Album of the Year
Editorial Reviews
Album Description
Limited double disc edition of their 1997 album with a sixtrack bonus remix CD: one of 'She Loves Me Not' (Spinna MainMix), two of 'Last Cup Of Sorrow' (Bigfoot & Wildboy Mix andBonehead Mix) and three of 'Ashes To Ashes' (Hardknox HornedHand Mix, Automat
Average customer rating:
- Sounds of a happy times
- Out Of This World
- Al Stewart Enters His Best Period
- Fits the definition of "classic"
- Still strong 30 years later
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Year of the Cat
Al Stewart
Manufacturer: Rhino / Wea
ProductGroup: Music
Binding: Audio CD
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Similar Items:
- Time Passages
- Past, Present And Future
- Greatest Hits by Alstewart
- A Beach Full of Shells
- City to City
ASIN: B0001XAS1W
Release Date: 2004-04-27 |
Tracks:
- Lord Grenville
- On The Border
- Midas Shadow
- Sand In Your Shoes
- If It Doesn't Come Naturally, Leave It
- Flying Sorcery
- Broadway Hotel
- One Stage Before
- Year Of The Cat
Customer Reviews:
Sounds of a happy times.......2007-07-19
Today you may find this songs "ridicule" because of their "middle class burgoisise" context, but back in 1977, they sounded fresh and optimistic.
And that is how I remember them: the atmosphere of the small sea-towns, an aura of Casablanca movie in the title song, the semi-gay voice of Al Stewart sounds like one of a spoiled, honest child, hungry for adventures, nice girls and harmless "noir" adventures.
Today,it still sounds just the same; perfect for beach-caffe s with margaritas and a sunset. White mornings after the one-night stands with satin-ladies, gauloise before entering the exotic marketplaces in Maroco or Spain. Good for people over 35, or maybe younger romantics.
Not for hip-hop lovers.
Brilliant production,fresh as it was 30 years ago.
Out Of This World.......2007-03-20
What can I say about this album except that since it's release back in the 70s, it has always been one of my favorite albums. I repurchased the album because my original copy was bad. And I guess if you listened to a CD like this one as much as I have, your copy would be bad too. I consider this album a classic of classics and highly recommend it to anyone. You won't be disappointed.
Al Stewart Enters His Best Period.......2006-12-23
With YEAR OF THE CAT, Al Stewart enters his best period musically. He'd found a sympathetic producer in Alan Parsons, whose production added much-needed muscle to his music, while Stewart's folkie leanings prevented Parsons from overdoing things. The closing title song uses the "mystery woman" theme to describe a feeling about being slightly "out of your time", and thus describes why I hang up pictures of pretty actresses as a deterrent to thoughts of going to food-related reunions at my old school, but the other songs are also quite good. The fact that a couple of Stewart's albums have dated poorly takes nothing away from the excellence of this one or its immediate successor, TIME PASSAGES.
Fits the definition of "classic".......2006-11-26
Recently I've gotten back into vinyl. "Year of The Cat" is one of the handful of records I kept, and thank god for that moment of clarity! I'm listening to this right now on a new turntable. First time I've heard it in probably 2 decades. The music really holds up - There's not a weak song on the entire album. The recording quality is fantastic (recorded at Abbey Road in London).
Very highest recommendation.
Still strong 30 years later.......2006-09-12
I loved this album back when it first came out, but I was also 13 at the time and had questionable musical tastes. In a fit of nostalgia, I picked it up recently and was surprised at how well it holds up thirty years later. Listening to it with adult and much more educated ears, I found that my favorite tracks have changed--the women in title track is no longer my ideal self, for example, but I understand "Broadway Hotel" in a way I didn't as a kid. Full of odd little twists and influenced by forgotten moments in history, it's a fantastic example of thoughtful, intelligent, '70s soft rock.
Average customer rating:
- Fantabulous
- variations
- A hearty last laugh...
- This is the End
- Album of the year, say no more.
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Album of the Year
Faith No More
Manufacturer: Reprise / Wea
ProductGroup: Music
Binding: Audio CD
General
| Alternative Rock
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Alternative Metal
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Similar Items:
- King for a Day, Fool for a Lifetime
- Angel Dust
- The Real Thing
- Introduce Yourself
- California
ASIN: B000002NG7
Release Date: 1997-06-03 |
Tracks:
- Collision
- Stripsearch
- Last Cup Of Sorrow
- Naked In Front Of The Computer
- Helpless
- Mouth To Mouth
- Ashes To Ashes
- She Loves Me Not
- Got That Feeling
- Paths Of Glory
- Home Sick Home
- Pristina
Customer Reviews:
Fantabulous.......2007-05-20
Faith No More's last studio recording has a lot going for it, and even a couple of weak tracks can't hinder the overall joy that is Faith No More. This band is a true original. They seem to have no reference points- or maybe they have too many to count- but no one has ever quite sounded like Faith No More. They blend a truly awesome array of textures, tones, and styles, and spent their entire career defying categorization. Are they metal? Are they rap/rock? Trip-hop? Alternative? The answer, of course, is yes.
Bordin (drummer, founder) has an obvious love of dark, Sabbath-esque metal, and is a big part of FNM'S "heavy" sound. But the true genius in this band has to be Mike Patton. His vocals are genuinely odd. He seems to be able to do just about anything he wants with his voice, from whispy to gutteral, maniacal to soulful. Patton is the only singer who can pull off what he does, so much so that I often think of him as metal's Freddie Mercury.
Album of the Year isn't Faith No More's best work, but there are a handful of "best-of moments." Last Cup of Sorrow causes shivers, as do Naked In Front of the Computer, Mouth to Mouth, and She Loves Me Not. And like all Faith No More's work, the songs that don't seem so strong at first listen, start to grow and grow on you, and eventually your raving mad about everything they've ever committed to tape.
Strongly recommend this album, even if it's an ambitious title. It almost lives up to it.
variations.......2007-05-08
mike patton has about 1,3285834753875235 other projects and it's not hard to see why: there is much variation on this cd with the soundscapes, moods. Fast, slow, punk, seductive, abstract, all of this and more, but the bottom line is that it's all well done. everything with a solid clean follow through and without any hesitation laid on the record like you can sometimes hear in other bands- this is their sound- they're not searching for what they might be or potentially could be, Faith No More is like a triple threat on this record. They do it all and do it all well.. Also check out Loveage. Good stuff.
