
  57. Concerto In D Minor For Two Violins (Largo)
  58. A Speculative Look Ahead/Mass In B Minor ('Dona Nobis Pacem')

Customer Reviews:

5 out of 5 stars Instruments of the Orchestra - Great Reference Material!.......2007-04-04

This set lends itself to greatly enhancing one's knowledge of the orchestra, instruments in it, and their usage. I am a huge music buff, and I still picked up a great deal I previously did not know. I highly recommend this for all who wish to understand the origin of music, as well as the processes that are employed to create music!

5 out of 5 stars Beginner or Expert.......2007-03-12

This CD is excellent for the beginner or expert! To be able to haear the instrumets separately and then together really provides a good education. and/or refresher. The book thaty comes with the CD is alomost worth the price by itself!

5 out of 5 stars Very Informative and Enjoyable.......2006-11-20

Whether you're a music novice or pro, "The instruments of the Orchestra" is a very worthwhile purchase. The 7 CDs, with a total of 8 hours, are expertly narrated by Jeremy Siepmann. He's a great speaker, very much like the late Leonard Bernstein was. Mr. Siepmann takes you on an unforgetable musical journey covering the origins and use of the various orchestral instruments throughout musical history. The balance between his narration and a wealth of musical examples, which range from snippets to entire movements, is superb. The comprehensive enclosed booklet is excellent and faithfully follows the 7 CDs in content. Even with my 40+ years of music training I still learned new things from this wonderful collection. Considering the excellence of the content, and a cost that translates to about $5 per disc, this collection is a great value. Grab it, you won't regret that you did. Five solid stars!

3 out of 5 stars Frank's view.......2006-08-19

This boxed set of CD's with booklet achieved all I had hoped that it would. There are good samples of individual instruments and well done commentary on each. The only drawback was that some of the samples were too brief and could have been longer, hoiwever I guess this fits in with time constraints of the medium. It has given me a lot of clues as to future purchases of CD's for listening to individual instruments. Altogeth a satisfactory purchase and a welcome addition to my collection.

5 out of 5 stars Excellent Intro for Those Not Familiar with the Orchestra.......2003-11-08

I've listened to classical music for years and am interested in composition. I bought this CD set to learn how an orchestra and its instruments work. I thought the CDs would be a nice but boring lecture. They aren't! Not only are they FUN but they are informative as well. I learned a huge amount from each CD and couldn't wait to listen to the next one.

The narrator and writer is a great speaker and holds your attention well. He is definitely knowledgeable. He provides musical examples for each point he makes, so you get to "hear" what he just talked about. I'd say the CDs are about 65% music and 35% narration. You'll learn about the range of instruments, some history, different ways to play them, how they sound, and how they are used in the orchestra. This CD set was a great learning experience and is sold at such a low price!

I recommend this CD for those who want to learn about classical music and those who know about it but are interested in learning more about the inner workings of an orchestra. You'll learn much useful information. For instance, the Rite of Spring (with that eerie start) is written for bassoon! I never knew a bassoon could sound like that but now I do.

The one complaint I have is the last CD. This deals with the orchestra. I wanted more of a tour of how the orchestra has been used through history up to the present. Instead, it was a tour of how different groups of instruments sound. I thought it could have been better. The other 6 CDs are excellent.
Don't Sweat the Technique
Average customer rating: 4.5 out of 5 stars
  • 4.5 stars: The end of an era for Eric B. & Rakim................
  • Breakbeat Jazz and Spoken Word
  • Eric B and Rakim at their Best
  • The Epitome of the Word CLASSIC
  • yall shud alreddy know
Don't Sweat the Technique
Eric B & Rakim
Manufacturer: Mca
ProductGroup: Music
Binding: Audio CD

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  1. Let the Rhythm Hit 'Em
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ASIN: B000002OKS
Release Date: 1992-06-23

Tracks:

  1. What's On Your Mind
  2. Teach The Children
  3. Pass The Hand Grenade
  4. Casualties Of War
  5. Rest Assured
  6. The Punisher
  7. Relax With Pep
  8. Keep The Beat
  9. What's Going On
  10. Know The Ledge
  11. Don't Sweat The Technique
  12. Kick Along

Customer Reviews:

5 out of 5 stars 4.5 stars: The end of an era for Eric B. & Rakim.......................2007-04-26

Top Joints:
Dont Sweat The Technique
Whats on Your Mind
The Punisher (Hard)
Keep The Beat
Know The Ledge (Classic)

5 out of 5 stars Breakbeat Jazz and Spoken Word.......2006-09-09

People have been wondering how to combine estranged cousins Jazz and Hip-Hop. Here you have it: a jazz-influenced guru of rap, looped jazzy breaks from one of the best beat makers of the day.

