Here's Where the Strings Come In

Tracks:

Give My Regards To Broadway- Joel Grey
Swanee- Al Jolson
When The Moon Shines On The Moonshine- Bert Williams
A Pretty Girl Is Like A Melody- John Steel
My Man- Fanny Brice
Fascinating Rhythm- Fred Astaire, Adele Astaire
If You Knew Susie (Like I Know Susie)- 78rpm Version Eddie Cantor
Someone To Watch Over Me- Gertrude Lawrence
Bill- 78 rpm Version Helen Morgan
Ol' Man River- Paul Robeson
Ain't Misbehavin'- Louis Armstrong & His Orchestra
Ten Cents A Dance- Ruth Etting
Body And Soul- Libby Holman
Brother, Can You Spare A Dime- Bing Crosby
Night And Day- Fred Astaire
Heat Wave- Ethel Waters
Smoke Gets in Your Eyes- Tamara
You're The Top- Ethel Merman
Summertime- Anne Brown
September Song- Walter Huston
My Heart Belongs To Daddy- Mary Martin
It Never Entered My Mind- Shirley Ross
Bewitched, Bothered, Bewildered- Vivienne Segal
Oh, How I Hate To Get Up In The Morning- Irving Berlin
Oh, What a Beautiful Mornin'- Alfred Drake

Tracks:

New York, New York- Cris Alexander,Adolph Green,John Reardon
If I Loved You- John Raitt,Jan Clayton
Come Rain Or Come Shine- Ruby Hill,Harold Nicholas
There's No Business Like Show Business- Ensemble
How Are Things In Glocca Morra? From "Finian's Rainbow"- Ella Logan
Once In Love With Amy- Ray Bolger
Wunderbar- Alfred Drake,Patricia Morison
Some Enchanted Evening- Ezio Pinza
Lost In The Stars- Todd Duncan
Diamonds Are A Girl's Best Friend- Carol Channing
Luck Be A Lady- Robert Alda,Guys
Getting To Know You- Gertrude Lawrence
Who Cares?- Jack Carson,Betty Oakes
Stranger In Paradise- from " Kismet" Doretta Morrow,Richard Kiley
Ballad Of Mack The Knife- Gerald Price
Hey There- from "The Pajama Game" John Raitt
Whatever Lola Wants- Gwen Verdon
I Could Have Danced All Night- Julie Andrews
Standing On The Corner- from "The Most Happy Fella, 1956" Shorty Long,John Henson,Alan Gilbert
The Party's Over- Judy Holliday
Glitter And Be Gay- Barbara Cook
Tonight- Larry Kert, Carol Lawrence

Tracks:

Seventy-Six Trombones- Robert Preston
I Enjoy Being A Girl- from "Flower Drum Song, 1958" Pat Suzuki
Everything's Coming Up Roses- Ethel Merman
My Favorite Things- from "The Sound Of Music" Mary Martin
Put On A Happy Face- from "Bye Bye Birdie" Dick Van Dyke
Try To Remember- Jerry Orbach
Camelot- from "Camelot" Richard Burton
Love Makes The World Go 'Round- Anna Maria Alberghetti
I Believe In You- Robert Morse And Co.
The Sweetest Sounds- Diahann Carroll,Richard Kiley
Comedy Tonight- Zero Mostel
What Kind Of Fool Am I?- Anthony Newley
As Long As He Needs Me- Georgia Brown
Hello, Dolly!- Carol Channing,Cast
People- Barbra Streisand
Anyone Can Whistle- from "Anyone Can Whistle" Lee Remick
If I Were A Rich Man- Zero Mostel
Night Song- Sammy Davis, Jr.
The Impossible Dream- Richard Kiley
If My Friends Could See Me Now- Gwen Verdon
Open a New Window- from Mame Voice

Tracks:

Willkommen- from "Cabaret" Joel Grey
Let The Sunshine In- James Rado,Lynn Kellogg,Melba Moore,Cast
I'll Never Fall In Love Again- Jill O'Hara,Jerry Orbach
The Ladies Who Lunch- from "Company" Elaine Stritch
Tea For Two- Roger Rathburn,Susan Watson
I'm Still Here- Yvonne De Carlo
I Don't Know How To Love Him- Yvonne Elliman
We Go Together- Adrienne Barbeau,Barry Bostwick,Walter Bobbie,Cast
Corner Of The Sky- John Rubinstein
Send In The Clowns- Glynis Johns
Ease On Down The Road- Stephanie Mills,Tiger Haynes,Ted Ross,Hinton
One- from "A Chorus Line" Cast
All That Jazz- Chita Rivera,Ensemble
Tomorrow- Andrea Mcardle
Don't Cry For Me Argentina- Patti Lupone
Come Follow The Band
Lullaby Of Broadway- Jerry Orbach
And I'm Telling You I'm Not Going- Jennifer Holliday
The Bells Of St. Sebastian- Raul Julia