A hearty last laugh..........2005-12-27
8 years after, looking at this album and the career of Faith No More in general still causes me to get a little choked up. I was devastated at that press conference when Billy announced they were splitting. Faith No More was easily one of the top 2 or 3 best bands of the 90's, and it was sad to see them go. Enough weeping, however, let's get into the review.
This album as a whole has a very plodding, exhausted feel to it. One can ascertain the general feeling that these guys are sick of each other (Mike Patton didn't even rehearse with the band, instead turning in his vocal tracks by mail while working on Mr. Bungle's spectacular 1999 release California) and that they know this is the last straw. The songs still stand up on their own, for the most part, and it is still light years more coherent and cohesive than the lackluster 1994 release King For A Day, Fool For a Lifetime. The whole album lends a feeling of distance, of space, a stunning shift from their previous walls-of-sound performances Angel Dust and The Real Thing. Jon Hudson's guitar work is mediocre, yet there are moments (Ashes to Ashes being the most prominent) where his simplistic efforts really enhance, rather than detract, from the material. For a hardcore FNM fan, this is nowhere near their finest material, but for the rest of the industry, it stands head and shoulders above what was available at the time, and in fact still stands taller than most of the material released in the 8 years following.
The album begins with a bone-jarring syncopated semi-trash number, Collision. While fully loaded with raw power, the overall emotive value of this piece wears off quickly once the initial headbanging is over. No notable lyric here, it's a very sparse hint at a book and movie done a short time before. Stripsearch is a powerful bounceback, both lyrically and musically. Flowing, ethereal textures and incredibly emotive vocal passages, with lines such as "In these days - I'm breathing stone - crying stone - I'll win this race - I'll leave alone - arrive alone" place this piece among the best this band has ever produced. The radio-ready "Last Cup of Sorrow" is a flop. Dead, lifeless, unimaginative, boring - frankly I was shocked such a great band could produce such a piece of crap, and then have the gall to release it as a single over some of the real gems on this record. Chalk that one up to the industry pushing a band to re-write its big hit over and over again, as if forcing the same sound down people's throats repeatedly will make them love you. "Naked in Front of the Computer" brings back the dark humour that has been such a beloved component of this band's sound for years. Jon's opening riff is lackluster, but the song ignores it and moves on into a frantic, aggressive underpinning for some very tasty lyrical gems such as "In how many ways - and words - can you say nothing - millions of ways - and words - to say nothing" - all a sarcastic stab at the internet revolution and its evolving into what is essentially a forum for dolts such as myself to foam at the mouth to whoever will listen. "Helpless" is a spectacular quasi-ballad piece with dreamy synth passages, although again weighed down by Hudson's lack of imagination and skill. Quips like "For every wish, I wonder why - Why all I want is something beautiful - A place to rest" toss the listener rather casually into serious depression, while the eerie whistling and other sound effects hint that the band is laughing at your pain all along. "Mouth to Mouth" brings more tongue-in-cheek silliness and a brilliant hook "I can dress up the dead man - but I can't bring him back to life." Too bad they didn't drop this surefire hit on the general public. "Ashes to Ashes" is definitely another T-10 alltime FNM piece. Patton's soaring vocals interplay beautifully with Roddy's boards, and Hudson's 14 note guitar solo actually makes for a perfect interlude between segments. The hook is stellar - "Smiling with the mouth of the ocean - and I'll wave to you with the arms of the mountain - I'll see you" and passionate, one of the few genuinely emotional pieces on the album. "She Loves Me Not" is a forgettable effort at a show-tune, with Roddy masturbating on a his grand piano patch and Mike desperately trying to bail the song out with some mindbending vocal texturing. "Got That Feeling" is an ambitious compound time-signature nu-metal piece, which is great if you're a nu-metal band, but rather unfortunate if you're the band who wrote one song that started the whole bloody genre. "Paths Of Glory" is powerful, grandiose piece with a surprisingly strong hook riff from Hudson and some stunning lyric to support another soaring, intense vocal performance from Patton, with shreds like "Is this the only path of glory - If so then I won't go alone - Follow the trail" grabbing the listener by the throat and demanding attention. "Home Sick Home" is a grand little dark-flavored swing piece that could be likened to a Charles Manson comedy tour. Ponder that visual for a minute. "Pristina" is a beautifully sparse final movement for the album, evoking precisely what I have to believe the band intended - this is it, folks, it's over, we're done. "In every dark land - in every flower bed - in every marraige bed - I'll be with you - I'm watching you" - what's left to be said?
Overall, a fine coda to a spectacular career for this band. It's completely unfair, really, to hold it up to the standard of Angel Dust - no band in the history of heavy rock has ever managed to eclipse their masterwork ex post facto, why should we expect FNM to have been any different? Still, it stands up on its own and demands to be accounted for in the annals of alt-rock history.
This is the End.......2005-11-29
The last Faith No More is also one of their best. They evolved into a high-quality songwriting machine by this point, almost every song here has depth, melody, and charisma. It's a mature sound never before heard on any of their previous records, perhaps because they knew the end was near and didn't want to go out on a chaotic note. Standouts are the incredible "Stripsearch," "Helpless," "Mouth to Mouth" and "Collision." Good stuff, check it out.
Album of the year, say no more........2005-06-19
Finally an album where every song is good or great. This band did not get the recognition they deserved for this piece of work; it is truly great. Maybe the title of the album was a little much. In this case though, the title matches the content. This Cd is really the best of the band, they were at their prime when they made it.
Average customer rating:
- Rutter Christmas Album
- Unique and Beautiful!
- Johh Rutter Chirstmas Album
- Liked it enough to go through a lot of trouble to give it a review.
- John Rutter and Cambridge Singers
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The John Rutter Christmas Album
Cambridge Singers , Rutter , and City of London Sinfon
Manufacturer: Collegium
ProductGroup: Music
Binding: Audio CD
Classical
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Similar Items:
- John Rutter Collection
- Cambridge Singers Christmas Album
- Christmas Star
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ASIN: B00006JJ4T
Release Date: 2002-09-24 |
Tracks:
- Wexford Carol
- Jesus Child
- There Is a Flower
- Donkey Carol
- Wild Wood Carol
- Angels' Carol
- Nativity Carol
- Mary's Lullaby
- Star Carol
- Candlelight Carol
- Shepherd's Pipe Carol
- Christmas Lullaby
- Dormi, Jesu
- Love Came Down at Christmas
- Sans Day Carol
- I Wonder as I Wander
- What Sweeter Music
- Joy to the World
- I Saw Three Ships
- Deck the Hall
- Very Best Time of Year
- We Wish You a Merry Christmas
- Silent Night
Album Description
Top of the British Classical Charts for 10 Weeks! Billboard Top Ten Classical Recording - December 2002! This album gathers together most of the carols I have composed over the years, plus a sprinkling of my arrangements of traditional carols, grouped to form a program which narrates, reflects upon, and celebrates the Christmas story. I have always enjoyed carols ever since I first sang them as a member of my school choir, and it was not long before I began to write carols of my own-in fact my first two published compositions were the Nativity Carol and the Shepherd's Pipe Carol. For any musician involved in choral music, Christmas is an especially joyous time, and I am indeed happy that it has played a part in my musical life for so many years- JOHN RUTTER
Customer Reviews:
Rutter Christmas Album.......2007-05-14
Great selection of music, and well presented. This is however older recordings that do not match the quality of Rutter's latest recordings such as the Te Deum or the Gloria.
