Computer World

Editorial Reviews
Amazon.com essential recording
This is the album pundits like to point to when they accuse Kraftwerk of being digital-age visionaries; an all-too-easy assessment to make in the face of tracks such as "Home Computer" and "Computer Love" (not an ode to one-hand typing!). But to saddle the band with the reputation of sages is to completely miss the low-key wit and all-too-human playfulness of this album. "Pocket Calculator" and "Numbers" (the lyrics: numbers one to eight--period) could be read as tongue-in-cheek ripostes to too much bad "educational" programming, but that would smack of creeping punditry. Computer World is Kraftwerk's most lovable bundle of contradictions: at once its most technologically obsessed album and its most human. --Jerry McCulley --This text refers to the Audio CD edition.

Album Description
1997 Japanese reissue of the German electronic/ techno icon's landmark 1981 album with 'Dentaku' added as a bonus track. Eight tracks total. EMI release. --This text refers to the Audio CD edition.

Computer World
Average customer rating: 5 out of 5 stars
  • Cool electronic music (very creative huh!)
  • Makes me FEEL GOOD
  • loldongs
  • You want this CD in your colletion, too.
  • Brilliant!!!!
Computer World
Kraftwerk
Manufacturer: Wea International
ProductGroup: Music
Binding: Audio CD

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  3. Autobahn
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ASIN: B000002GYI
Release Date: 2006-07-17

Tracks:

  1. Computer World
  2. Pocket Calculator
  3. Numbers
  4. Computer World .. 2
  5. Computer Love
  6. Home Computer
  7. It's More Fun To Compute

Amazon.com essential recording

This is the album pundits like to point to when they accuse Kraftwerk of being digital-age visionaries; an all-too-easy assessment to make in the face of tracks such as "Home Computer" and "Computer Love" (not an ode to one-hand typing!). But to saddle the band with the reputation of sages is to completely miss the low-key wit and all-too-human playfulness of this album. "Pocket Calculator" and "Numbers" (the lyrics: numbers one to eight--period) could be read as tongue-in-cheek ripostes to too much bad "educational" programming, but that would smack of creeping punditry. Computer World is Kraftwerk's most lovable bundle of contradictions: at once its most technologically obsessed album and its most human. --Jerry McCulley

Album Description

When Kraftwerk released Computer World on an unsuspecting public back in 1981, the thought of Electronic music and computers taking over seemed like a farce. Now, a quarter of a century later, Kraftwerk's musical vision has come true tenfold and many Electronic bands cite them as their main influence. This classic slice of Kraftwerk's musical tapestry is an astounding album filled with bleeps, blips, beats and a huge dose of melody that inspired thousands of musicians and fans to go forth and multiply (literally). Tracks like 'Computer Love', 'Computer World' and 'It's More Fun To Compute' have been sampled by artists from all genres, especially Rap and R&B. The hit single 'Pocket Calculator' may seem like ancient material, lyrically, but most of the world now operate their own iPods, Blackberries, cell phones, etc. so the meaning is not lost. Even the ominous 'Numbers' still sound slightly creepy after all these years. So, what have we learned from Kraftwerk? Everything. Warner.

Album Details

1997 Japanese Re-issue. Features a Bonus Track 'dentaku'.

Customer Reviews:

5 out of 5 stars Cool electronic music (very creative huh!).......2007-07-03

All jokes aside, Kraftwerk is great electronic music, it's really simple, but original. It won't overwhelm the people that think electronic music like Prodigy is loud and imtimidating, yet it's not generic. In fact, it's some of the most unique music ever, in electronic music at least.

If their is a sound to the fabled future (with flying cars, sort of like the Jetsons), this is one of the cd's. That's about it, but if there are sound clips, than use them, because the whole album follows a patterns, with sound effects and voices (which is the only thing electronic music like Fatboy Slim is missing, if anything). Basically though, if that kind of music sounds good to you, than I'll let the rest of the thoughts go to you.

Kraftwerk should interest you if you have a remote interest in electronic music other than Crazy Frog.
10/10

5 out of 5 stars Makes me FEEL GOOD.......2007-05-12

I originally wanted Autobahn but ordered Computer World along with it. All the tracks are great. I can listen to them over and over because they make me FEEL GOOD! I'm very happy with this CD.

5 out of 5 stars loldongs.......2007-03-23

This CD might be too simplistic for everyone, but it's excellent chill material if you, like me, are tired of the thump-thump trance and techno.

5 out of 5 stars You want this CD in your colletion, too........2007-02-22

COMPUTER WORLD songs have similar themes as THE MIX, TRANS EURO, AUTOBAUN, so you should add this to your colletion. Personally, this album rates good, but because I am a kraftwerk fan, I also recommend adding to your colletion. The Tour de France was not so good. Nor was Minimum - Maximum (if you get my CD recomedations above.)

5 out of 5 stars Brilliant!!!!.......2007-01-24

After all these years this still sounds cutting-edge and fresh. Nobody does electronic like Kraftwerk. This album is a masterpiece.
Instruments of the Orchestra
Average customer rating: 4.5 out of 5 stars
  • Instruments of the Orchestra - Great Reference Material!
  • Beginner or Expert
  • Very Informative and Enjoyable
  • Frank's view
  • Excellent Intro for Those Not Familiar with the Orchestra
Instruments of the Orchestra
Various Artists
Manufacturer: Naxos
ProductGroup: Music
Binding: Audio CD

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Similar Items:
  1. Britten: Young Person's Guide to the Orchestra Op34; Simple Symphony Op4
  2. The Mahler Symphonies: An Owner's Manual (includes 1 CD)
  3. The Young Person's Guide to the Orchestra (Book & CD)
  4. What to Listen for in Music
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ASIN: B00006O0NT
Release Date: 2002-12-03

Tracks:

  1. Overture To 'Tannhauser'
  2. Domna, Pos Vos Ay Chausida
  3. We Don't Merely Use Instruments, We Play On Them. And They Play On Us.
  4. Hungarian Dance No.7
  5. The Violin Is One Of The Most Tender And Beautiful Instruments Ever Invented.
  6. Violin Concerto In D Major (Adagio)
  7. But For A Long Time It Was Seen As The Instrument Of The Devil.
  8. The Soldier's Tale: Triumphal March Of The Devil
  9. The Manipulative Seductiveness Of The Gypsy Violin.
  10. Csardas Music
  11. The Violin And The Initiation Of Nature
  12. The Four Seasons (Spring, Mvt 1)
  13. Birds Are Again Evoked In The Second Concerto, Especially Music's Natural Favourite.
  14. The Four Seasons (Summer, Mvt 1)
  15. Like The Devil, The Violin Is A Master Of Disguise.
  16. Old Viennese Dance No.3 'Schon Rosmarin'
  17. The Menacing Sensuality Of Ravel's Tzigane: A Very Different Side Of The Violin:
  18. Tzigane
  19. Do We Now Have The True Measure Of This Instrument? Not Just Yet.
  20. Caprice No.24
  21. The Many Effects Of The String Tremolando: Brandenburg Concerto No.4 (Last Mvt)/From Joy To Fright/Quartettsatz In C Minor/The String Tremolo Practically Spells The World Agitato.
  22. Variations On A Theme Of Frank Bridge (No.7)
  23. Prokofiev's Tremolo In Romeo And Juliet Should Not Be Heard Just Before Bedtime.
  24. Romeo And Juliet: Act IV
  25. Vivaldi Use It To Illustrate The Shivering Of Travellers Crossing The Ice.
  26. The Four Seasons (Winter, Mvt 1)
  27. The Violin Muted
  28. Clair De Lune
  29. The Gentleness Of Muted Strings Persists Even When A Whole Orchestra Plays.
  30. Piano Concerto No.21 In C Major, K.467 (Slow Mvt)
  31. The Pizzicato Violin
  32. Pizzicato Polka
  33. In Prokofiev's Second Violin Concerto, The Accompaniment Is Pizzicato.
  34. Violin Concerto No.2 In G Minor (Slow Mvt)
  35. Varieties Of Pizzicato: Colas Breugnon (The People's Feast)/Now A Drier, Leaner, Hungrier Pizzicato. There's Not A Lot Of Comfort Here./Capriol Suite (Tordion)/The Use Of Pizzicato As 'Percussion'/Romeo And Juliet (Act I)/Mahler Used Pizzicato...
  36. The Planets (Mars - The Bringer Of War)
  37. The Technique Of Double-Stopping Enables The Violin To Play Duets With Itself./Sonata No.3 In C Major For Unaccompanied Violin (Fugue)/Now A Later Example Of The Same Technique
  38. Hungarian Dance No.4
  39. Double-Stopping Is A Standard Feature Of A Lot Of Folk Music.
  40. The Four Seasons (Autumn, Mvt 1)
  41. Now The Same Technique, But The Sound Might Have Come From Another World.
  42. Bolero
  43. Double-Stopping Can Only Approximate The Sound Of A Real Violin Duet.
  44. Cadenza To The Violin Concerto By Brahms
  45. Now Compare That With A Real Violin Duet.
  46. Forty-Four Duos (No. 1: Teasing Song)
  47. Another Duo By Bartok, Demonstrating The Violin's Rich Lower Register
  48. Forty-Four Duos (No.2: Maypole Dance)
  49. And Now What May Be The Most Beautiful Accompanied Violin Duet In History
  50. Concerto In D Minor For Two Violins (Largo)
  51. The Soul Of The Violin Is In Song; But What About This Weird Passage?
  52. Violin Concerto No.1 In D Major (Mvt 2)
  53. The Use Of Harmonies In The Orchestra Can Be Both Magical And Unsettling.
  54. Symphony No.1 'Titan' (Mvt 1, Opening)
  55. Tchaikovsky's Use Of Harmonics In The Sleeping Beauty Is Both Strange And Darling.
  56. The Sleeping Beauty (Act II, No.15: Entr'Acte)
  57. Ravel's Harmonics In Mother Goose Effect A Magical Transformation.
  58. Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
  59. Stravinsky's Harmonics In The Firebird Transport Us Almost Into Another World./The Firebird (Introduction)
  60. The Natural Upper Notes Of The Violins Have A Unique Emotional 'Grab'.
  61. Also Sprach Zarathustra (Of The Afterworldsmen)
  62. Still In Their Upper Register, The Violins Unleash The Energy Of A Young Colt.
  63. Variations On A Theme Of Frank Bridge (No. 4)
  64. Elsewhere, Britten Uses The Same High Register To Create A Very Different Mood.
  65. Four Sea Interludes (Dawn) From 'Peter Grimes'
  66. To End This Outing With The Violins, A Charming Little Elfin Dance
  67. Elfenreigen