Ra's voice flows through each piece like an expert jazz trumpeter; his timing is immaculate, his vocabulary superb, and his tone smoother Cannonball Adderly. THIS is how rap is done.

Or how some fine hip-hop is done.

This CD spawned two hip-hop classics: Know the Ledge and Don't Sweat the Technique. Listening to Know the Ledge will keep you honest, because Rakim is no lightweight compared to modern legends like Nas and Eminem. You have to respect the flow.

Other points of interest is Teach the Children, What's Going on, and the the opener, What's on Your Mind.

Perhaps clueless jazzers looking to update their medium shouldn't just take a hip-hop beat and noodle aimlessly and call it art. The compositional possibilities shown on this album, along with the amazing lyricism exhibits what jazz and hip-hop could procreate.

5 out of 5 stars Eric B and Rakim at their Best.......2006-08-15

The choice of an acoustic bass, drums, and saxaphone as the groove and harmony for this record was an excellent choice. The song starts with a jazz harmony executed in a dance/soul rhythm. For "opponents" of this song's lyrics "it might take years." The lightning fast tempo yet subtle and relaxed phrasing Eric B brings to the song when he raps complements his sonic lyrical insights and the hard grooving feel of the record.


P.S. I am not sure, but in the video for this song, I think that might be Wyclef Jean playing the acoustic bass.

5 out of 5 stars The Epitome of the Word CLASSIC.......2006-08-11

The word classic gets thrown around a lot in reviews, especially for Rappers and MCs who by no means come close in comparison! Don't Sweat the Technique is a CLASSIC!!! Masta Killas No Said Date is NOT. If you want REAL HIP HOP MUSIC, what better LP is there to give you the blueprint of it. From Lyrics to Beats this was incredible.

5 out of 5 stars yall shud alreddy know.......2005-08-25

Rakim is the greatest rapper of all time and his 4 albums with eric b are classic. buy those albums if u want to know who true heads praise as a god of hip hop or where modern rappers always bite lines from. casualties of war was dope, i just saw the review on allmusic that was wrong. rakim spits about bein a soldier in vietnam and makes it so vivid and realistic, truly mind blowing. buy this.
thats my word
Akir: The Legacy
Average customer rating: Not rated
    Akir: The Legacy
    Immortal Technique
    Manufacturer: Babygrande Records
    ProductGroup: Music
    Binding: Audio CD

    Contemporary R&BContemporary R&B | R&B | Styles | Music
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    ASIN: B000R9YE3S
    Release Date: 2007-07-17

    Tracks:

    1. The Initiation - Abiodun Oyewole
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    7. Kunta Kinte
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    15. Pedigree
    16. So Much
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    19. Legacy
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    Immortal Technique presents Poison Pen - Pick Your Poison: The Mark of the East
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    • Poison Pen Delivers
    Immortal Technique presents Poison Pen - Pick Your Poison: The Mark of the East
    Poison Pen
    Manufacturer: Spire Candidate
    ProductGroup: Music
    Binding: Audio CD

    GeneralGeneral | Rap & Hip-Hop | Styles | Music
    Pop RapPop Rap | Rap & Hip-Hop | Styles | Music
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    1. Akir: The Legacy
    2. I
    3. Desire
    4. Servants in Heaven, Kings in Hell
    5. Port Authority

    ASIN: B000QFBVWA
    Release Date: 2007-06-19

    Tracks:

    1. Brooklyn Board of Tourism (Intro)
    2. Who Are You?
    3. Bed Stuy Bestbuy
    4. Foul Play
    5. Stoopid
    6. Fif N Da Mornin - Kalossal, Poison Pen
    7. Pussy
    8. Cash or Pain
    9. Emveez in Here
    10. Grizzly
    11. Slash
    12. NY Blockbusters - Supastar Billy Gram, , Poison Pen, , Suave Sevah
    13. Study
    14. Copland - Diabolic, Fatz Da Assassin, Goodtime Slim "Da Circle", Immortal Technique, Poison Pen
    15. Just Don't Have Time
    16. Stronghold Movement - Breez Everflowin, Immortal Technique, Poison Pen
    17. Outro - DJ Static, Poison Pen

    Customer Reviews:

    4 out of 5 stars Poison Pen Delivers.......2007-06-25

    simply put, Poison Pen truly delivers. He delivered an album that screams BROOKLYN!!!, and I'm talking about the Brooklyn on the early 90's! The production is top notch, as is is the mastering, which is often a step overlooked on indie releases.

    Pens delivery is sharp, witty, and at the same time screams" I'll break your face" If you're looking for glorified street stories, drug selling, gun toting, this is not for you. If you are looking for authentic BROOKLYN HIP HOP, u must have this in your collection

    If you're not familiar with his music, this is you chance!!! Its well worth the purchase!!
    First Dance
    Average customer rating: 5 out of 5 stars
    • Very sexy,romantic!
    • A Hidden Gem!
    • An acoustic delight
    • wonderful acoustic guitar cd
    • Exceptional Debut Album
    First Dance
    Noel Lorica
    Manufacturer: NDC
    ProductGroup: Music
    Binding: Audio CD

    GeneralGeneral | International | Styles | Music
    GeneralGeneral | Far East & Asia | International | Styles | Music
    GeneralGeneral | Jazz | Styles | Music
    Latin JazzLatin Jazz | Jazz | Styles | Music
    Smooth JazzSmooth Jazz | Jazz | Styles | Music
    GeneralGeneral | Jazz | Indie Music | Stores | Music
    International JazzInternational Jazz | Jazz | Indie Music | Stores | Music
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    ASIN: B0009JVTRA
    Release Date: 2005-05-14

    Tracks:

    1. Back in 5
    2. Samba in A
    3. My Favorite Things
    4. El Viento
    5. First Dance
    6. Midnight Dreams
    7. Forgiveness
    8. Sarong Bangi
    9. Last Dance
    10. Scent of Cinnamon
    11. Warm Winds

    Album Description

    First Dance is the debut album of consummate acoustic guitarist, composer- Noel Lorica. Jazz Lovers will groove to the fresh compositions of Noel Lorica. He has mastered the style of Wayward Jazz. Wayward Jazz uses the acoustic guitar to wind its way through classic forms of jazz, from the provocative rhythms of Latin jazz while adding the precision of its Asian counterpart to the heartfelt melodies of Smooth Jazz. If you like Peter White or Marc Antoine it's a good bet you'll like Noel Lorica.

    This collection of 11 instrumental works are truly songs without words. The guitar adds a voice filled with texture and emotion. Beginning with his award winning song " Back in Five", which introduces us to Noel Lorica's vibrant, harmonious compositions and superb musicianship. As the album continues, it picks up tempo with body swaying precision in "Samba in A." Then it takes on the familiar "My Favorite Things" with a most astonishing acoustic jazz interpretation. The journey further transports you to the cool Brazilian shores with the sultry melody of "El Viento". Only to be brought back to pure innocence with the solo guitar of title song "First Dance".

    At this point, most albums lose passion but "First Dance" only begins to further captivate with skill and soul. Each song in this album has unique character and is worthy of its own accolade. Some diversifying with piano melodies and guitar highlights as in "Forgiveness" & " Scent of Cinnamon". Or "Sarong Bangi" which brings in the swing that standard lovers applaud. While Latin jazz fans will clamor for the strong percussions of "Midnight Dreams" & "Last Dance" Wayward style. Finally ending with the smooth flowing beat of "Warm Winds".

    This has got to be one of the best new jazz albums of the year and Noel Lorica's remarkable introduction into the heart of the jazz community. You'll sure to enjoy this little Wayward excursion.

    Customer Reviews:

    5 out of 5 stars Very sexy,romantic!.......2005-11-10

    loved "el viento"very relaxing and sensous...back to 5 was very uplifting...all in all great job!