Unique and Beautiful!.......2007-03-09
John Rutter, and his beautiful music, is such a gift to the world. This unique Christmas CD is magnificent! Especially touching are two of Rutter's original carols, "Christmas Lullaby" and the joyful "Angels' Carol." The musical selections speak to the soul, helping the listener connect to emotions of joy, peace, faith, hope, and love. This is a worthy addition to your collection of Christmas CDs.
Johh Rutter Chirstmas Album.......2007-02-19
If I were to choose only one Christmas album to ever own, this would be the one. John Rutter is an exceptional composer of religious music, with unusual harmonies. The music is difficult to sing, and because this is his own choir and he is directing it, the performance is flawless. Gives you goosebumps.
Liked it enough to go through a lot of trouble to give it a review........2007-02-07
Great music by John Rutter: Great performance!
John Rutter and Cambridge Singers.......2007-01-18
This is quintessential English cathedral music; beautifully sung. Reminds one of the English Christmas -- warm and serene -- that we've only experienced in our dreams!
Average customer rating:
- Still funny, but not as funny
- These Guys Are Still Funny
- 2000 Year-Old Man in 2000
- Abdominal exercise
- I gotta get all the 2000 year old man records
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The 2000 Year Old Man In The Year 2000: The Album
Carl Reiner & Mel Brooks
Manufacturer: Rhino / Wea
ProductGroup: Music
Binding: Audio CD
General
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General
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Similar Items:
- The Complete 2000 Year Old Man
- 2000 and One Years With...
- 2000 Years With...
- 2000 Year Old Man
- Standup Comic
ASIN: B00000345U
Release Date: 1997-10-14 |
Tracks:
- A Re-Pleasure To See You
- See Moses Run
- Diseases And The Plagues
- Pain
- Wives And Famous Women
- Parents
- First Place You Ever Lived
- Yarmulkes Galore And The Inquisition
- Computer Sex And Self Help
- Exercise And Infomercial
- Music
- Height And Plastic Surgery
- Seven Wonders Of The World
- Famous People
- Pet Peeves And Words Of Wisdom
Customer Reviews:
Still funny, but not as funny.......2007-05-29
The original package of four "2000-yr-old Man" discs is where it's at. They kept it clean, so my kids could enjoy it, too. There's a lot of explicit language on this disc, which is disappointing. Still, it's good enough, and the chemistry is still there between Brooks and Reiner.
These Guys Are Still Funny.......2007-05-07
This album is a useful part of anyone's repertoire if you just want a good laugh provided by two old pros in the comedy business. There's nothing complicated; just good fun.
2000 Year-Old Man in 2000.......2006-08-12
Mel Brooks and Carl Reiner are great. A worthy sequel to their original interview.
Abdominal exercise.......2006-05-30
The best word I can come up with to describe this album is riotous. Where Brooks and Reiner came up with this concept, I don't know, but Brooks must have a wild imagination to have developed this outrageous character. Just listen to it!
I gotta get all the 2000 year old man records.......2006-01-23
Mel Brooks improvising answers to Carl Reiner's straight interview questions. This one after they'd already done this bit decades ago. Funny stuff. In fact, I've rarely ever played any comedy album more than 1 or 2 times except for the Woody Allen Stand Up Comedy 2 record set material from 1964-1968.
This stuff is funny and I like hearing it again, say once a year on average. Sorta like watching a good movie again. There's hardly any klinkers on this album, maybe none.
I'm just glad they've done several of these albums. The idea is sound and Reiner and Brooks play perfectly off each other. Reiner is just barely not too stuffy enough to be a good straight man to Brooks who just barely is able to keep from totally unraveling. In fact, I think it's Reiner who keeps Brooks reined in and Brooks who keeps Reiner from getting too stiff. Funny stuff kids. A gotta own album. chrisbct@hotmail.com
Average customer rating:
- Simply fantastic
- Not the best live one but not bad either.....
- great set, bad sound
- From the mouth of the Horse...
- The Dark Horse
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Year of the Horse
Neil Young & Crazy Horse
Manufacturer: Reprise / Wea
ProductGroup: Music
Binding: Audio CD
Singer-Songwriters
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Similar Items:
- Broken Arrow
- Weld (2 disc set)
- Road Rock Vol. 1
- Mirror Ball
- Sleeps With Angels
ASIN: B000002NGH
Release Date: 1997-06-17 |
Tracks:
- When You Dance
- Barstool Blues
- When Your Lonely Heart Breaks
- Mr. Soul
- Big Time
- Pocahontas
- Human Highway
Tracks:
- Slip Away
- Scattered
- Danger Bird
- Prisoners
- Sedan Delivery
Amazon.com
Long may he run, sure, but Young and friends sound like they're in dire need of a creative refuel on this ho-hum live set. The man's clearly coasting. He knocked off the Broken Arrow studio disc without a second thought, and here the tapes roll for 83 minutes in capturing an OK performance (highlight: "Slipaway," the labyrinthine disc-two opener) that is effectively nothing more than an officially sanctioned bootleg. Let's hope he either gets inspired enough to deliver a Sleeps with Angels-style opus or finally wraps work on what should an awesome archival retrospective. --Jeff Bateman
Customer Reviews:
Simply fantastic.......2006-02-18
I'm drinking beer and listening to Neil Young on Rhapsody, looking for stuff I've never heard, and holy cow, this album is fantastic. I have a very good stereo system, and I'm playing it loud, and I can't believe how good Mr. Soul, Barstool Blues, When you Dance sound. I'm jumping around the album and that's all I've heard so far, but anyone who thinks this is ho hum or anything less than amazing is an idiot. This is a genius at his best. This is brilliant.