Tracks:

  1. Introduction To The Viola
  2. Viola Concerto (Mvt 1)
  3. Khatchaturian Gets A Very Different Sound From It: Fuller, Fruitier, More Exotic.
  4. Gayane Suite No.1 (Armen's Solo)
  5. Very Nearly The Whole Of The Violin's Upper Register Is Also Available To The Viola.
  6. Passacaglia, Op.33b From 'Peter Grimes'
  7. The Viola Can Bring A Special, Rich Twanginess To Pizzicato That The Violins Lack./Don Quixote/Berlioz Drew Sounds From It That Retain Their Metallic Strangeness Even Today.
  8. Harold In Italy (Mvt 4)
  9. The Muted Viola: Intimate, Gentle, Poignant In Dvork
  10. Cypresses (No.9)
  11. The Massed Violas Of The Modern Symphony Orchestra In Mahler
  12. Symphony No.4 (Mvt 3)
  13. The 'Period' Viola In Bach
  14. Brandenburg Concerto No.6 (Last Mvt)
  15. The Cello: A Voice Of Unique Nobility
  16. Suite No.1 For Unaccompanied Cello (Prelude)
  17. Brahms And The 'Soul' Of The Cello
  18. Piano Concerto No.2 In B Flat Major (Mvt 3)
  19. Most Orchestral Composers Tend To Emphasize The Cello's Lower Register.
  20. Cantata 'Herz Und Mund Und Tat Und Leben', BWV 147 (Soprana Aria: Bereite Dir, Jesu)
  21. In The Time Of Beethoven The Cello Remained As Fundamental As Ever.
  22. Symphony No.3 'Eroica' (Finale)
  23. But The Cello Is Not Condemned To Spend Its Life In The Basement.
  24. Elfentanz, Op.39
  25. Not Only In Recital Showpieces Like That Is The Cello Is Used In Its Highest Register.
  26. The Protecting Veil (Opening)
  27. A Cello With An Identity-Crisis: The Pizzicato Flamencan
  28. Flamenco
  29. Double-Stopping In The Lower Reaches Of The Cello's Range
  30. Solo Suiet For Cello And Piano (Sardana)
  31. It's In The Middle Register That The Cello Really Comes Into Its Own.
  32. Oriental Dance, Op.2 No.2
  33. It Was To The Cellos That Beethoven Gave Two Of His Most Famous Themes./Symphony No.5 (Mvt 2)/Still More Famous Than That Theme Is This One From The Ninth Symphony.
  34. Symphony No.9 (Finale)
  35. Introduction To The Double-Bass
  36. The Carnival Of The Animals (The Elephant)
  37. But The Double-Bass Can Be Intensely Expressive And Graceful.
  38. Elegy No.1 In D Major
  39. The Range Of The Double-Bass Is The Greatest Of All The String Instruments/Allegro Di Concerto, 'Alla Mendelssohn'/And It's Also Capable Of Very Considerable Virtuosity.
  40. Capriccio Di Bravura
  41. Double-Bass Solos In Orchestral Scores Are Rare But Often Memorable./Symphony No.1 'Titan' (Mvt 3)/In His Third Symphony Mahler Makes A Very Different Use Of The Instrument./Symphony No.3 (Mvt 1)
  42. The Double-Bass Muted In Prokofiev/Lieutenant Kije Suite (Kije's Wedding)/In Another Work Prokofiev Uses The Double-Bass To Enhance The Winds./Romeo And Juliet (Act III)/And He Combines The Bass Clarinet With A Shivering Tremolo From The Double-Basses....
  43. Symphony No.5 (Mvt 3)/So Much For The Strings/On Now To The Winds

Tracks:

  1. The Antiquity And Magic Of The Flute
  2. Prelude A L'Apres-Midi D'Un Faune
  3. The Versatility And Agility Of The Flute
  4. Orchestral Suite No.2 In B Minor (Badinerie)
  5. The Flute In Fifteenth-Century Spain
  6. Sa'Dawi
  7. Other Flutes: The Bass And Alto
  8. Chamber Music No.II
  9. The Piccolo - Aptly Named
  10. La Naissance D'Osiris (Mvt 6)
  11. From A Piccolo Of The Eighteenth Century To One Of Its Descendants In The Twentieth
  12. Suite No.1 For Small Orchestra (Valse)
  13. A Variety Of Techniques
  14. Chamber Music No.II
  15. Flutter-Tonguing. But Tchaikovsky Got There Eighty Years Before.
  16. The Nutcracker (Act II, No.2: Scene)
  17. From The Transverse To The Vertical: The Baroque Recorder
  18. Recorded Suite In A Minor (Menuet II)
  19. An Unfamiliar, Early Vision Of The Instrument
  20. Naelden, Naelden
  21. The Bachian Oboe
  22. Cantata 'Ein Feste Burg Ist Unser Gott', BWV 80 (No.7: Duetto)
  23. Introduction To The Cor Anglais Or 'English Born'
  24. Symphony No.9 'From The New World' (Mvt 2)
  25. The Loneliness Of The Cor Anglais
  26. The Swan Of Tuonela
  27. The Cor Anglais Joins The French Horn In Haydn.
  28. Symphony No.22 'The Philosopher' (Opening)
  29. Introduction To The Oboe D'Amore, Beloved Of Bach - But Also Of Ravel
  30. Bolero
  31. The Clarinet Family: Boxing The Compass, From The Depths Of The Bass Clarinet.../The Egyptian (Violence)/...To The Raucous And Squealy.../Taras Bulba (The Death Of Ostap)/...To The Shrill And Complaining...
  32. Petrushka (No.8: Peasant With Bear)/...To The High Sprits Of A Playful Puppy./Symphonie Fantastique (Last Mvt)/And To The Downright Jazzy/Romeo And Juliet (Act II)
  33. As The High Clarinets Tend To Be Loud, So The Bass Tends To Be Soft:
  34. Gayane Suite No. 1 (Mvt 5)
  35. The Bass Clarinet Is Used By Most Composers Mainly As A Colouring Agent.../Petrushka (No.4: The Blackamoor)/...But It Does Occasionally Get A Whole Tune To Itself./Iberia (Almeria).
  36. The Range Of The Normal Clarinet Parts Goes Quite High...
  37. The Snow Maiden (Scene 5: Melodrama)
  38. ...And Quite Low.
  39. Peter And The Wolf (The Cat)
  40. The Clarinet As Concerto Soloist
  41. Clarinet Concerto In A Major (Rondo)
  42. But That's Not The Instrument Mozart Wrote It For; This Is:
  43. Clarinet Concerto In A Major (Rondo)
  44. Introduction To The Saxophone
  45. Hary Janos Suite (Mvt 4)
  46. The Soprano Saxophone Has Quite A Different Feel To It.
  47. L'Arlesienne Suite No.1 (Minuet)
  48. The Little Sopranino Sax Goes Even Higher.
  49. Bolero
  50. The Most Famous Use Of The Saxophone Is In An Orchestration By Ravel.
  51. Pictures At An Exhibition (The Old Castle)
  52. The Saxophone Can Be Quite Contagiously Good-Humoured.
  53. Sax-O-Phun
  54. The Puffa-Puffa Image Of The Bassoon
  55. Peter And The Wolf (Grandfather)
  56. The Bachian Bassoon, In Accompanimental Mode
  57. Cantata 'Weichet Nur, Betrubte Schatten' ('Wedding Cantata'), BWV 202 (Aria No.1)
  58. Bizet Leaves The Puffa-Puffa Image Out, Allowing The Bassoon To Sing./Carmen Suite No.1 (Les Dragons D'Alcala)
  59. And Ravel, Also In Spanish Mode, Does Likewise.
  60. Bolero
  61. The Bassoon As A Voice Of High Seriousness, Indeed Desolate Loneliness
  62. Symphony No.3 (Opening)
  63. The Eerie Bassoon In Its Highest Register
  64. The Rite Of Spring (Opening)
  65. Stravinsky Now Draws On Its Lowest Register, Lonely And Melancholy.
  66. The Firebird Suite (1919, Berceuse)
  67. The Bassoon As Concerto Soloist, Avoiding All Exaggeration
  68. Bassoon Concerto In G Minor (Finale)
  69. The Deep-Voiced Contra-Bassoon, As A Fairy-Tale Beast
  70. Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
  71. The French Horn Under Its Woodwind Hat
  72. Wind Quintet, Op.43 (Last Mvt)
  73. Now A More Prominent Role, In A Woodwind Quintet From An Earlier Era
  74. Wind Quintet In A Minor, Op.100 No.5 (Mvt 2)
  75. The Horn In Harmonious Blend With Strings In Another Quintet
  76. Horn Quintet, K.407 (Finale)

