In Session [Live]

The Carl Stalling Project, Volume 2: More Music From Warner Bros. Cartoons 1939-1957
Reckless Nights & Turkish Twilights
Bugs Bunny on Broadway
Microphone Music
Raymond Scott: Chesterfield Arrangements 1937-1938

ASIN: B000002LJE
Release Date: 1990-07-17

Tracks:

Putty Tat Trouble Part 6
Hillbilly Hare
Early WB Scores: The Depression Era
The Good Egg
Various Cues From Bugs Bunny Films
There They Go Go Go
Stalling Self-Parody: Music From Porky's Preview
Anxiety Montage
Stalling: The War Years
Medley: Dinner Music For A Pack Of Hungary Cannibals
Carl Stalling With Milt Franklyn In Session
Speedy Gonzalez/Meets Two Crows From Taco
Powerhouse And Other Cuts From The Early 50's
Porky In Wackyland/Dough For The Do Do
To Itch His Own

Amazon.com

For fans of Bugs Bunny, Daffy Duck, et al., this is the essential cartoon soundtrack as well as a monument to surrealism. During his 22 years as a composer for Warner Bros. animated shorts, Stalling invented the musical vocabulary of cartoons. Producer Hal Willner has lovingly assembled a sonic collage that showcases Stalling's compositional genius and uncanny ability to borrow a tune. It's a whirling collection of random moments, chock full of music you never knew you knew, from Bugs Bunny's theme from "Rabbit Fire" to Raymond Scott's "Powerhouse" to Stalling's own "Woo! Woo!" Also included in the mix: outtakes from recording sessions, and several complete scores. --Heidi MacDonald

Customer Reviews:

Best compilation CD ever.......2007-02-18

Carl Stalling gave me the best musical education I ever had. I'm spending the rest of my life learning the titles and composers of all the hundreds of tunes I first heard in his cartoon scores. I've had this CD ever since it came out, and it still is one of my favorites.

Only a handful of tracks are a complete score from one cartoon; most are snippets from several cartoons edited together with a common theme.

This CD is about a composer and his music, more than about the cartoons for which he composed it. To drive home this point, it includes the score from, of all things, 1939's "The Good Egg." No one would consider "The Good Egg" to be among the best Warner cartoons, but the score, heard by itself, turns out to be a tour de force that is highly representative of Stalling's work. That's what makes this CD such a great listening experience: It was pieced together by musicologists who chose the music based on its auditory qualities, and not on the relative fame of the cartoon associated with it. It is not merely a trip down memory lane (although it is that, too), but is a great creative work in its own right.

Despite the vast amount of Stalling music that exists, this CD provides as ambitious and exhaustive an overview as can be given, and its 1995 follow-up, while also worth having, is but a pale afterthought. There's no following this act.

Here we go........2006-11-16

This CD features music from the Warner Brothers cartoon film scores by Carl Stalling. There are some complete scores and also some "medleys", with clips from various cartoons strung together. Carl Stalling was a master at writing music for cartoons, but something is lost when you just hear the music without seeing the cartoon.

Stallings CDs.......2006-11-10

If you harken back to the days when you snuggled on the couch on a Saturday morning with your little ones, and ate donuts and drank juice and watched "Bugs Bunny" you will love these CDs. You'll recognize all the characters and their entrances and their pratfalls...and laugh and say "I've heard that!"...it's a walk down memory lane and a very special one, at that. I highly reccommend these to anyone who loves B Bunny.
Not to mention these are some of the finest musicians you will ever hear...a lesson in classical music, and cartoons.

The Carl Stalling Project.......2005-09-12

Music from Warner Brothers cartoons "Golden Years" (1936-1958).
Carl Stalling was the chief music arranger for Warner Brothers cartoons from 1936 to 1958. He was one of the foremost composers of cartoon music. This disk is much better than "The Carl Stalling Project Volume II."