Not the best live one but not bad either............2005-02-14
I've not listend to this in quite some time and decided I needed a charge. This was Neil and Crazy Horse doing long jams to some really good songs. I love the long, drawn out version of Danger Bird. Slip Away was another cool tune. I guess what I like the best about this is that he chose some songs that have not been recorded live before. I feel the version of When You Dance and Mr. Soul are simply fantastic. This disc may not be as good as some of his other live ones, but it's not to shabby either. Worth a listen folks......
great set, bad sound.......2004-04-20
I am a big Neil Young fan and think that this is a great set list, but the sound quality is just not there. It sounds like it was recorded from a mic in the audience rather than from a mix (was it mixed?).
From the mouth of the Horse..........2003-12-12
No one has kept the eternal flame of psychedelic rock alive with more sincerity, or longer than Neil Young. Perhaps the artist says it best himself on 'Big Time': "I'm still living the dream we had... for me it's not over". Even if you snicker a bit at the concept, it's obvious that Young still believes in love, peace and understanding, and it's certainly a noble ralling cry to cling to. Those who have abandoned the concept have frequently aspired to much less.
'Year of the Horse' is an underrated live set from Young, panned as lacking enthusiasm (those not familiar with Young may not realize that not every song he writes was intended as an 'ace-in-the-hole' for American Idol), or for retreading old territory by asking, "Do we really need another live version of 'When You Dance', 'Mr. Soul', 'Pocahontas', or 'Sedan Delivery'"? To even modestly addicted Neil fans, the immediate and immutable response is, "YES!". Consider that popular among the more rabid of us are web sites that attempt, with some precision, to detail every song ever performed at every concert by Young (check out the Sugar Mountain web site). Now, that's rabid. The appeal of alternate takes on any Young song becomes especially pertinent since Neil, like his chosen mentors Bob Dylan and Jimi Hendrix, so frequently reinvents his compositions. On this disc, 'Mr. Soul' is a case in point. Here we have a mid-60's souped up, fuel injected hot rod from Buffalo Springfield that has morphed into an acoustic blues romp, with Neil's 6 strings sounding loose enough to be falling off the guitar with each strum. Young's ode to Hendrix appears at the end of a high octane 'Prisoners Of Rock n' Roll', as he breaks into a psychedelic 'Star Spangled Banner'.
The set list for 'Horse' is remarkably diverse as Neil highlights such gems as 'When You Dance' from 'After the Goldrush', to 'Human Highway' from 'Comes A Time', to 'Sedan Delivery' from 'Rust Never Sleeps', to 'Big Time' and 'Slip Away' from 'Broken Arrow'. In nearly every way Young is "a little bit here and a little bit there", as he sings on 'Scattered'. He wears as many artistic hats as he does real hats these days. In giving Neil a double-disc, Time-Warner invited Young to surely make it seem like four, offering 12 songs from 8 different venues, with textures ranging from the haunting echos of 'When Your Lonely Heart Breaks' to the relentless jackhammer that is 'Sedan Delivery'.
Yet the best number on tap here is the seemingly innocuous 'Barstool Blues' from 1975's 'Zuma' album. This song sits innocently in the setlist until Neil uses it to ambush us like a Viet Cong guerilla, pulling the trigger with ferocity on 'Old Black'. Young has never been a finesse guitarist in the mold of Eric Clapton, or even Stephen Stills (making comparisons between the two rather meaningless). Instead, Neil sculpts sound from his instrument, and he's chiselin' up a storm on 'Barstool Blues'.
The only song I could have lived without is another selection from 'Zuma', 'Dangerbird'. I don't mind the song being heavy, but it's about as deep into depression as Neil goes (which is DEEP), and it's a few fathoms below my own tolerance. But everything else works, and works well, and should be pleasing to Neil fans ranging all the way from novice to completist. In fact, since Neil and the Horse are more consumable coming from the stage than the studio, a specially priced double-disc such as this is a nice way to get a representative sampling of Young's remarkable career.
I suppose if most Young fans had their pick of songs performed on the 1996 US tour, they might want to supplant the retreads with even more diverse selections, such as 'Long May You Run', 'Bite the Bullet', or 'Don't Cry No Tears', but I'm content with leaving Neil in charge and trusting his deejaying. Over the years, he's certainly earned that trust and respect.
The Dark Horse.......2002-12-16
Another reviewer--Daniel Brugioni--pointed out quite accurately how this record seems to fit in so well with the wide open spaces of a stormy landscape. Indeed, there's something very cinematic about the feel of this live record which, more often than not, sounds like the soundtrack to a wide screen movie featuring a dark and stormy desert landscape stretching off as far as the eye can see, and inhabiting this bleak landscape are the lonely and disillusioned people whose dreams have all been shattered in one way or another. While the opening song, When you Dance may be optimistic in it's lyrics, the performance is more downbeat, hinting at the disillusionment to come.
Needless to say it's not a very upbeat record, and yet there's an elegant beauty in this depressing vision that belies it's darker side. Sad though it is it never wallows in bitterness, and it captures the emotions of these songs with such clarity that they come alive in rich tones of sepia and black so that you can literally feel them in all their heart-wrenching despair. It's poetry for the soul. But then that's pretty much what you come to expect with the best of Neil Young. What also makes this collection of live music so unique is the song selection. Danger Bird, Human Highway, and Barstool Blues have never sounded better, and while Pocahontis has always been one of my favorite Young songs, it's never been done as well as it is here, nor has it ever captured the emotions of the song quite so vividly. And while Mr. Soul has certainly been done in a different way before, this version is one of the best. Here it sounds like a haunted train that comes whistling out of the darkest of places before intruding into the light of day with its engineer moaning his feelings to people only half aware of him as they go about their busy lives.
While I'm not one who embraces these types of emotions as the only kind valid in art, when they are done this well I can't help but be seduced by their melancholic attraction.
Average customer rating:
- Almost angelic
- Great choir, but mostly recycled material
- Glittering Chrismas Music
- The Spirit of Christmas On CD
- Superb voices!