Tracks:

  1. The Trumpet As Virtuoso Soloist
  2. Brandenburg Concerto No.2 (Last Mvt)
  3. The Special Brillance Of Paired Trumpets
  4. Concerto In C For Two Trumpets, RV537 (Mvt 1)
  5. The Ceremonial Trumpet
  6. Fanfare For The Common Man
  7. Trumpets And Drums - An Incomparable Alliance
  8. Messiah (The Trumpet Shall Sound)
  9. The Versatility Of The Trumpet, From The Most Public To The Most Lonely
  10. Piano Concerto In F (Slow Mvt)
  11. The Trumpet As The Voice Of The City/An American In Paris/The Trumpet As Recruitment Officer/The Soldier's Tale (The March)/The Trumpet As Swaggerer
  12. Carmen Suite No.2 (Habanera)
  13. The Trumpet As The Voice Of Strength And Courage
  14. Carmet Suite No.2 (Toreador's Song)
  15. The Trumpet Muted/Petrushka (No.4: The Blackamoor)/Lieutenant Kije Suite (Opening)/The Trumpet As The Voice Of Weariness
  16. Billy The Kid
  17. The Trumpet As Character Actor
  18. Pictures At An Exhibition (No.6)
  19. The Trumpet As The Voice Of God
  20. Mass In B Minor ('Et Exspecto')
  21. The Birth Of The Trombone
  22. Aenmerckt Nu Hier
  23. The Birth Of The Brass As A Family
  24. Canzon 12 In Double Echo
  25. The Trombone In The Eighteenth Century
  26. Trombone Concerto In B Flat Major (Finale)
  27. The Tone Of The Tenor Trombone/Romance For Trombone And Organ/The Memorable Voice Of The Bass Trombone/Requiem (Mvt 2)/But The Bass Trombone Is More Than An Instrumental Bullfrog.
  28. Hosannah
  29. The Trombones Become Part Of The Orchestra.
  30. Symphony No.5 (Finale)
  31. The Wagnerian Trombone:/Overture To 'Tannhauser'
  32. The Trombone As Caricaturist
  33. Pulcinella (No.19: Vivo)
  34. The Trombone As Raspberry/Concerto For Orchestra (Intermezzo)
  35. The Horn And The Hunt
  36. Horn Concerto No.4 In E Flat, K.495 (Finale)
  37. The Challenging Horn Of The Baroque
  38. Abaris Ou Les Boreades (Menuet)
  39. The Scarcity Of First-Rate Players In Handel's Time
  40. Walter Music (Minuet 1)
  41. The Horn As Magician/The Firebird Suite (1919, Finale)
  42. Horns And The Sound Of Nobility
  43. Overture To 'Tannhauser' (Opening)
  44. The Special Sound Of The Horn In Its Higher Register
  45. Mass In B Minor ('Quoniam Tu Solus Sanctus')
  46. The Trumpet-Like Sound Of Massed Horns
  47. Symphony No.3 (Mvt 1, Opening)
  48. The Tuba - Unfairly Maligned?
  49. Symphony No.6 (Mvt 3)
  50. The Tuba Perfectly Cast By Ravel
  51. Pictures At An Exhibition (Bydlo)

Tracks:

  1. Introduction. And We Begin With A Bang.
  2. Fanfare For The Common Man/The Bass Drum On The Battlefields/Wellington's Victory, Op.91 (Opening)
  3. At The Opposite Extreme Is The Triangle.
  4. Piano Concerto No.1 In E Flat (Scherzo)
  5. Categories Of Percussion: Tuned And Untuned. The Side Drum
  6. Overture To 'La Gazza Ladra' - The Thieving Magpie (Opening)
  7. The Side Drum In An Effective But Unexpected Role/Clarinet Concerto (Mvt 1)
  8. The Tambourine. One Of The Oldest Instruments In The World
  9. Den Hoboecken Dans
  10. Even Older Is The Originally Oriental Gong.
  11. Ma Mere L'Oye - Mother Goose (Laideronette)
  12. No Single Instrument Can Match The Gong In Evoking The Breaking Of Waves./Passacaglia, Op.33b From 'Peter Grimes'/But Gongs Don't Have To Be Struck To Be Effective.
  13. Gymnopedie No.2
  14. The Cymbals Are Generally Discovered Early In Life./The Sanguine Fan/And They Do More Than Clash Together Loudly. They Can Be Clashed Together Softly./Studio Example: But They Needn't Be Clashed Together At All/Studio Example: They Can Be Lightly...
  15. Other Untuned Percussion Instruments Include The Whip.: Piano Concerto In G Major (Opening)/And Here Are No Fewer Than Twenty, Cracked By Tchaikovsky: The Nutcracker (Act I, Scene 5)
  16. More Versatile Than The Whip Are The Wood Blocks.../Studio Example/...Which Crop Up All Over The Place In Twentieth-Century American Music.
  17. Rodeo (Hoe-Down)
  18. Related To The Wood Blocks, By Sound, Are The Castanets./Jota Aragonesa/But The Castanets Were Also Used By Monteverdi Back In The Seventeenth Century.
  19. Scherzi Musicali (Damigella Tutta Belle)
  20. A Still Earlier Example From Fifteenth-Century Spain
  21. Yo M'Enamori D'Un Aire
  22. The Birth Of The Bongo
  23. Symphonic Dances From 'West Side Story'
  24. From The Streets Of New York To The Blacksmith's Shop/Il Trovatore ('Anvil Chorus')
  25. Desert-Island Decibels: Grand Canyon Suite (On The Trail)/Arcana
  26. From One Vegetable To Another: The Humble Squash, Or Marrow/Huapango
  27. Onwards To The Tuned Percussion. First, The Timpani
  28. Also Sprach Zarathustra (Introduction)
  29. But The Drum Roll Can Be More Effectively Frightening Than The Big Bang.: Symphony No.2 'Resurrection' (Mvt 3)
  30. Not One Drum Roll, But Many/Grand Canyon Suite (Sunrise)/Symphonie Fantastique (Last Mvt)
  31. Taking Advantage Of Tunability
  32. Music For Strings, Percussion And Celeste (Mvt 2)
  33. The Russian Composer Rodion Shchedrin Takes A Downward Turn./Carmen Suite (Changing Of The Guard)/Tuned, Yes; But For The Truly Melodic We Must Look Elsewhere.
  34. Introducing The Glockenspiel/Carmen Suite (Carmen's Entrance And Habanera)
  35. Saint-Saens And The Xylophone
  36. The Carnival Of The Animals (Fossils)
  37. Ravel And The Xylophone
  38. Ma Mere L'Oye - Mother Goose (Laideronette)
  39. Introducing The Marimba/Carmen Suite (First Intermezzo)
  40. Introducing The Vibraphone
  41. The Treasure Of The Sierra Madre (Narange Dolce)
  42. The Vibraphone Goes Russian.../Carmen Suite (Carmen's Entrance And Habanera)/...And Is Joined By The Marimba./Carmen Suite (Carmen's Entrance And Habanera)
  43. Introducing The Hungarian Cimbalom
  44. Folk Dances
  45. The Cimbalom And The Symphony Orchestra
  46. Hary Janos Suite (Mvt 3)
  47. Introducing The Tubular Bells
  48. Hary Janos Suite (Viennese Musical Clock)
  49. A More 'Up-Front' Approach From Rodion Shchedrin
  50. Carmen Suite (Introduction)
  51. But The Bells Can Also Make The Sinister Even More Sinister./Symphony No.7 'Sinfonia Antartica' (Mvt 1)
  52. Introducing The Celeste
  53. The Nutcracker (Dance Of The Sugar Plum Fairy)
  54. Magic, In The Use Of Collective Percussion
  55. Miroirs (La Vallee Des Cloches)
  56. Plucked Instruments: The 'Undercover Percussion'/Carmen Suite (Scene)
  57. A Prime Case In Point Is The Harp, Irresistible To The Romantics./The Nutcracker (Act II, No.1: Scene)/The Non-Solo Harp As An Integral Part Of The Orchestra/Hungarian Rhapsody No.1
  58. The Traditionally Subservient Role Of The Harpsichord In The Baroque Orchestra
  59. Brandenburg Concerto No.2 (Slow Mvt)
  60. The Piano: King Of The Tuned Percussion/Symphony No.3 'Organ' (Mvt 3)/And A Quarter Of A Century After That:
  61. Petrushka (Russian Dance)
  62. The Anti-Romantic Piano As An Integral Part Of The Orchestra
  63. Music For Strings, Percussion And Celeste (Last Mvt)