Warner Brother's King of Music.......2003-12-02

Even if you do not recognize his name, Carl Stalling is a very familiar composer. He wrote the soundtrack for many of our young lives as the composer for Warner Bros.' "Merrie Melodies" and "Looney Tunes" cartoons from late 1930's to late 1970's. Hal Willner has compiled this CD that for the first time lets you hear the music on its own, and lets you realize just how much of the cartoons' impact came from Stalling's music.

Willner sifted through hundreds of cartoons to choose about 40 with the most significant music. He presents the music in a variety of formats. A few tracks provide the soundtrack for a single entire cartoon. Others are medlies from a certain period in Stalling's career or pieces that set a particular mood (such as the "Anxiety Montage"). There are also tapes from recording sessions for 1951's "Putty Tat Trouble" that give insight on how this music was recorded. I couldn't recommend this CD any more highly. (After you've given it a listen, check out a Raymond Scott "best of" album like "Reckless Nights and Turkish Twilights" to see just how many of its tracks are familiar from various cartoons.)

Stalling's music, instead of following the traditional rules of musical structure (exposition, development, theme, variations, etc.), was written to follow the rapid action of cartoons. Stalling would not compromise on this, even if it meant having the 50-piece orchestra play fortissimo for five seconds and then having only one piccolo playing the next four seconds. To ensure a perfect correspondence between the sound and the image, Stalling and the cartoon's directors would agree on a few sketches and on the timing of the action. This enabled Stalling to compose and record the music without even seeing the movie. Carl Stalling was also a master at telling a story through music, with gestures so clear, that there is never any doubt as to his intentions.

Stalling once said, "One problem with cartoons today is that they have so much dialogue the music doesn't mean much." Unfortunately, this statement rings true as we move into 2004. But keeping Carl Stalling from rolling in his grave is not why you need to buy this CD. You need it because it is IMPOSSIBLE to maintain a bad mood while this CD is playing. You need this to listen to as a stress reducer on those tough days. You need this because it is complete childhood in a disc.

I challenge you to turn on your television and watch some Looney Tunes. Turn up the volume and listen while doing something else (wash dishes, write a paper perhaps.) I guarantee you will know exactly what is happening, and to whom. This was the comedic skill and genius talent of Carl Stalling.

As Porky Pig would say: "abieh-abieh-abieh... That's All Folks!"

The (Complete) Session recorded in London w/ great guest artists

Average customer rating:

Jaw Dropping
A great historical recording
Jerry Lee's terrifying answer to the "1968 Elvis Comeback Special"
No Comparison!

The (Complete) Session recorded in London w/ great guest artists
Jerry Lee Lewis
Manufacturer: Hip-O Select
ProductGroup: Music
Binding: Audio CD

Traditional Blues | Blues | Styles | Music

General | Country | Styles | Music

General | Traditional Country | Country | Styles | Music

General | Pop | Styles | Music

Pop Rock | Pop | Styles | Music

General | Oldies | Pop | Styles | Music

General | Rock | Styles | Music

Rockabilly | Oldies & Retro | Rock | Styles | Music

General | Soundtracks | Styles | Music

General | Classic Rock | Styles | Music
Similar Items:

Jerry Lee Lewis - The Greatest Live Shows on Earth
Live at the Star Club, Hamburg
Jerry Lee Lewis: Greatest Live Performances of the 50s, 60s and 70s
Fats and Friends
In the Palace of the King