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Cambridge Singers Christmas Album
Manufacturer: Collegium
ProductGroup: Music
Binding: Audio CD
All Works by Berlioz
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All Works by Britten
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Similar Items:
- The John Rutter Christmas Album
- Christmas Star
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ASIN: B0000DJEOL
Release Date: 2003-10-07 |
Tracks:
- The holly and the ivy (arr. H. Walford Davies)*
- Blessed be that maid Mary (arr. David Willcocks)
- Somerset Wassail (arr. John Rutter)
- Shepherds, in the fields abiding (French, arr. Willcocks)*
- The Infant King (Basque, arr. Willcocks)
- What is this lovely fragrance? (French, arr. Healey Willan)
- Gabriel's message (Basque, arr. Willcocks)*
- Still, still, still (German, arr. Rutter)
- Quittez, pasteurs (French, arr. Rutter)
- Un flambeau, Jeannette, Isabelle (French, arr. Rutter)
- Personent hodie (German, arr. Rutter)
- The shepherds' farewell (Hector Berlioz)
- O holy night (Adolphe Adam)
- O magnum mysterium (T. L. de Victoria)
- Hodie Christus natus est (J. P. Sweelinck)
- For unto us a child is born (G. F. Handel)
- In dulci jubilo (Samuel Scheidt)
- Lully, lulla, thou little tiny child (Kenneth Leighton)*
- A New Year Carol (Benjamin Britten)
- Balulalow (Peter Warlock)
- I saw a fair maiden (Peter Warlock)
- The Lamb (John Tavener)
- Fantasia on Christmas Carols (Ralph Vaughan Williams)
Album Description
Christmas Never Sounded So Good!
For more than a decade, John Rutter and the Cambridge Singers have shared the Joy of Christmas with the world. The ethereal sound of perfectly blended voices, singing the most beautiful seasonal music ever composed never fails to touch the heart or lift the spirit. This year, John Rutter and the Cambridge Singers have assembled a NEW collection - compiled from the archives, including FOUR NEVER BEFORE RELEASED TRACKS! This is a holiday feast you will NOT want to miss!
Customer Reviews:
Almost angelic.......2007-01-18
Choral music by the Cambridge Singers is always top-notch. An older album that might have sounded better with newer technology but no complaints. Has great vocals and orchestral support.
Great choir, but mostly recycled material.......2005-12-16
I have the utmost respect for John Rutter and his Cambridge Singers, probably the best choir in the world (at least, the English-speaking world). I have almost all their CDs. Two of their Christmas CDs are "desert-island" class for this listener.
Unfortunately, I cannot give this otherwise excellent CD the same high marks. If they wanted to release a "best of Cambridge Christmas" CD, this would not be it. It does a few of the absolute best Christmas selections, including Sweelinck's "Hodie", Willcocks's breathtaking arrangement of "The Infant King", and Rutter's own quirky reading of "Personent Hodie". And it does contain a few tracks not previously released.
However, if you want the best of Cambridge and Christmas, start with "Christmas Night", which is always the first CD I pull out the day after Thanksgiving. The sound of the famliar Persall setting of "In Dulci Jubilo" sets my holiday in motion. And that CD also has Rutter's own magical "There is a flower". After that CD, get "Christmas with the Cambridge Singers", which has "The Infant King" and some other treasures.
So, you can't really go wrong with this CD, especially if you just want an introduction to how this fine ensemble addresses the most choir-friendly holiday of all. But if you're serious about getting all the good stuff, start with the other two mentioned above, then add "Christmas Day in the Morning" and the early "Christmas Star".
Glittering Chrismas Music.......2005-11-15
I own virtually all of the CD's of John Rutter (whom I greatly admire) and the Cambridge Singers, and I am a fan of English Choral music in general. If I were asked to recommend only one of the many Cambridge Singers Christmas albums, or indeed one of any English Christmas album, a hard choice, this would be it. As others have noted, this CD is a compilation of songs from previous cds with four new releases. It is, I believe, longer playing than the other Cambridge albums. In style, it is a mostly quiet sounding collection--in fact several carols are sung a cappella-- with pieces ranging from carols such as "The Holly and the Ivy" to the more robust "Fantasia on Christmas Carols". In sum, this is a sensitively arranged and performed collection of beautiful Christmas music.
The Spirit of Christmas On CD.......2005-06-02
I have never been disappointed by any Cambridge Singers release, so it isnt surprising that I thoroughly enjoyed this offering as well. This CD is a compilation of songs from previous cds with one or two new tracks, so check your library to make sure you arent duplicating your collection in the order to complete your collection. I purchased this disk to obtain a copy of the Fantasia On Christmas Carols by Ralph Vaughn Williams which was originally released on Christmas Day In The Morning. As usual, every song is performed in a precise yet heartfelt manner. If you dont own any cds by the Cambridge singers I would personally recommend Christmas Night as the first disk to own, but if you know and love the Cambridge Singers as I do, then you will enjoy having this wonderful addition to your library.
Superb voices!.......2003-12-22
This CD was beautifully sung by the Cambridge Singers, a boys/mens choir, mostly a' capela. It's the first Christmas CD I've bought that really tempts me to crank up the volume so I can revel in every note.
Average customer rating:
- Best Grateful Dead full concert disc I have heard
- "The Other One," not "Cryptical"
- More From the '72 European Tour
- Astounding jams and superb sound quality -- buy this one!
- a really good set that is essential for any fan
|
Hundred Year Hall: 4-26-72
Grateful Dead
Manufacturer: Grateful Dead / Wea
ProductGroup: Music
Binding: Audio CD
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Similar Items:
- Fillmore East: April 1971
- One from the Vault
- Two from the Vault
- Steppin' Out with the Grateful Dead: England '72
- Rockin' the Rhein with the Grateful Dead
ASIN: B0002SPPVE
Release Date: 2004-08-31 |
Tracks:
- Bertha
- Me & My Uncle
- Next Time You See Me
- China Cat Sunflower
- I Know You Rider
- Jack Straw
- Big Railroad Blues
- Playing in the Band
- Turn on Your Love Light
- Going Down the Road Feelin' Bad
- One More Saturday Night
Tracks:
- Truckin'
- Cryptical Envelopment
- Comes a Time
- Sugar Magnolia
Customer Reviews:
Best Grateful Dead full concert disc I have heard.......2007-05-08
I don't know whethter to give this 5 stars or 2 stars. On its own, this is a fantastic 2 CD set. It is the best full concert CD set that I have heard. It is very strong on every song.
But, most of these songs were already available on other albums. Most of them are on either Europe 72 or Grateful Dead (Skull and Roses). The versions done here are not much different than what was previously done. For instance, Me and Uncle is also on Skull and Roses. On Hundred Year Hall you get Keith Godcheaux playing piano in the background, but it doeesn't really add that much to the song.