Tracks:

  1. Keyboard Instruments In The Orchestra - The Most Powerful Of Them All:
  2. Symphony No.3 'Organ' (Finale)
  3. But Things In Handel's Day Were Very Different.
  4. Organ Concerto In B Flat, Op.4 No.3 (Last Mvt)
  5. The Organ Is Difficult To Classify.
  6. An Unexpected, Organ-related Guest
  7. Concerto Pour Zampogna (Last Mvt)
  8. Peasant-Fancying... And A Touch Of The Roaming Cowboy
  9. Les Miserables (Drink With Me)
  10. Outside Artefacts And The Power Of Association
  11. Mahler's Sleighbells
  12. Symphony No.4 (Opening)
  13. A Roll-Call Of Some Unusual Guests/The Typewriter/Parade
  14. Chains, And More/Integrales/An American In Paris/Sandpaper Ballet
  15. Purpose-Built Oddities: Wind Machines/Symphony No.7 'Sinfonia Antartica' (Opening)
  16. Don Quixote (Variation VIII)
  17. National Calling Cards: The Guitar For Spain/Concierto De Aranjuez (Finale)
  18. And The Guitar's Poor American Relative, The Banjo/Washington Breakdown
  19. And Poorer Still, The Mouth Organ/The Treasure Of The Sierra Madre (Packing Up)
  20. The Balalaika For Russia/Romeo And Juliet (Act II: No.14)
  21. The Maracas For Mexico/The Treasure Of The Sierra Madre (El Desayuno)
  22. The Bongos And Congas And A Whole Wealth Of Other Drums For Africa And Central America/Studio Example
  23. The Sitar Of India/Evening Raga: Bhapoli
  24. The Accordion For France (Especially Paris)/Paris Canaille
  25. The Zither For Vienna/The Third Man (Theme)
  26. The Cimbalom For Hungary/Folk Dances
  27. The Guitar As An Integral Part Of The Orchestra/Rondena
  28. There Are Whole Orchestras Of Balalaikas./Sveit Mesiats
  29. The Effect Of The Wordless Human Voice, Used Purely As An Instrument/Symphony No.7 'Sinfonia Antartica' (Mvt 1)
  30. Nocturnes
  31. Instruments And the Imitation Of Nature. The Clarinet As Cuckoo
  32. The Carnival Of The Animals (The Cuckoo)
  33. The Flute As An All-purpose Aviary
  34. The Carnival Of The Animals (The Aviary)
  35. The Oboe As Duck
  36. Peter And The Wolf (The Duck)
  37. The Recording Of Reality. Does It Work As Well?
  38. The Pines Of Rome (The Pines Of The Janiculum)
  39. The Recording Of Reality Electronically Reborn In New Guises
  40. Cantus Articus - Concerto For Birds And Orchesra (Mvt 2)
  41. Beethoven Turns Avian: Cuckoo, Nightingale, And Quail
  42. Symphony No.6 'Pastoral' (Andante Molto Mosso)
  43. Some Improbable Casting: The Violin As Braying Donkey
  44. The Carnival Of The Animals (Persons With Long Ears)
  45. A Truly Orchestral Hee-haw To Be Reckoned With
  46. Overture To 'A Midsummer Night's Dream'
  47. A Thunderstorm In A Million
  48. Symphony No.6 'Pastoral (Allegro-Allegretto)
  49. the Instrumental Depiction Of A Silent World
  50. The Carnival Of The Animals (The Aquarium)
  51. Saint-Saens' Menagerie Takes A Curtain Call.
  52. The Carnival Of The Animals (Finale)

Tracks:

  1. The Grouping Of Instrumental Families. An Additive Approach. First, Two Violins
  2. Forty-Four Duos (No.4)
  3. A Great Contrast, Of Both Pitch And Character: Violin And Viola
  4. Duo For Violin And Viola In B Flat Major, K.424 (Finale, Vars 1 & 2)/Studio Example
  5. Arrival Of The Standard String Trio: Violin, Viola, And Cello
  6. String Trio In B Flat (Menuetto)
  7. The String Quartet: Two Violins, Viola, And Cello
  8. String Quartet In F, Op.18 No.1 (Mvt 3)
  9. The String Quintet - When The Extra Instrument Is A Second Viola
  10. String Quartet No.5 In D, K.593 (Adagio)
  11. The String Quintet - When The Extra Instrument Is A Second Cello
  12. String Quintet In C (Mvt 3)
  13. The String Sextet: Two Violins, Two Violas, And Two Cellos
  14. String Sextet In B Flat (Mvt 2)
  15. The String Octet: The Standard String Quaret Times Two
  16. Octet In E Flat, Op.20 (Mvt 1)
  17. Double The String Octet: A Fully Fledged String Orchestra
  18. String Symphony No.2 (Finale)
  19. The Massed Strings Of A Symphony Orchestra
  20. Fantasia On A Theme Of Thomas Tallis
  21. Contrasts Of Pitch And Instrumental 'Colour' In The Woodwind Section
  22. Wind Quintet In A Minor, Op.100 No.5 (Theme)
  23. In The First Variation It's The Horn That Gets The Lion's Share.
  24. Wind Quintet In A Minor, Variation 1
  25. In Variation Two The Torch Is Handed To The Bassoon.
  26. Wind Quintet In A Minor, Variation 2
  27. In Variation Three The Oboe Leads.
  28. Wind Quintet In A Minor, Variation 3
  29. Variation Four: Conversation Before Returning To A Solo-dominated Texture
  30. Wind Quintet In A Minor, Variation 4
  31. And Variation Five is Dominated By The Clarinet.
  32. Wind Quintet In A Minor, Variation 5
  33. The Next To Be Featured Is The Virtuoso Flute.
  34. Wind Quintet In A Minor, Variation 6
  35. Individual Farewells And A Closing Chorus
  36. Wind Quintet In A Minor, Variation 7
  37. A Mixed Group: Clarinet, Bassoon, Horn, String Quartet, And Double-Bass
  38. Octet In F (Mvt 3)
  39. The Early Classical Symphony Orchestra Of Haydn And Mozart
  40. Symphony No.29 In A, K.201 (Finale)
  41. Strings, Wind, But No Brass. What Haydn And Mozart Never Knew
  42. Canzon 28
  43. Beethoven's Fifth: Two Horns, Two Trumpets, And Three Trombones Join The Team.
  44. Symphony No.5 (Finale)
  45. From Beethoven To The Massive Orchestras Of Berlioz, Wagner, And Mahler
  46. Beethoven Changed The Face Of The Symphony And The Orchestra Forever
  47. Symphoy No.6 'Tragic' (Mvt 1)
  48. The Cult Of Orchestral Elephantiasis Reaches Its Peak.
  49. Symphony No.1 'Gothic' (VI: Te Ergo Quaesumus)
  50. When Large Doesn't Necessarily Mean Loud: Debussy
  51. Images (Gigues)
  52. A Crisis Of Confidence; The Orchestra's Survival Hangs In The Balance, But It Still Develops. The Ondes Martenot:
  53. Turangalila Symphony (Chant D'amour 1)
  54. The Advent Of The 'Early Music' Movement Brings A New Vitality And Freshness.
  55. Balle De Xerxes (Gavotte En Rondeau)
  56. Computer And Synthesiser: Friends Or Foes?
  57. Concerto In D Minor For Two Violins (Largo)
  58. A Speculative Look Ahead/Mass In B Minor ('Dona Nobis Pacem')