ASIN: B000BQS6TK
Release Date: 2006-08-01

Product Description

Jerry Lee Lewis first trip to the United Kingdom ended in less than spectacular fashion, as the tabloids got hold of the age (and ancestry) of his young bride. In 1973, though, he returned triumphantly. His all-star backing band includes Eric Clapton, Rory Gallagher, Peter Frampton, Albert Lee, Alvin Lee, The Whos Kenney Jones, Procol Harums Matthew Fisher, and Gary Wright, among others. Virtually all of the previously releases of these sessions were truncated in some fashion, usually to satisfy the demands of the medium (only eighty minutes on a CD, so either tracks had to go, or the number of discs had to increase). As a consequence, six songsSatisfaction, Dungaree Doll, I Cant Give You Anything But Love, Be Bop A Lula, Goldmine In The Sky, and Singing The Blues make their CD debut on the Select release. And how does Jerry Lee sound in the company of these talented artists backing him up? Better than he had since the Fifties. Not only did he take on such early rock hits as Frankie Fords Sea Cruise, Johnny Rivers Memphis and Chuck Berrys Johnny B. Goode, but he also turned in creditable versions of Gordon Lightfoots Early Morning Rain and Creedences Bad Moon Rising. Hes totally on his game throughout, surprisingly laid back as he pumps the piano with virtuosic intensity, letting his fingers do the talking. The man from Ferriday, Louisiana, is rocking big time on this finally-restored-to-its-original-glory album.

Customer Reviews:

Jaw Dropping.......2007-06-12

This may very well be both one of the most obscure, yet "no-holds barred" and wholly unleashed R&R albums of all time, Read the critics' and the few consumer reviews. Recorded "live" in a London studio in '72 (?), just check out the producers, engineers, and guest musicians. You will be wholly incapable of cranking the auto audio system and driving less than 80 m.p.h Just can't be done...

A great historical recording.......2007-05-28

Most reviews of JLL records are written by Jerry Lee Lewis enthusiasts and I am one of them. My review might therefore be biased. What I find fascinating about Jerry Lee is that he has not lost any of the original magic during the past 50 years. Listening to records of other artists from that time period, I find the music often dated if not boring or kitsch. Strangely, this is not the case with the recordings of JLL. There is some magic quality to his work which demands respect even today. I have listened recently to many of his records and also viewed some of the movies avaiable on youtube. I recommend that you take a look at his performance of "Mona Lisa" on youtube. That movie shows JLL's great piano playing ability. Look at his left hand articulating clearly rhythm and harmonies. Then watch his energetic outbursts without compromising precision and clarity. That's a unique quality of JLL! He plays the piano almost like a drum. Pay attention to the overall clarity of sound. Jerry Lee's piano is so strong and dominating that he needs little backup - just a drum is enough. The recording under review, unfortunately, does not display these qualities as clearly as possible. The overall sound is a little bit too "thick" and noisy at times. This is the result of a too heavy electric guitar sound - the great innovation of the 70's in jazz and rock music. The sheer power of electricity employed masks some of the finer qualities of JLL's playing. In my ears this sounds today more dated than the original Jerry Lee Lewis boogie woogie sound from the 1950's which in comparison is more delicate. However, this does not diminuish the overall quality and historic value of the recording which is excellent. Highly recommended!

Jerry Lee's terrifying answer to the "1968 Elvis Comeback Special".......2007-05-08

First, it's great that Amazon's offering this. It's a Hip-O Select release (Universal's answer to Rhino Records, offering Web-only collectors reissues). Second, what a lineup: Alvin Lee, Albert Lee, Gary Wright, Kenny Jones, Rory Gallagher, Klaus Voorman, Matthew Fisher, Peter Frampton and more, but Jerry Lee is the star here and he's cousin Jimmy Lee Swaggart's worst nightmare: howling, snarling, filled with rock 'n' roll fire. Highlights are Drinking Wine Spo-Dee O'Dee, No Headstone On My Grave, Whole Lotta Shakin' Goin' On (a truly insane, over-the-top version), and the Rock Medley (4 Little Richard hits capped by a reprise of "Whole Lotta Shakin"). No one expected this in 1972 (the original year of its release). Jerry Lee was making a name in the world of Country music. Just as Elvis reclaimed his legacy after years of bad movies by suiting up in black leather and beaming himself into America's living rooms, Jerry Lee headed "across the pond" and took back what was rightfully his...with a vengeance. The career-best version of "Whole Lotta Shakin"...with Rory Gallagher on over-amped slide guitar and Peter Frampton on rhythm...explodes as Jerry pleads "Let's go one time now...SHAKE me baby shake me...MOVE me Mama, move me....WHOOOOO, shake it baby shake it, HEE-YOW, shake it baby shake it...Come on, come on, come on, come on, come on, come on...SHAKE it baby shake it...SHAKE it baby shake it...SHAKE it baby shake it...SHAKE it baby shake it...WHOOO, Move it baby, move it...I ain't fakin', whole lotta shakin' goin' on...ONE MORE TIME NOW...I SAID, shake it baby shake it..." Seriously, folks, what are you waiting for?