    5 out of 5 stars A Hidden Gem!.......2005-11-02

    Lorica is a native of Manila, The Philippines and currently resides in South Florida. He's a Classical trained guitarist whose style resembles well established guitarists such as Peter White, Marc Antoine and Earl Klugh. His debut album has much promise. The recording has a variety of jazz rhythms which ventures from Asian to Flamenco to Brazil. His production is high quality and his original compositions are lovely. I personally enjoyed "Samba in 5" as well as "Midnight Dreams". He also holds his own on American standards such as Rogers & Hammerstein's "My Favorite Things". I see very good things for Lorica happening with this CD release. This is a hidden gem. It's a musical journey you'll enjoy.

    5 out of 5 stars An acoustic delight.......2005-07-28

    great album...superior guitar playing in the same category as marc antoine,peter white,ken navarro,earl klugh.....seeing Mr.Lorica perform live is very entertaining and impressive...his passion for his instrument is very evident on live performances and is captured well into this cd

    5 out of 5 stars wonderful acoustic guitar cd.......2005-07-28

    His style is a cross between Marc Antoine and Peter White with a slight more edge to it....I was very impressed with "Back to 5,Midnight dreams, and Last Dance" but the rest of the album is definitely a pure delight to your musical senses. For all those Antoine and White Fans this is an album worth your time...

    5 out of 5 stars Exceptional Debut Album.......2005-06-19

    After seeing Noel perform live in Orlando and South Florida, I was excited to see his first CD hit the market. I was not disappointed!

    The CD is a blend of mostly original samba/latin and smooth jazz . The samba and latin oriented songs were the highlights of the CD. If you like Bossa Nova (http://en.wikipedia.org/wiki/Bossa_nova), this CD most definitely has tracks that you will love.

    While I liked the CD as a whole, here are the tracks that are my favorites:
    Track 1 -- Back in 5
    Track 2 -- Samba in A
    Track 4 -- El Viento
    Track 5 -- First Dance
    Track 6 -- Midnight Dreams
    Track 8 -- Sarong Bangi
    Track 9 -- Last Dance
    Track 11 -- Warm Winds

    If you are looking to discover a new instrumentalist/song writer I recommend you try this CD.
    Singing With Style: Jazz Vocal Warm Up & Vocal Style Singing Lessons
    Average customer rating: Not rated
      Singing With Style: Jazz Vocal Warm Up & Vocal Style Singing Lessons
      Susan Anders
      Manufacturer: Zanna Discs
      ProductGroup: Music
      Binding: Audio CD

      GeneralGeneral | Jazz | Styles | Music
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      1. Jazz Singer's Handbook: The Artistry and Mastery of Singing Jazz (Book & CD)
      2. Scat! Vocal Improvisation Techniques (Vocal)

      ASIN: B000KGGGZ2
      Release Date: 2006-11-10

      Tracks:

      1. Introduction And Warm Up Tips
      2. It Don't Mean A Thing Intro: Face & Throat Loosening And Initial Resonance
      3. It Don't Mean A Thing Review: AABA1 Hum, AABA2 Tongue Rolls And/Or Lip Rolls
      4. It Don't Mean A Thing
      5. Stormy Monday Intro: Breathing And Posture
      6. Stormy Monday Review: Wah Wah
      7. Stormy Monday
      8. Baby Baby All The Time Intro: Placing Low Notes And More Resonance Work
      9. Baby Baby All The Time Review: 'Myah' On Mid To High Notes, 'Mee' On The Low Notes
      10. Baby Baby All The Time
      11. Honeysuckle Rose Intro: Opening High Notes And The Inner Smile
      12. Honeysuckle Rose Review: 'Daba Daba' With Nose Then Mouth Inhalations
      13. Honeysuckle Rose
      14. Good Morning Heartache Intro: Register Navigation And The Mix Register
      15. Good Morning Heartache Review: 'Nyea' Or 'Nay' Through B1, Same Sounds Held Longer In A3, B2 'Yeah', A4 'Yeah' Or 'Yah.' Or Alternate 'Yeah' And 'Yah' Each Section
      16. Good Morning Heartache
      17. Ain't Misbehavin Intro: Singer's Diction And Simple Vowels
      18. Ain't Misbehavin: Diphthongs And Looping
      19. Ain't Misbehavin Review: Alternate 'Why' And 'Way' Each Section
      20. Ain't Misbehavin
      21. Do Nothing Till You Hear From Me Intro: More With Diphthongs, 'R' And 'L'
      22. Do Nothing: Vibrato
      23. Do Nothing Review: Alternate 'Wow' And 'Wo' Each Section
      24. Do Nothing Till You Hear From Me
      25. Our Love Is Here To Stay Intro: Melodic Leaps, High Closed Vowels
      26. Our Love Is Here To Stay Review: A1 'Yeah Yeah,' 'Yah' At Each Phrase End. A2 'Nah'
      27. Our Love Is Here To Stay
      28. Cry Me A River Intro: Sustaining High Notes, Avoiding Glottal Attacks
      29. Cry Me A River: Articulation