Customer Reviews:

5 out of 5 stars Instruments of the Orchestra - Great Reference Material!.......2007-04-04

This set lends itself to greatly enhancing one's knowledge of the orchestra, instruments in it, and their usage. I am a huge music buff, and I still picked up a great deal I previously did not know. I highly recommend this for all who wish to understand the origin of music, as well as the processes that are employed to create music!

5 out of 5 stars Beginner or Expert.......2007-03-12

This CD is excellent for the beginner or expert! To be able to haear the instrumets separately and then together really provides a good education. and/or refresher. The book thaty comes with the CD is alomost worth the price by itself!

5 out of 5 stars Very Informative and Enjoyable.......2006-11-20

Whether you're a music novice or pro, "The instruments of the Orchestra" is a very worthwhile purchase. The 7 CDs, with a total of 8 hours, are expertly narrated by Jeremy Siepmann. He's a great speaker, very much like the late Leonard Bernstein was. Mr. Siepmann takes you on an unforgetable musical journey covering the origins and use of the various orchestral instruments throughout musical history. The balance between his narration and a wealth of musical examples, which range from snippets to entire movements, is superb. The comprehensive enclosed booklet is excellent and faithfully follows the 7 CDs in content. Even with my 40+ years of music training I still learned new things from this wonderful collection. Considering the excellence of the content, and a cost that translates to about $5 per disc, this collection is a great value. Grab it, you won't regret that you did. Five solid stars!

3 out of 5 stars Frank's view.......2006-08-19

This boxed set of CD's with booklet achieved all I had hoped that it would. There are good samples of individual instruments and well done commentary on each. The only drawback was that some of the samples were too brief and could have been longer, hoiwever I guess this fits in with time constraints of the medium. It has given me a lot of clues as to future purchases of CD's for listening to individual instruments. Altogeth a satisfactory purchase and a welcome addition to my collection.

5 out of 5 stars Excellent Intro for Those Not Familiar with the Orchestra.......2003-11-08

I've listened to classical music for years and am interested in composition. I bought this CD set to learn how an orchestra and its instruments work. I thought the CDs would be a nice but boring lecture. They aren't! Not only are they FUN but they are informative as well. I learned a huge amount from each CD and couldn't wait to listen to the next one.

The narrator and writer is a great speaker and holds your attention well. He is definitely knowledgeable. He provides musical examples for each point he makes, so you get to "hear" what he just talked about. I'd say the CDs are about 65% music and 35% narration. You'll learn about the range of instruments, some history, different ways to play them, how they sound, and how they are used in the orchestra. This CD set was a great learning experience and is sold at such a low price!

I recommend this CD for those who want to learn about classical music and those who know about it but are interested in learning more about the inner workings of an orchestra. You'll learn much useful information. For instance, the Rite of Spring (with that eerie start) is written for bassoon! I never knew a bassoon could sound like that but now I do.

The one complaint I have is the last CD. This deals with the orchestra. I wanted more of a tour of how the orchestra has been used through history up to the present. Instead, it was a tour of how different groups of instruments sound. I thought it could have been better. The other 6 CDs are excellent.
Operatica: Shine
Average customer rating: 4 out of 5 stars
  • Oh dear...they've taken their eye off the ball
  • Stunningly beautiful music
  • Better then R&B
  • Very good, yet not comparable to Diva Dance
  • Opera Today
Operatica: Shine

Manufacturer: E-Magine Records
ProductGroup: Music
Binding: Audio CD

Grieg, EdvardGrieg, Edvard | ( G ) | Featured Composers, A-Z | Classical | Styles | Music
All Works by DebussyAll Works by Debussy | Debussy, Claude | ( D ) | Featured Composers, A-Z | Classical | Styles | Music
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Vocal & SongVocal & Song | Modern, 20th, & 21st Century | Historical Periods | Classical | Styles | Music
Theatrical, Incidental & Program MusicTheatrical, Incidental & Program Music | Forms & Genres | Romantic (c.1820-1910) | Historical Periods | Classical | Styles | Music
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GeneralGeneral | Classical | Styles | Music
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FrenchFrench | Languages | Opera & Vocal | Styles | Music
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Dance & DJDance & DJ | Imports | Stores | Music
ClassicalClassical | Imports | Stores | Music
RockRock | Imports | Stores | Music
Similar Items:
  1. O: Operatica, Vol. 1
  2. The Fifth Element: Original Motion Picture Soundtrack
  3. Myth of Red
  4. Etterna
  5. Trance Opera: The Complete Masterworks - Classic Meets Pop

ASIN: B000060OXN
Release Date: 2002-05-21

Tracks:

  1. Solvejg's Song
  2. Mon Amour
  3. Shine
  4. Kokab
  5. Standing On The Edge Of The World
  6. Lost In Someone Else's Dream
  7. Khodoya
  8. Je Crois Entendre Encore
  9. Passepied
  10. Under The Desert Sky
  11. Kokab (Extended Grooveshaman Remix) (bonus track)

Customer Reviews:

3 out of 5 stars Oh dear...they've taken their eye off the ball.......2007-01-08

This is not much like their first album (which was a mostly clever, sometimes ham-handed combination of operatic arias and modern electronic instrumentation).

But Shine is pretty much the same ethno-electronica that was pervasive throughout the 90s. Think Deep Forest, Anubian Nights, Enigma, B-Tribe, and even Sting's "Desert Rose". Yawnnnnnnnnnnnn.

Their first album was good mostly because of its orginality (operatic arias are definitely a challenge), but any old fool can slap a "cool" Middle Eastern chant over a modern beat.

What bugs me about both albums is that they don't maintain that singularly operatic quality--it seems to be a sonic delicacy reserved only for a few tracks.

So, with a very few exceptions, this album is a bit contrived.

5 out of 5 stars Stunningly beautiful music.......2004-11-29

I would describe this music as a mellow and unusal mix of music where Enya meets Maria Callas, and I am a fan of both, so that's a good thing. It is so good that Billboard Music called it the best classical crossover of the year!

I would call this music techno opera scene from the future with beautiful opera singing, just to give you an idea of what this music is like! Also, the singer from the Fifth Element soundtrack, Inva Mula sings the song "Mon Amour".
Also singing on this cd is a singer named Shakila. She sings on "Kokab" and "Khodoya". These three are my favorite tracks. Though the cd in whole is a joy to listen to.

We'll say that "Operatica-Shine" succesfully bridged the Middle East to Europe via southern Spain.

So if you're a nu music dj, pick up this cd, so you can really spin an eclectc mix of music - Savannah Skye aka DJ Dakini-NYC...

4 out of 5 stars Better then R&B.......2004-04-16

My wife and I are always looking for new music to cuddle up to, while either watching the sunset, or getting a little heated. I think this album is a great replacement for Barry White, or some other R&B that people often equate with mood music.

These sounds will actually get your heart pounding and blood pumping without forcing you to constantly skip over songs that just get too rowdy.

4 out of 5 stars Very good, yet not comparable to Diva Dance.......2004-03-12

Let me start out by saying that i love this cd. i bought it thinking that it would be like the song Diva Dance from the Fifth Element. It is most certainly one of my favorite cd's but it is nothing like the Diva Dance song. All of the tracks are much slower, focusing more on the opera part, as opposed to the techno/pop. i would still give this cd a splendid 4 out of 5 stars, but i would just like to get across the point that it doesn't have the type of songs that are advertised. thanks.