The sound quality is very good. Plus, the audience noise has been held to a minimum. There ia s little cheering at the beginnning and end of the songs, but you don't hear the audience while the song is being played. Many new live CD's are ruined by the audience noise being mixed in way too loud. Even some the of the Grateful Dead live CD's suffer from this.
The performance on the songs is very good and the band is very tight. There isn't a bad track on album. However, Bob Weir does mess up the lyrics on Truckin' twice. The band always seems to have problems getting this song right.
I normally don't like full concert CD's. The Grateful Dead classic live albums (Live/Dead, Skull and Roses and Europe 72) all came from a number of different shows. The best performances from each of the shows were included on the album so you end up with some truly fantastic music.
Plus, on all the classic Grateful Dead live albums, the audience noise is kept to a bare minimum so it doesn't interfere with the enjoyment of the music. I want to hear the band, not a bunch of drunk idiots yelling stuff and whistling.
There have been a ton of Dead shows released, with Dick's Picks, From the Vault and other offerings. Most of them don't come close to the quality of the classic Dead live albums. There are always some weak tracks. The sound quality is not is good, and the audience noise is sometimes mixed too loud.
Especially in the later years, the first set of a Dead show could be less than stellar. It always took a couple of songs for the band to get in sync and play well together. Also, the it took a few songs for the engineers to get the sound right.
But, Hundred Year Hall is different from the other full show CD's. The band starts out playing songs it knows and is tight and in sync from the beginning.
Of special interest is a 19 minute Turn On Your Lovelight that is more a guitar jam than any other version I have heard. There is very little of the usual Pigpen vocals. Then there is a very spacy 38 minute The Other One (incorrectly titled Cryptic Evelopment).
I know a lot of people love the complete concerts, to make it feel as if you there. But, is it really necessary to include the whole concert? Grateful Dead's 69 even includes a 3 minute break of nearly silence as a guitar string is being changed.
"The Other One," not "Cryptical".......2007-01-14
It's too bad Rhino didn't fix the track listing. Disc two is Truckin' > Drums > The Other One > etc.... It is not "Cryptical Envelopment" as stated. "That's It for the Other One" was a suite the Dead started playing in late 1967, comprised of "Cryptical Envelopment" ("He Had to Die...") written by Garcia, followed by "The Other One" ("Spanish lady comes to me...") written by Weir and Kreutzmann, and returning to a reprise of "Cryptical Envelopment." By 1972, the Dead only played the middle section, "The Other One," dropping "Cryptical." The would stretch the jam/space/feedback out to great lengths, as they do here for 36 minutes. It remained this way for the remainder of their career, save five shows in 1985, when they brought back "Cryptical."
That aside, this is a great abbreviated version of this show from what many consider their best tour. An all-time Dead highlight is the jam from "Lovelight" to "Goin' Down the Road." It is absolutely stellar, touching on "Not Fade Away" before finally settling into GDTRFB.
More From the '72 European Tour.......2006-07-06
There are a wealth of releases from the Dead's seminal tour of Europe in 1972, including "Europe '72," "Rockin' the Rhein," and "Steppin' Out." Each has its own virtues, and so does "Hundred Year Hall." Recorded at the Jahrhunderthalle in Frankfurt, this show features a nice mix of snappy, shorter numbers ("Me and My Uncle," "Big Railroad Blues," and a great version of "One More Saturday Night") along with some terrific jams, most notably on the 18-minute "Truckin'" and the 36-minute "Cryptical Envelopment." Pigpen doesn't sound too good on the 19-minute "Turn On Your Lovelight" (this was only one month before he last sang publicly), but the jamming is fantastic. The liner notes by Dead lyricist Robert Hunter are also weird and wonderful. On the whole, a good live selection for Dead afficianados as well as those who are new to the experience.
Astounding jams and superb sound quality -- buy this one!.......2005-08-29
I first heard this CD in the mid '90s when a friend of mine -- a Dead Head whose taste in music I usually respected -- thrust it into my hands and said, "You must hear this." I heard it. But I didn't like it -- then.
Today, nearly 10 years later, I'm amazed that I didn't like Hundred Year Hall. I guess my taste in music has changed a great deal over the years. Thank heavens!
Now, I'm into jam bands, progressive rock and other long-form music of high quality.
So, naturally, when I recently got into the Grateful Dead I started buying everything I could get my hands on -- especially their live material -- because I was blown away by the musicianship and "vibe" of it all.
Of all the Grateful Dead live CDs I own, I think Hundred Year Hall ranks in the top five. Perhaps even in the top three. The sound quality (on this remastered HDCD Rhino release from 2004) is astounding. But more than that, this is a smokin' live set that never lets up. It's one fantastic song after another, played by musicians at the top of their game.
My favorite song on this set is "I Know You Rider." They do this many times, on many of their lives CDs, but it's this version that I can put on "repeat" and listen to all day long.
Other standout tracks include "China Cat Sunflower," "Goin' Down the Road Feeling Bad," "Truckin'," and of course, the 36 minute "Cryptical Envelopment."
This is a very solid performance from the Grateful Dead from (I think) a 1972 show. Every song is great. Not a weak one in the bunch. And the sound quality -- thanks to Rhino's meticulous remastering -- has never been better.
With all of the Grateful Dead live releases out there (especially now with Dick's Picks), it's possible to overlook this CD. But do yourself a favor and don't. Buy Hundred Year Hall and enjoy one of the best concerts the Grateful Dead ever recorded.
a really good set that is essential for any fan.......2005-05-31
if you are new to the band I cannot recommend this strongly enough. It has really good quality compared to other live releases of the time, and has a lot of the best songs and jams the Dead were known for. The dead have a lot of releases from their tour of Europe in '72, which was obviously an important tour for them, and all of the releases are good. THis is a good one to get if you happen to stumble across it somewhere, which I did. if you get it, you will really enjoy it. I particularly like the second disc, which has their two biggest hits from the early days in terrific, extended jam glory. The first disc has my favorite version of what I consider to be their best song, "jack straw." this is a must have set.
Average customer rating:
|
Constantly
Rev. Evans Clay & The AARC Mass Choir
Manufacturer: Meek Records
ProductGroup: Music
Binding: Audio CD
General
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- He's a Battle Axe
- Coming Home
- I'm Going Through
- Still in the Mix
- The Collection
ASIN: B00005EBKM
Release Date: 2001-05-08 |
Tracks:
- All Is Well
- Thank You Lord
- Constantly
- Lord Will Make a Way
- Lord Will Make a Way (Reprise)
- Hold On, Pt. 1
- Hold On, Pt. 2
- He's My Everything
- I Won't Complain
- I Won't Complain (Reprise)
- Hallelujah
- Brand New
- Step by Step
- Constantly [Radio Edit] [Radio Edit]
Customer Reviews:
This is a beautiful CD.......2002-09-08
The song Constantly is a beautiful song. This song means so much to me and it seems like I just can't listen to it enough. It makes me think long and hard about my life and it makes me realize that I don't thank God enough. It makes me re-evaluate the things that I do everyday, and so now anytime out of the day I stop and think of this song, and then I thank God because I realize there's no me without him.