No Comparison!.......2005-10-31

This is a fantastic album. It is infinitely better than any of his many others. Score it if you can!

Average customer rating:

The Beautiful Piano
PIANO MAN

Forever in Love
Floyd Cramer
Manufacturer: Bmg Special Product
ProductGroup: Music
Binding: Audio CD

General | Country | Styles | Music

Nashville Sound | Traditional Country | Country | Styles | Music

General | Pop | Styles | Music

Orchestral Pop | Easy Listening | Pop | Styles | Music

4-for-3 Country | 4-for-3 Music | Stores | Music

4-for-3 Pop | 4-for-3 Music | Stores | Music

4-for-3 All Music | 4-for-3 Music | Stores | Music
Similar Items:

Piano Magic of Floyd Cramer
Collector's Series
The Piano Magic, Vol. 2
Blue Skies
Piano Masterpieces (1900-1975)

ASIN: B000001U2U
Release Date: 1997-11-18

Tracks:

Could I Have This Dance
Have I Told You Lately
Longer
I Swear
When A Man Loves A Woman
Theme From Ice Castles (Through The Eyes Of Love)
Don't Know Much
Forever In Love
You Are So Beautiful
Sometimes When We Touch

Customer Reviews:

The Beautiful Piano.......2003-01-20

I think anyone would appreciate this man's talent. He plays the piano with such emotion especially with the love songs. I am sure this one belongs in your music library!!!

PIANO MAN.......2000-07-05

THIS REVIEW HAS GAVE ME THE CHANCE TO HEAR ONE OF THE GREATEST PIANISTS IN HISTORY IT INSPIRES ME TO PLAY THE PIANO MORE MOST KIDS AND MY FRIENDS LISTEN TO POP OR RAP BUT THE BEATUIFUL SONGS YOU RECORDED ON THIS CD ARE AWESOME POLIUM09@AOL.COM

Average customer rating:

Absolutely wonderful
Who is the artist?
Cross over music that works brilliantly
Good CD and Good Voice
Listen

Summer

Manufacturer: Sony
ProductGroup: Music
Binding: Audio CD

General | Classical | Styles | Music

Baroque (c.1600-1750) | Historical Periods | Opera & Vocal | Styles | Music

Romantic (c.1820-1910) | Historical Periods | Opera & Vocal | Styles | Music

General | Opera & Vocal | Styles | Music

Czech | Languages | Opera & Vocal | Styles | Music

French | Languages | Opera & Vocal | Styles | Music

Italian | Languages | Opera & Vocal | Styles | Music

Anthems | Vocal Non-Opera | Opera & Vocal | Styles | Music

Movie Scores | Soundtracks | Styles | Music

Movie Soundtracks | Soundtracks | Styles | Music

General | Soundtracks | Styles | Music

General | Vocal Pop | Pop | Styles | Music

Classical Music | The Sony BMG Masterworks Store | Amazon.com Label Stores | Stores | Music

Classical Instrumental Music | The Sony BMG Masterworks Store | Amazon.com Label Stores | Stores | Music

Opera & Vocal | The Sony BMG Masterworks Store | Amazon.com Label Stores | Stores | Music
Similar Items:

Izzy
Myth of Red
Beyond Imagination
Etterna
Ascolta

ASIN: B0000AQS3I
Release Date: 2003-09-02

Tracks:

Nella Fantasia
Aranjuez Ma Pensee
Palabra De Honor
Berceuse
Mal Di Luna
Tutta La Vita
Sposa Son Disprezzata
Cantique De Jean Racine
Morgen
Fragile
Song To The Moon
Cavatina

Customer Reviews:

Absolutely wonderful.......2007-03-24

I first came upon this CD when I was Music Director of a public radio station and I couldn't wait to get it on the air. The response from the audience (@ 53,000) was warm and grateful. This gal not only has a beautiful voice, but also the training to use that voice to its best advantage. There are no swoops and crutches here (like that singer... ah, what's her name... oh, yeah.. Sarah Brightman), just a pure, clear, steady (not a lot of vibrato) almost ethereal voice accompanied by a marvelous instinct for how and when to inject interpretation. The orchestration is great, too, not too much, not too little. Wow, talk about crossover! I hope Summer comes up with another CD soon. I've almost worn this one out.

Who is the artist?.......2007-01-24

Based on the information provided by Amazon.com the featured artist on this CD is Pino Palladino. He is listed as a "performer," along with half a dozen other people. So what does he perform, I wonder? Mandolin? Tuba? The title of the CD is "Summer," so that must mean all the songs are about June, July and August. But the reviewers all talk about a woman named Summer, who is apparently a singer.
More lousy product information from Amazon.com. Nothing new, but worth whining about.

Cross over music that works brilliantly.......2006-03-14

I heard Summer on a sampler cd I got for free from one of the local bookstores. I kept coming back to her song and liked it enough to order her entire cd from amazon. Great purchase to say the least. She moves effortlessly between classical and pop selections. She has a way of working within the song and not overextending - meaning she doesn't showboat. Don't expect any american idol grandstanding at any time. What you get is straight up professional singing from a classicaly trained vocalist. It doesn't get boring thanks to a great mix of songs. The treatment of Sting's 'fragile' is especially nice. Not an essential cd but I still give it 5 stars because it's practically flawless.

Good CD and Good Voice.......2005-04-27

Summer has a very nice sounding voice and her choice of songs is very good.Her Rich sounding voice is just perfect for the songs.

Listen.......2005-02-28

Listen and I'm sure you will buy a copy even if you already have the songs she sings. I did. The next vocal queen.

Average customer rating:

Excellent sound
Albert King SRV
Blues that cut like a chainsaw
Wish I Could Have Been There
A Jam Session Well Worth Listening To...

In Session
Albert King & Stevie Ray Vaughan
Manufacturer: Stax
ProductGroup: Music
Binding: Audio CD

General | Blues | Styles | Music

Electric Blues Guitar | Blues | Styles | Music

General | Live Albums | Blues | Styles | Music

Modern Blues | Blues | Styles | Music
Similar Items:

Texas Flood
In the Beginning
Live at Carnegie Hall
In Step
Blues at Sunrise

ASIN: B0000AZKLF
Release Date: 2003-09-30

Tracks:

Call It Stormy Monday
Old Times
Pride and Joy
Ask Me No Questions
Pep Talk
Blues at Sunrise
"Turn It Over"
Overall Junction
Match Box Blues
"Who Is Stevie?"
Don't Lie to Me

Customer Reviews:

Excellent sound.......2007-06-14

Very pleased with this SACD, sound is awesome. I agree with all other highly rated reviews, it is more than words can describe.