5 out of 5 stars Opera Today.......2003-08-24

I just bought Operatica:Shine. It is my favorite CD, I strongly recomend it to enyone who enjoys opera! If you like "THE DIVA DANCE" in The Fifth Element you will love this CD!
Rediscovering Lost Scores, Vol. 2
Average customer rating: 5 out of 5 stars
  • Finally and Fulfilling!
  • Settling Old Scores
Rediscovering Lost Scores, Vol. 2

Manufacturer: East Side Digital
ProductGroup: Music
Binding: Audio CD

All Works by WagnerAll Works by Wagner | Wagner, Richard | ( W ) | Featured Composers, A-Z | Classical | Styles | Music
ComputerComputer | Electronic | Instruments | Classical | Styles | Music
GeneralGeneral | Classical | Styles | Music
GeneralGeneral | Dance & DJ | Styles | Music
ElectronicaElectronica | Dance & DJ | Styles | Music
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Movie ScoresMovie Scores | Soundtracks | Styles | Music
Movie SoundtracksMovie Soundtracks | Soundtracks | Styles | Music
GeneralGeneral | Soundtracks | Styles | Music
Similar Items:
  1. Rediscovering Lost Scores, Vol. 1
  2. By Request
  3. Tales of Heaven & Hell
  4. A Clockwork Orange: Wendy Carlos's Complete Original Score
  5. Secrets of Synthesis

ASIN: B000AA4IIU
Release Date: 2005-08-16

Tracks:

  1. Shining Title Music (From 'The Shining')
  2. Paraphrase For 'Cello (From 'The Shining')
  3. Where's Jack? (From 'The Shining')
  4. The Overlook (From 'The Shining')
  5. Psychic (From 'The Shining')
  6. Day Of Wrath (From 'The Shining')
  7. Paraphrase For Brass (From 'The Shining')
  8. Title Music 'Dies' (From 'The Shining')
  9. Clockworks 'Dies' (From 'The Shining')
  10. Creation Of Tron Vol. I (From 'Tron')
  11. Creation Of Tron Vol. II (From 'Tron')
  12. Lightcycle Games (From 'Tron')
  13. Anthem (Studio Version) (From 'Tron')
  14. Little Interludes (From 'Tron')
  15. Trinitron (From 'Tron')
  16. Visit To A Morgue (From 'Split Second')
  17. Return To The Morgue (From 'Split Second')
  18. Woundings Title Music (From 'Woundings')
  19. Angela's Walk (From 'Woundings')
  20. Jimmy (From 'Woundings')
  21. Louise (From 'Woundings')
  22. Doug Does Angela (From 'Woundings')
  23. Scattering Ashes (From 'Woundings')
  24. Angela's Aftermath (From 'Woundings')
  25. Jimmy Kills Louise (From 'Woundings')
  26. In A Cemetery (From 'Woundings')
  27. Fly Away And End (From 'Woundings')
  28. Jiffy Test: Bee Dee Bei Mir (From Two Dolby Demos)
  29. Listen: Tannhauser (From Two Dolby Demos)

Customer Reviews:

5 out of 5 stars Finally and Fulfilling!.......2005-10-28

Believe the hype, _Shining_ fans. These bits and pieces of music - volume 1 focuses more on "studio music and textures" of the themes devised for the film while volume 2 spends its allotted tracks on the more fully developed orchestra tracks - hold just about everything. I'll encourage you to follow that impulse/interest and add this work to your collection.

What do you get? Well, for me, the treat was volume 2's first track - the film's title track - Ms Carlos explains why Kubrick nixed it - but it is as haunting as the final draft that follows Jack Torrance's lil yellow bug to The Overlook climbing the Rockies. The other tracks are renderings and attempts to put the novel into music forms. The liner notes are great - like a listening session over coffee with the composer.

Both volumes are must haves for those of us all agog over the film's score (and scoring possibilities) but if you just want to hold a haunting, get volume 2 and put track one on repeat until you, that hag hottie in the tub, or your six year old's index finger hollers, "redrum!"

5 out of 5 stars Settling Old Scores.......2005-10-10

This second volume of Wendy's lost film soundtracks concentrates more on her full orchestral scores. Although she achieved fame as a synthesist, one reason she succeeded so well is her knowledge of and attention to timbral colors and the placement of different voices -- in short, orchestration. It should come as little surprise therefore that when writing for a full orchestra she's fully accomplished and impressively skilled.

Synthesizer cues are also included, from early (1981) novelty demonstrations for Dolby Labs to later (1998) soundtrack work utilizing her state-of-the-art digital synthesizers.

As usual for her, voluminous liner notes detail not only the working methods behind each of the pieces, but also glimpses into the politics and disappointments that delayed the release of these tracks. How many composers could survive having a significant portion of their career locked away in a vault for 25 years?
Pioneers of Electronic Music
Average customer rating: Not rated
    Pioneers of Electronic Music

    Manufacturer: New World Records
    ProductGroup: Music
    Binding: Audio CD

    General ModernGeneral Modern | Modern, 20th, & 21st Century | Historical Periods | Classical | Styles | Music
    ComputerComputer | Electronic | Instruments | Classical | Styles | Music
    GeneralGeneral | Classical | Styles | Music
    GeneralGeneral | Chamber Music | Classical | Styles | Music
    GeneralGeneral | Opera & Vocal | Styles | Music
    Similar Items:
    1. Columbia-Princeton Electronic Music Center 1961-1973
    2. Ohm: The Early Gurus of Electronic Music Special Edition 3CD + DVD
    3. An Anthology of Noise & Electronic Music: First A-Chronology, Vol. 1
    4. An Anthology of Noise & Electronic Music, Vol. 2
    5. Anthology of Noise & Electronic Music, Vol. 4

    ASIN: B000EU1H44
    Release Date: 2006-04-01

    Tracks:

    1. Sonic Contours 7:19
    2. Low Speed 3:41
    3. Invention in Twelve Notes 3:42
    4. Fantasy in Space 2:51
    5. Incantation 2:32
    6. Moonflight 2:55
    7. Piece for Tape Recorder 5:38
    8. Kolyosa 6:37
    9. Stereo Electronic Music No. 2 14:18
    10. Computer Piece No. 1 3:42
    11. Two Sketches for a Computer Piece:I. Sketch 1 (0:56) II. Sketch 2
    12. Synchronisms No. 5 8:32
    13. The Transformation of Ani 9:04

    Product Description

    In 1950, the Columbia University Music Department requisitioned a tape recorder to use in teaching and for recording concerts. In 1951, the first tape recorder arrived, an Ampex 400, and Vladimir Ussachevsky, then a junior faculty member, was assigned a job that no one else wanted: the care of the tape recorder. This job was to have important consequences for Ussachevsky and the medium he developed. Electronic music was born. Over the next ten years, Ussachevsky and his collaborators established the Columbia-Princeton Electronic Music Center, which Ussachevsky directed for twenty years. It was the first large electronic music center in the United States, thanks to the path-breaking support of the Rockefeller Foundation and encouragement from two of the countryÂ’s leading universities. The Center became one of the best-known and most prolific sources of electronic music in the world. All of the music on this historic reissue (originally released on CRI CD 611) is the result of the pioneering work of the Center and its composers. The guest composers and Columbia-associated composers who have produced pieces at the Center include Bülent Arel, Luciano Berio, Mario Davidovsky, Jacob Druckman, Arthur Kreiger, Daria Semegen, Pril Smiley, and Edgard Varèse. UssachevskyÂ’s own students at the Center included Jon Appleton, Wendy Carlos, Charles Dodge, Robert Moog, Alice Shields, Harvey Sollberger, and Charles Wuorinen. Of the seven composers most closely associated with the Center from its early years, six are present on this disc.
    Music from the Once Festival 1961-1966
    Average customer rating: Not rated
      Music from the Once Festival 1961-1966

      Manufacturer: New World Records
      ProductGroup: Music
      Binding: Audio CD

