- The "Chicago Tribune" Tower Competition: Skyscraper Design and Cultural Change in the 1920s (Modern Architecture & Cultural Identity S.)
- Prosperity and Plunder: European Catholic Monasteries in the Age of Revolution, 1650-1815
- Anselm Kiefer and the Philosophy of Martin Heidegger (Contemporary Artists & Their Critics S.)
- British Portrait Miniatures (Fitzwilliam Museum Handbooks)
- The Nude in American Painting, 1950-80
- The Tombs of the Doges of Venice: Venetian State Imagery in the Thirteenth and Fourteenth Centuries
- Antiquity and Its Interpreters: Antiquity Transumed
- The Rhetoric of Power in the Bayeux Tapestry (Cambridge Studies in New Art History & Criticism)
- The Writings and Drawings of Leonardo Da Vinci: Order and Chaos in Early Modern Thought
- Ernest Meissonier and Art for the French Bourgeoisie
- Signifying Art: Essays on Art After 1960 (Contemporary Artists & Their Critics S.)
- Salvador Dali's Art and Writing, 1927-1942: The Metamorphosis of Narcissus (Res Monographs in Anthropology & Aesthetics)
- Pictorial Narrative in Ancient Greek Art (Cambridge Studies in Classical Art & Iconography)
- Commemorating Poussin: Reception and Interpretation of the Artist
- Titian and the Altarpiece in Renaissance Venice
- The Parthenon Frieze
- The Florentine Academy and the Early Modern State: The Discipline of Disegno
- The Arts of Collecting: Padre Sebastiano Resta and the Market for Drawings in Early Modern Europe
- Dynasty and Diplomacy in the Court of Savoy: Political Culture and the Thirty Years' War (Cambridge Studies in Italian History & Culture)
- The Poetics of Portraiture in the Italian Renaissance
- Vermeer: Reception and Interpretation
- Personal Styles in Greek Sculpture (Yale Classical Studies)
- The Rebirth of Painting in the Late Twentieth Century
- Michelangelo and the Reform of Art
- Hebrew Manuscripts of the Middle Ages
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