Albert King SRV.......2007-04-03

All one has to do is to listen to this and realize that we were lucky that this event happened. I hear something new every time I play it. Enjoy

Blues that cut like a chainsaw.......2006-12-16

While Albert King never rose to the massive popularity of Stevie Ray Vaughan, as far as blues players go though, he was one of the more familiar to rock fans, thanks to his work being covered by Clapton and Hendrix ("Born Under A Bad Sign").
No modern guitarist was more influenced by King than Stevie Ray Vaughan, whose admiration and praise allowed him to share the stage in a Hamilton, Ontario TV studio right around the time of the release of Vaughan's "Texas Flood". This summit was long overdue, and is absolutely critical for Vaughan and King fans.
Mind you, there are many rehashes, repackagings and other posthumous releases of SRV, most of which are unforgivable, offering nothing new, only capitalizing on the myth and making a fortune off his memory.
"In Session", however, like "The Sky Is Crying", is one CD that does offer a fresh look at both masters.
King is still the star of this show, and his band provides the powerful backing music as the two titans trade off solo after solo, each careful to not overplay, but not hide behind their amps, either.
Vaughan sounds a lot like King, showing us the bedrock of his style. He was a little flashier, and could control feedback ala Hendrix, but when all is said and done, SRV was the best white blues player period. Brit players like Clapton and Page pale in comparison.
Prime cuts include "Pride And Joy" as handled by King's band, and it thumps and grinds mightily. "Overall Junction" is a King jam and indeed it does. Perhaps the best is "Matchbox Blues", with an absolutely wicked swing beat that allows both guitarists to soar, reaching blues nirvana over and over.
SRV fans will delight in this CD when he was probably at his greatest, and will come away King fans as well, after finding out who got this party started in the first place.

Wish I Could Have Been There.......2006-05-27

Albert King and SRV appeared on the Canadian TV show 'In Session' and the result was incredible. The music itself is really good, with two great musicians playing the tunes they loved. But it's the dialogue between Albert and SRV that puts this over the top.

Albert's story about Stevie sitting in with him about 10 years earlier when he was just a skinny kid in Austin was amazing. And while SRV was coming into his own at the time of the session, he was still paying a lot of respect to Albert. There was this aspect of passing the baton from one generation of blues players to another about this session.

Finally if the combination of 'Who Is Stevie' and 'Pride & Joy' doesn't have you smilin' and hummin' along - then you just don't like the blues.

You can't go wrong with this CD. In addition to the good music the recording is also pretty realistic. I keep wondering what it would have been like to be in the studio when this session was recorded...

A Jam Session Well Worth Listening To..........2006-02-15

Albert King was always overshadowed by BB King and thus never received the credit he deserved for the way he shaped how the electric guitar is played. This is true not only in the blues but indeed in all styles of music. Modern guitar players who look back with a sense of fondness for players such as Eric Clapton, Jimi Hendrix, Jimmy Page, Paul Kossof, etc. would do well to consider the man who so strongly influenced their playing as well as countless others. (Including bluesmen Otis Rush and Albert Collins: already distinctive stylists in their own right.) And perhaps no other guitar player was as influenced by Albert King as the young Texan Stevie Ray Vaughan.

To say that Stevie Ray Vaughan idolized Albert King would not be inaccurate nor would saying that Stevie's style was about 80% influenced by the mammoth Mississippi bluesman. On this album, the songs are mainly from King's repertoire but in many cases Stevie had been weaned on them and practiced them in his formative years so there was not much in the way of adjustment for him here generally speaking.

It starts with "Stormy Monday" which King begins with some of his signature mournful phrasing while Vaughan utilizes a tasteful countermelody in return. Albert's comments as the song was starting off indicate that they have played the song together before and the smooth way they played off one another would seem to verify that. From there a bit of dialogue takes place where they reminisce about old times and at Albert's request, Stevie kicks off "Pride and Joy." From there they moved into "Ask Me No Questions." Unlike the previous song where it was King who had to adapt to a new song, this time it was Vaughan and he does so quite well with tasteful vibrato fills and taking the first solo at King's request. They then dialogue a bit more with Albert asking Stevie to never settle but instead to always strive to work and play better.

At that point, Albert kicks off "Blues at Sunrise" and anyone who doubts that a fifteen minute blues song with a shuffle beat can be kept interesting for fifteen minutes needs to hear these two play off of each other as they do here.