Average customer rating:
- Best full concert CD I have heard from the Grateful Dead
- Rock out with Dead
- turn up Keith and Pigpen
- Though incomplete, the best show officially released from the Europe '72 tour
- Superlative Jam
|
Hundred Year Hall: 4-26-72
Grateful Dead
Manufacturer: Arista
ProductGroup: Music
Binding: Audio CD
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Similar Items:
- Without a Net
- Dead Set
- Europe '72
- Dozin' at the Knick
- One from the Vault
ASIN: B000002VKA
Release Date: 1995-09-26 |
Tracks:
- Bertha
- Me and My Uncle
- Next Time You See Me
- China Cat Sunflower
- I Know You Rider
- Jack Straw
- Big Railroad Blues
- Playing In The Band
- Turn On Your Lovelight
- Going Down The Road Feelin' Bad
- One More Saturday Night
Tracks:
- Truckin'
- Cryptical Envelopment
- Comes A Time
- Sugar Magnolia
Customer Reviews:
Best full concert CD I have heard from the Grateful Dead.......2007-05-08
I don't know whethter to give this 5 stars or 2 stars. On its own, this is a fantastic 2 CD set. It is the best full concert CD set that I have heard. It is very strong on every song. (I think this is a full concert...I have heard some rumors that some songs are missing...but the CD set is 140 minutes long).
But, most of these songs were already available on other albums. Most of them are on either Europe 72 or Grateful Dead (Skull and Roses). The versions done here are not much different than what was previously done. For instance, Me and Uncle is also on Skull and Roses. On Hundred Year Hall you get Keith Godcheaux playing piano in the background, but it doeesn't really add that much to the song.
The sound quality is very good. Plus, the audience noise has been held to a minimum. There ia s little cheering at the beginnning and end of the songs, but you don't hear the audience while the song is being played. Many new live CD's are ruined by the audience noise being mixed in way too loud. Even some the of the Grateful Dead live CD's suffer from this.
The performance on the songs is very good and the band is very tight. There isn't a bad track on album. However, Bob Weir does mess up the lyrics on Truckin' twice. The band always seems to have problems getting this song right.
I normally don't like full concert CD's. The Grateful Dead classic live albums (Live/Dead, Skull and Roses and Europe 72) all came from a number of different shows. The best performances from each of the shows were included on the album so you end up with some truly fantastic music.
Plus, on all the classic Grateful Dead live albums, the audience noise is kept to a bare minimum so it doesn't interfere with the enjoyment of the music. I want to hear the band, not a bunch of drunk idiots yelling stuff and whistling.
There have been a ton of Dead shows released, with Dick's Picks, From the Vault and other offerings. Most of them don't come close to the quality of the classic Dead live albums. There are always some weak tracks. The sound quality is not is good, and the audience noise is sometimes mixed too loud.
Especially in the later years, the first set of a Dead show could be less than stellar. It always took a couple of songs for the band to get in sync and play well together. Also, the it took a few songs for the engineers to get the sound right.
But, Hundred Year Hall is different from the other full show CD's. The band starts out playing songs it knows and is tight and in sync from the beginning.
Of special interest is a 19 minute Turn On Your Lovelight that is more a guitar jam than any other version I have heard. There is very little of the usual Pigpen vocals. Then there is a very spacy 38 minute The Other One (incorrectly titled Cryptic Evelopment).
I know a lot of people love the complete concerts, to make it feel as if you there. But, is it really necessary to include the whole concert? Grateful Dead's 69 even includes a 3 minute break of nearly silence as a guitar string is being changed.
Rock out with Dead.......2007-02-27
While you can debate the relative merits of the four selections from the Europe '72 tour that are commercially available, there should be no debate that Hundred Year Hall rocks out like none of the others. There is some space in "The Other One," but it's ready for takeoff during most of the set. The jamming in "Truckin'" and "Lovelight" has already been mentioned, but this rendition of "Playing in the Band" is one of my all time favorites. That song was still relatively new to the band's playlist and had yet to morph into the 20+ minute monster it would become later that fall, but this one features an absolutely scorching high-pace solo by Garcia.
turn up Keith and Pigpen.......2006-10-13
The performance is great and the real problem I find with this release is that both Keith's piano and Pig's organ are mixed so low you can barely hear them in spots. Aside from that, this performance is top notch.
Though incomplete, the best show officially released from the Europe '72 tour.......2006-03-25
Too bad that the good folks in the Grateful Dead organization didn't release the entire performance, but what is here is absolute gold. This may be the finest first set the Dead played in all of '72, it's simply incredible. Outstanding Bertha, China Cat/Rider, the Playing In The Band is to die for. As another reviewer pointed out this is why people listen to the Dead. Quite simply Jerry and company are on fire and there is so much jamming throughout that by the time the jam showcase Cryptical Envelopment/The Other One comes about it's almost anticlimactic, almost that is except it's a particularly good One. The version of Trucking is also outstanding despite Bob Weirs fluffing the lyrics, something he almost always seemed to do in the first few years of this song. The bands telepathic playing is wonderful though and makes up for any lyrical indiscretions. The sound quality is great with (almost) all the instruments well mixed. The only complaint I have is that Pigpen isn't utilized as well as he could have been, his organ isn't audible for many of the tracks. Whether that's a problem with the original tapes or a decision made during the mix, I don't know. Now the two keyboard configuration of Pigpen's organ and Keith Godchaux's piano is one of my favorite characteristics of the Dead during late '71 to mid '72 and it's missing from this recording, damn. Pigpen's vocals on Lovelight are excellent however but oddly truncated in that he doesn't do an extended rap. Maybe Pigpen wasn't feeling all that well for this show which would explain his lack of contribution.
Folks even with it's flaws this is a great document of an excellent show. Its a solid five star performance with the best first set playing of the Europe '72 tour and possibly for the entire year. Until the Dead release the four shows done at the Lyceum in London at tours' end, the Tivolis Koncertsal show from Copenhagen, or the Wembley Empire Pool show from April 8th, this is the best official release of the Dead during the Europe '72 tour we've got. Also recommended is Rockin' The Rhein which is an excellent recording of the complete Rheinhalle show from April 24.