      Tracks:

      1. Cry Me A River Review: 'Nah' Over The Entire Song
      2. Cry Me A River
      3. Lullaby Of Birdland Intro: Pitch
      4. Lullaby Of Birdland Review: 'Dee' Or 'Dah' On Both Slow And Fast Versions
      5. Lullaby Of Birdland Slow Piano Version (Vox Right, Piano Left)
      6. Lullaby Of Birdland
      7. So Nice (Summer Samba) Intro: Putting It All Together
      8. So Nice (Summer Samba) Review: Da Or Lyric, Using The Checklist Below The Lyrics For So Nice
      9. So Nice (Summer Samba)
      10. Introduction To Style Work
      11. Our Love Is Here To Stay Style Work: Hearing And Singing Notes In Chords
      12. Our Love Is Here To Stay Review
      13. Our Love Is Here To Stay, Style Version
      14. Baby Baby All The Time Style Work: Phrasing
      15. Baby Baby All The Time Review
      16. Baby Baby All The Time, Style Version: A1 Back-phrasing, A2 Deeper Back-phrasing Then Front-phrasing, A3 Combination
      17. Ain't Misbehavin Style Work: Neighboring Tones
      18. Ain't Misbehavin Style Work: Passing Tones
      19. Ain't Misbehavin Style Work: Appoggiaturas
      20. Ain't Misbehavin Review
      21. Ain't Misbehavin, Style Version: Upper Then Lower Neighboring Tones, Passing Tones, Appoggiaturas
      22. Good Morning Heartache Style Work: Chord Tones
      23. Good Morning Heartache Style Work: Substitution Notes
      24. Good Morning Heartache Review
      25. Good Morning Heartache, Style Version: A1 & A2 Chord Tones, Substitution Notes For The Rest Of The Song
      26. Stormy Monday Style Work: Pentatonic Scale Variations & Runs
      27. Stormy Monday Review
      28. Stormy Monday, Style Version: A1 Pentatonic Scale, A2 Variation #1, A3 Variation #2 With Lyric
      29. Stormy Monday Style Work: Pentatonic Ornaments
      30. Stormy Monday Review #2
      31. Stormy Monday, Style Version #2: Pentatonic Upper Then Lower Neighboring Tones, Appoggiaturas, Passing Tones, Combinations
      32. Honeysuckle Rose Style Work: Intro To Scat Singing
      33. Honeysuckle Rose Scatting Work
      34. Honeysuckle Rose Review
      35. Honeysuckle Rose, Style Version: 1st AABA Original Melody + Phrasing & Ornaments, 2nd AA New Melody + Phrasing & Ornaments, 2nd BA Bridge Melody + Phrasing & Ornaments

      Tracks:

      1. It Don't Mean A Thing Style Work: Scatting With Pentatonic Patterns
      2. It Don't Mean A Thing Review
      3. It Don't Mean A Thing, Style Version: Refrain 1 Pentatonic Scale + Ornaments & Phrasing, Refrain 2 Different Pentatonic Pattern + Ornaments & Phrasing
      4. Do Nothing Till You Hear From Me Style Work: Melodic Alterations
      5. Do Nothing Till You Hear From Me Style Work: Rhythmic Changes
      6. Do Nothing Till You Hear From Me Review
      7. Do Nothing Till You Hear From Me, Style Version: A1 Expansion & Contraction, A2 Inversion & Transposition, B1 Rhythmic Changes: Straight 8th And Triplets, A3 Melodic Fragment Expansion, Contraction, Inversion & Transposition, 2nd AABA Same Examples...
      8. Cry Me A River Style Work: Lyric Interpretation 1: Back Story
      9. Cry Me A River Style Work: Lyric Interpretation 2: Word Emphasis
      10. Cry Me A River Review
      11. Cry Me A River, Style Version: A1 Phrasing, A2 Substitution Notes, B1 Appogiaturas, A3 Passing Tones, B2 Melodic Changes, A4 Pentatonic Riffs
      12. Lullaby Of Birdland Style Work: Quicker Ornaments
      13. Lullaby Of Birdland Style Work: Texture & Timbre Changes
      14. Lullaby Of Birdland Review
      15. Lullaby Of Birdland, Style Version: A1 Fries & Scoops, A2 Hinkies & Throbs, B1 Lifts & Dives, A3 Grace Notes & Horn Stabs. Refrain 2 Same Ornaments With Space For Vocal Trading
      16. So Nice (Summer Samba) Style Work: How To Make Style Choices
      17. So Nice Review
      18. So Nice, Style Version: A1 Airy Tone + Phrasing, B1 Appogiaturas, A2 Dynamics, B2 Dives, 2nd Refrain A1 Substitution Notes, B1 Grace Notes, A2 Scoops, B2 Combination
      19. It Don't Mean A Thing-Key: Ami-Warm Up Sounds: Humming, Tongue & Lip Rolls
      20. Stormy Monday-Key: Bb-Warm Up Sound: 'Wah'
      21. Baby Baby All The Time-Key: B-Warm Up Sounds: 'Myah' And 'Mee'
      22. Honeysuckle Rose-Key: B-Warm Up Sounds: 'Daba Daba'
      23. Good Morning Heartache-Key: Ami-Warm Up Sound: 'Nyeah' Or 'Nay'
      24. Ain't Misbehavin'-Key: Ab-Warm Up Sounds: 'Why' And 'Way'
      25. Do Nothing Till You Hear From Me-Key: Bb-Warm Up Sounds: 'Wo' And 'Wow'
      26. Our Love Is Here To Stay-Key: C-Warm Up Sounds: 'Yeah' And 'Yah'
      27. Cry Me A River-Key: Ami-Warm Up Sound: 'Nah'
      28. Lullaby Of Birdland-Key: E-Warm Up Sound: 'Dee' Or 'Da'
      29. So Nice (Summer Samba)-Key: F-Warm Up Sound: 'Da'

      Album Description

      Singing With Style is a versatile program for developing and maintaining good singing technique and vocal stylizing skills. Part One is a song-based vocal warm up of eleven jazz standards and detailed technique instruction. Part Two uses the same songs to teach many aspects of vocal style including ornamentation (licks and riffs), phrasing, pentatonic runs, interpretation, improvisation, scat singing and much more.

      Singing With Style includes: Three CDs of almost four hours of material, including eleven jazz standards played by a jazz trio (piano, bass and drums). The Vocal Warm Up Section section includes these songs with example vocals and instructional tracks. The Vocal Style Section includes the songs with stylized example vocals and instructional tracks. Also included are the songs minus the vocals so singers can work "without the training wheels". These tracks without vocals can be used as a jazz vocal warm up or for vocal style practice.

      In the Vocal Warm Up Section you'll learn: breathing and posture, how to warm up correctly, how to increase your range, improve your intonation (pitch), build control, build resonance, improve your tone, volume and vocal endurance. Singers diction, the mix register, safe belting, articulation and vibrato development and/or control are also covered.

      In the Vocal Style Section you'll learn phrasing, improvising, ornaments (licks and fills), pentatonic runs, scat-singing, interpretation, melodic variation, vocal texture variations, and all the other vocal tricks you've heard singers do but couldn't figure out. Though jazz songs are used to teach these elements, they are essential for all contemporary styles including pop, rock, R&B, country, and blues.

      Beginning singers can sing through the warm up section at their own pace to learn how to sing correctly and to develop good vocal technique and strength. Experienced singers can skip the instructional intros and use this section to maintain their vocal technique and strength. Once they've learned the songs, singers can also skip the warm up section and move directly to working with the vocal style section.