      QuartetsQuartets | Chamber Music | Classical | Styles | Music
      GeneralGeneral | Chamber Music | Classical | Styles | Music
      GeneralGeneral | Concertos | Forms & Genres | Classical | Styles | Music
      Character PiecesCharacter Pieces | Short Forms | Forms & Genres | Classical | Styles | Music
      SymphoniesSymphonies | Forms & Genres | Modern, 20th, & 21st Century | Historical Periods | Classical | Styles | Music
      ElectronicElectronic | Instruments | Classical | Styles | Music | Computer
      GeneralGeneral | Keyboard | Instruments | Classical | Styles | Music
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      Avant Garde & Free JazzAvant Garde & Free Jazz | Jazz | Styles | Music
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      GeneralGeneral | Opera & Vocal | Styles | Music
      ElectronicaElectronica | Dance & DJ | Styles | Music
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      ASIN: B0000C7PVT
      Release Date: 2003-09-23

      Tracks:

      1. Sonata - Robert Ashley
      2. Groups For Piano - Robert Ashley
      3. String Trio - Edith Perrow
      4. Epigram And Evolution - Robert Ashley
      5. Sinfonia For 12 Instruments And Magnetic Tape - Once Chamber Orchestra
      6. In The Autum Mountains - Shirley Zaft
      7. Two Pieces For Piano And Chamber Group - Bruce Wise
      8. The Fourth Of July - Robert Ashley

      Tracks:

      1. Matrix For Clarinetist - John Morgan
      2. Wedge - Once Chamber Orchestra
      3. Meanwhile, A Twopiece - Robert Ashley
      4. Sounds For Eleven - Once Chamber Orchestra
      5. Gestures II - Robert Ashley
      6. Bestiary I: Eingang - Once Chamber Orchestra
      7. Details (2b) - Robert Ashley
      8. Ballad - Philip Krumm

      Tracks:

      1. Large Size Mograph - Larry Leitch
      2. Fives - David Maves
      3. A Quarter Of Fourpiece - Hartt Chamber Players
      4. Two Worlds - Bob James
      5. Mosaic - Bob James
      6. Pianopiece I - Donald Bohlen
      7. Cassiopeia - Donald Bohlen
      8. Pianopieces II - Donald Bohlen
      9. A Portrait For Vanzetti - David Maves
      10. Greys - Gordon Mumma

      Tracks:

      1. Music For Clocks - Philip Krumm
      2. Diotima - Anne Aitchison
      3. 7PTPC - Larry Leitch
      4. Landscape Journey - John Morgan
      5. Advance Of The Fungi - William Albright
      6. In Memoriam...Crazy Horse - ONCE Festival Orchestra

      Tracks:

      1. Music For Three - Robert Ashley
      2. Time On Time In Miracles - ONCE Chamber Players
      3. Track - ONCE Chamber Ensemble
      4. Apple Box Concerto - Pauline Oliveros
      5. Quartet - William Albright

      Album Description

      Ann Arbor, Michigan, seems an unlikely site for the establishment of a major avant-garde festival that would shake the new-music community. Tucked away in America's heartland, the city is equally removed from the Eastern metropolises whose artists pride themselves on sensing the pulse of the times, and from the nonconformist West Coast. Yet during the 1960s Ann Arbor played host to one of the most extraordinary adventures in American music history: the annual ONCE Festival and its nexus of related activities.

      The primary aim of ONCE's founders--Robert Ashley, Gordon Mumma, George Cacioppo, Roger Reynolds, and Donald Scavarda--was to create a forum for the presentation of cutting-edge music. To this end they were phenomenally successful. Performers and composers--whether little-known or renowned--embraced the endeavor, demanding almost nothing in return. Perhaps most important, however, ONCE acted as a creative stimulus for its organizers. Scavarda describes the adventure as an explosion of pent-up energy: "Suddenly we could write anything we wanted and have it heard." And they did. The ONCE composers--and many guest artists--wrote a host of new works, some experimental, others more traditional.

      What united the ONCE composers was their exploration of sound, whether through the medium of extended techniques on traditional instruments, electronic (or electronically modified) timbres, or the intersection of musical sounds with those of the environment.

      A major slice of ONCE's rich musical legacy--35 works constituting six hours of music--is presented here, almost all for the first time. These pieces are as diverse in style as they are compelling in expression. This landmark set, the most comprehensive document ever released of this legendary event, is an opportunity for anyone interested in contemporary music to hear history in the making. Included in the set is a 140-page booklet with a lengthy scholarly essay by musicologist and biographer Leta Miller and numerous rare photos of ONCE personages and performances.
      New World
      Average customer rating: 4 out of 5 stars
      • WOW!!
      • What a marvelous sound!
      • disapointing
      • New World
      • THE Piano PLayer
      New World
      Maksim
      Manufacturer: EMI Classics Int'l
      ProductGroup: Music
      Binding: Audio CD

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      ASIN: B000AQVD2I
      Release Date: 2005-10-03

      Tracks:

      1. New World Concerto
      2. Nostradamus
      3. Dido's Lament
      4. Tosca
      5. Desert Skies
      6. Intermezzo
      7. Somewhere In Time/The Old Woman
      8. Ride Of The Valkyries
      9. Still Waters
      10. Blue Balloon
      11. Mojito
      12. The Flower Duet
      13. Deborah's Theme
      14. Kolibre
      15. Claudine
      16. Nostradamus

      Album Description

      Following the success of his first and second albums The Piano Player and Variations I & II, whose total sales top 500,000 worldwide, Croatian pianist Maksim Mrvica has recorded his third album for EMI Classics. A New World features a variety of tracks transcribed for piano, ranging from the romantic melodies Somewhere in Time and Deborah's Theme, to energetic pieces such as Nostradamus and Mojito and then to popular classical pieces including The Flower Duet, Ride of the Valkyries, Intermezzo and an arrangement of Dvorák's New World Concerto by John Lenahan. 2005.

      Customer Reviews:

      5 out of 5 stars WOW!!.......2006-09-13

      This is a great album! I have all of his albums and this is the best by far. A few of my favorites are:
      -- the beautiful songs 'Somewhere In Time', 'Blue Balloon' and 'Still Waters'.
      -- 'Mojito' is also a great song... probably one of his most "jammin" songs to date.
      -- 'New World' and 'Nostradamus' are powerful and just well... incredible.
      -- 'Tosca' is very pretty, it reminds of something from a movie.
      There's also a cute behind-the-scenes enhanced CD feature for your computer. Check it out...it's worth every penny!!

      5 out of 5 stars What a marvelous sound!.......2006-04-26

      I have received yesterday my new CD of Maksim "New World" and I listened to it two times (and certainly will be listening to it very often in the future!) with pleasure, astonishment and hope for the future carreer of this extraordinary piano player. "Nostradamus" is so full of strength that enables you to face reality with joy! The selection of thems is superb . I really think that Maksim's performance is excellent and altogether with Tonci Huijic are a perfect combination of beauty, spirit and strength . I've listened to Maksim in the Piano Player performance for the first time in DirecTV (I also have the CD) and I "fell in love" with him and his music, because all the performance was not only wonderful in sound but in dancing and atmosphere as well. What a marvelous thing that a person who was born in a country with so many serious problems of discrimination, war and xenophobia has the capacity to give so much of his inner self to others. I'm looking forward to listening to his future work

      1 out of 5 stars disapointing.......2006-03-30

      Well i did the mistake and bought this guys first work
      I had read very good reviews and found the cd and said.... why not.
      the CD was in general played 1-2 times and now its gathering dust.... WHY??

      well
      1
      the music he chooses to play is very well known, u could say "hits" the problem is in most of them u can't even hear him play, the piano is overwelmed....
      2 he doesnt play well.... he is actually playing bellow avarage ... although he is advertised as a piano fenomenon... anyone tha knows piano can say that... i have many piano teachers as relatives and friends and they all said the same... he doesnt play good
      Anyway i always hear him here in Amazon cause I have him as reference to go look for the originals

      5 out of 5 stars New World.......2006-03-19

      Maksim is simply the best piano player that I have ever seen - totally loses himself in the music.