Superlative Jam.......2006-02-21
The main reason to purchase 100 Year Hall is the 36+ minute
jam on CD 2: Cryptical Envelopment. This jam is a top-notch
example of Grateful jamming at its absolute best. It has all
the subtle nuances of a Dark Star Jam...and minimal vocals.
Indeed, one of the very best jams ever by the Dead.
The "Comes A Time" that follows is a bit different than the
totally exquisite version on "Stepping Out," but it's better
than very good. Playing In The Band on CD 1 is swell as well.
In sum, the Cryptical Enveloment jam on CD 2 is WELL worth the
price of admission. If you love Dead jams, don't hesitate an
instant if you're wondering whether to acquire 100 Year Hall.
Average customer rating:
- What can I say?
- Felt Like Puppy Love
- The Best Album I've Ever Heard
- A precious and wonderful album!
- Mahalo, Keali`i!
|
Ke'Alaokamaile
Keali'i Reichel
Manufacturer: Punahele Productions
ProductGroup: Music
Binding: Audio CD
General
| International
| Styles
| Music
Hawaii
| Pacific Islands
| International
| Styles
| Music
Similar Items:
- Maui
- In Dis Life
- Alone in IZ World
- Facing Future
- E Ala E
ASIN: B00007138U
Release Date: 2003-12-09 |
Tracks:
- Ka Mo'oku'auhau O Kamaile Puhi Kane
- He Lei No Kamaile (Chant)
- Ka Nohona Pili Kai
- Fields Of gold
- Pupu A'o 'Ewa
- Mele 'Ohana
- For The First Time
- Na 'Ono O Ka 'Aina
- E Pili Mai
- Kaiona
- Lahainaluna
- You Were There
- Lei Hana I Ka Makani Ualau'awa
- Ka Nohona Pili Kai (Re-Mix)
- Goodbye My Friend
Amazon.com
Whether it's ukulele music, the island exotica of Martin Denny, the lounge crooning of Don Ho, or the slack key acoustic guitar tradition, many styles of music have emerged from the jeweled necklace in the Pacific known as Hawaii. Over the course of five albums, popular singer Keali'i Reichel (pronounced kay-ah-LEE-ee rye-SHELL) touches on both commercial adult contemporary songcraft and traditional ukulele and hula dance accompaniment--he was a noted hula dance instructor and cultural historian before becoming a professional musician. The Grammy-nominated Ke' Alaokamaile is the singer's tribute to his family, singing about his ancestors and his own life so far. While there a gloss on many of these contemporary songs (even when sung Hawaiian) that no doubt gives them a broad pop appeal--Reichel also does a sentimental but somewhat empty version of Sting's "Fields Of Gold"--the traditional songs are strong enough to prove Reichel's versatility. Purists will likely have problems with some of Ke'alaokamaile, but Reichel's legions of fans will swallow it whole. --Tad Hendrickson
Customer Reviews:
What can I say?.......2005-08-30
Everyone else who reviewed this album has basically said it all. I have all five of Keali'i's CD's and can hardly wait for a sixth to come. You don't have to know the Hawaiian language to enjoy his music; even I only know a few phrases. His voice is beautiful and very soothing, especially if you're stressed, unhappy, or you can't get to sleep. My two favorite songs on this CD are "Ka Nohona Pili Kai" and "Mele 'Ohana," which is sung in both Hawaiian and English. I also love his rendition of Sting's "Fields of Gold." Keali'i is a great chanter as well. This is shown in "He Lei No Kamaile" and "Lei Hana I Ka Makani Ualau Awa." A recommended CD for all!
Felt Like Puppy Love.......2005-05-04
I'm so sorry to say but I really did NOT like this CD. The tunes were pretty similar and felt like puppy love songs. There were very few of the Hawaiian style songs that I like and look forward to from Keali'i Reichel but not enough to make me like the whole CD. I am donating mine to the library...
The Best Album I've Ever Heard.......2005-04-15
I own and enjoy all of Keali`i Reichel's albums but Ke`alaokamaile is the best. Everything about it is wonderful; from the booklet that comes with it to the final song. I always enjoy his chants and this CD has two excelent ones. My favorite song on this album is "Ka Nohana Pili Kai". All his songs are simply beautiful.
My family and I plan to fly from Arkansas to attend his September 11, 2005 concert at the Hollywood Bowl. I would only do that for an exceptional artist. I'm looking forward to his next album. This one will be hard to top.
A precious and wonderful album!.......2004-06-17
Mahalo e Keali`i for sharing your aloha with us. This album is a wonderful tribute to his tutu, and his family, as well as everyone's family. The music is pure, in true Keali`i fashion that his fans love. I had tears in my eyes the first time I listened to "Ka Nohona Pili Kai". The entire album is filled with great music, in English and Hawaiian.
Mahalo, Keali`i!.......2004-06-04
Wow. Another fine album from this fine artist. His voice caresses the Hawaiian language, already one of the most beautiful languages on earth. His Hawaiian sounds like the Hawaiian that the kupuna speak. Combine that with the masterful poetry of the amazing Puakea Nogelmeier, and you've got music that is timeless. Whenever I listen to Keali`i singing, it makes me soooo homesick for Hawai`i. If that weren't enough, Keali`i is one of the nicest people you'll ever meet -- and so is Puakea. They both still live in Hawai`i and they don't have the big head because they are famous. Buy this album, buy all of his albums. You won't be disappointed.
Music:
- All My Life [Import] [CD-single]
- And All That Could Have Been [Limited Edition] [Live] [Import]
- Animositisomina [DualDisc]
- Australia
- Awake [CD-single] [Import]
- Beautiful Californian Failure
- Best of Blur [Import]
- Between the Twilights
- Black Balloon [CD-single] [Import]
- Brave Words
Music
music
Music
T. Rex Wax Co. Singles: A's & B's 1972-77 [Original recording remastered]
Payette: Confidences Poétiques
Mound City Blue Blowers: 1935-1936
Songs of Devotion
Mega Hits 99 [Import]
Merenhits '95
Magic Of The Moment: Folk Songs & Spirituals
One Year [Import]
On the Edge
Maurice Ravel: Piano Concertos
Live [Live] [Import]
New York School
Nacer Una Vez Maz
Undisguised
The Little Mermaid: Original Motion Picture Soundtrack