Tracks:

Memory- Betty Buckley
I Am What I Am- George Hearn
Move On- Bernadette Peters,Mandy Patinkin
Do You Hear The People Sing?- Michael Maguire,Cast
The Music Of The Night- Michael Crawford
You're Nothing Without Me- James Naughton,Gregg Edelman
The American Dream- Jonathan Pryce,Cast
Doctor Jazz- Gregory Hines,Company
With One Look- Glenn Close
On Broadway- Adrian Bailey,Frederick B. Owens,Ken Ard,Victor Trent Cook
Le Jazz Hot- Julie Andrews,Ensemble
Seasons Of Love-
Hakuna Matata- Max Casella,Tom Alan Robbins,Scott Irby-Ranniar,Jason Raize
I Wanna Be A Producer- Matthew Broderick,Ensemble
Dancing Queen- Louise Plowright,Jenny Galloway
Good Morning Baltimore- Marissa Jaret Winokur
Movin' Out- Michael Cavanaugh,Band
I Go To Rio- Hugh Jackman,Company
Defying Gravity- Kristin Chenoweth,Idina Menzel

Customer Reviews:

Fabulous for any Broadway-lover.......2007-01-30

Packs into 5 CD's a sampling of Broadway tunes from the 20's thru (almost) today, mostly from original cast recordings. Includes not just well-known hits, but also some lesser-known gems. Sound quality is first rate, booklet is informative too. Have given this as a gift to several friends with rave reviews.

Top Shelf.......2007-01-04

This is THE definitive collection of Broadway hits. I have other collections, and none of them measure up. A great deal of care was obviously taken in compiling and presenting this box set. It covers a lot of ground, starting with some long-forgotten but still very enjoyable hits from the days of yore, and finishing with present-day favorites. To the best of my knowledge, the recordings are by those who made them famous. You won't be disappointed.

TERRIFIC CD'S.......2006-03-23

THESE BROADWAY MUSICALS CD'S ARE A BROADWAY LOVERS DREAM. WITH EACH SONG, MEMORIES COME FLOODING BACK. BOTH THE FAMILIAR AND THE FORGOTTEN SONGS ARE A TRUE LISTENING PLEASURE. IF YOU LIKE BROADWAY, YOU'LL LOVE THIS SET.

Great Collection of Broadways greatest Songs .......2005-06-14

This Collection was perfectly made it has almost all the most famous Broadway songs on this 5 cd set. The Music is great and has Broadways greatest treasures like "Memory""People""With One Look""Give my regards Too Broadway" just to name a few of this numerous cd set with over 100 songs. This is a great buy if you like musicals or The music of Broadway

Great Compilation!.......2005-01-17

If you are a fan of the Broadway Musicals, this is a collection that you should purchase. Since I got the 5 disc set I've enjoyed listening to it. The majority of the songs are done by the original singers. The collection is priceless considering that you will have over 100 songs from popular musicals since the beginning of Broadway

Average customer rating:

Handel: The Masterworks (Box Set)

Manufacturer: Brilliant Classics
ProductGroup: Music
Binding: Audio CD

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Vivaldi: The Masterworks (Box Set)
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ASIN: B00062FLI8
Release Date: 2004-11-30

Average customer rating:

Beginning of the softening of their sound.
Return to Noise with clarity
An Aquired Taste, Worth Acquiring
As great as any indie rock album I've heard
i had a crush; nothing works out

Here's Where The Strings Come In
Superchunk
Manufacturer: Merge Records
ProductGroup: Music
Binding: Audio CD

General | Alternative Rock | Styles | Music

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Similar Items:

On the Mouth
Icky Mettle
Where You Been
Bee Thousand
Vee Vee

ASIN: B0000019O2
Release Date: 1995-09-19

Tracks:

Hyper Enough
Silver Leaf And Snowy Tears
Yeah, It's Beautiful Here Too
Iron On
Sunshine State
Detroit Has A Skyline
Eastern Terminal
Animated Airplanes Over Germany
Green Flowers, Blue Fish
Here's Where The Strings Come In
Certain Stars