      Eli
      x

      5 out of 5 stars THE Piano PLayer.......2005-11-11

      Maksim's mixture of fast & slow pieces is highlighted superbly in this, his third album - 'A New World', and I think this is the best one so far. The arrangements are just great! and Maksim's piano skills simply awesome. He is an extremely gifted musician and his feelings ooze out of every track. My favourite is 'Intermezzo' which is so moving he almost makes me cry. Maksim has moved away from the techno sound of album one and two but he still rocks. The title track 'New World' is a great opener which shows all of Maksim's skills as a piano player. He moves from the fast and furious of 'Nostradumus' to the soft and haunting of Ennio Morricone's 'Once Upon A time in America' never losing any emotion. The orchestrations are superb too and the album offers a well put together selection of tunes. I bought the album in October and it has stayed in my cd player ever since. If you haven't been turned on by the talent of Maksim yet give him a listen. Even if you are not a classical music listener you will enjoy his interpretations of the 'old boy's' music. He brings Chopin, Listz and Rachmaniov into the twenty first century. These guys really knew how to write music and Maksim really does bring out the best in the compositions. I first heard him play 'Exodus' on MTV and have'nt stopped litening to him or praising him since. The 'New World' album is a showcase of an extremely talented man with a good mixtue of old and modern music.
      Rhythmic Fission: Digital Revisions of Classic Trax
      Average customer rating: 3 out of 5 stars
      • Lucid dreaming?
      • A Dreamy Listening Experience
      Rhythmic Fission: Digital Revisions of Classic Trax

      Manufacturer: RCA
      ProductGroup: Music
      Binding: Audio CD

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      5. Spente le Stelle

      ASIN: B0001JXQ60
      Release Date: 2004-04-06

      Tracks:

      1. Chasing Bartok - Wolfgang 'Humbucker' Frisch
      2. Riddim Drum & Bass Mix - Dr. Nachtstrom
      3. Blues - Dr. Nachtstrom
      4. Addio Del Passato - Tracy Young
      5. Sirenes 2 Step Mix - Dr. Nachtstrom
      6. Via Verde - Darcosan
      7. People (Get It Together) - Miguel Kertsman
      8. Meditation - Dr. Nachtstrom
      9. Ritual Rhythm - Jovino Santos Neto
      10. Machines - Dr. Nachtstrom
      11. Espirito: Total Chill-Out, Brain Rejuvenator - Miguel Kertsman
      12. The Mermaid - Miguel Kertsman
      13. I Would Kiss You - Michael Habla
      14. New World - Michael Habla
      15. Bartalk Mix - Dan The Automator

      Customer Reviews:

      2 out of 5 stars Lucid dreaming? .......2007-02-13

      Oh, please! I guess it depends on your idea of dreaming.

      If you enjoy dozing off with the electric blender on high, then you've gotta place this in your bedroom.

      Seriously -- the musicianship is highly competent, and there is an obvious commitment to the entire production. But this CD is not dreamy.

      The album title nails it: "Rhythmic FISSION -- digital revisions of classic trax."

      4 out of 5 stars A Dreamy Listening Experience.......2004-06-01

      This music is ideal accompaniment for lucid dreaming...Some of the tracks are loud,fast, and flashy ("Chasing Bartok" track #1, "Machines" track #10 come to mind) while others are fragile and soothing ("Addio Del Passato" and "Espirito"). Any one of these songs would be a superb compliment to a movie soundtrack--they all have this movie-dream-type quality to them, whether the movie/dream is creepy, beautiful, sad, or just plain experimental electronic music. Tracks 12-14 are heavy on vocals: Track 12 is very similar to the enigma song "Beyond the Invisible", while "I would Kiss You" makes me think of Loreena McKennitt with a dash of techno-renaissance flair, and finally "New World" has its good moments, but sounds a bit Disney-esque. "Addio Del Passato" and "Espirito" are the best tracks on the whole album; they sound like the ideal Anne Rice movie soundtrack selections, with "Addio" serving for any goth-vampire-opera-or-nightclub scenes, and "Espirito" for any childhood flashback scenes (hey, that's just what it sounds like!)...

      If you've heard the "Verve Remixed" CDs, then I highly recommend buying this CD as well to help balance out your jazz with some classical. Plus the music is brand-spankin' new. So give this CD a chance.
      The Safe Thing to Do
      Average customer rating: Not rated
        The Safe Thing to Do
        Ray Korona Band
        Manufacturer: Hobo Star Music
        ProductGroup: Music
        Binding: Audio CD

        GeneralGeneral | Folk | Styles | Music
        ASIN: B000CA2OI4
        Release Date: 2005-10-11

        Tracks:

        1. Toys for Peace
        2. Listen to the Earth
        3. Trimming the Fat Right off the Budget
        4. Tommy - The Computer Kid
        5. Meant to Be
        6. Social Security Rag
        7. Safe Thing
        8. Too Many Acoustic Guitars
        9. Not My Kind
        10. Long Live Our Community Garden!
        11. What Can You Say to the Rain?
        12. People Will Be Dancing
        Brazil Remixed
        Average customer rating: 4 out of 5 stars
        • tha best
        • Did you hear "One" on CSI?
        • My Songs are your songs? Song Swapping Gone Mad!
        • silky tunes, lyrics questionable
        • Impressive
        Brazil Remixed
        Various Artists
        Manufacturer: Groove Gravy
        ProductGroup: Music
        Binding: Audio CD

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        ASIN: B00008V5WB
        Release Date: 2003-05-27

        Tracks:

        1. One (Is The Loneliest Number) - The Tap Of The Groove
        2. Pontaio - Da Lata
        3. Hit The Road Jack (Pe Ne Estrada) - Mo' Horizons
        4. Samba #9 - Maya F.S.
        5. Keyzer (Dizub 'N' Kutz Mix) - Masters At Work
        6. Buweyah - J-Radical
        7. Loungin' (Interlude) - Gravy Mix
        8. Tenderly - Soulstice
        9. Frenetic - Jazzelicious
        10. Felicidade - RioListic
        11. It's Impossible - Le D
        12. Dreams Of Eurydice - Las Palmas Collectives
        13. Fancy - Zigo

        Customer Reviews:

        5 out of 5 stars tha best.......2007-01-23

        Rated as one of my all time best favorite lounge chill brazilian electronica eveeer... it's haunting chill and remote. It's just so cool. The melody's stay in your head. a really great compillation.

        4 out of 5 stars Did you hear "One" on CSI?.......2006-12-29

        Sometimes you hear the best music from the most unlikely sources--I heard the song "One" from Brazil Remixed on an especially spooky CSI. At first I did not recognize the song as Three Dog Night's "One" is the loneliest number, but when I did, this remix fit the CSI story to a tee. Great musical selection.

        3 out of 5 stars My Songs are your songs? Song Swapping Gone Mad!.......2004-04-13

        When I first saw this last summer, I was thinking "Man does this look familiar..." It didn't have anything to do with the music, but the cover - I knew I saw it before. And low and behold when I was home I pulled out this massive conglomerate of a 6 disc Decadance chillout compilation titled: "The Ultimate Chillout Album" and saw pretty much the exact same cover... just on a different wall. Seroiusly, have a look. B00006JSHV. Already you know this isn't the most original of releases.

        Still, it's not a bad cd. You've got some lounge cuts, some bossa cuts, alternative takes and remakes and general feel good bossa and samba mixed in. Artists include Maya FS, Mo'Horizons, Da lata and many others as they mix and match styles and skills on this semi-mixed compilation. However this cd isn't without fault. I found some of the songs a bit annoying over time ("Fancy" and "One" come to mind) and the Italian bossa Buweyah seems like more of a "Sister Bossa" modeled track than this. And if you have heard "Cafe Samba", which has literally stripped off tracks from this compilation and put them onto that one, this will hardly sound new to you but of course that's at no fault of this compilation's own. Odd, but I know exactly what the previous reviewer meant when he/she said that a song was a bit embarassing as some songs seemed to force the Braziliance with cliche'd sounds and loops.

        All in all, I would say this is a solid release but not one of the best I own. There are just so many nu-Brazil cd's out there - this is one I'd say to take a pass on if you're comparing with Brazilectro (usually 2 discs of good tunes) or Glucklich (mixed by Rainer Truby). But if you're looking and deciding between this and Cafe Samba I'd recommend Cafe Samba instead. IMO it has the better all around songs. The Italian Bossa mixes in since they went on and stripped cuts from Pyramide's Cafe Noir series... who of course stripped songs from Irma's "Sister Bossa" series. Talk about song taking gone crazy! So there are a few suggestions if you like this - but just watch the group names/song titles for carry-over before you buy any of them.

        3 out of 5 stars silky tunes, lyrics questionable.......2003-08-12

        I have quite a collection of songs in portuguese. Although this is Brazil remixed, the songs just don't quite make it. There are some cool songs, like samba numeiro 9 or felicidade, but number one has a great beat, but "one is a lonely number". It's a bit odd to listen to, kinda embarrassing.

        Anyway, the tunes are silky, and soothing, but other cds are more effective. Maybe try Cateano Veloso for something real and Bossa Nova from Putumayo.

        5 out of 5 stars Impressive.......2003-05-29

        This is an impressive CD. Very melodic and sophisticated but still grooves nicely without sinking into "ambience".
        HIGHLY recommended!

        -Jason

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