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The Maestro Myth: Great Conductors in Pursuit of Power

Average customer rating:

One of a Kind
One man's informed and unique view
Newly Revised and Updated...but was it edited?!
Overwrought piffle
Not much new here

The Maestro Myth: Great Conductors in Pursuit of Power
Norman Lebrecht
Manufacturer: Citadel
ProductGroup: Book
Binding: Paperback

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ASIN: 0806520884

Amazon.com

Music critic/provocateur Norman Lebrecht didn't make the high muckety-mucks of the classical music industry at all happy with this iconoclastic book, but he did open a lot of eyes. In 328 fascinating pages, he exposes the foibles and failings (musical and otherwise) of the great conductors of the last century. Why are there so few really outstanding conductors, and so many surface-skimming mediocrities? How did the conductor go from a mere time-beater to a powerful, immensely well-paid figure who jets from continent to continent and from podium to podium, hobnobbing with presidents and tycoons instead of with other musicians? Lebrecht explores all these factors, along with the history of conducting, and in the process dishes a few good anecdotes. He also shines the light on Ronald Wilford, the superagent of Columbia Artists Management, Inc., who controls the careers of more than 100 conductors--and, therefore, controls much of classical music. Lebrecht gets a few facts wrong (mostly minor--there haven't, for example, been stockyards in Chicago for some decades), but most of his points are well taken.

Customer Reviews:

One of a Kind.......2006-10-18

This book is not tabloid. The book is going to brook criticism for being one of the only books to just start talking about the conductor problem. Like a dictionary for the music history of conductors. Why are orchestras going out of business whilst orchestral musicians are dreadfully unhappy and relatively poor? Who's left but the "maestro" who represents the star and rakes in the profits? Bad editing aside, we need to know more. pretty eezy to read.

One man's informed and unique view.......2006-02-05

Lebrecht writes trenchantly about the music business. Many of his observations are carefully considered, if impolitic. Those who idolize the "great conductors" will be very uncomfortable reading about their equally outsided foibles. The author's conclusions are his own and may not be to everyone's taste. However, Lebrecht has enough backbone not to be trying to please everyone--for that way also would lie a boring book. No, he's trying to tell the truth as he sees it. This volume does not pretend to be a complete or scholarly treatment of all the major conductors within recent memory and Lebrecht clearly has his favorites (such as Simon Rattle). The editing leaves much to be desired because typos abound. Is this entirely the author's fault, or does the editor share the blame? If you want to know that we're all human and some more so than others, this is a book for you. It's not geared to people who don't already know something about the subject, so you need to be a classical music buff to come away feeling the impact of what Lebrecht has told you. If you are, you will see clear examples of how the press is often prejudiced (not to say sometimes vindictive, as in the case of Mitropoulos), how public taste is shaped by odd events and sometimes how virtue is punished. I feel a little guilty giving this book only 4 stars because its writing is up to a high standard and its thesis is interesting, but the substandard editing is, nevertheless, distracting to the reader.

Newly Revised and Updated...but was it edited?!.......2006-01-15

Although I am deeply enthralled by the lives of great conductors and musicians, this was not enough to erase the embarrasment and, at times, utter disgust at the mistakes (typos, misspellings,etc.) and errors found throughout this book.
I bought the book on a whim and became deeply entrenched in its pages within minutes (this is not to say that this reads like Clancy but it is very interesting). But the more I read the more frustrated I became at the mindless and senseless editing that was done here. For instance, on one page alone there are 3 different spellings of Mahler's name:
1: The correct way appears- Mahler
2: Then this- Maler
3: And finally this- Mabler
The latter really bowled me over. And the further I read the worse it became. There are also misrepresented facts (such as the stockyards in Chicago) throughout.
In short, if you are looking for scholarship and true presentations, look elsewhere. If you are interested in various interesting anecdotes and trivia-like facts about conductors and you dont mind sifting through misspellings and foreign words with no interpretation, then you will enjoy this book. But I must warn you...any book with a typo on its back cover (The Maesto Myth) may be more of a hassle than good informal reading.

Overwrought piffle.......2004-12-08

Backstairs gossip, blurted out in a confused, breathless stream-of-consciousness rant. Nothing particularly new, poorly proof-edited.

The maestro myth must still be very powerfully alive if it tempts a supposed grownup to this extreme of incoherence.

Not much new here.......2002-04-11

For anyone seriously involved in the classical music arts world,
there is very little in this 'tell-all' attempt that will provide new information. In addition, the writing style jumps around in such a manner that the reader is often confused as to the subject matter at hand.

The Maestro Myth: Great Conductors in the Pursuit of Power

Average customer rating:

The Maestro Myth: Great Conductors in the Pursuit of Power
Norman Lebrecht
Manufacturer: Simon & Schuster (Trade Division)
ProductGroup: Book
Binding: Paperback

General | Music | Entertainment | Subjects | Books

Average customer rating:

The Maestro Myth: Great Conductors in Pursuit of Power
Norman LEBRECHT
Manufacturer: see notes for publisher info
ProductGroup: Book
Binding: Hardcover
ASIN: B000RJRY4Y

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