Amazon.com

In their two previous releases, Superchunk seemed to suffer from a lack of direction. Their newfound musical maturity had them abandoning the catchy anthems of their early records and smoothing out all their jagged edges and lovable imperfections. With Here's Where the Strings Come In, however, they've finally found a happy medium. This infectiously lively release has the punch of No Pocky for Kitty and the deeper lyrics and more complex musical arrangements of Foolish and On the Mouth. The band doesn't need to rely on the simplistic three-chord explosions that used to be its trademark; instead, it has focused its musical energy on creating mature, moody guitar pop that, while not lacking in passion, is expressive in a wider variety of ways. Guitarist/vocalist Mac McCaughan has written some fine songs on Here's Where the Strings Come In, and he convincingly delivers them in that perpetually adolescent wail that still cracks when strained. Though some of the tunes are serious and angst-ridden, rarely does the pace drag, and the midtempo monotony that plagued some previous albums is thankfully absent. Though it may not have the same pogo-inspiring energy of No Pocky, this Superchunk album is a nice compromise between their hyperpunk beginnings and their later, more introspective buzz pop groove. --Adem Tepedelen

Customer Reviews:

Beginning of the softening of their sound. .......2005-11-14

This came out in 1995. Indoor living, from 1997 was their last of 5 great albums along with indicental music, foolish, no pocky for kitty and mouth to mouth. This is the beginning of the slide to a generally more gentle sound. They got declawed a bit. Worse, they didn't write any of the real together, soaring, 2 guitar power songs here that they did on those 5 albums. I'm glad I got virtually all their records. Who knows, in 10 years when I'm 61 maybe I'll be more into this and their other late 90's/2000's records, less fast, less powerful. Though, on listening to this, none of the songs hit that great musical groove that 5 to 11 of their songs do on those 5 great albums. Still, much better than a poke in the eye. chrisbct@hotmail.com

Return to Noise with clarity.......2003-03-29

As soon as you put the needle on this one [or pushes play on the CD player] you're going to get greeted by a happy noisy record that occasionally slows down but doesn't really let up for about 45 minutes or so.

First the 'Chunks discover Angus Young's secret to great guitar sound: loud and overdriving doesn't have to sound like a danged Metallica record. The sound of 'Chunk records continues getting clearer and one can hear the actual drums and bass notes [and backing vocals] as opposed the wall of sound [much as I love it] on the early records. This way when they want to hit you over the head, they kick in a louder fuzzy guitar like they do on "Silverleaf and Snowy Tears" or "Eastern Terminal."

Second: Mac has come up with a another great batch of songs with a pile of hooks that would do any Cars record proud. And again, you can actaully sometimes make out what Mac is singing. Most of the time he's singing about a screwed up relationship [keeping in mind this was after he and bass player Laura Ballance fell out] but he's more sad than bitter.

This record also contains the very pretty "Green Flowers, Blue Fish" and the greatest "yeah yeah" chorus this side of "She Loves You" on the driving "It's Beautiful Here, Too."

Really it's hard to describe this record if you're not familliar with the touch points. It's not as hard as the Foo Fighters, but it has all the elements that make that "accessable power pop. [And Mac seems to mention airplanes a lot in his songs] If you're looking for a first Superchunk, this would be a good one. If you own earlier 'Chunk it's a good record to catch a band maturing.

An Aquired Taste, Worth Acquiring.......2000-10-07

This is my favorite Superchunk album. I guess by definition they're grouped into the category of "punk", but that tag doesn't do them justice. They're songs are well crafted, and poetic. They also know how to flat out rock. If the chorus of "Greenflowers, Buefish" doesn't set your toes a tappin' then you better check yourself for a pulse. Beware, Mac McCaughan's voice is an aquired taste so if sometimes off key vocals bother you stay away. If not do yourself a favor and buy this album, then pick up "Foolish" next.

As great as any indie rock album I've heard.......2000-09-07

This album completely floored me. I had already heard some of the band's other albums and liked them all very much (especially "Foolish") but this one is stunning. The sound is incredible and the performances are powerful and heartfelt. Mac's voice may not be the prettiest in rock but it drips with sincerity and intelligence. The songs here are certainly among the band's best, too. I defy anyone to hear a song like "Iron On" and not relate to it on an emotional level at the very least. A perfect blend of sadness, joy, and soul.

i had a crush; nothing works out.......2000-08-22

the thrashy fast songs make you cry just as quickly as the slow ones that ache bad

Average customer rating:

The Delights of the Countertenor
Treasures to be discovered
Mismatching.....