From there, it moves (after some dialogue) into the instrumental "Overall Junction" which has a strident pacing to it. Vaughan starts it off and gets his bits in certainly -based on much of what he plays his familiarity with the original tune (as recorded by King in 1966) is evident to this listener. And King shows on the song for those who would question it that he can move around the fretboard nimbly...a feature he usually saved for instrumentals but not always. They then move pretty quickly into "Matchbox Blues" a longtime King concert staple. Stevie's playing in the song is a homage to Albert and he certainly could authentically approach the latter's style better than arguably anyone else. There is then another dialogual interlude prior to the last song "Don't Lie to Me", a song Stevie would recognize as "I Get Evil." Again the dueling is entertaining when Vaughan goes into the lower registers and Albert encourages him further in the process. That concludes the album but not this review.

The essence of blues playing requires soul and you cannot manufacture it by wanking speed riffs on a fretboard. (I note that here for those who think "better blues playing" means faster playing: that is not necessarily so.) Albert King was a master of the blues and Stevie Ray Vaughan was his most loyal disciple. Indeed, I believe Stevie is the only one who could so flagrantly use King's own signature riffs in his playing without the master himself taking offense. And when you consider that Albert did not take such things lightly --because he developed a unique style and by his reckoning owned it-that is no mean achievement.

Clearly on this album King had in mind to some extent a passing of the torch to Vaughan at one point in the recording because he plainly says so after they finished playing "Blues at Sunrise." Stevie laughs and says he does not believe it but the sentiments sounds convincing enough even if King was to continue playing live after Vaughan's passing in 1990 at the tender age of 35. (The former retired and made comebacks in the same fashion as Frank Sinatra: at least in King's case, he retained his form all the way to the end with minimal if any diminishment.) As far as Vaughan's death goes, King would recount in a 1991 interview published before his own passing that Stevie's loss hurt him deeply and if you listen to the way they interact musically and otherwise on this album, it makes sense. What started out as a young boy and his idol grew into a situation where they were contemporaries and there was a genuine affection between them. Albert seemed to view Stevie as his son in the blues and no father wants to see his son go before him. May they both rest in peace and may this recording stand as a testament to them.

Average customer rating:

Live and In Session
The Tannahill Weavers
Manufacturer: Compass Records
ProductGroup: Music
Binding: Audio CD

General | Folk | Styles | Music

Irish Folk | Traditional British & Celtic Folk | Folk | Styles | Music

Scottish Folk | Traditional British & Celtic Folk | Folk | Styles | Music

Celtic Folk | Traditional British & Celtic Folk | Folk | Styles | Music

Traditional Folk | Folk | Styles | Music

General | Live Albums | Folk | Styles | Music

General | International | Styles | Music

General | Celtic | International | Styles | Music
Similar Items:

Four on the Floor
The Lord of the Rings (50th Anniversary Edition)

ASIN: B000OONP4K
Release Date: 2007-05-22

Tracks:

The Geese In The Bog/The Jig Of Slurs
Tranent Muir
Farewell To Fiunary/Heather Islands
The Log Splitter Set/Caradale Bay/The Slog Splitter/Calibachan/Drochaid Luideach
When The Kye Come Hame
The Athol Gathering
Pipe Major George Allan Set: Mrs. Stewert Of Grantully/Maggie's Pancakes/Andy Renwick's Ferret/Fag A'Piob Bhochd/Pipe Major George Allan
Dark Eyed Molly
Dumbarton's Drums
The Black Run Set: The Black Run/P.M. John MacDonald (Glasgow Police)/Lady Campbell Of Longsdale/Christie McLeod
The Soldier's Return
Grat For Guel: The Inchindown Jig/The Grumbling Carle (Akathe Drovers Lads)
Leaving Ireland Set: Leaving Ireland/Caber Feidh Collection/The Times We Had/This Strathspey
The Cruel Brither