      The Torture Technique
      Average customer rating: 5 out of 5 stars
      • This is good stuff
      • I Wanna Feel Like God - Whatever Gets me Through the Night.
      • Krackhead!!
      • Experimental Industrial at it's best!
      • funky classic WaxTrax-style industrial at it's best
      The Torture Technique
      Sister Machine Gun
      Manufacturer: Tvt
      ProductGroup: Music
      Binding: Audio CD

      GeneralGeneral | Alternative Rock | Styles | Music
      GeneralGeneral | American Alternative | Alternative Rock | Styles | Music
      Alt IndustrialAlt Industrial | Industrial | Goth & Industrial | Alternative Rock | Styles | Music
      Industrial DanceIndustrial Dance | Industrial | Goth & Industrial | Alternative Rock | Styles | Music
      Indie RockIndie Rock | Indie & Lo-Fi | Alternative Rock | Styles | Music
      GeneralGeneral | Rock | Styles | Music
      Pop RockPop Rock | Pop | Styles | Music
      Indie & Lo FiIndie & Lo Fi | Alternative Rock | Indie Music | Stores | Music
      IndustrialIndustrial | Goth & Industrial | Alternative Rock | Indie Music | Stores | Music
      American AlternativeAmerican Alternative | Alternative Rock | Indie Music | Stores | Music
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      5. sistermachinegun: 6.0

      ASIN: B000003RG7
      Release Date: 1994-03-15

      Tracks:

      1. Salvation
      2. Sacrifice
      3. Negative
      4. Krackhead
      5. Cocaine Jesus
      6. Wired
      7. Brother Bomb
      8. Nothing
      9. Torture Technique
      10. Iron Sun
      11. Heaven

      Customer Reviews:

      4 out of 5 stars This is good stuff.......2005-11-09

      Although I refrain from giving it a 5, it should get it just because the pros outweigh the neg.
      First off, I will state that I listen to a lot of different music but really like industrial music, more so, I like techno pop and heavy metal so in my eyes, industrial music is the perfect blend.
      Second, I will state that I don't care much for death metal, some is ok but it is- for the most part, kind of lame.
      Enough of my personal opinions.
      This is the first SMG album I have purchased and was solely because of the strong positive reviews listed on this website (10 years after its release!!!). I can honestly say it was a bit hard to muster at first -- the music structure is very good -- complex but yet simple enough that it doesn't build an overwhelming pressure when listening for extended periods but the vocals leave you listening harder than I want. I still don't understand what he is saying for 75% of the vocals, even after listening to it close to 50 times. This is really the only negative, but it isn't really though because the music structure is soooooo strong, that you don't need to understand more than the chorus and a few versus here and there in order to enjoy it. I don't really think it is a dark cd, its very light and arid but is a very strong sound. Not strong in a Pantera way, more strong in a NIN type of way -- very textured and very driving. I can listen to this cd over and over again for days on end and still enjoy it.

      I purchased this album at the same time that I purchased Machines of Loving Grace's Concentration; If I were to do it again, I would've bought 2 different SMG cd's and skipped the MLG...

      5 out of 5 stars I Wanna Feel Like God - Whatever Gets me Through the Night. .......2005-02-25

      When I dive into my CD collection and reflect on the Chris Randall's highlight reel, I always gravitate toward Torture Technique as a good place to start. And I say that knowing that Sins of the Flesh was good enough to stay in the selection, and while acknowledging that it spawned songs that are worthwhile additions to a "best of" anthology starring Sister Machine Gun. Still, Torture Technique marked a point where trends began that made me think "Sister Machine Gun" when I heard certain things in a song, making them stand apart from the fold, and where sonic arrays became refinement once SMG made them their playground. This was the work where Randall introduced a little more of what he wanted to do into the fold, rolling with beats that incorporated other styles of music, and where he started meshing in different flavors that weren't associated with "Industrial." When you listen to songs like Sacrifice and hear the base booming through it, you can see deviation that really wasn't present in most bands at the time, and one that would further refine into jazz and blues and other influences on the artist.
      And this is also the place where Randall started to solidify the vocals he would begin to use like a powertool.