English Lute Songs

Manufacturer: Hyperion
ProductGroup: Music
Binding: Audio CD

Dances | Ballets & Dances | Classical | Styles | Music

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ASIN: B00003ZAC9
Release Date: 2000-01-11

Amazon.com

This disc of 30 English lute songs and solos by 10 composers features divine singing from countertenor Robin Blaze and exquisite lute playing from Elizabeth Kenny. The music covers the first century and a half of modern English history--from the artistic flowering, which followed political emancipation from Rome, to the Restoration of the monarchy after which the lute became obsolete (until its revival by bearded Romantics in the 20th century). Some of the tracks are a little labored. The opener, Robert Johnson's "Full Fathom Five" from Shakespeare's "The Tempest," almost grinds to a halt. "Where the Bee Sucks" from the same source is similarly leaden, and Purcell's lute solo on "Lilliburlero" expects no one to dance. On the other hand, the duo's measured approach perfectly suits Dowland's "Time Stands Still," and the same composer's most beautiful song, "In Darkness Let Me Dwell," features the singer's most expressive singing. Blaze's haunting tone is deathly cool. Besides those mentioned, the disc includes songs by Campion, Lawes, Danyel, Reggio, Banister, and Blow. Blaze lights up on Matthew Locke's air, "The Delights of the Bottle," which is the most eccentric track on the album. Of the six tracks by Henry Purcell, "'Tis Nature's Voice" is the most grippingly performed. Blaze moans so vividly that one almost does not know where to look. --Rick Jones

Customer Reviews:

The Delights of the Countertenor.......2006-07-12

Robin Blaze has a very sweet voice that is somewhat smaller than that of other notables in his field. It is exactly this type of voice that lends itself well to the genre of intimate music represented on this CD. There is nothing harsh or grating about Blaze's interpretations. On the whole this is a highly listenable and pleasant compilation of songs. I recommend this disc to anyone looking to expand, or start, their library of English song.

Treasures to be discovered.......2000-09-11

As much as I love Robin Blaze, I was a little reluctant to buy this CD, thinking: yet another disc of lute songs? - I already have a dozen. But as soon as I saw the track listing, I had no further doubts. The selection is wonderful. By combining the well known songs such as Dowland's In Darkness Let Me Dwell with the rarely performed songs by Robert Jones, Matthew Locke and John Banister, this disc is sure to satisfy both the connoisseur and the novice. Most of the songs are short - with one short melody following another, 70 minutes seems to fly by in a blink of an eye. Blaze's singing is splendid. His voice, with that inimitable woodwind quality and sweetness, is so good that it would sound good even singing drones, but there is more to it than just the beauty of tone. Blaze shows himself capable of a remarkable range of expression: from flamboyant (e.g., The Delights of the Bottle), to dramatic (e.g., 'Tis Nature's Voice or Why so pale), to lyrical (e.g., In Darkness Let Me Dwell or Can Doleful Notes), to stately (Be Welcome Then, Great Sir). In this regard, the selection here is more balanced that the selection on Daniel Taylor's Tears of the Muse, and the variety works to Blaze's advantage because, comparing the melancholy pieces alone, Taylor comes out a winner (in my opinion, of course). The most magical piece on this disc is Henry Purcell's By Beauteous Softness. "Magical" is the word. There is something about Blaze's singing of Purcell that captures the very essence of Purcell's style. In fact, the best three minutes of countertenor singing I've ever heard in my life was Blaze singing Purcell's Crown the Altar (no, it's not included here - I wish). In sum, this disc is a treasure. -- gggimpy@yahoo.com

Mismatching............2000-09-07

It is very important to balance between music and poet in English Lute Songs. And one more important thing is to make feelings based on language rather than based on music.

Blaze and Kenny are try to make expression of feelings more plentiful and vivid recitation of poet. But they fail in this point. Relationship between vocal and performer because combination of poet and music are required vocal's expression and impromptu and momentary variation of rhythm and tempo.

This performance don't have any technical problem externally. But, Blase and Kenny are making excessive expression of feeling and performers are going with rhythm and tempo but not following their expression of feeling.

But several solo lute performances are very well i think. For example, Henry Purcell's "Sefauchi's Farewell" is played by lute. This is usually performed by harpsicord, but in this album, they are making good performance with lute.

I would like to recommend Deller. Have you ever heard Dowland's "Happy" in "flow my tears" and Purcell's "touch" in "strike the viol"? He was excellent of many counterteners.

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