      When listening to Torture Technique, my first inclanation is to skip to Negative because I really like that song. It has been a track that withstood the years, it standing apart as a clean song both in vocals and in sound, and actually reflecting quality way beyond when the CD was pressed. A lot of earlier Wax Trax albums have problems with quality reflecting age, but songs like Negative prove that some defy the medium of years. "My mind remembers who I was when my conscience died. So negative." That's good stuff.
      I normally make a B-line for "Cocaine Jesus" afterwards because I like the contrast in the song and because I like the message of the time. It is a minimal song with a reverb effect kicking the vocals into a blurry liquidity, like static in the audio pond, and I think it highlights the lyrics pretty well. "I'm so f-ed up, I don't know my own name. You'd think I'd learn by now that its always the same. Cocaine Jesus." Yeah.
      My motion through the tracks then parks me on Nothing, again contrasting the previous two tracks because it has a little more beat than the second, more guitar than the first, and a rawer form of lyrical grey matter. Its something of an angry song, screaming "I want to go down, but I know that I'm nothing," and I enjoy it. It's kinda like that kid that you had with your former wife and you only have to see on weekends, so you enjoy it whenever you see it. Its fun to revisit.
      And "Iron Sun" is possibly my favorite track on the album, because I like the way it builds, the noise it uses when it blurs the vocals as it loops them into a stream that finally comes together, and because I like the whole concept that begins to play out in the album here.

      From the interior label (a snippet): "Placing his faith in sister machine gun and brother bomb, (he) is allowed back into the womb, back into the darkness - to return to the ultimate refutation of thinghood -to be non-nothing... To be nothing."
      This wants you. You want it back.

      5 out of 5 stars Krackhead!!.......2002-05-14

      This album rocks! If you have any interest for vintage industrial flavor , then this has got to be one of the first you pick up. This is s.m.g's 2nd album and is arguably the masterpeice album in the bands library.It has a very Bleak, creepy, hellish feeling to it. And with songs like "krackhead" "wired" "brother bomb" and "The Torture Technique" they make you wanna get up and a rob a bank. (Not that im trying to influence anybody lol) but the music is some of the best ive heard of all classic cyber-metal. Not to mention the spooky distorted samples that chris randall placed inbetween each song, check out the psycho sounds at the end of "negative" i bet you never heard anything like that before, (sounds kinda like an evil cyborg getting possessed and going haywire, or some kind of alien being mutilated or something?!) so all in all a must for industrial rock fans! Buy this cd, stay home one night, wait till about midnight or so, chill out in your room , put the album on and be tripped out all night!

      5 out of 5 stars Experimental Industrial at it's best!.......1999-03-12

      In his second album, Chris Randall (frontman for Sister Machine Gun), shows us what he can do with his many electronic toys. In The Torture Technique he explores new sounds to add to the jazzed up industrial sound he created with the first album, Sins of the Flesh. And despite the other-worldness of the layers of feedback and distortion, Mr. Randall manages to weave them together with grinding guitars, angry vocals and powerful beats to make an uncommon thing: a catchy experimental album. Songs like Wired, Crackhead, Salvation and Sacrafice, which explore the subjects of deprevity, drug addiction and desperation, will be running through your head for weeks. This album is among my all time favorites and I definately recommend it to anyone who has a taste for the industrial side of music.

      5 out of 5 stars funky classic WaxTrax-style industrial at it's best.......1999-03-10

      produced by the folks at Warzone, this album shares its sound and feel with Die Warzau's "Engine" (an excellent album itself). although this album isn't your typical SMG, it still stands strong as an excellent foray into more experimental and classic industrial styles. TTT features the accesible singles Wired (for which a video was made) and Nothing, in addition to danceable tracks like Krackhead and experimental noise pieces like Heaven. overall, an excellent album and one of my personal favorites.

      Music:

      1. The Best of New Order
      2. The Crow [Soundtrack]
      3. The Mind Is a Terrible Thing to Taste
      4. The Play [Explicit Lyrics]
      5. The Ramones
      6. The Whole World Spinz Anyway
      7. Uncovered By Heartbeat [Import]
      8. Under the Pink
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      10. Vriddhi - Ragas for Growth

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